#free to play vs pay to play

[chaotictomtom]

i want to play alien isolation sooo bad but im such a pussyyyy auuuugh

[batboyblog]

Copy Right and Public Domain in 2024

Happy 2024 all! its also Public Domain Day! a magical holiday here in America where things enter the public domain. Works published in the year 1928 (or 95 years ago!) have entered the public domain, which means they belong to us, all of us, the public!

Mickey's Back!

Yes! I'm sure you've heard, but Mickey Mouse (and Minnie Mouse too) is entering the Public Domain today. This has been news for a few years and indeed Disney's lobbying in the late 1990s is why our copy right term is SO long. So what exactly is now public domain?

Most people know about Mickey's first appearance Steamboat Willie, but a second short film, Plane Crazy was also released in 1928 so will also be public domain. So what's public? well these two films first of all, you're allowed to play them, upload them to YouTube or whatever without paying Disney. In theory you'll be allowed to cut and sample them, have them playing in the background of your movie etc. Likewise in theory the image of Mickey and Minnie as they appear (thats important) in these films will be free to use as well as Mickey's character as he appears in these works will be free to use. Now Mickey's later and more famous appearance

will still be protected. Famously the Conan Doyle Estate claimed that Sherlock Holmes couldn't be nice, smile, or not hate women in works because they still held the copyright on the short stories where he first did those things even though 90% of Sherlock Holmes stories were public domain. It's very likely Disney will assert similar claims over Mickey, claiming much of his personality first appeared in works still copyrighted.

Finally there's copyright vs trademark. Copyright is total ownership of a piece of media and all the ideas that appear in it, copyright has a limited set term and expires. Trademark is more limited and only applies to things used to market and sell a product. You can have a Coke branded vending machine in your movie if you want, but it couldn't appear anywhere in the trailer for your movie as thats you marketing your movie.

Where trademark ends and copyright begins and how trademarked something in the public domain is allowed to be are all unsettled areas of law and clearly Disney in the last few years as been aggressively pushing its trademark not just to Mickey in general but Steamboat Willie Mickey in particular

Ultimately the legal rights and wrongs of this might not matter so much since few people have the money and legal resources of the Walt Disney corporation so they might manage to maintain a de facto copyright on Mickey through legal intimidation, but maybe not?

And Tigger Too!

All the talk about Mickey Mouse and Steamboat Willie has sadly overshadowed other MAJOR things entering the public domain today. Most people are aware Winnie the Pooh entered the public domain in 2022, but they might not realize his beloved friend Tigger didn't. Thats because Tigger didn't appear till A. A. Milne's second (and last) book of Pooh short stories, The House at Pooh Corner in 1928.

Much like Mickey Mouse only what appears in The House at Pooh Corner is public domain so the orange bouncy boy from the 1960s Disney cartoon is still on lock down. But the A. A. Milne original as illustrated by E. H. Shepard is free for you to use in fiction or art. His friend Winnie the Pooh has made a number of appearances since being freed, most notably in a horror movie, but also a Mint Mobile commercial so maybe Tigger too will have a lot of luck in the public domain.

Other works:

Peter Pan; or the Boy Who Wouldn't Grow Up

Peter Pan is a strange case, even though the play was first mounted in 1904, and the novelization (Peter and Wendy) was published in 1911, The script for the play was not published till 1928 (confusing!) meaning while the novel as been public domain for years the play (which came first) hasn't been, but now it is and people are welcome to mount productions of it.

Millions of Cats

The oldest picture book still in print, did you own a copy growing up? (I did)

Lady Chatterley's Lover

The iconic porn novel that was at the center of a number of groundbreaking obscenity cases in the 1960s and helped establish your right to free speech.

All Quiet on the Western Front and The Threepenny Opera in their original German (but you can translate them if you want), The Mystery of the Blue Train by Agatha Christie, and Orlando by Virginia Woolf will also be joining us in the public domain along with any and all plays, novels, and books published in 1928

for Films we have The Man Who Laughs who's iconic image inspired the Joker

Charlie Chaplin's The Circus, Buster Keaton's The Cameraman, Should Married Men Go Home? the first Laurel and Hardy movie, Lights of New York the first "all talking" movie, The Passion of Joan of Arc, The Wind, as well as The Last Command and Street Angel the first films to win Oscars for Best Actor and Best Actress respectively will all be entering public domain

For Musical Compositions (more on that in a moment) we've got

Mack the Knife by Bertolt Brecht, Let’s Do It (Let’s Fall in Love) by Cole Porter, Sonny Boy by George Gard DeSylva, Lew Brown & Ray Henderson, Empty Bed Blues by J. C. Johnson, and Makin’ Whoopee! by Gus Khan are some of the notables but any piece of music published in 1928 is covered

Any art work published in 1928, which might include works by Frida Kahlo, Georgia O'Keeffe, Alexej von Jawlensky, Edward Hopper, and André Kertész will enter the public domain, we are sure those that M. C. Escher's Tower of Babel will be in the public domain

Swan Song, Public Domain and recorded music

While most things are covered by the Copyright Act of 1976 as amended by the Digital Millennium Copyright Act, none of the copyright acts covered recordings you see when American copyright law was first written recordings did not exist and so through its many amendings no one fixed this problem, movies were treated like plays and artwork, but recorded sound wasn't covered by any federal law. So all sound recordings from before 1972 were governed by a confusing mess of state level laws making it basically impossible to say what was public and what was under copyright. In 2017 Congress managed to do something right and passed the Music Modernization Act. Under the act all recordings from 1922 and before would enter the public domain in 2022. After taking a break for 2023, all sound recordings made in 1923 have entered the public domain today on January 1st 2024, these include.

Charleston by James P. Johnson

Yes! We Have No Bananas (recorded by a lot artists that year)

Who’s Sorry Now by Lewis James

Down Hearted Blues by Bessie Smith

Lawdy, Lawdy Blues by Ida Cox

Southern Blues and Moonshine Blues by Ma Rainey

That American Boy of Mine and Parade of the Wooden Soldiers by Paul Whiteman and his Orchestra

Dipper Mouth Blues and Froggie More by King Oliver’s Creole Jazz Band, featuring Louis Armstrong

Bambalina by Ray Miller Orchestra

Swingin’ Down the Lane by Isham Jones Orchestra

Enjoy your public domain works!

[thewriteadviceforwriters]

25 Prose Tips For Writers 🖋️✨ Part 1

Hey there!📚✨

As writers, we all know that feeling when we read a sentence so beautifully crafted that it takes our breath away. We pause, reread it, and marvel at how the author managed to string those words together in such a captivating way. Well, today I'm going to unpack a few secrets to creating that same magic in your own writing. These same tips I use in my writing.

But before I begin, please remember that writing is an art form, and like any art, it's subjective. What sounds beautiful to one person might not resonate with another. The tips I'm about to share are meant to be tools in your writer's toolkit, not rigid rules. Feel free to experiment, play around, and find what works best for your unique voice and style.

Power of Rhythm 🎵

One of the most overlooked aspects of beautiful prose is rhythm. Just like music, writing has a flow and cadence that can make it pleasing to the ear (or mind's ear, in this case). Here are some ways to incorporate rhythm into your writing:

a) Vary your sentence length: Mix short, punchy sentences with longer, flowing ones. This creates a natural ebb and flow that keeps your reader engaged.

Example: "The sun set. Darkness crept in, wrapping the world in its velvet embrace. Stars winked to life, one by one, until the sky was a glittering tapestry of light."

b) Use repetition strategically: Repeating words or phrases can create a hypnotic effect and emphasize important points.

Example: "She walked through the forest, through the shadows, through the whispers of ancient trees. Through it all, she walked with purpose."

c) Pay attention to the stressed syllables: In English, we naturally stress certain syllables in words. Try to end important sentences with stressed syllables for a stronger impact.

Example: "Her heart raced as she approached the door." (Stronger ending) vs. "She approached the door as her heart raced." (Weaker ending)

Paint with Words 🎨

Beautiful prose often creates vivid imagery in the reader's mind. Here are some techniques to help you paint with words:

a) Use specific, concrete details: Instead of general descriptions, zoom in on particular details that bring a scene to life.

Example: Instead of: "The room was messy." Try: "Crumpled papers overflowed from the waste bin, books lay spine-up on every surface, and a half-eaten sandwich peeked out from under a stack of wrinkled clothes."

b) Appeal to all five senses: Don't just describe what things look like. Include smells, sounds, textures, and tastes to create a fully immersive experience.

Example: "The market bustled with life. Colorful fruits glistened in the morning sun, their sweet aroma mingling with the earthy scent of fresh herbs. Vendors called out their wares in sing-song voices, while customers haggled in animated tones. Sarah's fingers brushed against the rough burlap sacks of grain as she passed, and she could almost taste the tang of ripe oranges on her tongue."

c) Use unexpected comparisons: Fresh similes and metaphors can breathe new life into descriptions.

Example: Instead of: "The old man was very thin." Try: "The old man was a whisper of his former self, as if life had slowly erased him, leaving behind only the faintest outline."

Choose Your Words Wisely 📚

Every word in your prose should earn its place. Here are some tips for selecting the right words:

a) Embrace strong verbs: Replace weak verb + adverb combinations with single, powerful verbs.

Example: Instead of: "She walked quickly to the store." Try: "She hurried to the store." or "She dashed to the store."

b) Be specific: Use precise nouns instead of general ones.

Example: Instead of: "She picked up the flower." Try: "She plucked the daisy."

c) Avoid clichés: Clichés can make your writing feel stale. Try to find fresh ways to express common ideas.

Example: Instead of: "It was raining cats and dogs." Try: "The rain fell in sheets, transforming the streets into rushing rivers."

Play with Sound 🎶

The sound of words can contribute greatly to the beauty of your prose. Here are some techniques to make your writing more musical:

a) Alliteration: Repeating initial consonant sounds can create a pleasing effect.

Example: "She sells seashells by the seashore."

b) Assonance: Repeating vowel sounds can add a subtle musicality to your prose.

Example: "The light of the bright sky might ignite a fight."

c) Onomatopoeia: Using words that sound like what they describe can make your writing more immersive.

Example: "The bees buzzed and hummed as they flitted from flower to flower."

Art of Sentence Structure 🏗️

How you structure your sentences can greatly affect the flow and impact of your prose. Here are some tips:

a) Use parallel structure: When listing items or actions, keep the grammatical structure consistent.

Example: "She came, she saw, she conquered."

b) Try periodic sentences: Build suspense by putting the main clause at the end of the sentence.

Example: "Through storm and strife, across oceans and continents, despite all odds and obstacles, they persevered."

c) Experiment with sentence fragments: While not grammatically correct, sentence fragments can be powerful when used intentionally for emphasis or style.

Example: "She stood at the edge of the cliff. Heart racing. Palms sweating. Ready to jump."

Power of White Space ⬜

Sometimes, what you don't say is just as important as what you do. Use paragraph breaks and short sentences to create pauses and emphasize important moments.

Example: "He opened the letter with trembling hands.

Inside, a single word.

'Yes.'"

Read Your Work Aloud 🗣️

One of the best ways to polish your prose is to read it aloud. This helps you catch awkward phrasing, repetitive words, and rhythm issues that you might miss when reading silently.

Edit Ruthlessly ✂️

Beautiful prose often comes from rigorous editing. Don't be afraid to cut words, sentences, or even entire paragraphs if they don't serve the overall beauty and effectiveness of your writing.

Study the Masters 📖

Please! Read widely and pay attention to how your favorite authors craft their prose. Analyze sentences you find particularly beautiful and try to understand what makes them work.

Practice, Practice, Practice 💪

Like any skill, writing beautiful prose takes practice. Set aside time to experiment with different techniques and styles. Try writing exercises focused on specific aspects of prose, like describing a scene using only sound words, or rewriting a simple sentence in ten different ways.

Remember, that developing your prose style is a journey, not a destination. It's okay if your first draft isn't perfect – that's what editing is for! The most important thing is to keep writing, keep experimenting, and keep finding joy in the process.

Here are a few more unique tips to help you on your prose-perfecting journey:

Create a Word Bank 🏦

Keep a notebook or digital file where you collect beautiful words, phrases, or sentences you come across in your reading. This can be a great resource when you're looking for inspiration or the perfect word to complete a sentence.

Use the "Rule of Three" 3️⃣

There's something inherently satisfying about groups of three. Use this to your advantage in your writing, whether it's in listing items, repeating phrases, or structuring your paragraphs.

Example: "The old house groaned, creaked, and whispered its secrets to the night."

Power of Silence 🤫

Sometimes, the most powerful prose comes from what's left unsaid. Use implication and subtext to add depth to your writing.

Example: Instead of: "She was heartbroken when he left." Try: "She stared at his empty chair across the breakfast table, the untouched coffee growing cold."

Play with Perspective 👁️

Experiment with different points of view to find the most impactful way to tell your story. Sometimes, an unexpected perspective can make your prose truly memorable.

Example: Instead of describing a bustling city from a human perspective, try describing it from the point of view of a bird soaring overhead, or a coin passed from hand to hand.

Use Punctuation Creatively 🖋️

While it's important to use punctuation correctly, don't be afraid to bend the rules a little for stylistic effect. Em dashes, ellipses, and even unconventional use of periods can add rhythm and emphasis to your prose.

Example: "She hesitated—heart pounding, palms sweating—then knocked on the door."

Create Contrast 🌓

Juxtapose different elements in your writing to create interest and emphasis. This can be in terms of tone, pacing, or even the literal elements you're describing.

Example: "The delicate butterfly alighted on the rusted barrel of the abandoned tank."

Use Synesthesia 🌈

Synesthesia is a condition where one sensory experience triggers another. While not everyone experiences this, using synesthetic descriptions in your writing can create vivid and unique imagery.

Example: "The violin's melody tasted like honey on her tongue."

Experiment with Sentence Diagrams 📊

Remember those sentence diagrams from school? Try diagramming some of your favorite sentences from literature. This can give you insight into how complex sentences are structured and help you craft your own.

Create a Sensory Tour 🚶‍♀️

When describing a setting, try taking your reader on a sensory tour. Move from one sense to another, creating a full, immersive experience.

Example: "The old bookstore welcomed her with the musty scent of aging paper. Dust motes danced in the shafts of sunlight piercing the high windows. Her fingers trailed over the cracked leather spines as she moved deeper into the stacks, the floorboards creaking a greeting beneath her feet. In the distance, she could hear the soft ticking of an ancient clock and taste the faint bitterness of old coffee in the air."

Use Active Voice (Most of the Time) 🏃‍♂️

While passive voice has its place, active voice generally creates more dynamic and engaging prose. Compare these two sentences:

Passive: "The ball was thrown by the boy." Active: "The boy threw the ball."

Magic of Ordinary Moments ✨

Sometimes, the most beautiful prose comes from describing everyday occurrences in a new light. Challenge yourself to find beauty and meaning in the mundane.

Example: "The kettle's whistle pierced the quiet morning, a clarion call heralding the day's first cup of possibility."

