#fuck yeah love talking about myself

[lobotomy-lady]

I don't care how many times the rich & famous talk about how being rich & famous is the worst fate humanly possible I will never ever ever believe them for one milisecond lol

[anomura]

so. i've been thinking probably way much about bucky's attachment/abandonment issues bc they're soooo loud to me like he clings to people so hard!!! he wants to be chosen!!! him asking gale "did you miss me?" after spending objectively not that much time apart half joking but half sincere bc he's used to people getting tired of him and leaving so he has to make sure.

And it makes gale saying no to london even more of a Big Deal. and paulina leaving him the morning after even when he asked her to stay!!! and lil kissing him but getting with dye!! and once again feeling rejected in the stalag when gale won't leave with him, won't even entertain the thought of it !! andddd not having anyone writing him letters, possibly not even his family for reasons we don't get to know but probably are a big part of why he has attachment issues

i've already said this but i'll say it again even though he's confident/cocky at times he doesn't... like himself . or has a lot of regard for his own life which we literally see in the show. he was Capital S Suicidal – bc of the stalag obviously but come on he drinks like crazy and gambles and smokes even before things get Really Bad. and the plane wing sceneeeee you don't goad your friend !! not even a random person but a Friend into hitting you if you're a well adjusted individual. And he was ready to give up fr when gale went down. he did not want to bail out with brady!!! AND him risking his eye to get gale a bike (which while yeah crazy yaoi moment . to me also ties into him needing to be wanted/needed so people won't leave him) so yeah clearly not huge on self preservation which at least in my perception is something that stems from self hatred

all of these rejections (even if justified at times) are probably a series of blows to his perception of himself/sense of self and just reaffirm to him in his head that he's not good enough and he is right to expect to be left by the people he loves. and he tries to stop that by clinging as hard as he can and not being expendable/replaceable. but if they do leave he can rationalize it because if everyone leaves him clearly it's his fault, he's the one lacking – which feeds his recklessness and self destructive coping mechanisms even more

[dawnofiight]

Btw- I drew Vincent a real long time ago (like 2 weeks ago)

**runs**

Taglist :

@achios

@ashertickler

@astrodude-87

@aurorialwolf

@dukecollinsbf

@idontdomathlol

@indigo-greer-collins

@infinitelovewiithoutfulfilmentt

@moronkyne

@pandoraroid

@porters-fangs

@plaqying

@nevaroonie

@puffin-smoke

@sereh624

@skunkox

@s0lairee

@starlogician

@sunsickcrab

@themeridian

@tunacatfishes

@vind3miat0r

@www-dot-why-are-you-here-dot-com

@zimix-whispers

[skitskatdacat63]

2011 Italian Grand Prix - Vettonso

[dootznbootz]

Menelaus rambles a lot about not only Helen, but also Hermione. About how she used to say Olive like "Olifs". How she lost her first tooth running too fast and running into a low branch while out with Helen. How he'd sometimes wake up to Hermione leaning over him and poking his face to say, "Dad, can we go see the horses?" even though it was barely daylight. How she was much nicer waking Helen and how he thinks Hermione did that on purpose because she found "dad's face funny". How her favorite color was every color.

And Odysseus listens.

And he thinks about how his son only had a few teeth coming in when he left, teething on everything. How he could only say one syllable with his babbles. How his son needed balance to stand but Odysseus was so proud that Telemachus was very good at rolling over. How his son loved pulling at his and Penelope's hair.

How his son would be talking, walking, maybe even lost his first tooth by now. And he doesn't even know if he'll ever know his son's favorite color.

