#for the whole post tho. lol

[larrythefloridaman]

I am not a prismdani guy in the sense that I dont think that could ever have a happy ending even in theory without altering or disrespecting their characters in some essential way and i dont think a fully tragic and fucked up ending for a character like dani with no light at the end of the tunnel really suits cpuk's tone or themes in the grand scheme of things

but i am in the sense that i understand and am compelled by it in like a horror movie way.

In a 'dear god dani get the hell out of there' way.

In a 'hey that scene in orange looked almost like a date before the arm thing, (the most flagrantly horrifying red flag yet at that point and what made most of us fully turn on her after some hesitation about fully condemning her when she gave cobalt a crisis instead of advice and shoved folk and treuse around before the Kicker that was her killing crimson onstage) that, as a flashback, was immediately preceded by Crimson (literally a walking red flag that somethings deeply wrong in Prism's metaphorical house, Noone Really Acts Like That For No Reason,) asking what Prism's been doing and saying and followed within said flashback by Quadratic (Mr. Character Arc Revolves Around Healing From A Relationship With A Character He Goes On To Explicitly Compare Prism To) carefully soft-confronting Prism so as not to make a scene while checking in with Dani to make sure shes okay and to let Prism know he has his eyes on her and isnt afraid to bluntly and unambiguously leak information to the audience she wants to keep secret while theyre on camera so she better not pull any shit' way.

In a 'the butchest girl twitter can handle without getting scared and me, the sunshiney eccentric femme she serves and obeys onesidedly like a dog, her own character subsumed into an aesthetically cute complimentary nonthreatening opposition to mine :) (dani cannot bring herself to admit shes grown afraid of setting her off or disappointing her or disobeying and being made to feel that oppressive crush of obligation as Prism manipulates her, struggling to realize and process the idea that Prism is a threat to her because an Abuser™️ (as per popular cultural portrayal) is supposed to be an obviously evil physically threatening bastard mcbadguy not a 5'0" nothing bible camp counselor that uses pressure, guilt, information control and other such tactics to creep into your thoughts to rewire your behavior to her liking if you don't have the means to reject what she imposes on you.) look at us we share a character flaw we're foils arent we charming :)' kinda way.

[fluffyartbl0g]

Everytime I go into the Zosopp tag, I just see people SCREAMING CRYING SOBBING about the lack of posts IN the Zosopp tag. THE ZOSOPP ECONOMY IS IN SHAMBLES

[keii]

late morning

[spaceistheplaceart]

found an old ekurei comic rotting in my files, decided to finish it. upon my rewatch of mp100 i kept noticing how many times dimple was referred to as a pet- but he's not ! ! ! he's a friend :)

[stardoopy]

Great Ace Attorney ancestor headcanons can be so self indulgent

[mintypsii]

guys i love them i promise i just have the urge to put them through the grinder sometimes

umm on the bright side here's the alternate good ending version lol!!!!!

[buglaur]

this is kit, please commission some art from them on social bunny 🙏

[baalzebufo]

some additional doodles and a Lot of Headcanons... sorry if im spamming these a little bit. ive got so many thoughts in my head, lmao

theres my older pacifica- after weirdmageddon, her and gideon become friends. theyre both sort of ostracized from the town as a whole bc of their past attitudes/actions so they cling together and become buds. its nice having someone else who 'gets' it.

pacifica moved out as soon as she could to get away from her folks and has a job at a local mall. gideon enables her to enjoy at least SOME of her old luxuries by taking her shopping and to get their nails done together and stuff. also his prison buddies help ''kindly persuade'' her parents not to break her enforced no-contact rule from time to time. i know the two have the bitchiest gossip in the entire town together. sometimes when its hard to be 'nice' they know they can at least vent to the other and they wont get judged for it, yknow?

also some backstory doodles! he was a Normal Kid, Once. or close enough to it. gideon was a sickly child and was sheltered and homeschooled for most of his life. the gleefuls moved from texas to oregon when he was about seven (yes i know this breaks canon a little. its fine shh.) and he found journal 2 shortly after. things went downhill from there

other notes. he's always kept his hair long, but used to either let it down or tie it into a long braid. he very briefly attended a public school and he didnt fare very well there (fat kid + albino + 'girly' + general weird interests is basically painting a massive target on your back) he used to stay up and watch late night televangelists when he couldnt sleep in hospital and copped his aesthetic from there

sorry this post is so long i have a lot of thoughts about him </3

[starrysharks]

reassassination swap AU... fuckin.... unassassination idfk

[padawansuggest]

Obi-Wan in his natural habitat in the temple sleeps in a loft bed (it was supposed to be storage he said cat instinct and turned it into a loft bed they’re shockingly common with Jedi tbh tho) and under 17 fluffy blankets with a pregnancy pillow (he’s not pregnant he just can’t sleep off his stomach if he don’t got one and sometimes autism requires squishing to keep it all down) and three more fluffy blankets on top of him. He has an optional Padawan or pet (not really a pet, just whomever followed him how from the gardens today) in bed with him also. And he’s got a projector on the wall and has a night stand with water and gaming devices so he can survive up there forever.

