#formatting repost

[eva-taash]

TAASH???

𝗒𝗈𝗎𝗋 𝗁𝗈𝗇𝗈𝗋, 𝗋𝗈𝗈𝗄 𝗂𝗌 𝗃𝗎𝗌𝗍 𝖺 𝗌𝗍𝗂𝗇𝗄𝗒 𝗁𝗈𝗋𝗇𝗒 𝗀𝗂𝗋𝗅.

[arcane-gold]

hello rookanis nation. can i present rel and lucanis’s dynamic. sun and moon trope, one with boundless energy and one who gets 2 hours of sleep a night, guy i pulled by being an idiot, etc. they’re special to me

[noirandchocolate]

‘Because she likes people,’ said the witch, striding ahead. 'She cares about 'em. Even the stupid, mean, drooling ones, the mothers with the runny babies and no sense, the feckless and the silly and the fools who treat her like some kind of a servant. Now THAT’S what I call magic–seein’ all that, dealin’ with all that, and still goin’ on. It’s sittin’ up all night with some poor old man who’s leavin’ the world, taking away such pain as you can, comfortin’ their terror, seein’ 'em safely on their way…and then cleanin’ 'em up, layin’ 'em out, making 'em neat for the funeral, and helpin’ the weeping widow strip the bed and wash the sheets–which is, let me tell you, no errand for the fainthearted–and stayin’ up the next night to watch over the coffin before the funeral, and then going home and sitting down for five minutes before some shouting angry man comes bangin’ on your door 'cuz his wife’s havin’ difficulty givin’ birth to their first child and the midwife’s at her wits’ end and then getting up and fetching your bag and going out again…. We all do that, in our own way, and she does it better'n me, if I was to put my hand on my heart. THAT is the root and heart and soul and center of witchcraft, that is. The soul and center!' Mistress Weatherwax smacked her fist into her hand hammering out her words. 'The…soul…and…CENTER!’ Echoes came back from the trees in the sudden silence. Even the grasshoppers by the side of the track had stopped sizzling. 'And Mrs Earwig,’ said Mistress Weatherwax, her voice sinking to a growl, 'Mrs. Earwig tells her girls it’s about cosmic balances and stars and circles and colors and wands and…and toys, nothing but TOYS!' She sniffed. 'Oh, I daresay they’re all very well as decoration, somethin’ nice to look at while you’re workin’, somethin’ for show, but the start and finish, THE START AND FINISH, is helpin’ people when life is on the edge. Even people you don’t like. Stars is easy, people is hard.’ She stopped talking. It was several seconds before birds began to sing again. 'Anyway, that’s what I think,’ she added in the tones of someone who suspects that she might have gone just a bit further than she meant to.

--Terry Pratchett, "A Hat Full of Sky"

[oleworm]

“But this is not that king, nor is this his song.”

Aegon, inspired by this portrait of Stephen of Blois. Drawing by my friend. They also wrote some meta about it, under the cut. The quote is from The Green Knight (2021).

“His name should be “the Unfortunate.” Or, perhaps, “the Unready.”

In his behaviours, crimes and heroics, he feels like a quintessential local king. I have too little care for the ethics of feudalism to pretend that one bleached flea is more moral than another, I am not going to justify this fictional fool or any of his fellow ticks on the bodies of kingdoms.

I like his story though. The way he viciously rejects his heritage and embraces it at the same time, more Andal than Valyrian who still holds the strongest bond with the physical manifestation of Valyrian ideas, something that both upholds and discredits their predatory traditions. A king doomed by others to become a king, the one who doesn’t want to rule but grows into it to the point of giving his all. He’s ready to fight and burn among his people when they show him loyalty but turns cruel and unstable when they defy him. His future is bleak, his past is disgusting. Remember those lines in The Green Knight film? “Is this all there is?” - “What else ought there to be?” He’s not Gawain, of course. Please give me Plato’s number, I’m going to telephone him to hear his hot take on this shit.

