#force philosophy
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circle-around-again · 1 year ago
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"But then [Maul] noticed the darkness was moving and alive with dancing bright red stars. And he suddenly knew what he was really looking at. Dark clouds. And drifting, burning ashes. ... He felt free. ... He became resolved to survive. He would do anything and everything necessary to stay alive." (Windham, 64-5).
As the sky above copies his colours, Maul finally grows into himself and unlocks a secret, unplanned, love for life. Moments later, his vigorous desire to hold on to it develops.
The ungodly determination that allowed Maul to survive bisection was born in this moment.
The imagery here also relates to the cosmic nature of the dark side. It is as we expect, of course, a vision of hell. But there is beauty and majesty; The dark side is not a sickness here, but is joyous, like Maul. Alive and dancing. How interesting for something which is associated only with suffering and death.
The red stars could be the Sith themselves: stars gone supernova with the dark side, trading a long life for the thrill of power. Destined to fall, like ash, to irrelevance. Beautiful all the same.
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wingletblackbird · 4 months ago
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How could would it be to have a Star Wars movie called "Star Wars: The First Jedi"? Just, see the beginning of the Jedi Order? Maybe even the beginning of the Sith and the Republic?
That sounds like it could be pretty neat. Which beginning though? When the Jedi Order became all about the Light Side? When they joined the Republic? Or all the way back to the Je'Daii?
Personally, I like the idea of the Je'Daii. Striving for an internal balance between Light and Dark sounds far more healthy to me. I'd like to see how that would play out.
I'd like to see the Je'Daii civil war. Mainly because I want to see both sides being a little messed up, because they are both unbalanced by focusing on only one aspect of the Force. The Dark Side is unstable because they don't use more peaceful emotions and are destructive. The Light Side is unstable because they are too passive and become complicit in things they shouldn't...
I dunno. I think that would be neat.
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the-last-kenobi · 2 years ago
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In case you’re out there being dumb, friendly reminder:
It’s not about balancing light and darkness
It’s that LIGHT IS BALANCE
and DARK IS IMBALANCE
thank you for using your brain in the Star Wars fandom
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SO HOW DOES THE FORCE WORK?
     “The core of the Force–I mean, you got the dark side, the light side, one is selfless, one is selfish, and you wanna keep them in balance. What happens when you go to the dark side is it goes out of balance and you get really selfish and you forget about everybody … because when you get selfish you get stuff, or you want stuff, and when you want stuff and you get stuff then you are afraid somebody is going to take it away from you, whether it’s a person or a thing or a particular pleasure or experience.      “Once you become afraid that somebody’s going to take it away from you or you’re gonna lose it, then you start to become angry, especially if you’re losing it, and that anger leads to hate, and hate leads to suffering. Mostly on the part of the person who’s selfish, because you spend all your time being afraid of losing everything you’ve got instead of actually living.      “Where joy, by giving to other people you can’t think about yourself, and therefore there’s no pain. But the pleasure factor of greed and of selfishness is a short-lived experience, therefore you’re constantly trying to replenish it, but of course the more you replenish it, the harder it is to, so you have to keep upping the ante. You’re actually afraid of the pain of not having the joy.      “So that is ultimately the core of the whole dark side/light side of the Force. And everything flows from that. Obviously the Sith are always unhappy because they never get enough of anything they want. Mostly, their selfishness centers around power and control. And the struggle is always to be able to let go of all that stuff.      “And of course that’s the problem with Anakin ultimately. You’re allowed to love people, but you’re not allowed to possess them. And what he did is he fell in love and married her and then became jealous. Then he saw in his visions that she was going to die, and he couldn’t stand losing her. So in order to not lose her, he made a pact with the devil to be able to become all-powerful. When he did that, she didn’t want to have anything to do with him anymore, so he lost her.      “Once you are powerful, being able to bring her back from the dead, if I can do that, I can become emperor of the universe. I can get rid of the Emperor. I can make everything the way I want it. Once you do that, you’ll never be satiated. You’re always going to be consumed by this driving desire to have more stuff and be afraid that others are going to take it away from you. And they are. Every time you get two Sith together, you have the master, the apprentice, and the apprentice is always trying to recruit another apprentice to join with him to kill the master. The master knows that basically everybody below him wants his job.      “Only way to overcome the dark side is through discipline. The dark side is pleasure, biological and temporary and easy to achieve. The light side is joy, everlasting and difficult to achieve. A great challenge. Must overcome laziness, give up quick pleasures, and overcome fear which leads to hate.”
