#my Porter and Vincent designs look reversed
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Btw- I drew Vincent a real long time ago (like 2 weeks ago)
**runs**
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#Vincent and Porter are battling for which mfers has the most design changes#I DID draw Porter#but I don't LIKE the way he looks so#😬#I don't love this vincent drawing but if you think I'm gonna draw him for the 5th time you're wrong#very wrong#redacted audio#redactedverse#redacted asmr#redacted vincent#redacted fanart#uh#yeah I think that's it idk#lucid does arts#lol#if I'm being real#my Porter and Vincent designs look reversed#I like the way I drew porters hair thooooo so I think I'm gonna get over it#I think it's funny this is a Vincent post and I'm talking about Porter in the tags#are they gonna get me for that#I'm mad as shit don't mind me#anyway#this drawingggg took me a few hours but if I showed you the concept art they are not even close#3 different fucking Vincent's yo#also#don't shoot me because he ain't pale#I won't do that to myself I'm sorry
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Pick of the Week and Comics Reviews for the Week of 4/26/17
By Vincent Faust
This was originally published on the date in the title derp
It’s new comics day, everyone! For those totally unaware, the majority of comics come out in a serial format. A single comic is usually called an issue, though there are other weird nicknames like singles, floppies, etc. Major publishers put out their several series once a month. Though the different series are spread out so that product is coming out every week. Special issues called annuals even come out to cover that “13th month” of uneven weeks.
Today I will be reviewing some of the major releases of this week. After reading and reviewing all of them, I will also select a “pick of the week” as the standout issue. At the end I will also make some recommendations about new collected editions that have come out this week.
Pick of the Week: Flash 21 Writer: Josh Williamson, Artist: Howard Porter
5/5
This is how you do a fantastic comic book. Rebirth, baby, let’s go! The DC Universe that everyone knows and loves is on its way back to us. There are so many things to discuss here and I also don’t want to spoil much.
Howard Porter’s art is gorgeous. His representation of Barry’s super speed is gorgeous, though we already know that from his run on the title with Geoff Johns over 10 years ago. We also get a shot of the gruesome corpse of Eobard Thawne, the Reverse Flash. A bruised and bandaged Bruce Wayne also highlights Porter’s versatility. He also admirably handles some flashback peeks in a time travel sequence.
A Watchtower “lost and found” scene shows off so many Easter eggs. What to think of some of these? Meaningless background art or a hint at what is to come? These are clearly the costumes of Hourman, Star-Spangled Kid, and Doctor Midnite. A Rocket Red #7 suit is also seen, which specifically refers back to the 1980s JLI iteration of the character. As opposed to the Generation Lost/New 52 version. The issue also opens with another Johnny Thunder scene.
The final page reveal is insane. Reading this issue makes me realize how much I love these darn characters and how giddy I am that DC is finally taking steps after seven years to make things right again. Perfect.
Action Comics 978 Writer: Dan Jurgens, Artist: Carlo Barberi
5/5
This is continuing Dan Jurgens’ aftermath story following the Reborn crossover saga. Clark is checking through Fortress of Solitude memories to determine what all has changed in his past thanks to the merging with the Superman of Earth-Prime. He basically has phantom memories. This allows Jurgens to do some refreshing on the origin and clarify what is in continuity and what isn’t.
Readers get a jaw dropping splash on page 6 showcasing many of his villains and eras. Electric Blue Superman is notably shown. Darkseid is drawn in his Jack Kirby style. Manchester Black is even here (obviously specifically nodding to What’s So Funny About Truth, Justice, and the American Way from Action Comics #775). We even get to see the trunks on for a second.
Jurgens basically runs us through the major emotional moments of his original 1990s tenure on the Superman books. From his proposal to Lois, revealing his secret identity, to his death at the hands of Doomsday, to the marriage.
The book ends with Mr. Oz teasing something for Clark and Hank Henshaw forming his Superman Revenge Squad with Eradicator, Metallo, Blanque, and soon to be Mongul.
The Superman books are going through a really exciting period right now. Just like many of DC’s characters. But Supes is at his best he’s been for probably a decade. Truly magical work.