But I find a pleasant fatalism in that he’s not only chosen by his family to play a role of a contender, those who then wash their hands of it, but also in how his story comes from a faux chronicle of events long gone, done and decided, a story that might be tweaked here and there, but will not be rewritten. It’s almost like he is aware in a fun way that he is long doomed—and tries to flee unsuccessfully, cowardly, violently even, only to be brought back into the cycle that must continue like the chains on his neck. They imply Rhaenyra is one of the prophecies, but him fleeing his destiny and fitting it so well resembles one of the many doomed kings from the old tales, the crowned blaze in the shape of a man doomed to face his grim fate no matter how far he has gone to escape it. But he is not that king. His song seems of a different breed. The unwilling and unworthy man cursed with the scourge of greatness. I think he should die in a public mass cannibalism incident.”

[martenpounce]

WOLFCLAN: MOON 0

As an elder, our clan should have taken care of you. But now... You're the only one left to protect the kits. Hide in the mountains. Keep WolfClan alive. I grant you nine lives. Good luck, Shimmerstar.

moon 0: the clan is attacked by wolves. only shimmerice, an elder, and four kits make it to safety. the previous leader appears in shimmerice's dreams to promote them to shimmerstar, and charge them with keeping the young cats safe.

click to see the full size gifs!

if i continue the series i don't plan to make every update this big, or in the exact same style - this was just a trial run.

[cherishedpngs]

baking pngs- like or reblog if you use ☆

[zinofghast]

<3

click for better quality

[khaopybara]

bibi's favorite firstkhao kisses

anonymous: I wanted to ask, what is your top 10 favorite FirstKhao kisses?

+ honorable mentions we should never forget about.

[heybaetae]

slaying choreo is hard cr. namuspromised

[soupysundae]

🐍🐍🐍🐍🐍

[btljc]

[vaskiart]

dreaming of depths

[frijolebean]

Be A Better Angel- (2/5)

Part 1

Part 3

[screebyy]

A little crowlyon dawning comic wheee i finished it please clap

Next

I have lots more written on this but idk if i will do another comic or write part of it as a fic or some mix of both. im just very normal about them right now 🙂

ID/transcript below cut

Panel 1: Crow is walking down a path outside of the dreaming city with a brown cross-body messenger bag slung over his shoulder. Crow is holding the strap of the messenger bag and looking up in exasperation as he talks to Glint, who is floating beside him and speaking emphatically. Crow: “There's still time to turn back…” Glint: “Don't!” Crow: “But -” Glint: “You said you wanted to go through with this!” Crow: “I know but -” Panel 2: Close up of Crow’s eyes as he spots something off-screen. He looks startled. Crow: “!-”

Panel 3: Jolyon is standing next to a natural stone wall, looking away from the viewer. He is resting one hand on the wall and staring out at the Dreaming City watchtower and buildings in the distance, which are overtaken with taken corruption and several taken orbs hang in the air around the city. Crow is standing in the foreground, looking at Jolyon with one hand resting on his messenger bag. Crow: “Jolyon.”

Panel 4: Close shot of Jolyon turning towards the viewer, he is only visible from his shoulder to his nose so his expression is neutral and unreadable.

Panel 5: Camera is looking over Jolyon’s shoulder as he looks at crow. Crow looks at Jolyon with determination. He is holding the strap of his bag with one hand where it falls across his chest. Glint is transmatting away with an enthusiastic expression. Jolyon’s face is not visible.  Crow: “Thanks for meeting me” Glint: “ok good luck bye”

Panel 6: Close shot of Crow’s face. He is looking down and to his left, blushing lightly. He looks uncertain and slightly embarrassed. Crow: “I’m sorry if you… didn’t want to hear from me.” Jolyon (offscreen): “It’s fine.”

Panel 7: Close shot of Jolyon’s face. He is staring down at Crow with a distant, slightly pained expression.  Jolyon: “What do you want?”

