#for clarity this post is not saying that doing that is evil or anything. that is a separate topic for a separate post. i am saying

[jewfrogs]

i understand the rhetorical purpose of drawing a line between fantasizing about something and acting on something (and i don’t even think that’s a terrible argument) but i feel like writing/drawing/posting in a public forum about said fantasy is not necessarily “not acting on” those feelings. which is not to imply that it’s identical or equivalent to physically enacting certain actions, but it’s not a neutral state of simply feeling something in response to a stimulus; it’s an active choice to manifest and share those feelings.

[drchucktingle]

Good day Dr. Tingle. I haven't read your stories, but I've known about you from afar in this website for a while. Your recent post about separating Ideas and Message is very similar to how I teach a class. I wanted to ask you, if you could share some of your Messages, in whichever structure/length/complexity you think about them before writing, to have some real world examples to show in class.

Personally I tend to simplify and shorten my messages as much as possible, like "everyone deserves forgiveness" for example, so that I can permeate it throughout the story, and so that anyone experiencing the story can come to a similarish conclusion.

I'm curious as to how your Messages look like inside your head, during the creative process. Not the refined versions used for marketing and sales and stuff.

Thank you!

sure buckaroo.

high concept idea of the book STRAIGHT was this: zombie apocalypse story but the rage only effects straight cis people (there is also a second high concept idea in there which is: what if zombie plague only happened one day a year? how would culture handle this politically and otherwise?)

so i had this idea that i thought was good, but before i can write it i think 'well what do i want to SAY about this? what am i FEELING?'

and i realized that i was a little torn about how to write this story because of the one day a year thing. when is it okay to fight back? can you hurt a zombie if it turns back into a person the next day? is that right or wrong? and WHEN is it right or wrong? what situations?

then i realized that with the metaphor of this story what i was really asking was something bigger: why is it up to the victims (in this case queer buckaroos) to be forced to make these decisions? marginalized groups have TWO kinds of violations done to them, the first is the obvious act of violation, but the second is that they are forced to use their time and mental space and emotional tolerance to learn how to HANDLE the first violation in an 'acceptable way'

so THAT became my message. if you want to know how i feel about these questions you can read STRAIGHT and find out.

CAMP DAMASCUS high concept idea was (SPOILERS IF YOU HAVE NOT READ CAMP DAMASCUS STOP READING HERE) what if the church really DID decide the ends justify the means and instead of stopping demonic possession they were inflicting demonic possession to counter sinful acts.

but that is not the message of the book. that is just the idea. if i just had that idea i would not write it, but as things evolved i realized WHAT i wanted to say with this story

in this situation WHO is the force of 'evil'? would it be the demons? would it be the possessed? or would it be the SYSTEM AND MENTALITY that was creating this situation in the first place? so the book sets out the answer this question and express the conclusion that ive made for myself

i also noticed that many churches who are anti gay have a sort of infantilizing trot with how they handle their young buckaroos. this idea that gay feelings will just go away if they are ignored and that they can almost keep young queer buckaroos from ever aging into fully realized adults. obviously i think this is WRONG and so fighting back against this mentality became part of the message as well, and that informed most of the metaphor and symbolism in the book.

it is important to keep in mind that sometimes the message can change. as the book trots along i am LEARNING myself, working out these thoughts on the page and coming to a conclusion of my own. this is actually VERY true of BURY YOUR GAYS, which is probably most autobiographical thing i have written. i will save talking about that MESSAGE and HIGH CONCEPT for after book is out though

EDIT FOR CLARITY OF MY WAY:

when i say i write MESSAGE FIRST that does not mean i think of the message first in TIME (although that does happen sometimes) it means the message is the most important thing over plot or characters or anything like that (although those are important too). it means that i write with message as my north star, which is rare, but it is how i make art

[tinfoil-jones]

Gravity Falls: For Your Own Good, Ch. 5

Summary: A few years after moving to Gravity Falls and having his lab built, Stanford Pines happens upon his estranged twin brother, Stanley. He mentally prepared himself to be suffocated by his brothers neediness all over again - what he wasn't prepared for was Stanley walking right past him like he didn't even notice him.

Rating: M for language, violence, and adult implications

Preface: Dialogue only, but some actions will be annotated for clarity. Cross-Posted on AO3 Here

First - Prev - Next

CH.5

“Hey, stretch. You here to play doctor?”

“I’d just like to interview you. I’m not going to touch you if that's what you’re concerned about.”

“Why not?”

“...ANYhow, I have a few questions for you.”

“Yes, I'm single.”

“Not those kinds of questions. Can you tell me your full first name?”

“Can you give me yours first?”

“Fiddleford.”

“Stan.”

“Okay, Stan. Where are you from? And don’t you dare say from my dreams.”

“Well yeah, I’d say ‘from your dreams’, not mine. Other than that, probably some gutters or a ditch somewhere.”

“What do you mean?”

“As far as I remember, I’ve been out on the streets, or in prison. I think I had a car at some point? But I dunno what happened with that, it makes my head burn trying to think about it.”

“Do you have any family?”

“No.”

“Do you remember ever having a family?”

“I don’t remember having one, but I feel like I had one before.”

“What do you feel like happened to them?”

“They probably got tired of my BS and told me to take a hike. It’s how it always goes with me.”

“That’s a theory you’ve put together. I’m asking what you feel like happened.”

“Feel like I had a dad who was waiting for an excuse to get rid of me. I feel like I had a mom who was a liar - I probably got it from her. Maybe a sibling or two? But they don’t want me around.”