–George Lucas
“Happiness is pleasure and happiness is joy. It can be either one, you add them up and it can be the uber category of happiness.      “Pleasure is short lived. It lasts an hour, it lasts a minute, it lasts a month. It peaks and then it goes down–it peaks very high, but the next time you want to get that same peak you have to do it twice as much. It’s like drugs, you have to keep doing it because it insulates itself. No matter what it is, whether you’re shopping or you’re engaged in any other kind of pleasure. It all has the same quality about it.      “On the other hand is joy and joy is the thing that doesn’t go as high as pleasure, in terms of your emotional reaction. But it stays with you. Joy is something you can recall, pleasure you can’t.  So the secret is that, even though it’s not as intense as pleasure, the joy will last you a lot longer.      “People who get the pleasure they keep saying, ‘Well, if I can just get richer and get more cars–!’ You’ll never relive the moment you got your first car, that’s it, that’s the highest peak. Yes, you could get three Ferraris and a new gulf stream jet and maybe you’ll get close. But you have to keep going and eventually you’ll run out.  You just can’t do it, it doesn’t work.        “If you’re trying to sustain that level of peak pleasure, you’re doomed. It’s a very American idea, but it just can’t happen. You just let it go. Peak.  Break. Pleasure is fun it’s great, but you can’t keep it going forever.      “Just accept the fact that it’s here and it’s gone, and maybe again it’ll come back and you’ll get to do it again. Joy lasts forever. Pleasure is purely self-centered. It’s all about your pleasure, it’s about you. It’s a selfish self-centered emotion, that’s created by self-centered motive of greed.      “Joy is compassion, joy is giving yourself to somebody else or something else. And it’s the kind of thing that is in it’s subtlty and lowness more powerful than pleasure.  If you get hung up on pleasure you’re doomed. If you pursue joy you will find everlasting happiness.”
–George Lucas
#THE FORCE IS ALL ABOUT OVERCOMING THE TEMPORARY DARK SIDE #AND EMBRACING THE EVERLASTING LIGHT SIDE #THE FORCE IS ALL ABOUT WHAT YOU PUT INTO IT IS WHAT YOU GET OUT OF IT #MOTIVATION AND INTENTION AND BEING MINDFUL #IE, AWARE OF AND ACKNOWLEDGING YOUR EMOTIONS #ARE THE KEYS TO THE FORCE #THAT’S IT THAT’S THE FOUNDATION OF THE FORCE
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justjettithings · 10 months ago
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jedi gifting each other river rocks and sea shells because they can feel the living force through these objects and sense the beauty and life flowing through the environment it once inhabited
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poorly-drawn-mdzs · 1 year ago
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Welcome to the Dungeons of Fear and Hunger.
#Fear and Hunger#D'arce Cataliss#Cahara#Ragnvaldr#Enki Ankarian#Unlike Dungeon Meshi - I cannot in good faith recommend this game to a broad audience.#My background with F&H goes as follows: I am hanging out with a friend. He says “hey try this game I've been playing.” I say “Okay!”#I have never heard of this game. I pick the mercenary. I go through 5 min of character history and background. I am mauled to death by dogs#It took me 4 resets to even get in the dungeon. But I finally get there. I am caught by a guard. He cuts off all but one of my limbs#I am forced to crawl around in a blood and corpse pit until the game tells me 'give up idiot'.#I reset. I am mauled by dogs again. I realize this is not for me but I am intrigued enough to go home and watch some playthroughs#And WOW what an interesting game it is! I really do appreciate games that blend their design philosophy with the theme it wants to set#This is a game about fear and hunger. And persevering. And penis (my god is there a lot of penis)#I recommend this to people who like extremely challenging games and can handle the many *content warnings* within this series#If the idea of Bloodborne/eldenring and undertale having a little RPG maker baby sounds appealing to you - give it a shot#It's made by ONE GUY and it's a great horror game. I am just really bad at it.#My friends just enjoy putting me in situations where I scream and yell. We don't talk about the corn mazes. Or the other horror game nights#Apparently I'm funny when I'm Scared!#As people who follow me on twitter might know; I am deep in the pits of this series right now. I will be back with more art.
