#for fic research

[littleraeofsunshineda]

Okay so ever since I originally watched Whitechapel the bit where Morgan gives Chandler an elastic band to snap when he has an intrusive thought has always sat badly with me

(That's how I started self-harming as a kid, you see. But just because it was bad for me doesn’t mean it's bad for everyone. So I mostly ignored it)

But.

I'm back and I'm on a Kent/Chandler kick and (being me) I'm looking up OCD with the vague desire to write

And guess what: not only are there alternative thought-stopping methods that don't involve self-harm, not only is thought-stopping ineffective for OCD...

It actually makes it actively worse in most cases (per the international ocd foundation)

It literally creates a compulsive ritual to follow, and even worse if you tell them it's supposed to help, so you encourage it

I was never a huge fan of Morgan "helping" Chandler when she doesn't have any context, and he isn't her client, and I know it's just the writers only doing the bare minimum of research, but this makes her an actively bad therapist

And that means in fic we probably have to engage with that. Like. Come s4 I imagine his wrist would be bloody. None of this is good.

[etherealxwitch]

i need 18+ eddie fanart rn

[ligercat]

You'd think Jack would already know the penalty for attacking a woman since he's read Croque's laws. Unless that was signed in since he went through the law books, but it's only been, what? A couple months?

[fanficmemes]

Love when writers do an insane amount of unnecessary research for their fics. I follow an author that did like 8 months of intense research into 14th century Scotland so they could write smut about it, and guess what. It was some fucking incredible porn AND I learned about old Scottish politics

[imsodishy]

I know we all love when writers go deep down a research rabit hole on something really specific for the sake of a fic (I certainly am not immune to doing ridiculous research into minute details for no real reason lol)

but allow me, just for a moment, to sing the praises of ✨️vagueness✨️

Unfamiliar with a city's precise geography? Be real vague.

Want a character to be a doctor but don't know how surgery works? Mention it in passing.

Character plays a sport you know nothing about? Vague it up!

You don't know what specific brand of a thing would have been popular in that time and place? Go generic baby!!

You really can just hand-wave stuff that's not where you want the focus of your story to be without anything falling apart. The audience will look where you point them, like a magic trick! If the research is stopping you up and making progress hard or frustrating you can just... not do it.

[tossawary]

I just know in my heart of hearts that in "Star Trek" at one point, there was some moral panic somewhere on Vulcan (among the uppity sorts) because Human culture was "infecting" the local youth with their overly emotional, destructive, unproductive, frivolous, and uneducational ways.

And what was actually happening was that a bunch of Vulcan kids got really into 23rd-century "Minecraft" or something.

Small Vulcan child @ another Vulcan child: (in a tone that sounds flat to Humans but angry as hell to Vulcans) "You have compromised the optimization of my fortress. I am having an emotional urge to blow up your house... in Minecraft."

[aitadjcrazytimes]

[ash-and-starlight]

And then, after a whole era it seemed, Zuko’s dark head broke through the surface. His hair was a slick sheet down his back. The droplets trailed down the swell of his chest like the rivulets in Doctor Song’s beyul, steaming on his skin. And then, mortifyingly, Zuko spoke. “Are you gonna stay there all day, or are you getting in?”

The Mercy of Magpies Ch 3 is out!!

as always written by thee @ranilla-bean and betaed by @faux-fires

Cover || Map and characters || Ch 2 art || Ch 3 art

[swficreference]

Introducing the Star Wars Reference Wiki!

Introducing the Star Wars Fic Reference Wiki, a wiki for fic writers by fic writers!

The Star Wars Fic Reference Wiki is intended as a way for fic writers and other fanwork creators to easily look up pertinent information without having to slog through dense paragraphs or comb through categories with dozens or even hundreds of entries with few indicators of what the pages are. Do you want lists? Do you want tables? Do you want easily digestible bullet points? We've got 'em!

We build pages from common questions we or other fic writers have, such as:

All these fics incorporate events from Jedi Apprentice, but what really happened to Obi-Wan Kenobi in Legends?

How do the stories in Revenge of the Sith and The Clone Wars mesh together?

Which characters are LGBTQIA+? Who are some LGBTQIA+ creators who have worked on a Star War? How about a timeline of LGBTQIA+ people and content?

