#french link stitching

[swampfoxe]

Working on a Dostoevsky fanfic compilation for a friend. Maybe I should've used tapes because it got a bit beastly, but I forgot. And this is the neatest, most uniform stitching I've ever done so I'm not gonna undo it. I don't even wanna start gluing things. I just wanna look at it. PLUS it's all one piece of thread that I measured perfectly. This may never happen again.

[talulamerriwether]

some of the other books I've bound so far

[getfuckedblr]

she’s here! one of the absolute best severitus fics - namesake necklace by @wiceba !!! i’ve printed this out like three different times and ended up either messing up the end papers, or the cover design (cheap htv is generally awesome until it melts bc it’s cheap and my iron is too hot). but yeah i’m calling this done!

none of my binds are perfect bc i can’t seem to cut in a straight line (?) which is actually like a lot harder than it should be??? but again this is for me to have my favorite fics on my bookshelf, not to sell so i’m satisfied!

[namorssideburns]

My latest bookbinding project has been this french-link stitch journal, the first I've done. The cover is a very nice pattern of paper I picked up at my local art supply shop. It's a bit wonky but I think it turned out pretty good!

[sits-bound]

First time using a French link stitch to sew the signatures together. I really like how secure it makes it all feel, especially since I didn't use tapes.

I used Sealemon's tutorial:

I didn't think to do this until after I'd punched the holes, otherwise I would have spaced them out more.

Hopefully I can get this glued together tonight, but as you can sort of see on my table, I'm working on a (garment) sewing project right now that's pretty thorny, so I may not get to it. It's okay. I'm happy as long as I'm making something.

[thesweetpianowritingdownmylife]

Stitchtober day 30: Autumn forest

Aka LOOK MA I LEARNED HOW TO DO FRENCH KNOTS!!

Tried to do something inspired by Sew Beautiful, whose designs I really love.

I haven't decided what I'm going to do with it yet...maybe a necklace?

[magnoliazul]

This was my first experience with sewn board binding.

It's been my favourite ever since i first learned about it, but it took me a while to figure it out - and i'm so glad i did! i absolutely love how it opens flat without loosing its shape, and how you can mix and match covers and spines.

This has been on my shelf for over a month now because I've been too scared of using it but the time has finally come!

[onehandshort]

Oh I love binding books this is so much fun

[birdbindin]

Another very clear and easy to understand DIY video from Sea Lemon, this is on French Link stitching.

[talulamerriwether]

exposed spine sketchbook by Talula Merriwether

[aethersea]

I've always wanted to learn bookbinding, ever since I was a wee little nerd, but there are a lot of things I've always wanted to learn, and this one has both a daunting upfront materials cost and a daunting upfront research cost. however, my sister is a jewel among siblings and gave me for christmas last year a handy dandy bookbinding manual, a block of good paper, and a little bag of tools.

but I still didn't have a suitable workspace, nor any of the many important tools and materials that she didn't include in her gift. so I just read the manual and pined. until maybe a month ago I got fed up with pining, flattened a cardboard box for a cutting mat, and went to town.

and I'm real proud of myself, so here's me rambling, plus photos!

I went to the thrift store and got glue + some fabric to bind the cover, went to Michaels for a paintbrush (and later went back for a metal ruler lmao it's amazing how useful it is to have a straightedge for cutting the paper), and...could not find material for the cover boards. so I went home and pined some more. but the urges were too strong, so after a couple hours of moping I got a stack of printer paper at the grocery store (I could not bring myself to use the good paper for my first, inevitably weak attempts, I just couldn't do it) and started making a little booklet. which was a great idea, it turned out, since it makes for good practice with cutting the paper, measuring things, punching holes in the signatures, etc.