“And what do you think about Stanford?”

“You mean the guy who drugged me, kidnapped me, and is keeping me prisoner in his evil basement sub-lab in the middle of the woods? I gotta say, he makes an impression.”

“But does he seem familiar to you?”

“I don’t think I could forget someone like him” 

“Is it because of his six fingers?”

“It’s twelve , and no, that's pretty normal compared to all of his other weird crap. It’s because he’s fucking crazy , and convinced I’m some mystery twin of his. But let’s stop talking about him, and talk about you instead. Are you single? You doing anything later?”

“Stay on track, Stan. Let’s take a step back and go back to talking about you. Have you recently gotten into any accidents or sustained major injuries?”

“Define ‘major’.”

“Beg your pardon?”

“Judging by your friend's reaction to the stab wounds when we met, I don’t think your definition of major injury is the same as mine.”

---

"What did you determine, Fiddleford?"

"It wasn't easy to glean things because he would not stop flirting with me - was he always this way?"

"He was a little girl-crazy when we were younger, I didn't know he liked men. But that doesn’t matter right now, what were your findings?"

"He has full cognitive function. And based on your scans he has no signs of brain damage - comparing images of his brain to yours, his genetically identical twin, there isn't any morphological difference. Based on my interview, it sounds like he's never sustained significant head trauma neither.”

"But..?"

"If he really does have amnesia, it wasn't caused by a head injury."

"What else could it be?"

"A few things - perhaps he took a drug or substance that warped his brain chemistry. Or- more likely in my opinion, based on his lifestyle and what little history he tells me, he might have undergone extreme distress that caused a mental breakdown."

"Mental trauma can cause someone to lose their memories?"

"Our memories can be a shield and a sword, Stanford. Even good memories that can comfort you through a difficult time, can also cause pain and frustration when compared to a bad predicament.

He must have gone through something so traumatic that the only way his mind could cope with the stress was to... forget things. This is a phenomenon known as repression . Most of the time, a person would repress the traumatic event itself, but it looks like he’s defied the statistics and forgotten everything else instead.”

“He can’t be… that traumatized, right? This is Stanley we’re talking about.”

“I don’t know what he was like before, but he’s got a mullet, Stanford. There ain’t no way he's in a good place mentally.”

"And how would repressing memories about our family- about me , possibly help him cope with trauma?"

"If I'm going to be frank with you, this is the first time in the years that I've known you that you even mentioned having a twin brother . You've talked about other family members before, such as your older brother Sherman, but never him.

If his mind had to prioritize which memories to keep, why would it keep memories of someone he isn't close to?"

"We are- well, we were close."

"Were is a strong word, Stanford. Survival focuses on the present, not the past.”

“... What can we do to get his memories back?”

“I’m not a therapist. But perhaps if you can get him out of the survival mindset, he’d be open to some introspection.”

“So we must disable his fight-flight-freeze response…”

“Stanford Pines, I will throw that damn tranquilizer gun down the bottomless pit if you don’t put it down. Ya'll really need to stop using the slippery slope of science without consideration for morality like it's a damn seesaw. There are other ways to get him out of fight-flight.”

“Such as?”

“I would suggest you make him feel like he’s in a safe space, but that might not work.”

“Why not? He’s perfectly safe here.”

“But does he know that? From his perspective, you’re a stranger who shot him with a tranq dart and imprisoned in your basement for scientific exploitation. And I’ll remind you, this is all without his consent. He is here against his will.”

“It’s for his own good.”

“According to you, someone he thinks he doesn’t know. This may be your twin, Stanford, but he doesn’t know that. You need to gain his trust; maybe he would have trusted you by default in the past, but that isn’t the case now.”

“I… I’m not sure how to do that, Fiddleford. At one point, we knew everything about each other. And now I barely know him, and he thinks I’m a stranger. I’m still angry at him, and still bitter about what he did before he left home, and I’m disappointed in the conman and convict he turned into… but I’m sad, because he's convinced he’s not my brother.”

“You ain’t exactly the same person you were even when we first met all them years ago. People change. How about you try talking to him?”

“Just talking to him?”

“This may be difficult for you in particular, but you should try talking to him like he’s a person; and not a science experiment, anomaly, or an equation you’re trying to solve… Hey, hey don’t be looking like the last pea at pea-time now. I believe in you, you got this.”

“Thank you, Fiddleford.”

*Ford goes back downstairs to the lab. Fiddleford waits for him to be out of earshot before speaking*

“Bless his heart. This is going to be a disaster.”

To be continued…

[lesbiansforangusmcdonald]

Ok, finals are over, so now I can FINALLY post my Pepe Sylvia theory about Porter actually being evil that has been ruminating in my head ever since I saw season 2! (spoilers for s2 of fantasy high, obviously)

(sorry if someone’s talked about it before and I couldn’t find it, but like WE NEED TO DISCUSS THIS BEFORE S3!)

Ok, so I noticed something when Ragh talked about the first time he saw Kalina in episode 4 of season 2 (“Heartache on the Celestine Sea”). He says that he saw Jace talking to some elven woman (who is revealed to be Adaine’s mom, Arianwen) and to “someone he couldn’t see. I just assumed somebody was invisible.” This is most likely Kalina, as Arianwen was there to get the Nightmare King’s crown and Kalina could have been helping her do that. However, this is important because, since Ragh could obviously see Kalina later on, this is a point in time when he couldn’t see Kalina.