Blue Beetle 8 Writer: Keith Giffen and J.M. DeMatteis, Artist: Scott Kollins
3/5
This has been the lowest selling Rebirth title from its debut to its most recent issue. It’s really a shame that it isn’t clicking with readers considering the all-star classic creative team. Though maybe it’s precisely that traditional feel that is holding the book back.
One thing the old school style has going for it is a meaty feeling. I don’t get the same feeling reading this issue that I did from the X-Men books. Not much decompression here. Lots of dialogue and action is packed into this little package.
The title page describes “the reunion of one of the greatest teams in comic book history.” I got really excited and thought it was going to be the return of Booster Gold. But it was referring to DeMatteis joining the creative team as scripter. I haven’t read enough of the previous issues to determine if this marks an improvement.
The final page of Jaime Reyes putting on Ted’s classic Blue Beetle suit is giving me more of those great Rebirth feelings. Check out my post on Rebirth dream books to hear what I think could save this book (it’s Booster Gold).
Justice League of America 5 Writer: Steve Orlando, Artist: Andy MacDonald
2/5
Nothing offensive about this issue. Nothing to write home about either. I still don’t totally understand why this specific lineup has been assembled as the splinter Justice League team. Seems like they’d be better off called the Outsiders. Ryan Choi gets so little attention. As do pretty much everyone on this team. Characterization is completely lacking. As a Philadelphian, I was annoyed that Ray’s home city was teased but the change was not actually acknowledged. Not much else to say about this book. Doesn’t pique my interest much.
Suicide Squad 16 Writer: Rob Williams, Artist: Tony S. Daniel
2/5
First of all, I have not read most of this series. I admit complete bias before cracking this issue open. I don’t think the Suicide Squad has been interesting since John Ostrander left it in 1992. There have been worthy successors like Gail Simone’s Secret Six and Greg Rucka’s Checkmate as far as DC Universe political intrigue and bad guys turned sorta good stories go.
I also think that DC completely ruined the franchise with the New 52. Presenting the book as a core flagship and making Harley Quinn a featured character deflates all of the tension and entire premise of the book. DC considers Harley their “fourth pillar” after Batman, Superman, and Wonder Woman. So the entire point of the Suicide Squad – that a member could die at any minute – is made moot.
DC tapped Jim Lee to initially draw the Rebirth iteration of Suicide Squad. Which obviously indicates they see it as a blockbuster title. Which makes sense from a business perspective given the recent (crappy) film adaptation. But Lee is not a good fit for this title. I also think he tries to return to something close to his 1990s X-Men/Wildcats aesthetic when on major books nowadays. Something has happened and that style of his has been rough on everything since All-Star Batman and Robin.
Enough rambling and onto the actual book at hand. Right off the bat on the cover I spy atrocious costumes for Harley and Deadshot. Katana has some obnoxious TnA perspective going on. On the interiors, Tony Daniel is at least a step up from the misplaced Lee.
The most interesting character here is Lex Luthor in his new status quo. The Squad infiltrate his complex while Amanda Waller talks him up. All to receive some Kryptonite so that General Zod can join the Squad. Because that is sure to work out.
X-Men Blue 2 Writer: Cullen Bunn, Artist: Jorge Molina
3/5
I still don’t care about these versions of the Original Five. Across Bendis and Hopeless, I was never given a reason to care about this time-displaced Wonder Bread. They’re just boring versions of their older selves. Which of course makes me upset seeing as how Cyclops is my favorite Marvel superhero.
Bunn was clearly born to write Magneto. He’s done fantastic work with the character previously in the Marvel Now era solo series and then in the All-New All-Different Uncanny X-Men. I just wish that he was more of a central character in this book. Jean goes into his mind and Bunn effectively pulls the heartstrings with a Holocaust flashback that was not done in an exploitative way.
Some of the dialogue between the teenagers is iffy. I am not a fan of Jorge Molina’s Jean Grey design. Otherwise, this book felt pretty decompressed. Nothing actually happens, there is no complete story within these pages.
A beginning flashback scene has Jean Grey arguing with Magneto over cooperating. She states that he had battled them over and over again, with his response being “that was a long time ago.” It was for most readers as well. Which is why we don’t care about these characters. But maybe there is a silver lining, with a tasty final page tease.