I have a big box of greeting cards from Michaels, which I used for the covers. it didn't feel like I was making a Real Book, so I got some colored paper from the stationery store and used that for end papers.

so fancy~

galvanized by this success, I ordered a stack of chipboard online to use for cover boards; and once I was confident that I could cut paper without making it look too stupid (getting that straightedge ruler sure helped lol), I made signatures out of the good paper, left them under some heavy books overnight since I don't have a book press, and then punched holes in them! (huzzah for this nice video on getting the holes right)

my sister's gift included good linen thread. it's unwaxed, but after some poking around on r/bookbinding it looks like that just means I'll have to be more careful to avoid tangles and keep good tension. I am fine with this. I can be extra attentive. (I considered just running it over a beeswax candle, but one commenter said if your wax has paraffin in it, it could melt in a hot car, ruining the spine. I can't guarantee my candle is 100% beeswax, I didn't make it, so maybe we just move on.)

I don't have good linen fabric to use for the tapes, but the important part there is that the fabric be thin, sturdy, and not stretchy. the probably-cotton I got from the thrift store fits the bill, so it'll do!

this is a french link stitch, which I got from this exceedingly good tutorial. apparently it's strong enough on its own that for a book of this size, I don't actually need tapes, but I'd already cut the things so eh here we are. and tapes plus french link will make it a stronger binding still (according to a friendly redditor on r/bookbinding), so we carry on.

specifically we carry on to the gluing step. now as I mentioned, I do not have a book press, and you....kinda need one for this step. you need to hold the book block in place with the signatures facing upwards, pressed together hard enough that the glue won't run down between them and stick the pages together (though you do want the glue to get between them just a little, just for like a 16th of an inch). you at least need some clamps and a couple boards to sandwich the book block with.

but you know what? I'm not a professional, this is my first ever book, if it's a little bit off it'll be fine. so we grab all the heaviest books off the bookshelf and improvise.

it's fine! I'm sure it's fine! and just in case it's not, I've tucked a bit of cardboard underneath to catch any glue that drips down so it won't land on the floor. see? I'm prepared! I'm acing this.

and actually, it really was fine. I used clear elmer's glue, applied with a flat paintbrush from the art supplies aisle at Michael's, and frankly I liked the way the flat paintbrush let me slip glue in between the signatures. I did poke around on a couple bookbinding sites to see what kind of glue I should use, and the gist is that although there are better options than this, elmer's glue is perfectly serviceable, and the main downside is it's not archival grade. but I don't need my first bookbinding attempts to last 200 years, that's fine.

the next step is to add the mull. mull is a specific type of fabric – extremely loose-weave linen – and the idea is to paste it down over the spine to essentially hold the tapes and signatures all in place in relation to each other.

but I don't have mull! so I'm using more of the thrift store probably-cotton, because it's thin enough and not really stretchy at all. I'm sure this will be fine too. I painted a layer of glue onto the spine, then left it to dry a bit while I measured and cut the fabric, then painted a generous stripe of glue down the center, where it'll affix onto the spine. then I added a bit more glue to the spine, just to be sure, and pressed the mull into place, rubbing it thoroughly to make sure it's firmly affixed to every signature, with no creases in the fabric or air bubbles beneath it.

honestly I might have overdone it on the glue. I've never done this before, I don't know! I think it's okay, though – I tried not to ever let it become a thick layer, just a slight coating, since the danger of too much glue is that it might crack once dry and weaken the spine.

and now we leave it in the press overnight to dry, and pick up the next step in the morning!

[namorssideburns]

Wip

[heya-dollface]

Where can I find patterns for making Fashion Doll Clothes?

A friend and I were chatting tonight about doll clothes, and it occurred to me that if you've never dabbled in making doll clothes before, you may not know where to find patterns for them. So I'm sharing a list with you guys of every resource I know of.

Paid-For Patterns:

Requiem Arts: https://raddollclothes.com/

This is one of the big go-to's of the community. Requiem Arts has patterns for so many different fashion dolls, from Monster High (G1 and G3) to Rainbow High, to a number of BJDs, to Barbies, and even several for the boy dolls. I've gone to them for many a Descendants pattern since not a lot of places offer them. Her blog also features a number of great posts on size differences between dolls, fixing articulation, and more.