[pepperpixel]

Yadda yadda yadda jinx is generally seen as a loose canon, does whatever she wants type of character, totally unpredictable. When in actuality, up until the last few episodes all of her choices and actions r motivated by wanting to please someone else. Hell. Even in the last couple episodes, the very Last thing we see her doing is ENTIRELY MOTIVATED by devotion and love and grief for silco, she’s taking out her frustration at herself and the world, and also honoring his wishes and dreams. By shooting a fucking bomb at piltover, she’s ensuring his life wasn’t in vain, she’s honoring him. In that moment

Her entire, self!!! is centered around love and loyalty. Is centered around other people, She’s motivated by an insatiable urge to prove herself, to be useful to those she loves, to show that she can help them and be there for them and be WORTHY of there love. That they haven’t made a mistake in loving her. To prove that she can be as pivotal to them as they r for her. She goes to the ends of the fucking earth to do this. And it ends. Terribly.

She puts the people she loves on pedestals and supplicates at there feet, she has no motivations most of the show outside of making the people she loves happy… she yearns for connection and love and safety. For a home that will never leave her behind, or crumble under her feet, (an indestructible home, That she can’t destroy just by being her…)

Which is why.. it’s so. Interesting and intriguing. How now, she has no one on that pedestal to worship, no one to drag sacrifices and offerings to the feet of, no one to spiral around and build herself off of. She is a person so *affected* by her relationships w others, but there is no relationship now, no one is stepping up to the plate to love her. She’s too much. For anyone. The one person who seemed to have unlimited patience for her is dead, because of her. and maybe vi could still love her.. but. She’s already soured that relationship. Already broken that one too. Broken all her favorite toys that made her so happy. That were there for her. And scared all the rest away. (There is a limit to what vi can support and forgive to reconnect w her sister. And I believe terrorism is crossing that limit ghgh)

And maybe, jinx is cutting that part of herself out on purpose. To be stronger, she’s realized she just. Isn’t made for love. That she ruins it all in the end. That it just makes everything worse. Messier. More complicated. She’s better off on her own, but for what PURPOSE! Who will she be now! What choices will she make!?! Almost all of her actions in the show were for others, what is driving her now, now that she has this gaping void at the center of her being. Where love used to be… what kind of person will she become, Without a guide to follow… a sun to orbit around. it’s sad honestly ghghg-!!! like yeah it’s not healthy that she is this way but there’s no THERAPY IN ARCANE. THIS IS THE WAY SHE IS! And now. She’s alone… it’s rough. But also intriguing…!! And I honestly have no clue how she’s gonna act in season 2,,, or what sorta shit she’s gonna get up to. but I’m excited.

[whollyjoly]

@luztoyeweek 2024 day 1 - i'll be seeing you by billie holliday

[davidbyrne]

I am in love with David Byrne in a way that cannot be quantified

[skibasyndrome]

.

[lale-txt]

it's been over a week but i legit haven't stopped thinking about this

[bidisaster-peanut-romano]

soo hi everyone!! i'm back on my bully essay/meta/something writing!! sort of. i did this.

anyways anyone who's been on this page for some time know how from time to time i have insistently mentioned the parallels between lola and peanut, right?

welp! that was a joke but the time has finally come!! a super-pretentious essay just for the fun of it!! (and also bc i haven't been writing actually argumentative texts in like months perhaps a year, so. yikes, i really need to practice again)

word count: 2.2k WOAH. IM SORRY

i, in my corner, with my monstrous needs. — susan sontag, as consciousness is harnessed to flesh

take this quote both as a title and an anticipation of what is to come. the essay will be distributed analyzing first the dependence of each of them on johnny, to then draw comparisons. i'll make sure to steer as away from headcanons as possible, sticking closely to the source text. obviously, some things' interpretation might be ambiguous, but, you know. your usual occupation hazard.

also, a disclaimer before we start: while they are psychologically complex and there is always a mimetic intention in developing them, these are fictional characters, and, as such, their primary function is to be vessels for different themes, questions and so forth. therefore, i will prioritize meaning and themes over moral implications and similar elements.

i. peanut

for how much i can adore talking about him, the way peanut depends on johnny is very much on the nose; worn on his sleeve, even. in 11:11 minutes of voice lines, he mentions johnny 30 times.

many interpret this as the caricature of a boy crush, but i have reasons to believe it is much less cute than that.

the problem is that, really, more than trying to identify specific situations... peanut seems to rely on johnny for a significant part of what he does. when he does good at dodgeball:

Look at me, Johnny, look at me!

almost like a child calling for his parent's attention to be praised. he calls johnny's name when he's going through hardships, when he's scared or when he's sad.

more than someone he just loves, johnny is a point of reference. whenever there's something going on, whenever he does or has to do something, his first thought goes to johnny; vice versa, what johnny asks of him is his priority.