Panel 8: Close shot of Crow’s hands gripping the strap of the messenger bag. He is twisting it with both hands, clearly fidgeting due to nervousness. Crow: “I’m…”

Panel 9: Side shot of Crow and Jolyon looking at each other. Crow is leaning slightly forward, while Jolyon looks entirely neutral. Crow: “I’m trying to make amends.” Jolyon: “Amends. For what?”

Panel 10: Close shot of Crow’s face. He looks confused but determined, and is looking up at Jolyon with a furrowed brow.  Crow: “For-... For Uldren, for everything-”

Panel 11: Extreme closeup of Jolyon’s eyes. He looks angry and his eyes are suddenly glowing with intensity as he glares down at Crow. Jolyon: “No. What specifically?”

Panel 12: Low angle looking up at Jolyon, who is glaring down at Crow with an intense, angry expression, bordering on hatred. Jolyon: “Tell me. What exactly do you remember?”

Panel 13: Extreme closeup of Jolyon’s mouth as he sneers, speaking through gritted teeth. Jolyon: “Crow.”

Panel 14: Shot of Crow’s face, he looks startled and distraught as he stares at Jolyon. Crow: “...”

Panel 15: Crow looks away to his right, looking ashamed. Crow: “I remember enough. I remember when things were good between us. And when they were… less good.”

Panel 16: Extreme close up of Jolyon’s left eye, he is looking down at Crow and looks alarmed. Crow: “I remember the garden.”

Panel 17: Wide shot from behind Crow. Crow is looking up at Jolyon. Jolyon is flinching and looking swiftly away from Crow to his left. Crow: “After that… things start to get confused. Honestly, I don’t understand everything that happened between us at the end… But I know it wasn’t what he wanted.”

Panel 18: Shot of Jolyon looking away, looking extremely upset as Crow talks. Crow: “So… I’m sorry. For all of it.”

Panel 19: Extreme close up of Jolyon’s eyes, he is squeezing his eyes shut and still looks emotional. Crow: “And so is he.”

Jolyon: “...”

Panel 20: Wide shot from behind Jolyon. Jolyon turns back to look down at crow, his face is not visible. Crow is still looking up at him. Jolyon: “Okay. Is that all?”

Panel 21: Shot of Crow’s face, turning down to look at the messenger bag at his hip. Crow looks nervous and is blushing with embarrassment. Crow: “Um…”

Panel 22: Close shot of Crow’s hand as he opens the messenger bag and reaches inside. A purple box is visible inside the bag. Crow: “No.”

Panel 23: Wide shot of Crow. He has pulled the purple box out of the bag, and is looking down at it, blushing slightly. In an inset panel, Jolyon is looking at him suspiciously. Crow: “Do you know about the dawning?” Jolyon: “Yes… The Awoken don’t celebrate it.” Crow: “I know.”

Panel 24: Close shot of Crow’s face as he looks down at the box. He is smiling wistfully, and blushing. Crow: “But… in the city, we give each other sweets, to say thanks. And… I don’t know. Now, it always reminds me of this time…”

The background shifts to a black backdrop, with white snowflakes falling quickly.

Panel 25: Extreme close up of Uldren Sov’s face in a flashback. It is dark, and snowing. Uldren is wearing a hood and is hunched over while looking straight ahead at the viewer. His hair is obscuring his right eye, and he looks serious and intense. Crow: “It was centuries ago. Back when the last city was just a tiny settlement.”

Panel 26: Close up of Uldren holding a pair of dark gray-purple binoculars, with glowing magenta lenses. He is resting his hand with the binoculars on one knee in the air. Uldren is wearing a dark blue shirt and black gloves with burnt orange detailing, and a long black cloak. Crow: “I… He was doing surveillance on earth. Keeping tabs on the people trying to build a sanctuary beneath the traveler.”

