#for someone who wants to be a writer i really don't know how to explain stuff well

[fisheito]

THE YAKUEI FANGAME

for those who don't know: there is a yakuei fangame!! for free!!! IN ENGLISH?!?!? that i am about to ramble about!! It's got great art, ForReal writing, and as much humour/😨 as NuCa itself 😊😊 also, (almost) everyone has animal traits. YE,A BOYE!!!!

The estimated playtime is 1.5hrs, but I spent 4 hrs trying to complete everything without a guide;;;;;;

Expectation: i bet it's a short visual novel! a oneshot but in game form? if the creator REALLY went hard with the gameplay, maybe they'd throw in a few choices? to unlock diff dialogue branches? an hour of content at most, probably. maybe fluff about yakuei living their everyday lives and being cute/silly together 😊

Reality: everyone in the clan is here. they are in character. their lives are all intertwined and there IS a plot. there are puzzles. multiple endings. multiple CGs. you will need to think. OOPS! EMOTIONS!! GET WRECKED!!! eiden is, as usual, in a neverending Situation and you WILL feel the effects. this is a full-ass game with mistakes lurking around every corner HOW LONG DID THIS TAKE TO MAKE??!?!?! i.e.,

Keep Reading only if you are ok with SPOILERS.

Before we even reach the title screen, content warnings pop up for: sexual implications, cannibalism, drug abuse and my immediate response is HAHAHAHA! Of course!! can't have a yakumo game without cannibalism or vore in it, amirite??? aaaaaaahhhh cLASSIC yakumo 😙😆 <- i'm having a giggle but not really thinking about it. oh, but i'll be thinking about it in approximately 3 hours. fool.

Come to think of it, I don't think this game has a Log function. If someone finds it, please share the magic keys 😥 i wish i could have read past text... i've accidentally skipped a lot of stuff... oh well. let this be a warning to my future self: USE ALL YOUR SAVE SLOTS! FREQUENTLY! EVERYWHERE!

HALF SNAKE YAKUMO! HALF SNAKE YAKUMO!! HALF SNAKE YAKUMO!!!!!!!!!! *slams my fists on the table*

having yakumo worming/trailing behind eiden is so cute i'm just gonna walk around in circles on the screen while his tail wiggles

this demon king shows up and i immediately wonder if it's the other Eiden. he has the same goofy dramatic energy. please don't kill Other You, eiden... make love, not war.......

edmond as a horse yokai is PERFECT 😭

the way i YELLED when i saw edmond appear!!!!!!!!! i thought this game was just gonna be yakuei. to have MORE characters included?!?!? AMAZING! MORE THAN I COULD ASK FOR!

i really truly wish to disturb the worker in the fields, . please. please let me disturb them

the FEAR i felt when the bartender said his cookie had alcohol in it=--!! I WAS RIGHT THERE WITH EIDEN, SLAPPING THE COOKIE OUT OF YAKUMO'S HAND. NONE FOR YOU. FORBIDDEN

eiden being respectful and constantly saying "I'm not that nosy" in other peoples' houses?? WELL I *AM*!! LET ME INNNNNNNNNNNNN

"It's empty, like my soul." 🤝 we too

looks like i managed to screenshot morb and aster ? i was probably so enamoured with morvay's roundness that i simply had to take a picture. HURRAY FOR FAMILIARS!!!! THEY'RE HERE!!!!!!! and they're bickering, like usual. these sprites are adorable. i stare at morb a while longer.

aster is EVERYONE's landlord. so powerful and cute at the same time. terrifying. i legit laughed tho because really, the writer has SYNCED UP with the nuca wavelength. plot holes? no such thing. everything is explained, but with reasons across the entire spectrum from Logical to Ridiculous 😆

BLADE AS A FLUFFY SOFT PUFFBALL 😭 AND HOW HE DOESN'T UNDERSTAND DANTE'S TSUN-NESS . THEYRE SILLY TOGETHTTEHR!!!! blade dressing up as fluffy sphere is so precious… like how he would wear pajamas even though he doesn't need to sleep!!! he wants to look cute and dress up like his friends!! and have fun sleepovers together!!!!!!!!!

In retrospect, this was where i went wrong. At this point, i had ALREADY COMMITTED A GRIEVOUS ERROR. This early in the game, and i'm locked out of the true(?) ending!! WOOPS;;; I thought the game would be straightforward? HAH! Not to a tomfool such as myself!! This was the beginning of Me Making Every Possible Wrong Decision , thus extending my playtime to a time faaar longer than expected 😅. I am not a Gamer. Nor am i genre-savvy. my poor decisions have doomed me to wander through the assets for eternity, trying convoluted tactics that have no effect on the story, while not noticing the IMPORTANT stuff.

What did I do? I chose to accompany morv through the forest. "i don't want morv to be in danger! At least if eiden and yakumo are with him, there'll be less chance of him getting morvnapped!" WRONG! Morvay is perfectly capable of scouting by himself. i should have believed in him more. i shouldn't have tried to smother him with my love. this incubus is older than me, and i should have respected my elder's independence 😣😩

I do not wander deeper into the forest as a result. Straight to rei's we go. Mr. Science Bird sends me out on plant-picking duty, and I think I'm soooOOoo clever by gathering more plants+flowers than I need.

Rei says he only needs 3 of each, BUT THERE ARE MORE THAN 3 HERBS/FLOWERS IN EACH FIELD. Thus, I shall pick MORE than the minimum amount! Maybe it'll be like the Rainy Day event, where the virtualias will be the key to escaping the yokai realm...?? where every person who needs to escape , needs to have their own flower?? so if i gather up enough to save at LEAST yakumo and eiden, and maybe some others who might be trapped.......

WHY IS THERE ONE VIRTUALIA THAT I CAN'T REACH? ?!!?💢💢 (inhales deeply) it's fine. i'm sure the creators wouldn't have designed that so it would be a game breaker. besides, it's not ethical harvesting to take EVERY flower at once. i need to leave some behind so they can regenerate at a healthy rate. don't be greedy!! don't clear-cut the forests for their strange herbs/virtualia resources!!!!! (i later went back to both fields and clear-cut the forest floor of all their strange herbs/virtualia, since i was paranoid and thought i would need a pair of plants for every clan member in the game. i don't know why i thought that. i didn't even know what the plan was afterward. the numbers don't even work out!!!! i just collected EEVERYTHING I COULD REACH . IN CASE OF EMERGENCY. UNPREDICTABLE PLANT EMERGENCY)

got to pet the dog . Top tier game A+++++

I hand over the plants. Rei shoos me out. I panicked when we first finished chatting with rei because SUDDENLY, THERE WAS NO WIGGLY SERPENT BEHIND ME AND I WAS LIKE YAKUMO? YAKUMO WHERE DID YOU GO? YOU DIDN'T WANDER TOO FAR OFF, DID YOU? IF I GO INTO THE FOREST ON MY OWN, WILL EIDEN DIE? IS THIS WHERE IT ALL ENDS? YAKUMOOOOOOOOO WHERE ARE YOUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU oh./ oh, there you are. HI!!!!!!! phew [yakumo and eiden have a cute lil moment by the campfire and i am relaxed, content, just chillin.]

(once again, in retrospect, i should not have been so attached to yakumo. it's good to spend time apart....)

I can't access the forest paths that I missed earlier, so I go ahead with the plot and tell Rei that the food is ready.

At the demon king's castle, i have a grand time investigating all the assets: - Discount statues - that suspicious bookcase (EVERY bookcase in this game became suspicious after I read that restaurant menu. I kept thinking kuya was going to pop out of one. That, or I had to collect 9 bookmarks from 9 separate bookshelves in order to gain the 9 Leaves of Respect kuya holds for eiden, which would somehow ensure a successful escape). - stained glass windows just like in the Nu World event - ominous clock ticking at me - that massive door that WON'T BUDGE? err.... well maybe it'll unlock after I explore the rest of the castle!

I find it a bit strange that the game would include so many clan members, but not quincy or kuya. maybe... they were too powerful to be dragged into a world like this? or they're super elusive and aren't meant to "show up" as obviously as the others??? <- delusional thinking. quincy and kuya ARE supposed to show up. skill issue.😑

So I explore the RIGHT side of the castle. um. and finally the doubts about yakumo are starting to solidify.

Audience: You're kind of slow, aren't you, Fish?

WELL!! i know that the disclaimer at the beginning said that "following yakumo's advice" would not necessarily get you the ending you desire, ., , , , so i knew that yakumo would have his own goals in mind....... but.................idk, i didn't have a reason to go against his decisions so far in the game?? he and eiden haven't been faced with a huge divisive decision so far, right???

Audience: what about "make sure to stay close to me, Mr Eiden"?

yeah.. when he said that, my instinct was to immediately split off from him in the castle but i... never got the option... 😞

anyway. i'm wandering thru the flesh maze in which i check EVERY dead end. i try to INTERACT with every dead end. idk if there are multiple rooms hiding in here. i gotta be thorough (.there were not multiple rooms in there. flesh-scouring chump.)

Only when I'm standing in the yaku-room replica do i give a SEVERE side-eye to yakumo He won't let me check the thing next to the anemones HOW DARE HE STOP ME FROM LOOKING AT SOMETHING. WHAT AR EYOU HIDING. LET ME BE NOSY. I'LL INVESTIGATE WHATEVER I WANT

what are the red anemones for, yakumo. what are they for? WHAT SECRETS ARE YOU HIDING FROM US?!?!?! HIDING THE TRUTH DOESN'T PROTECT US YOU KNOW, TELL US THE TRUUUUUUUUUUTH

After eiden TRIES😒 to investigate everything and i have a giggle at yakumo weakly yet firmly stopping eiden from talking about their roleplay mirror escapade (yakumo. it's just you and eiden in the room.are you only stopping him from speaking because you'll die of embarrassment? come on 🤣), i leave the room... i investigate the out of place knight statue in the main hall... it tells me about the hidden mirror! and i

ENDING 2/3: WHAT THE FUUUUUCCCCCCCCCCCCCCCJJJJJJJJJJJJJJJJJ I THOUGHT WE WERE JUST HAVING A FLUFFY GOOD TIME DOING FAVOURS FOR FRIENDS AND ADMIRING EVERYONE'S ANIMAL EARS YAKUMO WHAT DID YOU DO WHERE IS EIDEN ARE WE EIDEN? IS EIDNN REAL??????????? YAKUMO SPEAK TO ME!!!!!!!!!!!!!!!!!!! AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAA

NOW BEGINS THE TIME OF RELOADING SAVES. REPEATEDLY. AND STARTING ENTIRELY NEW GAMES BECAUSE MY SAVES WERE NOT VERY ORGANISED OR PLACED AT KEY JUNCTURES.

I START COMBING THROUGH *EVERYTHING*. VISITING THE SAME BUILDINGS AFTER EVERY PLOT POINT. TALKING THROUGH THE SAME DIALOGUES AGAIN AND AGAIN. I WILL FIGURE THIS OUT.

Going through the game more carefully makes me realise how many things i missed. This... this is no joke. This game has LAYERS and GrassTheOriginator was noT PLAYING AROUND WHEN IT CAME TO THE DETAILS

FIRST OF ALL!! I CAN'T BELIEVE I MISSED LUNCH!!!! HOW COULD I HAVE MISSED LUNCH WITH YAKUMO'S BELOVED GRANDPARENTS?!?! i was positively negligent. how could i have not checked in with granma and granpa at every step of the way to make sure that they knew where we were and that they were both healthy and thriving. i cannot believe i only checked the house ONCE in my 1st playthrough. i missed out on eiden bullying yakumo + yakumo getting flustered + grandma's "youth are so lively♥ haha". HOW DARE I!!!!!

When I GET TO EXPLORE the forest paths i missed last time, Discovering the bed in the woods had me go🌲🌲 AHA!!!!!! YES! i knew something was missing from my first playthru!! i did NOT MEET EVERYONE and we all know eiden's not completely happy until we're with EVERYONE IN THE CLAN

mr quinquin hasn't made his appearance. that elusive beast. i must lure him out. for completion's, sake. for EITO'S TRUEST HAPPINESS!!!!!!!!! *RANSACKS GRANDPARENTS' HOUSE FOR SNACKS*

because i saw that ONE little tree glitter with animal essence, i started suspecting EVERY tree that looked like it

I save scummed for a while to see if approaching the ✨tree at different points would bring out kuya or something. or maybe even the tanuki. something that will help me get the good ending?

(it was probably the tapir. i forgot that the game page on itchio mentioned fanciful capriccio until i got to the true end.. so... Past Me thought kuya was jumping from tree to tree to make me chase him around)

i ended up inspecting EVERY LITTLE TREE I COULD TOUCH

yep, definitely a tree.

GET OUT HERE YOU DAMNED FOX YOU'RE THE ONLY ONE I HAVENT MET YET!!! GET YOUR UGLY FACE IN HERE!!! OLD MAN!!! BESTOW UPON ME YOUR REALITY-SHATTERING WISDOM, RIGHT NOW!!!!

Quincy SAID you were lingering around. SHOW YOURSELF!!!!

I WANT TO KNOW WHAT THAT GRAVESTONE IS. IN REI'S YARD…. REI, PLEASE…… THERE ARE TOO MANY SECRETS. IS IT MOM? IS IT THE REAL REI? IS IT SOME RANDOM CORPSE YOU STOLE FOR EXPERIMENTS? PLEASE!! I'M LOST IN THE WEB OF LIES

i love how every time i check rei's shelf, i see a new drug. Bone fixing juice (not a drink)? Pure liquid caffeine (maybe garu got into that…)? fox repellant??? 🤣🤣🤣 only the necessities!!

* crawling out of the dirt, bruised and bleeding, after trying slight differences here and there . to try and figure out the true ending for myself* WAIT… I HAVE ONE LAST THING I MUST TRY… THE HERBS… GIVE REI THE WEIRD LITTLE GIFTS!! THEY'RE LUCKY GIFTS, RIGHT? IT'S NOT BAD TO USE GIFTS LIKE THIS, RIGHT..?!??!?!

YEAAAASSSSSSS!!!!!! YESSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS YTEAAAAAAAAAAAAAA!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! NEW PATH! NEW THING! I BROKE THROUGH! THAT'S THE LAST CLAN MEMBER YEAH! YEAAAAH!!!!!!!!!!!I MIGHT BE ABLE TO MAKE IT THIS TIME!!!!!!! YEAAAAAAAAAAAAAAAAAAAH!!!!!!!!!!!!!!!!! YOU STUPID OLD FOX!! YOU'RE INFURIATING IN EVERY UNIVERSE!!! IMPOSSIBLE TO FIND (or maybe i'm just bad at this game. maybe everyone else playing this diidn't spend hours Doing EVERYTHING wrong, before FINALLY doing the ONE correct thing 🤣🤣🤣🤣🤣) the whole "seeing kuya's expression all blurry" is such a cool image tho i'm like, of course yakumo is fighting it but kuya is stubborn and will still knock at the glass between his purple self and dream-eiden heheheehheeh ominous purple peepaw is here to insult everyone in a plot-expository manner. finally.

Just taking a moment to appreciate yokai birdy rei putting yakumo through the lab assistant wringer. :) destroy him, sweetie.

.approaching yakumo at the campfire afterward. WAIT NO I COULDNT RESIST AND I MADE ANOTHER BAD DECISION BECAUSE OF THE COMPLETIONIST'S URGE

"don't tell hiim", i told myself. if you tell him, that alerts him to kuya's presence, and your new knowledge,, and he's going to DOUBLE DOWN on keeping you captive and i've only gotten 1 ending despite all my random tinkering so I BET YOU THAT THIS IS WHERE THE LAST TWO ENDINGS SPLIT

Brain: DUDE DO NOT TELL HIM Me: But yakumo keeps saying "Please feel free to tell me if anything is bothering you, Mr Eiden." So why wouldn't Mr Eiden tell him about what is bothering him? :< Brain: YOU'RE GONNA BE SO PISSED OFF Me: [tells yakumo anyway] …….timeskip…………. -> yakumo going "i didn't want to do this to you" Me: SAVE FILE????NOW???????!😨 -> ENDING!!! GET EATEN, IDIOT

Me: 😶 Brain: what did i tell you. i told you not to tell him. AND LOOK WHERE THAT GOT YOU. YOU FOUND OUT WHWERE THE CANNIBALISM CONTENT WARNING CAME FROM, BECAUSE YOU CANNOT RESIST MAKING STUPID DECISIONS Me: but but but isn't it good to keep the line of communication open? how is it a healthy relationship if eiden keeps secrets from yakumo? wouldn't it be more progressive to tell him the truth of seeing kuya, so he can have time to contemplate his actions-- Brain: YOU IDIOT!! YAKUMO IS NOT IN HIS SANE MIND NOW. OPEN COMMUNICATION IS NOT THE SITUATIONALLY APPROPRIATE MOVE. HE'S BEEN KEEPING THIS WHOLE WORLD'S TRUTH A SECRET FROM YOU,, RIGHT??? SO YOU CAN KEEP A SECRET. SHUT UR M OUTH. Reload your save and pick the right answer for once in your life, PLEASE Me: 😔 ….. ………… ok but what if i DON'T reload from the decision of whether or not to share kuya's presence with yakumo……. AND I JUST RUN FROM HIM *NOW*? THERE HAS TO BE A REASON THERE'S A SAVE POINT THERE, RIGHT? if escape was impossible, they wouldn't give you a checkpoint like that, RIGHT??

