#for many reasons but one

[heyclickadee]

I still think it’s interesting that Tech seems to agree with Echo that they should be doing more. To some extent, anyway. He’s pragmatic when it comes to making sure the batch has the basics taken care of (like the times he points out that maybe they can’t help on a certain mission because then they can’t do a job and they won’t get paid, which is bad, because they’re broke and still need to eat), but he’s not actually opposed to being more involved.

It’s in little things. They way that Tech is the one besides Echo who voices his moral concerns about the empire right off the bat, that Echo and Tech are the two who have similar (but differently expressed) reactions to the formation of the empire; the look on Tech’s face when Rafa and Trace point out that the batch is trying to get sensitive data without knowing who the buyer is, while they’re trying to get it to someone who’s trying to help; the little knowing look and nod Echo and Tech share before Echo goes to talk to Hunter about how much good they could do using the money they might get from the Serreno heist to fight the Empire. He knows what Echo’s going to try to convince Hunter to do. Even during the argument he has with Echo in “Ruins of War” his position isn’t, “Well, we shouldn’t be helping so it doesn’t matter,” it’s, “Technically we never had the treasure we wanted to use to fight the empire, so we didn’t really lose it—at least we’re not worse off than we started.”

The main difference between them are that Echo has this incredible, undeniable drive to help as many clones as he can, for a lot of reasons, but at least partly because he’s feels a kinship with them that Tech hasn’t quite had the chance to develop (he doesn’t have the same chip on his shoulder as Crosshair starts out with, but there is still a separation there) and has a bit of survivor’s guilt due to what he was used to do on Skako Minor that Tech doesn’t have, because he didn’t go through the same thing; while Tech’s first priority is the batch. He’s often if not always the one getting them out of impossible situations, and I think he knows that. Echo has to help Rex, even if it means leaving his new family for a while; Tech maybe wants to help, but he can’t leave his family while they need him around.

(In fact—sidebar, I could actually see these two having a conversation about both of them going to help Rex at the same time and it going like, “You should come, Tech, they could use your skills,” and Tech going, “And leave Hunter, Wrecker, and Omega on their own? Have you seen them?” and coming to the conclusion that, no, they can’t both leave.)

Anyway I’m not going anywhere with this and it’s really rambly; I just think Echo and Tech are neat and that the only way you could get Tech to go help elsewhere for a bit is if he saw them safe, settled, and being able to get by without him there all the time.

[gibbearish]

love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking

[chloesimaginationthings]

Happy 10th anniversary to FNAF!!

[poorly-drawn-mdzs]

Happy one year anniversary to In Stars and Time!

[lilislegacy]

frank: let me get this straight. thalia and jason’s domain is the sky, percy’s domain is water, and hazel and nico’s domain is basically the underground?

annabeth: yes

frank: but… can’t percy also create storms? that have clouds and lightning and thunder?

annabeth: yes

frank: and… and can’t percy also create earthquakes and make volcanoes erupt?

annabeth: yes

frank: so… in a way, doesn’t that mean everywhere is percy’s domain?

annabeth: yes.

annabeth: but don’t tell him. he hasn’t had that realization yet

[deadpoolsmom]

as far as one piece antagonists go Crocodile truly gets absolutely scooby-doo’d at unmatched levels

He immediately falls for a phone scam and from basically little garden to rainbase he doesn’t even know the strawhats are alive (and clowning towards him at incredible speed). As soon as he does, they’re in his house tearing at his walls and bringing marines into his villain lair.

He uses a literal floor trap door over a gator pit to catch them, gets phone scammed again, full scooby-doo chase scenes after Chopper through the streets while still missing him, and suddenly his prisoners have escaped his impossible cage, and his giant bananagators are dead. and Nico Robin saw it all happen.

He then spends rest of the arc complaining about those meddling kids and their dog “strawhat pirates and their weird pet” and at no point does he even know how many strawhats there are.

Like yeah he keeps having plans on top of plans to stop everything Vivi can do but also she keeps coming up with a new thing to do (Tom and Jerry ass dynamic).

Part of it is that he’s underestimating them and keeps grandstanding villain monologuing but also teens keep killing hundreds of his grand line bounty hunters and he straight up does not know what is happening.

Cause he IS trying to kill them he’s sending top assassins after them and ripping out luffy’s organs, the whole time he’s yelling HOW ARE YOU ALIVE?? DIE. as whack-a-mole Luffy keeps inventing new ways to hit him.

[batsyheere]

Tim froze. "Huh?"

"I mean, you're definitely cute. But I don't feel comfortable with strangers? And I don't want there to be any misunderstandings."

Danny Nightingale looked flustered, nervous, and far too pretty with his cheeks flushing red under the glow of the nearby lamp fixtures. Tim wondered when his brain would finally come back online. Right now it was far too interested in putting everything else on the backburner.