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katabay · 7 months ago
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”—ah. seems like mother goose has been playing around in your egg salad. if you won’t dance to that tune, I got others.”
honestly, the would you kindly scene is whatever to me*, code yellow is the more interesting violation/betrayal of the body because of how beautifully it escalates the Fontaine reveal/betrayal and shows how ugly some of those ‘locks and keys’ that Tenenbaum mentions are. not only have you been a tool in another man’s hand this entire time, it goes deeper. your body is not your own.
*there used to be a meandering thought here about the would you kindly scene, but it was really just talking around the fact that I spent way too many years seeing people discuss it in the most insufferable and reductive ways possible when it’s a combination of three or four other things that make that moment compelling lmao
collage credits: heart one/heart two
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / tip jar!
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philosophybits · 28 days ago
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The relations between destiny and the human soul, the extent to which each soul creates its own destiny, the question of what elements in the soul are transformed by merciless necessity as it tailors the soul to fit the requirements of shifting fate, and of what elements can on the other hand be preserved, through the exercise of virtue and through grace — this whole question is fraught with temptations to falsehood, temptations that are positively enhanced by pride, by shame, by hatred, contempt, indifference, by the will to oblivion or to ignorance.
Simone Weil, "The Iliad or The Poem of Force"
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jedi-enthusiasm-blog · 2 months ago
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POV: You're reading a Star Wars fic, you love it, it hits you in all the right ways, the main characters are funny lame and relatable and the themes are just perfect.
Then comes a misunderstanding of Jedi philosophy, negative views on the Jedi seen as in the right or Luke Skywalker as a gray Jedi (bonus points if he follows Jedi philosophy to a T but the author missed the point).
And then you get frustrated and can't enjoy the fic.
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adragonsfriend · 7 months ago
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There are no trash takes on Jedi philosophy, there is contextual analysis.
As may be obvious from the title (humorous--I have gone through several common misinterpretations myself), this is about that infamous scrap of poetry,
There is no emotion, there is peace. There is no ignorance, there is knowledge. There is no passion, there is serenity. There is no chaos, there is harmony. There is no death, there is the Force.
And the other version,
Emotion, yet peace. Ignorance, yet knowledge. Passion, yet serenity. Chaos, yet harmony. Death, yet the Force.
I've seen quite a few interpretations of these along the lines of "the second version is reasonable but the first version is crazy and stupid," so here's why I think both versions are actually communicating the same idea, and the wording doesn't really change the meaning much at all.
So just like I did in my post about "do or do not there is not try," let's start by asking some questions to establish context before we look at the text itself.
Is it THE Jedi Code or just a mantra? Legends says it's the Code, canon says it's a mantra. The fact of the matter is that no matter what, it's really a scrap of poetry which couldn't encompass the entire philosophical basis of a culture even if it was trying, so we'll consider it a mantra.
Does the fact that it's a mantra rather than THE Jedi Code mean that we can't get anything deep or meaningful out of it? Of course not. Just because it's not the whole of or a full explanation of Jedi philosophy doesn't mean it's just a nice sounding string of words.
Who is saying this to who? This mantra is often used to focus a meditation, with the first phrasing used by adults in the culture, while the second phrasing is more often used by children.