BBY/ABY, BrS/GrS, BFE/AFE... what's the difference between these and all those other calendars? What calendar do characters use before the Battle of Yavin?

What are some idioms or kriffing swears this character could use to sound more Star Wars-y?

Does the GFFA have its own version of a grilled cheese sandwich with tomato soup?

What could be used as a pack animal in one of the many, many deserts?

Why does this fic call him "Yan" or "Glamnor" Dooku? Is her full name Padmé Amidala Naberrie or something else?

How many costumes does Padmé wear? What about other SW costumes?

What are some canonical design options for a Kiffar OC's facial tattoo?

Are these the droids you're looking for?

Are you constantly losing those handy tumblr posts compiling useful resources? We have a permanent page for that!

(Swears in light mode; LGBTQIA+ characters in dark mode)

We've only recently started building the wiki, and are creating new pages all the time! We'd love help or suggestions for new pages. Have you never edited a wiki before? No problem! We have a tutorial for that. Are you not super confident about your English? No worries! Other wiki editors are here to help! We have a Discord server for the wiki, and side channels for things like SW fic recs and general fan chat.

Thank you for initial brainstorming and showing us there was an interest in and audience for this wiki, from us (facingthenorthwind and immithrax) to you: @nimata-beroya, @cacodaemonia, @elismor, @genericficerblog, @seth-shitposts, @takadasaiko, and @virusq!

Many hands make great wikis, so please, come on over and join us, and check back to see what new things we have in store! If you find our pages useful, we'd also love if you could spread the word, so other people can make use of the resources we've worked hard to create.

[moondirti]

jigsaws

— surgeon! simon riley x resident! reader

angst. anxiety. panic attacks. neurosurgical procedures. medical setting. mean simon. d/s undertones. 3.3k wc

There's a reason no one likes working with him.

Tough. Censorious, or hard to please – whispered wearily by nurses with permanent distaste etched into their crow's feet. He scathes anyone not accustomed to his abrasive exterior; a talus pile of whetted rocks, poised to flay you open should you take the plunge so confidently. Rubs your skin raw, brutally worms his way into your flesh, infamously bars rescue, allowing only saltwater to cradle your open wounds in the aftermath. Nothing about his criticism is comforting, not in the way an attending's support should be.

It sounds inflated. Excessive. Your intern year, you let the horror stories float you by as though they were nothing more than dust motes in an old room. To be expected, no? Hospital's are brutal for even the briefest of visitors, let alone a man who's worked here twenty years. In hindsight, you see that it's a type of discredit only the very fortunate can claim; inaugural residents and medical directors, those who do not have to deal with the virulent terror himself. You know better, now. Really.

Still, it feels as though you're being punished.

The air in the operating room is heavy. Clotted by a thick sense of unease. It's never like this, usually. Though the smell of burnt bone, blood, and remnant antiseptic is always a force to be reckoned with, you've gotten very good at shunning your nose for favour of your other senses. To tune into the vital monitor's beep, or the distinctions between this lump of amorphous tissue versus that lump of amorphous tissue. Reinterpreting them based on the plans you revised while scrubbing up, focused fingers around delicate tools prodding. Cutting.

Reliable perception is fine work. You've honed your personal ability the best you could.

The first lesson Dr. Riley teaches you, and rather gratuitously at that, is it takes just one person to throw it off kilter.

There's an impossible itch right where your mask hooks over your ears, latched nastily onto your scalp. Nothing you can address physically (sterility before comfort), though you're aware that its source isn't so easy as to scratch away. Figurative, then. An unwavering neg, pointed by a pair of cold eyes in your periphery. You're tempted to look up, throw off his stare with one of your own, but you think he wants you distracted.

So, you shift your weight and centre the electrocautery to another portion of abnormal growth. It comes apart like stale bread.

You haven't felt this micromanaged since medical school, when professors would loom over your shoulder and mark the clumsy way you sutured incisions shut. But where your grade had been on the line then, it's a person's life now. You seem to be the only one privy to that fact, or perhaps the one surgeon who cares.

