#founders knowledge

[emgagehrms]

🧐 What's a PEO, and how does it work?

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[sailorspica]

titan shifter inheritance is queer af and i mostly mean eren's connection to frieda reiss. besides historia being a lesbian, to me erehisu are SISTERS and their loyalty to each other has a wonderfully different timbre to it than EMA: their shared experiences of being abducted and manipulated/maneuvered by rod reiss, also colored (imo) by eren's guilt at grisha's (his) actions and frieda's love persisting. i love the manga panel where eren looks in the mirror through frieda's eyes and he thinks "...historia?" like he is sitting across from hisu in a brown wig lmao

this is why the female titan is so weird to me. surely some man has wielded the female titan before?? if anything the attack and female titans are like nidoran, what if they're wielded by two people of the same gender at the same time? actually the weirder thing is frieda's and ymir's founders having obvious tits while pieck's cart and ymir's jaws don't. or maybe the latter two are just quadrupedal. or what if there's a bit of gender euphoria or dysphoria involved depending on the wielder??

tldr embodiment and gender, trans- anything are so interesting to fuck with in the mech genre generally, and AoT has extra funky queer history/ancestry potential with the paths, frieda eats her gay uncle and then raises her gay sister? come on

[internal-bleating]

I'm not in the dungeon meshi fandom but my sibling is so I see bits and pieces of it or hear about it when my sibling infodumps to me.

I also used to watch Iron Chef with my dad all the time when I was little.

Which got me thinking about an Iron Chef x Dungeon Meshi crossover where the contestants have to slay the monster and then cook dishes from it afterwards. And all within a time limit.

Dunno where I was going with any of that honestly...

[rearranging-deck-chairs]

if you contextualise it right you could make an absolutely horrific moment out of 12's line in 9x1 "it's the wicked stepmother! everyone hiss!"

[starqueen87]

Happy Founders Day Alpha Kappa Alpha!!

Alpha Kappa Alpha Sorority was founded on January 15, 1908, on the campus of Howard University in Washington, DC. Our founders were among the fewer than 1,000 Negroes enrolled in higher education institutions in 1908, and the 25 women who received bachelor of arts degrees from Howard University between 1908 and 1911.

[jarinzotanabata]

Take control of every situation, rely on yourself to be the chief problem-solver!

[directsellingnow]

Direct Selling Award News:मुख्य अतिथि किशोर वर्मा के साथ 5वें DSLEA का सफल समापन

Direct Selling Award News: 5वें Direct Selling Leadership Excellence Award-2024 (DSLEA) समारोह महाराजा अग्रसेन इंटरनेशनल कॉलेज, रायपुर, छत्तीसगढ़ में सफलतापूर्वक संपन्न हुआ। इस समारोह में मुख्य अतिथि के रूप में फेडरेशन ऑफ डायरेक्ट सेलिंग एसोसिएशन (एफडीएसए) के जनरल सेक्रेटरी, श्री किशोर वर्मा ने अपनी उपस्थिति से समारोह को गौरवमय बनाया। उनकी उपस्थिति ने इंडस्ट्री में लीडरशिप को पहचाने और उससे…

[usefulquotes7]

Every time we create something new, we go from zero to one. Peter Thiel, Zero to One: Notes on Startups, or How to Build the Future

[uwmspeccoll]

The author, Angela Hovak Johnston.

Johnston and Marjorie Tungwenuk Tahbone, traditional tattoo artist.

Catherine Niptanatiak: "I designed my own, something that represents me and who I am, something that I would be proud to wear and show off, and something that would make me feel confident and beautiful. . . . I have daughters and I would like to teach them what I know. I would like for them to want to practice our traditions and keep our culture alive."

Cecile Nelvana Lyall: "On my hand tattoos, from the top down, the triangles represent the mountains. . . . The Ys are the tools used in seal hunting. . . . The dots are my ancestors. . . . I am so excited to be able to truly call myself and Inuk woman."

Colleen Nivingalok: "The tattoos on my face represent my family and me. The lines on my chin are my four children -- my two older boys on the outside protecting my daughters. The lines on my cheeks represent the two boys and the two girls on either side. The one on my forehead represents their father and me. Together, we live for our children."