What were George Lucas' inspirations for Jedi culture that relate to this mantra? (borrowing from this post) A combination of christianity, buddhism, and his interpretations. I'm not an expert in any religion, and definitely not in buddhism, but I know enough to know I'm about to make some sweeping generalizations, so take this with a grain of salt. Disclaimers aside, this mantra, and the way it is phrased, indicate it is being inspired more by buddhism. The way christian texts, specifically the Bible, are written typically goes "here is a story about people doing something, and here is how big G god and/or Jesus reacted." There are metaphors sprinkled in, but they are mainly there to clarify for readers. Buddhist texts on the other hand (and lots of other eastern belief systems as well, like daoism, hinduism, etc. It's an important note that these belief systems don't necessarily conform to the western idea of what a religion is, and often their original languages don't even have a word which is equivalent in meaning to "religion") use metaphor in often deliberately contradictory ways, to make the reader think about things which are difficult to express in words alone. The ongoing struggle to reconcile contradictory descriptions is the point. This doesn't mean those texts can be interpreted however a reader would like. There may be multiple right interpretations, but there can also be wrong interpretations.
What the mantra does NOT mean:
"There is no ___ …" =/= "The experience of ___ is fake news."
"There is no ___ …" =/= "___ is not a useful concept."
"There is no ___ …" =/= "We should totally ignore ___ and pretend we've never heard that word before."
The mantra is not realy a set of advice on how to act. It's a set of statements about Existance. And I do mean capital E, philosophical, epistemological, weird, deep, think-y, Existence.
Temperature Metaphor
You know the first time someone tells you as a kid that cold isn't real, it's just the absence of heat and you're like… "but I'm touching something right now and it feels cold???" It sounds wild the first time you hear it, but as you think about it more, maybe learn about it a second time in science class, get some more context about how molecules work, etc. it begins to make more sense. It gets easier to grasp, until eventually the knowledge feels intuitive--especially if you're a STEM person who thinks about it a lot. We still talk about cold as a concept, because it's useful to us as well--lack of heat can have damaging effects on our bodies after all, and a cold drink is great on a hot day--and it's more efficient to say "cold" than it is to say "lack of heat." But there are some situations, like developing refrigeration or air conditioning, where it is not just useful but essential to think of temperature as it really is--heat exists, cold doesn't--and thinking of it colloquially can only hold us back (if this isn't actually intuitive to you, that's fine, it's just a metaphor--you could also think about dark being the absence of light, vacuum being the absence of mass, any number of things mirror this).
Probably the easiest like to get one's head around, imo at least, is "there is no ignorance, there is knowledge."
Taken hyper-literally it would mean "why seek out knowledge ever when everyone already knows everything?" But if we say knowledge is to heat as ignorance is to cold, then we can understand the real meaning--knowledge is real, where ignorance is only the name of an experience.
The Whole Mantra
This is the way the Jedi are understanding of emotion, ignorance, passion, chaos, death, etc. They are introduced, as children, to the idea that whilst they may feel all of these things, what they are actually experiencing is the lack of the other things--peace, knowledge, serenity, harmony, the Force. That's why they start with the "___ yet ___" phrasing--it introduces them to the first steps of understanding:
They can feel emotions, yet peace is still real and out there to reach for no matter how overwhelming those emotions may be at the moment,
They can feel ignorant or unknowledgeable, yet knowledge is out there to find,
They can experience passion (meaning suffering or pain in this context), yet know that serenity will return to them,
They can find their surroundings chaotic, and yet look for the harmony in the noise,
They can understand that death happens, yet be comforted by the fact that the person dying is still as much a part of the Force as they ever were.
Eventually they move onto the full mantra:
They will always feel emotions, but if they always reckon with those emotions and pass through them they can always return to a place of peace,
If they feel ignorant, they must seek out knowledge, rather than acting rashly. Also, their own knowledge is not the limit--others may hold knowledge in places they consider clouded,
They may experience suffering and pain--it may even feel like a good thing--but there is no wisdom in pain, it is the distraction from serenity, which is where truth can be found,
No matter how chaotic the world appears, it is actually a part of an underlying harmony that makes up all the patterns and the beauty in the world,
Death is not an ending, no matter how much it may look like one. It is a natural transition back into the Force, the place all life comes from.
A Jedi youngling is someone for whom this understanding is an essential part of the culture they are being brought up in.
A Jedi Padawan is someone who is beginning to learn to apply this understanding outside the confines of the Jedi temple, in a world where not everyone shares it.
A Jedi Knight is someone who has learned to apply this understanding on their own, without supervision.
A Jedi Master is someone for whom this understanding has become intuitive and automatic, no matter their surroundings.
