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dont-offend-the-bees · 1 month

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Lived My Whole Life Before the First Light

Omg here we are. At the end. I'm sad, I've been having such a blast with you guys this week! But all good things... Anyway, this is a strange one, rambling and mournful but hopefully with some sweetness. I hope it makes you feel things, I hope it gives you something, I hope we part on this final day of Painland Week as friends and confidants 💛 Huge, huge thanks to the organisers of Painland Week for putting this magical event together! Special love on this day goes out to @mellxncollie , who has been creating amazing gifs all week and has made beautiful ones for this very fic. It's been so so wonderful to collab with you and everyone should go and look at these wonderful creations at ONCE. Warnings for canonical character death (sorry, Charles) and the stuff that comes with it (i.e. refs to bullying/hatecrimes), non-graphic injury description, and just general mournful grief vibes all round. But hopeful ending bc let's face it, we all know how this played out! 7.3k, M-rated, available on Ao3. Thanks again, @painlandweek!

"Colour! What a deep and mysterious language. The language of dreams."

~ Paul Gauguin

Edwin Payne had always possessed a thirst for knowledge. As a child, he'd wished to learn just about everything there was to learn — every fact in every field. He'd been told, many times, that he could live to be a hundred years old, and still not have enough hours to do so.

Edwin had most certainly not lived to be a hundred. But he supposed that if you added his sixteen years of life to his seventy-three of death, he was getting rather close.

The dead years, however, had been far from conducive to study. Knowledge was hard to come by in Hell. Found either in burnt and bloodied books scavenged from individual damnations, or delivered in the form of cruel trials. He'd been taught a lesson or two in his time, but not on anything so polite and pedestrian as geometry. Edwin's key area of personal study in Hell had been one thing, and one thing only: how to escape from it.

It had taken seven decades, a slew of disembowelments and innumerable failed attempts, but at last he'd passed his final exam with merit. Or at least, a version of him had. But there wasn't much to be done for his original self, whose body lay mouldering on the dollhouse floor beneath a thousand savaged duplicates.

Best not to dwell on it.

He supposed he should have been upset about where the door to Hell spat him out. Not many people would be happy to return to the place where they'd met their untimely, violent demise. But to Edwin, after a small infinity in the blackest pit, stepping back into St. Hilarion's hallowed halls felt like greeting an old friend. Well, friend might be a tad generous. More of an acquaintance, or perhaps a second cousin one barely tolerated. Not a person one enjoyed spending time with, but nonetheless a familiar face.

For a day or so he'd wandered about in a bit of a daze, glancing over his shoulder for any sign he'd been followed from the depths. He'd drunk in every familiar feature, and puzzled over the unfamiliar ones. It was a small change in the grand scheme of things, but he suspected they'd replaced the drapes. They were a lighter grey now than they had been in his time. He wondered what colour they'd chosen — or for that matter, what colour they were in the first place. He'd never thought to ask.

Then on his second day of wandering, he'd stumbled across the old library. And that, for several weeks, had been that.

He'd probably had dreams about this, in his youth. Dreams of being left to his own devices, surrounded by books. All the information he could inhale, with no interruptions. Not even from the other boys. Their voices had startled him a few times, and he was always wary when a gaggle of them descended on the library. But he'd quickly realised that none of them could see him, and so long as he turned the pages quietly, he was free to continue his reading unmolested.

And he did so, continuously, for days. Not even boring old human restrictions like hunger, tiredness or eye strain could stop him now. He read everything he could get his hands on, brushed up on everything, filling in the gaps of the last decades. On the future that had been robbed from him, subsiding into history while his back was turned. He'd sat in his own shellshock when he read not only about how the so-called 'war to end all wars' had concluded, but also how little time had passed before the next one. He'd blushed and skimmed the pages pertaining to the nineteen-sixties free love movement. He'd gazed, thunderstruck, at the moon through the library window; wondering what the Earth must have looked like to the man they put up there.

All these years he'd been trapped in the gutters at the deepest depths of suffering, reaching up towards the light; all that time, humanity had been reaching, too. Up, up and up, all the way to the stars.

It became habit, after that, to gaze at the moon in between books and chapters. An opportunity to gather his thoughts on what he'd just read, to file away the facts, to jot down the most pertinent in his notebook. It was rather a meditative process.

Or at least it had been, until the night he'd seen something else beneath that moon. Something tragically earthbound amidst the gently illuminated greys of the grounds. A hunched and trembling shape against the trees, lurching by Edwin's window. A boy, on the run — his pursuers baying for blood like wolves at his heels.

They could put a man on the moon, but some things never changed.

It would be the first time Edwin had left the library since re-discovering it. Holding aloft the pilfered lantern he'd been using to read into the night, he trod carefully through the darkened corridors. The majority of staff and students were in dorms or common rooms by now, voices a soft patter, bleeding with the light under the doors. No one marked Edwin, or came to investigate the lantern floating past. Though some extinguished their own lights and hushed their voices, mistaking him for a warden. Edwin didn't wish to scare anyone, but he drew some comfort from it. He'd grown tired of being pounced upon in long, black, twisting hallways. How comforting for once to be the root of fear and not merely its captive.

Edwin had to search a little while, but he was already familiar with the best hiding places. It wasn't long before he was creeping up to the attic, minding his ghostly tread upon the stairs. He didn't wish to cause alarm, or send the boy deeper into hiding thinking his assailants had found him.

He crossed the threshold, and at once heard a shuddering intake of breath as the harsh white aura of his lantern bounced off the walls. He supposed there was no disguising the glow. He hung back a moment, conflicted. All he wanted was to offer some light and warmth, but perhaps a floating lantern would be a sight too much for the terrified boy. Well, it was too late for that, now. He stepped into the room proper, peering past the flare of his lantern to the source of the sound. A shivering bundle on the floor, tucked into a nook behind the shelves. Trying to be as small as possible and, by and large, succeeding.

Wide, hunted eyes stared into the light. A voice, low and wary, spoke.

"What do you want?"

It was then that Edwin realised the eyes weren't looking into the light. They were looking at him. He glanced behind himself, just to make sure, but he wasn't mistaken. "You can see me?"

It was also when he noticed something equally perplexing happening to the light. It had started to look... less white. No, in fact it no longer looked white at all, but it had not dimmed, and it bore no resemblance to any shade of grey Edwin had ever seen. It was... he didn't even have the language to describe it. If he had to choose a word, he could only say it looked warm. He'd never seen anything like it. Not in seventy years of Hell, nor in his life before. It simply defied description.