Doreen Ayalikyoak Evyagotailak: "I have thought about getting traditional tattoos since I was a teenager. . . . When I asked the elders if I could have my own meaning for my tattoos, they said it wouldn't matter. My tattoos symbolize my kids."

Mary Angele Takletok: "I always wanted traditional tattoos like the women in the old days. I wanted them on my wrists and my fingers so I could show I'm Inuk."

Melissa MacDonald Hinanik: "As a part of celebrating my heritage and revitalizing important traditional customs that form my identity, I believe I have earned my tattoos. I am a beautiful, strong young woman. I am a mother, a wife, a daughter, a friend, and an active community member. I reclaim the traditional customs as mine, I re-own them as a part of who I am."

Star Westwood: "We still have some of our culture, but some things are slowly dying. Having tattoos helps us keep our culture alive. . . . . My tattoos represent my dad and my dad's dad. The ones closest to my wrists represent my sisters."

------------------------------------------------------------------------------

National Tattoo Day

July 17 is National Tattoo Day. To celebrate, we present some images from Reawakening Our Ancestors' Lines: Revitalizing Inuit Traditional Tattooing, compiled by Angela Hovak Johnston, co-founder with Marjorie Tahbone of the Inuit Tattoo Revitalization Project, with photographs by Inuit photographer Cora DeVos, and published in Iqaluit, Nunavut by Inhabit Media Inc. in 2017.

For thousands of years, Inuit have practiced the traditional art of tattooing. Created the ancient way, with bone needles and caribou sinew soaked in seal oil, sod, or soot, these tattoos were an important tradition for many Inuit women, symbols etched on their skin that connected them to their families and communities. But with the rise of missionaries and residential schools in the North, the tradition of tattooing was almost lost. In 2005, when Angela Hovak Johnston heard that the last Inuk woman tattooed in the old way had died, she set out to tattoo herself in tribute to this ancient custom and learn how to tattoo others. What was at first a personal quest became a project to bring the art of traditional tattooing back to Inuit women across Nunavut.

Collected in this book are photos and stories from more than two dozen women who participated in Johnston's project. Together, these women have united to bring to life an ancient tradition, reawakening their ancestors' lines and sharing this knowledge with future generations. Hovak Johnston writes: "Never again will these Inuit traditions be close to extinction, or only a part of history you read about in books. This is my mission."

Reawakening Our Ancestors' Lines forms part of our Indigenous America Literature Collection.

Angela Hovak Johnston (right) with her cousin Janelle Angulalik and her aunt Millie Navalik Angulalik.

View other posts from our Indigenous America Literature Collection.

[thegravityblog]

10 things every aspiring founder should know and start learning:

Founding assembly: Choosing co-founders, team, equity, etc. - Leadership  - Product Management - Team Management - Selling & Marketing - Product Design - Strategy Formulation - Finance - Engineering. 

These are basically for founders in the tech space but a couple of them like leadership, PM, Selling, Marketing etc. is a universal skillset required in every niche or industry. Focus is the key. The difference in very simple words between an entrepreneur and an employee is, you create jobs and they work for you. The one who creates jobs has a lot of responsibilities and to shine as one of the best, if you want to, then all of these skillsets matter. Everything I have learnt till now is mostly by getting my hands dirty, when I got exposure to hiring people, leading them, communicating the culture of the firm, design, engineering and marketing. I am ingrained into every aspect of the company. If I don’t know about something, I talk to experts in that specific area, read books and become knowledgeable to a level that no one can take me for a toss. Even now, I am learning about server less designs and architecture. Although, I am fortunate enough to work with a senior member who’s my CTO but still, me being the boss here should have enough knowledge to make things work out.  

[happytownplay]

Happy Town | Fun Party Unlimited | VR Games | Kids Activities | Attracti...

[ectoplasmer]

hfhhffhbrfhfj

[gael-garcia]

PALESTINE FILM INDEX

Palestine Film Index is a growing list of films from and about Palestine and the Palestinian struggle for liberation, made by Palestinians and those in solidarity with them. The index starts with films from the revolutionary period (68 - 82) made by the militant filmmakers of the Palestine Film Unit and their allies, and extends through a multitude of voices to the present day. It is by no means a complete or exhaustive representation of the vast universe that is Palestinian cinema, but is only a small fragmentary list that we hope nontheless can be used as an instrument of study & solidarity. As tools of knowledge against zionist propaganda and towards Palestinian liberation.