Play with Time ⏳

Experiment with how you present the passage of time in your prose. You can stretch a moment out over several paragraphs or compress years into a single sentence.

Example: "In that heartbeat between his question and her answer, universes were born and died, civilizations rose and fell, and their entire future hung in the balance."

Use Anaphora for Emphasis 🔁

Anaphora is the repetition of a word or phrase at the beginning of successive clauses or sentences. It can create a powerful rhythm and emphasize key points.

Example: "She was the sunrise after the longest night. She was the first bloom of spring after a harsh winter. She was the cool breeze on a sweltering summer day. She was hope personified, walking among us."

Create Word Pictures 🖼️

Try to create images that linger in the reader's mind long after they've finished reading. These don't have to be elaborate – sometimes a simple, unexpected combination of words can be incredibly powerful.

Example: "Her laughter was a flock of birds taking flight."

Use Rhetorical Devices 🎭

Familiarize yourself with rhetorical devices like chiasmus, antithesis, and oxymoron. These can add depth and interest to your prose.

Example of chiasmus: "Ask not what your country can do for you – ask what you can do for your country." - John F. Kennedy

Even the most accomplished authors continue to hone their craft with each new piece they write. Don't be discouraged if your first attempts don't sound exactly like you imagined – keep practicing, keep experimenting, and most importantly, keep writing.

Your unique voice and perspective are what will ultimately make your prose beautiful. These techniques are simply tools to help you express that voice more effectively. Use them, adapt them, or discard them as you see fit. The most important thing is to write in a way that feels authentic to you and brings you joy.

Happy writing, everyone! 🖋️💖📚 - Rin T

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[yuri-is-online]

One Sided Love Triangles: Tokyo Debunker

Link to Twisted Wonderland Post

Because I hate when people have to lose. Though I'd be way more comfortable writing a normal love triangle for tdb than twst... there's a few of these bitches who could stand to be knocked down a peg or two.

Haru vs Peekaboo- betrayal never comes from your enemies does it. Haru wants to be happy you get along with his baby, and he's really grateful for your continued help in the anomalous animal sanctuary, really. He even originally found your interactions with Peekabo really cute! He's got a bunch of videos saved on his phone and everything but he can't help but feel just a wee bit bitter. He really wants to be the one with his head in your lap getting scritches and being told how cute he is. Something he'd never say to your face but whines about at the bar enough for Romeo to record and send to you. "For free?" Yeah for free he's had enough of this shit please come get your man MC.

Kaito vs Luca- this one is cannon to a degree I think... Kaito is deeply insecure about how much more confident Luca is around MC compared to him and how the girls on campus seem to like him more. The fact that he's so painfully oblivious doesn't help, meanwhile Luca is just overjoyed that his two best friends are in such a good relationship. You're genuinely perfect for each other, why all these secrecy and making him promise not to tell the other about the nice things you say? Isn't it natural to gush about your partner???

Towa vs Ren- Towa is such a pouty baby who doesn't fully understand his feelings and Ren is just happy to have a friend who understands the concept of a log in bonus. Neither of you fully realize that Towa is attempting to flirt, or would it be closer to say woo? All you know is one minute the two of you are casually chilling and talking about horror movies or something and then *BAM* Towa's thrown some flowers at Ren and pulled you into his lap. He's happy you wiggle to get comfy with him but very upset that you keep up your conversation with Ren. Stop being a good senpai and pay attention to hiiiiiiiiiiiiiiim.

Tohma vs Leo- just hear me out. I don't think Tohma really gets jealous? He seems super secure in himself and his abilities so he doesn't have much of a reason to get whiny and silly over MC, that's your role in the relationship. And he knows, logically that this little video Leo uploaded is bait to test the security on campus but it doesn't stop him from damn near cracking his phone in half when he sees it. That's how Leo wants to play this little game? Well fine, Tohma hopes he's ready to be thoroughly humiliated. No one can flirt with another man's partner quite as well as a bitch with a monocle. Leo is totally unaware any of this for the most part, he just assumes the extra irritation he's picking up on from Tohma is because he keeps spying on him and Alan. The fact he keeps teasing MC doesn't even cross his mind, he's just doing that to irritate you.

... as a side note can you imagine how confused everyone would get if Leo and MC kept picking fights about their upcoming "divorce" when no one even thought they were ever technically together. Except for Ritsu who sits you down to seriously try to talk you in to let him being your divorce attorney and still doesn't fully get that it's a joke by the time you're done. Actually while I'm at it:

Leo vs Ritsu- where that's exactly your dynamic but Leo starts catching some genuine feelings when he tries to crack a joke about you cheating on him with your divorce attorney only to realize that makes him unironically angry. How dare you, after everything you've been through. Wasn't he he enough? You know he can't treat you like he can. And you're just like "what can't treat me wrong?" And then you have a very toxic make out session Sho has to hear both of you scream about later while he seriously considers taking up a drinking problem.

Taiga vs Haru- this game has one character named Haru (ginger, baby) and one named Haku (green, evil?) Which confuses me an unreasonable amount. I already mentioned I wanted a serious Taiga vs Haku love triangle... but Taiga vs Haru would just be silly. You have MC who loves anomalous animals and hanging out in Jabberwock and Taiga who hates emotional intimacy and his feelings for MC just as much as he hates the idea of you being with anyone else. And of all people why Harry? He thought they were friends... or cool at least even if he won't let him eat that chinchilla thing. And now he's got MC playing defense for it too, it's irritating. He already has to fight himself to remember who you are every time he sees you again and go through the annoyance of recognizing he's a bit in love and now he can't even break into the animal sanctuary without tripping over himself and paying attention to you instead. It's annoying and it's all Haru's fault for having everything he wants. (If you ask he'll say that complaint is about Peekaboo but Haru and Romeo know it's not.) Haru is just trying to get some help from a trusted friend he's so stressed out ;-;

Sho vs Jin- Sho and his excuses... he doesn't want to just invite you to hang out and he doesn't want to ask you to come help him with the food truck because you've got so much else to do. You deserve a chance to rest, and he wants to be who you come to do that with. But Jin... he'd make that so much easier if it was him wouldn't he? He's rich and connected, and you're so sweet he's sure you could thaw that frozen heart enough for him to see you as human and not a gopher. Sho knows you, the moment he started paying attention to you he saw you as a person. But he still hurt you... and Jin didn't really do that did he? Jin doesn't like Sho because he's in Vagastrom and he doesn't trust him with your safety. Sho might see a rival and a better option, but what he's really dealing with is MC's disapproving dad who can't stand that their boyfriend has a leather jacket and a motorbike. He bets he's got tattoos and an arrest record too doesn't he MC, Jin is judging you so hard.

[buckets-and-trees]

This look is so intense, so don't-give-a-fuck. It does darker things to me... And the hair is a bit messy. It got my muse spiraling down a bit of a dirty course of thought.

Title: Parking Lot Chem Characters/Pairings: raunchy!Bucky x curvy!female reader Word Count: 6.7k Summary: In a bit of a loser era, divorced, dirty, not giving much of a damn about anything, Bucky works a bit of an unconventional night shift that leaves him with a lot of time to kill.

Content Warnings: modern AU, hook up culture, explicit and rough smut, oral (male receiving)/deep throating, vaginal fingering, squirting, multiple orgasms, vaginal penetration, unprotected sex, objectification, naked vs. clothed imbalance, coercion, use of "baby" as a term of endearment, dacryphilia, praise, mild degradation (teasing/mean but not vicious), general dirty talk, slight innocence/ruining kink, implied cockwarming, cum play/marking, sex in a semi-public place

Author Notes: I moved to a new apartment in the spring, and I noticed kind of an interesting thing that happens on weeknights across the street from my place. It got my mind spinning, and months later, I'm finally playing with the concept.

Logistical Notes: My July entry for @buckybarnesevents Build-a-Bucky-Bingo using the DEEP THROATING prompt and week 9 of Hot Bucky Summer using the WET AND MESSY prompt.

↠ Masterlist | Aspen's Ask Box | Field Guide to the Forest

“Fuck,” he whispers in the dark. Desire and adrenaline rev in his veins at the sight of your headlights parking just where he’d told you to, across the street from the business park complex, in front of the residential apartments.

Bucky’s been working this job for six weeks, and it’s a joke, but it’s a decent-paying joke of a job. From 10pm until 6am, all he has to do is periodically drive a pick up truck around around the large parking lot that services the two business buildings to the north and south of the lot, make sure no one from the apartments across the street to the east or west side park in the lot overnight, and ticket and boot any cars if a resident or visitor is stupid enough to roll the dice and try. Yellow-amber flashing lights affixed to the roof of the truck’s cab, it’s Bucky’s responsibility to deter and keep things clear so that the employees for the companies housed at this business complex can show up and park free of cars, at least one potential hassle eliminated from their corporate working routine.

Eight hours of paid nearly-free time, unbothered by anyone or anything, in the quiet of the night.

He won’t work this job forever, but it sure as shit beats some of the other unappealing options after getting fired from his last job.

He’s read a lot of books sitting in this truck’s cab. He’s played a lot of games on his phone. He’s started putting in a lot of applications for other jobs and even a couple of masters programs. He’s too caught up on news, memes, and social media.

A couple of weeks ago he decided to download a couple of dating apps again, fish and see what’s out there. He’s been divorced for two years now, and Steve and Sam have been dropping hints that he should try and put himself out there again.

Last week he downloaded an app he saw mentioned by a couple of people in chats on the other dating apps - this one known for being a thinly veiled “dating” app full of people who might not be looking for a date so much as a bit of unattached fun.

He started talking to you two nights ago.

There really were plenty of people who were trying to use this particular app for legitimate dating.

But there were subtle signs, particular turns of phrase, avenues of conversation that you could test the waters with to uncover someone else who just wanted to quench some thirst.

And here you were.

Bucky shifts the truck from idle, and drives down the row of parking spaces, turns left to slowly drive down the north side, looking like he’s making one of his routine twice-an-hour laps around the lot, and then takes another left when he gets to the end. He flashes his headlights, and then he smiles as he sees you push open your door and slip out of the car.

“Fuck,” he moans, taking in the first sight of you.

You hastily look both ways - confirming that no one is coming down the road at this godforsaken time of night - then cross the street and step up to the curb just as Bucky pulls up next to you.

He reaches across to push the door open for you - a friendly gesture, certainly not a gentlemanly one, as there is nothing gentlemanly about his intentions toward you tonight.

“Hi,” you say, almost a little breathless. He assumes you must be a little nervous.

That’s cute.

He’s going to ruin you.

If you took any notice of the way he leers at you as you climb up into the cab with him, you would know, and you might hesitate or rethink this poor decision.

But you don’t.

And now the wolf has his prey.

He won’t harm you, but he’s certainly going to have his way with you.

"Hey there," Bucky replies, his voice a low rumble. "Glad you could make it."

You settle into the passenger seat, your eyes darting around the cab nervously. The air feels thick with anticipation. Bucky drinks in the sight of you - flushed cheeks, slightly disheveled hair, the rapid rise and fall of your chest betraying your excitement.

He puts the truck in drive and cruises slowly through the lot, amber lights still flashing above. "So," he drawls, "first time doing something like this?"

You nod, biting your lip. "Yeah, I've never... I mean, I don't usually..."

Bucky chuckles. You might be lying, but he thinks it’s probably true that you haven’t hooked up on this app before. If you made a habit of it, this probably would’ve happened the first night you started chatting.

"Don't worry, sweetheart. You’re safe with me." His hand leaves the steering wheel, landing on your thigh. You inhale sharply at the contact, but don't pull away. And he’s not lying. You’re safe, but he plans to thoroughly ruin you before sunrise.

He feels your muscles tense under his palm, but you don't push him away. Instead, you ease into his touch ever so slightly. Bucky smirks, knowing he's got you right where he wants you. But he will play this out slowly.

"So," he says, his voice low and husky, "what you're hoping to get out of tonight."

You swallow hard, your eyes fixed on his hand on your thigh. "I… I'm not sure.” Then your eyes flicked back up to his. “I just knew I wanted to meet you."

Bucky's thumb begins to trace small circles on your leg, inching higher with each rotation. "That so? Well, I've got a few ideas of my own, if you're interested."

He feels the tiny shiver roll through your body, and he bites back a groan.

“Yeah?”

“Yeah, but tell me more about you. What’s a sweet thing like you needing a dating app for?” he asks, steering you into conversational waters. He wants you to get more comfortable with him, relaxed, so he can ultimately have you completely pliant for him.

You laugh nervously, a hint of self-deprecation in your voice. "Oh, you know. Work keeps me busy. I don't really get out much."

Bucky nods, his eyes still on the road as he steers the truck around another corner of the lot. "What kind of work do you do?"

"I'm in marketing," you reply, relaxing a bit as the conversation turns to safer ground. "It's interesting, but the hours can be long. What about you? Do you... always work nights like this?"

Bucky chuckles. "Nah, this is just temporary. Needed something to pay the bills while I figure out my next move."

His hand is still on your thigh, warm and heavy. He can tell you're acutely aware of it, of how his thumb continues its lazy circles, inching higher with each pass. Your breath catches as he reaches a particularly sensitive spot, and he stops with the circles, but leaves his hand there. He loves that you wore leggings. He can feel every movement of your muscles. You’re stupid for not knowing how intimate that is - or for underestimating how it would drive him wild. He continues to drive. He only needs to circle the lot every thirty to forty-five minutes, but he knows this driving is part of easing you further into this.

"So, marketing," Bucky muses, his voice a low rumble. "That must keep you on your toes. Always chasing the next trend, right?"

You give a small nod, your gaze flickering between his hand still resting on your thigh the unchanging view - familiar to him, but unfamiliar to you - as he continues to drive. "Yeah, it can be pretty intense. But I like the challenge."

Bucky hums in agreement, his eyes alternating between you and the road. "I bet you're good at it too. Reading people, figuring out what they want."

You laugh nervously. "I try. But clearly I'm not that good at reading situations, or I wouldn't be here."

Bucky's hand tightens slightly on your thigh. "Oh, I wouldn't say that. I think you read this situation perfectly."

His words hang in the air between you, charged with promise. You swallow hard, your pulse quickening.

"Just two people wanting to spend time together - nothing more complicated than that,” he reassures you. It’s not a lie. And then he leads you down a slew of safe paths of conversation. Your family, your roommates, where you went for college, places you’d like to travel, a bit about your social life. The more he asks, the more you open up. He clocks some of your responses, but he’s far more interested in how you’re feeling with him, the verbal and non-verbal cues he reads as the minutes turn into an hour. Twenty minutes into that hour, he’d been able to park in the middle of the lot, and you hadn’t batted an eye, completely at ease.

Occasionally your fingers fidget in your lap. Both of you have turned to angle your bodies toward the other. There’s no barrier between you - it’s a full bench seat across from driver to passenger side.

He decides to push things a little further.

"So, back to your marketing expertise?" he says, his voice low and smooth.

You playfully roll your eyes. “I’m not an expert. If I were an expert, I’d be driving a much better car already,” you laugh.