Dollightful: https://www.etsy.com/shop/DollightfulPatterns

If you need Monster High and Ever After High patterns with easy to follow instructions, this is the place to go! Dollightful only has a handful of patterns up, but her instructions are super easy to follow. They're just as enjoyable as her YouTube videos.

Moonlight Jewel: https://moonlightjeweldolls.myshopify.com/collections/ebooks

This artist has an interesting mix of patterns for fashion dolls, once again it's a lot of Monster High, but also a little bit of Rainbow High. I have her two pattern books, and they've got some wonderful picture instructions that put into perspective how to follow along. I hadn't realized until making this post that she's released a couple of individual patterns from her YouTube videos, that's really cool!

Enchanterium: https://www.enchanterium.com/shop

The Enchanterium sisters are a delight, and their patterns for MH, EAH, and Smart Dolls encompass a wide variety of genres. They even have some 3D printing files for shoes and accessories.

Cosmomoore: https://ko-fi.com/cosmomoore/shop/sewingpatterns

Cosmomoore is great if you need patterns for Rainbow High, Barbie, or G3 Monster High. All of the G3 patterns are under the Creepy Class tag. I've tried their skirt pattern for G3 Draculaura, it was a breeze to put together when you know a few basic stitches.

Free Patterns:

Enchanterium: https://www.enchanterium.com/shop/freebies

Enchanterium offers a number of freebies at this link! Most of them are patterns from their older YouTube videos, so there's those as a resource to follow along with.

Cosmomoore: https://ko-fi.com/cosmomoore/shop/sewingpatterns

Once again, this artist has a number of freebies, but they don't have a specific tag.

Poulpe en Ciel's Google Drive: https://drive.google.com/drive/u/0/folders/1lkI6inme4K6wxw0IqTSGGju2bIQMln_A

This artist is known for having some truly extravagant patterns for Monster High and Cave Club dolls. And she offers them in both English and French! Highly recommend checking out Poulpe on Instagram, her dolls are absolutely to die for, and she puts so much heart into making her stuff accessible for the wider community.

Chellywood: https://chellywood.com/

Chellywood's website is a diamond in the rough. If you're looking for a doll pattern for a doll most people don't make patterns for, Chelly probably has it. Her website is organized by size and goes into individualized pages for each doll line. It's fantastic. And on top of that, she has YouTube videos!

MyFroggyStuff: https://photos.google.com/share/AF1QipOJWM4ft-CgHQI3fhqNJzWLG30C45Xl3xs-tgatId430gKVW-J8w5cB9ViW2jRPFw?pli=1&key=Y2Y2UDJ6S01Gb2EwUHRZUVJDdm9FanpMdDZzY1RR

Barbie lovers rejoice, this is your kingdom! While there's no tagging system here, Toya has patterns for everything, from mermaid tails to cute easy dresses, this is a great place to go. Her YouTube channel is also an endless resource of creativity.

If you have any resources for patterns, or for places to buy doll clothing, feel free to reblog! I'd love to include more people from our lovely doll community so people know about them!

[stitchposts]

OK, so while I sew a lot, I've always thought of embroidery as something I Just Can't Do Properly, because I was bad at it when I tried to learn it, while other crafts I've picked up easily.

And then I realised what had happened.

Mother often offloaded me on her three great aunts when I was a kid and they had the tools, knowledge and supplies for knitting and dressmaking, and soon figured out that teaching me to Make Things was a great way of keeping me quiet.

And they'd all done a lot of embroidery when they were young, beautiful tablecloths and things, BUT they'd stuck to more practical things as soon as they were out of what passed for school then, so they didn't have the stuff for doing embroidery, so when they tried to teach me it was with a crappy kids' kit with a plastic hoop that couldn't hold its own shape never mind the fabric and a blunt needle, so no wonder I sucked at it.

What would be your recommendation for someone getting started?

Hey there! Damn, that's pretty insightful for you to realize and it makes a lot of sense. I'm happy to help you get started!