The clones, who have learned to sleep with full kute coverings and usually without blankets or pillows cause they just pass out on each other, most of whom identified with their Jedi for having similar sleeping types if they weren’t human, realize they are quite horrified by his Stewjoni nesting instinct. And he’s offended and refuses to sleep with any of them till they apologize to his favorite stuffed animal for insulting his HOUSE. Fuck you bitches he and Master Sparkle Bantha deserve better.

Cody is groveling while Alpha is still trying to negotiate a less intense number of blankets and Anakin is just shaking his head like ‘it’s not worth it Bro’ and Alpha is like ‘shut up ur an omega too you brat’ and that’s the last straw, you called them omegas now Cody is asking what an omega is and Alpha is trying to figure out how to keep his AO3 account hidden from his vod’e and nvm he’ll sleep in the barracks forever-

Obi-Wan holds this info over his head like a guillotine and convinced him to get in the damn nest right this second and cuddle him better.

If you don’t sleep with at least two comforters and a queen sized fuzzy blanket then I don’t trust you. Yes I refuse to trust my sister and wife okay. Everything in the world has a downside and that’s theirs. My bed is half dragon hoard of yarn and squishmallows. I’m not changing for anyone.

Anakin’s bed is 90% pillow and squishmallow and 10% blanket. Padme uses a thin cotton blanket and lets him burrito wrap himself and uses him like a body pillow while he’s captive in the blankies.

[lunarharp]

if i just told you i love you would this world change

[superfallingstars]

Personally I think jily is supposed to be idealized (like how James and lily were idealized) to Harry. James gets knocked of his pedestal in swm and so does jily by Harry questioning if his father forced his mother into marriage. Later when talking to lupin and Sirius James and Jily get a slight defense and Harry is back to feeling alright but with the knowledge that things weren’t perfect.

I personally don’t read Jily as abusive (even though I read James as being abusive to snape at school, but I don’t think that violent, physical behavior was extended to Lily) but I definitely don’t read them as a “good” couple (whatever that means). I think you can read it in many different ways given there is so little of them and I think an interpretation that their relationship wasn’t the healthiest is perfectly plausible with the scant information we’re given.

Yeahhhh that’s probably what JKR intended. James and Lily are the fridged parents who are dearly mourned and missed, and as a result, their flaws are completely smoothed over in everyone’s memories. But in Snape’s Worst Memory, Harry learns the hard lesson that things aren’t always what they seem, and that nobody is perfect, not even his dead father. Hurrah.

My problem with this is that I think it’s very boring, LOL. Like it really is probably exactly what JKR intended (given her middle-of-the-road takes on every moral and political question that happens in these books), but man, it feels like such a cop out. James basically ruins Snape’s life for no reason, and the conclusion we’re meant to draw from this is just, well, people are complicated! NO!!!! Bad answer!!! Like, Snape also did some terrible things, but at least he spends a ton of pages actively suffering/atoning for his sins. But James, on the other hand, is only somewhat implied to have changed maybe slightly a little bit somewhere off-page, and we just have to take #1 James Potter fanboy Sirius Black and serial understater Remus Lupin at their word. So if James was supposed to be “redeemed” – or even just excused – wow, it really doesn't work for me. You can't go as dark as "protagonist questions if his father forced his mother into marriage" and then just brush it off like no big deal, Joanne! And it’s so frustrating, because all it would've taken to fix this would've been to show James being a good person instead of just telling the reader that he was one (proof: trust me?). Ugh.

So because of all that, I agree that from what we’re given, it’s quite difficult to read Jily as “good.” We rarely see them interact, and when we do, James’s behavior is wayyyy too similar to the trope of “terrible guy eventually gets the girl even though she seems to hate him with every fiber of her being because his persistence and not taking no for an answer is just toooo romantic to resist.” Which sucks, lol. It feels like JKR is basically being like, “eh, James was young and dumb, whatever” and giving him a huge out for all the grief he caused Snape (and Lily, for that matter) – and she expects that the reader will agree that that is a legitimate excuse for his behavior, and by extension think that it's reasonable for Lily to forgive and eventually marry him. And man, I am just not sure if that is enough to convince me. (And evidently, I'm not alone, considering the “Jily is abusive” meta post that likely sparked this ask!)

With that said, I agree that it’s a stretch to say that James was abusive (or even implied to be abusive) toward Lily. It’s not a completely unfounded take – it could probably be written well in a fic, and even be canon compliant – but you would really have to extrapolate that dynamic from the little information we’re given (as you pointed out). And more importantly (at least, re: that meta), I don't think JKR intended that interpretation at all.