"No, no,” Bucky laughs along with you. “But you said you do have a pretty good job in your firm. Must mean you're… let’s say proficient at selling things? At... persuasion?"

You giggle nervously, maybe a little surprised at the turn of tactic. "I guess you could say that. Why do you ask?"

Bucky's hand slides up your thigh, just a fraction higher. "Just wondering what it might take to persuade you to do something a little... risky tonight."

Your breath hitches audibly. "What... what did you have in mind?"

He smirks, loving how eagerly you've taken his bait. "Well, we've got this whole parking lot to ourselves. No one around for hours. Seems a shame to waste such privacy.”

Another soft nervous laugh falls from your lips, and your eyes dart around. “I don’t know how private this is. We’re in the middle of an open parking lot.”

“Trust me, I’m the expert in this area, and no one is going to even come close to the cab of this truck.”

Your eyes widen slightly at his words, a mix of excitement and apprehension flickering across your face. "I... I'm not sure," you stammer, but your body language tells a different story. You've leaned in closer, your breath quickening.

Bucky's hand slides higher up your thigh, his fingers tracing patterns on the inside of your leg. "Come on, sweet girl," he murmurs, his voice low and persuasive. "Where's your sense of adventure?"

You bite your lip, clearly torn between desire and caution.

His other hand moves to cup your face, thumb brushing across your cheek. You lean into his touch, eyes fluttering closed for a moment.

Bucky’s easy smile grows to a smirk. A few more cautious moments, and he knows you’ll be his. His hand slides even higher up your leg, fingertips just barely brushing the junction of your thighs. "How about we start with a kiss and see where things go from there?"

Your breath catches audibly, and for a moment, Bucky thinks you might refuse.

"I don't usually do this kind of thing," you murmur, even as you lean slightly into his touch.

"I know," Bucky says softly, his voice a low rumble. The wolf inside him is clawing at his chest to claim you, to ruin you, but he knows he can’t pounce yet. He needs you to ease completely into his trap.

Then you nod, almost imperceptibly. "Okay," you whisper.

Bucky's eyes darken with desire as he leans in, closing the distance between you. His lips brush against yours softly at first, giving you a final chance to pull away if you change your mind. But you don't. Instead, you press forward, deepening the kiss.

He groans low in his throat, his hand tightening on your thigh as the other slides to the back of your neck, gripping gently. The kiss quickly turns heated, all pretense of hesitation melting away as your lips move against each other hungrily.

Bucky's tongue traces the seam of your lips, seeking entrance, and you eagerly grant it. As your tongues tangle, he shifts closer, using his grip at the nape of your neck to tilt your head, allowing him better access.

You whimper softly into his mouth, your hands coming up to clutch at his shoulders. He can feel the heat radiating between you. His hand on your thigh tightens, pulling you closer as he deepens the kiss. A soft whimper escapes you as his tongue slides against yours, and he can feel the last of your reservations melting away. Your hands, which had been fidgeting in your lap, now reach up to grip his shoulders.

As the kiss intensifies, Bucky's hand on your thigh inches higher, his fingers ghosting over your center through your leggings. You gasp into his mouth, your hips instinctively pushing forward to chase his touch.

He breaks the kiss, chuckling darkly. "Eager little thing, aren't you?" he teases.

"I... I'm sorry, I just..."

"Shh," Bucky soothes, his thumb brushing your bottom lip. "Don't apologize. I like it."

Like is an understatement. He’s feral for it. For you.

He leans in again, this time pressing his lips to your neck. You tilt your head, giving him better access as he trails hot kisses down to your collarbone.

"God, you smell good," he murmurs against your skin, his stubble scratching deliciously as he nips at your pulse point.

You moan softly, your hands sliding into his hair. The sinful sound sends a jolt of desire straight through him. His other hand, still resting high on your thigh, begins to move with more purpose. He traces the seam of your leggings, feeling the heat radiating from your core.

"Bucky," you breathe, shuddering under his bold touch.

"Tell me what you want, sweetheart," Bucky murmurs against your neck, his hot breath sending shivers down your spine. His fingers continue their teasing exploration, tracing light patterns over the thin fabric of your leggings.

You whimper, your hips shifting restlessly. "I... I don't know," you breathe, your voice trembling with need.

Bucky chuckles darkly, nipping at your earlobe. "I think you do know. I think you knew exactly what you wanted when you agreed to meet me here. You just need a little... encouragement."

His hand slides higher, cupping you through your leggings. You gasp, your back arching as he applies pressure. "Is this what you want?" he asks, his voice low and husky.

"Yes," you moan, apparently unable to cling to the rest of your hesitation. "Please, Bucky."

He growls low in his throat, loving that he’s got you right where he wants you.

You dart forward, desperate to kiss him again, and he’s happy to provide you that distraction. One hand petting your pussy while you pant eagerly into the eager, open-mouthed kisses, he uses his other hand to unbuckle his jeans, undo the button, and lower the zipper. You’re so drawn in by his mouth and his ministrations on your clothed pussy, that you don’t even notice as he finally frees his raging hard cock.

With your attention fully captured by his skilled fingers and demanding mouth, Bucky takes the opportunity to guide your hand to his now exposed length. You gasp against his lips, pulling back slightly in surprise.

"What's wrong, sweet girl?" he murmurs, his voice a low rumble. "Isn't this what you came here for?"

Your eyes are wide, darting between his face and where your hand now rests on his cock. "I... I didn't..."

"Shh," Bucky soothes, his free hand cupping your face. "It's okay. We don't have to do anything you don't want to do." But even as he says this, his hips shift slightly, pressing his hardness more firmly into your palm.

You swallow hard, your breath coming in quick pants. For a moment, you hesitate, but then your hand wraps around him, stroking experimentally.

Bucky groans, his hips bucking slightly into your touch. "Right there. Just like that."

He draws your face back to his, and swallows you up in a wet kiss, his tongue fucking in and out of your mouth, stroking his tongue insistently against yours. He’s coaxing, reeling you back in, and he feels the fruits of his efforts as your hand strokes him with more fervor the longer he kisses you.

You’re lonely. He picked up on that, and he’s using it to his advantage. He’ll give you some of you want to get what he wants, as well.

Bucky breaks the kiss, his breath hot against your ear. "I want to see you," he growls, his hand sliding up under your shirt. "Take this off for me."

You hesitate for just a moment before nodding, your fingers fumbling with the hem of your shirt. Bucky helps you pull it over your head, tossing it aside. His eyes darken as they roam over your newly exposed skin.

“No bra?” he chuckles.

You bite your lip and your eyes dart down, away from his face.

"Beautiful," he murmurs, leaning in to press hot, open-mouthed kisses along your collarbone. His hand cups your breast, thumb brushing over the nipple. You arch into his touch, a soft moan escaping your lips.

Bucky's other hand continues its teasing exploration between your legs, the friction of your leggings adding to the delicious sensation. You're panting now, hips rocking against his.

"I want you to touch me," he says, his voice low and commanding.

You nod, your hand reaching for his cock again, but he catches your wrist, stopping you.

"Not like that," he growls. "I want your mouth on me."

Your eyes widen, darting between his face and his exposed cock.

“Oh, sweet girl,” he says, but the endearment drips off his tongue with cloying condescension, and he knows it, “You came out here at two am to meet up with a strange guy you only started talking to the night before last. You want to be used. Stop pretending like you’re going to resist. You’re going to let me do whatever the fuck I want with this body.”

You suck in a sharp breath, a wounded look in your eyes.

He chuckles and caresses your cheek. “Aw, you want it, too,” he coos. “You didn’t wear a bra, and I know you didn’t wear any panties either. When I peel these leggings off, your pussy is going to be bared and dripping and so eager for me.”

Your eyes flutter closed, but you don’t argue with him, and he guides you, hand on the back of your neck, to lean down into his lap. "Go on, sweet girl," he encourages. "Show me what a slut you want to be for me.”

Your breath catches. Bucky's words have struck a chord, and he can feel the mix of anticipation and nervousness in the air. It’s a heady thing, and he takes a deep breath as if he could inhale it. It makes his blood run hotter through his limbs.

With trembling hands, you lean the rest of the way in, your face hovering over his exposed cock.

"That's it," Bucky murmurs, his hand still firm on the back of your neck. "Open up for me."

You part your lips, and he feels your hot breath hovering at the head of his cock just a moment before you finally take him into your mouth. Bucky groans, his hips bucking slightly as your warm, wet mouth envelops him.

"Fuck," he hisses, his fingers tangling in your hair. "Good girl. Just like that."

You move slowly at first, getting used to the feel of him, mouthing at the head of his cock. But Bucky is impatient, using his hand, he guides you down more, urging you to take him deeper.

Bucky groans, his head falling back against the headrest as you start to work your tongue along his shaft.

"Fuck, that's good," he breathes, his fingers tangling in your hair. "Take more of me."

You comply, and Bucky's hips buck slightly, pushing himself further into your mouth. You gag a little, but quickly adjust, hollowing your cheeks, and he loves the feel of your soft, velvety mouth around his raging erection.

Bucky watches intently as you work your mouth over his cock, your lips stretched wide around his girth. The sight of you, eyes closed in concentration, cheeks hollowed as you suck, sends a jolt of pleasure through him. He can feel the wet heat of your tongue as it slides along the underside of his shaft, tracing the prominent vein there.

The wet heat of your mouth envelops Bucky, drawing a deep groan from his chest. Your tongue swirls around the head of his cock, teasing the sensitive underside before you take him deeper. The tight suction of your lips as you bob your head sends jolts of pleasure through his body.

Bucky's fingers tangle in your hair, guiding your movements. "Yes, baby," he growls. "Take me deeper."

You comply, relaxing your throat to take more of his length. Bucky feels the head of his cock hit the back of your throat and he hisses in pleasure. Your gag reflex kicks in, causing you to sputter and drool. Saliva drips down his shaft, making obscene wet sounds as you continue to work him with your mouth.

"Fuck, you're making such a mess," Bucky groans, watching as your head bobs up and down in his lap. "Such a perfect little cocksucker."

He’s watched a lot of porn since his divorce, and even more these past weeks in the middle of the night in this truck, and this is so much better, but surpassing even his own expectations. Too long since he’d been with a woman.

“Take me deeper." Bucky's grip tightens as he guides you further down his shaft. Your throat constricts around him, sending waves of pleasure coursing through his body. He can feel every swallow, every twitch of your tongue as you struggle to accommodate his girth.

"That's it, baby," he groans, his hips bucking slightly. "Swallow all of me."

Tears prick at the corners of your eyes as you gag around him, but you don't pull away. Instead, you double your efforts, hollowing your cheeks and sucking harder. Saliva continues to pool at the corners of your mouth, trickling down his length in glistening rivulets.

The sight of you, lips stretched wide and chin slick with spit, is almost too much for Bucky to bear. He watches, transfixed, as your head bobs up and down, your tongue swirling around his tip before diving back in. Your lips stretch wide around his girth, glistening with spit and precum.

Your nose brushes against his pelvis as you swallow around him, throat constricting deliciously. He feels the vibrations of your muffled moan around his shaft and it sends sparks of pleasure up his spine.

"Fuck," he growls. "Fuck, fuck, fuck. That, baby."

The pleasure builds, coiling tighter in Bucky's core with each bob of your head. He's close, so close, but he doesn't want to finish like this. Not when there's so much more he wants to do to you.

With a growl, he tugs your hair, pulling you off his cock. You gasp for air, lips swollen and glistening, a thin strand of saliva still connecting you to him. The sight nearly undoes him.

"Stand up," he commands, his voice rough with desire.

You comply, awkward and shaky on your feet in the confined space of the truck cab. Bucky's hands go to your hips, fingers hooking into the waistband of your leggings.

"These need to come off. Now."

You hesitate for just a moment, but the fire in Bucky's eyes brooks no argument. You shimmy them down with Bucky’s rough help, and true to what he said, you’re now fully naked and exposed to him. His smile is pleased, possessive, predatory as you sit back down on the seat of the cab.

Bucky's eyes rake over your newly exposed form, drinking in every curve and contour. He loves the sight of your pussy, bare, a thatch of curls, waiting and glistening with arousal. He licks his lips, a low growl rumbling in his chest.

"Look at you," he murmurs, voice thick with lust. "So wet and ready for me already."

His hand slides up your thigh, fingers ghosting over your slick folds. You shiver at his touch, a soft whimper escaping your lips.

"Please," you whisper, voice trembling with need.

Bucky chuckles darkly. "Please what, baby?"

You squirm under his intense gaze, cheeks flushed with a mix of arousal and embarrassment. "I... I want you to touch me."

"Oh, I'm going to do more than touch you," Bucky growls, suddenly pulling you into his lap. You gasp as you feel his hard cock pressing against your ass. "I'm going to ruin you."

His fingers find your clit, circling it with firm, deliberate strokes. You arch into his touch, a breathy moan escaping your lips. Bucky's other hand comes up to cup your breast, rolling the nipple between his fingers.

"That's it," he growls in your ear. "Let me hear how much you want this."

You whimper, grinding down against his fingers. Your head falls back against his shoulder, exposing the long line of your neck. Bucky takes advantage, nipping and sucking at the sensitive skin there.

His fingers move lower, teasing your entrance. You're so wet, his digits slide in easily, and you cry out at the sudden intrusion.

"Fuck, you're tight," Bucky groans, pumping his fingers in and out of you. "Can't wait to feel you around my cock."

You're panting now, rocking your hips to meet each thrust of his fingers. The cab of the truck is filled with the obscene sounds of your wet pussy and your desperate moans.

Bucky's fingers work you relentlessly, curling and stroking inside you as his thumb circles your clit. You're writhing in his lap, gasping and moaning as pleasure builds.

"Ride my fingers, baby. Show me how bad you want it."

"Bucky," you gasp, "I'm so close..."

He increases the pressure on your clit, rubbing tight circles as his fingers curl inside you.

"Please," you whimper, your head falling back against his shoulder again. "I need more."

Bucky chuckles darkly. "Greedy little thing, aren't you?" Roughly, he pinches your nipple, making you jerk and cry out.

Bucky's skilled fingers continue their relentless assault, pumping in and out of your dripping pussy while his thumb works your clit. Your body trembles, teetering on the edge of release.

"You want more?" he taunts, his hot breath tickling your ear. "I'll give you more."

Suddenly, he adds a third finger, stretching you further. The additional fullness makes you gasp, your back arching as he drives his fingers deeper. His other hand leaves your breast, sliding down to spread your legs wider.

"Look at how wet you are," Bucky murmurs, his voice low and husky. "Your pussy's practically weeping for me."

His fingers curl inside you, finding that perfect spot that makes you see stars. You cry out, your hips bucking wildly against his hand.

"I can feel how close you are,” he growls in your ear. “Your little cunt is clenching around my fingers."

His other hand returns to roughly knead your breast, pinching and rolling your nipple. The dual sensations send sparks of pleasure coursing through your body. You're trembling in his lap, right on the edge of release.