On one hand, he had been trying to get information out of Danny on his connection to Vlad Masters- a connection that had seemed more tenuous with each passing minute of the evening. On the other, Tim could admit it had sounded a bit like he was inviting Danny for something more.

And if he was honest with himself, it was only mostly unintentional.

"It's not even you, I just get attached really easily and don't want something casual. Sorry."

Tim hadn't even realized boundary setting could be so attractive.

"No. Yeah, that's- fine." Smooth. The Drake-Wayne charm at its finest. Tim could hear Jason snickering on the comms.

[strangeweaver]

as per my roommates request i have crucified chars zaku in our apartment hallway

[morganafayes]

because at the end of the day it’s about how love and hate will destroy you equally. it’s about the fact that merlin and morgana both lost themselves because they became so consumed by their love and hate respectively that it made everything else not matter. because merlin loved arthur so much he hollowed himself out for the sake of it and morgana hated uther so much it ate her alive and became all she was

[krashlite]

Howl to the Moon, to the Stars

The fandom hasn't decided on what his celestial title is, but I've decided I'm going with Eclipse so that I can give him Fenrir/Skoll + Hati imagery. I already give him a wolf motif, and this made the most sense to me

If you don't know, they come from Norse mythology: Skoll + Hati are two wolves that chase the sun and moon (eclipses happening when they catch one) and Fenrir is fated to kill Odin in the battle of Ragnarok. A couple versions of Ragnarok say Fenrir catches the sun, some say Skoll and Hati both catch the sun/moon, but there isn't one version of the myth.

Either way, the world ends when a wolf catches the sun, and I think it's fitting for Joel's win :]

[aquitainequeen]

The WGA has two main stipulations. First, the guild wants to make sure that “literary material” — the MBA term for screenplays, teleplays, outlines, treatments, and other things that people write — can’t be generated by an AI. In other words, ChatGPT and its cousins can’t be credited with writing a screenplay. If a movie made by a studio that has an agreement with the WGA has a writing credit — and that’s over 350 of America’s major studios and production companies — then the writer needs to be a person.

“Based on what we’re aiming for in this contract, there couldn’t be a movie that was released by a company that we work with that had no writer,” says August.

Second, the WGA says it’s imperative that “source material” can’t be something generated by an AI, either. This is especially important because studios frequently hire writers to adapt source material (like a novel, an article, or other IP) into new work to be produced as TV or films. However, the payment terms, particularly residual payouts, are different for an adaptation than for “literary material.” It’s very easy to imagine a situation in which a studio uses AI to generate ideas or drafts, claims those ideas are “source material,” and hires a writer to polish it up for a lower rate. “We believe that is not source material, any more than a Wikipedia article is source material,” says August. “That’s the crux of what we’re negotiating.”

In negotiations prior to the strike, the AMPTP refused the WGA’s demands around AI, instead countering with “annual meetings to discuss advancements in technology.”

The looming threat of AI to Hollywood, and why it should matter to you by Alissa Wilkinson

[dionysiandragon]

trans girls will have the most beautiful voices just so casually

[zunaki]

Repainted an old Byler illustration 💖

[w-e-b-h-e-a-d]

put your head on my shoulder

just two guys being dudes. knocked out and tied up.

sequel

[originalartblog]

Apparently much-needed reminder that reposting artists' art (by saving the images or screenshotting them and reuploading them yourself) on other platforms without the artists' expressed permission and without credit is theft and an insult to their passion and craft. You are profiting (in views, in attention, in feedback) from someone else's work and ideas, who do not get that feedback for sharing their creation.

If you are an art reposter, you are a thief and I have no respect for you.

[marzipanandminutiae]

quotes by Victorians about the 1920s view of their generation's women

"We are frequently told that the Victorian woman...generally behaved like a pampered and neurotic infant. This is all moonshine. I do not think that I ever saw a woman faint before I came to London in 1869, and not often after then...they enjoyed a hearty laugh, and a good many of them a contest of wits with any man." -Nineteenth Century, a Monthly Review, 1927 (written by a man born in 1850)

"What queer ideas the girl of 1929 has about the Victorian period- they are not a bit true...Marriage was by no means the end and aim of our existence. Oxford and Cambridge claimed quite a few of us after school days were over. We had great ideas about 'life' and what it all might mean to us." -St. Petersburg Times, 1929 (written by a woman born in 1853)

"True, debutantes were chaperoned at balls. But that fact did not prevent them from dancing as frequently as they chose with their favorite partners. The idea that girls in the Victorian era spent their days sewing seams and practicing scales is another fallacy." -Gettysburg Times, July 1, 1927 (quote from the Dowager Lady Raglan, Ethel Jemima Somerset, who lived from 1857 to 1940)