Then Ragh says that after he saw that, Jace and Porter came to talk to him, and “Porter did some barbarian healing with me.” This seems normal enough, as Ragh had just been in a huge fight, but Ragh stipulates that “I didn’t feel that injured, honestly.” So this line already makes it seem as though Porter may have had some ulterior motive for healing Ragh.

Then, Ragh says that as he was walking home after this, he was approached by Kalina, who threatened to kill his mom if he said anything about seeing Arianwen at the school.

(the clip of the scene is here, if you wanna watch it, edited slightly for clarity)

So this makes me think that Jace and Porter knew Ragh saw Arianwen at the school, knew he would probably tell the Bad Kids about it, and Porter intentionally passed Kalina to Ragh through healing in order to ensure his silence.

AND if you’re thinking this may be a bit far-fetched, I’ll remind you that Landren Leir, the cleric of the unnamed goddess who infiltrated the elven Galicaean church after the fall of the unnamed goddess, also passed on Kalina via healing of the high-elven clergy, which she was then murdered for.

But in order to pass it on to Ragh at all, Porter must have been infected with Kalina as well, so here are some of my theories of what that could mean;

1. Porter had no idea he was infected and was just trying to heal a student.

I mean, totally possible, right? From most of the other angles, Porter seems like a decent guy; he supports Fig in barbarian class, he’s part of a community at his local gym, and he did get sucked into a palimpsest when Kalvaxis/Goldenhoard was trying to take over the school — why would that happen if Porter wouldn’t have been opposed to what Kalvaxis/Goldenhoard was doing? And there are plenty of people who are infected with Kalina and never show any symptoms, and therefore never know. It could have been totally innocent. BUT it’s just a little too convenient, isn’t it? Ragh sees Arianwen at the school, and then right after he’s “randomly” infected with Kalina? It just doesn’t seem like a coincidence.

2. Porter knew he was passing Kalina onto Ragh, but wasn’t aware of the full plot to steal the Nightmare King’s crown.

I mean, also possible, right? Maybe Jace put Porter up to it, maybe he knew more than Porter did about the whole situation? Porter wasn’t initially mentioned as talking to Arianwen, maybe Jace just manipulated Porter because he knew that Ragh would trust Porter as his teacher. BUT I think that it would be kind of weird for Porter to be in the school, be infected, be around all of these other people who are in on this wider plot, but they don’t get him involved. Maybe they thought he wouldn’t go for it, thought he was too nice, but I’m not sure. I mean, I think this theory has more merit than the first one, like it’s possible, just would be a little weird.

3. Porter was in on the plot to bring back the Nightmare King.

I mean. Like I know this may not be another Loose Duke situation. But it’s possible! Like, he’s in the right positions! He works at the school. He has the trust of some of the bad kids. He didn’t openly support Kalvaxis or anything he did. Maybe their larger organization (which they do hint that there are more people throughout the world that want to bring back the nightmare king throughout the campaign) thought that he should lay low and hold onto the trust of the bad kids, just wait until the right time to strike. Again, the fact that he would knowingly put a student, one of HIS barbarian students, in such serious danger, in order to protect the larger interest of bringing back the Nightmare King, does not stack up well against him.

So, do I think that Porter will end up being the big bad of season 3, or even the elusive season 4? No, probably not. BUT I do think that he’s sus as fuck and we need to stay on our toes, because he could turn out to be more of a threat with the right opportunities.

[ectonurites]

Are Tim and Cass Cain actually close in canon? Or is that more of a fanon thing that gained canon status?

Alright, so the tldr answer is that yes pre-reboot they were close—but it wasn't something that happened immediately/right off the bat, it took time, and they didn't always perfectly see eye-to-eye. But like, it's not just some totally fanon thing, they were absolutely close.

I'm using past-tense in the above though because it's like... all the actual content with them becoming/being close is pre-reboot. Anything post-reboot with them either had them back at square one (during N52 stuff) or like, just sort of handwavey 'oh they're close again' without much actual elaboration/explanation. Theoretically nowadays everything's canon again so all the old stuff applies, but as far as I'm aware nothing has really dug all that deep back into the two of them/their dynamic.

Now, to give a brief crash course on Tim & Cass's relationship in canon...

Early on they weren’t all that close because Tim was absolutely intimidated by her & her background and like, in general seemed to just find her kinda off-putting:

(Robin (1993) #73)

However Tim eventually gets over himself & after working side-by-side with her a little bit realizes he shouldn't let being intimidated by her stop them from being friends and working together:

(Batgirl (2000) #18)

After this point they work together on several occasions, definitely communicating much better than in their initial appearances together and clearly getting along well. They're a fun lil duo:

(Superman/Batman Vol. 1 #5, Superboy Vol. 4 #85)

Then… after a while, War Games happens. Gotham goes to shit, Steph dies (well, we nowadays know she didn't really, but they sure were both grieving) and so they both independently move to Blüdhaven, which leads us to the Robin/Batgirl: Fresh Blood crossover. Which has some fun little moments with them:

(Batgirl (2000) #58)

As well as some on the more tense side, as they both navigate mourning Steph and the clashes in their ideologies/approaches to hero work—the fact that Cass wants to be & be like Batman, and the fact that Tim absolutely does not:

(Batgirl (2000) #59)

After the crossover they mostly do their own thing staying out of each other's ways in Blüdhaven—though they do get another little story together in this timeframe in Batman Allies: Secret Files & Origins that sort of rehashes the above conflict during some training together & a team-up.