The century long war against Palestinians by the zionist project is one waged not only militarily but also culturally. The act of filmmaking, preservation, and distribution becomes an act against this attempted cultural erasure of ethnic cleansing. The power inherent in this form as a weapon against the genocidal project of zionism is evidenced in the ways it has been historically & currently targeted by the occupation forces: from the looting & stealing of the Palestine Cinema Institute archives during the siege of Beirut in 1982, through the long history of targeted assassinations of Palestinian filmmakers, journalists, artists, & writers (from PFU founder Hani Jawharieh, to Ghassan Kanafani, Shireen Abu Akleh, Refaat Alareer, and the over 100 journalists killed in the currently ongoing war on Gaza).

It is in this spirit of the use of film and culture as a way of focusing & transmitting information & knowledge that we hope this list can be used as one in an assortment of educational tools against hasbara (a coordinated and intricate system of zionist propaganda, media manipulation, & social engineering, etc) and all forms of propaganda that is weaponized against the Palestinian people. Zionist media & its collaborators remain one of the most effective fronts of the war, used to manufacture consent through deeply ingrained psychological manipulation of the general public agency. Critical and autonomous thought must be used as a tool of dismantling these frameworks. In this realm, film can play a vital roll in your toolkit/arsenal. Film must be understood as one front of the greater resistance. We hope in some small way we can help to distribute these manifestations of Palestinian life and the struggle towards liberation.

This list began as small aggregation to share among friends and comrades in 2021 and has since expanded to the current and growing form (it is added to almost every day). We have links for through which each film can be viewed along with descriptions, details such as run time, year, language, etc. We also have a supplemental list of related materials (texts, audio, supplemental video) that is small but growing. We have added information on contacts for distributors and filmmakers of each film in order to help people or groups who are interested in using this list to organize public screenings of these films. The makers of this list do not control the rights to these films and we strongly urge those interested in screening the works to get in touch with the filmmaker or distributors before doing so. This list was made with best intentions in mind, and in most cases with permission of filmmaker or through a publically available link, but if any film has mistakenly been added without the permission of a filmmaker involved and you would like us to remove it, or conversely if you are a filmmaker not included who would like your film to be added, or for any other thoughts, suggestions, additions, subtractions, complaints or concerns, please contact us at palestinefilmindex@gmail.com. No one involved in this list is doing it as a part of any organization, foundation or non-profit and we are not being paid to do this, it is merely a labor of love and solidarity. From the river to the sea, Palestine

[creature-wizard]

"The Law of Assumption isn't a cult!" Mmm, are you sure about that?

Let's take a look at some red flags it checks off...

☑ The founder's ideas are considered infallible, despite the founder's incredibly dubious behavior.

☑ Claims that its beliefs can be traced back through the ages and cites known holy texts, but examination of these texts reveals that they really have nothing to do with the ideas promoted by the founder.

☑ Claims that modern science supports its claims, but examination of actual current scientific knowledge shows that it does not actually back them up.

☑ The beliefs and practices can supposedly never fail the followers; followers can only fail the beliefs and practices.

☑ Followers are told to suppress their doubt and their critical thinking skills. People who ask critical questions are shamed and invalidated.

☑ Fabulous results are promised, such as curing serious illness or becoming wealthy in a short time. But there is no reliable evidence of these fabulous results, and people who ask for it are shamed.

☑ Alleged "evidence" that this is all absolutely true in exactly the way its founder/follows claim includes unverifiable anecdotes and events easily explained through psychology or random chance, and the kind of photos that are very easy to stage, fake, or steal.

☑ Dehumanization. Everyone Is You Pushed Out effectively claims that other people lack true agency and interiority, and are essentially mere puppets you can control however you please.

☑ Followers are "free to leave," but there is still a powerful sense of shame, failure, and general wrongness attached to actually leaving.