Audience: you.. you didn't think about running at ALL? Me: Nope Audience: what, so you just let him get you? Me: Yep. Just stood there. I figured my decisions already sealed my fate. The cutscene was just playing out. Audience: After a save point. Me: Yes, after a save point. Audience: Have you... ever played games like this before? the little adventure rpgs with pixel art? Me: No, but i've seen people play things like Ib and Ao Oni Audience: you need to run- Me: right... you DID need to run in those games Audience: after strategic save points. because there's a chance you might want to RETRY that sequence Me: OH..... Audience: ,if you didn't just. stand perfectly still Me: ... i may have zero survival instincts. please be patient. 😂

Brain: OMFG WHY MUST YOU INSIST ON-- Me: I SWEAR I SWEAR!!!!! I JUST WANNA SEE WHAT HAPPENS. IT PROBABLY WONT CHANGE ANYTHING MAYBE. AAAAAAAAAAHHHHHHHHHHHHHH RUN TO THE YAKUROOM WE HAVE THE PATH MEMORISED SINCE WE'VE GONE THROUGH IT SO MANY TIMESSSSSSSSSSSSSS

actually. this chase reminds me of something. you remember back on DIK Island and eiden is chasing dante on the beach and if you're foolishly optimistic enough, you can pretend they're surrounded by shoujo bubbles and flowers while they giggle and prance along the shore but reality hits and it's full of claws yeah. Eiden dreaming of a flowery situation while ACTUALLY dealing with something ... a little less peaceful. there's no end to eiden's troubles, huh.

ok. back to it. let's see what's in the yakuroom... ]reads the new description for the anemones[

[hisses in a breath] yikes….///////////.😬 not the "anticipation" yakumo lied about…. uhm, uh,..... maybe i accidentally made it onto the true ending path. maybe it WASn"T about lying to yakumo at the campfire Brain: I am so fed up with you Me: 🤔🤔🤔🤔🤔🤔🤔 WAIT!!! NOW I'M IN THE ROOM ALONE!! TIME TO READ HIS DIARY AND GO THROUGH ALL THE STUFF HE DIDN'T WANT ME TO CHECK YEAAAAAAAAAAA Brain: all this hiding stuff ,,, feels like... being held captive in an unhealthy relationship, bro Me: you're a bit behind the plotline dude we just narrowly avoided getting devoured like pull-apart bread Brain: fair enough. carry on.

oh…. yakumo…………. baby………………………..😫😢😭😭😭…………………… eiden was so right… indulgence is NOT necessarily the best step… urrgh,, eiden you are so cool and emotionally smart and skilled and i'm so glad you can navigate these messy social waters better than i ever could..!! especially when so much is at stake 😨

wait. why is there a flesh maze in the first place? Audience: it's yakumo's braaaaaaaaain and what are the weird holes?? Audience: yakumo's brain on DRUGS!!!!! we're running around in yakumo's brain on drugs, full of dead ends. Got it!

then we're talking to yakumo in the shifting void: my expression the entire time is EYES BulGING. FACE FROZEN. MOUTH IS :| I AM SO STRESSED

gets reset

SUNUVA ABITCHUOIGFHFHFHFFIEOFDSRDFKOWAPESOI I ANSWERED WRONG, DIDN'T I I DIDN'T MATCH THE RIGHT NAME TO THE RIGHT ACTIVITY i"M GONA FEAUISRHGOIEFRIEOSGPAWEFISPIPDKAESEPFESFAFPGO 8CRAKCS OPEN YAKUMO'S DIARY we're MEMORISING THIS WE ARE EMBEDDING IT INTO OUR LONG TERM MEMORY. LET'S GO COME ON! WE WILL DO THSI!!!!!!!!!!!

Brain: Wait. How did you answer the clan member section wrong Me: um. i. well, i just based it off memory. i didn't think the number of blank spaces meant anything….. Brain: dude. the number of blank spaces SPELL OUT THE NAME OF THE CORRECT PERSON, SO MAYBE THEY MATTER. Me: oh. uhhhh. ahahahaha. well. it's 2AM. we've been at this for a while. i don't think i'm picking up on obvious clues anymore. um...not that i was picking up on them earlier either….. Brain: facepalm faceslap deskpalmdeskface sigH

oh. OH!! ok, so!! trying it again!! eiden moves closer with every right answer, right?! yeah! so! we might be able to reach yakumo if we-- AH SHITE HE DIDN'T MOVE FORWARD FOR THAT ONE

gets reset

OH COME ON!!!!!! YAKUMO!!!!!!! YOUR LOVE IS WAY TOO INTENSE YOU'RE KILLING ME HERE I'M GETTING DELIRIOUS FROM EXHAUSTION I CAN'T KEEP DOING THIS <- will continue doing this until I GET THE ULTIMATE HAPPY ENDING FOR THESE TWO. DON'T CARE IF MY EYES DRY OUT. WE HAVE TO DO THIS TONIGHT

reloads last save YAKUMOOOOOOOO!!!!!!!!!!!!!!!!!!!!! [YELLING INTO THE VOID]]] YAKUMOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!! PSPSPSPSPSPSSPSPSPSPSSS COME HERE SAD SNAKEY THIRD TIME'S THE CHARM! I"LL GET YOU THIS TIME, YOU ACCURSED OVERBEARING SNAKE

i wonder what happened when eiden locked himself in yakumo's room. did that door slamming in yakumo's face wake him up a little? did yakumo regain a bit of sense, like, "OH NO MR EIDEN DOESN'T WANT TO SEE ME... I'VE SCREWED UP..." because i feel like if he really wanted to, he could... idk, phase thru the door or just break it down or something but he didnt

so, does that mean he still respects eiden's agency in that sense? did he immediately deflate when he lost direct sight of eiden? ? ? like one of those predators in a trance where if you remove the target from their sight they just kinda... flop like fhlkjlbbvvvbvrnrmbrbr.

did yakumo immediately start crying and sulking and wallowing like "ohhhhh i'm so horrible how could i have thought of hurting mr eiden i can't believe i was about to vore him i'm so hopeless and terrible and i've screwed it all up and --- etc.etc."

and curled up into a ball and that's where we find him in the void later? he slinks off to some one dead end of the flesh maze and stews in his silent sadness until eiden emerges from the room and finds him...🤔? and tries to talk to him..? oh please oh please let eiden reach yakumo this time ----

Yakumo: Mr. Eiden--

[I IMMEDIATLEY START SCREAMING IN MANIC EXCITEMENT] YEAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA BEAT THE LOOP, BAYBEEEEEEEEEEEEEEEE!!!!!!!!!!!!

AAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH HE WOKE UPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA bashing my head repeatedly on my desk at6 the pretty picture AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA :'3 and now i'm smiling… oh…. my heart… they're going to be ok…. yakumo is going to heal…. …… WAIT DID I EVER GET AN OFFICIAL ENDING #3? IS THERE STILL ANOTEHR ENDING?! I HAVE TO GO BACK IN

Brain: you NEED TO GO TO SLEEP

Me: I DON'T NEED SLEEP I NEED YAKUEI ANSWERS goes into an old save ok. what if THIS TIME i DON'T tell yakumo about kuya? ….. ………. OH THE HALLWAY WON'T EVEN LET ME IN. OK 😫 ALRIGHT SO THAT'S NOT AN ENDING BRANCH. but. BUT! THAT MEANS I WAS RIGHT ! Mr Eiden SHOULD feel free to tell yakumo what's bothering him! HAHAHAAH!!!! ONE CORRECT DECISION MADE !!! SUCCESS!!!!! Brain: you could have reloaded a save file where you did something ELSE wrong, you know. it's not like you're actually keeping track of which-- Me: YYou know what. i'm satisfied. i got the good ending after evENTUALLY figuring things out! i played the game!! i did it !!! i can finally check the guide and see what i actually missed. aahhh. what a feeling of accomplishment. my eyes are indeed dry and burning. I REGRET NOTHING!!! I have felt many emotions tonight and i will not forget this Experience…

reads the guide omg i gotta go back in the game and find the extra content THIS IS TOO GOOD TO PASS UP

The first time i tried pulling rei out, i felt so bad that i never tried again because why would i want to hurt rei?? the game dialogue actually changed to include his broken bones, so that means i did substantial damage. rei is delicate!! he doesn't like pain! i will treat him gently!!!!!

If you DON'T treat him gently... Does dream rei get so fed up with Eiden's actions that he slams a book on yakumo's head and ends it all? he's like: no more. no more of this stupid dream pain. you have both found the end of my patience. [BOSS BATTLE CHIME, GAME OVER]

But the guide tells me something happens if i try 5 times. so. [does it]

i was laughuing so hard at the "well, now he's got more broken bones" BUT THEN HE ACTUALLY DIED I OH MY GOD REI I AM SO SO RYRRE SORYRR AHHHH NO I MEAN well, i . what did i think trying to . . . how many bones did i break. what a way to go. under a bookcase because a couple idiots were incapable of learning from their actions (me. I'm the couple idiots). oh… REI I'M LAUGHING BUT CRYING HOW DID THEY THINK OF THIS ENDING. WHOHOW>>??? IT'S . SO RANDOM. BUT SO HILARIOUS BUT ALSO I'M SO MAD AT MYSELF I FOOLED MYSELF INTO THINKING THAT REI WOULD BE FINE AFTER ALL THAT PHYSICAL DAMAGE WHY WOULD I EVEN BELIEVE---😂 I'M CRUSHED (not as crushed as rei AHAHAH OHHHHHH oh now i've made myself sad again)

----------------------------------------------------------- ok. time for the last thing i didn't do?

when the game first told us NOT TO WANDER, lest the knights deem us a threat, i was INTENT on wandering "after i meet aster, i'm gonna wander as much as i like!!! they can't stop me!!!! THE LAW CAN'T KEEP ME DOWN! I'm a REBEL"

i was not a rebel. i thought that daring to interact with the knight's tents AT ALL would count as "wandering". so after leaving aster's tent, i investigated all the other tents, expecting to get in trouble for interacting with the king's stuff. But punishment never came? so i thought i was getting away with something >:3 Haha!!! I wandered successfully! No. i just followed instructions without realising. I needed to NOT visit aster first. that's ACTUAL wandering. let's try that. 😑

HOLD ON I THOUGHT the King would ARREST US for trespassing and , maybe we get executed..? BUT I DIDN'T EXPECT DANTE AND BLADE AND FORCE US INTO TRAINING GIVE US A GUN AND SHOVE US INTO THE CASTLE ON A SPEEDRUN 😂😂😂😂🤣🤣🤣

OMG THE AFTER SCENE DID. DID THEY MAKE ASSETS FOR THE BROKEN STUFF TOO OR--- DID IT ALREADY EXIST---- WELL WHATEVER IT'S STILL FUNNY AS HEUEIFJISJIAOIKPAL oh… OH THIS was tHE LAST ENDING uhhhhhHHHHHHHHHHHHHHHHHHHHHHHHH I MEAN I GUESS YAKUEI ARE HAPPY IN THIS ONE, TOO but… wow… gee…….. i'm….. i need to do some thinking about all this… and the ramifications…. and… yeah……….. totters off in a daze

[bestworstcase]

Genuine question, but where did you pick up "the Brother cult is a common religion in modern day Remnant" from? At least, I'm pretty sure you've said this before on here; my memory is pretty bad lol.

I'm just curious since I've been rewatching RWBY lately, and i remembered that, and I thought it was interesting bc I never once saw or picked up on anything that would suggest that in canon (unless it's like, a headcanon on your part, in which case feel free to ignore me, I'm not here to needlessly criticize a fun headcanon if that's the case loll, i have my own fantasy religion headcanons bc I'm unhinged abt worldbuilding).

If you don't mind, I want to explain my reasoning/thoughts on why I don't think the Brothers are worshipped on modern Remnant (feel free to pick them apart):

-> Qrow says that "not many people are super religious these days". Mind you, I don't take much stock at all in what characters say, especially not in RWBY (i frequently side-eye characters who speak on the Oz merge who aren't Ozpin himself, Light, or Jinn), but i feel like this would be an odd thing to say if it wasn't true. This is supported by The Shallow Sea fading into just a 'fanciful creation myth', as well as none of the main or even side characters being religious (though it could be bc it's just not important) nor discussing religion. Churches don't seem to be common (aside from the one in v4), and imagery of what seem to be altars are scattered and infrequent. Religion is also never brought up when discussing the kingdoms' governments either. So, so far, Qrows line holds true.

-> When Qrow talks about the Brothers, RNJR never really shows that they recognize the story, or at least that they don't put weight on it, unlike finding out the Maidens are real. They're just like "...okay so why is that important", unlike how I imagine religious people would react to finding out their God(s) are real. Plus, Qrow has to explain it to them; if it was a well known religious story, I'm sure the writers would have written it more like "So, you know [insert religion name]? Yeah, according to Ozpin, that story is real. In case you aren't familiar, let me explain it for you... [insert convenient lore dump for the audience]". Plus, the way Qrow phrases it gives me the impression that it's an obscure story. Weaker point, though, I'll admit.

-> In any of the times that we see what *might* be evidence of religion (i.e. the candles/altar in the White Fang in v4, the church in Ruby's v4 short), there's no religious iconography depicting the Brothers (at least, nothing that I've caught). In general, there doesn't seem to be any dragon imagery in modern Remnant (again, nothing that I've caught yet).

-> It's depicted as a fairytale. When Ozpin asks for Pyrrha's favorite fairytales, the first thing she says is The Tale of the Two Brothers. It's also in his fairytale book, something i feel would've been a controversial (if extremely funny) decision if it was a popular religious story (like if you put Jesus' crucifixion in a book including rapunzel and Cinderella).

-> Also, there's no common sayings including the Brothers (like how fics like to have the characters say "Oh Brothers" and other variations).

-> And, in general, Oz's inner circle really wasn't at all concerned with the Gods or really even the Divine Mandate. All they knew was that the Gods created Remnant, humanity, the Grimm, and the Relics and promptly abandoned Remnant, and that "If someone were to collect all four [Relics], they'd be able to change the world." And that that's "exactly what the enemy wants." So they only know the absolute basics of the Mandate, and the way it's worded implies (to me, anyways) that Oz worded it in such a way that cautioned against collecting the Relics (which is very interesting to me. This also tracks with how he depicts the Mandate in TTOTTB). So in general not even the inner circle feels like Brother/Light followers to me, just Oz followers (in general i imagine the events of the infinite man made him learn that bringing up judgement day is a Bad Thing, considering before bringing it up the Circle flourished, but after spreading the message, it was immediately destroyed. Instant karma. Poor dude). Though this starts leaning into the territory of my theory that Oz actually gave up on his mission (which like, could be wrong, but I'm holding onto it until I'm proven wrong), and I'm sure you don't wanna hear that one lol.

In general it seems to me like there isn't a Brothers-centric religion so far, even though Remnant still has organized religion (albeit uncommon). But I'm honestly not sure if I missed anything? I'm sure as hell not the type to comb through every background to see if I did lol.