And we DO also get the cute (and oft-mentioned by the fandom) moment where Tim mentions she frequently breaks into his house to shower & steal rice krispies (just for clarity sake, while fandom almost exclusively calls her 'Cass' largely to avoid confusion with Cassandra 'Cassie' Sandsmark, within the comics themselves both Cassandras get called 'Cass' and 'Cassie' at various points—considering Cass is the one who lives in the same city as Tim at this point in canon, that's definitely who he's talking about here)

(Robin (1993) #138)

So like, at this point they are absolutely comfortable with one another and pretty close, but just, they don't see eye-to-eye on everything so it's not some flawless friendship (and I say friendship specifically because at this point we're still a few years out from them actually becoming siblings). But it's absolutely an interesting dynamic!

Then… after Infinite Crisis we get to the One Year Later/OYL era which is... bad for Cass. Terrible horrible character assassination we all refer to as the 'Evil Cass arc' which began in Tim's book. I don't wanna pull panels from it because it's just... it's bad!!!!!!!!!!!! There's a reason it got retconned into Cass having been brainwashed—because it was bad.

I guess the only thing worth bringing up here in relation to Tim & Cass's relationship though (because as mentioned, Cass gets retconned into it having been brainwashing so anything from her in this era is irrelevant/moot) is the fact that Tim was obviously very upset about the whole situation because Cass is someone he cares about and he even says he considers family.

To fast forward through that mess, when we get to the end of it and the 'oh it was brainwashing haha!' retcon, Tim was the one to have on hand a counter-serum that could free her from Deathstroke's control:

(Teen Titans Vol. 3 #44)

Once Cass is no longer forced to be evil and ooc, she gets a little mini at the end of which Bruce formally offers to adopt her (and Tim, who had earlier been adopted by Bruce, is present for this—so from this point on they go from a more general 'we're like family' to actually 'we are adopted siblings').

Buuuut then Final Crisis & Battle for the Cowl both occur and Cass gets extremely pushed aside by DC, giving up the Batgirl mantle to Steph and heading off to Hong Kong.

At which point we find out that Tim & Cass have actually kept in contact (just... off-panel) during this time when she's been out of Gotham and he's been off doing all sorts of stuff:

(Red Robin #17)

When they see each other in person again, Tim urges her to be a Bat again. Maybe not Batgirl if that's not what she wants, but to wear the symbol and be part of the family. (Which she does take him up on, keeping the suit he brought her and becoming Black Bat).

She pops up again at the end of Red Robin to save Tim & also help him pull off a fake assassination attempt on himself—ya know standard stuff.

And then right before the reboot we get to see them working alongside Damian and Dick in Gates of Gotham, and see one final time that yeah—these two have kept in touch after everything, and are definitely far more on one another's wavelength nowadays than they were back in the 'fresh out of War Games' era:

(Batman: Gates of Gotham #2, #5)

So like, does fanon over exaggerate them and their relationship? Aaaaabsolutely—that’s what fanon does. But they did definitely become close after everything they went through and had a fun dynamic together!

Sadly though, as I mentioned at the start of the post, the n52 wiped everything back to a clean slate. And while nowadays post-Infinite Frontier everyone’s histories have been restored their dynamic has never really been the same again.

[x-neurotoxin-x]

Im about to rant so follow me for a second here. I keep seeing a lot of that "Touya was born evil and showed no remorse for the things he did even as a kid" take like, everywhere lately and tbh the blatant misinterpretation of Touya and disregard of canon aspects of his character about this never fails to get on my nerves.

Obv not in a "he did nothing wrong" way, he obviously did a bunch of things wrong and went down a dark path bc of a mix of circumstances, victimization, and his own decisions- which makes him such a good character because of the fact he was shaped by his trauma but also has agency in his crimes and made choices himself that got him where he is. He's not a good person and having regrets/remorse doesn't change that, but you guys are just legitimately wrong about him not having any remorse and being "born wrong" when in canon it's been a clear point multiple times to show he knows right from wrong to a degree and feels guilt for the things he's done. Correct me if I'm wrong, but Dabi is the only villain that I can think of from the league who shows remorse, and to some degree responsibility, for his actions.

A lot of the "evidence" people provide is stuff he did as a kid, like attacking Shouto and "Terrorizing Rei." Both of these Touya expressed regret about on screen with him venting to Natsuo at night about how he(Touya) was wrong that day(when he attacked Shouto) and Shouto didn't do anything.

He also expressed wanting to apologize to Rei for the things he said literally right after waking up from a coma in a strange facility where he was essentially being held hostage for 3 years. One of the first thoughts he had was that he did "awful things" ane needed to apologize to his mom and the rest of his family. (Which is honestly kind of devastating and says a lot about his character at the time that he was in such a traumatic situation and thought like that. Everything about post coma/teen Touya is so goddamn tragic.)

He projected his anger and pain from his abuse onto Shouto when he got older- I.e. everything he did as Dabi to Shouto; fighting him, trying to kill him, etc all of which was fucked up and he had no excuse to do but he DID show remorse for doing it. Legit the last time we see him he apologizes specifically to Shouto and it appears during the final battle he had a moment of clarity and everything about Shouto sank in- the soba moment only further showing that.

We also see that scene way back where he was remembering what Snatch said about the families of the people he killed, and Dabi showed remorse there too with the bloody tear symbolism.

So I really do not understand how ppl still call him born evil and remorseless when in canon it's pretty clear Touya's always been a very hurt, angry person who did terrible things either on impulse or out of pain and felt regret for it, but kept doing it because of trauma, very likely mental illness, and his self destructive tendencies. He got colder as he got older, but he's shown to be still capable of remorse and critical thought. He's not just evil for no reason without any second thought, he's more complex than that. It all makes him such a complicated, human, and relatable character and boiling him down to "-insert the ablest slur you all keep using that starts with the letter S- with no remorse who was born evil and wrong" is not only starting to stink of ableism but just a blatant disregard and misunderstanding of his character in general.