I gotta tell Johnny! No time. I gotta see Johnny now. Gotta help Johnny. What can I do next to please Johnny? I mean Lola! I mean…

(this also goes in a "negative" direction, envy being the other side of the medal to adoration. especially because, in some way, this reliance on johnny might be felt by him as emasculating, and, being johnny his model of masculinity, adding it to the napoleon complex thing, it's not hard to guess why it can be so unpleasant. we can see this manifest through some of the things he expresses in regards to lola- not as much an interest he has towards her, but the interest he wishes to have from her- which are a bit more different than it might seem at a first glance. but this is a mouseketool we'll need later. still:

Last time I saw her, Lola made eyes at me, not Johnny!

do we really need this part? heh. i'm not sure, but it's always good to point out)

(also, just because, for the purpose of this analysis, it might be useful to specify: while these sentiments are very much implied in peanut's canon quotes, we have no evidence in canon in what measure they are reciprocated by johnny. the fandom has universally agreed that johnny also views peanut as his Best Friend In The World; while in some measure, they must be at least a bit close, i think it is even safe to say, given the caricaturist nature of bully's characterizations, that johnny holds peanut in less consideration that peanut deludes himself into believing. quoting another post of mine, the kids who show some level of obsession towards their leader mention him on average ten or less times (gord mentions derby eight times, parker six times, kirby mentions ted five times). the leaders don't usually make names at all, that much is true; however, peanut mentions johnny 30 times, and, even in front of this proportion, johnny mentions peanut 0 times. just to make that clear)

overall, what undeniably shines through his voice lines is a feeling of general inadequacy, whether about his height, or his strength in front of a bigger adversary. the audios in which he tries to show off range from being disingenuous, to straight up improbable.

crossing what we have until now said, it is not hard to come to the conclusion that he really tries to make up, to fill this empty feeling of inadequacy by taking pride in his role as johnny's second in command.

while i am a big fan of bully's characteristic of having left much content out of the main game, leaving the gamers to dig it up for themselves, i do believe that scrapping some of the stuff that was prepared for peanut is a loss. we have a number of voice lines coming from chapter 3, in which it was heavily implied how important peanut's role as johnny's right hand man was.

for example, much like... all other seconds in command, really, he was to be followed and then fought in the rumble, before you could get to johnny, with the specific duty to cover his back. even his very first scene, the opening cutscene of chapter 3, i believe, is not to be underestimated. most of the other people, as far as i recall, call you when they need it in person; johnny, however, sends peanut. making him, de facto, an extension of himself, almost.

again, you choose the motivation. what is important, from a narrative point of view, is that peanut clings to johnny through these acts of service, almost making it the foundation of his personhood.

basically, he makes it so that, if he can't be of help to johnny, his whole self is fundamentally annihilated, giving himself completely to johnny.

ii. lola

with lola, reading between the lines gets a bit more difficult; first of all, because lola is much less transparent than peanut, her insincerity being a supporting beam of the whole chapter 3. secondly, whether she was done dirty by the creators or not, it is undoubted that being the perspective that of a teenage boy (namely, jimmy, but we certainly, as viewers, are brought to sympathize more with johnny than with lola) with all the prejudices it can bring with itself.

however, it doesn't mean that there isn't anything to work with- quite the contrary, actually. the issue with lola is that there is a certain amount of layers to get through before gaining a satisfying perception of her as a character. still, we're here to try our best, aren't we!