Sorry for the long ass ask. Take your time answering, and have fun picking apart my reasoning. Please be nice abt it tho 👉👈 I just want to know your thoughts and if i missed anything that proves it's a modern day religion :)

-🌙

okay. first, at the risk of being condescending: religious people believe that their gods are real. you know that, right? religion is not a big game of play pretend. people who practice religion do so because they believe in it.

yes, religious people can and do experience doubt. but a religious person whose doubting and questioning leads them to conclude their god(s) aren't real don't continue to practice the religion they don't believe in. i mean, they might make an outward performance of doing so if it's unsafe for them to leave and they're likely to keep cultural practices and even moral frameworks--see: ex-christians who are exactly as dogmatic and puritanical about whatever new belief system they've adopted--but people who don't believe in gods don't practice religion. 

this:

They're just like "...okay so why is that important", unlike how I imagine religious people would react to finding out their God(s) are real.

is a fallacy you're making because (i presume) you aren't religious and have never been so; i suspect you just don't have any frame of reference and consequently you're projecting your own skepticism onto the hypothetical religious people in your imagination. to be clear, i don't mean this as a personal attack on you--this is a very normal thing for people to do when we're trying to conceptualize experiences that are profoundly different from our own.

my background though is evangelical christian. i was raised in a staunchly religious household attending church 2-3 times a week; i attended a christian school until transferring to public school in fifth grade; i've been to bible camps and conferences where they teach you how to evangelize to nonbelievers and that kind of thing. i'm not talking fundie cult here, to be clear--this was a relatively-by-evangelical-standards socially liberal and theologically mainstream nondenominational protestant church--but christianity was the central organizing structure of my life until i left home. i'm agnostic and fundamentally disagree with the moral framework of christianity but i know a lot of very devout christians and i'm very familiar with the religious praxis. 

(including what genuine, good faith evangelical proselytization looks like--not door-to-door like what e.g. mormons do, or street corner chick tract fundie cult behavior, which is what non-christians typically think of as evangelism. but that stuff is a tactic high-control religious groups use to strengthen identification with the in-group through rejection and alienation by the out-group--evangelical churches that aren't culty don't do that, and in fact the idea that door-to-door and street corner preaching is an isolation tactic used by predatory religious groups is something that was first explained to me in sunday school by the people who taught me how to evangelize. put a pin in this for now.)

so: i'm not imagining hypothetical religious people when i say this, i'm imagining a few hundred specific religious people whom i personally know and how they would react in an equivalent situation. 

what qrow does in 'a much needed talk' is he sit the kids down, goes "not many people are super religious these days… there's a lot of (false) gods people have made up throughout history, but y'know, these two are real. here's the truth…" and then tells them a simplified version of the two brothers creation myth. 

he doesn't do anything to prove that these two gods, in particular, are real. he gives zero evidence. he doesn't even demonstrate that magic is real. this isn't "finding out" that the gods are real, this is uncle qrow doing a little impromptu sunday school lesson like that's an explanation for why some lunatic attacked us earlier. this is like if some rando tried to grab you on the street and pull you into an unmarked van and i saved you and me and the van guy clearly had some sort of history because he knew my full name so you asked me "WHO WAS THAT GUY. WHAT THE FUCK" and i said okay sit down, the first thing you need to know is that in the beginning, god created the heavens and the earth…

regardless of your personal religious beliefs or lack thereof, you would probably go "…what. does this have to do. with the van guy who ATTACKED ME" because that's like, truly a bizarre non-sequitur. but it's not like God Himself is descending from the heavens in a flaming whirlwind to demonstrate his existence. it's just me telling you he's real. 

if you're a christian, in this scenario, that is not in any way a revelation to you. that's akin to, like, "the king of england is real." BIG IF TRUE?--you know this. you already know this. if you are a christian then you believe that the christian god exists and is the one true god. in this hypothetical scenario i'm telling you things you already know and believe foundationally to be true. a devout christian would probably respond more in the vein of "amen! god is good!" but one whose practice is casual--the christmas-and-easter christians--and secular christians would absolutely be "okay and…?" in an equivalent situation to 'a much needed talk.' 

hell, come to that, i'd be asking what this has to do with the crazy guy who tried to kidnap me if i were in that situation. who cares that my dead headmaster was a true believer or whatever i want to know about the guy with the knife! you feel me?

the type of person whom i can imagine making a big deal out of qrow's little creation myth are:

reddit atheist types who cry and scream and shit bricks if they have to talk to somebody who believes in a god; you know. the kind of person categorically incapable of talking about religion in any capacity without at least one sneering "sky daddy"?

someone with no previous exposure to this religious tradition or anything remotely like it. imagine if i were to sit you down and earnestly tell you that the only Real Gods were, like, the hero twins who descended into the underworld to challenge the lords of death to a ballgame. you'd probably be like "HUH??" because hunahpú and xbalanqué are not a cultural reference point you're familiar with in the way that you're familiar with the crucifixion of jesus christ.

like, all religions are fucking weird. the christian gospels are not remotely less weird than the popol vuh, or whatever. you're just familiar with the essentials of the gospel story--even if you're not and have never been christian--because christianity is culturally dominant in the west. and the familiarity makes it normal. unremarkable.

invisible, in a way. 

this is something the writers of rwby really get. if something is normal and ordinary in the world of remnant, the characters don't pay attention to it, even if it's bizarre to the audience. to use a non-religious example, civilians don't know what aura is! it's not common knowledge! we know that because jaune's never heard of it, civilians in vale are shocked and confused when penny stops a truck with her bare hands, and oscar (who has dealt with "occasional grimm" before) has no aura training and doesn't know what a semblance is. but to the rest of the characters, aura is a completely mundane aspect of their day to day lives and they're a little taken aback by characters like jaune and oscar who don't know about it. 

with that in mind, i want to really underscore something about the things qrow tells RNJR in 'a much needed talk' and the way the kids react. 

because. first, qrow gives them the same intro level rundown on the maidens that pyrrha got in v3--offscreen because that's shit the audience has already heard and don't need to be rehashed. the kids are like, "that's a lot to take in," and jaune in particular is like "this is all very sketchy, what the fuck is actually going on." 

THEN, apropos nothing, qrow drops "not many people are super religious but These Two gods are actually real btw" and an abbreviated creation story, with NO proof and NO apparent connection to the maniacal cultist who ranted and raved about his body and soul belonging to his goddess-queen who sent him to "retrieve" ruby for her. and none of the kids express the slightest bit of skepticism about this super out of left field sunday school story, no one is like "what the fuck" or "are you drunk"--ren just goes "okay but how. is that relevant." 

whereupon qrow finally tells them about the relics hidden under the schools and salem wanting them and that BAD THINGS will happen if she gets them. and then, jaune the skeptic goes: "alright, so let's say we believe all this--there really is this crazy evil being behind these attacks, not just some thugs trying to become powerful. why doesn't the world know?"

THAT'S the part he finds outrageous and difficult to believe. not that the two brothers are real, but that SALEM exists. salem. these kids literally JUST got attacked by a lunatic cultist who kept babbling about MY GODDESS HER GRACE THE QUEEN and directly stated that he is cinder's associate and referred to the white fang and torchwick as pawns, but the thing that makes them go "wait but this is crazy and makes no sense" is qrow explaining that there's a malevolent entity called salem who orchestrated the attack on beacon and sent that guy to capture ruby. like, objectively, from a purely logical standpoint, that's the least unbelievable thing that qrow tells them. 

but people aren't rational agents. and one thing this scene does very effectively is establish the relative normality of each major chunk of information through the way the kids react:

maidens? "there are four special people who can do magic without dust? and when they die that power passes on to someone new? that's. well that's a lot to process but. sure."

brothers? "and this is relevant how?"

salem? "that's crazy how could someone like that possibly exist without everybody knowing about it? why should we believe any of this!?"

salem is so fucking far out of their previous understanding of how the world works that they all kind of have a kneejerk "that! can't be real!" response even though tyrian shouted from the literal rooftops that he's working for a 'goddess' who was behind the attack on beacon.

but the maidens? they have a frame of reference for magic--magic is what anyone can do with dust, and ruby…petrified a massive grimm with her eyes somehow a few months ago, so like, it's not THAT unbelievable to accept that an old story about four maidens who can do magic without dust is true, apparently. 

whereas the stuff about brothers… nothing. not one of these kids so much as blinks even though. again, from a purely logical standpoint, the creation of remnant by the brothers is the most fantastical part of qrow's explanation. but the kids don't react that way, because it's normal to them. ergo they're either casual practitioners of brother-worship or brother-worship has cultural hegemony in vale and mistral, where RNJR grew up.

now! it's actually a simple matter of text whether the second possibility is true or not and this is the part of the answer where i have to just say: you're factually incorrect actually. 

-> In any of the times that we see what *might* be evidence of religion (i.e. the candles/altar in the White Fang in v4, the church in Ruby's v4 short), there's no religious iconography depicting the Brothers (at least, nothing that I've caught). In general, there doesn't seem to be any dragon imagery in modern Remnant (again, nothing that I've caught yet).

there is a big statue of the dragon brothers smack in the middle of the train station in mistral. one gold, one dark. very unmistakably a depiction of Those Two. this is in v6 so if you're only up to v4 on your rewatch you can't uh, be expected to remember. (<- i am just unhinged enough about fictional religion i can tell you off the top of my head that yang and ruby swear by God in v1 but the ship captain in v4 swears "by the gods" and i think that church in ruby's character short implies maiden-worship on the basis of the statue of the cloaked young woman in front, details of this kind just stick in my memory for nerd reasons.)

[as an aside why would… the white fang… have an altar to mankind's gods… like. there are no faunus in 'the two brothers' and the culturally dominant religion among faunus is worship of the god of animals, as ozpin notes in his commentaries on 'shallow sea' & 'judgment.' the trappings of religion that we see in the white fang's private spaces are… obviously… god of animals-worship. this feels half a step shy of saying "well the altar in salem's war room doesn't have any draconic iconography, so therefore brother-worship isn't a thing." brother-worship is explicitly not the only religion in existence!]

-> Also, there's no common sayings including the Brothers (like how fics like to have the characters say "Oh Brothers" and other variations).

in v7, 'pomp and circumstance' specifically, ironwood says "brothers know you deserve it" in reference to RWBYJNR receiving their huntsman licenses. and a quick round up from the novels:

after the fall: "thank the brothers you found us," said by a bit character.

before the dawn: "thank the brothers," said by octavia; "by the brothers," said by finn asturias when he learns what his kids are planning

roman holiday: "thank the brothers," said once by neo's mother and once by a bit character. 

there are also general exclamations of "my gods" or "by the gods" and general references to "the gods" both in rwby proper and ancillary materials, with "gods" being in far more frequent use than the singular "God"--gods, plural, doesn't necessarily mean the brothers every time, because qrow does make a point of noting that remnant's people, collectively, worship "dozens" of gods. but it is pretty evident that the dominant religion across the four human kingdoms has more than one god, and the coincidence of that with, taking the novels into consideration, characters from literally every kingdom except mistral which has a honking big statue of the brothers in its train station swear by the brothers… yeah the dominant religion globally is brother-worship. probably not in menagerie. but in the four human kingdoms, yeah. 

-> It's depicted as a fairytale. When Ozpin asks for Pyrrha's favorite fairytales, the first thing she says is The Tale of the Two Brothers. It's also in his fairytale book, something i feel would've been a controversial (if extremely funny) decision if it was a popular religious story (like if you put Jesus' crucifixion in a book including rapunzel and Cinderella).

…and the second is 'the shallow sea,' which is also a religious myth. 'the story of the seasons' is alsowhat we'd call a myth, not a fairytale. 'the girl in the tower' is the only story pyrrha names in that scene that is actually a fairytale per se. in general the delineation we make between "fairytale" and "myth" in the real world, as discrete genres of folklore, doesn't seem to exist in remnant--legends and fairytales scattered in time, and all that. the conceit of rwby is about engaging with fairytale-as-myth, so this is a very intentional blurring; like, this is a narrative where maiden-in-tower IS the creation story, fundamentally. rapunzel is orpheus is prometheus and that's how the world was made.

and that's the kind of thing that we as the audience have to just accept as a fact of the fictional reality, because… like… gestures at 'the shallow sea.' 

ozpin included THAT one in his book of fairytales, too, and in his commentary he explicitly describes it as part of a closed(!) oral tradition whose inclusion he deliberated for fear of being disrespectful. he devotes more than half of his commentary to justifying the choice to include it, and the rest to describing the myth's cultural context to his (presumed human) readers. he asks forgiveness for "overstepping himself." 

and it is very obvious, in the way ozpin talks about 'the shallow sea' in particular and the book generally in his forward and afterward, that his concern is not "it is grotesquely horribly disrespectful to place this profoundly meaningful and important creation myth (of a culture that is not my own) in a collection of frivolous fairytales" but rather "this book is meant to be a collection of profoundly meaningful tales drawn from all of remnant's cultures and i believe this one is too important not to include, but i am also acutely aware that it is a closed tradition to which i do not belong." the latter is still out of pocket, but the simple fact is that a character who so obviously knows that publishing a story from a closed tradition without permission is Not Okay and so obviously feels immensely conflicted and guilty about doing so isn't a character who would blithely denigrate a myth like this by publishing it in a book of trivial fairytales. and a character who would denigrate the myth that way wouldn't agonize over whether it was important enough to be worth violating the closed tradition. 

and then you consider that, out of the twelve stories ozpin put in this book, three are explicitly religious creation myths ('the shallow sea,' 'the judgment of faunus,' and 'the two brothers'), two others are myths describing the origin of natural phenomena ('the story of the seasons' and 'the gift of the moon'), and one is a mythical culture hero ('the infinite man')… so fully half the stories in this book aren't actually fairytales. they're myths. 

so the inclusion of 'the two brothers' is less cinderella-and-christ than it is "here is an eclectic collection of folklore from around the world" in terms of what would be equivalent in the real world; and… like, 'the shallow sea,' 'judgment of faunus,' and 'the two brothers,' the plain text of these stories is clearly and unambiguously religious in nature, and ozpin explicitly discusses them as such. 

his commentary on 'the two brothers,' in particular: "there are many versions of our creation story […] but certain elements are always consistent: they arrived from a realm outside of our own and together created the universe from nothing. and then they left us on our own." and "whether or not you believe in the brothers, or in this story in particular […] like the twin gods, we are intricately connected to each other" and, um:

Even if the gods aren’t real, even if they don’t return to judge us for our deeds, we should act each day as though they are arriving tomorrow. In the end, we will be the arbiters of our fates. We will either create a beautiful, peaceful world and live in harmony together or destroy ourselves and our planet, and the gods will judge what we have chosen.

remember how i said i'm intimately familiar with, specifically, evangelical christianity and what actual evangelism entails? not the deliberately off-putting door-to-door shit but proselytization for the purpose of bringing new people into a church that isn't a predatory high-control group?

the way ozpin talks about the brothers here, and the way qrow talks about them in 'a much needed talk,' is christian evangelism 101.

"not many people are super religious, these days." you know who says this type of thing? like, fucking constantly? evangelical christians. never mind that christianity is the majority religion in the US by a significant margin (66%!)--evangelical christians inhabit a constructed alternate reality wherein they're an embattled minority shining candlelight into a sea of darkness. (many of them accomplish this by deciding that most other christians aren't real christians; the classic protestant move of course being "catholics aren't christian" but your average evangelical takes a dim view of like. any denomination that isn't their denomination and when i tell you the nondenominationals are the worst offenders in this regard... lmao. anyways)

"not many people are super religious [christian] nowadays. people believe in all kinds of different gods and creeds, but there is only one true God"--this is literally just how evangelicals talk. both to each other and to non-believers they're hoping to interest in the church, although the tone depends on who's listening. internal discussions of this nature are strategic in nature--how do we reach people and speak to them effectively in these godless times? what is the right balance between presenting ourselves and our faith honestly while still creating a welcoming and accessible space for people who don't know jesus? how do we share what we believe with people who just don't care? and so forth--whereas the framing with nonbelievers is that it's innate in human nature to crave purpose and meaning and that everyone seeks fulfillment but few ever manage to find it because none of us are born knowing where to look, etc. 

meanwhile in his commentary ozpin is doing a fantasy repackaging of the pascal's wager tactic, which like. i have sat through literal educational films on the rhetorical use of pascal's wager in effective evangelism. "well, if i believe in god and i'm wrong, i'll have lived a good, moral life and lost nothing; if you don't believe in god and you're wrong, hell" is one of THEEEE evangelist talking points. ideally, one used to open a conversation with friends and/or people who have indicated interest in talking about your faith in some way, especially if they ask "what if you're wrong?" because then the idea is to demonstrate that you're not rigidly dogmatic in your faith but instead you've given serious thought to the possibility that you might be wrong, and thus show that you understand and empathize with the nonbeliever's skepticism so as to build a genuine rapport. (whether it *works* that way in practice is highly dependent on like. charisma and actual meaningful ability to click with non-christians, which a lot of devout evangelicals… just can't even when they really earnestly do try, but ozpin as a character does have the charisma and the knack for connecting with people that can make this approach effective at getting irreligious people to give "hey, come to this church thing with me?" a shot.)

i cannot emphasize enough that after the obvious one of "directly openly stated religious beliefs," the reason ozpin and qrow specifically read to me as highly religious characters is because they talk exactly like evangelicals in secular company. they talk about and share their beliefs about the brothers the way i was taught in church to talk about christianity. 

you don't go banging on people's doors or harassing them in the streets. nobody fucking likes that and it makes people not want to go to church. you don't go around with a stick up your butt about the non-christian people in your life not being christian. what you do is treat people with kindness and respect and draw firm boundaries for yourself to keep yourself safe (<- unironically growing up in an evangelical christian household is a huge part of the reason i am SO comfortable just fucking saying no to things i don't want to do and i think this is the one thing that evangelicals really have on a LOCK) while being open and honest and unapologetic about your own faith. you save the bitchy judgmental gossip and fire and brimstone garbage and like, talking about the eschaton for when it's just true believers. 

evangelical christianity is an eschatological religion, by the way. in case you didn't know that. evangelicals believe that we are living in or on the cusp of the end times and the political action of evangelical christians in the united states is motivated in large part by a desire to enact the prophesied conditions that will herald the second coming of christ. for example a lot of evangelicals like trump because they think he's a divine implement of the great tribulation. evangelicals are obsessed with and actively trying to enact the apocalypse. and rwby is straight up the only fictional story i've ever encountered that understands how an eschatological cult operates because you can NOT advertise that shit. it FREAKS PEOPLE OUT. you keep the "i want the world to be riven by unprecedented catastrophe and suffering so i can be taken up to heaven in the rapture while the wrath of almighty god crushes what remains as grapes in a winepress" between yourself and the other doomsday cultists. 

it's not like. SECRET. it's in the bible. but very few non-christians bother to actually read the bible and the ones who do are just not going to have the cultural context to know how very deadly serious evangelicals in particular are about the book of revelation or how much of a core pillar the eschatology is to evangelicalism; meanwhile american evangelicals are knowingly deliberately voting for the apocalypse. similarly,

“We must take back our gifts,” the God of Darkness said. “Reclaim our power and wipe this experiment from existence.”

