#from one of my favorite games...

[teamaerialcombo]

HI! HI! I'M THE GUY FROM AO3 IF IT WASN'T OBVIOUS FROM MY CRUSH 40 THEMED BLOG!!

(note . i might be reaching with A LOT of this stuff but this is MY special interest and hyperfixation and i get to say what i want. also i think you'd understand what i mean when i say things)

so, let's get one thing out of the way. on it's own, i am all of me is both a v1 song and a gabriel song on their own in my head

^ this, to me, is v1. the "black writing" in my head is directed towards the writings found on the murals of gabriel in 4-3. "unleashed a million faces / and one by one they fall" all the husks and demons in hell being there for who knows how long, before the machines (or in this case, just v1) come around and start killing them all off. in the grand scheme, v1 is the villain in this story (killing the denizens of hell without mercy, even with a reason thats still a villain), the "black hearted evil", but at the end of the day is still the protagonist, the "brave hearted hero"

^ and this is gabriel. it REALLY reminds me of his monologues to v1, but the beginning is what really sells it. those first two lines really encapsulate who he is as a character, or at least who he was before v1 came around- a weapon for the council (who, if you REALLY wanted to reach for it can also be seen as the evil in this case, and these two lines can be seen as him killing the council). "i laugh and watch you fall" can be seen as the fight in 6-2, going from a accusatory anger to manic laughter. and again, story-wise, gabriel is the antagonist, the main person against the protagonist, v1 (and also was the villain of the past lore, killing off minos & sisyphus most notably when they tried to make hell better). but he's the "hero" of this story (if you think more towards just the current part of ultrakill and not the past lore that takes place beforehand), trying to stop the villain, v1.

now, how does this all tie into gabv1el? simple. two different things. one, i like thinking about how those two verses mentioned above would play out if they said these things to one another, especially with gabriel's end. the manic laughter he has in 6-2 is probably one of the strongest forces the gabv1 fanbase has to show the canonicity of the ship, and "i laugh and watch you fall" really reflects there to me

but also the chorus of the song is? very gabv1 in my head?

like this really reminds me of the almost. i don't want to say OBSESSIVE nature of gabv1el since i know they can be a lot more than that but that's definitely slightly part of it. their obsession with each other that drives them closer (pun only slightly intended) to one another. "capture you or set you free" too. it can be seen from either perspective of the two. for v1, kill gabriel like its programming wants it to or let him live. for gabriel it's the same- kill v1 like how he was supposed to although, now he really has no reason to do so), or let it live to keep observing it and watching its movements and actions (which we have slight proof of him already doing! his dialogue in 6-1). you could also see "can you see all of me? / walk into my mystery" as gabriel talking to v1. he knows about v1 but v1 doesn't know about him. as you play the game more you learn about him through terminals, so by that logic v1 ALSO learns as it progress more, or "walks" into the mystery.

this part also applies to what was said above^

anyways! all in all i think this song for SURE is v1 & gabriel respectively and if you really reach it can be gabv1el. there's definitely crush 40 songs that are more gabv1el than this one (like down & dirty or 2 nights 2 remember) but hey. it's a fun challenge to connect just about anything to crush 40 whenever possible :p

hope you enjoyed my deranged sleep-deprived late-at-night rambles LOLL this was a fun one to yap yap yap about

dude i literally need Everyone to see this analysis. it is So Epic. i get you op i rlly do [shakes your hand in being a sonic & ultrakill fan]

[the-phantom-peach]

miscellaneous zelda art over the last month

… or something ☕️

[astralleywright]

spent like an hour trying to find a post abt the disparity of origin companion's content in bg3 and couldn't so, hey, this fucking sucks

[pineappical]

cooking lessons

[seafoam-taide]

biver torment... dialogue directly from tha game. an excuse to draw these two pretty much

[the-woman-upstairs]

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.

[krazieka2]

I've played the Fire Emblem Husbando Dating Simulator Games

[aro-of-fortune]

He was so real for this

[determunition]

various inspektas and bizzyboys; somehow i've still yet to get this weirdass sinister little worm out of my system lmao

[daeyumi]

Ruined Town 🪲⚡️

I’m actually super proud of this piece, I wanted to push myself out of my comfort zone to do something dynamic & complex with hopefully a somewhat interesting composition, and I really worked hard on it. I’ve been feeling kind of down on my art recently tbh, like I’ve stagnated a bit, and this piece really helped me to experiment a bit more & try out some new brushes & techniques. Can’t wait to experiment & draw more soon! 🩵

[coolpikachu]

various soldys bc they won't leave my brain + bonus sym bc i cant leave him out u _ u

[therealcallmekd]

Do Robots Dream of Eternal Sleep? . . . . . .

Transcript:

YOU WERE BEAUTIFUL,

OUTSTRETCHED LIKE ANTENNAS TO HEAVEN.

YOU WERE BEYOND YOUR CREATORS.

YOU REACHED OUT FOR GOD,

AND YOU FELL.

NONE WERE LEFT TO SPEAK YOUR EULOGY.

NO FINAL WORDS, NO CONCLUDING STATEMENT.

NO POINT.

PERFECT CLOSURE.

THIS IS THE ONLY WAY IT SHOULD HAVE ENDED.

From the second half of the hidden passage in 7-4: …LIKE ANTENNAS TO HEAVEN from ULTRAKILL.

[voltaical-art]

Rosymorn short rest

[disembodiedvoicecrossover]

i fw characters who were previously unseen but then had official designs revealed too if anyone was wondering

[namelessdistantshores]

[m3lth3ph4nt0m]

this one goes out to the lesbians <3 come get y'all's juice <3