All this is to say,
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mxtxfanatic · 2 months ago
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Who Killed Wei Wuxian? the Politics of Culpability in MDZS
The title is kind of a misnomer because we know how Wei Wuxian died and we know who is responsible, so let's get those quotes out the way:
“To be honest though, if it weren’t for young Chief Jiang’s knowledge of the Yiling Laozu’s weaknesses, the siege of the Burial Mounds might not have succeeded. Don’t forget what kinds of things Wei Wuxian has at his disposal. Don’t you remember when he annihilated more than 3,000 high level cultivators?”
—Chapt. 1: Rebirth, fanyiyi
[Wei Wuxian] “I have to clarify this. [Jiang Cheng] didn’t kill me. I died because one of my techniques backfired.”
—Chapt. 43: Beauty I, fanyiyi
Wei Wuxian died from the backlash of attempting to destroy the second yin tiger tally while the first siege of the Burial Mounds took place. Jiang Cheng and the rest of the cultivation world is directly responsible for his death, thus are to blame. However, this meta isn't about who we are "meant to" blame for Wei Wuxian's death but about the conversation that the novel has about culpability. Contrary to the bad faith engagement that happens around this topic within the fandom, mxtx actually brings up this culpability problem many times in the novel:
After a moment of silence, Wei Wuxian said, “What else have you heard?” “Jiang Cheng, Clan Chief Jiang, brought people to encircle and besiege the Burial Mounds. He killed you, sir.” “I have to clarify this. He didn’t kill me. I died because one of my techniques backfired.” Wen Ning finally lifted his eyes and looked at him directly. “But, Clan Chief Jiang, he clearly—" “It’s impossible for someone to walk on a lonely, single-log bridge safely and soundly for an entire lifetime. It couldn’t be helped.” Wen Ning seemed to want to sigh, though he had no breath to sigh with.
—Chapt. 43: Beauty I, fanyiyi
Wen Qing waited quietly for him to finish cursing, “And so, you see? There’s no use. With the way things are, the identity of the one who placed the curse of Hundred Holes is no longer important. What’s important is the fact that the hundreds of people at Qiongqi path and... Jin ZiXuan were indeed killed by A-Ning.” Wei WuXian, “... But, but...” But what? He himself didn’t even know what to put after ‘but’. He couldn’t think of a reason to give, an excuse to use. He spoke, “... But even then, I should be the one going. I was the one who made the corpses kill the people. Why would the knife go instead of the murderer?”
—Chapt. 77: Nightfall, exr
Wen Ning says that Jiang Cheng is to blame for Wei Wuxian's death while Wei Wuxian says that it was an inevitability that could only be blamed on the circumstances rather than any individual. The Wen siblings say that Wen Ning is the one who killed Jin Zixuan, but Wei Wuxian argues that he is the one who turned Wen Ning into a weapon, thus absolving Wen Ning of the crime and placing it solely on Wei Wuxian's shoulders as the weapon's wielder. Who's side does the novel take? Well to answer that, let's take a look at another character who has caused many deaths throughout the novel: Jin Guangyao:
Jin GuangYao saw through the worries in his eyes instantly, and became so enraged that he actually started to laugh, “Lan XiChen! All my life, I’ve lied to countless people and have destroyed countless more. Just as you’ve said, murdering my father, my brother, my wife, my son, my master, my friends—There’s not a single sin left in this world that I haven’t committed!”
—Chapt. 108: Concealment Part 2, boat-full-of-lotus-pods
Of all the characters Jin Guangyao lists, he personally, with his own hands, verifiably killed two. Jin Guangshan was raped to death. Qin Su committed suicide. Jin Zixuan was killed in the Qionqi Path ambush. The details of Jin Rusong's death are unknown. Jin Guangyao didn't even personally kill any of the clans the Jin used as experiments nor did he murder the sex workers with his own hands. Only Wen Ruohan and Nie Mingjue were directly killed by Jin Guangyao—the former by being literally stabbed in the back and the latter through poisoning—so why does Jin Guangyao claim responsibility? It's because he planned these death. Without his direct manipulations and explicit intention to kill, none of those characters would have died as they did. Thus, despite not taking a knife to each of them individually, the blood of all of these characters is on Jin Guangyao's hands.