“I disagree,” the God of Light said. “And we promised to share in the fate of our joint creation.” He gave a mighty yawn. “Let us rest, and when the time comes, we will see what Humanity has become in our absence. At that point, we will judge them. If they are worthy, we will take their forms and walk among them as equals. If not, we will take back our gifts and start over elsewhere. What do you say?”

“Who will decide whether they are worthy?” the God of Darkness said.

“Humanity will make it plain. If they come together in unity and find a way to destroy the evil in the world and within themselves, then they are worthy. If not … we will let them burn,” the God of Light said.

“So shall it be.” The two brothers agreed. But even in rest, they needed some distance from each other. Each dragon transformed himself into a new continent at one end of their world.

And there the dragons still sleep, until the day that the gods will waken, rise, and judge.

ozma's mandate is not a secret. the apocalyptic final judgment is clearly and emphatically spelled out in the myth of the two brothers, which he included in an anthology of tales intended for the general public and annotated to the effect of "i believe this one is true and even if you don't you should act like you do. btw. because it's true" YEAH MAN WE GET IT. 

(he also asserts apropos nothing in his commentary on 'the gift of the moon'--a myth that does not mention the brothers at all--that the sun is a "celestial gift from the all-powerful god of light," so either 'the gift of the moon' is brother-cult doctrine or ozpin is pointing at a myth from another tradition and making it about his god.)

the main difference between ozpin and your average evangelical is that ozpin fears the end times because he doesn't believe anyone will be spared. but his behavior is the same. his way of presenting his religiosity in a way that minimizes and obfuscates the eschatological intention at the core is the same, if not more intense because the material reality of his situation, as the accursed chosen one literally commanded by God Himself to immanentize the eschaton, is a lot more terrifying and desperate. 'the infinite man' is quite literally a veiled autobiographical story about how he figured out that he CAN'T… go around just… TELLING EVERYBODY… that he's MAKING READY FOR THE FINAL JUDGMENT.... because people don't fucking like that and will kill him and put his cult to the sword about it.

that emphatically does not mean that he doesn't still believe in it; it means that he has, in the same way that evangelical christians in real life have, figured out how to code-switch. there's the public face for mixed company where you're friendly and humble and make a concerted effort to live by the virtues of your faith while being open and unapologetic about your religious identity while maintaining a posture of respectful invitation toward everyone else and engaging in meaningful ways with people you personally know to gently encourage them to explore your faith…

…and there's the private face for when it's just you and your fellow true believers and you're talking in intricate detail about how current world events line up with this or that prophesy about the end times. ozpin in public is the mixed-company evangelical to a T. and ozpin in private with people who have been informed of the whole situation re: maidens, relics, salem is like "i am the divinely-ordained champion of the gods and we must stop her from getting her hands on the relics that My Schools were built as fortresses to defend."

in 'the lost fable' these kids literally hear the god of light say with his whole chest that mankind will be found irredeemable and destroyed if they are "unchanged," and they do not even blink. 3.75 volumes spanning months later, they STILL haven't really registered that the god of light holds the view that not a single person alive on the planet RIGHT NOW TODAY deserves to live. why?

because they knew that part already. not the precise detail of ozma being the one who's meant to decide when the world is fit for divine judgment and actively invite the brothers back, but the final judgment and the need for humans to be United when the day of judgment comes lest they be burned to ashes? They Knew That. it is invisible to them except inasmuch as salem embodies, to them, the danger that mankind will be condemned, because it's normal. regardless of their personal religious beliefs or degree of religiosity, they're all familiar with this story to the point that hearing God Himself promise to exterminate everybody didn't even mildly startle them. they knew. 

like. fundamentally. the story as-written and the way the characters present in the lost fable do not react whatsoever to the divine ultimatum does not make sense unless every single one of them already knew the story about the dragon-brothers who created the world and then departed and will return to judge humanity's worth, to either reward them with completion or wipe them from existence. and because the kids seem to fall in the zone of irreligious to casually religious the simplest and most likely explanation is that there is a global hegemony of brother-worship, akin to christianity in the west. 

taps the sign. and this sign too.

like. in one sense it's a question of your frame of reference and specifically whether you know what deeply religious people are like and how an eschatological religion actually functions in the real world or if your mental model for what this looks like is drawn from, like, pop culture fundamentalist caricatures. i can tell you that the way qrow segues into and tells the brothers creation myth is something i can imagine almost verbatim coming out of the mouths of elders in my parents' church and that ozpin's commentary on the same myth is a point-for-point translation of christian evangelism into his fictional religion. i can tell you that your presupposition that a religious person "finding out" the god(s) they believe in really do exist would feel any kind of surprise or revelation about it is baldly incorrect in a way that leads me to believe you have zero real personal experience with religion or religious people. i can tell you that your presupposition that the secular democratic institutions of government in the kingdoms means there can't be a religious cultural hegemony of brother-worship (or any other religion) is, again, just factually not correct.

but in another and, in many ways, more important sense: rwby is a story about a religious conflict. there are two gods who destroyed the last world and a promised day of judgment that will be ushered in by four divine relics, each guarded by fortresses that act as the central hub for each plot arc, and the overarching narrative conflict is about a power struggle between two people--the immortal agent of rebellion against the gods and the divinely-appointed chosen one tasked with preparing for the final judgment--fighting for control of these relics. that's the plot. 

why are you reading scenes where the characters intricately involved in this power struggle talk about religious matters like the existence of gods and divine relics and divinely-ordained tasks as evidence that these characters… aren't religious? why are you reading actual myths that are textually presented as religious stories as… not a religion? why are you looking at a character commanded by God Himself to unite mankind, who in the present day speaks incessantly of the importance of unity and existential threat of division, who annotates the aforementioned explicitly religious myth with an exhortation to act each day as if the gods will return to judge you tomorrow, and concluding that he… is not religious and does not fundamentally believe in any of it?

what do you think a religion is?

and in this story, of all stories--when the central narrative conflict is overtly a war over divine relics left behind by the gods for the sole purpose of bringing about the final day of divine judgment--why in the world is it your baseline assumption that religion is not something that matters very much within the world of the story? why do you take qrow saying "not many people are super religious these days" completely at face value to mean "most people are agnostic/atheist and religion has no cultural relevance whatsoever" even though the next thing out of his mouth is "but these two gods are REAL" and even though, a single volume prior, his colleague said "what we're telling you goes against hundreds of years of human history, religion" and insinuate that consequently the truth would cause uproar and panic to justify keeping the maidens a secret?

i think that ozpin and his inner circle are religious because they speak and act like it and the core purpose of their "brotherhood" (as they call it) is to safeguard the divine relics while they publish religious myths about their gods and talk about how those gods are real and nothing is more important than keeping the divine relics safe. if it acts and looks and quacks like a duck and repeatedly turns to the audience to say that it believes in ducks, i believe it's a duck. i am not going to say "well it complained one time that there aren't a lot of ducks left in the world, so i think it's actually a chicken." that's nonsense. 

[merylstryfestan]

We have Trimax at home: update!

So I have finally had time to get back to work on this! I had to take a bit of a break there since my cat got sick (he's fine now!), so that took up a lot of my time and energy lol.

Anyways, last we left off, I had the signatures folded, organized, and ready to go for sewing. Next step was to punch the holes through the center of the signatures for the thread to actually go through. This involved a lot of measuring, then making a template, then using a cardboard box I had laying around to basically cradle each signature as I used a large needle to poke each hole. Normally, there's a better way to do this, but I was not in the mood for buying materials this week so I made do with what I had around the house.

Then the best part: sewing! I used what's called a french link stitch to sew the signatures together. I used this one because I know it'll work well with the type of case I'm planning on making, as well as because it's quick and uses less materials (no need for support tapes or cords).

And here is the final sewn text block! Considering how low effort this was, I'm pretty proud of it. I even just so happened to have the exact amount of thread I needed, which was nice. Next steps are to get the edges of the text block trimmed, add head and tail bands, and then glue on some support for the spine. All of which means it's finally time for me to actually go buy materials, unfortunately. Hopefully I can get a lot if done this weekend but we'll see!

Bonus picture of my cat "helping" by sitting on top of the last signature right before it was time to sew it in :)

[beep-beep-imma-sheep]

Gentle reminder that

Smart ≠ Wise ≠ Literate ≠ Jerk ≠ Know-it-all

A character can be really good with, say, numbers but know absolutely nothing of history. Or be really clever and tactical but never once in their life has opened a book. Or be a genius when it comes to music, but being a complete idiot when trying to efficiently arrange objects in certain space. Or instinctively coming up with clever solutions, but lacking the words to express them. Or having a very vast vocabulary, but but it's not someone actually clever.

The say way someone can posses a lot of knowledge in a variety of areas but being unable to put that knowledge to practice, to use, or intertwine that knowledge to find a new and creative way to come up with an answer to a problem.

There are a lot of way to be smart. A character can be smart and ignorant. A character can be smart but know oh-so-little about a lot of things.

Yes, the character can be your stereotypical know-it-all that has all the solutions in less than a minute, doesn't miss a thing, gets impatient and cocky because no one can keep up with them and so one, but it doesn't need to.

[martian-astro10]

Astrology observations - Part 5 (use whole signs)

🌶️ I've noticed that Saturn in 8th house people always end up having to give their hard earned Money to their in-laws, like they're never able to keep it and if not in-laws then they end up losing it in some other way.

🍵 Saturn in 10th house people usually have a very bad relationship with their fathers, I know so many people with this and it's true for all of them (tbf, their fathers deserve it, so I don't blame them). Whenever i visit them, their father will start fighting even when I'm present 🥲 like some parents atleast pretend to be on good terms in front of others, but theirs do not.

🌶️ On the other hand, moon in 9th house people are usually very close to their father. He may not always be emotionally present in their lives but they still have this desire to prove their worth to him. But most people I know, who have this, actually love their dad and frequently spend time with him. It's cute.

🍵Mars/Sun in the 1st house people are some of the most ambitious individuals. I noticed that many billionaires have this. It doesn't mean that they're good at what they do, it's more like, they'll step over anyone to get what they want, can be greedy as well. If a person has sun AND mars in 1st..... don't mess with them, because they will RUIN your life.

🌶️ Jupiter in 2nd house people suck at financial management, these people are so talented and will do a great job, get paid a hefty amount, and then just lose all that money, I actually don't even know how they manage to do it, but they just do 😭. If you have this, please give your salary to someone more responsible and only then will you be able to become rich.

🍵3rd lord in 12th house people ALWAYS do better in life when they leave their birth land. Nothing goes their way as long as they stay where they were born, but once they move abroad, it's like, their whole personality changes (in a good way), they also start feeling more comfortable in expressing their talents.

🌶️ Sun in 2nd house people are REALLY good singers, I don't know about the celebrities, but we have so many amazing singers in our university and all of them have sun in 2nd house, the type depends on the sign. But all of them have such a beautiful voice.

🍵 Saturn in 2nd house people are the ones who act like the elder sibling even when they're the youngest or the only child. Idk how to explain it, but they just have the "oldest child" energy. They're very responsible and I know people with this, whose parents did not treat them in a good way and yet they do not hold a grudge, they're like "it's okay, they were also having problems of their own, so I get it, I know they actually love me" and it's.....kind of sad. But also, very inspiring in a way. They're also very very responsible with money. They know how hard it is to earn before they even start working themselves.

🌶️ Mars in 3rd...these people....first of all, if you're reading this, please learn to talk slowly bro. These people always be talking like they gonna miss out some shit 😭, like bro calm down. Also, they wanna argue ALL THE TIME. I have a friend with this and and she makes ME cry with how long she's able to argue, they will make you agree with them before they leave you alone. So now whenever she says something that I don't agree with, I just go "yeah, you're actually right" cuz I'm NOT taking risks.

🍵 Mercury in 3rd house people can be amazing journalists and writers. They really have this ability to make you FEEL things through their writing, especially if it's in a water sign. Can be very passionate about certain social causes as well. I know two people with this and both of them have a secret twitter and Tumblr account and they refuse to tell us the username. So, they like to fight for things, from behind the scenes and avoid spotlight.

© martian-astro All rights reserved, 2024

[vanteguccir]

── ୨୧ !　𝗟𝗔𝗩𝗘𝗡𝗗𝗘𝗥 𝗛𝗔𝗭𝗘

　　　　　　　　　𝒎𝒂𝒕𝒕 𝒔𝒕𝒖𝒓𝒏𝒊𝒐𝒍𝒐 x reader

SUMMARY: Where Y/N drowns amidst so much criticism and negative comments from the media regarding her relationship, but Matt is right by her side to bring her back to the surface and surround her in a lavender haze.

WARNING: Mentions of hate, slightly angst.

REQUESTED?: No.

AUTHOR'S NOTE: That is my work, I DON'T authorize any plagiarism, copy, or "inspiration"! | English isn't my first language, so I'm sorry if there's any grammar error.

A/N²: This fic was written for the Challenge for the writers 2024 made by @annamcdonalds67

　　　༻✦༺ 　༻✧༺　༻✦༺

Staring at the ceiling with you

Oh, you don't ever say too much

Y/N lay down next to Matt on the double bed that decorated the room. The soft gloom emanated from the corner lamp, painting the scene with orange tones. Their intertwined fingers on the mattress formed a comforting bond, a silent affirmation of each other's presence there. Together, they observed the ceiling as if they were tracing constellations on the white paint in their minds.

The silence that surrounded them was serene, and their synchronized breathing seemed to compose a soft song. Matt knew that sometimes words were unnecessary. There was no need to try to force empty conversations when each other's presence was enough.

Y/N's thoughts, however, were a whirlwind. The sudden exposure that accompanied her relationship with Matt - which they just had revealed to the public some months before - had left her overwhelmed, despite her boyfriend's advance warnings about what followed him with his career. As someone who preferred a low-key life, being dragged into the spotlight of fame was suddenly a big experience.

While her body was physically in the room, her mind felt the weight of these thoughts slowly crushing her. It was an internal battle to maintain sanity amid the media storm that surrounded them.

And you don't really read into

My melancholia

Matt, on his side, noticed the melancholy in Y/N's eyes and the way her brow was constantly frowning, but he respected her silence. He understood the pressure she faced; the crazed fans who used her words against herself and criticized every second of the videos she made a little appearance or was only mentioned, and his heart burned to be able to help her more, but he knew that trying to interpret her thoughts could only increase her distress, his own mind bringing him the mere memory of the episode from some night's before.

To the soft sound of popcorn crackling in the kitchen next door, Y/N anxiously waited for Matt on the made bed, wrapped in the comfort of the fluffy comforter. Her phone rested in her hands, and she slid her fingers across the screen to access her Instagram feed. A notification caught her attention, a tag on a photo posted by the boy.

With an anticipated smile, Y/N opened the post and found herself among the images of a photo dump posted a few hours ago. Her heart filled with warmth when she saw the picture of them together, the girl didn't know how to explain what she felt when she saw him post so openly about them, having gone through difficult situations in this regard in her previous relationship.