even behind the muddiness of her intentions and the manipulation she shows herself a master at, it is clear from the second we first meet her that what she does is in function of johnny.

to get through this mess with order, we'll start from an easy, measurable numeric information: lola mentions johnny in her audio files 19 times. which, we're assessed, IS a considerable amount.

we have extensively talked about the way her cheating patterns are a strategy not to succumb to the passive role of the girl in the heteronormative, patriarchal prototypical couple (there's a post here breaking down a lot of this stuff, if any of you is interested!!), so, instead of this, i want to focus on what lies beneath that behavior.

ultimately, the whole point is that lola expects and wants johnny to fight for her. whether is it because she feels taken for granted, or just because he can't perceive it if not through grandiose gestures like the rumble- your interpretation will work; she wants to see johnny fighting nail and teeth not to lose her, she wants him to show her that he wants her.

she's all about that attention, and she knows exactly what and how to do to get it. and i think this is especially clear when you compare the moments in which she knows there's no advantage she could go for; when she has understood that jimmy won't fall for her manipulation, when algie and chad leave her unsatisfied, when norton openly accuses her and antagonizes her - she loses her temper, lets go of that sweetened and/or flirtatious voice tone, abandons that specific kind of gesturing. she doesn't care anymore about obtaining something. she was actually angry, and she was actually upset that johnny had disappeared.

in some of her audios, she references johnny with some amount of fondness, as well:

Johnny and I were on the best date ever.

(there is also a voice line in which she says "He told me he likes me because of my personality. Isn't that sweet?"; due to it being a general chatter and not exclusive to one chapter, i assume it is relatively safe to assume she is quoting johnny. however, as i said at the beginning, we're trying to stay as close to canon material as possible, so, do your thing- and i'm open to arguments!!)

a considerable amount of audio files, however (which will lead us to our final point) is about her... calling for help for johnny, or stating, confidently, that he will come save her, or avenge her later.

Someone get Johnny! Johnny's gonna get you for this. Johnny is gonna kill you!

but wait... i have some sense of déjà vu...

You're gonna be sorry when Johnny finds out!

iii. two faces of the same medal

if i had to pick an effective image for a metaphor, i'd say that the thing about lola and peanut is that they are both dogs looking for someone to take their leash; we’re talking here about an exclusive relationship with someone they can rely totally on, someone we’ll call the Other (with a capital o, distinguished from just other. yes it is unnecessarily complicated i’m sorry).

for what my professor would call accidents of history, it happened that both of them found that Other in johnny.

each of them attempts at creating an exclusive relationship with the Other, one foolproof and fundamentally… perfect. perfect in the way that everything works like oiled gears, in the way that every next move is predictable, in the way that any accident will not break the created equilibrium. (even if, in the general sense of the term, lola and johnny's relationship is everything but perfect, it is in the connotation that we have established here. lola is aware that, no matter what she does, johnny will come back around. hell, the very thing that she does is aimed at keeping that balance; specifically, keeping him a bit on the edge, pushing him into a corner where he has to actively make an effort to keep her close.)

they both hide something they are ashamed of, regulating not only their actions and reactions but their very way of existing in the world, in order to keep that gear working, in order to remain in johnny's hand. lola hides that craving for a genuine and stable affection, dissimulating it with the cheating and the fatuous physical demonstrations of closeness; peanut hides his sense of inadequacy and complex of inferiority, by being the tough and reliable second in command.

basically, what they mean to achieve is a sense of security, the safety of not really being the one to lead but, at the same time, finding a purpose, other than a shield from the outside world that they are not willing to concede themselves to. like a... symbiotic relationship?? i was going to say parasitic, but, yknow. the Other does get some advantages, which are, respectively, peanut's acts of service and lola's capacity to boost johnny's pride.

now, of course, johnny is not aware of either of their play. which makes it even better, since, as we already said, both of their approach to the relationship needs some degree of insincerity.