My usual recommendation from absolute zero is to just buy a kit with everything you need from a reputable vendor. Since you have a crafting history I think you're good to not be overwhelmed by the stuff you need to buy. You'll need:

a pattern

a hoop (plastic are totally fine, just not the kids ones you used)

non stretchy fabric (I like kona quilting cotton for beginners, it's a name they can search for easier, is widely available, and good quality without being expensive)

embroidery floss (dmc, anchor, or cosmo are available worldwide depending on where you are and are high quality)

embroidery needles (larger eyes, sharp tip)

scissors

way to transfer your pattern to your fabric

Transferring a pattern is as simple as using a window as a tracing pad and copying the pattern from the paper printout to your fabric using a washaway or heat erase pen. You can also use chalk. There are fancier ways to transfer, let's keep it simple for now though.

I like patterns that casually integrate a large amount of stitches into a design. The ones that are like, carefully laid out sections of DO A BACKSTITCH 5 TIMES. DO A CHAINSTITCH 5 TIMES. DO 3 FRENCH KNOTS - those don't teach you anything in a way that matters. it's not enough repetition to make the stitches stick in your mind nor is it integrated learning to see how stitches look in situ in order to get a grasp of how to use them for your own art.

To learn to do stitches, I like the Royal School of Needlework stitch bank. Other stitch banks online don't give the historical citations for their stitches and often make shit up just to look more impressive or have options not on any other site. Yeah, of course other sites wouldn't have your made up stitch name.

DMC's free patterns are high quality, tell you what threads to buy, and are aimed at all skill levels. I'm linking the list of the ones I personally think are good for beginners to learn on under a cut here because this is getting long!

Blue Hill - wreath with blue flowers

Etoile Constellation - celestial star/moon/sun tableau. Ignore the call for etoile threads tbh and just use the number codes for the plain colors

Etoile Magic Star - tri-toned shooting star. Ignore the call for etoile threads tbh and just use the number codes for the plain colors

Strawberries - a scattered ditzy design with strawberries, leaves, and flowers

Lemons - a scattered ditzy design with lemons and sprigs of flowers and leaves

Oranges - a scattered ditzy design with whole oranges, orange slices, and sprigs of leaves

Raspberries and Roses - a scattered ditzy design with raspberries, roses, leaves, and flower bits

Toadstool - an amanita mushroom scene. This one's really fucking popular online, you see it a lot.

Jellyfish - uses a variety of stitches to give texture to the titular sealife

Octopus - uses a variety of stitches to give texture to the titular sealife

Seahorse - uses a variety of stitches to give texture to the titular sealife

Shrimp - uses a variety of stitches to give texture to the titular sealife

An Hee Jin, Toucan - cute lil toucan on a branch with leaves and flowers

Flying Snakes - snakes but theyre circus performers. lean into the whimsy. life is short.

Woodland Bear - forest scene with a bear. Lots of french knots for the trees, still a beginner pattern. Get that practice in.

[am-i-the-asshole-official]

WIBTA for translating an artist's 2D art into a 3D medium for me to hang on my wall?

There's an artist (Junie, fake name) whose work I admire dearly. I was scrolling through some embroidery art earlier, and I realized that I could embroider on top of my closest approximation of one of Junie's artworks to hang on my wall. To do this, I would use a big enough hoop and blank fabric, and I would carefully draw this particular art piece free hand. I would then go back over it all with thread in the color palette that Junie chose for their original artwork (and substitute some of the yellows for bright sparkling gold).

I don't think this would be an AH move since (1) I would only embroider this piece for myself and not sell it. (2) I also have already bought Junie's artbook a couple years ago, and it's gorgeous, beautiful, hardcover, and hefty, so I've definitely bought some of Junie's work before. (3) Junie seems to only do digital and traditional 2D art--no 3D fiber art--so there'd be no way for me to pay Junie for an embroidered wall-hanging of this piece even if I didn't want to make it myself.