[rawliverandgoronspice]

If Ganondorf was lying to anyone during that Wind Waker speech, he’d be lying to himself. The gerudo desert was indeed harsh, and Hyrule sucked during his time, but legit everything he did in Ocarina of Time is completely unjustifiable, except for the murder of the King of Hyrule. The man sat in luxury for 7 years with monsters surrounding the land, while his people remained in the desert. Yet at the end of the day, he believed that he had every right to do all of that.

Self-justification isn’t a trait that’s outright noticeable with Ganondorf, but Wind Waker puts it out in the open and shows that yes, the self proclaimed “King of Evil” truly believes he’s deserving of the world, and that his circumstances justify his crimes.

I feel like the fandom misses that while Ganondorf may not be this complex 5d villain, he still carries an interesting amount of traits like this

Hey, thanks for the ask!! I'm sorry, I haven't slept in over 24h and felt particularly rhapsodic today so uhhhh sorrryyyyy for being cringe about my little guyyyyyy (and the approximate use of English language that might ensue)

So yeah, I think there's absolutely a huge part of that, trying to make sense of the violently absurd situation he found himself in, a monster and one of the last people who remembers Hyrule and how it was destroyed, and rationalizing to himself why it is not meaningless.

I have to say, not to be uhhh a parody of myself, but I think it could be a little bit more complicated than that (all of it being interpretations of the text that I don't think canon entirely backs always, but my point is that it could be read out of it).

If Ganondorf wanted any meaningful chance to reshape his own reality, then there's no doing that without access to the Triforce. If he had wanted to go for the King's head and nothing else, he would have been stopped immediately by everybody who do have access to shards of the keys to the Sacred Realm (not to mention how trigger happy Zelda was about wishing ????? something to the Triforce about erasing him in some form). I don't think it would have been reasonable to aim for anything but the Triforce as a military goal --not to mention that his beef is half with Hyrule, and half with the Goddesses themselves for considering the gerudos beneath them in some form and for some reason (which becomes even more apparent and deranged in Wind Waker, as part of why he can't let go of Hyrule in my opinion is because their intervention was so violent he simply cannot wrap his head around it and, as usual, Will Not Be Defeated >:((( because he's that kind of bitter little shithead, which I uhhhh relate to a little too much maybe). And then, well. You can't exactly ask for the Triforce and be nice about it, right?

I'm not saying he wasn't gleefully horrible about it the entire time, but I can absolutely see a case of him being self-centered enough to see each of his actions as the necessary (or righteous/vengeful) next step to get closer to his goals, and one thing leads to the other, and after seven years of strife, well, the kingdom you wanted to rule is a pile of rubble, ash and misery you enforced at every step, and oops! You have alienated absolutely everyone who aren't your weird moms!

There's a ton of things to say about the many interpretations that could be made of his relationship to the gerudos so I won't over-expand on that, but, uhhhh yeah he probably used them, or at the very least ruled them with an iron fist to enforce his own power he believed unquestionnable (even if the goal was genuinely to do things for their sake, which in my opinion could still be argued --Hyrule is a big nightmare place during his reign, but the Valley is the only location basically untouched with arguably Kakariko after all).

To be honest, I think TP Ganondorf is more accursed with a sense of self-justification than WW Ganon, who has a surprising amount of clarity on his own motives (to restate my tags on a post I just reblogged: I don't think "I coveted this wind, I suppose" is particularly self-pitying, it's soberingly self-aware if anything). TP Ganon is the one who's obsessed with divine purpose and considering himself a weird take on the Chosen One.

But yeah, I think... To be completely honest, I sometimes feel like Ganondorf's potential (!!! not actual execution, very important to draw this distinction) is just kind of too large for the IP that birthed him? The full breadth of his complexity cannot be explored in a setting that demands he merely generates a simple conflict that doesn't seriously question the status quo while everything about him inherently begs for it (and I love Zelda and its simplicity and what it does, to be very clear!). Like, I know this is just me justifying my own investment to a degree, but... his relationship to the gerudo culture, his relationship to gender, to divinity, to fate, to self-definition, to absolute resistance grinded down to the point of absurdity (but at the same time, what else is there to do)... like all of this absolutely has potential to be large and epic and breathtaking, but. Nintendo needs to preserve the statut quo. And Ganondorf just cannot express all of these themes without having this simple world literally collapse around him.

This is what I find incredibly compelling about this dramatic disaster of a guy. And the very media that suggested all of these contradictions and inner conflicts (without necessarily understanding them at first I think) is now fighting tooth and nail against what it introduced, what he can embody and once questioned (in WW most potently) for the sake of Hyrule's moral balance, backpedalling into a state of simplicity that just never truly existed to that degree before --partially, in my opinion, because this conflict is scary to face heads on without taking significant artistic risks I am not confident we will ever see again, to be uhh less than optimistic.

So yeah! He isn't that complicated as the villain of the children video games for sure!! But. As a character, there's so much there, just sitting right under the surface.

[anti-dazai-blog]

The three generations of Double Black and their purpose, or lack thereof

In honor of my birthday, I was planning on making an analysis of whichever character has a birthday closest to mine. However, it seems like my birthday falls directly in between Natsume’s and Mori’s birthday (February 9th and 17th respectively, with my birthday being February 13th).