"Bucky, please," you whimper, your hips rocking desperately against his hand.

"Please what?" he asks, his voice low and dangerous. "Tell me what you need."

"I need to come," you gasp. "Please, make me come."

Bucky chuckles darkly. "Oh, I'll make you come alright. I'll make you fucking gush for me."

He increases the pressure on your clit, rubbing tight, fast circles as his fingers curl inside you, seeking that special spot. When he finds it, you cry out, your back arching. Bucky's fingers continue to work you relentlessly, curling and stroking that spongy spot inside you as his thumb applies insistent pressure to your throbbing clit. He builds and builds his ministrations until you're a trembling, whimpering and writhing mess in his lap.

"Fucking perfect," he praises in your ear, his voice low and gravelly. Your desperate grinding is torturous to his cock, and he could explode just from rutting against you like this.

But Bucky doesn't let up. If anything, he increases the pressure, his fingers pumping in and out of you at a frantic pace.

"Don't stop," he commands, his voice rough with desire. "Keep going. I know you've got more in you."

You're gasping, your hips jerking erratically, and then suddenly the orgasm rolls over you like a tidal wave, and there’s a surge of hunger that spurs him on. Your back arches sharply, pressing your breasts into his rough palms as you cry out, your voice echoing in the confined space of the truck cab.

Bucky only intensifies his efforts, his fingers pumping faster, harder, curling to hit that spot inside you with unerring accuracy. He’s seeking even more, pushing you impossibly higher, your body trembling uncontrollably in his lap.

"Oh god, oh god," you whimper and strain.

And still he works your body.

You try and squirm away, but he’s so much stronger than you, he easily keeps you in his lap. He moves his other hand down to your pussy so his right can focus fully on fucking in and out of your hole to molest your g-spot while his left zeroes in and demands more of your clit.

And then you cry for him from both ends, a sob escaping your mouth as your pussy gushes, spilling wetness over him, soaking his jeans and the seat beneath.

You slump, slack in his arms, but try to lean and move away and off his lap.

Bucky laughs, triumphant, and wraps his arm around your waist to keep you pressed to him. He presses a hot kiss to your neck. His other hand wipes the wetness over your thigh, making more of a mess.

“You’ve never squirted before, have you, baby?” he speaks low, directly into your ear.

“No,” you sniffle.

He nips the lobe of your ear and turns your head to face him. “Aw, did I make you cry?”

You close your eyes, and more tears trickle down your cheeks.

He slowly licks a stripe up your cheek, relishing the salty taste of your tears. It makes his cock twitch.

“I wonder what other firsts we can tick off for you.”

You shiver, and he squeezes around your middle. “It was overwhelming, wasn’t it?” he asks, and you nod, eyes still closed.

He kisses your cheek, and you let out a shuddery breath.

“But it felt good, didn’t it, baby?”

You open your eyes and bite your lip, then a small nod.

“Such a pretty slut for me,” he praises, and then he’s plundering your mouth again, and you turn your torso more to him. He plays more with the wet mess of gush and slick over your thighs.

Bucky sears your lips with his mouth, his tongue delving deep as he tastes you. You whimper into the kiss, your body still trembling from the intensity of your orgasms. His hands roam your body, kneading your breasts, trailing down your sides, gripping your hips.

He breaks the kiss to trail his lips along your jaw, down your neck. You tilt your head, giving him better access as he sucks and nips at your pulse point. His stubble scratches deliciously against your sensitive skin, sending shivers down your spine.

"You taste so sweet," he murmurs against your skin. "I could devour you all night."

His words make you shudder, and his chest rumbles in approval. Bucky's hands continue their exploration, one sliding up to cup your breast, the other dipping between your thighs to tease your still-sensitive folds.

You gasp as his fingers brush your clit, oversensitive and swollen. He chuckles darkly, circling the bundle of nerves with feather-light touches that have you squirming again in his lap.

Bucky's hands grip your hips, fingers digging into your flesh as he maneuvers you in the cramped space of the truck cab. "On your knees," he growls, his voice thick with lust. "I want you on your knees for me."

You comply, your body still trembling from your intense orgasms. The leather seat is cool against your flushed skin as you position yourself on all fours, facing the passenger side door. Bucky's large hands run down your spine, making you shiver. He runs his hands over the curve of your hips, down to your thighs, spreading them wider.

"Look at you," he murmurs, his voice thick with lust. "So eager for my cock."

You whimper in response, pushing your hips back towards him. Bucky chuckles darkly, one hand coming down in a sharp smack on your ass. The sound echoes in the cab, and you gasp.

"Patience, baby," he teases, soothing the flesh he just spanked.

Bucky's hands knead your ass cheeks, spreading them apart to get a better view of your glistening folds.

"Such a pretty little thing," he murmurs, his voice low and husky. "And all mine for the night."

He positions himself behind you. His cock, hard and thick, brushes against your inner thigh. You shudder in anticipation. He groans behind you, and then he pushes the blunt head, angry head of his cock against your entrance.

"You ready?" he asks, teasing you with just the tip.

You whimper, pressing back against him. "Please," you beg, your voice barely above a whisper.

Bucky grips your hips, pulling you back slightly. The head of his cock teases your entrance, sliding through your slick folds. You moan, pressing back against him, silently begging for more.

"Eager little slut," he chuckles darkly. "Don't worry, baby. I'm going to give you exactly what you need."

Without further warning, he snaps his hips forward, burying himself to the hilt inside you. You cry out at the sudden fullness, your walls stretching to accommodate his size.

"Fuck," Bucky groans, his fingers digging into your flesh. "So tight.”

Bucky's hands control your hips, squeezing tightly as he begins to move, pulling almost all the way out before slamming back in. The force of his thrusts rocks you forward, and you have to brace yourself against the passenger door to keep from hitting your head.

"Take my cock like the good little slut you are," he snarls.

Bucky leans over you, his chest pressing against your back as he continues to pound into you. One hand snakes around to grope your breast, pinching and rolling your nipple between his fingers. The other slides down to rub circles on your clit.

"You like that, don't you?" he pants in your ear, his fingers digging into your hips hard enough to bruise. "Like being used like a cheap whore in the back of a truck?"

You whimper in response, pushing back to meet his thrusts. The angle allows him to hit spots deeper inside you, drawing a groan from his chest. Has he ever been this deep in such a perfect pussy?

"Bucky," you gasp, "oh god, Bucky..."

"That's right, baby," Bucky growls, his hips snapping against yours relentlessly. "Say my name. Let me hear how much you love my cock."

He reaches around to the front of your pussy, fingers work your clit faster, matching the punishing pace of his thrusts. You're trembling beneath him, overwhelmed by the onslaught of sensations. The truck rocks with the force of his movements, the amber lights still flashing outside, casting an eerie glow over your writhing bodies.

"Fuck, you feel so good," Bucky groans, his breath hot against your ear. "So tight and wet for me. Such a perfect little fuck toy."

His words send a shiver down your spine, and he loves the way his words affect you as much as his actions do.

Bucky's other hand leaves your hip, sliding up to wrap around your throat. He doesn't squeeze, just holds you there, a silent threat that sends your heart racing, and he loves feeling how your pulse jumped at that.

"You gonna come for me again?" he asks, his voice low and dangerous. "Gonna cream on my cock?”

You nod frantically, evidently unable to form words as he keeps pouring and overwhelming you with pleasure.

"Answer me," he demands, tightening his grip ever so slightly on your throat.

"Yes!" you gasp out. "Yes, I'm gonna come for you!"

"That's it," he growls, tightening his grip on your throat just slightly. "Let go. Come apart on my fat cock."

His words push you over the edge. Your orgasm crashes over you, your inner walls clenching around him as you cry out his name. Bucky groans, his hips stuttering as your pussy milks his cock.

"Fuck, fuck, fuck," he chants, his thrusts becoming erratic. With a final, deep thrust, he buries himself inside you, his cock pulsing as he spills his seed.

You both stay there for a moment, panting heavily, your bodies slick with sweat. Bucky's hand releases your throat, sliding down to rest on your heaving chest. He presses a kiss to your shoulder blade, then slowly pulls out, eliciting a whimper from you at the loss.

He brings his hand down to your wet, messy folds, and you twitch at the feel of his fingers, clearly oversensitive. He hums, collecting some of the mixed spend slipping out of you, and he rubs it over your lower back. He doesn’t want you to forget what a dirty girl you’ve been for him.

Bucky helps you sit back up, pulling you onto his lap once more. You're both sticky with sweat and other fluids, the air in the truck cab heavy with the scent of sex. He brushes your hair back from your face, his touch gentle after the roughness of your encounter.

"You did so well, baby," he murmurs, pressing a soft kiss to your temple. "Such a good girl for me."

You shiver at his praise, nestling closer to his broad chest, your naked form cocooning against him, still fully clothed, only his cock ever coming unsheathed during all of that. He’s edging on a little too warm, but the coolness of the middle of the night helps. His arms wrap around you, holding you tight against him. For a moment, there's just the sound of your breathing slowly returning to normal and the faint hum of the truck's engine.

"We should probably get cleaned up," you say after a while, your voice slightly hoarse.

Bucky chuckles, the sound rumbling through his chest. "Probably," he agrees, but makes no move to let you go. Instead, his hand trails down your spine, making you arch into him. "But I'm not done with you yet, baby. The night's still young, and I've got plans for you."

You blink up at him, and he ducks in to peck at your lips.

“Let me just take another round of the lot, and then I’ll kiss you stupid, eat you out, and fuck you again.”

You open your mouth to protest, but he stops you with a quick kiss. He smiles when he pulls away and sees your eyes are falling hazy again. He strokes his hand up and down your spine, “Don’t worry, baby, you can stay right here in my lap while we drive.”

He leaves no room for protest, pulls the truck into gear, and goes for another round, looking forward to the rest of his shift.

↠ Masterlist | Aspen's Ask Box | Field Guide to the Forest

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[iraprince]

That chart of your GW2 ocs has compelled me so much. what is gw2. how do you make gay plants in it

guild wars 2 is my favorite mmo of all time! it's free to play, tho if u ever do end up paying for the expacs/living world seasons and stuff they all have flat costs, no monthly subscription ever. (this is what i really like about it, bc games w subs stress me out... if something has a sub and i don't play every day i feel like i'm wasting money or something lol vs gw i can fall off the wagon for weeks/months and no harm done)

ANYWAY our gay plants are one of the playable races -- they're kind of gw2's version of elves, loosely, but they're called sylvari and imo they're much cooler. rather than being "born" they just Wake Up as fully formed adults from the pods of a magical tree and gain mmmmost (but not all) of their consciousness/general understanding of the world from a shared dream that contains the memories and life experience of the sylvari who have come before them, and at the beginning of the plot sylvari as a people have only existed for like. ~20 years, which i think is a really, really compelling hook. also i'm being serious and textual abt the gay thing, arguably the most central sylvari npc is a lesbian and her relationship w her ex is plot important, one of the starter missions u can choose as a sylvari centers around helping a gay couple and the dialogue is Really Insistent abt not letting it be interpreted as "wow they're good friends!!" etc etc

there's also an Evil Faction of sylvari called the nightmare court who feel the dream is overly controlling/sanitized and want to "liberate" sylvari by balancing out the experiences contained in the dream w more negative and painful ones instead -- in-game more often than not they're written pretty flatly as cackling puppy-kicking supervillains but i think they're really interesting lol, a huge chunk of my + marina's ocs are either current or ex nightmare courtiers (including merrit and glyndwr!)

okay wait wait wait im getting distracted and infodumping u can learn all this stuff yourself by getting into the game. gotta rein it in. uhhh let me leave u w screencaps of a bunch of our ocs so u can see some character creation options bc they're so cool

also hey furries: fuicking excellent beast race with close to no sexual dimorphism.

(the one on the left in this pic is an m model and on the right is the f model. the main difference between charr gender models, literally, is how fluffy their tails are. charr fucking rule)

[frenchkisstheabyss]

♡Housewarming (3)♡

♡ Pairing: dom!fiance!yeosang x sub!chubby!fem!reader x best friend!seonghwa/hongjoong, best friend!wooyoung

♡ Genre: smut

♡ Summary: After punishing you twice already you'd think your jealous fiance had enough of making you pay for wearing that skimpy sundress around his friends but you awaken from a nap to find that the punishment isn't quite over yet. You've still got one or two or three things left to do.

♡ Word Count: 2.3k-ish

♡ Warnings: dom!Yeosang, possessiveness, cockwarming, somnophilia, fingering, nipple play, oral sex (f & m receiving), deep throating, multiple orgasms, edging, double penetration, vaginal fingering, anal fingering, anal sex, cum marking, cum eating, spanking, voyeurism, hair pulling, a lil pain kink, pet names (baby, baby girl, cutie, little one, my love, etc), calling Yeosang "daddy", free use, thick dick Seonghwa vs your tiny mouth, lots of bodily fluids mixing, cream pie, general overstimulation, clitoral overstimulation, filthy filthy language, a lil sprinkle of degredation if you squint but like barely, a lot of body praise, rough sex, & that should be all babes.

♡ A/N: Well, ya know, sometimes you sit down to write something romantic and instead you end up with a three part dom Yeosang gang bang. It happens to all of us...right? No, just me? Fair enough.

♡ Part One Here

Yeosang can’t get over how cute you are when you’re sleeping like this. Your head resting comfortably on his chest, legs spread out on either side of him, walls hugging his cock. It’s been like heaven to be awake this entire time, feeling you inhale and exhale, clench and release. Your pussy’s so needy for him, even in your sleep, that your sweet, warm juices are pooling around the base of his cock.

Such a good girl you are to warm your daddy’s cock while you’re napping, edging him with your tight little pussy after you’ve already made him come once today. Yeosang could stay like this forever, bottomed out inside of you, throbbing and twitching, but he knows it’s time to wake you up. The hours of the day are ticking away and there’s so much he wants to do. So much more he wants to do with you.

“Hey, baby” he whispers, gently cradling your head in his hand, “I need you to wake up for me.” Bringing an arm around your waist, he brings your bodies flush together, his fingers squeezing the tender flesh of your ass. You let out a soft whimper, shifting the tiniest bit in his embrace. Positioning his hips at an angle, he lifts you up his body, his pulsing cock slicking you in his arousal as the tip drags along your walls. “Mmmm” you hum, your pretty face scrunching up as you grasp at his shirt. The swollen head leaves your warmth with a delicious pop and hovers at your entrance.

Slowly you ease back into the waking world only to find yourself whining like a baby, your cunt still dripping, glazing his length in your arousal. “Nooo, back in, daddy” you beg, wiggling your ass so cutely Yeosang can’t help but smile. He tilts your head back to see your quivering lips and barely opened eyes, “Such a greedy little girl. You aren’t even up yet and you’re already begging to be fucked.”

“But I’m up” you whine, heavily lidded eyes fluttering open, “See? I’m up, I swear.” You pout up at him, hips wiggling, ass shaking. You know it’s there—the cock that fits so perfectly inside of you that you’d swear you were made for it—and you can’t have it. It’s torture.