P.S. I thought about posting a picture of the finished embroidered work once I was done. If I did, I would 100% include a link back to Junie's tumblr and the original art post and make it clear that it was Junie's original artwork but my stitchwork (choice to backstitch, French knot, stem stitch, etc.).

What are these acronyms?

[greenhorn-art]

All The King's Horses | As You Are Now, So Once Was I by @samwpmarleau (grumkinsnark)

All The King's Horses [LiveJournal ch1] [Fanfiction.net ch1]

As You Are Now, So Once Was I [LiveJournal ch1] [Fanfiction.net ch1]

Fandom: Supernatural, Criminal Minds

Rating: Teen | PG-13

Category: Gen

Words: ~36,192

All The King's Horses: Protect and Serve. Fidelity, Bravery, Integrity. To what lengths would you go to uphold those oaths? When it comes to a particularly brutal and unsolvable case, the BAU just may have to resort to some more unorthodox methods. SPN/Criminal Minds crossover.

As You Are Now, So Once Was I: Sequel to "All the King's Horses." When Dean catches J.J.'s press conference on the news about a current case and notices a few...inconsistencies, he realizes the BAU is definitely going to need his help. Again. ON HIATUS

About the Book

FORMAT: Letter quarto, flatback bradel binding, french link stitch, no tapes

FONTS: EB Garamond [via Google Fonts], Supernatural Knight [via DaFont], D-Din [via Font Squirrel], Daniel [via DaFont], Permanent Marker [via Google Fonts], Arial

IMAGES: Seal of the FBI [via Wikipedia], Dean's handprint scar [by greenhorn-art]

MATERIALS: 24lb Xerox Bold Digital paper (8.5"x11"), 80pt binder's board (~2mm), 30/3 size waxed linen thread, embroidery floss (DMC #721), 1.9mm cording, brown cardstock, black Cialux bookcloth, gold foil transfer sheet (came with We R Memory Keepers hot foil pen)

PROGRAMS USED: Fic exported with FicHub, word doc compiled in LibreOffice Writer, Typeset in Affinity Publisher, imposed with Bookbinder-JS, title pages designed in Affinity Designer/Photo

.

I first read these stories on LiveJournal back in 2013, some time after I first encountered Tumblr, Supernatural, and the wider world of online fandom. Once I discovered SPNxCriminal Minds crossovers I devoured so many of them. Something about POV Outsider on the Winchesters, the existing connections with investigating monster vs human-crazy cases, and run-ins with the FBI... it's just works so well.

Of all the SPNxCM fics I read and enjoyed, All The King's Horses is among those that bookmarked themselves in my brain. Since it's been living there all these years, I thought it deserved a place on my bookshelf too.

(Rambling below)

Sourcing the Fic

I used FicHub to download the fics off of Fanfiction.net as HTML. Then I pasted them into LibreOffice Writer and created rich text documents of each fic, so I could Place them into Affinity Publisher.

The stories were crossposted, first on LiveJournal and then Fanfiction. I included the metadata from both sites in the appendices.

(It's fascinating to see the differences in the same work between platforms. FFN requires genres, so if the author doesn't add them on LJ then by default there's more info on FFN. But FFN limits listed characters to 2, so authors have to pick and choose the most important. Then there's the author's amusing disclaimers and spoiler warnings for these fics, which are only included in the LJ version)

Shoutout to the author for how they linked/listed their accounts on other platforms! Thanks to that I was easily able to track down all the tags/metadata for the fics, and find them here to express my appreciation for their stories!

Typesetting

Fonts

EB Garamond is my new favourite body font, 11pt as per my usual.

The title page is entirely Arial: 1) it was the closest match I have to the case file prop I was copying, and 2) if it was a government doc they wouldn't be using anything but the most basic fonts.

Headings and the the bullets bracketing the page numbers are set it Supernatural Knight, a free font in the style of Supernatural's title.

The location segments are in D-DIN, the closest free match to the font Criminal Minds uses (which is probably DIN).