He tore his gaze from it. There were more pressing matters to attend to. "I... I thought this lantern might help," he said, still dumbfounded. He approached, with care — this boy was clearly a victim in this circumstance, but there was a defensive set to his jaw. A wild look in his eyes. A creature caught in a trap was as liable to bite a rescuer as an attacker. "You can simply extinguish it if those boys come up here."

The guarded expression cracked, vulnerability bleeding through. As Edwin drew closer, he noticed that the strange new quality of the light was reflected where it hit the boy. There were notes of something else beneath the pallid grey tones of his skin, something richer. Just as something beyond simple black glistened in his enormous eyes.

"You saw them?" the boy rasped.

"I did. I went to school here a long time ago." Edwin knelt before him, bringing the light closer to the lad’s face and marvelling, quietly, at the strange tones that sprang into sharp relief. Whoever this young man was, Edwin's very perception of the world appeared to be shifting in his presence. "We had bullies, too."

He looked so weak, curled up and trembling. He certainly wasn't weak, Edwin suspected that much. Peeking out from beneath the blanket were shoes and trousers of a kind he'd seen these modern boys wearing out on the sports pitch. The lad was no delicate flower, but at this moment, at the mercy of his wounds, he was helpless.

And if he could see Edwin... then his fate was already sealed.

Edwin looked at the boy levelly, at the fear in his strange eyes. He'd seen that fear upon countless faces these last seventy years, on the wretched souls crying out for respite from their torment. He'd worn a similar expression some decades ago, when a careless act of cruelty had damned him, too.

"Rest assured," he said, gently, offering the lantern. "I shan't hurt you."

He could see the moment the boy decided to believe him. His shoulders slumped, his breath escaped in a rattle of relief. He reached out from his blanket shell, and flashed a sliver of that curiously saturated skin at his shoulder. Against the stark white of the sleeveless vest he wore, the difference was now undeniable. Not grey, not white, but something altogether different. Like his eyes, like the metal at his throat and ear that glimmered in the lamplight. Tones Edwin had never seen before, couldn't even name.

It couldn't be...

"Cheers, mate," said the boy, shivering as he brought the lantern closer. "I'm freezing. Never been this cold in my life."

Swallowing, Edwin nodded. "It's the least I can do."

The boy's lips twitched in a feeble half-smile. "Yeah? You mean you can do more?"

Probably not as much as he'd like. But Edwin nodded again. "Of course."

The light shone upon the boy's face and the dark, waterlogged curls of his hair. Steeped in that impossible hue.

"Stick around a bit?" he asked, his voice very small indeed. "Bit lonely up here..."

Edwin had not come here with any plans to stick around. He'd wished to help, of course. But to say he was unaccustomed to dealing with people was a tremendous understatement. He'd planned to drop off the lantern, check the boy was alright, and slip away without a fuss.

But the boy was clearly not alright, half-alive and fading fast. And he'd seen Edwin, asked him in no uncertain terms to stay. Asked him with all the broken hope in his voice and all the impossible buried, blooming hues in his eyes. And if those colours meant what he had always been told…

Well. How could Edwin begrudge his own soulmate a last request?

"My name is Edwin," he said, as measured as he could manage. "Edwin Payne."

The boy grinned. It wobbled at the edges. "Charlie," he introduced himself. "Charles Rowland."

Edwin hummed. Charles. A pleasant name. Respectable. He thought it rather suited the young man. "A pleasure to meet you, Charles."

Charles chuckled, drawing the lantern closer to himself. "Pretty bloody brills to meet you, too, Edwin."

The colour — for it surely was a colour, Edwin knew of no other word or explanation — of the lantern seemed to pulse, then settle, stronger than before. It illuminated the feeble grin upon Charles' drawn face in hues as yet unnamed.

Edwin would have to find some names. Compare what he could see with what he'd been told, what he'd read. Identify what he could.

While he still had the chance.

"Best thing to happen to me all night," Charles mumbled. "You showing up."

Edwin wished to tell him things could only improve from here; but he knew it to be a lie.

"It is the color closest to light. In its utmost purity, it always implies the nature of brightness and has a cheerful, serene, gently stimulating character. Hence, experience teaches us that yellow makes a thoroughly warm and comforting impression."

~ Johann Wolfgang von Goethe

"Just didn't seem right. Letting that kid get beat on 'cause he's from Pakistan," said Charles.

His socks peeked out from the blanket, bright white in the lamplight. Interesting — a part of Edwin had always presumed that white would look vastly different with the rest of the spectrum unlocked. It didn't, but there was much less of it. The world was full of more off-whites in more hues than Edwin could've previously imagined. Charles' skin wasn't dissimilar. Pale-ish, but bearing pleasant warm under-and-overtones that made Edwin's look near-translucent by comparison.

"I mean, I'm half Indian," Charles continued. "Why am I so different?"

"That is a fair point," said Edwin, thoughtful, harkening back to some of the history books he'd skimmed of late. "They were the same country back when I was alive."

Fascinating how the times changed, new lines drawn in the sand. Fascinating, and frustrating. In the time Edwin had been gone wars had started and ended, entire countries had been ruptured, borders reshaped. And yet some of life's most persistent mysteries remained unanswered.

He'd not looked much into it, but it seemed little advancement had been made in understanding of the so-called 'soulmate' principle. It had been a frequent enough phenomenon to be common knowledge in Edwin's time, but no one ever had any real explanation for it. Plenty of spiritual explanations, of course. But it seemed no one could point to any tangible scientific reason why a person, upon hearing the voice of a certain other person, had the entire hidden colour spectrum revealed unto them. An entire dimension of the visible world remained inaccessible to the vast majority of the population, and still no one knew why, or even how. Clearly, there was still much research to be done on the subject.

And clearly, the notion of this mysterious person as a 'soulmate' was romantic drivel. Charles seemed a pleasant fellow, but he was a fellow. And two boys could hardly be soulmates, could they? No God-fearing Christian would embrace the concept if that were the case. So no, Charles couldn't possibly be his soulmate. Perhaps the phenomenon represented something else entirely. Like minds? Charles seemed an easy boy to get on with — and Edwin seldom got on with anybody. He even felt at ease sitting beside him on the hard attic floor, nearly touching. Perhaps Charles was simply his universe-appointed fastest friend; the one person in creation who could truly understand him.

Or maybe it was a cosmic fluke, a quirk of biology. Maybe it could have been absolutely anybody in the world.

Yes, that was probably it. Nothing deeper at play than that.

Still, it was a pity Charles would be dead before the night was out. Soulmate or not.

(Definitely not.)

"Right..." Charles mumbled. Followed by a frown. "Wait, what?"

"Hm?"

"What d'you mean 'when you were alive'?"