Yeosang rolls you onto your back, holding you close to him as he sweeps you into a kiss. His tongue twirls around yours, lips coming together to create tiny sparks that make your bodies flush. You spread your legs for him, hooking them around his waist in desperation to fill the emptiness you’re clenching around. Yeosang glances down between you, gliding his tip to  your entrance. He leaves it there, almost pressing into you, droplets of precum forming against your slit, soaking into you.

“If you want daddy inside of you again,” he says, using the tip to stretch you open, “Keep being a good girl, okay?”

“Okay, I’ll be…mmmphh” you moan, trying to ignore it when he pushes in half an inch more.

If he wants you to be good why does he have to tease you this way? It’s just cruel. Taking a few deep breaths, you gather what you can of your composure, “I’ll listen this time. Pinky swear.” You raise your pinky excitedly.

Yeosang laughs, locking his with yours, “Why are you so fucking adorable?” 

“Do you want me to be less adorable?”

“Impossible. You’ll always be this adorable…” he says as he begins to trail kisses down to your neck. His voice lowers to a whisper as his lips graze your breasts, his tongue dipping between them. “Always this gorgeous…” His breath warms your skin through the thin cotton of your sundress, giving you goosebumps as his open mouth rides the contours of your figure down to your core. He licks his lips as he pushes one of your thighs open to drag his fingers through your folds. “And always so fucking wet for me.”

Locking eyes with you, he sticks his tongue out, flicking your sensitive clit with the tip of it. “Mmpphh, daddy” you moan, tits bouncing as your body jerks against your will. He does it again, faster this time, his thumb curling into your pussy. Your juices leak all around it, drenching it in seconds.

“Tell me, baby, who do you want to play with you next?” he asks, petting your walls, “You want your Joongie or Hwa? Or maybe…both?”

Your breath hitches at his proposal, your pussy hugging his thumb so tightly he can hardly move it. Yeosang grins, popping his thumb out and smearing your arousal between your folds, “Both it is then, hmm?” Rising from the bed he fixes his pants, as best he can under the circumstances, and takes you by the hand, guiding you to the foot of the bed. “On your knees for me.”

Like a little puppy doing a trick you crawl onto your knees, your ass poked in the air. You look back at him with a twinkle in your eye, knowing how proud he’ll be of you for listening. He slaps your ass, leaning down to kiss away the sting, “Good girl. Now close your eyes and stay just like this. I’ll be right back.”

You close your eyes immediately, folding your hands in front of you and resting your head on them. Humming a tune to yourself, you pretend to pay no mind to Yeosang’s footsteps as he leaves the room only to fall silent once he’s gotten far enough away. You listen intently to the muffled conversation in the next room. You can’t quite hear what they’re saying but it sounds serious at first. Not angry or hostile, just serious, though before you know it they’re laughing.

A minute or so later you hear the footsteps return only now there’s many more of them. They seem to spread across the bedroom as they enter, making it impossible to guess who’s where. “Hi, little one” a voice you know to be Wooyoung’s says as a hand reaches out to pet your cheek. With hands as soft and moisturized as his, you’re more than happy to have him pet you. “Don’t worry. I’m not here to join” he teases, “Just to watch.”

As his touch fades away, you feel someone’s weight before you on the bed. Two fingers tap at your chin, directing you up on your hands, “Now open up that pretty mouth for me.” Recognizing it as Yeosang you obey immediately. Lips parted, jaw relaxed, tongue hanging out. Your empty mouth is stuffed in an instant with a cock you’ve never tasted before. Thicker than Woo’s but not longer than Yeosang’s. You can already taste the faint saltiness of precum leaking on your tongue, the head swelling as it stiffens more and more between your fluffy cheeks.

“Aaah, mmpphh, fuck, why’s her mouth feel so good?” Seonghwa moans, cupping your face to keep you steady. The harder Seonghwa gets the clearer it becomes that he’s much thicker than Woo. There isn’t a space in your tiny mouth that isn’t filled by him. You wonder how it’s even gonna work when he starts to move but you don’t have to worry about that. At least not yet. For now he’s content with using your mouth as his favorite new cock warmer. 

“Most girls can’t fit it all in like that. You did so well” Seonghwa coos, massaging your chubby cheeks to soothe your jaw. You’ll surely thank him later.

Before you can dwell on the cock pushing your gag reflex to the limit, you feel a cool liquid dripping down your ass before it’s spread wide open. Two fingers spread the liquid between your cheeks, teasing the rim of your tight asshole. A hand rests on your lower back as the fingers carefully sink into you, scissoring your insides while you quiver around them. Unable to speak, you’re stuck whimpering around Seonghwa’s length, tears pricking the corners of eyes that have to stay squeezed in order to stay shut.

“Ssh, it’s okay. I’m here. You can open your eyes now.” Letting them fall open, you see Yeosang seated on the bed beside you, watching you with so much admiration. “Joong’s just stretching you out a little bit to get you ready okay?” he explains, reaching between your legs to play with your clit.

“You should see how she’s creaming. Fuck, that’s so hot” Hongjoong says from behind you, his eyes glued to this new angle of your wet pussy. He wants it, they all do, but it belongs to Yeosang. That’s what he’d made clear when he fetched them from the other room. It’s his to fuck and lick and play with and no one else, no matter how much freedom he was giving them with your body, is allowed to have it but him. Would they even know what to do with it anyway? Could they make your legs shake like they are right now? Edge you for hours in your sleep until you’re ready to come from a few flicks of your bud? No, only Yeosang can.

“You ready, little one?” Seonghwa asks, pumping his hips into your mouth at the slowest possible pace. Hongjoong slips a third finger into your ass, spreading them apart each time you contract. You’re loosening up so easily, your gorgeous round ass just vibrating from the motion of him rocking his hand into you. You swallow finger after finger, your pussy ready to gush right below, and Hongjoong knows it’s time.

“Joongie’s gonna fuck you now” Yeosang coos, kissing you on the shoulder, “It’s gonna be a big stretch but you’re a big girl, aren’t you? Gonna make your daddy proud?”

Seonghwa’s hips thrust into you faster, the spit pooling in your mouth making it far too easy to use you. From the smoothness of the back of your throat to the ridges on the roof of your mouth, there’s nothing he can’t feel. He fucks your throat hard and deep while you just take it, whining and gagging like the brat you are.

Hongjoong coats his cock in lube from base to tip, circling the rim before snapping his hips into you. “Shit, aaah, she’s so tight” he grunts as he bottoms out in an ass better than any pussy he’s ever had.  Your knees nearly give out from the force but he grabs onto your plush hips, keeping you right where he wants you. Hearing your pathetic little moans, Yeosang dips a hand into your dress, freeing one of your breasts to toy with your nipple. He wants to break you, to have you so fucked out you can’t make coherent noises anymore.

You’re so full, much fuller than you’ve ever been before, and your body doesn’t know how to take it. It only knows that it loves it. The pleasure bordering on pain. The overstimulation. The heat rushing to your core like a raging fire as you come around nothing. “Is it that good, baby girl?” Yeosang asks, knowing and thoroughly enjoying that you can’t answer.

The sight of you coming, your eyes glazing over from being such a good toy, only makes them fuck you harder. Their movements matching each other’s perfectly on each end of you. “Mmm, gonna come” Seonghwa moans, his hold on your cheeks tensing, “All over that pretty face.” Yeosang knots his fingers in the back of your hair, leaning your head back just in time for Seonghwa to pull out and decorate your face with his come. It’s enough to coat your lips, your cheeks, and the tongue that hangs out eager to lick it up. 

Seonghwa sits back, giving Hongjoong all the room he needs to take you for himself. Your mouth now free to moan, you can’t even manage it. You open your mouth but nothing comes out, only fractured, ragged breaths. Dragging you back into him, nearly off the bed, Hongjoong finds himself losing his balance. The suction of your ass milking his cock so well that he’s pumping you full before he has time to pull out. “Such a perfect girl. Perfect ass. Aaah, don’t wanna stop.”

“Give her to me” Yeosang demands, taking Hongjoong’s place with no one protesting it. Yeosang lays you on your back, pushing your weakened legs to your chest as he lowers into you, finally giving you what you’ve wanted since you opened your eyes. He thumbs your clit, slamming into your sweet spot, “Did you get what you wanted?  To be used like a little slut? You want more? You want them?”

“No, daddy. Only want you.” you say, your voice low and cracking.

“Then say it and I don’t want you to stop until you come.”

You repeat it like a broken record, and broken you are, “Only want you. Only want you. Only want…”

Seonghwa takes your hand as your orgasm ravages you, draining you of everything you have.

“Only w—only—ohhh.”

The juices rush from your core, trickling down between you and your fiance. Your exhausted walls can barely clench him anymore but they try so hard to. Yeosang can feel that you’re trying, you’ve tried everything, obeyed his every command all night. He doesn’t even care about coming himself, he only wanted the last thing you felt to be something all for you, as if this entire thing hasn’t been.

“Hey, sweetie, you can stop now” Yeosang coos, stilling his movements, “It’s okay.”

He lays his head on your chest, cheek nuzzling up to the dress that started all of this, arms cradling your oh so sensitive body. “Are you okay, my love? Can I get you anything?”

Hongjoong pops his head up, “You thirsty? I make good ice water.”

“That’s not a thing” Seonghwa snaps, “Anyway, are you hungry? I can cook.”

“Now that’s not a thing” Hongjoong scoffs, rolling his eyes.

Wooyoung cackles at their bickering and the four of you glance over to see him seated on the dresser, kicking his feet back and forth. “Man, you guys are perverts. I fucking love it here” he cheers, a devious smile spread across his face. “Is the official housewarming party gonna be a gang bang too orrrr?”

[genshin-side-piece]

Warnings: Minors DNI, 18+, Financial Control, Power Imbalance, Dark themes, mentions of death, My bad writing, Anything Else I Missed

Casually thinking about how Pantalone’s hobbies include toying with the nobles in the Tsaritsa’s court for funsies. The ambitious social climbing families of the court’s lesser houses are always so eager to see their children or themselves rise into Zapolyarny’s more elite circles. Who better to play the role of the benevolent benefactor to the underprivileged during Snezhnaya’s social season than the Regrator himself? He certainly has the money and as far as connections go, there is literally no one he can’t find or buy should he need too. It is the perfect arrangement for those eager to climb or it would be, if they bothered to read the fine print.

Debts and collateral are funny things. Pantalone has no use for endless estates or family jewels. He always accepts Mora, but what use does he have for it when he can manipulate it like vision bearers can the elements? He wishes for something more malleable; something he can shape, something he can mold, something he can control. Those same poor souls who are seeking a better station in life often find themselves under the Regrator’s thumb, shackled to him by a debt they cannot pay. 

He moves them around as he needs, placing them where he feels they will be best suited. From the seediest brothels to the most exclusive salons; Pantalone has eyes and ears throughout the capital, making sure his enemies are always right where he needs them to be. Poised and ready for the fall he has planned for them. 

Such is the case with many, such is the case with you. 

Normally, Pantalone rarely took stock of what his collateral looked like. He didn’t put faces to names or much valuation on individual personalities. His only real interest was risk vs reward. Who had the highest capability to give him the best return on his investment and who would be better left to the frigid conditions of Snezhnaya’s winters should they not be able to deliver what was owed.  That wasn’t to say Pantalone didn’t have an eye for the exceptional though.  While he rarely looked past his papers and figures, he did on occasion have cause to look. You had regrettably given him that cause.

To others like you, your position was an enviable one. You weren’t subjected to the routine that was following targets or hunting up information or even soiling your hands with the blood of those Pantalone had seen fit to end. Instead, you are kept in lavish comfort. Subject to being locked in chains made of diamonds and platinum. Forced to endure his company until like all the rest, your usefulness, much like your tears would run dry. Then and only then would he consider setting you free. He would weigh your debt against all he had taken. Hemming and hawing over his balance sheets, running his calculations until he reached a satisfactory conclusion. 

You could only pray that whatever decision he came to, whether it be an advantageous marriage to one of his higher ranking officers or death, that it was quick. That it was painless, and that it didn’t involve the Doctor.

[pinkyqil]

- Childhood Memories Present Time Treasure

Pairing: mischievous!r

Masterlist

Summary: mischievous!r back story and how she comes to choose Brazil as the national team you want to represent.

A/n: a little bit of r's childhood story and to how she is and if you want more back story before she joined the team feel free to leave in a request, you can always leave in requests, hcs or ask I'll try my best to get them to your standards and hope you guys enjoy this chapter even though it short

Most people know you as a trouble maker someone who could never stay out of the heat. someone who always lights up the mood a protective person but most of all other's who know you knew you were always his daughter...

You were always your father's daughter he would always teach you different things and of them was to stand up for yourself no matter what, he also taught you about your Brazilian root and lineage to love and respect no matter what.

If anyone was to ask who inspired you to play football, you would tell them it was pai .

He was not only your dad but your forever superman the man who risked his life just for you to counting living on.

It was one cloudy day and you had asked your day to take you too the Brazil vs Colombia women game that was happening. You we're being persistent that he should take you after your mother had said no anyways.

But him being the good father that he was decide to take you either way.

On your way to the game,weather was already getting bad the rains where becoming more and more violent. And that's how you remembered vividly how another car came rapidly flipping over your car.

Everything felt like it was happening in slow motion until you guys had gotten flipped.

Creating a huge collusion crash between both cars. you remembered your screams that were so loud but your pai holding your hands and guiding you to breathe properly and telling you everything was going to be alright. You felt scared and unable to move your body as you saw another car about to hit you guys again but all of a sudden you felt two pair of hands protecting your body with there's.

And that would be the day that you lost your father who died protecting you and stil tried comforting you no matter how bad the circumstances was.

Hence why from that day you vowed to always be proud of your Brazilian side no matter what and that would be a reason why you choose to represent the Brazilian national team because you would not also be representing Brazil but the country your father loved most.

You may have been born in spain but Brazil was also apart of your heritage and you want to represent it.

[mostlysignssomeportents]

Real innovation vs Silicon Valley nonsense

This is the LAST DAY to get my bestselling solarpunk utopian novel THE LOST CAUSE (2023) as a $2.99, DRM-free ebook!

If there was any area where we needed a lot of "innovation," it's in climate tech. We've already blown through numerous points-of-no-return for a habitable Earth, and the pace is accelerating.

Silicon Valley claims to be the epicenter of American innovation, but what passes for innovation in Silicon Valley is some combination of nonsense, climate-wrecking tech, and climate-wrecking nonsense tech. Forget Jeff Hammerbacher's lament about "the best minds of my generation thinking about how to make people click ads." Today's best-paid, best-trained technologists are enlisted to making boobytrapped IoT gadgets:

https://pluralistic.net/2024/05/24/record-scratch/#autoenshittification

Planet-destroying cryptocurrency scams:

https://pluralistic.net/2024/02/15/your-new-first-name/#that-dagger-tho

NFT frauds:

https://pluralistic.net/2022/02/06/crypto-copyright-%f0%9f%a4%a1%f0%9f%92%a9/

Or planet-destroying AI frauds:

https://pluralistic.net/2024/01/29/pay-no-attention/#to-the-little-man-behind-the-curtain

If that was the best "innovation" the human race had to offer, we'd be fucking doomed.