Which means I gotta combine the two and turn this into a closer look at the three generations of Double Black.

[for the sake of clarity I’ve decided to use “double black” here instead of soukoku, since soukoku is used more in reference to the ship than the duo]

Please note that I’m getting a lot of information from the bsd wiki, which I know isn’t always so accurate, but going through every chapter and light novel with Natsume or mention of the original framework he set up would not be a doable amount of work for me to complete today.

Natsume is still a figure of mystery in the BSD universe. We don’t know much about him—although he’s seen as some ultimate “good” in the sense that anything he says or does is considered “correct” by the characters he has interacted with. Although it may sound extreme, he’s practically deified. Both Fukuzawa and Mori, two characters who are strong leaders and do not often take orders from others, would readily abide by Natusme’s wishes. 

The framework he created—the tripartite framework—is something that they both agree MUST be abided by. The framework itself is questionable—the basis of it was to handle the issue of the extreme rise in criminal activity post-war. Rather than working towards curbing crime in any more standard way, his solution is having a guy working for him in the criminal underworld, and attempt to put a stop to the worst kinds of crimes through him. 

Fukuzawa, being a former assassin himself, most likely is familiar with and agrees with the concept of some crimes being worse than others, and some people being enough of an evil in the world and enough of a threat that they need to be killed. Remember, he didn’t quit his job as an assassin due to feeling it’s morally wrong to kill; he quit because it’s morally wrong to kill just for the sake of killing. So it’s reasonable enough that he’d find the tripartite framework to be a valid way of handling things, and have no problem with Mori working from the criminal underworld to keep things under control from there. 

Regardless of how unheard of this method of crime-stopping is, and how Fukuzawa and Mori’s blind faith in him could be dangerous if he were to be misguided or more morally grey, this method seems to be effective in the bsd world. We see that the mafia has the criminal underground under control, while the agency deals with crime that comes up to the surface, and the government dealing with civilian issues. And regardless of what conflict Mori and Fukuzawa have currently, the tripartite framework is something that they’re both equally invested in and consider necessary. 

Out of the (so-called) “three generations,” they are the most successful. They have been working together and fulfilling their shared goal for many, many years. No matter what conflict may come up, the framework is their top priority. They will ensure Yokohama is safe, and they will oversee their respective segments of it. They are both aware of their own roles and have a mutual respect for the other’s role.

Which brings us onto the duo Mori created—double black. As Mori said, he’s forcing them to work together in an attempt to duplicate something Natsume explained to him. Double Black is, at first, Mori’s pet-project or side hobby. It’s formed for nothing more than curiosity at first, but with Chuuya and Dazai’s individual skillsets and abilities, they ended up working together as the feared mafia duo we know them as. This duo works as an extension of Mori’s role in the framework, and because of that it’s certainly not the next part of the tripartite framework. Or rather, it wasn’t when Mori made it, and it wasn’t made with that intention. 

After Dazai left the mafia, double black changed. Now it’s no longer a mafia subgroup, because half of it is no longer in the mafia. From an external view, it acts as a dangerous last resort—a final defense against major threats. The people of Yokohama can rest easy, since if everything were to go very wrong, all hope is not lost unless double black is defeated—something that will probably never happen. 

But Dazai and Chuuya themselves don’t share the same sentiment. Unlike the original heads of the framework, these two aren’t on the same page about what they’re doing or their duo’s current status. To each of them, it’s just a job. They both want to protect Yokohama, and recognize that Yokohama’s safety is a byproduct of their work—but they don’t see “protecting Yokohama” as their job. It seems like they see each job as a one-off commission work. Their job isn’t “protect Yokohama,” it’s “defeat this one specific enemy and then go home.” 

And additionally, they’re on different pages regarding double black’s current status. It seems that Dazai views double black’s inactivity as something that happened due to his absence rather than him defecting—and now that he’s back, so is double black—hence, him referring to Chuuya as his partner. On the other hand, Chuuya views double black’s inactivity as something that happened due to Dazai defecting—double black was a mafia subgroup, after all, so it makes sense that if half of the duo isn’t under mafia employment, the duo cannot be currently active. Hence, him declaring Dazai his “ex-partner.”

As things stand, they’re working more closely to the tripartite framework’s successors, since now they’re (1) positioned at opposite ends of the criminal underworld, and (2) working towards a common goal of protecting Yokohama. However, until they both realize that their official job and duty is protecting Yokohama (rather than that just being a biproduct of their work) and until they both mutually agree to work towards that shared goal together—each on their respective sides of things—they won’t be able to truly be the inheritors of the tripartite framework.

Now for Dazai’s “new generation of double black.” Whether or not Dazai’s fully aware of the tripartite framework, its origins and its purpose is up for debate. And whether he views himself and Chuuya as an extension of that is even more unlikely. So since we can assume he’s basing this “new generation of double black” off of an incomplete picture of what double black was and what it currently is, we know right off the bat it’s going to be flawed. 

There’s truly no reason for a “new generation,” especially when the “old” generation is around two years older than them, and significantly more capable and powerful. It’s clear from Dazai’s interactions with them that creating this new generation is both a fun hobby of his, and possibly a way for him to get other people to do jobs he’d be assigned to otherwise. It serves no real greater purpose than that. They’re convenient sometimes, but there are always other ability users who could easily do what they’ve done, but better. 