Edwin looked at him. Charles still seemed rather small, rather sorry. A chilly little lump, all curled in on himself, even now they were side by side and of a height with one another. He looked cold, sallow. Not even the warm hues of the light Edwin had tentatively designated yellow could hide it, cheerful though it may be.

"You ought to move around a bit," said Edwin, standing smoothly. "You must keep your circulation going."

It would do no good, of course. But who knew? Charles might be hardier than Edwin gave him credit for.

"Edwin," said Charles, all seriousness. "What d'you mean when you were alive?"

Edwin's brow twitched. He held out his hand. "Get up, and I shall tell you."

Charles took his hand — and startled. "Fuck — you're colder than me, mate!"

"And for good reason. Come, now. Two or three quick laps of the room. I'll hold the lantern."

"Red lips are not so red as the stained stones kissed by the English dead."

~ Wilfred Owen

Edwin had heard some truly hideous sounds in his time. Crunching bones, squelching organs, agonised screams. And yet somehow, the wheeze of Charles hacking up water from pulverised lungs was among the worst to date.

"Are you alright?" Edwin asked, hands clasped upon the table — lest he risk something overfamiliar like a pat on the back.

"I'm fine," Charles deflected, voice hoarse and unconvincing. "Just answer my question.

Charles was looking worse by the minute. The warm tones of his skin that Edwin had grown so fascinated by were receding under sallow grey. A new colour was blooming, in and around his eyes; in the puffy lids underneath, in the spiderwebbing veins across the whites.

This colour was not nearly so puzzling — the veins were a dead giveaway. Edwin had read more than enough crime literature to be able to identify the colour of blood.

So, this was the famous red. A bold colour, possibly quite charming in the right context; which this most assuredly was not. Edwin was no physician, but he'd read a number of medical textbooks. Charles bore all the hallmarks of a man bedevilled with internal bleeding. It was not a matter of whether he would die, but of what would kill him first; the cold, or the injuries.

He tore his gaze away. Anger, bitter and harsh, had him by the throat, had his fists clenching together until his gloves creaked. Who were those wretched boys, to lay hands upon Charles? To break him so? This boy who, insofar as Edwin could tell, hadn't a bad bone in his body? Whatever Charles was to him, soulmate or not (definitely, definitely not), he was his. He was supposed to be his, and soon he would be dead, and Edwin understood, now. Understood how people found themselves mired in Hell's fifth circle, swamped in wrath and rage. For no reason, no reason at all, those boys had taken Charles’ life without a care. Taken his life, and the colour from Edwin's eyes, all in one fell swoop. Soon both would be gone; and if Edwin ever found the hooligans responsible they'd have a formidable haunting on their hands.

"Nineteen thirteen, to..." he counted one, two, three, slowly. Collecting himself. "Nineteen sixteen."

"Bullshit." Charles cocked his head, a small smile of disbelief upon his lips. It was a charming expression, in its impertinence. "When did you go to school here for reals?"

"Nineteen thirteen to nineteen sixteen," Edwin repeated, slower. "I am dead, Charles."

Charles laughed. Edwin raised his eyebrows — and pretended not to be fascinated by the flash of not-red in Charles' mouth, his tongue and gums. What was the word for a light red, again? He was sure he'd read it somewhere...

The laughter died, and Charles' eyes went wider still. "...Oh."

There was more of that not-red than Edwin had thought, actually. The shells of Charles' ears, where the dawning light from the window glowed through translucent skin. He'd never considered that a person's ears might appear a different colour to the rest of them. How many secret tricks of the light had he been oblivious to all these years? How many more had he yet to discover? How many would he never get the chance to see for himself?

Just how much more could possibly be stolen from him?

"I... I dunno if this is, um, bad to ask, or what, but..." Charles swallowed. "How'd you die, mate?"

His lips, too, were redder than the rest of him; although that was fading, rapidly. Cooling at the edges. Edwin suspected that wasn't supposed to be the case.

"As I said," Edwin replied, sadly. "We had bullies, too."

"Then leaf subsides to leaf.

So Eden sank to grief,

So dawn goes down to day.

Nothing gold can stay."

~ Robert Frost

He had Charles move around again, though it was clear it would serve no purpose. He was delaying the inevitable. Charles was all but shutting down already; the occasional boost to his circulatory system was hardly going to bring him back from Death's door.

But perhaps Charles would beat the odds. Why not? He seemed a resilient fellow. Perhaps he would, indeed, outlast the night, see another day. Perhaps help would arrive. Perhaps Edwin could give him the push he needed to survive this if he only persisted.

Besides, he couldn't let Charles seize up and expire just yet. Charles had questions and damn it all, Edwin would answer them!

"Actually, you can move around any space however you like," Edwin explained. "It is not that you cannot touch things, you just cannot feel them."

A blessing in disguise, on occasion. Though Edwin had done his utmost to fill up this nook by the window with whatever musty blankets and futons he could salvage, he doubted the floor was comfortable. He himself sat with his knees tucked up to his chest, bracing for discomfort he couldn't feel. It was far from ideal. But he supposed that a hard floor was the least of Charles' problems.

Charles was rapidly declining. That cool tinge upon his lips was growing more prominent, his coughs harsher and more visceral-sounding. But here, at least, he seemed as snug as Edwin could make him. Swaddled like a babe, tucked up against the cluttered old shelves. Perhaps this was warm enough to get him through. It certainly seemed warm, with the yellow light burning merrily on.

It glowed not only off Charles' skin and his eyes, but a myriad small reflective surfaces strewn about the forgotten nook. Edwin was particularly taken with the shimmer of it off what appeared to be a dented instrument — possibly a tuba? — near Charles' head. Metals had always looked very similar to one another, in Edwin's grayscale vision. Now he could see the metal of the horn was a somewhat deeper shade than that of, say, the earring Charles wore. Finally, he could see first-hand the differences between the precious and non-precious metals. Alas, he had few of them to choose from, and little way of knowing which was which. He supposed it safe to assume that the instrument was brass, hence its orchestral designation.

But the metal Charles was wearing was his favourite so far. It had a little of the yellow about it, but richer, more lustrous. Edwin found himself quite transfixed by the way it fluttered and flickered in the light.

He was familiar with the saying all that glitters is not gold, of course. But for want of further evidence, gold seemed as good a guess as any.

"It's stupid, but... I think I'd miss kissing," said Charles. He looked right at Edwin, earring and eyes twinkling with the motion. He did have... handsome eyes. Edwin simply must figure out what colour they were. Of a similar hue but different tone to his hair, to the old wooden shelves at his back. "Do you miss kissing?"

"Mmm-mmmm," Edwin mumbled, with a small shake of his head. "No. Not as such."