Daniel is used for Dean's 'rushed but legible' note.

Permanent Marker for the 'thick black Sharpie' case file labels.

Artwork

Title pages designed as FBI case files, copied from a prop found online (specifically Etsy's propfictionstudios', but it's all over the web so no idea who actually created it). I had fun plugging in all the fanfic/bookbinding meta!

The ID# above the author's name is the FFN story ID, and the date is the date originally posted on LJ.

The handprint used in the headings of ATKH is Dean's scar. I traced off of a screenshot from s4e01 Lazarus Rising. I chose to use the handprint instead of the anti-possession tattoo or a Devil's Trap as my SPN art element because 1) it's specific to Dean, and 2) indicates/reminds that the story is not set during the season 3 Agent Henriksen/FBI arc.

Grabbed the FBI seal off of Wikipedia.

Construction

Both fics typeset and printed separately, then sewn together into one book. Title page for the sequel was tipped in like an endpaper prior to sewing.

Endbands sewn with orange embroidery floss (DMC 721) around 1.9mm cording. I chose orange because Dean's being in jail brought to mind the orange prison jumpsuits Sam and Dean wore in s1e19 Folsom Prison Blues.

Black bookcloth for the cover, like the Winchesters' beloved black '67 Chevy Impala. (I'd wanted a Supernatural reference to balance out the Criminal Minds-ness of the FBI case files).

I'd originally planned to make lineart of the front of the car, and have it stretch across the bottom of the cover (maybe even wrap around to the back). Even found a useful reference to trace [from here], but it didn't look as good as I'd hoped. Instead I reused the FBI seal and swapped out its text with the titles.

(The effect of shiny foiled FBI symbol on small black book reminds me of one of those FBI badge wallets!)

The foiling process was an unnecessarily long and gruelling affair. My laptop served as a massive power bank for the hot foil pen as I spent 2hrs ever so slowly tracing the image, and then 15mins on the author name and touch-ups. Did it need to take so long? Moving slowly, pushing down hard, going over everything at least three times? I'm sure it didn't. BUT I did not want to chance peeling up the foil to check how I was doing and risk shifting it. It was worth it in my books (haha) ‒ I feel giddy and kick my feet like a schoolgirl whenever I see it!

New Things

Used 24lb paper for the first time, and I love it! It's a little thicker and heavier then regular 20lb printer paper, feels more substantial.

The page numbers & running/section headers are along the outer margin, instead of in the header/footer. This was my way around Affinity's buggy-ness regarding pinning things inline in master pages. (More about that below). If I had been thinking, I could have formatted them like the tabs on a file folder and cut the textblock to match. Oh well, the things you notice once it's printed 😔

This time I also started new chapters/sections using text flow & paragraph spacing settings, instead of using a master. As always, there are pros and cons.

Pro: much faster and less involved. (find chapter start, apply paragraph style VS working from the end cutting text, inserting a frame break, unlinking frames, inserting new pages with master, relinking, pasting, and adding chapter title to a different text box)

Con: images need to be added manually (whether by adding image directly, or by applying a master with the image). I forgot to do this for the second fic, so only ATKH have Dean's handprint scar.

Difficulties Encountered

Affinity Publisher is fighting me on pinning things inline on master pages. They like to disappear on regular pages I've applied the master to. Sometimes it works, sometimes it doesn't, sometimes it only works on some of the pages. Idk what's up. (The bullet character only faces one way so I had use textboxes, flip/mirror one, and pin them inline to the page number).

So instead of having page numbers in the footer, bookended left and right by text boxes with Supernatural Knight's bullet, I put it vertically down the side.

Updated Publisher and all my paragraph styles' fonts changed/went funny. Something to do with the update's variable font support, I think. What was previously 'EB Garamond' regular, was now something along the lines of 'EBGaramond-Regular' which isn't a font. Issue seems to have ironed itself out in my original (near-complete) doc while I was busy remaking it. 😐

On the bright side, the update brought QR code generation to Affinity!