Because Dr. Riley watches you over his wire-rimmed specs, grunting ambiguously under his breath like you can't hear him standing just a foot away. Maddening in that it's quiet, idle. To question it would be putting the burden of critique on yourself. To let it continue–

Sweat pools beneath your collar. The spotlights don't help, either, heat lamps on your roasting nerves, highlighting the wet sheen of your temple to whoever cares enough to notice (just him). Focus feels a vain pursuit, attention zeroing in and out of control. You're caught in the violent dance, swept away, water beneath your feet, between the operation and everything else. Everything else, like the ground that suddenly pushes too hard beneath you. The walls, stretching further and further away. There'd be nothing to catch you should you fall – a possibility that gains traction by the second, your vision spotting with exhaustion.

You almost lose it before a flash of green reels you back in.

It's instinctual. Entrenched response to a colour that only ever means one thing. Looking up at the neuronavigation, you watch as the silhouette of your apparatus veers dangerously close to the patient's motor cortex, highlighted in nausea-inducing neon for maximum visibility. Dr. Riley's presence darkens the space next to the screen, a point of singularity that consumes anything within its event horizon. Though it's the last thing you want to do, you coast a hesitant look over to him.

A surgical gown is meant to be ill-fitting. You find he fills the fabric in a manner antithetical to that design, shoulders stretching it tight across his neck, tree-trunk arms drawing tense pleats around his joints. Even his cap, wrapped smoothly around his forehead, ripples with every shift of his brow. Doubled-up gloves warped to the contours of his hands, thick fingers and knuckles. You watch the way they twitch, distorting the latex like a swift fish underwater, and swallow the stone lodged in your throat.

"I can't read your mind, Doctor." Your attending snaps when you take too long to elaborate. His voice is rough, a sucking chest wound in the sterile air of the OR – too raw, natural in a way these halls don't see. You squirm uncomfortably in the force majeure. "What's the hold up?"

"Um-" You pull away from the glioblastoma, your patient's head remaining tightly in place by a positioning frame. "I'm concerned about resecting this part. It's all wound up in healthy tissue, right up against the motor cortex. A wrong move could cause permanent damage."

Dr. Riley doesn't move. Instead, his blank stare flicks down to the surgical site, digesting the truth for himself. The anesthesiologist beside you holds her breath. You wish you had it in you to do the same, but your lungs already wheeze for oxygen as it is.

Somewhere, dim and timid in the recesses of your mind, it occurs to you that this isn't normal. No attending should actively foster an environment where help is punished, especially not while being paid a hefty salary to do exactly that. A dour attitude is one thing – everyone has their days – but you know nurses with greater burdens that boast smiles and little stickers on their ID badges, running on three hours sleep while dealing with bedpans and lewd comments all day. Your search for guidance, then, is certainly not the worst thing in the world.

(No matter how stern the look he gives you is.)

"You need to make a decision. Hesitation in the OR can be just as fatal."

Great load of good that does.

But it was to be expected. Pre-op, you sat down with him to discuss the acceptable margins, and got as much out of that conversation as you did this one. Review the imaging. You've been given the functional mapping for a reason. Never mind that it was standard procedure to check-in regardless; he handles you like you're a child playing dress-up, waving around tools too complex for your grubby hands to operate. Asking him anything is validating what he believes, like kindling wood into a roaring fire. Your mouth smacks to the taste of ash.

The discoloured mass growing off your patient's brain seems to glare back at you. Ugly, yellow, and stained in a coating of blood, severed from its sisters that now lay dead on an adjacent table. It kills you to let it stick, to progress to hemostasis with an increased risk of recurrence. Should this individual ever come in again, their pain would be on your hands – a real possibility you cannot reckon with, for all you know how devastating a toll it would have. The last time it happened, you promised yourself you would never allow it again.

(A mistake that even the greenest of medical students know not to make. Promises are null in this field. They'll blow out like bad tattoos, ink smudged under skin. Patients die, families grieve, doctor's bear the guilt – to fool anyone about it would be doing a greater disservice. Conciliation is not your job. It is not a duty you owe.

Not even to yourself.)

"I… I think we should stop here to avoid any potential issues." You resolve, lips pursed painfully tight. Your hands shake, bullet of emotion ricocheting within your ribs. Your nerves are shot, you tell yourself. It'll take time to compose them, time you don't have. Better to shelf this, then. You're doing the right thing by wrapping it neatly for another day, if that day should ever come.

Dr. Riley huffs.

Or, not.