like, i don't deny that johnny might be a good friend, or a loyal one. but he is an oblivious, prideful fuck who can't see past his own nose; he's got a tendency to make it all about himself - which of course goes perfectly with what we said about both peanut and lola making the Other their center, taking up, in a certain way, a passive role in the relationship.

this way, both of them aim at creating with johnny a relationship that is, in a way, codependant and conditional, in which the do ut des (their respective "service" ↔ johnny's guarantee of stability) creates the foundation of the very relationship.

this, of course, brings up the problem of exclusivity; on which, however, i prefer not to delve into too much, as this would bring us to the topic of their antagonism which... isn't really what i wanted to go for, at least not here. (it would risk bringing us a bit too close to my subjective interpretation and too far away from the canon, which i PROMISED i wouldn't do. however, someday i might elaborate on that??? idk , please do lmk if someone's interested around here)

i will, however, show you a diagram (it looks like a triangle- i guess it is, but it is VERY important that it is a pyramid, with a top and a larger foundation) and a quote, to wrap this up bc i think it is already WAY too long and ramble-y lmao. let me know what you think anyway, my ask box is always open <3

it almost feels like a joke to play out a part when you are not the starring role in someone else's heart you know i'd rather walk alone (i'd rather walk alone) than play a supporting role if i can't get the starring role -- starring role, marina and the diamonds

[thecoolerliauditore]

I've seen alot of takes from both toxic fh truthers and fh shippers that Scott will never ever get over Jimmy and will obsess over him until he dies forever which. I don't fault anyone for asserting considering that fucker has two jokes and one of them is lolol remember fh But. I think there's something to be said about how Scott has shown time and time again he really is not in love with any personal qualities Jimmy possesses (quite the opposite actually, he seems to find Jimmy obnoxious more often than not during third life including when Jimmy is not really even doing anything) but is rather entranced with the romantic fantasy that Jimmy brings.

Jimmy is, after all, young and pretty and in love and someone he feels relies on him and lets him feel useful so it's not hard to assign him as husband and leave it at that. I don't think Scott is quite in love with Jimmy tbh but I do think he's very much in love with his husband (jimmy). If that makes sense.

With that in mind, I think it's then fascinating when you look at the universes where FH assumably never existed or where he is able to find a replacement for his romantic fantasy relationship. Witchcraft Scott has Milo and Rat Scott has his weird platonic(????) thing with Owen and Pirate Scott focused on his brother instead, Scott tends to actually move on pretty well and adjust to being more. Chill.

Now then if I said last life Scott almost got to this point with his thing with GGG and Pearl specifically challenging his worldview. And then he fucked it all up. Then

[lightbulb-warning]

i used to freehand comics all the time as a child and since the part i liked was the drawing part i would just draw panel after panel because i didn't want to stop drawing to think about icky icky words, plus the story TOTALLY still made perfect sense! to me! and noone else, but 'whoooo caaaaares omgggg its not like comics and sequantial art are a communicative meeediummmm lmaoooooo'. i spent my entire childhood telling myself stuff like "oh pfft I know this story by heart- ill SIMPLY remember the dialogue and write it later" ...and. I can't help but admire baby maiora's (call that a minora ba tm tsk) fucking audacity? hubris? confident wrongness? kid couldn't even remember to finish the comics in the first place? INCREDIBLE levels of unearned self assurance, wish that were me, genuinely- what an icon!!! anyway i think i have forever cursed myself

[tenwhiteandalusians]

so no one was going to tell me if i got literally one episode further tenax drops that he’s the one who saved scorpus from his mom’s pimp AND that he’s intimately familiar with scorpus’ dick when he was younger. guys. guys.

[skeletalheartattack]

hi I like gelato a lot

[multi-lefaiye]

i could ask you to elaborate on why purple boy is slowly turning into a lion monster. and you can answer that. but what i really wanna know is what killed him the first time.