However, her smile faded when she swiped down and was met with an avalanche of comments. Thousands of cruel words and cutting criticisms flooded the massive list. Comments that questioned who she thought she was, insinuations that she wasn't good enough, and that Matt deserved someone better. Every word was a blow to her heart, a confirmation of all the fears and insecurities she had kept hidden inside.

Feeling crushed by the virtual pressure, a wave of anguish enveloped her. Tears began to blur her vision as she struggled to contain her overflowing emotions, not wanting to appear vulnerable in the situation, much less worry Matt.

Her head filled with questions, how could she compete with the unrealistic expectations of those who observed her life through a screen?

Minutes passed in a second for her, the sound of the door opening again echoed softly, Matt's figure entering the room following it, the tempting smell of popcorn floating in the air and a childish smile decorating his face. His smile fell instantly when he saw Y/N holding the phone tightly with one of her hands, tears rolling down her face while her other hand pressed her mouth, forcing away the sobs.

"Hey, hey, babe, what happened?" Matt ran over to her, his tone full of worry, leaving the bucket of popcorn on the bedside table and kneeling next to her on the bed.

Y/N sobs as she tries to explain, showing him the cruel comments that filled her entire screen, the device shaking slightly as a result of her trembling fingers.

Matt felt his heart break when he saw the suffering on Y/N's face and the ridiculous words in front of him. Him mind was divided between helping her or posting something obscene, full of insults, and totally guided from his emotional side.

The boy sighs, closing his eyes and wishing to take the bad things away from his girl before sitting properly next to her, wrapping her in his arms affectionately and bringing her head to his chest, sealing her hair line for long seconds.

"I'm so sorry, petal. I didn't know this was going to happen. I should have thought before posting..." He murmured, gently stroking her back as Y/N clings to him for comfort. "I'll figure it out, I promise."

I been under scrutiny (yeah, oh, yeah)

You handle it beautifully (yeah, oh, yeah)

All this shit is new to me (yeah, oh, yeah)

With that, it was known that Y/N was constantly under the relentless eyes of the fandom and obsessed fanpages, her every move being dissected and analyzed minutely by the voracious eyes of anonymous people. But that was the price to pay for dating a public figure.

While facing this incessant storm of unsolicited attention, she couldn't help but admire how Matt, despite his issues with anxiety and certain unnecessary comments left by people who called themselves fans, handled the problems of notoriety with admirable patience and calm.

He seemed so comfortable on camera alongside his brothers, so skilled at ignoring invasive situations that Y/N often found herself questioning how he did it. However, for her, this was all unfamiliar and intimidating territory, too new.

Although she passionately wanted to quickly adapt to this new lifestyle, as she had no plans to leave Matt, she also found herself racing toward an uncertain direction, trying to keep her sanity and identity intact amid the media chaos that surrounded her.

The couch enveloped them in a comfortable embrace as Y/N and Matt enjoyed the peace of the silent living room, the soft sound of a Disney movie echoing in the background. Matt's arms around Y/N were a sanctuary of calm, warming her body and bringing her a comfort that made her feel like she could sleep any moment. It was one of those rare moments when they could simply exist t the interference of the fast-paced world around them.

Matt, with a sigh of contentment, reached for his phone, curious to see how the car video they had posted a few minutes ago was doing, eager to see what the fans thought of the themes brought up.

Quickly, he opened the YouTube app and scrolled through the comments. Among a flood of compliments and kind words, however, some less favorable comments caught his attention. Some criticized the way he was quieter than usual, while others questioned why he was even part of the videos, as he had nothing to add.

Matt rolled his eyes in a dismissive gesture as he turned the screen of his phone towards Y/N, allowing her to read the comments that filled the space.

"Look at that." Matt said, exasperated. "These people have nothing better to do than criticize anything and everything. Immature teenagers who love to point out only negative things." He muttered, shaking his head in disbelief.

Locking the screen of his phone with a brusque gesture, he left it aside on the couch, refusing to let the negative comments ruin his moment of peace. The boy turned to Y/N again, his smile returning as if nothing had happened and wrapping his arms around her once more.

"Sorry about that, pretty girl." The brunette asked softly against her skin, burying his face in the curve of her shoulder. "Sometimes people just need to spread negativity to feel better about themselves. But let's not let that get to us, hm?" He lifted his head from where it was, smiling small at his girl before pressing small seals on the exposed skin of her shoulders and neck, eliciting loud laughter from the girl.

[...] All they keep asking me (all they keep asking me)

Is if I'm gonna be your bride

The only kind of girl they see (the only kind of girl they see)

Is a one-night or a wife

Post after post from the significant number of fans who adored them together claimed that they were "endgame", as they had been in a relationship for over a year and seemed to be going strong.

But the comments that followed were always like a punch to the gut for Y/N. Some argued that she was Matt's future bride, while others insinuated that she was just a "gold digger", there to take advantage of his fame and money, like a one night stand, before eventually leaving him.

Y/N's feelings fluctuated between anger and sadness. How dare they question her true feelings for Matt? How could they judge their relationship based on unfounded assumptions and speculation? They were only 20 years old, marriage was out of the question at that moment, and they both knew that this kind of thing is something planned and thought out together, never done for the emotion of the moment or to meet the needs of others.

A feeling of helplessness invaded her when she read those things, accompanied by a hint of doubt. Y/N felt deep pain due to the lack of trust and support from Matt's own fans. She had tried so hard to be a positive presence in his life, to love and support him unconditionally, and to make the people who meant the most to him and who brought him to the top really like her.

And now, she was faced with the cruelty of strangers who were ready to judge her without even truly knowing her.

I find it dizzying (yeah, oh, yeah)

They're bringing up my history (yeah, oh, yeah)

But you weren't even listening (yeah, oh, yeah)

Y/N felt constantly dizzy with everything that was happening around her. It was as if she was in the eye of a media hurricane, where waves of curiosity and intrusion were endlessly engulfing her. Even with her social networks private, she found herself inundated by a flood of fanatical fans, eager to discover even the smallest detail of her life.

The triplets' YouTube videos, in which she participated, were constant targets of investigation by fans. Every word, every gesture captured by the camera, was analyzed. And the boys' posts, where she occasionally appeared, were scoured thoroughly for any hint of her personal life.

The simple act of even appearing on a TikTok for a brief second was enough to trigger a new wave of speculation and conspiracy theories from fans. Y/N felt like she was looking over her shoulder every moment.

This growing fear began to affect her willingness to participate in the brothers' videos and appear on their social media. She retreated into the shadows, avoiding the curious eyes that surrounded her.

Meanwhile, Matt scrolled through his social media feed, the cruel and mean comments about Y/N flashed on his phone screen at every moment. "She only wants to hurt him", "She's only with him for the money", "She will run away at the first opportunity". The words penetrated like sharp knives, but he faced them with a calm expression.

He could feel the anger pulsing through his veins. The injustice of these accusations made him want to scream. But he forced himself to remain calm, to take a deep breath and remember what really mattered.

Matt knew Y/N better than he knew himself. He knew she wasn't a gold digger, that she wasn't with him out of interest or for any petty reason. He knew that she genuinely loved him, that they shared the same dreams and fears, joys, and sadness.

So he ignored the negative comments, the people who hid behind anonymous profiles to spread venom and hate. Sometimes, he even had the small pleasure of responding to these accusations with an ironic comment or a joke, knowing that, deep down, none of it mattered.

Because he trusted Y/N. He loved her more than anything in the world, and nothing could shake that unshakable trust he had in her.

[...] Talk your talk and go viral (oh, oh, oh)

I just need this love spiral (oh, oh, oh)

Get it off your chest (woah, woah, woah, woah)

Get it off my desk (get it off my desk)

Talk your talk and go viral (oh, oh, oh)

I just need this love spiral (oh, oh, oh)

Get it off your chest

Get it off my desk

But on the other side, the moments of exhaustion seemed to multiply for Y/N, like a lingering shadow that followed her with every step. Increasingly, she found herself sinking into a sea of ​​cruel comments and venomous speculation from the media and fans.

Until a specific moment, where she finally understood that with Matt, she found the strength to fight it gradually. His arms wrapped around her with comforting warmth. His words of encouragement were like a balm to her soul. He supported her in every way possible, constantly reminding her of how much she was loved and valued and that nothing they said mattered.

Y/N slowly learned to filter the noise of the outside world, to block out the negative voices that tried to invade her mind. She no longer allowed the mean comments to get to her, choosing to ignore, block or mute them, allowing them to get everything they wanted off their chest and go viral using her name, and not giving a damn about it.

It was a gradual process, a journey of self-discovery and self-transformation. Y/N still had her moments of weakness, her doubts and fears, like in that moment. But with Matt by her side, she was able to cover her ears and eyes to them.

I feel the lavender haze creeping up on me

Surreal

I'm damned if I do give a damn what people say

No deal

The 1950s shit they want from me

I just wanna stay in that lavender haze

And despite all the bad things, being alone at that moment with Matt in their own haven was comforting. A lavender haze enveloped Y/N gently, like a warm lilac hug amidst the darkness of uncertainty, protecting her from external judgments.

In the comfort of their room, with Matt's presence beside her, she felt as if she could close her eyes and simply let herself be carried away by the constant flow of love she felt for the boy.

Despite the whirlwind of thoughts that danced in her mind along with vague memories of all the futile posts from pages that gossip about artists, demanding surreal things from her as if they had just come out of a time machine to the past, there, in that moment, she allowed herself to sink into the depths of this good feeling.

Matt's presence by her side was like a protective shield, pushing away all her fears and insecurities. His eyes, full of tenderness and understanding, met hers from time to time, conveying a silent message that he was there, ready to face any challenge alongside her. And there was nothing in the world that made him want to leave there.

With one smooth movement, Matt turned briefly to reach for the lavender air freshener that rested on the nightstand next to the bed. He activates the device with a delicate touch, releasing a fragrant mist that fills the room with the sweet scent of the flower. The soft, comforting scent envelops Y/N like a hug, calming her agitated mind and bringing an almost instantaneous feeling of serenity.

The mattress moved with Matt's movements, and he slowly turned around, now lying on his side and facing Y/N. His eyes met hers lovingly, and a smile played on his lips as he moved closer until their bodies were mere inches away.

"You still with me, sweetheart?" His voice was as soft as the cotton beneath their bodies, echoing off the walls that were surrounded by silence for long minutes.

"Uhm." Y/N murmured back, imitating him and turning so that she was lying on her side, facing him, the fog in her mind slowly dissipating.

With soft and delicate movements, Matt wrapped the girl in his arms, bringing her closer to his body, laying her head on his chest, the steady beat of his heart calming hers almost automatically.

"They don't matter, you know?"

Y/N felt a comforting warmth spread throughout her entire being upon hearing the brief and almost insignificant words, but that meant the world to her. She snuggled even closer to Matt, feeling his arms tighten around her waist where they held, allowing herself to sink into them like a safe haven from the storms of the outside world.

Matt lowered his head and gently kissed the top of his girl's head, breathing in the soft scent of lavender shampoo that emanated from her strands. Every touch was filled with love and devotion, a silent promise that he was there.

And so, cradled by the soft haze of love that surrounded them, Y/N and Matt surrendered to the present moment, the girl leaving behind all the worries and fears that haunted her, her heart begging to stay there forever.

I just wanna stay in that lavender haze

taglist:

@lustfulslxt @ladybunny44 @worldlxvlys @earth2starkey @remussbitch @freshloveforthefit @il0vebeingdelulu @sturniolowhore @mimi-luvzyu @alorsxsturn @urfavgirllyyyyy @domizzzsstuff @sturnizd @hearts4chris @cupidzsq @dracoflaco @leah-loves-lilies @tylerthecreatorsrealwife @rootbeerworshiper @junnniiieee07 @elliesturniolo1 @sstvrnioloo @lightsgore @gidgett11037 @sturniolho @ksskianshd @ccolleenn @sturniolo-lover1317 @soimightlikeoldmen69 @hrtyjy @ldr-sl0t @breeloveschris @its-jennarose @sainzzsturns @ecliphttlunar @thebottledwatersupplier @bellasfavbisexual @soso-scarlettolivia @maryx2xx @sturnolio-luvs @bitchydragonparadise @lvrsturn @iammattswife

(If you want to be added to the taglist, go to this post)

[tackykachowch]

I wanted to make this post really extensive, with a lot of screenshots etc, but I'm literally operating at 0% so forgive me this one time.

So, you all know how I'm constantly after season 2's blood because of how it butchered well...Everything, but especially my favorites Silco and Jinx. And what do you know, they even screwed up Silco's glass. Yes. A Glass. Let me explain.

Animators at Fortiche are real professionals, so they know that every object tells a story, so even small things like glasses or cups can tell us a story or let us understand the character better, or even reflect the whole meta of the show. Arcane season 1 really exceeded at this. Going through every scene of this season I noticed that Piltovans use elegant and neat glasses and cups, and the glasses that are particularly used by the councilors are made out of gold. While Zaunites drink from simple glasses without any ornaments, metal mugs or straight-up out of bottles. But there's this one single glass that's different from any other glass or cup in the ENTIRE season - Silco's glass (also Jinx's cup but I'm not gonna talk about it here).

It's made out of simple glass and is pretty bulky to give an association with Zaun, but also has golden ornaments to associate it with Piltover. This single glass perfectly encapsulates Silco as a character - a Zaunite who rejects living under the status quo and who strives to get his people opportunity and freedom Piltover has. Also it reflects his unique position in society - he operates the entirety of the Undercity, yet even this amount of power is barely enough to compete with Piltover. Silco represents the middle of the barrel, a fusion of both cities at their current states. Then, in ep9 it gets destroyed, foreshadowing Silco's death and destruction of the relative peace the two cities had until this time. It's perfect, no notes.

But theeeen we have season 2 *barely disguised rage*. In it we have my favorite flashback out of all of flashbacks ever, where we see- huh??

Silco's glass?? How did it get in there?? And there's THREE of them now???? This is surely some kind of mistake, right? Let's fast forward a bit- WHAT IS IT DOING IN A CAVE????

So, you want to tell me, that an object unique to Silco and Silco only, which perfectly represented his character and even played a minor narrative role, is in fact NOT unique and its destruction in the season 1 finale meant Literally Nothing???? WHAT??????

This is what I meant when I said that s2 jumped headstrong into the fanservice without the second thought about how it impacts the story and characters. You see, Silco now HAS to keep a glass from the times he, Vander and Felicia were friends. He HAS to keep a diary where he says how he admires Felicia, even though nothing indicated that someone inspired him or something of that sort in prior material. (UPD: Also, Silco is more of an idealistic character in the first place. He DOES care about people to some extent, but he always seemed to fight for the idea itself, and not some people in particular. So to give him this new unknown character as part of his primary motivation is....strange, to say the least. It's almost like writers want to make him more sympathetic hmmm). He HAS to keep a photo of the three of them and an "Our Love" record, because he's a sap like that and he lowed his fwiends so wewy much. We already knew Silco had a soft side because he kept things Jinx made for him, we already knew that he hadn't completely let go of the past because he kept Vander's knife. There's no point in adding all this garbage except make the audience go "awwww". It's disgusting and insulting.

But back to the glasses. It makes no sense that the three of them have the glasses and use them, because none of them have any amount of power yet. Moreover, Vander never has ANY Piltovian aesthetic in his design, and Felicia is literally a non-character, so what is exactly the reason to give her such an important object to begin with? I don't know a thing about her, except that she's arcane's most manic pixie girl ever and that by her sheer existence she ruined Silco and Vander's dynamic. Cool. And why would Silco keep the glass with him throughout all these years? And then openly drink out of it in his office? Is it supposed to mean that he carries on the dream the three of them had? But Vander openly rejected this dream, and the remnant of this is located in the very same office (Vander's knife). Orrr maybe um. Maybe. Ughhh. I can't. Think of anything. Hang on. Maaaybeeee it's ssssupposed to represent how Silco's fight for independence went back to the place it started in (The Last Drop)? Okay, maybe, whatever. But then again, what was the purpose of destroying his glass in season 1 ep9 if presumably the two other glasses are still intact? Except Silco dying it doesn't tell us anything, because it lost the previous weight it had in the narrative.

Then we fast forward again to my favorite episode out of all the episodes ever - s2 ep7. In it Silco appears only for a few seconds, but by God are these one of the most destructive few seconds for his character. First he comes to the scene with his flask in hand. A....weird thing to have in a BAR, but okay.

But then as he says the infamous line about forgiveness Vander hands him- oh. Uhhh...A. A Piltovan glass.