"CUSA," He clips to the scrub nurse, who shakes as they place the tool into his impatient hand. It's all you can do to watch in horror as your attending commandeers your case, addressing the portion of concern with offensive expertise. The activity on the neuronavigation doesn't so much as blink as he emulsifies the target tissue, tumored cells dissociating from the surrounding matter like butter.

And it isn't a learning opportunity – hardly anything at all when he washes the area in saline solution, manoeuvre over as quickly as it started. Instead, your attention sticks to the casual disrespect he felt was necessary. Snubbing your insight like it was dirt beneath his shoes, too competent to even address your error with words. Humiliation rips like a wave up your neck, washing your ears and cheeks in balmy warmth. Underneath it all, settled like wet sand on the shore, you find that it is not your bruised ego that's left, but rather a wilder, darker thing.

Shame at having failed him.

(How obnoxiously redundant.)

"Think you can manage the duraplasty, Doctor?" Derision distorts his expression into something crueller than his usual indifference. You hate to think it suits him.

"Yes."

It's only an hour later that you're granted the chance to break down.

After wound closure, scrubbing out and postoperative discussions with the patient's family, you think you'd have moved on. Things like this happen – it's what necessitates post-graduate training in the first place – and you're certainly not irredeemable for having faltered on the line. At least, that's what the logic delineates. It mutters its assurances like dogma in your head, insisting that because it is rational, it is right. Any other day, you would be inclined to listen to it.

But that's the thing about being strung out beyond measure. The only sentiment with teeth, sharp and stubborn, is anguish. Indignity. Self-turned anger. You replay the scene like something new will come of it, a silver lining or a divot to pin the blame in anything but yourself. The scalp staples back into place, the dressings wrapped tight. The hibiclens soap lathers up to your elbows, your skin itchy as it dries. The family is thankful, little tears dotting their eyes. The storm passes, waters rippling into quiet calm. And still–

In the wake of it all, you're irrevocably changed. Raw.

There's a little closet for occasions like these. You're relieved to find it empty, void of anything but rusted buckets and mildewed mops. It's a welcome crowd, certainly, borderline claustrophobic compared to the wide floors of the OR, and you sink to the floors within the tight, comforting embrace. Immediately, hot tears spring to your eyes, rabbit heart racing along hollowed ribs. Emotion rushes your throat, tumultuous and messy, piling half-formed grievances on top of one another until they form an intricate, prodigious beast.

Impossible to tackle, worse to tame.

Could you have done anything different?

Is there a reason why he hates you?

Are you cut out for this?

Is this worth never getting a good night's rest?

Do you deserve any of the opportunities you've been given?

Would they be better off in the hands of someone more competent?

No answer claims any. Unresolved, they wriggle underneath your flesh, feeding on the muscle keeping you intact. Tunnelling through your marrow, soft matter fattening them up. You feel as though you're shifting to accommodate them, anatomy morphing into an ugly sack of dermis and maggots. True reflection of a degraded conceit.

The dark, at least, remains omnipresent. Clean against your skin, or purifying, in some odd way. If there is no witness to your misery, then perhaps you can pretend it doesn't exist. That it doesn't affect you as much as it does, or how you won't be thinking of it during every case to come–

A knock rattles you out of your reasoning.

"Hey." Kyle's voice is soft on the other side of the door.

You make your best effort to wipe the wetness from your cheeks, warbling a quiet come in to your chief resident. Fluorescent light intercedes on your little sanctum, spotlighting your crumpled frame. The pitying grimace that twists his face is enough indication that you did not do a good job at hiding your affliction. You must look pathetic.

"We missed you at lunch."

"Wasn't hungry." You sniff, taking his hand to pull yourself up.

"That bad, huh?"

"Worse than you could've prepared me for."

He snickers. It alleviates some of the weight off your chest, this. Conversation to remind yourself that there is more to the world than your angst.

(Only some.)

"It'll get easier, I promise. He's harsher on the juniors."

"I think that's not for you to say. Tell me, has there ever been a superior who didn't absolutely adore you?" Your voice sobers to a close resemblance of Laswell's. "Good work on the diagnosis, Dr. Garrick. I'll admit, I wouldn't have caught that myself."