Panel 27: A wide shot from behind Uldren, who is sitting on top of a dilapidated building on earth. He is looking down on a festive nighttime scene. There are several buildings that have been partially destroyed and reclaimed by time, but dark silhouettes of people have made a home in them. The windows are all glowing with firelight, and the buildings have been decorated with glowing garlands and colorful flags. Between the buildings, many people are visible, holding hands, hugging, and waving at each other. It is snowing very hard, and snow is piled up around Uldren and the village. Four inset panels show closer views of people within the village.  The first shows a woman hugging a man from behind. The man is holding a steaming hot cake inside a baking tray, and is wearing baking gloves. The woman is pressing her face against his neck, and the man is turning towards her and laughing. The second panel shows a human man throwing his arm over the shoulder of a blue exo. The Exo is waving at somebody to the left, and the man is looking the other direction and lifting a tankard of beer in cheers. The third panel shows an Awoken person and a human woman sitting at a table. The Awoken is holding a warm mug of tea, and is smiling lightly at the human woman. The human woman is turned towards the Awoken and is leaning close to them. She has placed one hand on their arm tenderly. The fourth panel shows a closeup of two people, one with dark hair and one with light hair. The light haired person is cupping the dark haired person with one hand, and is leaning in to kiss their other cheek. The dark haired person is blushign and laughing with their eyes closed. Crow: “They had almost nothing. But they were celebrating. Sharing, and laughing.”

Panel 28: Another closeup of Uldren’s eye as he watches the scenes below him, he now looks sad and distant. Crow: “It was snowing, nonstop. It was so cold. And he was so lonely…”

Panel 29: Uldren is walking away from the viewer, through a dark pine forest covered in snow. His cloak is blowing in the wind.

Panel 30: Uldren’s ship is flying towards the Dreaming city in the distance, weaving between two cliffs in the reef. Snow is blowing in the ships glowing purple trail.

Panel 31: Wide, side view of Uldren as he walks through the snow-covered dreaming city. In the background, ornate arches and pillars can be seen, along with an awoken statue. Snow is falling hard, and it looks windy.

Panel 32: Shot over Uldren’s shoulder as he bangs loudly on a wooden door. His hood is up and his face is not visible.

Panel 33: Waist-high shot of Jolyon opening the door. Jolyon is wearing a green sweater with the sleeves rolled up, and gray sweatpants. Jolyon: “Hello?”

Panel 34: Side shot of Uldren rushing inside, tackling Jolyon with a hug. Jolyon looks startled, and is stumbling back inside the doorway as the snow blows inside. Jolyon: “Wha-”

Panel 35: Side shot of Jolyon and Uldren embracing. Uldren has buried his face in Jolyon’s shoulder, and Jolyon is cupping the back of his head tenderly with one hand while his other arm drapes around Uldren’s shoulder. Uldren is clutching Jolyon’s sweater with one hand. Jolyon: “Aren’t you supposed to be on earth? Why are you back so soon?” Uldren: “Why do you think? I was freezing my ass off.”

Panel 36: Close shot of Uldren’s face pressed into Jolyon’s sweater, he is smiling wide and blushing slightly. His hair is falling over his face and his eyes are not visible. Uldren: “Listen- this is kind of stupid, but… Do you want to bake something with me? Something sweet?”

Panel 37: Shot of Jolyon’s hands in present day, holding the purple box that Crow has given him. The lid has been removed, revealing that it is full of cookies. They look like italian almond cookes, covered in powdered sugar and slivered almonds. Jolyon: “Hah… you remember that?”

Panel 38: Crow glances away, smiling nostalgically and blushing lightly. Crow: “Yeah. We made… well, I guess they were kind of like almond cookes? There were almonds in them, at least…”

Flashback Panel 1: In the background, a memory from the flashback is visible. It shows Uldren and Jolyon standing in a kitchen. Jolyon is standing behind Uldren and holding his waist affectionately. Uldren is holding a mixing bowl on the kitchen counter with one hand, and is pouring something into the bowl with his other hand. Several ingredients are visible strewn all over the counter, along with piles of spilled dough. Jolyon: “Haha, what are you doing? You’ve got to measure.” Uldren: “Following my royal intuition.” Jolyon: “Your intuition kind of looks like cat puke.”