Only half of this new duo even has any idea of what they’re trying to replicate. Akutagawa has a vague idea of what double black was, and strives to mimic what he thinks they do. He doesn’t have a very complete or thorough understanding of them—as he tries to explain to Atsushi, to his knowledge, double black worked as “Dazai is Smart Guy, Chuuya is Strong Guy, they win by being Brain and Brawn.” We see that this isn’t really the case—both Dazai and Chuuya are well-rounded and each are individually capable of both physical combat and strategy. Yet all the new generation has to work off of is this game of broken telephone passed through mafia rumors, to Akutagawa, to Atsushi. 

And even so, neither of them understand any real greater purpose to what they’re doing—and it’s unclear if there truly is any purpose to it. They too see it as individual fights rather than a grander purpose, but in their case, they’re right. 

And to take it a step further, they aren’t a formal duo in the first place. They never officially formed. They’re just miming the roles that Dazai told them to play with no real understanding of what’d going on. “The new generation of double black” isn’t a title they’ve ever officially been given—sure they’ve been called that by Dazai, but it’s not something that would even go on any paperwork. Their opponents don’t see them as some feared duo, they see them as an unfortunate collaboration they now must deal with. Akutagawa’s outright ditching work to go do these jobs—at least with double black Dazai clearly has some contact through the agency for when he’s assigned to double black/ mafia collaboration missions. 

In short, no one outside of Dazai (and possibly Akutagawa) sees any connect between Akutagawa and Atsushi to any former well-known duos. 

In summary—the three “generations of double black” were formed for vastly different purposes, and even though double black is converging to align with the tripartite framework, the newest variant of it is way off base. 

Natsume will need to step in and sort this out if the newest generation aligns with his wishes, and if not, I think he should step in and sort stuff out anyway—things in the bsd universe have been getting pretty messy for a while now, and it would be nice to have a leader around who both Fukuzawa and Mori would listen to.

[modmamono]

Fun Puyo Puyo Fact for you power scalers out there.

The more Ls one takes one after the other the stronger they are. Because in general, the loser gets exhausted after losing, meaning they don't have it in them for a rematch. So getting back on their feet is impressive.

Lemres, Possessed Klug, Satan, Ecolo, Ex, Marle, and Squares all operate(d) on this.

Squares in particular was on steroids, like 8 losses so close to each other. The one time he did one Marle was holding back.

To be fair the last few weren't hostile but he's still outdoing Satan.

Satan's highest losing streak was either 4 or 5 in 20th's final story. It's legit nothing to him. He can keep on playing until you're exhausted at winning. (Someone turn that into a comedy fanfic, please... or a dramatic one.)

Doppelganger Arle I guess is a glass cannon retroactively. She took one defeat and bolted out of there. Which is a little amusing.

And Rafisol perhaps shouldn't be judged by the same standards. She's a final boss in an RPG. The numbers she has should speak for her. Though it was 3-v-1.

The point of this post is I just find it funny that you can tell who's strong overpowered if they lose and go "That didn't count, let's go again!" It's inherently oxymoronic.

But in most if not all cases it does show it shows those guys are decent people.

Satan usually just leaves it at one match. Despite him being the one most capable of abusing it, it is often casually implied he is the strongest there is after all. Nobody comes close, even steroid Squares.

Possessed Klug loses one after the other, it's just Sig and Raffina bolt out of there before he can get up and rechallenge them. And maybe PKlug could have another go if Amitie didn't go:

He is brought down on his knees 3 times though. But that could mean anything.

I think Lemres reached more than his limit after all of the Fever 2 Waku Waku Courses because he's absolutely wrecked. He Puyo'd too much in the sun.

The Squares gauntlet is more about trying to de-escalate him than actually fighting Squares. But also demonstrates the BS "that didn't count" thing to its logical extreme. Satan could be that if he wanted too, but unlike Squares he isn't attempting to do something evil.

Only about 5 or 6 matches Squares partakes in are actually serious. He is successfully convinced he did a bad eventually, and the final few matches aren't antagonistic as a result.

Honestly, now that I think about it. The fact losers are kinda drained by a losing a Puyo match, and Squares almost exploding because he had too much power, would imply the final battle, a skill battle, is everyone Puyo-ing him at once to curb his powerful tummy ache. (I mean that's always stated, just I have more clarity now I think.)

Besides maybe Tee I think everyone else just doesn't rematch after a loss. They are consistent about this.

I'm not into power scaling persé, I don't like rating things like that and deciding who or what is only worth my time. That's reductive and dumb taking things with personalities, experiences, stories, and lore into account especially.

But I think it says something about these strong characters that's more than "Satan could beat Goku".

Ecolo and Satan, the two most recurring ones that can pull the "That didn't count" but usually don't tells us a lot about them.

That and as I said I find it funny. This is like so funny, flies in the face of logic. The more you lose in quick succession the stronger you are.

Also it's a Puzzle game, Satan may have the highest AI, but that still put him on equal grounds with Onion Pixie.

[neatandniffty]

𝐒𝐎𝐍𝐆𝐒 𝐓𝐎 𝐖𝐑𝐈𝐓𝐄 𝐌𝐘 𝐌𝐔𝐒𝐄!

whether it be melodies that give you inspiration for your muse or songs that get you into the writing mood — pick 10 songs you find to give you the urge, the drive, or the creativity to write for your muse!

Haunted- Laura Les: Yeah, do you think it's cute that I'm so fucking stupid? Tell me that it is cause I'm tired of being useless. I've been up for three days, everything is haunted. Everybody's evil and there's bugs inside the carpet.

Kerosene- Crystal Castles: Light of God dimming weak. Nothing's wrong, go back to sleep. Lost the will at infancy. Drown them in clarity. Lend them comfort for sorrow. Enthusiasm they borrow. I can clean impurity, wash away with kerosene.