The man in question lightly shoves your arm, wrinkling his nose in distaste. "Okay, hush. I get it. Still–"

"You don't have to do this, you know." You smile until it gets too much to sustain, then turn to gather your white coat from behind the front desk. The note of positivity his companionship brings is fickle. Appreciated, but not enough to balm the sore blisters of Dr. Riley's rebuff. That'll take the weekend, likely, holed up in your room with nothing but a cuppa and old How I Met Your Mother reruns. "I'm fine, really. I'd rather just continue about my rounds and forget he exists."

But Kyle sighs. Sighs, and bites his cheek in that same way he does when he has to deliver bad news to intakes.

You blanch. "Don't–"

"He came looking for you in the mess hall. Something about the report." The unsteady composure you've built within yourself immediately dissipates, as though it were nothing more than an absorbable stitch. "You know better than to skip out on post-op briefs."

Your voice is weak when you speak again. Breathless. "I'm sorry."

"I don't blame you, darl. But he wants to see you in his office, now." Kyle's face is sympathetic. It doesn't do you much good. "I'll cover your rounds in the meantime."

"Thanks."

And despite your true gratitude, the words ring as empty.

"Sit."

Like a marionette suspended on string, you do as you're told.

Dr. Riley's office is barren of any personal adornment, cast in the same austere template initially given to him. There's a leather couch tucked prim under the window, throw pillow flat on one end. A wire file organiser sits atop his desk, papers fighting for space between the flimsy bookmarks. Pens in a cup, a stapler by his keyboard. All ordinary, inconclusive belongings, that which you sift through like a ravenous creature, slobbering for clues at the life your attending leads.

Ironically, the one thing that offers any inference is an empty photo frame, faced towards the rest of the room, away from him.

You don't like the uncomfortable feeling it inflicts.

"The family." He levels a bored look to you, that which hardens the longer you take to address his ambiguous question. In the harsh lights of the operating room, his eyes looked nearly black. Now, sunlight paints a clearer picture. Taupe and sepia, flecks of various browns brightened by the pale blue underline of his mask. "Doctor."

Floundering, you search for the clouded memory of your discussion with the patient's relatives. It ripples, faintly, between your revels in self-pity. If you needed any censure of your disordered priorities, that is surely enough.

(Funny how he continues to criticise you, even unintentionally.)

"Good. Hopeful. I told them you managed to resect the entire thing, and detailed the plan going forward." It's as though your hands are compelled to move by electric shock, charged full of destructive energy. You rub your face, twiddle your thumbs, scratch the armrests of your chair; trying any measure to defuse the bomb you feel ticking beneath your chest. "They give their thanks."

All the while, he remains steady before you.

A moment of tense silence clears. "I just submitted the operation report." He says, derailing the conversation to what you suspect has always been its purpose. "I mentioned your inability to close the surgery."

You damn near choke on your spit. He notices, of course, and raises a challenging brow.

"I- I'm sorry, but that isn't what... I was perfectly able to complete it." Your protest carries none of the strength you will it to. As is always the case around him, you're made to sound like a defiant student, instead. Pouting and stomping your foot, inflating your strict sense of justice to an occasion that does not call for it.

"Oh?" You know you're not crazy for thinking that way, either. He speaks in faux conciliatory tones, brows knitting together as his argument waters down to one he thinks you can digest. "Would you rather I have said you refused, then?"

You shake your head, staring down at your lap. You really, really don't want to be here. Is it worth it, then? To stand your ground when the worst that will come of his misstatement is an inquiry from above? The strength has long since left you. Now, it is a matter of bloodletting. Leeching the struggle before it festers into something greater, a malady you cannot control.

"No."

"Make up your mind, Doctor." He hums, grabbing a protein bar from his drawer before standing. He doesn't have to round his desk to tower over you, but he does. Heat radiates off him in waves, blushing your neck so that when you look up at him, owlish, your face flares with stockpiled fervor.

You wonder if it could be read as desire.

"You know best." Shutting down has never been so disencumbering. Acquiescence, upending an ivory flag with the knowledge that you don't have to bleed any longer.

His lashes flutter. When you blink, they seem closer than they were before.