How many people had Charles kissed, he wondered? Surely not an abundance, they were of a similar age. Had he kissed someone this month, this week? Today? Before his lips grew cold and chapped, when they were... oh, what was that word for a lighter red? Pink, yes, that was it.

Then again, perhaps he went about with painted lips in every day life. He already wore some sort of cosmetic on his eyes, after all, so maybe it wasn't a stretch for a modern young man. Imagine. A boy, staining the lips of his paramours with lipstick when he kissed them...

Goodness. The world really had moved on.

Edwin cleared his throat. "No," he repeated, firmly. "No, I don't miss kissing."

He supposed it was fine that Charles liked it, though. And maybe he'd get the chance to do it again. He just had to hold on a little longer, outlive the dawn chorus, until the teachers noticed his absence and sent people searching. Then he could keep on living, and kissing and whatever else he wished to do and Edwin...

Well, Charles probably wouldn't have much use for a ghost friend. But at least Edwin could keep the colours. Just a little while longer.

Charles chuckled. It was a bit of a sadder sound than the last time Edwin heard it. "Must've had some shit kisses in your life, mate."

Edwin smiled, tightly. "Something of that ilk."

"Shame we weren't mates," said Charles. "I'd've..."

"You'd have... what?"

A smattering of colour returned to Charles' face, then. It might've been a trick of the light, but Edwin could've sworn his cheeks warmed. "I'd've... well, I'd've found you someone to snog, wouldn't I?" he laughed, drawing his blanket closer around his chin. "Got some fit mates from my old school. And the birds proper fancy the brainy lads."

Edwin frowned. "The... birds?"

"Y'know. Lasses. Girls."

"Oh." For whatever reason, Edwin felt... disappointed. And not just at the apparently abysmal state of modern slang. "Yes. Girls."

He cocked his head, watching Charles carefully. He was a very good looking boy. And he wasn't Edwin's soulmate, couldn't be, but...

Edwin cleared his throat. "Charles?"

"Yeah?"

"Do I look..." He wavered. "...Unusual, at all? To you?"

Charles blinked. "Um. Well. Outfit's a bit retro." His eyes widened slightly, a dash of mortification. "Not being rude! I like it! It's... it's cool."

Edwin rolled his eyes. "I don't mean my outfit, I mean... have you noticed anything different about this room since I walked in?" he pressed.

"Well, yeah."

Edwin inhaled. "You have?"

"Yeah."

He leaned in closer. "What have you noticed exactly?"

Charles smiled weakly. "Well. It... feels a lot less lonely. With you here. Warmer, too." He chuckled. "Daft as that sounds. With you being dead, and all."

Edwin's fingers flexed on his knees — all he could do to stop himself hugging them, wretchedly, to his heart. "Yes," he agreed, dully. "Daft, indeed..."

"Green makes me think of silence, or maybe it’s loneliness. I get the feeling of a terribly distant star."

~ Kobo Abe

Edwin had only ever known one person ‘fortunate’ enough to meet her soulmate.

Aunt Florence had always been a bit of an odd duck. Flighty and fickle, a perpetual embarrassment to her brother — Edwin's father — whose job it had been to lend financial support to her spinster lifestyle. As she alleged it, she'd found her soulmate in the late eighteen seventies. For reasons undisclosed (to Edwin, at least) they had never married. Edwin had never had the pleasure of meeting her mysterious match.

She had always seemed very fascinated with the world around her, Aunt Florence. A trait she shared with Edwin; though while his interest lay in facts, hers lay in aesthetics. He’d seen her dedicate hours to the study of a singular rose petal in her garden. Edwin was told she could do quite beautiful things with oil paints, for those with eyes to see. They were passable, too, in black and white, but lacking dimension.

Once, when Edwin was about nine or so, Aunt Florence had taken his chin between her willowy fingers.

"What lovely eyes you have, my boy," she'd said, in a smoker's croak. Uncouth for a woman to smoke, particularly one of her social standing, but she'd never much cared what others thought of her. Her tobacco-stained nail had nipped his chin as she held him close. "Your mother's eyes. Sea green... You'll find yourself someone who can appreciate them, won't you?"

Edwin, of course, had had no idea what green was, and little desire to find out. Not if finding a so-called soulmate was the prerequisite condition. He was of an age where the fixation that grown-ups seemed to have on kissing one another was both vexing and perplexing to him. A phase of his life that, to be frank, he'd never entirely left behind. He'd extricated himself from Aunt Florence's talons as politely as possible, and given her a wide berth for the rest of her visit.

The next time he'd seen her, she had taken one look at his eyes, and burst into tears.

They all ended the same way, these soulmate stories. It was a law of nature. Death was not neat, or particularly fair. No matter how blissfully happy the pair, someone always had to leave first; and when they did, the colour left with them.

Some, at least, got time to enjoy it all. Before their love — and their colour — died away. A few decades, or years. Months, even.

Some, like Edwin, got far less. Hours, if that.

And some, like Charles Rowland, got no time at all.

"They're out of the dark's ragbag, these two

Moles dead in the pebbled rut,

Shapeless as flung gloves, a few feet apart —

Blue suede a dog or fox has chewed.

One, by himself, seemed pitiable enough,

Little victim unearthed by some large creature

From his orbit under the elm root.

The second carcass makes a duel of the affair:

Blind twins bitten by bad nature."

~ Sylvia Plath

"Shut up, mate. That is brills."

Edwin was inclined to agree. Especially now he could appreciate the full effect. He'd been aware, of course, that his form seemed to partially dissolve into a mirage when he passed through solid surfaces. He'd been unaware that the mirage seemed to possess a certain hue. Not unlike the hue beginning to bleed through the filthy window.

The pre-dawn light was different to the majority of the colours Edwin had identified so far. It was colder. Greyer. Pale and stark against the opaque black silhouette of the distant treeline (interesting, how the trees still seemed black in this light. He wondered if he'd get a chance to see this green he'd heard so much about before the night was over.) If Charles' face was warmed by the yellow lamplight, it was cooled at the edges by the seeping tones through the glass.

This, like the red and the blood, came with an easy reference point. Everybody knew that the sky was supposed to be blue.

Seemed Edwin finally had a word for the sickly tint of Charles' lips.

"Why don't you fall through the floor?" Charles asked, puzzled.

"There are many, many, so-called ghost rules," said Edwin, sagely. He had, after all, spent several weeks conducting his own personal study and compiling the rules himself. "I shan't waste your time listing them."

"Well, I only asked about the floor, didn't I?" said Charles, a teasing lilt to his lip. Honestly, the cheek of the man.