Though this will likely just turn Magneto into a stock villain again. Here’s hoping Bunn has interesting plans.
X-Men Gold 2 Writer: Marc Guggenheim, Artist: Ardian Syaf
3/5
I’m not going to get too into the Ardian Syaf controversy here. His art is meh in this issue, with some bright spots and some sequences that look really lazy.
We an incredibly abridged fight with the new Brotherhood of Evil Mutants. Who we learn are joined by Mesmero. Kitty has an awkward exposition scene with Steve Rogers. Are other books not addressing his H.Y.D.R.A. stuff at all yet?
Nightcrawler gets injured, Old Man Logan gets captured. A generic faceless mutant gets shot. Guggenheim is already going overboard with the race metaphor. The new Avalanche and Pyro aren’t explained yet either.
This Brotherhood arc doesn’t have me jazzed to keep reading. It offers nothing new but is also not effectively pulling at my nostalgia for X-eras past.
Reprints
Marvel has a publishing initiative that they call True Believers. It reprints certain classic single issues for a dollar cover price. There are two really cool ones out this week.
One is True Believers: Generation X which collects the debut issue of that titular 1990s X-title. Everyone likes to dig on the 90s era in comics, and especially the X-Men. However, Scott Lobdell and Chris Bachalo did some wonderful work on this underrated title. Bachalo’s art is on a whole other level of innovative and unique. The characterization of these young mutants under the pen (or rather keyboard) of Lobdell was unparalleled for years. This is obviously being released to coincide with the upcoming Generation X series with limited connections to the originals. I am hoping that this new book does well and motivates someone at Marvel to give fans a comprehensive reprint of this classic.
Another is being labeled as True Believers: X-Men Gold. There actually was previously an X-Men Gold book prior to the ongoing one. It was a one-shot released in late 2013. However, this is not that. This reprints Uncanny X-Men #281. Which is the first issue of the next major status quo after Chris Claremont left the X-Men. This is the origins of the Blue and Gold era which the current X-books are trying to recapture. Beautiful (though very 90s) art by Whilce Portacio. A little less impressive script by some concoction of Jim Lee, John Byrne, and Whilce Portacio. This is before Scott Lobdell came on to give an actual direction to Uncanny X-Men.
Avengers: Masters of Evil Epic Collection
This is the third epic collection of Silver Age Avengers from Marvel. It collects issues 41-56, Annual 1-2. The beginning of this is the tail end of the Kooky Quartet era of Avengers history (though at this point joined by Hank Pym as Goliath). This period then proceeds with classic Avengers like Hercules and Black Panther jumping on. Roy Thomas picked up writing the book in the last epic at #35. He will do lots of character development for Black Panther across his run. This ends right before the debut of Vision. One can actually buy four Avengers epic collections from the very beginning. That’s almost 2,000 pages of classic Marvel action.
Flash by Waid Vol 2
The greatest Flash run of all time. In fact, this specific collection collects The Return of Barry Allen. Which is almost universally considered the best Flash story of all time. A Flash fan would have to be insane to not instantly be on the lookout for this.
Saga Deluxe Vol 2
Everyone loves Saga. I think? Brian K. Vaughan and Fiona Staples’ smash hit Image title wows most who read it. With its emotional drama and wacky characters. What is there not to love? If you don’t already rabidly pick it up in issues or paperbacks, here’s a sexy hardcover. Or just upgrade. This collects issues 19-36. Which is equivalent to the fourth through sixth trades.
Young Justice Vol 1
Do you like the animated TV show of the same name? With characters like Connor Kent, Tim Drake, Bart Allen, and Cassie Sandsmark. This is the origin of that title and much of its roster of teenage superpowered heroes. This is also a comic written by Peter David. Which means, as long as DC continues printing them, you will have a solid chunk to read and digest. It also means that the characterization and relationships are on point. I’ve been looking forward to checking this out.
Let me know in the comments below what comics you enjoyed this week or intend to pick up.
#blog#Vincent Faust#comics#comics criticism#comics review#the button#dc rebirth#rebirth#blue beetle#flash#batman
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