Personally, I just don’t think it makes sense for the narrative for James and Lily to have been in an abusive relationship. And by the narrative, I mean Harry. If Jily is an abusive (or even just bad) relationship, that would have massive ramifications for the way Harry sees his parents. Ideally he would have to come to terms with that at some point – I don’t think it makes sense for James’s and Lily’s relationship to have been this way and not have significantly affected Harry – but imo JKR clearly does not want to deal with that. Like you said, the point of SWM – aside from foreshadowing Lily and Snape’s relationship – was to knock James off his pedestal and basically go, See, nobody’s perfect. <3 And the story is not interested in engaging with James’s behavior on a level any deeper than that lol. Which ok, I don’t love it, but if we’re not going to spend time dealing with morally gray James, then it doesn’t make sense for him to be even more morally gray (or rather, have him fall face first over the line into becoming a downright despicable person) by making him abusive toward Lily.

So that's my Doylist analysis: no way in hell did JKR intend Jily to be an abusive relationship, but she also didn't do a good enough job defending and/or redeeming James after SWM, so we're just left to speculate about how much he really changed. Still, I don't think "JKR is a bad writer" is a very satisfying answer. After all, the only reason that I'm engaging with this text in the first place is because I'm a fan of it, so I think it's also worth looking at it from a Watsonian perspective – or at least, to accept the events of the book as they're written and try to fill in the blanks. (Imo so much of the fun of fandom is trying to fill in those blanks in a satisfying way, to expand upon a character and try to reach a more interesting conclusion than the author did... And I would be remiss not to mention that, because it undoubtedly influences the way that I (and probably also you, if you're on this side of tumblr) engage with the text.)

So for me, as a Marauders era fan, I’m faced with: ok, I don’t really like the idea of these two characters together, but they canonically got together, and I think the story is better because they got together, and it’s better if they genuinely like each other, and it all had to happen somehow – so how can I explain it in a way that both makes sense with the story and is satisfying to me? And my answer to that is twofold.

First, I imagine that James was not always quite such an awful guy (as in, not always as showy, combative, and cruel as he was in SWM). After all, there is a glimmer of goodness in him when he chooses to save Snape’s life during the Prank, revealing that somewhere deep down, he does in fact have a moral compass. And second, I think that he has to have changed. And I mean a genuine change – one that might not have resulted in completely different behavior (after all, he was still hexing Snape through his seventh year) – but regardless, something that makes him seriously reflect on his actions and reconsider his motivations. His behavior in SWM is just too inexcusable for him to get with Lily – partly because Lily is generally framed as a Very Good Person, and partly because regardless of how she is framed, James was still awful to her – without any self-reflection or growth. Of course, the problem then becomes explaining this in a satisfying way!

And I have some ideas in mind – but they’re definitely more speculation than fact, and omg this post is long enough already. Luckily, I received another ask on this topic, so I will save my self-indulgent headcanons for that.

There is one last thing I want to mention, which is (part of) my reasoning for why James may not have been such a bully all the time and why I think he has the capacity for change, and it's been nagging at me ever since I read that meta post (which again, presumably started this whole thing). I think one thing that bothers a lot of people (including me!) about James is that it seems like he chooses to pick on Snape in SWM because of Lily’s presence. He wants to show off to her, so he keeps looking over to the girls by the water, he ruffles his hair, he deepens his voice, and he tries to get her attention by targeting Snape. Following this logic, we can presume that James wouldn’t have done any of this if Lily hadn’t been there – and that’s the part that got me thinking. I have to wonder if Lily was perhaps not the only person who James wanted to impress in that scene… in fact, I think it’s incredibly likely that James would have acted differently if the Marauders hadn’t been there! (Harry has "the distinct impression that Sirius was the only one for whom James would have stopped showing off," and Sirius saying that he's bored is the inciting incident for James spotting Snape...!) Yes it’s going to be a James masculinity analysis because this is what happens every time I talk about these fucking characters apparently. So idk, stick around if you’re into that.

And of course, thank you for the ask!

[ink-the-artist]

forgive me if you've been asked this before or if its annoying, but how did you learn to use colored pencils like that? your art is so special to me.

ty :) I took an art class for a few years where our teacher had us buy prismacolor pencils as one of the art supplies and had us use them kinda like paints, pressing down hard right away and blending the colors together. its not how youre supposed to use them she was just trying to teach us to use color and ig this was more to the point. I picked them up again years after i stopped going to that class just bc they were there and i wanted to play around w them a bit and ended up actually enjoying it when doing it on my own terms lol

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[jackobbit]

Woof, ok, finally drew something!

I started playing Regretevator recently! It’s very fun, I’m enjoying it a lot! Since I’m in a hint of art block, I decided that I’d draw NPC’s as I meet them in game! Unpleasant was my first encounter so I’m starting there!

I went for a sheet ghost look, seeing at they’re flat! And of course I had to use comic sans, seeing as it is the Most Unpleasant Font! Haha

[ID: A digitally drawn page containing multiple drawings of Unpleasant Gradient from Regretevator against a purple background. Unpleasant is depicted as a floating piece of cloth reminiscent of a sheet ghost. It is colored using a gradient that goes from bright green, to bright pink, to brown. Throughout the page it is seen floating around, minus the bottom right image where they are seen entering an elevator and the top right where they stare down a Roblox avatar, making them sweat. The avatar is an anthro dog that wears a witch hat and an orange and black outfit. /End ID]

[shrublee]

erm- im just gonna leave this here-