"Because I choose not to fall through the floor," Edwin replied, in utterly falsified exasperation. "Happy?"

Charles had a certain way of smiling; one that spread up from his grinning mouth and into his eyes. Despite the cold, miserable state of the rest of him they fairly shone with warmth, a merry humour. A knowing gleam that said 'look at us, in on the joke'.

Edwin had never been in on the joke, before.

Charles chuckled; and Edwin did likewise, helpless to the draw of it. The magnetic sound. It had his lips lifting of their own volition — even as his heart sank further and further into the floor.

The blue devils, that's what his father had called it. On those rare occasions when he acknowledged Mother's low mood, or found Edwin weeping silently upon his bed. "You've just got the blue devils, my boy. Chin up, now, and soldier on. You've better things to do than mope."

He could feel them, now, those blue devils upon his shoulder. Cold, heavy, and the colour of Charles' bloodless lips. Weighing Edwin down like stones in his pockets. He hadn't felt hot or cold in decades, but now he felt as Charles must have done with the chill lake pressing down upon him, filling his lungs. And unlike Charles, he wasn't sure he possessed the tenacity to break the surface before the bubbles stopped.

He'd fought his way from the pits of Hell itself, and yet this climb seemed more insurmountable by far. He was no longer fighting his way from the dark to the light. There was no light above the surface of this icy water, no light at all. The light was here, the entire spectrum of it; above was only grey, grey, grey, as far as the eye could see.

"Oi," said Charles. He looked so very tired; but still inquisitive to a fault. "What other cool stuff can you do, then?"

Edwin huffed. "I can travel through mirrors, if you must know."

Charles' blue lips parted, breath escaping on a wonderstruck wheeze. "Wicked."

He ought to be more careful with his breaths. He couldn't have had all that many left to draw.

"We love the sight of the brown and ruddy earth; it is the color of life, while a snow-covered plain is the face of death."

~ John Burroughs

Charles Rowland passed away in the small hours of the morning. Edwin didn't even need to look up from the page; he just watched the pinkish tint bleed from his own ghostly fingertips, and made a deduction.

Even before his passing, Edwin hadn't looked directly at Charles in some time. He hadn't been able to bring himself to. The colour in his ailing new friend had diminished all but completely, his skin a sallow patina, his lips a cracked grey slate.

Edwin had only come to know colour on this night, and already he could feel its absence like a hole in his heart. He understood, now, why Aunt Florence had dragged herself so mournfully through her twilight years. Going through the motions of existing. Colour, for Aunt Florence, had been life; without it, there was simply no point living.

Somehow, Edwin found his voice, and he read on. Because Edwin was no Aunt Florence, arty and flighty and prone to outpourings of passion. Edwin was his father's son; he soldiered on. No matter what.

But the ache in his chest persisted, despite his best efforts to quash it. There had been so much yet to see. He'd never witnessed the colour purple — an expensive hue of which he'd heard a great many appreciative things. He'd never seen a flower, any flower, in full bloom, or watched one of those famous sunsets.

In the end, he never even got to see what his aunt meant about his eyes. But he had no reflection anymore, so. Perhaps that one was always a lost cause.

On the topic of lost causes; there was someone else in this room with him, yet. Someone who'd lost far more than a fleeting glimpse of creation in technicolour.

""— I cease to believe,"" Edwin finished reading with a soft, forced chuckle. To no response. He looked up to find Charles standing tall, gaze turned to the window. It was the first time all night he'd been without his blanket; and the first time he'd borne not the slightest shiver.

Well. At least he would never be cold again.

"Not enjoying this one?" Edwin prompted, gently. "Carrados the blind detective was just becoming quite popular in my day."

When Charles turned around, of course Edwin already knew what he would find. Knew what his own eyes would fall upon when they followed Charles’ gaze.

But knowing did not prepare him for the reality. The cold, desaturated tableau of Charles Rowland's demise, illuminated like a crime scene in the stark white light of the lantern. How a person so vital, so vibrant as Charles should be without blood and colour defied all reason. And yet there he lay; bereft of hue, and of life.

Edwin swallowed, and closed the book gently upon Max Carrados. "When you could see me, I knew it was too late."

Charles was silent. For the first time all night. Silent as the grave.

"But I simply..." Edwin hesitated. "I did not want to scare you."

In the corner of Edwin's eye, the lantern guttered and died. Good. It didn't seem right; all that light upon Charles, and not a drop of warmth in it.

"Well. Glad you didn't say anything." Charles' voice was stronger, now. How different he sounded, without the rattle of lake water in his lungs.

Charles looked at his hands. As did Edwin. How strange they appeared, in the bleak grey of Edwin's impoverished eyes. How unsettlingly close to the pallor his skin had taken on in his death throes. And yet he wasn't pallid, not in the slightest. Standing tall, unchained from his ailing flesh, he was more wholly and healthily Charles than Edwin had yet seen him.

"Doesn't feel like I imagined. Being dead," said Charles, thoughtful. "Feels okay, doesn't it?"

In truth, there was nothing remotely 'okay' about this situation. Edwin felt... robbed. He felt robbed. Because he would never know the colour of Charles' skin when it wasn't frozen grey, or beaten black and blue. He'd never see this Charles, standing tall in the dawning sunlight, the way he was designed to be seen. The way he was chosen, by God or fate or an impossible quirk of biology to be seen, by Edwin. Only by Edwin. For he was Edwin's, no more could he deny it.

And Charles would never see Edwin. Not the way Edwin saw him. Because by the time they met, it was already too late. Because in a wretched twist of fate, Charles’ soulmate — his unfortunate, unorthodox soulmate — was dead in the ground before Charles was even born.

And Edwin had thought Hell to be cruel and unusual punishment.

"I sincerely wish we could have been friends for longer," said Edwin, dropping the magazine and standing from his seat on the old trunk. "But Death will come for you, now. You should go with her when she arrives."

He turned, and began his brisk march to the door. What's done is done; and Charles was, unmistakably, done. Done in and done for, done in just about every sense.

So Charles would be off, now. He'd be off, and Edwin would just have to carry him, too. In his head, with his facts and his torments and a thousand tiny heartbreaks. What was another one, in the grand scheme of things? What else was there to do in this fugitive afterlife but keep his chin up, and soldier on?

"Well I'm not ready, am I?” Charles called out. “I don't wanna go somewhere else, yet."

Edwin faltered. Turned. Charles was watching him.

"What if I stay here for a bit with you, instead?" said Charles, preposterously.