:3c oh i am so glad you asked this question

short answer: his mother. or at least, the creature that used to be her.

long answer: WELL. (cw under the cut for non-graphic descriptions of body horror, discussions of ableism and terminal illness, and also just. straight up. i'm telling you how eden died. not going into graphic gorey detail but yeah </3)

so, eden's mom died when he was 12. famously, that's an event that really helped shape his life, second only to abdiel leaving six years earlier. however..... it's important to know that those two things are related.

y'see. eden doesn't know this. but hannah had been sick for a long time, and part of why abdiel left was to go find a cure for her. that's not what she wanted him to do, of course. hannah wanted him to stay with her so they could enjoy the time she had left. but he was determined to cure her and that he'd have to leave her in order to do so. so. welp. her wishes in this situation would have to wait.

another important part of this puzzle is that abdiel is a necromancer by trade. he knows other schools of magic as well, sure, but necromancy has always been his focus. and he specifically is a major proponent of the idea of using necromancy for healing, rather than simply resurrection. that's what much of his life's work was focused on.

so, abdiel sought to find a way to use necromancy to help cure his sick wife, and he failed, and she died. and eden, who was left feeling worthless and alone after his father abandoned him (and after basically all the adults in his life failed him, one way or another ), decided that part of his revenge would be destroying that work and making it his own.

eden would become the only dr. linnaeus remembered by history, by doing what abdiel had failed to do. by not only reviving hannah, but curing her illness entirely, and then using that to cure anyone else suffering like her who wants to be saved.

of course, by the time eden knew any necromancy magic himself, hannah was long dead. and... from a purely practical perspective, eden was nowhere near skilled enough as a spellcaster to be able to use any traditional necromancy to revive her. so eden decided, instead, to try something new.

he was going to revive his mother through transmutation magic, through the alchemy and artificer infusions he was already learning and showed a great affinity for.

i'll skip ahead in this explanation, but basically eden's idea was to create a new body for his mother's soul to inhabit. he wouldn't be reviving her in her original body, no, he'd be reviving her in one free of the pain and illness she'd suffered from for much of her life.

(before i continue, i'll just go ahead and establish this now: no, eden did not consider whether or not hannah would want to be resurrected. by this point, his tunnel vision on beating abdiel, one way or another, was beginning to consume him. ethical concerns didn't matter so much at that point.)

skipping ahead again. when eden finally succeeded at the ritual he'd created, it... backfired, putting it nicely. the creature he created wasn't hannah, not really--it had her face and it spoke in her voice, but it wasn't her. it was a mass of limbs and teeth, with too many eyes and an enraged howl that shook eden to his core.

he tried to reason with it at first, to get it to recognize him and calm down as it thrashed around his lab. and it lashed out at him, slashing him across the face and throwing him to the floor. and for a moment eden just... lied there, shaking and staring at the monster he'd created. it hurt. that thing wasn't his mother, but it was her face and her voice screaming at him, cursing him for creating it.

and then he was just... angry. how fucking dare this thing attack him? how dare it be such a failure? how dare it ruin everything he was working for? how dare it act like this was his fault?

before he really knew what he was doing, he grabbed a hammer from his artificer tools and lunged at the creature, intending to put it out of its misery so he could try again. clearly, he needed to refine the ritual, but he was on the right track. he just-

(eden managed to kill his creation, but it fought back and mortally wounded him in the process. he shoved its body into the open fire at the heart of his lab, where he'd brew potions and boil water when he needed it. and by that point, he was too exhausted to keep going and try to find help. so he just... lied there, and bled out slowly.)

(as a not-so-fun aside to this. when eden's body was found a few days later, there was an investigation launched by the university. a recent graduate dying brutally in his university-funded lab? yeah that raised some eyebrows. ultimately, though, said investigation determined that eden had killed himself, as by then the creature's remains were burned until they were unrecognizable. everyone assumed it was just some... *thing* he'd been studying.)

(very few people were surprised by that news.)