But �� as Ryan Cooper writes for The American Prospect – there's a far more dynamic, consequential, useful and exciting innovation revolution underway, thanks to muscular public spending on climate tech:

https://prospect.org/environment/2024-05-30-green-energy-revolution-real-innovation/

The green energy revolution – funded by the Bipartisan Infrastructure Act, the Inflation Reduction Act, the CHIPS Act and the Science Act – is accomplishing amazing feats, which are barely registering amid the clamor of AI nonsense and other hype. I did an interview a while ago about my climate novel The Lost Cause and the interviewer wanted to know what role AI would play in resolving the climate emergency. I was momentarily speechless, then I said, "Well, I guess maybe all the energy used to train and operate models could make it much worse? What role do you think it could play?" The interviewer had no answer.

Here's brief tour of the revolution:

2023 saw 32GW of new solar energy come online in the USA (up 50% from 2022);

Wind increased from 118GW to 141GW;

Grid-scale batteries doubled in 2023 and will double again in 2024;

EV sales increased from 20,000 to 90,000/month.

https://www.whitehouse.gov/briefing-room/blog/2023/12/19/building-a-thriving-clean-energy-economy-in-2023-and-beyond/

The cost of clean energy is plummeting, and that's triggering other areas of innovation, like using "hot rocks" to replace fossil fuel heat (25% of overall US energy consumption):

https://rondo.com/products

Increasing our access to cheap, clean energy will require a lot of materials, and material production is very carbon intensive. Luckily, the existing supply of cheap, clean energy is fueling "green steel" production experiments:

https://www.wdam.com/2024/03/25/americas-1st-green-steel-plant-coming-perry-county-1b-federal-investment/

Cheap, clean energy also makes it possible to recover valuable minerals from aluminum production tailings, a process that doubles as site-remediation:

https://interestingengineering.com/innovation/toxic-red-mud-co2-free-iron

And while all this electrification is going to require grid upgrades, there's lots we can do with our existing grid, like power-line automation that increases capacity by 40%:

https://www.npr.org/2023/08/13/1187620367/power-grid-enhancing-technologies-climate-change

It's also going to require a lot of storage, which is why it's so exciting that we're figuring out how to turn decommissioned mines into giant batteries. During the day, excess renewable energy is channeled into raising rock-laden platforms to the top of the mine-shafts, and at night, these unspool, releasing energy that's fed into the high-availability power-lines that are already present at every mine-site:

https://www.euronews.com/green/2024/02/06/this-disused-mine-in-finland-is-being-turned-into-a-gravity-battery-to-store-renewable-ene

Why are we paying so much attention to Silicon Valley pump-and-dumps and ignoring all this incredible, potentially planet-saving, real innovation? Cooper cites a plausible explanation from the Apperceptive newsletter:

https://buttondown.email/apperceptive/archive/destructive-investing-and-the-siren-song-of/

Silicon Valley is the land of low-capital, low-labor growth. Software development requires fewer people than infrastructure and hard goods manufacturing, both to get started and to run as an ongoing operation. Silicon Valley is the place where you get rich without creating jobs. It's run by investors who hate the idea of paying people. That's why AI is so exciting for Silicon Valley types: it lets them fantasize about making humans obsolete. A company without employees is a company without labor issues, without messy co-determination fights, without any moral consideration for others. It's the natural progression for an industry that started by misclassifying the workers in its buildings as "contractors," and then graduated to pretending that millions of workers were actually "independent small businesses."

It's also the natural next step for an industry that hates workers so much that it will pretend that their work is being done by robots, and then outsource the labor itself to distant Indian call-centers (no wonder Indian techies joke that "AI" stands for "absent Indians"):

https://pluralistic.net/2024/05/17/fake-it-until-you-dont-make-it/#twenty-one-seconds

Contrast this with climate tech: this is a profoundly physical kind of technology. It is labor intensive. It is skilled. The workers who perform it have power, both because they are so far from their employers' direct oversight and because these fed-funded sectors are more likely to be unionized than Silicon Valley shops. Moreover, climate tech is capital intensive. All of those workers are out there moving stuff around: solar panels, wires, batteries.

Climate tech is infrastructural. As Deb Chachra writes in her must-read 2023 book How Infrastructure Works, infrastructure is a gift we give to our descendants. Infrastructure projects rarely pay for themselves during the lives of the people who decide to build them:

https://pluralistic.net/2023/10/17/care-work/#charismatic-megaprojects

Climate tech also produces gigantic, diffused, uncapturable benefits. The "social cost of carbon" is a measure that seeks to capture how much we all pay as polluters despoil our shared world. It includes the direct health impacts of burning fossil fuels, and the indirect costs of wildfires and extreme weather events. The "social savings" of climate tech are massive:

https://arstechnica.com/science/2024/05/climate-and-health-benefits-of-wind-and-solar-dwarf-all-subsidies/

For every MWh of renewable power produced, we save $100 in social carbon costs. That's $100 worth of people not sickening and dying from pollution, $100 worth of homes and habitats not burning down or disappearing under floodwaters. All told, US renewables have delivered $250,000,000,000 (one quarter of one trillion dollars) in social carbon savings over the past four years:

https://arstechnica.com/science/2024/05/climate-and-health-benefits-of-wind-and-solar-dwarf-all-subsidies/

In other words, climate tech is unselfish tech. It's a gift to the future and to the broad public. It shares its spoils with workers. It requires public action. By contrast, Silicon Valley is greedy tech that is relentlessly focused on the shortest-term returns that can be extracted with the least share going to labor. It also requires massive public investment, but it also totally committed to giving as little back to the public as is possible.

No wonder America's richest and most powerful people are lining up to endorse and fund Trump:

https://prospect.org/blogs-and-newsletters/tap/2024-05-30-democracy-deshmocracy-mega-financiers-flocking-to-trump/

Silicon Valley epitomizes Stafford Beer's motto that "the purpose of a system is what it does." If Silicon Valley produces nothing but planet-wrecking nonsense, grifty scams, and planet-wrecking, nonsensical scams, then these are all features of the tech sector, not bugs.

As Anil Dash writes:

Driving change requires us to make the machine want something else. If the purpose of a system is what it does, and we don’t like what it does, then we have to change the system.

https://www.anildash.com/2024/05/29/systems-the-purpose-of-a-system/

To give climate tech the attention, excitement, and political will it deserves, we need to recalibrate our understanding of the world. We need to have object permanence. We need to remember just how few people were actually using cryptocurrency during the bubble and apply that understanding to AI hype. Only 2% of Britons surveyed in a recent study use AI tools:

https://www.bbc.com/news/articles/c511x4g7x7jo

If we want our tech companies to do good, we have to understand that their ground state is to create planet-wrecking nonsense, grifty scams, and planet-wrecking, nonsensical scams. We need to make these companies small enough to fail, small enough to jail, and small enough to care:

https://pluralistic.net/2024/04/04/teach-me-how-to-shruggie/#kagi

We need to hold companies responsible, and we need to change the microeconomics of the board room, to make it easier for tech workers who want to do good to shout down the scammers, nonsense-peddlers and grifters:

https://pluralistic.net/2023/07/28/microincentives-and-enshittification/

Yesterday, a federal judge ruled that the FTC could hold Amazon executives personally liable for the decision to trick people into signing up for Prime, and for making the unsubscribe-from-Prime process into a Kafka-as-a-service nightmare:

https://arstechnica.com/tech-policy/2024/05/amazon-execs-may-be-personally-liable-for-tricking-users-into-prime-sign-ups/

Imagine how powerful a precedent this could set. The Amazon employees who vociferously objected to their bosses' decision to make Prime as confusing as possible could have raised the objection that doing this could end up personally costing those bosses millions of dollars in fines:

https://pluralistic.net/2023/09/03/big-tech-cant-stop-telling-on-itself/

We need to make climate tech, not Big Tech, the center of our scrutiny and will. The climate emergency is so terrifying as to be nearly unponderable. Science fiction writers are increasingly being called upon to try to frame this incomprehensible risk in human terms. SF writer (and biologist) Peter Watts's conversation with evolutionary biologist Dan Brooks is an eye-opener:

https://thereader.mitpress.mit.edu/the-collapse-is-coming-will-humanity-adapt/

They draw a distinction between "sustainability" meaning "what kind of technological fixes can we come up with that will allow us to continue to do business as usual without paying a penalty for it?" and sustainability meaning, "what changes in behavior will allow us to save ourselves with the technology that is possible?"

Writing about the Watts/Brooks dialog for Naked Capitalism, Yves Smith invokes William Gibson's The Peripheral:

With everything stumbling deeper into a ditch of shit, history itself become a slaughterhouse, science had started popping. Not all at once, no one big heroic thing, but there were cleaner, cheaper energy sources, more effective ways to get carbon out of the air, new drugs that did what antibiotics had done before…. Ways to print food that required much less in the way of actual food to begin with. So everything, however deeply fucked in general, was lit increasingly by the new, by things that made people blink and sit up, but then the rest of it would just go on, deeper into the ditch. A progress accompanied by constant violence, he said, by sufferings unimaginable.

https://www.nakedcapitalism.com/2024/05/preparing-for-collapse-why-the-focus-on-climate-energy-sustainability-is-destructive.html

Gibson doesn't think this is likely, mind, and even if it's attainable, it will come amidst "unimaginable suffering."

But the universe of possible technologies is quite large. As Chachra points out in How Infrastructure Works, we could give every person on Earth a Canadian's energy budget (like an American's, but colder), by capturing a mere 0.4% of the solar radiation that reaches the Earth's surface every day. Doing this will require heroic amounts of material and labor, especially if we're going to do it without destroying the planet through material extraction and manufacturing.

These are the questions that we should be concerning ourselves with: what behavioral changes will allow us to realize cheap, abundant, green energy? What "innovations" will our society need to focus on the things we need, rather than the scams and nonsense that creates Silicon Valley fortunes?

How can we use planning, and solidarity, and codetermination to usher in the kind of tech that makes it possible for us to get through the climate bottleneck with as little death and destruction as possible? How can we use enforcement, discernment, and labor rights to thwart the enshittificatory impulses of Silicon Valley's biggest assholes?

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/05/30/posiwid/#social-cost-of-carbon

[am-i-the-asshole-official]

AITA for putting my roommate’s dirty dishes in her bathroom?

I (20F) have four roommates, Alice (21F), Alice’s bf Jake (26M), Penny (19F) and Hannah (20F).

Penny, Hannah and I share a bathroom, while Alice and Jake share one. There is one kitchen and we do not have a dishwasher. Jake also doesn’t actually live with us he sorta just moved in with Alice. Penny was originally with Alice in terms of the bathrooms but started getting grossed out by Jake’s bathroom habits because he kept pissing on the seat, so Hannah and I let her use ours.

Alice never does the dishes. But she cooks a lot. She’ll pile dishes in to the point where it feels like we’re playing jenga trying to remove any of them to free the faucet. Hannah and Penny outright refused to do any of Alice’s dishes from the getgo, and mostly do their own… when the sink is clear. Jake refuses to do any dishes because he “doesn’t actually live here” (we’re very well aware of that, Jake. He doesn’t pay rent he’s Alice’s “long term guest”) Because of Alice’s dishes in the sink, Hannah and Penny leave theirs on the counter and block up space until the faucet is free and they can wash theirs.

Anyways, for a while I started doing the top layer of Alice’s dishes to free up space so I could wash my own, but I quickly got irritated because Alice would leave them for weeks at a time and not do anything and I was tired of cleaning her dishes for her before I did my own.

I talked to Hannah and Penny and we decided to give Alice an ultimatum, either do your dishes or we will throw them away. Over the course of the year we had to have multiple talks with Alice about doing the dishes that never ended up going anywhere because Alice would fail to follow through on any promise to do them.

Alice was upset about this and said we weren’t being fair because she has to “cook for 2 people” so I raised the point that then Jake should do the dishes because she’s cooking and he does jack shit. She got upset and said we were always trying to do a “us vs them” between me Penny and Hannah vs Alice and Jake. That wasn’t the intention but both of them are being crappy roommates so it seemed that way.

I told Alice then fine, if she left her dishes in the sink for more than 3 days, I’d find somewhere else for them. She said yeah sure whatever. I waited 4 days and then put her dishes in her and Jake’s bathroom. Filled the sink with them and then put the others in the bathtub.

Alice and Jake got pissed off about this because now they “couldn’t wash their hands or shower”. I mean, I couldn’t wash my dishes with their dirty ones in the way, so it seemed like a fair trade to me. The shower and sink would be free if they cleaned the dishes out of them.

Hannah and Penny disagree with what I did but they’re staying out of it because they don’t want Alice to be mad at them. I don’t care I just want to be able to wash my dishes without worrying if there’s weird mold and mildew growing on the plates that have sat there for weeks. We did get cockroaches at one point but Alice claims it was because Penny likes to leave the screen door open to get fresh air, while the rest of us are pretty sure it’s because she kept leaving food in the sink.

Jake tried to shower in our restroom but I told him no, he’s not allowed. He can go back to his own apartment to shower, or clean the dishes in Alice’s bathroom so he went home but not after calling me a “crazy psycho bitch”. Alice got really upset about this because I “chased Jake out” and is still refusing to do her dishes, it’s been 3 days as of writing this. I’m pretty sure at some point she’s used our bathroom to wash her hands but I know she hasn’t showered since then.

Penny offered to do Alice’s dishes if Alice paid her $5 per plate but Alice refused. She dropped it down to $2 per plate and Alice still refused. She has been exclusively ordering takeout the last few days because all her plates are dirty and we won’t let her use ours.

[riririnnnn]

It's a follow up post for this, but this post makes sense on its own too.

I have always been the younger sibling, so I can't understand an older sibling's feelings, but I wonder if Sae gets glimpses of what things used to be; if he sees Rin when the younger one isn't paying attention, and just reminiscences when they were kids.

Way too many things are going on during the U-20 arc, so it's not uncommon for the readers to miss something especially if they are binge reading it. That's why, I never actually saw people talking about the fact that we DID, in a way, get a reason why Sae chose Shidou out of all the Blue Lock-ers.

However, we didn't get this from a Narrator's POV or Sae's POV, that's why we can't FULLY trust it, so it makes me think if Sae chose Shidou because he couldn't choose Rin. Sae might've thought that there wasn't a better way to test out Rin until and unless he went against him instead of alongside.

Which brings me this panel again:

Rin in that panel just.. I don't know how to articulate it. "I saw what I came for, and I'm satisfied." Was Sae talking about Rin?

Further, I think Sae got fired up when he heard Shidou was going to play too because he wanted to rub it on Rin's face like, "Look, I'm siding with him. I'm passing to him and not you. He is better than you that's why." And I believe that he was doing it purposely.