"Then you will always be running from her," was Edwin's quick, logical response. But Charles was still watching him with those... those damnably appealing eyes, and he felt the need to defend his case. "Also, I'm not good with other people. And I only just came back to this school after escaping Hell, so. I'm out of practice, to be perfectly frank. So. When the light comes. You stay, and I go."

He smiled, tightly, and turned once more. There. He'd avoided mentioning Hell all night, but it was done, now. No boy with a lick of sense would —

"Well, I'm aces with other people."

… He simply could not be serious.

"Pretty chuffed you got out of Hell, mate," Charles continued, maddeningly blasé. "That sounds hard. Nice job."

Edwin turned on him, incredulous. "That is not how you make decisions," he snapped, taking a challenging step towards Charles. "Just based on whatever you happen to be feeling in the moment!"

"It's how I lived my life."

Charles turned his head, looked down at his own body. Edwin couldn't bring himself to do likewise.

"Doesn't seem all that different now."

Charles looked at Edwin, unflinching. And what a different creature he was, free of cold and pain. Lithe but lax, eyes slightly narrowed in almost catlike contemplation of Edwin. He stood before a hellbound soul, near naked and freshly dead, and yet the easygoing slope of his narrow shoulders bore no strain.

He shrugged, nonchalant. White light glimmered from his dangling earring. "Looks like you're stuck with me.”

For a moment it was nigh on impossible to believe he hadn't seen it, too. Hadn't seen the spectrum unfold when Edwin said his name. Because how else could someone look at anyone, let alone Edwin, with such certainty? As if he'd never been more sure of anything or anyone in his tragically short life.

Breathtaking was not a word Edwin liked to use lightly. In fact, he preferred not to use it at all. Who had ever seen something so rare, so staggeringly beautiful they'd lost their breath? It was the sort of word Aunt Florence would have used; flowery and hyperbolic.

It seemed Edwin owed her yet another apology.

Light flared in the corner. Their eyes leapt to it. It was of no colour that Edwin could see and yet he could feel it, deep in his soul, he knew its shape and colour; blue. A kinder, softer blue than that of bloodless lips and dreary skies. The wild blue yonder that he was barred from forevermore; the one that awaited Charles Rowland with open arms.

Charles looked at Edwin.

Edwin looked at Charles.

Charles smiled, soul glowing lantern-bright in those dark, confident eyes. He didn't move, not towards the light or away from it, but he held out his hand. Planted like a tree, unbending, unbowed. His roots sunk deep into the loamy earth of life; his branches beckoning Edwin into their boughs.

Oh, thought Edwin, when he understood — didn't see, simply understood — the colour that had been gazing back at him all along. That's the word I was looking for.

Thirty years passed, fading into memory, and with them faded the sting. It was hard to mourn the loss of colour when one could scarcely remember what it looked like in the first place. Those fleeting hours blended and blurred amidst the grey years, lost to time; a single hand-tinted frame in a hundred miles of monochrome celluloid.

Though he tried to remember, Edwin struggled to visualise the yellow light that had bathed their faces; the gold that glinted at the cut of Charles' jaw. Pink lips, red veins, the blue stain of death. Such things were impossible to note down in a world of black ink and white pages, and his aide-mémoires soon failed him. The colours fluttered away into the past, scattered to the winds of memory like his mother's smile, his father's voice, Aunt Florence's smoky laughter and the roses she painted on the guest room walls.

But though he could not recall the exact shade of Charles' eyes, nor compare them to any other — not even his own — Edwin knew something about them. Just as he knew Death's light shone heavenly blue. And for once in Edwin's long and tormented afterlife, he felt truly fortunate. Because he'd been allowed to experience only a fraction of what the visible spectrum had to offer; colours he could count on less than two hands.

And yet somehow, by some stroke of luck, he'd seen the best one nonetheless.

"At breakfast that morning I had been struck by the lively dissonance of its colours. But that was no longer the point. I was not looking now at an unusual flower arrangement. I was seeing what Adam had seen on the morning of his creation - the miracle, moment by moment, of naked existence."

~ Aldous Huxley

Thank you for coming on this journey with me, my darlings 💛 Love to hear your thoughts! Reminder to check out Olly's amazing gifs! This one took a little while to come together, bc in my first draft Edwin's feelings/progression were a bit all over the place. But I realised that all the sections of the attic scene (not including the very first one/my inserted flashback about Aunt Florence) could track along the five stages of grief quite nicely and that gave me a good framework to loosely follow, starting in his denial of the implications and ending in devastated acceptance of what he's lost. As to why he didn't like, *tell* Charles, well, what would you do? Be honest? If you were a dead Edwardian ghost boy and you found out your actual soulmate was not only another boy, but a doomed one? One who isn't even seeing what you're seeing. Maybe he thought Charles wouldn't believe him, or would take it badly. Maybe he thought telling him would sway him unfairly into staying when Edwin believed he should go. I think he will tell him, one day. And Charles is gonna be PISSED that he kept it from him so long xD For the quotes, I tried to stick to things Edwin could possibly have read, so pre-1989 things, as I like the idea of him using literature as a framework for understanding what he's seeing. It was really interesting writing about colour from the perspective of someone with no reference for it! Some of the quotes might have ended up anachronistic by a couple of years, tbh people are *shit* at sourcing their quotes and while I could source authors easy enough it was hard sometimes to isolate what specific book/anthology the piece came from, or what year it was published. If I'd have had more time I would have done more digging! Anyway, that's about all I got right now. I dunno when I'll be back, probably (hopefully) in a few weeks with the next chapter of Lonely Bones. In the meantime please, feel free to continue chatting with me in the comments, on my tumblr, come be a pal, I've had the time of my life with y'all this week and I'm not ready to get off this train just yet! Until next time! 💛

#painlandweek #painland week #payneland #dead boy detectives #dbda #my fanfic #PHEW #WE MADE IT GUYS #i think there's some things about this one i might have tweaked/restructured given a little more time #a few things i would have gone into more as well #idk if it's a thorough an exploration of the concept as I'd planned #but all in all not half bad!#and working with olly has been an honour and a delight!!#thank you so much everyone who's been cheering me on this week 💛💛💛#and now i have time to finally go and read all the great stuff you've been writing!!!

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incorrect-jojolands-quotes · 6 months

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Hot take but I think what we saw in chapter 13 was necessary.

I don't think a lot of people realize how important it is for Araki to portray what he did, even if it extremely difficult to take in. Let me explain.