Not Silco's glass, or maybe some entirely new glass to represent Zaun's progress as a free nation, but a Piltiovan one. Okay. You were pretty obvious with the line here writers but I guess it wasn't enough.

S2 proceeds to be an insulting, disgusting mess in its every aspect and I will fight with it for the rest of my life.

[doctor--malpractice]

How dare you keep all of this in the tags

(´･ᴗ･ ` )

[epitaph-of-rebirth]

Doing this post to explain what lots of people missed on the Cait x Maddie thing and are just angry and freaking out about the character and not understanding WHY and also show that they already broke up and will not be danger on act 3 (srly I really believe on this and feel like we all missed because is a small scene).

So here is a explanation on WHY, because I'm going crazy that you'll missed lots of things.

Some of the explanation that I'll put here we got from Amanda Overton itself (you know, one of the writers of the show) on the epi4 watchalong party (https://www.youtube.com/watch?v=bgpWJl1NuTE) the rest is showed on the episode 4 itself so here we go (Also SPOILERS FOR ACT2 here):

First, Amanda told us that the time skip from Act 1 to Act 2 is between 3 and 6 months, is not bigger than that like some you are saying. What is very helpful to know that Cait x Maddie affair also isn't happening for so long and we get this information from Ambessa herself when meeting them on Cait's office:

Caitlyn didn't rebound imediatly after the breakup, her thing with Maddie is recent, a few weeks at maximum or one or two night stands. Yes guys, you can stop being mad thinking that she fucking Maddie for months.

Also a important piece of information that again, Amanda shared, is Caitlyn's mentality about this relationship:

She is not after Maddie because she felt for another person, Caitlyn is struggling to live up to the ghost of Cassandra, she is trying to be the daughter she never was and this affect's even who she dates.

Amanda literally told that in Cait's mind she is thinking: "What if I dated someone my mom would approve of?"

Lot's of people think that Cassandra approved Vi because of the council scene but in Caitlyn's mind that's not the truth. Maddie is someone who would be approved, she is from piltover, probably has some family name and has a good job.

With all that, why a sex scene ? Well is very clear that Caitlyn is not able to be vulnerable anymore, the only one she let's under her wall's after her mom's death is Vi and it was already hinted that for Caitlyn's flirting with woman casually was a natural thing.

The only way for her to "date" someone without being able to be vulnerable, is by the thing she knows she can separate her feelings and don't need to be vulnerable to do it: sex. And we can in this case considerate that sex is also a way for her to cope with all like Vi does with alcohol.

Also even after having sex with Maddie, Cait clearly don't want the girl touching her and this is show not only by her expressions:

But also on the way both are dressed, Caitlyn's is untouched and clothed while Maddie is basically naked under her shirt and messy, giving a subtext of Cait being a top on this encounter so she can evade Maddie's touch.

And right after the scene we can see that Maddie herself KNOWS that Cait is evading her and not wanting to be touched, she KNOWS something is wrong and that Cait seems to not listen to her.

Other information that is given by Amanda, is that Ambessa is supposed to be the devil on Caitlyn's shoulder while Maddie is to make the position of a angel. The character exists to show that Caitlyn wasn't alone against Ambessa manipulation and make clear that she has some foot herself to be able to see what is right and wrong and later realize her wrong doings and fix that.

And now comes the part I feel like most people missed and are worried about in act3.

Maddie and Cait already ended their relationship, how I know? the statue scene:

Here we can see again Maddie looking up for Cait but Cait not acknowledging the girl existence until last minute when seems like Maddie told something.

Caitlyn's expression again is cold and then we can see Maddie's:

She is thinking and ready to cry and also show some hurt. She probably is ending things with Cait because the next time we see Cait. Is from Maddies eyes, something that fortiche does a lot and did on that very famous CaitVi bed scene. And this time is done again but we are looking at Caitlyn from Maddie's eyes:

The upper and low corner's are blurry, as if Maddie is almost crying. Also we can see Cait looking the ground and thinking on the next frames, as if reacting to something said to her.

And here is their breakup.

Yes is not a spoken scene, but considering how small her relationship is to Caitlyn, makes sense for things to end and Cait not really give much thought about it.

After that we NEVER see Maddie anymore, she is not on the side of Caitlyn for the rest of the act, and also Cait is always using her Commander cape after this scene, what makes clear: She is totally on the side of Ambessa, the devil won and the angel left.

And this cape is another thing that is used to reflect Caitlyn's mental state and choices, because we only see her back to her uniform without the cape, when she decided to ally with Vi by the end of the Act 2

I understand people who got annoyed by having "another one" in the middle of CaitVi ship and yes I know everybody worry about this making messy their reunion, but I feel like most people forgot that in Arcane, and on this season mainly, lots of things are being show by the art and animation and not by text, like the statue one.

Srly guys CaitVi will be alright, Maddie is not a horrible characters and this was not a bad choice to show Caitlyn mental state and character development. I understand being bitter with the angst but also let ourselves enjoy it a little.

[bettsfic]

I have this thing where what I'm writing is absolutely not what I'm about in real life. I like complexity and depth in what I read. But the things I care about make only vague appearances in my writing, I don't know how to fully explain it. I have a lot of passion in life and I'm ~relatively emotionally intelligent. I'm curious about emotions, anyway, but what comes out in my writing is just cookie cutter.... Bland..... Zero complexity or emotional exploration. It's like I'm on autopilot when I write and I can't shake it.

i'm about to present to you yet another writing spectrum: director-writers and actor-writers.

a director-writer creates stories by writing discrete scenes that they see in their mind. like a film, a scene begins, something happens, a scene ends. we move on to the next scene. i would venture to say a majority of writers today are director-writers, because what's been en vogue in the 21st century is very much influenced by our visual media. we watch visual media. a great many writers like to render their prose such that it feels like a reader is watching the story play out. these director-writers are standing on the outside looking in, manipulating and moving all the pieces of their story to create the desired end result.

director-writing is so common that i meet many, many writers who trap themselves in scenic prose because they assume that's what "good writing" is. these writers are not actually directors. they don't want to be standing behind the camera; they want to be in the mind of the characters. and those people are actor-writers.

an actor-writer's prose doesn't necessarily prioritize scenes one after the next, but develops a compelling narrative voice. actor-writing is about learning to be someone who isn't you. i think the moment you abandon the forced witness of the camera and instead dive into the mind, experiencing the story instead of rendering the story, you unlock the path of that complex emotional exploration you feel is missing in your work. and you will probably never go back.

here's an activity to try:

whatever you're working on right now, open a new doc, take your main character and, in your mind's eye, trap them in an interrogation room. sit them across from you. ask them, "what is your deal?" write down their answer.

in this activity, you're looking for a few things:

what is their story? why does it matter to them? (this is probably the biggest problem i have with the pitfalls of director-writing: nothing matters. everything is just...happening. as a reader, i'm always looking for what i'm being asked to love. maybe that love is awful, toxic, contradictory, ambivalent, whatever. the point is, it matters. a huge percentage of the things i read never ask me to love anything.)

are they trying to convince or persuade you of something, making their testimonial unreliable? or are they confessing to you things they'd never admit to anyone else?

what is at stake for them? what is their deepest desire and their greatest fear? in what way is their deepest desire flawed? how is their greatest fear irrational? how have the events of their story influenced or distorted their perception?

close narration offers us the greatest possible access to the interiority of the narrator. first person is really just a monologue, an explanation, an excuse, a confession, a plea, a prayer. so so so many writers get blocked because they're trying to See the story instead of Listen to it. they force themselves into this elastic third person where the reader remains a distant witness with the occasional thought, insight, or feeling, but that comes second to what i call Bodies in Space. if i never read another "he strode across the room" again it'll be too soon. imagery is wonderful, don't get me wrong, but i would always, always rather get insight into what a character is feeling, thinking, grieving, dreaming than the knowledge that they are sitting in a chair.

i'm not saying switch to first person. you can create the effect of first person with very close third, and you can create the effect of third person with very distant first. pronouns don't really matter. what's important is voice over vision.

i say this a lot, but if i want to watch a story, i'll turn on my tv. prose is the only art form that allows us to fully explore human consciousness. let it do the thing it was invented to do.

my theory of director-writers and actor-writers is adapted from Percy Lubbock's The Craft of Fiction, in which he defines "picture" vs. "drama" writing. however i found that terminology confusing and poorly articulated, so i flipped it into a process-based approach with what i hope is more accessible phrasing. also, prose = consciousness is from 13 Ways of Looking at the Novel by Jane Smiley.

[whateverloomis]

"Scream meets X" || Billy Loomis x Stu Macher x GN!AFAB reader 🔪🔞

PART 1

Here's part 4 babiiieees. This is a short one (because of writers block,) but it's nice and angsty. Hope you enjoy! As always, any suggestions or requests my ask box is open <33

Warnings: Character death (2 of them. I'm so sorry,) possessive Billy, reader cries a lot, Tatum has dumb blonde moment (lol,) gore, unedited

-

As you were approaching the cabin you were staying at, you crashed into someone. They steadied you and when you looked up it was Billy. Randy and Stu were looking for you along with him; "Where the fuck were you?!," Billy screamed and all you could do was hold onto him and cry.

"C'mon," he said and pulled you inside the cabin, walking into your room and closing the door behind him.

"YN, what the fuck was that?!," he questioned and you sobbed.

Billy closed his eyes and sighed, calming himself down just enough to hug you and comfort you.

"She... She said he'll kill me first," you managed to say and Billy pulled back, a confused expression on his face.

"What? Who said that?," he asked while studying your face.

"The old lady."

Billy shook his head and sat on the edge of the bed. He ran his hand through his hair and sighed before looking up at you. He was angry and confused. He needed answers or else he was going to lose every fiber of patience he had left and kill everyone in that goddamn farm house.

"Why would she say that... YN, why the fuck were you in that house?" He asked and you sighed, sitting on the edge of the window afterwards.

"I don't know, Billy I just... It was weird. I was walking around and I just... got curious? And I didn't even think about it before I was inside the house." You explained and Billy kept looking at you silently, waiting for the rest of the story. He wasn't going to say another word until he knew every detail and you knew as much.

"I was looking around and staring at all the photos along the wall. Then I saw a figure in the reflection of one of the glass frames and when I turned around it was her." You continued and Billy stopped you before you could continue; "Did she tell you her name?," he asked. You shook your head no and he signaled you to continue telling him what happened.

"So... She asked me if I wanted lemonade. It was weird, and for some reason I felt oddly welcomed so I followed her into the kitchen and drank th" - "I'm sorry, you drank the lemonade? What if that shit was poisoned or something, YN? What the fuck were you even thinking?!" Billy interrupted and you shrugged. You didn't have any explanations as to why you felt so calm at the moment.

"It wasn't poisoned! Oh my Gosh, listen. Nothing else happened until I was going to walk out of the house and she grabbed my wrist and pulled me towards her forcefully. I don't even know how a woman her age can be that strong! I freaked out and then she told me I was going to be killed first. That's all that happened I swear!" You finished and Billy closed his eyes, sighing.

"Okay, well... From now you're gonna tell me when and where you're going while we're staying here." Billy said seriously and you gasped in disbelief; "What? You don't trust me?!" You were losing your patience.

"It's not that, okay?! I don't want you to get hurt YN, these people are acting really weird and I'm not gonna let anything happen to you!" he said, possessiveness lacing his voice.

You were going to snap at him but the door opening abruptly interrupted you.

Stu barged in breathless with Tatum right behind him.

"Not now Stu!" Billy said and Tatum stepped in; "Hey! Quit arguing over dumb shit! Randy's missing!" she said and you instantly got worried.

"Wasn't he with you guys a few minutes ago?" Billy asked, annoyed.

"Yeah, then we went inside to look for you guys and before we knew it he was gone," Stu explained and you were visibly scared.

"We have to go look for him-" - "You're not going anywhere alone," Billy interrupted and you sighed. "Nobody said I'm going alone, Loomis!" - "Quit it! We'll split up. Me and Stu, you and Billy. Now, let's go before we end up killing each other," Tatum finished the heated conversation and everyone stepped out of the cabin to begin searching for Randy.

•

You searched nearly everywhere and there was no sign of Randy. Everywhere except for the barn.

Being honest, you didn't want to search in the barn. The place where you shot your big scene with Billy. Where you had your moment to shine with only your lover. It would crush you if one of your close friends were killed in that place...

"OH GOD, NO!" you shouted.

Billy ran towards you from the entrance, knife in hand ready to kill whoever crossed his path, except there wasn't anyone threatening, no... There was a dead Randy. A pitch fork right through his skull perfectly aligned with his eyes. His mouth was hanging open, a lingering quiet scream emitting from his limp body.

You were crushed. You didn't want to face the reality of it, but it was right there in front of you. Randy, dead in cold blood.

"Fuck..." Billy whispered and held you with your head against his chest, blocking your sight.

You ran out of the barn as quickly as possible to join Stu outside. Tatum was starting to walk in the woods with a flashlight but got startled at your loud sobbing. She ran over to you quickly and immediately knew what you'd seen.

"He's gone?," Tatum asked and hugged you tightly. Billy pulled Stu aside, just enough to not be heard by you and Tatum, but close enough to keep an eye on the both of you.

"We need to get rid of these fuckers. Run away like we planned and not look back." Billy told Stu, and his friend instantly agreed. He even seemed excited.

Billy and Stu couldn't go much longer without letting that darkness take over them and form a blood bath. This situation was a perfect excuse to do so and they sure as hell weren't going to miss the opportunity.

"Fuck yeah we do! You want me to get the masks?" Stu asked, ready to run back to the cabin but Billy stopped him; "Not yet dipshit, we can't expose ourselves like that." he said while pointing at you and Tatum. Stu opened his mouth forming an O in acknowledgement.

Before they could continue their discussion, Tatum shouted that she was going to continue her original plan of searching at the lake once again. You decided to go with her but before you left Billy grabbed your middle and whispered in your ear; "Stay where I can see you." You nodded in understanding and left with Tatum, flashlights in hand.

Once you were far enough, Billy sent Stu to look for their ghost masks. He kept watch of you as you walked in the woods.

•

You and Tatum walked in the woods far enough to see the lake but you stopped mid way; "Tate... What are we looking for, exactly? We already found Randy." - "Revenge." She said simply.

You were confused at her words. You didn't take Tatum as one to get physical when it came to confrontation, but then again maybe you were wrong.

"Revenge how? You wanna kill these people or something?" - "What?! No! Just give that old hag a piece of my mind! She's crazy! Maybe scare her a little before we call the cops..." She said.

You bit your lip in thought, slowing down as you realized it's not a good idea; "Tatum I don't think- Tate?"

She was gone.

You sighed in disbelief. This is how people get lost and found dead in horror movies.

As you were beginning to call her, you heard a loud gun shot. Crouching down to avoid getting spotted you saw the old couple walking along the pier with your friends dead body. Tears started to stream down your face as you saw them dump her body in the lake.

You were frozen for what seemed like minutes before you started to run back towards the cabin. Suddenly you crashed into someone and started to kick and punch at them before you realized it was Billy.

"Hey hey hey! YN! It's me!" He said, startled.

"They killed Tatum they kill-" - "They killed my Tatum?!" Stu came running from the cabin. You saw him holding something in his hand but couldn't make out what it was until he was right in front of you.

The ghostface masks.

Your eyes widened as you saw it. Billy took one from Stu's hand and placed it on yours. He had the softest most reassuring look you'd ever seen.

"How about we teach them a lesson?" He said, a smile slowly growing on his face.

You were angry, troubled, confused and upset at the loss of your best friends. At the thought of you possibly being next. About Billy and Stu being next. Adrenaline was coursing through your veins and it took over any rational thoughts and efore you knew it, the mask was in your hands.

You agreed.

Agreed to murder not one, but two people.

[heartfullofleeches]

ITS MY BIRTHDAY TODAY🎉🎉🎉🎉 I was wondering how my favorites would wish me a happy birthday, Tobi, the cafe, host, static, the supernatural harem and the fast food, if that’s too many you can shorten it but I really wanted to have some of my favorite characters from my favorite writer congratulate me on my special day! BTW I’m the one who sent the Prince leash ask, I don’t know if you got it but I accidentally did it anonymously

(The Cafe was a bit too much for me to get this out to you the same day, but I hope you like this regardless! On the bright side, I did get your Prince ask and am working on that too. Happy birthday, chief!)

Tobi:

Has never had a birthday himself, but they know what they are and their significance to humans other regular people. Tobi's the kind of guy to surprise you with presents year round, but as your birthday rolls around they keep items you've had your eye on in their back pocket to gift you on your big day.