I'll explain why, look here:

The above panel was before Rin went berserk, and you can clearly see that he was still trying to be like Sae. Like his Nii-chan.

But when he got free from this thing that was holding him back as he says, he went into his flow and ho, ho, ho, look what he said:

He became himself instead of being someone of somebody.

Also, during the time he was going into his flow state, this is what his inner monologue said:

Him going batshit crazy actually stole the spotlight from everything. It's clearly a new perspective of that flashback, and after that Sae was completely attentive to Rin. It was almost as if Sae WAS expecting this to happen, yet the intensity of it caught him off guard for a while too.

After that the focus of the game just became Sae Vs Rin, and the older Itoshi continued to rile the younger one by saying, "You still don't get it? You can't be the best in the world," and lalalalalalala.

HOWEVER,

This thing low-key took off the attention from the fact that Sae didn't pass to anyone during that time. He went along with Rin in their 1V1, and this thing was also pointed out by the news article where it said something along the line of, "The internet says Sae held the ball for too long and he should've passed." (Chapter 152)

It has to be purposely.

It was Rin who stole the ball from him and Isagi got to hit it.

Further, this:

It's giving new perspective to everything now. Also, he says, "Nii-chan." It seems like a trivial thing to point out, but if you know, you know.

That's why, I kinda think that Sae knows that his words affects Rin a lot. That's why he praised Isagi, so that Rin wouldn't forget/lose his Ego. It makes more sense since in the same chapter (152), Rin says like, "In that moment, I won against Nii-chan." Which is true, he stole the ball, but his ending words of that monologue was, "But Isagi gained everything. He (Sae) recognised him and not me."

But what if Sae had recognised Rin verbally?

I bet Rin would've lost his new found real Ego, and would've ended up like Nagi did when he scored against Isagi in the BM Vs Manshine City match.

So, I think Sae wants Rin to be Rin. Not Itoshi Sae's younger brother Rin, but the real Rin because Sae didn't want him to be a mirror image of him since he wasn't enough in world stage of soccer.

Personally, I'm sorry for mixing my own emotions, but I have went through what Rin went through. No, I wasn't completely starstruck by my older sibling like him, but I indeed felt really humiliated, and that humiliation actually helped me improve. Everything is fine now, we got more trauma in our life, so we bonded over it and we are chill af now, but, deep in my heart, a little girl will always be present with a mild, gentle resentment for being treated unkindly.

That's why I think that Sae did what he had to do to help Rin improve which sadly, costed them their brotherhood.

I know I'm slightly backtracking from this post.

But I do want to believe that whatever Sae did, he did it FOR Rin and NOT for their shared dream to be the best striker in the world.

For a sports animanga, Rin-Sae relation is actually way complicated and deep. I hope Kaneshiro-san will do justice to everything.

But in the end, they are fictional and their realities will become whatever the author wants it to be.

Till then, we can only speculate.

.

.

.

It'd be funny if they go into therapy together and their trauma is just:

⚽

[yuri-is-online]

I love your one sided Floyd vs Ace thing because Ace is just trying to play wingman from the background so Yuu will stop talking about how Floyd's "Such a sweet boy!", like he didn't just try to take Aces head off during practice. And "He visited my class today" , yeah perfect, Floyd visited him today too. For very differnt reasons though. or "He just helped me dye my hair! Doesn't it look good?". It does but that's besides the point.

Bro Floyd is pining SO HARD rn it's not even funny anymore! He's always lost in fantasies but they're not even the hot kind! No, he's daydreaming about holding Yuus hand and going to that one really cute Cafe in Port city that Yuu always calls a "French Cafe". He doesn't know what the hell a French is but you know what! Calling it that makes you happy so that Cafe is French! He wants that excuse to come find you whenever he wants a nap and fall asleep in your lap as you pet him to sleep, and no one can even say shit about cause like! You'd be together.

But he thinks that Ace is trying to get together with Yuu and that just puts his mood way below the poverty line. HES NOT. HE SWEARS HES NOT. ACE JUST WANTS TO TEASE YUU FOR THEIR STUPID GROSS CRUSH NOT BE CAUGHT IN THE MIDDLE OF IT!

AlsoYuuisthepervertintherelationshipthankyouforcomingtomyTEDtalk

ah confused the ducky you. you always see my floyd visions so clearly, i am so happy

I like Ace's relationship with Yuu in pretty much all flavors, when I'm writing floydyuu I think of Ace as the self appointed mom friend/older brother. He likes the feeling of power and responsibility he gets from it since he's used to being the baby of the family. Floyd thinks that little shrimpy is funny and cute at first, someone he could chase around similar to Riddle.

But then they beat Azul. They beat Azul by annoying Sea Lion, who constantly ignores and mocks his attempts to fight him. They got under his skin, that's just on a different level. He's paying close attention now, and he likes what he sees. At first it's exciting, he likes new things and these feelings are certainly new. But it also makes him notice little things. Like how much closer you are to Crabby than you are to him. The jealousy just eats him up because he feels like he shouldn't be? Crabby kind of sucks? He's seen how his color changing magic is, he can't imagine he'd be a better option than him. But shrimpy giggles at his jokes and spends almost all their free time with him. He hates it, and it's starting to effect his... not quite but yeah kind of friendship with Crabby.

Meanwhile Yuu is savoring any sort of contact they can get with him. I love the hair dye suggestion, Floyd says he'll give you one color but really he just wants an excuse to put a streak of teal where his swoop would be on your head. He's too much of a coward to do it, going with whatever you request instead and how happy you are makes it almost worth it until you babble about how you'll have to show your friends how cool it is and what a good job he did. He makes a point of visiting Ace intending to threaten him but he ends up just whining about how he doesn't know how to get through to you, and asking if Ace knows anything about what a "french" is (he thinks it's a dessert) before he lapses into the silence of daydream while Ace wonders if it would be worth it to get Jamil involved.

Yuu gets the perv title for being into a literal fish on top ha of going along with whatever Floyd comes up with. Please do not underestimate his imagination he can be quite filthy when he wants to be, he's just being a good boy and only thinking about extramarital h*nd h*lding for now (•̀⤙•́ )

[kohakhearts]

goh parentified child syndrome. go(h)

my time is here at last. thank you for enabling me <3 apologies for taking months to finish writing this giant post!

welcome to my dissertation on this fucking Dynamic <3

ok! first thing, let's establish our criteria for Parentified Child Syndrome. this is obviously not like, an actual diagnostic Thing, but there are a million and one articles out there for us to look through. so i did the tough work of scouring those to find some Symptoms we can use as anchor points here. a lot of this is split into "emotional" (parents seeking comfort from their children, rather than comforting them) vs. "material" (parents assigning their children responsibilities that are not age-appropriate (e.g. grocery shopping, paying bills, etc.)) needs, but for simplicity i'll just merge them together - because realistically, they often go hand-in-hand. so the primary symptoms we'll work with here will be:

disruptive childhood behaviours (particularly at school)

stress and anxiety

reluctance to participate in play/age-appropriate activities with their peers

difficulty acknowledging and accepting one's feelings

insecure attachment styles

need to feel "in control"

distrustful of others/self-reliant to a fault

absenteeism and poor performance in school

passive communication style

the other obvious prerequesite here is the family dynamic. so let's dissect that one a bit!

goh's family situation isn't actually like...100% clear. but i have analyzed every episode where his family is even mentioned like it's my full-time job and i have no reason to believe his grandmother actually lives with him. so in the scope of this essay, i am assuming that she lives nearby, and most likely has a key to the apartment, but does not live with them.

otherwise, we are given enough context to assume that camille and walker have been busy with work goh's entire life (though i'd choose to believe for my own sanity that in his infancy his mother at least wasn't working...though given the type of job she has, that's actually...kinda hard to say for sure). we can also assume that they've at least been self-employed for the majority of his life. it's clear that they are fairly well-established in the city/in their field by jn, and since goh is supposed to be 10 at this point, it makes sense to me that they've been building that company up pretty much his whole life.

in terms of the work they do, goh tells ash, my dad is a system engineer and my mom is a programmer. they run a company together. granted, we don't see very much of their actual workplace, but what we do see is completely void of other people. as in, camille and walker do all this work BY THEMSELVES.

nothing in the anime otherwise disputes this! if anything, goh's explanations of his parents' lifestyle just reinforces it. he also suggests that during periods of harsh weather and heavy system use, his parents are busier than usual. this implies that they are most busy during holidays. this is actually further implied by the flashback in jn015 where they explicitly say to him that they're sorry for having to work through the holiday. his reaction, being completely unengaged, not even really even acknowledging it, tells us that this is the norm.

however!! he also shows off a special device to horace in jn032 that he says his parents made specifically for him, to help him learn more about mew. this suggests that they must have some amount of free time to dedicate to him...but they show their love for him through material gifts related to their line of work (his computer set-up, too; he tells scorbunny that his parents set it all up for him).

otherwise, we see camille and walker privately share their concerns about goh (a clear awareness that he doesn't have many friends, concern about him being lonely because of them, etc.) but never actually confront goh with their concerns or appear to go out of their ways to do anything about it. i wrote a bit about this and the symbolism of having him catch a cubone of all pokemon in the episode we're introduced to his family here but the tl;dr is that camille and walker demonstrate care for goh to each other but not to him - presumably to compensate for their physical absence, we get the impression he's given a lot of freedom and little to no discipline.

which brings me to the first criterion:

disruptive childhood behaviours (with a side of absenteeism, which presumably contributes to poor performance in school)

goh's school life is obviously inconvienent to the plot progression, so for narrative purposes the writers have him just not go to school. in jn049 we get the explanation that goh had made a promise to their teacher to show up to school for tests...but the weird thing about this scene is that chloe's surprised by it:

since in jn001 and jn002 we see that chloe is goh's only point of contact amongst his schoolmates and that she hand delivers schoolwork to him at her dad's lab, the only way this exchange really makes sense to me is if it's a new arrangement. even the fact that goh makes a point of saying "hey, i followed through, go me" to their teacher here gives that vibe.

so, we can extrapolate from that that...prior to whenever this agreement was made, goh just didn't go to school because he didn't want to. but given how schools operate, we can pretty safely assume his parents are aware of this. and i have strong reason to believe that they have at least been on the receiving end of phone calls from teachers or administrators, because of these lines from jn015:

all things considered, this is a weird assumption to make, especially about your hyper-independent introverted child...unless there's a history of disruptive or unfriendly behaviour to inform that assumption. and based on goh's behaviour in jn001 at professor oak's pokemon camp, i don't think it's so out there to say the pattern probably was there.

goh is actually a super sweet kid towards his parents and has a clear admiration for them both. even in flashbacks, his whole thing is kind of like...he doesn't want to bother them. they fall asleep on family vacation and don't spend time with him? well, that's fine! he'll just find something else to do! in that same episode in the flashback sequence, they pick him up on the side of the road alone in the pouring rain and he doesn't say a word to them. even though he was angry and upset before.

so, yeah. i think it would make a lot of sense if he were well-behaved at home and not so much so at school. but camille and walker, even when they learn about things that happen, don't seem to probe or discipline him. whether because of any combination of giving him leeway out of guilt or of not wanting to encourage him to act out at home, we don't know. but the disconnect obviously exists.

which then contributes to

stress and anxiety, difficulty acknowleding and accepting one's feelings, and passive communication style

goh is socially awkward, yes, and clearly very anxious socially especially early on in jn, but a lot of that seems to come from an inability to express his wants and needs. i think jn003 has some of the most succinct examples of this - ash having to realize he's struggling and to reach down to him when they're climbing the tower in order for him to even accept that he can get (and needs) help getting up, and then later one when he stumbles over his words trying to ask ash to be his friend.

i think another good example is in jn007, after he gets knocked out at the flute cup. passive communication relies a lot on shifts in body language and in, well, passive statements. when ash approaches him to tell him to cheer up, goh doesn't actually really...respond to that. he does this

and then runs off. which he does fairly often, actually, even as late as jn135. it's emotional avoidance 101. literally just run away from the thing that's bothering you. something else we see in jn135 is him backing out of admitting he wants to go on a journey - because he is concerned about ash's reaction (though i think it's a little more complex than that, but i'll circle back to that).

and of course there's jn062, which i wrote a lot about in this post. but the whole thesis of the episode is that goh has learned through his relationships up to this point that it's okay to not understand your feelings but you still have to feel them. and it's actually a really beautiful character development moment for him, but also reinforces the fact that he still doesn't know how to grapple with his own emotions. after finally finding drizzile and explaining how he knew he would find it there, he starts to cry and doesn't know why. but even aside from feeling vulnerable, it's kind of a culmination of this stress he's been carrying with him throughout the whole episode...and the sense of responsibility he feels for driving drizzile away. which is a great segue into

insecure attachment styles and need to feel "in control"

if there's one thing i feel like people sleep on regarding goh's character, it's how much of a mother hen he is. he's obviously very thorough and thoughtful when it comes to looking after his pokemon - as in jn062 where he spends all that time chasing down drizzile after it runs away, even to the point of telling ash and chloe that they should stay behind because it's getting late but that he's going to keep looking - but he's the same way with ash.

off the top of my head, things like buying extra scones because he knew ash would want them, making ash wash his hands after eating ice cream, chastising him about punctuality, you know...very parental kind of things. he actually does it with horace too, when they first meet, by bringing a lunch for them both when he goes back to the forest to meet him again.

anyway, being a Mom Friend is cute and all, but it also REEKS of parentified child. taking on responsibilities that aren't yours to fulfill? yeah. that's a need to feel in control. it's what he's used to! it offers him security!

the other side of this is...chloe. goh's first friend, who he refuses to consider a friend, or let consider him a friend. but, like, she obviously IS his friend. and yet our introduction to them gives us this exchange

goh and chloe have a pretty tense relationship at the beginning of jn, wherein she is clearly trying to help him (by you know. getting his homework for him and shit) and he blows her off in a text message, which she complains is a repeating behaviour. chloe is obviously very loyal to him, even though he doesn't seem to repay the favour. again, there's a big disconnect here.

insecure attachments generally stem from anxiety over potential rejection and/or poor self-esteem cultivated in childhood based on parents’ emotional availability (or lack thereof) to their children. by keeping chloe an arm's distance away, goh keeps himself safe from the dangers of vulnerability, taught to him through childhood encounters with emotionally unavailable parents.

i'm not here to armchair diagnose (ok, who am i kidding, yeah i am), but i think goh's attachment style is anxious-avoidant. his clear avoidance of making friends, the multiple times we see him break off his friendship with ash only to minutes later be like "me and the bestie"...yeah, that's avoidance. but he does crave intimacy, arguably even more than he fears it.

hence why even though he knows ash would want him to journey on his own...he still convinces himself that actually telling ash that would be, as he calls it, a "betrayal of [their] friendship." my theory is that he's not concerned that ash will be upset - he's concerned that ash won't be upset enough. which is why when then ash turns it around on him and says he's going on a journey, goh gets upset and pushes him away. he does the exact same thing with horace when they're younger. just a complete 180 - he wronged me once, so he's the worst and i can't forgive him, ever.