Araki has discussed about topics like racial and class disparity through both Steel Ball Run and Jojolion, but JOJOLands is different because the discussions are now very direct. We had Chapter 1 open up with police brutality and Chapter 13 open with intense bullying; both acts were committed by people of higher social standing/power and seemingly White (or white passing) and both are harming a dark-skinned queer individual. Not only that, remember that Hawai'i is an island stolen and colonized by the US and many indigenous individuals who were supposed to live and maintain kapu are being forced to endure housing problems, loss of culture, etc. due to gentrification and exploitation of its lands. 2020 was when we saw global protest towards the deaths of George Floyd and Breonna Taylor due to police brutality, which has spread as far as Japan in terms of demonstrations and rallies. Araki has made it clear that he tries to take real world experience into his writing, and this is no different. He is also no stranger to portraying law enforcement throughout his parts without glorifying or downplaying their behavior.

As a mutual of mine (who themselves identify as a black GNC individual based in US) has put it, those who identify or even appear as Black while identifying as trans-femme or women are subjected to some of the worse kinds of oppression possible in America. Queer women of Color are one of the most susceptible to sexual violence-- especially when they are young, and the darkness of their skin really plays into it. This is transmisogynoir; it is a hard pill to swallow and acknowledge, even if it feels excessive, and its a multilayer of oppression that connects a person's racial identity, gender, and sexuality as targets of discrimination. It's the fact that one is POC, a woman, AND queer that makes one a target--- not just one or the other. You can’t turn a blind eye to this because it happen constantly throughout America's history and American society even today, but you can't simply water it down or downplay it. In fact, many victims of transmisogynoir have no choice but to downplay their experiences because of their Black identities or because they appear too dark to be taken seriously; when they, especially if they are Black, try to hold people in power accountable, these individuals are suddenly labeled aggressive, indignant, etc. and they are further discriminated for attempting to speak up. Dragona downplaying the bullying isn't them just trying to avoid further conflict but a reflection of how many who were in similar situations like Dragona are forced to simply forgive and forget the trauma they have to endure. To downplay it ourselves is reinforcing the narrative that individuals like Dragona in real life should remain silent and endure their harassment rather than rightfully protect themselves and others from it.

Another thing to add is that the way Japan portrays and treats the LGBTQ community, particularly the trans community. In Japan, the process to legally change your gender is complicated and requires a lot of steps that include, but not limited to, being diagnosed with gender identity disorder, proving you have no kids/guardianships, and sterilization. This causes a lot of individuals to be forced to quickly transition as a means of getting their gender recognized, which takes away the time to let them explore at their own pace, and this is due to how the process can lead to hindering career and life opportunities that wouldn't be hindered had they already transitioned or stayed closeted. Many Japanese trans individuals unable to go through the process quickly either remain closeted or move away from Japan to transition at their own pace. So, as a result, the trans community and its struggles is not as noticed compared to outside of Japan. Another thing to add is that the trans community in Japanese media is often portrayed as comedic relief or a gag. Oftentimes, the trans character or character who diverts from gender conformity (i.e cross-dressing, acting more flamboyant) is the butt of the jokes. Some thing to note is that, when Dragona was first introduced, a lot of people thought that Araki put Dragona in simply for comedic purposes. I had people joke about how Dragona is just there because they believed Araki is trolling. Not only that, the racial issues that Japan has often results in jokes towards non-Japanese individuals in media, especially if they are of darker skin color.

So, Araki putting Dragona in these difficult situations is also meant to subvert expectations that his Japanese, and possibly Western, audience may be expecting. The expectation was to laugh and toss Dragona aside as a single-dimensional character, but Araki instead forced us to face the trauma through Dragona's experience head-on. We are made aware of Dragona's situation, how real and difficult the struggle is, and we end up emphasizing with it rather than laughing at it. Through this, we get a glimpse into real life experiences of trans POCs without it being downplayed and have it show how Dragona is a fleshed-out character with importance to the series. As some have put it, this chapter proved that Dragona isn't just a side character but arguably a complex individual on the same level of importance as Jodio. I don't think it would have been easy to have the same impact if another approach was taken.

While talking to others who identify as trans and/or GNC about their thoughts on the chapter, I was told by many of them that, while Dragona's experience hits close to home and was hard to digest, they appreciate seeing it being expressed and hope it will help other people understand their struggles. One noted how the introduction of Smooth Operators with the backstory as empowering, seeing the Stand as a symbol of surviving the trauma that comes with trans discrimination. I do find this a bit telling with how many people online who are against Araki's portrayal barely mention what trans/GNC people have said about it.

My main concern, as well as what I see people have rightfully critiqued, is the excessive trauma reinforcing the fetishization and violent voyeurism towards trans individuals; it also reinforces the problematic narrative that dysmorphia can only happen as a result of trauma and the trans experience can only be full of pain. There's also the issue that Dragona's experience also happened while they were under age and their harassment is similar to that of Lucy. It's a common trope in Western media to put marginalized people into these situations while upping the ante simply for clicks and pleasure, and even worse when the character portrayed is a minor. As I reiterate, it is a very uncomfortable chapter to read and I don't find it enjoyable at the slightest. Just because I understand why it is necessary doesn't mean I condone the approach done. I also understand Araki as a Japanese man can only relate and portray a queer American's experience to an extent. But, at the same time, the exposure was necessary because it gives us the awareness and a voice to trans people that is lacking within media even today. We need to be aware and acknowledge what our BIPOC trans community goes through as a means of being better humans--- and especially our younger community members. We need to make our society safer for them so they can thrive and have the respect they deserve. Oftentimes, that starts with how they are portrayed and how their experiences are portrayed. While it is still a journey and not every representation will be perfect, we can't simply toss it aside and bash those who try to show something realistic just because it is uncomfortable.

I only hope that Araki wrote Dragona and these scenes as a result of doing extensive research and reaching out to actual POC queer individuals, particularly transfemmes/women, to understand their experiences and have their blessings to use their words to shape Dragona. I feel like that would show that Araki was serious about discussing these issues through his characters rather than simply using Dragona's traumatic experience it for entertainment. I have higher expectations for Araki now, knowing that it may not be the last time he shows a character experience harassment and possibly have Dragona be harassed again, so I will keep my eyes open for this.

#the jojolands #this is my first time making a long ass serious post about this so i hope my message is well put #i understand that not everyone will agree and that my view is limited due to experiences so i do apologize if my message was incorrect #i wrote this after discussing this with trans/gnc individuals about their thoughts of chapter 13 and noticed how there's discourse on it #obviously please listen to BIPOC voices especially from those who also identify as queer. many told me they appreciate chapter 13's rawness #i'm also going to use this time to read up and learn more about the trans community and BIPOC community #so feel free to send me stuff to read up on as well #but yea my two cents #jojolands spoilers #jjba jojolands

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grassoftunnel · 9 days

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Natsuhi/Kumasawa Manifesto

Yes shipping. No not even straight crack, I’m like actually serious! Though I’ll be frank this is mostly going off the wall insane and just doing what I like for fun and profit rather than serious analysis! But if you’re interested…walk with me!