Its too embarrassing for them to give you in person, but Tobi creates a collage of all their favorite pictures of you to put up somewhere in your bedroom. Tobi loves baking and cooking so a homemade breakfast, dinner, and your treat of choice would be on the top of their list of surprises for you.

Host:

"Looks like it's a special someone's birthday- Those only come around once a year, you know? If - that's how you want it, anyway."

That time already? Time is a tricky thing for Host to wrap his head around. He could've sworn the last one was just yesterday. It hardly matters. Everyday could be your birthday- Contenstants come and go, but you'll always be his star.

That would, of course, wear the novelty of it all thin. Host is more than happy saving the pinnacle of his gratitude for you as his co-host for that one day. That day's contestants better be too if they want to leave with all the parts they came with intact.

Which is his funny way of saying they won't get any cake.

Static:

"Happy birthday to you.... Happy birthday to you...."

Hunts for every variety of birthday song they can find to serenade you with the second daylight bleeds into your room. Static's disappears predating your birthday can swiftly be explained by the trinkets they bring you, majority centered around the shows and movies you've watched together it knows you adore most.

They'd attempt to rope you into another movie night with you in full control of the remote since it's their favorite way to bond with you - and it's optimal cuddle time.

Supernatural Harem:

"Baron, must you make everything a challenge?"

"Piss off! I left enough room for you two to put your names on the cake.... Maddox more importantly than you, but still."

"We appreciate the consideration, but... Where are we supposed to write "happy birthday"?"

Nothing like waking up on your big day to your Demon husband roommate swearing today will be the day he slaughters your Angel husband roommate. Luckily, your Grim Reaper spouse roommate has the expertise to ķeep you soothed until things cool over long enough for all of them to prepare breakfast for you.

Baron stalks you around to shower you with mandatory birthday kisses- only to get pouty when he's done before noon and continues well past the age you're turning. You'll be older than all three of them by the time he's through.

Maddox, as usual, fills their journal with sketches of you to unveil at the end of the day. Their art skills is the only thing they're proud of in themselves and monetary possessions don't hit quite the mark they're trying to reach when it comes to presents they like to give. If you're a gamer/a fan of stuffed animals they'll pick up a couple so they can use them when you're away and they miss you.

The first birthday you celebrate with Alasdair has to be one to remember. He's watched you from the sidelines for years and now it's finally his chance to do what he's always wanted. It may be a tad selfish of him in hindsight, but he'll pull you aside the day before or after to enjoy a relaxing evening with just the two of you.

Fast Food:

"Code C! I repeat, Coqde C - The clown is loose!"

Birthday? Well you can't expect to have a celebration without the designated party planner, can you? As everyone closes up the restaurant early to commemorate your big day, Twister hoovers over the crew to insure everything goes swimming. The Janitor follows behind it with their trusty spray bottle to keep the clown in check - its the only excuse they have not to give their present to you by hand because they're too embarrassed.

The bathroom Succubus would insist on you opening her gifts to you first - if a certain goat wouldn't pout over it all day as a result. The ballpit hands shower you with all the shiny items lost in their depths. The Storyteller reads you the tale of someone who's birthday happens to fall on the same day - where nothing bad occurs and the universe smiles kindly in their favor.

The ice cream machine ghost whispers in the ears of customers they'd better wish you a happy birthday or be prepared to have dairy filled nightmares

[picaroroboto]

For the past couple days, I've been unfortunately cursed with thinking about Zenos yae Galvus. I don't even particularly like him - not that I dislike him either, Zenosfuckers you can put your scythes down - but it seems to me like a lot of the fandom either greatly misunderstands him, or doesn't even care to try to understand him, which from an objective standpoint as someone who cares deeply about writing in video games kind of pisses me off. But I'm more pissed about the fact that I'm apparently going to keep thinking about this issue until I actually write a character analysis of him.

Q: "But, what even is there to analyze with him? Isn't he all about wanting to fight the WoL and nothing else?"

Well, you wouldn't be wrong with saying that. That motivation is at the forefront of his character, and even if you look closer, everything about him comes back to either "violence" or "lack of understanding of others". But there are more meaningful sides to his deceptively simple character. That question of meaning is what I really want to look into - what does his character mean, what symbolic or thematic role does he play in this story?

Q: "Better question: why are you posting this on your art blog/Fate meta sideblog?"

Good question, with a stupid answer: I have all of 6 followers on my FF14 sideblog, and around 150 here. Let's go under the cut so they don't have to read a wall of text, unless they want to.

When you look at and compare FF14's villains, you can see a very clear change, no doubts thanks to the change in main writers. ARR Gaius and Thordan are more or less two-bit villains - Gaius's memeable iconic Praetorium speech gives us insight into how fascists try to justify themselves but little into Gaius's actual personality, while all Thordan gets as far as depth of character is an NPC in a sidequest remarking that he wasn't always a bad person and was probably doing what he thought best for his nation. Nidhogg is a little more understandable, since revenge is a relatable motivation to anyone who's been hurt by others. In Stormblood, Zenos and Yotsuyu are both presented as deserving of pity even as they do terrible things. Come Shadowbringers and Endwalker though, the story takes a greater interest on why villains like Emet-Selch and Elidibus do the things they do, and the player is allowed more options to try to understand them and see how similar they are to the WoL. Hell, Hermes and the Endsinger are barely "villains" at all, with the level of sympathy the story shows them.

What I'm getting to here is that Zenos, with half his arc in Stormblood and the rest in Endwalker, is sort of caught in the middle of this shift. He played the role of the rival character in Stormblood really well, but come Endwalker, he's standing on a stage full of heroes and villains with grand causes and deep motivations, as the guy whose sole motivation is fighting for pleasure.

It seems he's not unaware of this contrast himself - when Jullus confronts him for ruining Garlemald for no good reason, he retorts with "Would you be happier had I a good reason?" Zenos makes no attempt to justify his own actions and doesn't care that his reason seems incomprehensible and unforgivable to others. Yet in that same cutscene Alisaie hits him with the fact that if he keeps living solely for pleasure, he'll die alone. When next we see Zenos, he's alone at the Royal Menagerie waxing philosophical about what he really sought in the battle with the WoL.

See, what really motivates Zenos isn't just the thrill of battle - this guy has gotten Battle High and the joy of human connection confused. Really.

Even before he gets so perturbed by the idea of dying alone, there's other suggestions, like his proposal of friendship to the WoL when they fought in Stormblood, and then later his dying words in which he explains that he never understood others - at his core, he's just lonely. I know there's an official side story that tells it, but you don't need to know the exact details to glean that he had some sort of tragic backstory. Sad, but not a surprise, considering he's the prince of the Garlean Empire, raised to take the throne and continue the Empire's legacy of violence.

At his core, he's a very lonely person, but also a thing of violence, raised using violent methods for the purpose of causing more violence. Violence is how he lives and breathes - the only way he gets any sort of connection with others in a world of hurting and being hurt is the brief connection warriors dueling as equals can sometimes find. Don't deny that this sort of connection exists - FF14 is great at making fights that are both fun and tell a story. Hence, why he goes crazy for the WoL, but also refers to them as "friend". In their fights, he senses (or thinks he senses) similarity between him and them. Beneath all the madness is a pure, genuine joy in seeing the self reflected in the other...but he also instantly gets on the train to projection-town, population Zenos, and assumes the WoL is exactly like him, ignoring or failing to notice that they also fight for deeper meanings. The worst part is, he doesn't even notice that what he's actually seeking in fighting them is connection until Alisaie's aforementioned callout.

So he goes and angsts for a while, then turns into a dragon again and flies across the universe to help us kick the Endsinger's tail feathers, then issues his challenge for that duel he'd been longing for. But what's changed is that he starts with a question - "Such pleasures you sought for their own sake, and for no other reason, is that not so?". Dying after the duel, he's full of questions too: "Was your life a gift or a burden? Did you find fulfillment?" Alisaie's suggestion that he'd die alone actually spurred him to realize what he actually sought in the WoL, and now he's asking all these questions in an attempt to, for the first time in his life, genuinely connect with another human being.

The questions aren't important just because they're a sign of how Zenos has changed in Endwalker - they're actually the thematic heart of Endwalker! ARR may have had "Answers" as it's theme, but EW is the expac of questions. Namely the biggest question of all: What is the meaning of life? Different characters have different answers to that, leading to the grand-scale symbolic conflict being the Endsinger's despair - her belief that there is no meaning in life - versus whatever reasons the WoL chooses to live for, left, as always, up to player interpretation.

When you look deeper, Zenos isn't actually as out-of-place in the symbolic conflict as he first seems. His depressed worldview - that metaphor about drowning in a swamp again - seems to align with the Endsinger's view about life being meaningless. But he aids the WoL in defeating her. In that way he serves as part of the answer to her question about the meaning of life. He may have resented life at times, but he still found meaning in chasing pleasure. Not the strongest or most beautiful reason to deny oblivion, perhaps, but it did enable him to help the WoL triumph. I think of Zenos's philosophy as being connected to the concept of "Amor Fati"...largely because this quote explaining it sounds like something he'd say, or at least agree with on some level:

"and if our soul has trembled with happiness and sounded like a harp string just once, all eternity was needed to produce this one event—and in this single moment of affirmation all eternity was called good, redeemed, justified, and affirmed."

So he does have a meaningful role in Endwalker, as the "Amor Fati" against the Endsinger's "Memento Mori". I think that in this the story shows that his reason for living, while somewhat shallow, is not necessarily a morally wrong thing in and of itself (setting aside for a second all the people he hurt in his pursuit of that). It's just that, since it is a lonely pursuit that denies everything except for his target, it still feels empty. The core of the counterargument against the Endsinger's despair is that both pleasure and fulfillment are necessary to live a meaningful life in a meaningless universe, and that's why Zenos is here in Endwalker. Why he even exists in the story in the first place.

Even if you're one of the people who deeply hates Zenos...well, you probably wouldn't have read this whole thing if you did, but I still think it's important to read into characters you dislike, because every character in a story is written for a reason. Plus, trying to understand even their worst enemies is one of the WoL's key traits as of ShB and EW. With his last breaths, Zenos was trying to understand the WoL too - carrying this understanding of him with you as we move into our next adventures is the least you can do for your "friend".

[cannibalbuffe]

hi! I've honestly been craving some qpr headcanons with Alastor as someone who's also aroace! The concept piques my curiosity so much considering most of the stuff with him is purely romantic (no offense to those writers, I just wanna see more qpr stuff! :])

Of course! But do forgive me, annon, I got so carried away with this 😅. I just really like Alastor a lot.

I ended up writing some backstory to your relationship first, but I highlighted the start of the proper qpr headcanons if you feel like skipping that.

Obligatory I'm sorry if this is ooc, I'm still getting used to writing about these characters. This is also all based on my own perception of him.

(Also, I am aware that qprs are very different from one another and there is no single mold for a qpr, I'm just going off of what I think it would be like with Alastor.)

Uhh, I also finished this at 1 AM, so forgive any mistakes. And I'm pretty sure I changed the verb conjugations(? Is this how you say that in English?) from present to past at some point. Sorry. Enough with the A/Ns now. Hope you enjoy!

Alastor queerplatonic relationship headcanons

(gender neutral reader, Alastor x reader)

‼️Trigger-warning‼️: mentions of cannibalism (not graphic), a single mention of tongue-kissing and making out (spoiler: he doesn't want either of those things in this work.) Usage of the word queer, but not as a slur. Alastor is a grandpa and you have to explain LGBTQ+ stuff to him, but he gets it.

› At first, before you were close, it's likely that he didn't see you as an equal.

› Truly, in his eyes, it seems not really is his equal. He is the most powerful overlord in hell and he knows it.

› Unless you are someone he holds in high regard (and this is mostly based on vibes, barely anything to do with power, as we can see by how he is with Lucifer of all people) before your first meeting, like Zestial, you won't be on equal footing at first.

› You only really start getting close when his perception of you shifts.

› You respect his boundaries, you are interesting, you and him share quite a few interests (or not really, but you're at least interested in hearing about his), and you're, surprisingly, pretty wise and mature.

› And caring. I personally believe he would be drawn to that in a way that he may not even understand fully- or realize it at all.

› Still, the point is. He respects you, and you respect him.

› (And not in the way some others do, where they're only "respectful" out of fear. You would act like this regardless of his power.)

› This, by the way, is important. You don't treat him like a superior, but as an equal.

› You'd think someone like him would love to be treated like a superior, and it's true. He very much does.

› But he has to admit to himself that it does feel nice whenever someone isn't shaking in their boots and can hold really good conversations with him while still not being pushy, annoying or just generally disrespectful.

› Anyways.

› Ever since you became friends (which took long), one could say, you just kept becoming closer and closer.

› You were the first one to be vulnerable with him, of course. It happened on accident, but you trusted him enough for that.

› You were also the first one to share any more intimate information with him. Something you wouldn't tell just anyone.

› Between this, your conversations, and maybe even helping each other around (honestly, he probably helps you more than you do him, but you always offer it and always in a sweet way, never condescending, and he appreciates that.)

› He eventually felt more comfortable sharing personal things with you too.

› (He may have distanced himself a bit when he realized this, but it was short-lived. You can't be without each other for so long, and you were pretty upset at his suddenly withdrawal. You may not have mentioned it to him, but he could tell, and as much as he hated to admit it, it hurt him to see you sad because of him.)

› This marks the beginning of the path toward your queerplatonic relationship.

› I mean, you didn't initially label it as such, but it definitely started there.

› Surprisingly, I feel like the first one to ever do any sort of affectionate gesture towards the other was him.

› You knew he didn't like to be touched, so you didn't.

› But! He just started getting more and more comfortable with touching you. At first it was hands on your shoulders, or putting his arm over them.

› I can even see a head pat or two, which he probably passed off as some sort of joke the first few times, but, if you liked them so much, just became a thing he does to you.

› And then one day you, completely absent-mindedly, intertwined your arm with his while walking around.

› When you noticed you had done it and he hadn't said anything, you questioned him about it.

› "Alastor, I'm sorry I didn't ask... is this alright?"

› "This?... Oh, you mean the arms? Ah, dear, don't worry, if it weren't I would have simply told you so!"

› From them on you only got more and more physically affectionate with each other. At first you would usually be the one to start it, but eventually you were both shockingly equal in doing so.

› (You still would always ask if you could touch him beforehand, but after a while he just gave you a free-pass.)

› Not a lot in public, though. Mostly just hand holding, or intertwining arms (if in public, that is.)

› Alastor also was so protective of you. You were the person he treasured most, after all.

› Well, demon.

› Even if you told him you were going to be okay, he would watch out nonetheless. He couldn't afford to lose you, not when he's never trusted and cared for a person this much.

› You two also cuddle a lot. You were the first one to ask, as usual, but now both of you feel weird sleeping alone.

› Alastor loves being the big spoon, if you're doing that.

› But he is also quite fond of occasionally being the little spoon, although he wouldn't be caught dead admitting it.

› A hobby you two do together is cooking. Cooking with Alastor is fun... especially if you're okay with cannibalism.

› But if you don't like that, he won't insist, of course.

› He's pretty good at cooking, though! If you're also good at it, then great. If not, he'll tease you about it (in a friendly way), but still teach you.

› On teasing, he teases you quite a bit, but never in a mean way. If you don't mind, of course.

› You also may tease him occasionally, but he doesn't appreciate you teasing him in public.

› The two of you also have a good amount of inside jokes that probably confuse the hell out of the others.

› Kissing... well. I don't really see Alastor as the type who would enjoy kissing on the lips too much.

› Tongue is out of question for him, as well as any sort of making out, but otherwise... if you like it, he can do that for you.

› He might actually like a peck or two. An acquired taste for him. Don't overdo it, though.

› Of course, him being from the 1930s and not very familiar with anything LGBTQ+ related, he would, at first, be somewhat confused by the request.

› You would probably have to explain to him that nothing is inherently romantic, especially not if you don't want it to be.

› "A kiss on the lips? Well... we aren't courting, Y/n."

› "We can put our own meanings to things, though. Would you like this kiss to be romantic?"

› "Definitely not!"

› "Well, me neither. So it's not!"

› "... That is very sound logic! I can't believe I've never thought of this myself."

› Kisses on the rest of the face are something else, though. He does enjoy it whenever you kiss him on the cheek. He himself might occasionally kiss you on the forehead.

› But overall I don't think he's big on kissing.

› If you want to really solidify that you're in a queerplatonic relationship you'd also have to explain what that means to him, sorry.

› Again, he's old and not up to date with things.

› Thankfully he understands things easily.

› "I see... I suppose we do have quite the queer relationship, don't we? And it is certainly platonic. I don't see why not!"

› Going back to vulnerability. It will never feel fully natural for him to just be vulnerable with you — or anyone else, for the matter.