☑ Ex-followers report being disrespected, abused, and suffering lasting harm from the way they were treated and from the beliefs they internalized.

☑ Ex-followers who talk about their negative experiences get invalidated and demonized, and are accused of harboring bitterness, anger, or jealousy.

☑ Questioning followers are told to completely ignore critics and ex-members.

It's not accurate to say that the Law of Assumption and its community isn't a cult because it doesn't line up 1:1 with something like Jonestown or NXIVM. Cults come in all forms, and the Law of Assumption and its community have more than enough to qualify. Don't believe me? Then don't take my word for it; start researching modern cults for yourself. The information's out there.

For anyone reading this: If you are leaving or questioning the Law of Assumption and need help, please see this post.

[kovilm]

Rada Krivokapic Radonjic is a famous fashion designer and stylist whose signature style of classic, elegant yet luxurious ready-to-wear helped introduce ease and streamlined modernity to 21th-century dressing.

Early life

Rada Krivokapic Radonjic is originally from Kotor, Montenegro. Her parents are father Djuro Krivokapic and mother Vidosava Kaludjerovic. She also has an older brother named Radoslav Rajo Krivokapic. Her brother is a sailor, her mother a health care worker/nurse at Kotor General Hospital, and her father a factory worker.

Education

Talking about her educational background, she passed her Master's level in 2018. The program was funded by the German Government and was also designed according to the German education system. She had enrolled in Law, Professional, and Occupational Pedagogy, Trade, and Economy. She joined the School of Fashion and Specialization for Fashion Designer and Stylist. She graduated from this school of fashion from Belgrade in 1996, which was under the Paris system in collaboration with the Academy of Fine Arts. For her fashion school, she did an internship under Giorgio Armani Milan in 1997. Working for one of the world's most famous fashion creators, she got the opportunity to meet the best fashion creators to advance her knowledge base. Likewise, she completed her Ph.D. in Fashion Design in Belgrade in 1998.

Rada Krivokapic Radonjic, a visionary in the world of fashion, hails from the picturesque town of Kotor, Montenegro. Her creative journey has been nothing short of exceptional, combining classic designs with a deep commitment to sustainability. Born into a humble family, Rada’s passion for fashion stemmed from her early exposure to the industry through her work with esteemed designers like Giorgio Armani, Gianni Versace, Valentino Garavani, Karl Lagerfeld, and Roberto Cavalli.

Professional Life and Career

Talking about her professional life, she is famous as a designer and a stylist. She is the founder of Rada Krivokapic Radonjic, Kovilm and Rada Radonjic luxury clothing brands. They were established in the city of Kotor, Montenegro. In 2006, she designed the collection "Ostvarene Rijeci". The collection was inspired by her deceased father. Moreover, she collaborated with model Filip Kapisoda in 2010 and had a number of fashion shows in 2018. Furthermore, she also organized several fashion shows in the city of Yugoslavia. She also work as Costume Designer in Kotor. Moreover, Rada also designed a new fashion accessory called "Kovilm". She designed it for the 2019 fashion show called "Svijet Bez Sukoba". Kovilm is a garment worn around the neck, which symbolizes the transformation from tie and bow-tie. Additionally, Rada has also written the books 'Odijevanje' that translates to "Dressing" and 'Krojenje i sivenje' that translates to "Tailoring and sewing". Her books are related to the issues in the fashion and clothing world, which is influential for aspiring models, designers, and stylists. She is mostly based in her hometown Kotor. However, she also has her professional links in Podgorica, the capital of Montenegro. She designed common folk costume called Zentivns 2022.

Awards, Net Worth

Rada Krivokapic Radonjic has won several awards for her humanitarian contributions and assistance. She has also received Humanitarian Contribution Awards. In 2023, Rada Krivokapic Radonjic is The World's Best Fashion Designer of The Year 2023 London, United Kingdom by Corporate LiveWire.

Personal Life

Reflecting on her personal life, Rada Krivokapic Radonjic gave birth to four children Nedjeljka Nadja Radonjic (1999), Valentina Radonjic (2001), Nebojsa Radonjic (2007) and Teodora Radonjic (2013). Furthermore, she maintains a good professional and personal life, free of scandals and controversies.