"That's right." Dr. Riley practically fucking purrs, chest rumbling thoughtfully at your chosen response. A pressure settles between your legs, bloating desperately into that bundle of nerves that inhibits all reason. "So next time, if you have a problem with the way I do things, you'll address it to me directly instead of snivelling like a bloody prat. That way, maybe I'll explain it to you, too."

A nod is not enough.

"Yes, Dr. Riley."

He cocks his head, fiddling with the wrapping in his hands. His fingers are scarred, brutish, though they tear the foil with all the precision in the world. Your acceptance does not feel nearly as final, expectation thickening the space between you. The title startles to your tongue, then. Novel. Unsure. You haven't called anyone it since secondary. You do not know whether he'll take to it kindly at all.

"Yes, sir."

But his eyes crinkle at the corners, pleased, and it more than fills the hole he harrowed out from you earlier. Your reaction to the approval should be documented, given a name and listed somewhere on the DSM-5.

(Nothing about it feels healthy.)

"Good." He pushes off the edge of his desk, tapping a knuckle to your chin. Instinctively, you open your mouth. The protein bar fits between your teeth, pasty and dry, but his pulse vibrates near your lips and–

You bite down anyway.

(But oh, does it feel good.)

[masterlist]

[zephyrchama]

OM! Angels seem to have similar natural abilities to demons. Even if the source of their power is different, they're still far above humans in terms of innate abilities.

Basically, MC could be frolicking in a field and playing around with Luke outdoors when he approaches with a handmade flower crown. Freshly picked. Luke himself is wearing a prototype crown of the same variety.

Luke innocently places the gift on MC's head. Within minutes the unsuspecting human breaks out in massive itchy hives. They both panic, Luke reacts by flinging the crown out towards a random part of the field and blowing on MC's head to make the hives stop. Turns out those pretty flowers are toxic to most mortal beings! Who knew!

MC can still keep the crown behind glass and admire it. Luke may feel incredibly guilty though. From then on, he refuses to give MC anything new unless it passes Solomon's safety check first.

[monstersholygrail]

Imagine giving your Drider bf affection and kissing every single one of their closed eyelids. Watching their purple blush grow deeper with each kiss. And when you finish you feel their pedipalps (partially used for holding prey) pull you in closer. Their blush still vibrant on their lovely face as they ask you shyly, "Can I have some more?"

Of course how can you deny them when they ask you so sweetly, responding with a soft, “‘Course, my love," before you lean in and pepper their face in a flurry of kisses. Matching smiles on both of your faces. Your sweet shy Drider bf making those rare chirping noises that have you giggling as you shower them in love.

It isn't until you feel a vibration shoot up your legs that you know your drider boyfriend is looking to mate. A second later and you're both meeting in the middle as your lips crash together in a searing kiss, those songful vibrations they send shooting straight up to your core.

[fictionadventurer]

I love libraries.

I'm browsing the WWI shelves (as you do) and notice a very old book about the war. I glance at the first pages that talk about how one day the war will be over and we'll look at this place and not see any signs of the battlefield.

Then it hits me. And I check the publishing date.

This book was printed before the war's end. Not written. Printed. The physical object was created in 1918, while the war in question was raging and the end was as yet uncertain.

Now I'm standing on the other side of the apocalypse, with this physical link to that era in my hands. I'm living proof that the war did end and life did go on and we can all look at the end of the world as a long-ago memory.

Reading old books is cool enough, connecting our minds and hearts through the ideas of people who lived long ago, but there's something extra profound about holding a copy of the book that comes from the time that it was written. It's a physical link between the past and the present connecting me to those long-ago people. A piece of the past come into the future that gives me the chance to almost take the hand of some long-ago reader, to hold something they could have held, connecting not just mentally but physically to their era, a moment of connection across more than a century.

Excuse me while I go weep.

[kacchanot-fucking-deal-with-this]

So you know when you're writing a scene where the hero is carrying an injured person and you realize you've never been in this situation and have no idea how accurate the method of transportation actually is?

Oh boy, do I have a valuable resource for you!

Here is a PDF of the best ways to carry people depending on the situation and how conscious the injured person needs to be for the carrying position.

Literally a life saver.

(No pun intended.)

[pygmi-cygni]

writing tip - research

research is one of the pillars of writing. a poorly researched fic, essay, short story, novel, etc is immediately apparent because of several things:

lack of depth

stagnant plot or development

confusing or inconsistent setting

it doesn't matter what genre you write, if it's original or fiction, whatever. you need to research. depending on the relevance of your writing, the depth of research may vary, but it needs to happen. you do not know everything.