Here's another example:
It had taken the Four Great Sects three full months of recuperation, reorganization and planning before they’d finally become ready to take seize upon Burial Mound in retaliation; at last “exterminating” the last remnants of the Wen Sect along with the deranged Yiling Patriarch himself.
—Chapt. 108: Concealment Part 2, boat-full-of-lotus-pods
Around 3,000 cultivators gathered to kill 50 individuals. Logically, there is no way that 3,000 people literally had a direct hand in killing a few dozen people. However, they all came with the explicit intent to massacre, and they all take pride and credit in having participated in the first siege. Even though not nobody took turns personally smashing Granny Wen's head in, they are each still culpable for her and the other Wen remnants' deaths.
But what about the people who were "only following orders" (the Nuremberg defense, for people who haven't yet released how many of villain stan defenses sound like Nazi arguments) or "didn't mean" their actions? Should they be blamed just for being followers of bad people, whether be it because they genuinely believed in the mastermind's lies or wanted to personally benefit from the chaos? Should they be considered blameless for murderous intent that makes a victim of the "wrong" person? Mdzs addresses that, too:
One of them shouted from afar, “Wei... Wei Ying! If you’re really that strong, why don’t you go find those sect leaders participating in the pledge conference? What could you prove by picking on us low-level cultivators with no power to fight back?” Wei WuXian let out another short whistle. The cultivator who shouted felt as a hand suddenly tugged him down. He fell off the city gate, breaking both of his legs, and began to scream. Amid the wails, Wei WuXian’s expression didn’t change at all, “Low-level cultivators? Do I have to tolerate you, just because you’re low-level cultivators? If you dared say those things, you had to dare shoulder the consequences. If you knew that you were insignificant pieces of scum as filthy as ants, how come you didn’t know to think before you speak?!”
—Chapt. 77: Nightfall, exr
Wei WuXian could tell the arrow tip was originally aiming for his heart, his vital region. Yet, because the archer wasn’t skilled, the force of the arrow tip dwindled by midair to have missed the heart and shot into the ribcage. Everyone around the person who shot the arrow had eyes wide open, staring with shock and even fear at the disciple who had done such a thing. Wei WuXian looked up. Darkness veiled his face. He pulled out the arrow and tossed it back hard. With a wail, the young cultivator who snuck an attack at him was hit right in the chest with the arrow he tossed back! A boy next to him threw himself on top of him, “Brother! Brother!” The sect’s array was immediately thrown into chaos. The sect leader pointed at Wei WuXian with one shaking finger, “You... You... You are so cruel!” With his right hand, Wei WuXian unhurriedly pressed the wound at his chest, temporarily ceasing the blood flow. His voice was indifferent, “What does cruel mean? If he dared shoot the arrow at me when I was off guard, he should’ve known what would be facing him if he failed. They call me the cultivator of the crooked path, anyways, so you can’t possibly count on me to be generous and not bother with him, can you?”
...
Wei WuXian was pushed onto the ground again by the force. The next time he looked up, he saw the gleaming blade of a sword pierce through her throat. The boy holding the sword was the young cultivator who cried over the disciple who had shot the arrow. He was still crying, eyes covered in tears, “You thief! This is for my brother!” Sitting on the dirty ground, Wei WuXian stared with disbelief at Jiang YanLi, whose head had already dipped, blood trickling ceaselessly from her neck. ... The boy finally realized that he killed the wrong person. He pulled out the sword, along with a series of bloody spurts. With fright, he staggered back, mumbling, “... I-It wasn’t me, it wasn’t... I was going to kill Wei WuXian, I was going to avenge my brother... She was the one who threw herself over on her own!”
—Chapt. 78: Nightfall, exr
The cultivators both at Nightless City and those who didn't go choose to provoke Wei Wuxian based on the slander spread by the cultivation clan leaders. Those at Nightless City are gathered specifically to pledge to kill him. However, the moment Wei Wuxian turns his sights on them, then it's "But we're just baby 🥺 why not pick on someone your own size?" Wei Wuxian's response is masterful in that he calls them out for what they are: opportunistic cowards who prey on the weak but fear the strong. They wanted to attack him without consequences, but the moment consequences happened, they wanted to shift responsibility. The clan of the boy who attempted to kill Wei Wuxian is the same, as well as that boy's brother who killed Jiang Yanli. You chose to be here, you chose to participate, so just as you wanted to share in the spoils, you must also share in the responsibility, whether you were able to achieve your goal or not.