I wish there had been more Natsuhi and Kumasawa interactions. Lesbionically charged ones even. I was thinking about how Kumasawa really stands apart from the rest of the servants as the lone person in Japanese clothes and who also doesn’t really gaf about the Ushiromiya’s like that (and the Ushiromiyas likewise are either really rude to her and/or dgaf). She also is always talking about the original Rokkenjima mythology. It got me thinking about what Natsuhi thinks about her, and if she took special notice of her in the sea of Western things associated with the Ushiromiya’s. Kumasawa is also a seriously minor and under-utilised character considering everything, and I think that’s a shame.

I constantly think about how Natsuhi was supposed to have an affair with Gohda, and I assume it would have gone more into her own desires as an individual outside of her really pitiful life on Rokkenjima. Since here is a guy who is her social lesser, who adores her, and has a distinctly servile nature around her. Like this is a dynamic that is going to appeal to her. I really want to push back against the whole Natsuhi as a tradwife characterisation because I think it ignores that it’s literally a mask that she’s constantly trying to convince herself she’s okay with. She’s a deeply conservative woman, but she clearly yearns for power and respect of her own. Which I think plays well into her conservatism with gender, like how she’s takes such pride in calling herself the representative to the head, and in her fantasies of a supportive Kinzo, he talks about how she would have made a wonderful son-in-law. Like she WANTS to be the one with power, the “man”, even if she’s still an extremely traditionally feminine woman. Like she wants to be of course seen as steady and reliable but also to be supported and doted on (by people beneath her i.e what I think an affair dynamic with Gohda would have been). For her knowledge and contributions to be admired and recognised and seen as valuable. It’s also interesting to contrast her to Eva who is like, outside of family conferences, living as close to her best life as is possible with a husband who respects and defers to her, even if she’s nominally taking the position of his supportive wife. Like everyone recognises her place as the matriarch of her own family. Which is NOT the case with Natsuhi. Who is taking Ls left right and center every single day of her life, emotionally and literally. However I feel like Gohda is too much of an incompetent clown to make her feel like that in an actually successfully or especially compelling manner. I also think he perhaps appeals TOO MUCH to Natsuhi on the surface level, like she’s not exactly questioning that deeply if she likes this refined and servile guy who is around her own age.

And so…enter Kumasawa. Her senior by like 30+ years, lowborn, boorish, vulgar and insubordinate, and with no (visible) special standing (unlike eg. Genji) outside of her long service. But also…BECAUSE of these things Natsuhi would feel very comfortable being, ugly, raw, needy, unreliable around her. Because why should she be ashamed to be those things around someone like Kumasawa! Natsuhi is so far above her it’s inconceivable that she would ever feel unworthy in front of her! It’s just a given! She should be happy to even be spoken to by someone so far above! But the thing is…I think Kumasawa would run rings around her. And has every reason to dislike and look down on Natsuhi, for her cruelty to the servants, her posturing, and clear failure to command the respect of the true master of the house, or even her own husband and daughter. Kumasawa is a very minor character but I like the small insubordinations that peek out, and while she’s generally sympathetic to the suffering of women, Natsuhi can be a real piece of work to the servants eg. Shannon. This can create a fun dynamic where Natsuhi can be needy and unreliable, and be outwardly cruel to Kumasawa but also have a condescending affection to her. And she’s too shortsighted and up herself to even realise Kumasawa feels the same. Or if she does it’s in a I can see you hate me, but that’s okay, because you have no choice anyway. Like a dark reflection of her own entry into the Ushiromiya family. And Kumasawa could see her as this pathetic young (hilarious to write about a 47 year old) thing who is fun to toy with, especially since Natsuhi is always throwing her weight around with the servants. The way that class and gendered dynamics intertwine would be so delicious with these two as well. Natsuhi is the social better, and the Man. Kumasawa is the woman, but not in any way to actually threaten Natsuhi in regards to conventional femininity (she’s an unrefined old biddy after all). Like it’s okay and not conflicting with her conservative values for Natsuhi to act like this because Kumasawa is so beneath her. But also…Kumasawa has 30 years on her and those 30 years are not nothing…I kind of want to see her indulge Natsuhi a bit and spoil her even if (maybe especially if…) condescendingly🙈 especially since Natsuhi’s had to grow up so fast and been forced into this wet blanket wife role. I want to see her be annoying to Kumasawa like Krauss is to her.

Also would be funny since Kumasawa’s personality and habits probably irritate her so much lmfao. Like imagine the phantom thread scene where Alma is chewing really loudly and Woodcock is going insane. Also Kumasawa is the one with real control over the servants, like it’s all Natsuhi has but it’s not even real. I want to see Natsuhi take out her pain but also try to assuage her guilt about The Child Who Would Be Sayo via her. Which is so yummy because Kumasawa’s sins are so much worse! Lol and this affair might be like literally the main outlet for Natsuhi to escape her life, but for Kumasawa who has a whole ass life and family and kids, it’s nothing. This is all not to be uncharitable to Natsuhi but I personally like to see women behaving badly and being flops in their romantic liaisons. I think there’s a fun dark version of Natsuhi where she give into her selfish desires more and kind of channels Kinzo. Like making the choice to position herself with him as a way to escape the miserable pitiful life of a housewife of an unworthy man. Usurp Krauss as Kinzo’s heir instead of trudging along the path to becoming the pitiful perpetually disrespected figure of the person who was Kinzo’s wife/ Krauss’ mother. Anyway now this is making me think a lot of a NATSUHI-Beatrice Forgery where she gets masc’d up and Kinzo-like HAHAHAHA.

#Natsuhi ushiromiya #Chiyo kumasawa #Umineko #umineko spoilers #I literally went into an hours long on and off yuri trance thinking about this at work. lol did not consult the text AT ALL pure delusions #Anyway lmfao now I really want to draw a kind of masc Japanese style kinzo inspired natsutrice like watch this space!!!#I cant even remember any specific interactions they have ijbol but a true himejoshi/himedanshi can find Yuri in the shadow of a flame #Idk I just love to see refined women act like chauvinist pigs and for those chauvinist pigs to have mommy gfs is that so bad…#Ever since I was a little girl I’ve dreamed of forcemascing tradwifes…#Sorry to the natsuhi fans who are going to get whiplash reading this 😭 but this the kind of stuff I like in my heart lol #Also sorry to sayo #Between this and Genji->kinzo the ships I like the most are the ones most likely to make her want to murder suicide everyone faster 😭#text

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