Fantasy

I see a lot of writers and authors use fantasy as an excuse to avoid research. Shut the fuck up. Every good fantasy is based on a real ocurrence or social dilemma. That's why we like it so much.

'but pygmi, fantasy is made up! it isn't real!'

SHUT UP. Even if you don't realize it, your story will have elements that readers are intimately familiar with. If you flub something, it will be noticed.

Besides, just because you make stuff up doesn't mean you can be inconsistent. You'll just have to fill in the cracks with made up stuff, which will even out to being about the same amount of effort. Pick your poison, either way you're gonna feel it.

Research is not everybody's favorite. I like it, personally, I think it's like going on little side quests for knowledge. But I understand if you wanna skip all the business and get to writing your baby. No shame.

Let me give you some pointers to make sure the time you spend researching is relevant and well spend.

Lists! God I love lists. after you have outlined your story and your characters and everything, make a list of all the things you need to have a deeper understanding of. This means determining priorities. - How important is The Thing? Will it majorly affect plot or character development? Is it a focal point of the setting? If the answer is yes to any of those questions, it's important. research.

Big picture, little picture. How important is The Thing (again)?. How much detail do you need to know? Especially when it comes to royalty or a hierarchal system, I see research being misguided. There are so many nuances to royal interactions that I could give a rat's ass. Big picture, general outline. I don't need to know everything, just basic courtesy, terms of address, appropriate convo. done. but if your MC is a coroner? might wanna put more detail into that; you'll be talking about the job a lot. determine how much the element will affect your story and go from there.

Don't fudge it for the plot. You'll have a preconceived notion of a certain job description, and then research it and think 'oh that's actually boring.' Don't muddle up the rules just to fit the aesthetic. It's sloppy, and your readers will notice.

To practice researching, pick your topic and after learning a bit about it, try teaching a powerpoint to your parents or friends. if you feel comfortable enough with that knowledge to do it successfully, I'd say you have a good enough understanding.

Setting

researching location is a big one that often gets overlooked. You don't always need to memorize maps, but get a general idea of the city/country layout so when you say "they drove 20 minutes from A to B" it makes sense, rather than having a reader think "Uh, A to B is closer to four hours, wtf?"

if you are making up your city, make a list of important streets and locations in relation to each other. This will help you keep it straight and organized in your head.

Get a feel for flora and fauna. Palm trees don't grow in Alaska. Don't write an Alaskan city with palm trees.

Weather? what's it like? Let me tell you, Portland doesn't get higher than 102F. rainy, cloudy, all that stuff.

Atmospheric details really add a lot, especially if your audience is from that location. It adds another layer of relatability. Also, use weather/plants/animals to your advantage! symbolism, possible curse, all that stuff.

Eras

Oh my god stop fucking this up. Baroque, Elizabethan, Edwardian, Middle Ages ARE DIFFERENT FROM EACH OTHER. STOP SLAPPING FANCY CLOTHES ON PEOPLE AND CALLING IT THE OLDEN DAYS.

get an idea of when electricity was widespread in homes. when was the refrigerator invented? did they use the word 'hella' in 1950? this kinda stuff is important for not breaking the illusion of a time difference. If you are writing a period piece and someone is chatting with a neighbor like it's 2015, we'll have some questions.

Unless it's doctor who. you guys can do literally whatever.

Plot and Character Development

If plot and characters are poorly researched, you are limiting the opportunities for growth. In researching your MC's occupation, you may discover a cool side effect that connects to a plot device. Stagnant, stale characters can be spruced up with a more developed backstory.

All in all, research is really important for your story. regardless of how professional it is, tumblr or the new york times. Do your research. As a writer, you are representing the community in your own way. Do us proud.

xox love you

[choccy-milky]

ty to @icedmatchawoatmilk13 for sending this to me! i may have gone a bit overboard but this was so much fun to fill out/think about BAHAHA💖 ill still never get over how perfect the song sarah smiles is for them...the lyrics AND the fact that its an alliteration...im gonna do an animatic about seb and clora to that song one day i swear 😩 ((blank template by oakwolves!))