› (In case you couldn't tell, he's using the word queer as meaning odd (and doing a little pun. You know. Because it's a. Queerplatonic relationship. Queer. Hehehehe), as it defies the norm of what a platonic relationship usually looks like, despite being one.)

› But you know him well enough at this point to recognize whenever there's something going on with him.

› And if you show concern and give him enough time he will share whatever it is with you.

› If it's not anything too big he might even reach out to you first.

› He can also read you like a book and gives surprisingly good advice, and is also pretty good at comforting you.

› You are the only person allowed at his studio while he's live on the radio. You usually read as he speaks in the background, his voice is very relaxing. He enjoys having you around.

› He's also particularly gentlemanly to you, more than to the others. When you're with him you never have to open a single door yourself, for one. If it's raining, he'll hold the umbrella for the two of you. When walking together on the sidewalk, he's always on the side closest to the street instead of you.

› You two often go out for dinner. If you also fancy some cannibalism, he will definitely show you his favorite restaurants around. If not he will just pick the best non-cannibal places (but you know those are not his favorites, haha.)

› He just cares about you a lot, even if it took him long to admit (it may have seemed fast-paced during this, but Alastor is someone who really takes long to get close to.)

› And you care about him lot too!

› (And you're probably never going to be in a life-threatening situation again, at least not at the hands of most demons. Who would ever want trouble with Alastor?)

[bonefall]

Not sure if this is the place to ask or if I should go to Bonebabble, but ooh, Dungeon Meshi mention! I love what you said about low-empathy and apathy, I think I’ll use that in ny own characters.

I wanted to ask why you think Shuro is autistic. I’ve seen a lot of people say it so there must be a reason why, but I don’t think it’s really obvious to me? Like with Laios, autism/neurodivergence is so integral to his story, so it’s deeply obvious. I love the way he’s written! But we don’t see a lot of Shuro, so I’d like to hear more of why people see the tism in him.

@bonebabbles is the better place to send these in the future but it's chill! The vibe right now's loose since we're all coming down from the heaviness of Mooncourse lmao

Honestly, I feel a little 'tism in a lot of the cast of Dungeon Meshi. As a very autistic writer myself, it kind of has a vibe like it was written by someone who's autistic and so it gets peppered into all of her characters. It's something I notice a lot in my own art, too.

But like, when it comes to Toshiro... I can't stop thinking about him. He makes me want to chew the furniture. With every passing day I become less normal about him.

glossary because I had a lot of thoughts about Toshiro Dungeon Meshi i guess. Oh my god this got long

He reminds me of some people I know

His culture clash is very relatable to me in an autistic way

He has a rigid commitment to his values and morals

Miscellaneous Autism Moments

THE LAIOS FIGHT

in conclusion

He reminds me of some people I know

He reminds me of certain autistic men I've met from affluent families. The type who both is taught to repress and mask their own traits, yet also not to be incredibly mindful of the emotions of other people. Because of their status, they don't have to learn how to work out interpersonal conflict because the majority of the people around them are servants or family. People who would never go away if they didn't like you.

So, his vassals have to learn to talk to him and how to carry out his orders. Not the other way around. As a result, Toshiro has a bit of unearned confidence about his leadership abilities and communication skills. NOT in a way that is smug, DO NOT misunderstand me; just in a way that overestimates his own judgement. Maybe he has encyclopedic knowledge for talking to other nobles offscreen, but when it came to his own team, he was ignoring a lot of the good advice they gave him about taking breaks.

Yes, Toshiro is from a high-context culture-- but his communication issues are bad with everyone.

ESPECIALLY his vassals, people he calls family, from the same exact culture as him. They're worried about him, most of them are desperate for acknowledgement, they'd do anything for him, and he doesn't address this until AFTER his brawl with Laios!

His culture clash is very relatable to me in an autistic way

Toshiro knew he was going somewhere that was going to be a melting pot of mostly western cultures. He knew the manners were going to be different, and he came alone, not in a group where he was only interacting with his own people.

Yet he NEVER adjusted his own social behavior.

I'm American and my partner is British. When I first went, I had no idea why they were offering me so much tea. I thought I was being polite by following them into the kitchen, thinking they wanted to move the conversation over there. My partner quickly fixed this by explaining that when someone offers you tea, they're taking a short pause in the lull of a conversation to be a good host.

I am autistic. What someone else might have just figured out through getting an awkward look, I had to be told directly. There are a lot of little things like that.

Toshiro feels like what would happen if the opposite was happening, an autistic person from a high-context culture coming to a low-context culture. He can't properly express discomfort. It's not JUST Laios, King of Autism, that he's having issues talking to. Neither Marcille nor Chilchuck know that "Shuro" is a mispronunciation, and they had no clue that he disliked Laios THIS much.

I even think it's kinda telling that Toshiro felt the most comfortable with Falin out of the rest of the party. The hyper-empathetic autistic girl who goes out of her way to accommodate others.

He has a rigid commitment to his values and morals

A strict, uncompromising moral compass is a hallmark of autism. It's everything Toshiro does!!

When Falin was eaten, he bolted off to assemble the best team he could think of. He believes that love is sacrifice, so he pushes his body and his family to the limit to try and prove how much he loves Falin. Chilchuck freaks out when he finds out that Laios told him about the dark magic, because "HE'S THE WORST PERSON TO TELL!"

LIKE, YEAH! HE SURE IS!

Maizuru also explains that from a very young age, he's been incredibly compliant. He never asks for anything, he's always been a bit sickly and uninterested in eating. He always tries to be on his very best behavior, even if that means not asking for accommodations he might actually need.

In fact, the only food he seems to LIKE eating is what Maizuru makes him. To the point where she ended up getting pulled into the kitchen even when she was on a "mission." Senshi makes a cute comment that it's "love" that Maizuru puts into those meals, but... what if it's actually because she knows the textures and flavors he likes?

Miscellaneous Autism Moments

There's so many little moments that are so incredibly autistic to me.

He sees Falin with a bug and he proposes right on the spot. The other characters are like, "oh that's just how they act in the east" but no the fuck it is not. They don't even know "Shuro" is a mispronunciation, how the hell do they know anything about eastern courting traditions?

I know EXACTLY what happened. I'm beaming you this information directly from the truth.

Toshiro was TOLD that you're supposed to 1. make your proposals a surprise, and 2. you will know the right one when you see them, and NO ONE elaborated any further because he comes from a high context culture. He popped that question the first time both of those boxes were ticked off.

In coming from a high context culture, what he does is strictly follow rules and conditions he was taught.

And that's absolutely why he handed Laios that bell. Because he does care about him and the party, and he's taught that doing these acts of service is a show of that... and he didn't even think ahead to the fact the bell was going to be ringing constantly.

And yet. In spite of that, he ALWAYS keeps it near him.

Before it clicked and I realized why, I used to think Toshiro was kind of an asshole for running off to get his vassals without even telling Marcille and Laios about his plan. Like... how could you not know they were going to do something drastic? The three of them were the Falin Fan Club and he was the most normal member of it. It's so obvious to me that Laios (brother) and Marcille (""Gal Pal"") were going to get themselves in danger.

So how could you just run off like that without telling them? Even if lack of supplies meant they couldn't go back in, how could you just leave them worried sick in the town, thinking you abandoned Falin?

And then it hit me. The man just has low empathy.

There WAS no malice, just like how there wasn't malice in how he was pushing him and his vassals to the limits, just like how there was never malice against Laios. It simply didn't occur to him like that.

He's never been taught to consider the thoughts and feelings of others very deeply and they don't come naturally. He's still compassionate. There's a reason all of his vassals love him!

But THAT'S WHY he never put himself in Laios' shoes, or anyone else's. Empathy does not come naturally to him. All of his good behavior is as a result of his moral code, NOT empathy.

So with that said, why does he love Falin so much? Aside from the wonderful, positive traits he lists when he's asked? I mean, what's really deep down at the core of why he finds these things so lovely?

Well... Falin and Laios are not all that different from each other, to the point where Toshiro gets gently ribbed in a bonus chapter about how if one of them was a girl, Shuro might have loved Laios instead. He waxes poetic about the ways she's different from most women, how she's not afraid of things like insects, her compassion, her face, her laugh.

These are all things Laios does too (in fact in one of the panels where Toshiro is appreciating Falin, she's trying to check if a caterpillar is a male or female), but Falin's personality expresses in a more subdued and introverted way. Closer to how Toshiro is, as a person. So... I think it's because he relates to her.

To both Touden siblings. But Laios makes him see things he doesn't want to.

THE LAIOS FIGHT

We established that Toshiro has a strict commitment to his values, he probably has low empathy, and even taking his cultural differences into account he's bad at communicating.

So then, why was one of his complaints against Laios' obliviousness that he "knows he doesn't mean anything by it, and that makes it worse"? Isn't that kinda specific when you think about it?

If you're neurodivergent, I want you to think back to points in time where you dealt with people who have the same issues you do. Autism, ADHD, PTSD, DID, whatever. Did you ever have a moment where they did something harmless or mildly inconvenient, definitely as a result of the same exact thing you have, and you just... HATED it?

You HATED it even more than you would anyone else doing the same thing. You probably know your response was disproportionate. But YOU don't do that THING they did. Or if you do that, it's less bad somehow. Or you used to do that but don't anymore and it reminds you of when you did.

If you're reflective, you might have realized it might be internalized ableism. I feel like that's a huge part of why Toshiro finds Laios SO. ANNOYING. Laios is like this stupid, idiot, blundering caricature of things Toshiro has been taught to avoid, which violate his moral code. Shuro comes from a place of so many more rules and subtle cues, and it's like Laios doesn't respect any of them.

What STARTS this fight, causes Laios to finally hit back after being smacked, shoved, and shouted at, is being told "YOU'RE NOT TAKING THIS SERIOUSLY."

It's so obviously wrong! Laios, who ran back into a dungeon immediately? Who Toshiro himself called rash? This is NOT a logical conclusion to make about Laios or his party. I think it came from frustration that Laios "does things the wrong way." That it's projection, stemming from that low empathy.

He's not like Kabru in the same chapter, who's desperately trying to get a read on Laios' inner workings and failing. Shuro's just extrapolating his own feelings onto him, because he's recognizing that same "sense" within him. If TOSHIRO didn't follow the rules he sets down for himself, that's not "taking it seriously."

Toshiro follows the rules. Laios does not.

...and Laios is FREE.

He's open and honest in a way Toshiro can never be, not as a noble, not as an easterner, and not as an autistic man. Hell, Laios was ALSO a noble, he gave that up! Threw that away, and then came back to his village and took Falin away from it. If Laios is acting like an idiot, he's acting like an idiot who does everything Toshiro has ever wanted to do. Laios cannot mask and Toshiro resents that.

One of the things Toshiro even explicitly says he HATES about Laios is the fact he's willing to be a burden on other people. Maizuru said earlier that he's NEVER made a "selfish request" before-- but Laios can just open his mouth and ask for help, feeling no shame, just as he did in this chapter when he asked him not to tell the Island Lord about the dark magic.

And then, after they literally come to blows, Toshiro tells Laios some incredibly brutal things, revealing he's NEVER been his friend and he has resented him this whole time. This actually sits with Laios well into the later chapters, but the fight ends and then they're just CHATTING FRIENDLY LIKE IT DIDN'T MATTER.

More honestly than ever before, because Toshiro is returning the effort. He eats some food (the narrative's metaphor for making connections). He thanks his vassals for the first time. He talks about how he wishes he'd told Falin about all the things he adored about her when he still had the chance.

I have to take the panels of his response right out of the manga actually because this little expression here is so subtle, but so meaningful.

(Read <- <- <- that way)

Look at the way that when Laios makes that genuine movement, assuring him with passion that he will be making sure Falin receives this message, Toshiro's gut response is annoyance. But then it softens and he pauses, like he's reconsidering what his response is going to be.

To admit that he envies "this side of Laios" is also admitting that the earlier fight was based on envy.

Laios was like this the WHOLE time. Making these grand speeches about his plans, what his party's been doing, how Toshiro needs to eat something and take a nap. He's ALWAYS been like this. It was Toshiro's mindset that changed.

In conclusion

Something I really like about Dungeon Meshi is HOW MANY of its characters can be read as autistic. Laios is just the most obvious one, with his special interest in monsters and inability to read social cues being central to the plot. His is a more "well known" expression of autism-- it's rare you get characters whose masking is central to their characters.

But it's really refreshing to see characters like Kabru, Falin, and Toshiro. Autistic people are rare enough in popular media to begin with, but we NEVER get characters whose autism intersects with their trauma, gender, and culture quite like these three.

[teambuddie]

when i started to watch 911 i already liked buddie, but i wanted to give b*ckt*mmy a chance, i really did, but honestly, i just couldn't and i'm gonna explain why.

1. eddie was haunting the narrative.

after watching 6 seasons of buck dating women i'm not gonna lie i was pretty excited to see him flirt with tummy because yay bisexual buck!!! and the very first scene i was filled with joy until... eddie was in every corner of the relationship. i know, the writers were using buddie as a diversion, they wanted to surprise us that hey he was jealous of tummy not eddie! but then they kept eddie haunting the narrative through the whole relationship. every bt scene eddie was there or was mentioned and obviously the writers did that on purpose, because we're supposed to keep thinking about eddie, we're supposed to know buck is still thinking about eddie even if he's dating someone else. to me the writers made bt impossible to exist separated from eddie and buddie and that made it impossible to me to truly give bt a chance even if i was already biased.

2. tummy is BORING.

look, i was so happy buck was gonna date a man and figure out his sexuality, i really was, but holy shit tummy made it almost unbearable to watch some scenes. how can a man be so boring??? he has zero personality, zero charm, zero everything. every LI from both buck and eddie had at least SOMETHING going on, you know? even natalia and ana had more personality than tummy and that's a bit insane like how a character who showed up for like 5 episodes is more well developed and interesting than you?? and again, to me the writers did that deliberately, they wanted us to feel like something was missing, they didn't want us to get attached to tummy because he wasn't going to be a constant, he was a plot device and he was treated as such. no personality, no complexities, nothing, a blank state.

3. the acting.

this is probably gonna sound mean, but i have to be honest. one of the things that made it even more impossible to enjoy bt was l*u's acting. imo 911 has fantastic acting, like ANGELA BASSETT is on the show, the bar is high guys! even side characters act really well throughout the show and yeah sometimes there is overacting, but mostly is really good and expressive. and then there's l*u... he's so stale, so unexpressive, so bland is like watching a sixth grader acting on a broadway production (but a sixth grader would do a better job probably). i can't take tummy seriously as a character because not only is he boring but i don't feel like watching a "real" character, just a person pretending to be a character and i know that's what acting is but good acting makes you forget that what you're watching is fiction and makes you feel for the characters. l*u's acting achieves none of that.

4. b*ckt*mmies.

i understand when b*ckt*mmies say they can't enjoy buddie bc of the fandom, i do bc they just pushed me even further away from bt. the way they reacted to the break up was... something. some of them had valid reasons to be upset and ofc they were gonna be emotional about their ship breaking up, but the whole "this is homophobic/biphobic" discourse was too much. first they decide to simply forget michael was also an elder gay and say that bt was the only gay couple that showed someone older can be happy... like, are you serious???? "oh but michael wasn't a main character" but his storyline was very well developed and it just as a representation as bt. even better than bt bc no one was saying how he wants the other to have daddy issues (that irked me so much god WHY WOULD HE SAY THAT????). calling ostark biphobic bc he said he wants buck to sleep around again??? as if he said that bc he's bi when it's obvious he said buck should sleep around bc he's buck. ostark showed nothing but support to bi buck and he was always so excited about the storyline, but since he wasn't too onboard with bt and said he'd like for his character to sleep around a bit suddenly he's biphobic???? the way they decided to interpret what tummy said as him saying buck isn't sure of what he wants when it's clear he meant that buck should explore more his sexuality not to be sure but because that's what he probably did and he knows it's healthy and normal to get with new people to figure out what you like and what you want. nothing about the breakup and what ostark/tim said was prejudiced and while i understand feeling hurt and interpreting some stuff with a negative light, i don't think they were being fair to the writing and the crew.

maybe i'm biased bc buddie was already my ship even before i watched 911, but honestly i think if they wanted us to root for bt they'd make their relationship more compelling, they'd give tummy more personality, they'd not make eddie haunt the narrative, but that's not what they did and you may think that's "unfair" to bt and tummy, but honestly it was a warning sign b*ckt*mmies ignored... the sign that said: "this is not meant to be". when tummy called buck evan it wasn't without a deeper meaning, it showed us he was the odd one out, it showed us he didn't belong. and so, he's gone.