the difference with chloe is that she actually takes care of him more than he takes care of her - which changes the dynamic from "i have to do everything to keep this person in my life, including suppressing my emotions for their sake" to "i cannot express to this person that i have needs and desires because they'll think i'm too much and they won't stick around if i do." which is primarily avoidant, but insecure attachment nonetheless.

this is extrapolation, but i think his relationship with chloe is so different because we are supposed to get the sense that they have a more familial dynamic. so, she's the one person he can't push away from him - but as he learned in his actual family dynamic, he also can't be too close to her. he doesn't want to be smothered; he doesn't want her to feel smothered by him. so they maintain a degree of separation that only begins to go away after her father begins literally housing and feeding him, thus integrating him and ash into their family in some honorary way.

which brings me to the last point, i guess, which is

reluctance to participate in age-appropriate activities with peers and self-reliant to a fault

these are, i think, the traits that jn is most blatantly attempting to better in goh throughout his arc. so i won't spend too long hashing it out, because i think these are things we all know he struggled with!

in flashbacks, we see him alone at school; during the first episode, at professor oak's camp, he is always physically distanced from the other kids and chloe even points out that he's basically doing professor oak's job at one point! he's not on the same level as the other kids and it's clear he doesn't want to be. when he meets horace, we see that it takes him some time to get comfortable enough with him to go explore the forest together and become friends.

he doesn't go to school, but that doesn't mean he isn't learning things - he becomes a very self-directed learner early on, from what he see. he's not just like...rotting in his room playing video games. he's studying and researching. the only times aside from with horace that we see him in a flashback doing something that isn't solitary is with pokemon - and even then, he's like...reciting their pokedex entries. his abra story at the end of jn is precipitated by him saying he was going through his dad's old pokedex (which is a whole other thing - this implies walker used to be a trainer, but neither of goh's parents seem to have pokemon...perhaps they're too busy with work to look after them? a theory for another time, i suppose, but it has undeniably being gnawing at my brain since that episode aired lol).

and of course, there's the fact that in jn062 he tells drizzile he was never comfortable with confiding in his parents or his grandmother...suggesting that he never confided in anyone, because we don't really get the sense from the whole "i don't NEED friends" exchange in jn001 that he considers chloe a reliable confidant, either.

the other place we see his flawed sense of self-reliance, aside from like...everywhere in the first 10 or so episodes, lol (something that is reflected pretty beautifully and symbolically in scorbunny's story, too!), is in project mew. he has to learn how to work in a team - and he clearly hates it. at this point he's found one person to rely on, but that already feels like too much. the raid battle with articuno is the most obvious example of this. he isn't good at being a leader, but he also isn't good at being a follower. because he's only ever been responsible for himself, and he doesn't trust anyone else to know how to direct him, but he also has no clue how to work within the parameters of a team.

i also want to say, as a final note, that i actually think this is all extremely intentional writing. obviously in the west we have a strong capitalism culture too, but the work culture in japan is very toxic (just google "japan work culture" and you can see right away how intense it is lol) and i'm not actually surprised at all that pokemon would make such a direct commentary on that - a lot of japanese kids could probably relate to goh and his emotionally absent, work-obsessed parents! they are clearly pretty well-off, but their dedication to work supercedes matters of home and family, because that's how it's supposed to be. as a result, goh admires them a lot for this dedication - but his arc is primarily about letting go of the "work" part of interacting with pokemon and learning how to have fun and make the most of his experiences. and i think that's a really lovely message for modern pokemon to be sending to kids :')

[auriidae]

PART 2 ‼️ me & my friends when we are stuck at life (pt 1) (pt 3)

character notes under the cut!!!!!

both in true hs canon and in this au, rage represents chaos. and lifeseries grian is so undoubtedly linked to chaos above all else — he thrives off it, subsists on it even. if it’s not something he can seek out it’s something he’ll initiate. but — make no mistake, the anarchy he initiates is very much limited to within the game. he doesn’t break the game system, he works within it and disrupts whatever system the players are trying to put in place… for the benefit of the game itself. and again, with heirs being played by their aspect, it only makes sense for him to be one. rather than jimi, though, he’s okay with this — being an agent of chaos ties him to it intrinsically, and that makes him feel so, so alive. he’s okay with being controlled, for the most part, because it also means he’s in control. at least at the beginning.

i wanted to make eethos a mind player so bad you don’t understand 😔 but i think he is closer to void in reality. either way he’s a thief — dealing in redistribution of his aspect only to himself, whether consciously or unconsciously. i think void makes sense for eethos because he’s such an unknown to many of the other players (and also to some extent probably himself). a thief of void — taking the mystery from others, knowing them and their secrets and cloaking yourself in them, making yourself an unknown. if void is an aspect more focused inward, also (i like the idea that the central struggle of void players’ character arcs are more personal than some of the other aspects), we could have eethos vs the mortifying ordeal of being known + choosing to stay. which comes back to his class, with thieves having to let others have their aspect as well in order to fully complete their character arc. with that being said eethos “wghats the deal wiht abtrhoom pesnis” mind player will always be real in my heart ok

beedub oh beedub my beloved rogue beedub. rogues typically have the problem, right, where they are capable of redistributing their aspect for the benefit of others but never for themselves. so they try to find others who can help them with it but really just have to learn to stand on their own (and end up finding a source of their aspect that way). this specifically throws beedub n eethos’s friendship into the saddest light because beedub is okay with giving everything to his friends + allies (esp eethos) while quietly hoping they will help him in return, but the thing beedub wants eethos (as a thief) is incapable of giving to him. he can only take, and that’s where their sort of falling out where eethos starts avoiding him and spending more time with others comes from. eethos needs to learn to give to others (not beedub) and beedub needs to learn to stand on his own. ethubs makes me sad. BUT ANYWAYS hope as the aspect of imagination, of being caught up in seeing what could be, of love and trust unconditionally without paying mind to the possible repercussions. that is pretty bdubs-coded i think. he’s a hope player and he’s going to be ok guys he’s going to be fine :)

again feel free to ask me questions abt them !!! lifestuck is in my brain

[innuendostudios]

by a wide margin the weirdest video essay I've ever release: List of Songs that Represent "Smart Music" Ranked from Most to Least Appropriate to Put in a Video Essay

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as a quick note: YouTube has already demonetized this video, as two different corporations are claiming copyright on recordings they do not own the copyright to - both are Creative Commons recordings of public domain music, that, in one case, YouTube has misidentified as a different recording, and, in the other, YouTube has the music in its database as under copyright despite it being having been released under CC BY-SA 3.0. I am disputing these false claims and will (hopefully) get whatever money I am owed, but, for now, YouTube is not paying me a dime for this.

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thanks. transcript below the cut!

List of Songs That Represent “Smart Music” Ranked From Most To Least Appropriate To Put In A Video Essay (And Presented In Drill Bit Order).

1. Clair de Lune, Debussy

This has been top dog ever since the teaser for Godzilla: King of the Monsters, and cemented its position against challengers with a showcase in Everything Everywhere All at Once. Said film could have been the shark-jumping moment where the song was irretrievably lost to irony, given directors Kwan and Scheinert (Daniels)’s style mercilessly marries the aesthetics of prestige and shitpost. Yes, despite its silliness, EEAAO is achingly sincere, but could the general public be trusted to recognize that? But then it won Best Picture, so apparently yes! Beautiful, delicate, to score a film or video with Clair de Lune signals a desire to be seen not only as an intellectual, but as an aesthete. The song could lose potency if the Clair de Lune sequence were parodied enough, but how does one parody EEAAO???

9. Gymnopedie No. 1, Satie

I fear we must, as a society, and as a community of video essayists, move on from Gymnopedie No. 1. It held the title longer than, I think, any champion previous, and for that it deserves merit. But its time is over. It is, like the phrase “mad dated,” mad dated. It is saying “lmao” out loud. Did you know the original screenplay for 2005 film The Island specifically stated that, in the weird culty enclave in which the film opens, Gymnopedie No. 1 must be playing over the loudspeaker? I don’t think Michael Bay followed that directive (I’m not rewatching the movie to find out), but that is how long this was the “Smart Music” song - since 5 months after YouTube launched. If you must - absolutely must - put Satie in a video essay, use Gnossienne No. 1, though it too is on its way to passe. At this point I’m prepared to say Vexations or GTFO.

2. Ave Maria, Schubert/Liszt

Nothing was certain after Satie vacated the throne, and for a while it seemed we might have a Starks vs. Baratheons situation between Schubert and Debussy. Following several appearances in pretentious YouTube videos, the Ave Maria made its strongest showing yet by scoring the opening scene of the grimdarkest Batman film so far, an entire twenty days before getting fully Lannister’d by Everything Everywhere All at Once. Unbowed, unbent, and unbroken, still she nips at the heels of the king, and may yet take his place. No one else poses a comparable threat. Hers is a curious strategy, being a religious, Christmas, and even classic Disney standard now repurposed as “Smart Music;” she gets a big boost every December, but can she take the top spot before this cyclical exposure nudges her back into a prior niche?

8. Moonlight Sonata, Beethoven

If you were in a film program in the mid-2000s, you are sick to death of Moonlight Sonata. Also if you were in a music class where you were asked to determine a song’s time signature by ear - how am I supposed to tell the difference between waltz time and 4/4 with all triplets without the sheet music in front of me? To say scoring a video with Moonlight Sonata is a hack move - you’d have to be a hack to not already know! This was the soundtrack to the blind cave salamander level of Earthworm Jim 2, there’s no coming back from that! I mean, the association with Tallarico Studios alone… It’s done. Roll over, Beethoven.

3. Cello Suite No. 1 (Prelude), Bach

This one is firmly-rooted. It is not going anywhere, both in the sense that nothing could soon push it off the list but it’s hard to imagine rising any higher. It is just slightly too beautiful, too expressive, too legato to fall into the stiffness of Habanera or the pomposity of a De Beers ad, but just close enough to them in tone to always read as a hipper alternative. So you’ll never be overexposed, but never go that long without hearing the Yo-Yo Ma version. And so here it stays, third on the podium, solid bronze, the waterbender, the Plup; with you as always is Prelude to Cello Suite No. 1. (Frankly surprised it took us this long to get to Johann, but don’t worry - he’ll be Bach.)

7. Air on the G String, Bach/Wilhelmj

Told ya. It’s not that she isn’t a beautiful piece of music, and it’s not that she already had her time. In truth, she never got her flowers. Inasmuch as she had a run, it was squished between the omnipresences of Beethoven and Satie. You’ll still hear from her now and then; she crops up, like a lucky penny. And you’ll smile, every time, but you know the stars in your eyes are not present joy, but nostalgia. A fondness for what was and what could’ve been - what should have been. Why - why couldn’t this have had the legs of Gymnopedie? I mean, even the Fucking Champs version - could that have made a run? Could TikTok pick up on it? But comes the day you have to accept - if it was gonna happen, it would’ve happened by now. Air on the G String grows weary; let her rest.

4. Duo des Fleurs, Delibes

Bit of a dark horse, this one. Didn’t exactly come out of nowhere - it’s been here the whole time - but you didn’t see it coming! It’s like that time I went snorkeling, and I wondered, “Where are the fish?” I was told there would be tropical fish, but all I saw was blue. Then I caught one flitting by my head and, as soon my eyes registered the shape, I realized they were everywhere! I just hadn’t taken them in. This is the one that makes you ask, where did I hear that before? Was this the one at the end of Margaret? No! How did it go? How do I hum dyads? But then it shows up and, oh yeah, that’s the one! The really pretty one. I knew it’d come around again. Has staying power, could make a run for the top if it sees an opening, but seemingly content, for now, to dance around the periphery, appreciated when heard if only half-remembered the next day.

6. Prelude in E Minor Op. 28 No. 4, Chopin

The bottom end of acceptability. Anything lower, you must avoid. But you can use Prelude in E. It is a risk, and it takes skill. But you can use Prelude in E. It is not for the faint of heart. This is the ending of Fez we’re talking about here. This is that one TED Talk about how everyone loves classical music they just don’t know it yet. This was all over Anatomy of a Fall. Are you sure you wouldn’t prefer something lighter? Nocturne in E-flat [Op. 9 No. 2] is very nice. Prelude has just enough penetration that some people are going to recognize it, and enough clout that those who do are going to expect things of the person who puts it in a video essay. You can’t just throw this under a rant about The Snyder Cut. But you can - with care, with effort, and with grace - use Prelude in E.

5. Spiegel im Spiegel, Part

We are not ready for Spiegel im Spiegel. The rare “Smart Music” that is, rather than classical, contemporary minimalist. This is - I have been led to believe - all over the film festival circuit. It is the go-to for aspiring arthouse directors. So I assume it is only a matter of time until it reaches general cultural awareness. But we - the YouTube video essay community - are not, at this point in time, pretentious enough to pull off Spiegel im Spiegel. This is not a statement on the song: it is a lovely, sparse, and unpretentious piece of music, which is why pretentious people are drawn to it. And we are not there yet. But I believe in us.

POSTSCRIPTUM

The List of Songs that Represent “Smart Music” is not ranked by quality; they are all, as a baseline, masterpieces. They are ordered, instead, by their possession of antipodal qualities. Beethoven’s Fifth may be a beautiful piece but it’s too well-known - to the casual listener, it reads only as “classical music.” Vltava is a beautiful piece, but it’s not recognizable enough - to most, it will read only as “music.” Pachelbel’s Canon works in too many contexts. Mozart’s Lacrimosa no longer works in any context but “Shit’s About To Go Off.” The Song that Represents “Smart Music” must balance these humors: suggestive, but not too specific; recognizable, but not overfamiliar. The kind of thing one imagines cultured people listen to, and fancies oneself cultured for having noticed it. Just popular enough to signify obscurity to a large number of people.

This impossibility of being both popular and obscure is what keeps the list in motion. Many songs drift back into obscurity before reaching the top, but, once in the primary position, a song begins its slow procession to overexposure. And when, at last, it is too popular to be niche, it does not slip to number 2; it plummets to the bottom, as did Icarus.

Due to this slow but constant movement, new songs will, at intervals, join the ranks, taking the place of those that became gauche. And if, dear listener, you were aiming to trendset, to score your next whatever-it-is-you-do with the newest Song to Represent “Smart Music,” and were I a gambling man… Bach’s Prelude in C. And I’ll tell you why: it appears in the Netflix series Bodies alongside Chopin (#6), mirroring Satie’s dual appearance in The Queen’s Gambit (#9); its arpeggiated structure makes it usable in scenarios similar to the Cello Suite (#3) (Johann did love him some broken chords); and it forms the basis of the Gounod version of Ave Maria, if you would like a Cool Person’s Alternative to Schubert (#2). You may feel I’m playing too safe, but I tell you truly: this song is due. But if I can impart one piece of wisdom let it be this: whatever you do, whoever you are, you cannot use Fur Elise. You cannot. You can’t do it. It can’t be allowed. Don’t fu-