Now with all of this context in mind, let's circle back to Wen Ning and Wei Wuxian's convos: who are the killers? In the case of the first siege, the answer is Jiang Cheng... as well as the rest of the cultivation world. While the responsibility may vary in degrees (Jiang Cheng owed a debt to the Wen siblings and Wei Wuxian that the other participants did not), it is still a shared one. In the case of the Qionqi Path ambush, Wei Wuxian and Wen Ning, too, share and accept responsibility despite only one person getting their hands dirty while the other person (subconsciously) gave the orders. Wei Wuxian may have turned Wen Ning into a fierce corpse, but Wen Ning had the consciousness to refuse and chose not to in service of defending the man who saved his family.
Finally, I want to leave on this note: while Jiang Cheng is to blame for Wei Wuxian's death, Wei Wuxian, himself, does not wish to place that blame on his former shidi. One reason is that he acknowledges that his murder was a forgone conclusion—something anyone would have plotted towards, anyways, with or without Jiang Cheng's willing intervention—the moment the cultivation world turned on him as an enemy, and two, because of this:
Suddenly, [Jiang Cheng] said, “I’m sorry.” Wei WuXian froze, then said, “......You don’t have to say sorry.” After everything that had happened between them, it was impossible to tell who was the one most at fault.
—Chapt. 103: A Hatred for Life Part 6, boat-full-of-lotus-pods
There is so much bad blood between these two that to weigh their transgressions against each other—particularly in the wake of the golden core transfer reveal—would be petty and diminish them both as people. Wei Wuxian gave up his golden core for the man who later willingly and gleefully plotted his murder, but Jiang Cheng lost his only friend, his sister, and his reputation over all of those jealousy-clouded decisions. In a way, this entanglement made them both lose, so the best answer is to cut the loss and move on (Wei Wuxian's approach) rather than trying to forcefully maintain the connection of tangled debts at the threat of facing even bigger losses (Jiang Cheng's approach until the climax). There's nothing to be gained from trying to hold Jiang Cheng accountable for his crimes against Wei Wuxian, so it's best to simply let sleeping dogs lie and for Wei Wuxian to continue to live his life happily no longer tied in any way to the man who led to his death.
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theabigailthorn · 1 year ago
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almost done with the research phase of the next episode of Philosophy Tube - there's a high probability that Kelly will be back lmao
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deoidesign · 6 months ago
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I was gonna do a pinup but he kept posing cute idk what happened
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thepersonalquotes · 6 months ago
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Smash the Goals in your Life! You are the Unstoppable!
Avijeet Das
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moodboards-aesthetics · 4 months ago
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Qui-Gon Jinn aka The Maverick
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jerreeeeeee · 5 months ago
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i don’t know if i’m ever gonna write the fic but i’ve been thinking abt like. the eternal stockade. the implications. lup, a lich who was trapped in a dark featureless cell for a decade completely isolated with nothing to keep her sanity but her own mind. she has to put people in the eternal stockade. how many liches does she see herself in. how many liches started out just like her. how many liches are truly too far gone. and the only liches we ever see other than her and barry are edward and lydia. they’re certainly evil, but mad? they seem pretty sane. they’re not, like, tattered echoes of souls, they’re definitely still people. even as much of a grudge as lup surely has against them, wouldn’t they remind her incredibly strongly of herself? do they deserve to be trapped just like she was? for eternity? isn’t eternity what turned john to existential despair in the first place?