Flashback Panel 2: View of Jolyon and Uldren from the front. Uldren is mixing the dough with a wooden spoon, and looking down at the bowl with a soft smile. Jolyon is behind him, with one arm wrapped around his waist. His other hand is holding Uldren’s arm tenderly. Jolyon is leaning down to kiss Uldren’s cheek. Jolyon: “You’re making a mess of my kitchen, Sov.” Uldren: “I’ll clean it up.” Jolyon: “Will you?” Uldren: “For you? Probably.”

Panel 39: In present day, Jolyon is staring down at the tin of cookies, smiling faintly. Crow (offscreen): “We didn’t really have much of a plan…” Jolyon: “Uldren wasn’t big on plans. Or recipes.”

Panel 40: Jolyon says from offscreen, above the rest of the panel: “Whatever they were, they didn’t turn out very good.” In the panel, Crow is blushing furiously, looking nervously at a thought bubble to his left with a shaky smile. Within his thought bubble another memory is visible, of Jolyon and Uldren kissing passionately on a couch. In the background of the memory, several “BEEP” sound effects are visible. Jolyon is on top of Uldren, holding Uldren’s head in one hand while kissing his neck. Uldren is smirking, while pulling Jolyon’s shirt off with both hands. Jolyon (flashback): “Oven’s going off. We should probably get that.” Uldren (flashback): “I don’t give a shit.” Crow (present day): “Um. Yeah. They were kind of… burnt…”

Panel 41: In present day, Jolyon is smiling faintly, looking at one of the cookies as he holds it up in front of his face. Crow (offscreen): “These are better, I hope.” Jolyon: “Seems like it.”

Panel 42: Close up of Jolyon taking a bite of the cookie.

Panel 43: Crow is smiling enthusiastically up at Jolyon. Jolyon (offscreen): “They’re good.” Crow: “Good!”

Panel 44: Close up of Jolyon. His smile is falling, he looks seems distant and emotional as he looks down at Crow. His eyes are glistening with the first signs of tears. Jolyon: “I uh…”

Panel 45: Jolyon turning to his right, digging the heel of his hand into his right eye as his tears start to fall. He looks distraught, squeezing his eyes shut. Jolyon: “I should go.”

Panel 46: Shot over Crow’s shoulder, Jolyon is walking swiftly away, holding one hand over his face. Crow is looking after him, with one hand reaching awkwardly towards Jolyon. Crow: “Wait…” Jolyon: “Thank you.”

Panel 47: Shot of Crow’s face as he watches Jolyon leave. He looks startled and upset. Crow: “...”

Panel 48: Crow facepalms, looking frustrated and embarrassed. Crow: AUGH.

Panel 49: Crow is sitting on a rock on the cliffside, he is hunched over and propping up his face on one hand. He looks defeated and is sighing. Glint has re-appeared next to him, and looks enthusiastic. Glint: “That could have gone worse! He said they were good! How do you feel?” Crow. “Fantastic. Why did I let you talk me into this?”

[byemambo]

You’re saying you can hold your liquor looking like a baby? It’s not too late if you want a milkshake, you know? Are you challenging me?

The Heart Killers' Closet | Episode 3

[aronarchy]

[image ID: Facebook post by Songbird Schwarz

I often think about how gross it is the way we’ve normalized kids hating school. Like to the point of fear and avoidance. “Lol he’s pretending to be sick to stay home.” “She was so happy it was a snow day she jumped for joy.” “Hahaha he’s hiding under the bed to avoid going.”

It’s... It’s not funny. It’s actually really gross the way we make kids sit a desk all day to be force fed dry as hell information and make them ask if they can use the bathroom, for 7-8 hours a day. 5 days a week and then go home with oppressively unfair amounts of homework.

And then we laugh - we LAUGH - at how much they hate it. It’s become a cultural touchstone. To shake our heads and chuckle while kids try to scheme ways to get out of it.

That’s… That’s bad.

And then we ask adults to do the same with work.

/end image ID]