#mine#taz balance#taz lup#lup#like idk i think lup’s down to kick necromancer ass but when it comes to being like. WARDENS of a PRISON. would that not be uncomfortable??#but like taking the job is the only way to avoid HER being thrown in prison??#idk the raven queen being a cool & chill goddess boss is definitely fun but when you actually think abt it#i don’t think i’d agree with her. i think if i lived in that world i’d think she were sort of evil#which like also to get into the hunger vs authority its not very explored because its not at all the point#the hunger is meant to be nihilism and despair and dissatisfaction its at its core an emotional story about joy & love#but like john starts out rebelling against laws. laws of the universe; except that it turns out a being wrote those laws (jeffandrew)#so the hunger is also sort of a force of rebelling against unjust constraints in the pursuit of freedom?#and the heroes end up preserving the status quo and saying you just have to find joy within those unjust limitations#which again. like. the point is that life is unfair and you can find joy and meaning despite it. which is true to real life.#i’m not saying the hunger was right or that despair is the only way or w/e like#yk like taz balance is not a story about society its more about. philosophy i guess#the point is that life’s really hard and you find meaning anyway and that’s preferable to despair and death#thematically for the audience we understand these are standins for ways of viewing reality#and in the real world reality is what it is. its just the world. there’s no authority that writes the laws of nature#like its not a ‘man vs authority’ story its a ‘man vs nature’ story#but IN UNIVERSE nature IS an authority. jeffandrew and the gods. regardless of how much joy you can find in an unjust world#if i lived in it i’d want to make it more just! but anyway like yeah barry & lup working for the raven queen#is kinda an extension on that idea of preserving the status quo#although i guess you could say gods are just forces of nature. theyre not PEOPLE theyre just personifications of existent natural laws#and it ties in w istus and fate as well#although fate is like a comforting guiding force rather than restricting & horrifying#^ pay no attention to any of this i don’t think it really means anything i’m just like. writing thoughts as i have them#not like a hard stance i’m taking just exploring some ideas#any ways#THERES A TAG LIMIT??
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anghraine · 8 months ago
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i just saw someone say that faramir is infuriating because he's self-aggrandizing in claiming that he won't act in any way that doesn't befit his status, and on one hand - i understand the root of it? he does have a courteous, almost formal style of talking. he does openly claim that he would not take this mysterious power (before he knew about the ring) if it was on the highway. he agrees to denethor's characterization that he wants to appear noble like a king of old.
but on the other hand i'm straining at the bit to defend my baby because - infuriating?? when he lives up to the words he is saying?? when the text shows over and over that he's loved by his people, that he genuinely tries to live by those standards (and seems to succeed) - him not killing even animals unnecessarily, him riding back for his men. even his proclaimed dream to see gondor's tree bloom and peace restored, is supported by him seemingly making that transition from steward to king as smooth as possible?
maybe it's because i instantly liked him so much. it just caught me so off guard because this particular criticism never ever crossed my mind. so funny how people will interpret the same thing differently. to some internet user out there, his words are self-aggrandizing. to me, his words are straightfoward and supported by actions - dreamboat central.
Hi, anon! I'm pretty much with you on this one. I've seen the occasional post like that, and I can understand finding his style grating (though I personally love it) or disliking the general baggage associated with Tolkien's handling of Númenóreanness (there's a considerable degree of classism and racism built in to the presentation of Elves and peredhil/Númenóreans in LOTR in particular, while later texts like "The Mariner's Wife" are relatively more nuanced).
But the idea that Faramir is essentially just performing the appearance of high virtue as a sort of imitation of Númenórean cultural values without actually possessing those values or the virtues of the best of them just seems a profound misinterpretation to me. He has flaws, but he's not a hypocrite and he does not fail to live up to his presentation of himself at any point.
He's exactly what he appears to be, a stern and intelligent young man out of step with the current trends of his culture, who still cares deeply about his people and their allies. He's potentially highly dangerous in the way of Denethor and Aragorn, and like them, his personality is hard and unbending when it comes down to it, but he's also gentler than either—the combination of his willingness to act on the threat he represents if necessary and ethically justifiable, with a deep compassion and sympathy for others (even animals), is distinct and really interesting.
I think there's a very important distinction between Faramir performing virtue and gentleness and putting on the persona of a great Númenórean lord in times of peace, and Faramir presenting himself as he truly is and then suiting actions to words, despite the fundamental antipathy between his temperamental inclinations and the circumstances he's been placed in.
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