Hayloft II- Mother Mother: An eye for an eye, a leg for a leg. A shot in the heart doesn't make it unbreak. She really didn't wanna make it messy. She really, really didn't but the girl's gone cray. She's not a bad kid, she's not a bad kid. But she had to do it.

EVIL- Melanie Martinez: That's for all the piss that you left me in. See, the horns on my head, they're from goddesses. Goddesses, on God. No, I never knew what it meant. What it meant to be content with you. Said it's all in my head, whenever I spoke my truth. This time I refuse. If you bite my hand again. I will never feed you, you can call me evil. Take it to the grave if you wanna play pretend. I won't be mistreated, please call me conceited. Took me way to long to put this to bed. Loving you was lethal, guess that makes me evil.

Primadonna Girl- MARINA: You say that I'm kind of difficult. But it's always someone else's fault. Got you wrapped around my finger, babe. You can count on me to misbehave. Primadonna girl. Would you do anything for me? Buy a big diamond ring for me? Would you get down on your knees for me? Pop that pretty question, right now baby. Beauty queen on a silver screen. Livin' life like I'm in a dream. I know I've got a big ego. I really don't know why it's such a big deal though. And I;m sad to the core, core, core. Every day is a chore, chore, chore. When you give, I want more, more, more. I wanna be adored.

Crush- Tessa Violet: I can't focus on what needs to get done. I'm on notice, hoping that you don't run. You think I'm tepid but I'm misdiagnosed. 'Cause I'm a stalker, I've seen all of your posts. I'm just tryna play it cool now. But that's not what I wanna do now. I been thinking 'bout your touch, touch, touch, touch, touch. I could be your crush, crush, crush, crush, crush.

Money Machine- 100 gecs: Hey. you little piss baby. You think you're so cool? Huh? You think you're so fucking tough? You talk a lotta big game for someone with such a small truck. Aw, look at those arms. Your arms look so fucking cute. They look like little cigarettes. I bet I could smoke you, I could roast you. And then you'd love it and you'd text me, "I love you." And then I'd fucking ghost you. With big boys coming with the big stuff.

Nightmare- Halsey: I, I keep a record of the wreckage of my life. I gotta recognize the weapon in my mind. And I realize. I've tasted blood and it is sweet. I've had the rug pulled beneath my feet. I've trusted lies and I've trusted men, Broke down and put myself back together again. Stared in the mirror and punched it to shatters. Collected the pieces and picked out a dagger. Come on little lady, give us a smile. No, I ain't got nothing to smile about. I got no one to smile for, I waited a while for. A moment to say I don't owe you a goddamn thing.

Nowhere to Run- Stegosaurus Rex: You're gunna die, I'm gunna kill you. You're gunna die, I'm gunna kill you. You're gunna die, I'm gunna kill you. Out of ideas, nowhere to run. Looking right down, the barrel of a gun. And so I dream, voices in my head. Delusions mock me, my best friend is dead. I feel no guilt, but I shed a tear. I see your dead body with the blood all smeared.

Hide and Seek- Lizz Robinett: Ding dong, I know you can hear me. Open up the door. I only want to play a little. Ding dong, you can't keep me waiting. It's already too late. For you to try and run away. I see you through the window. Our eyes are locked together. I can sense your horror. Though I'd like to see it closer. Ding dong pay the consequence.

tagged by: @fallenmorniingstar

Tagging: @dick-meister @alteregozowie @top-shelf-tender @originemesis @keenie-bopper @screentimeoverlord

[dandelionh3art]

In June of 1967, at the same time as Israel was starting to enact its military dictatorship over the West Bank and Gaza, the biggest athlete of his time and one of the most famous and recognizable icons of his era, Muhammad Ali, was sentenced to five years in prison for his refusal to join the US military and serve in the Vietnam war.

Two months earlier, on April 28th, his boxing license was suspended, and he was stripped of his heavyweight world champion title and arrested: 3 times his name was called at a Military Entrance Processing Station in Houston, and 3 times he would not step forward.

Before and after that day, he was active and speaking against the war to American students in universities, in rallies throughout the country, in press conferences, and interviews.

He never once buckled under pressure, and crafted some of the most memorable and popular quotes of the Vietnam era like "I ain't got no quarrel with them Vietcong", or

"Why should they ask me to put on a uniform and go 10,000 miles from home and drop bombs and bullets on Brown people in Vietnam while so-called Negro people in Louisville are treated like dogs and denied simple human rights? No I’m not going 10,000 miles from home to help murder and burn another poor nation simply to continue the domination of white slave masters of the darker people the world over. This is the day when such evils must come to an end. I have been warned that to take such a stand would cost me millions of dollars. But I have said it once and I will say it again. The real enemy of my people is here. I will not disgrace my religion, my people or myself by becoming a tool to enslave those who are fighting for their own justice, freedom and equality. If I thought the war was going to bring freedom and equality to 22 million of my people they wouldn’t have to draft me, I’d join tomorrow. I have nothing to lose by standing up for my beliefs. So I’ll go to jail, so what? We’ve been in jail for 400 years."

-

Choosing wisely, the American state did not destroy Ali. Ali came back to the ring after 3 years of forced absence, reclaimed his title, and, beating all the best heavyweights of the time, created an unmatched legacy in all of sports history.

-

Almost 60 years after that, it is impossible to even imagine, say, Lebron James or Stephen Curry talking with anything similar to that clarity and conviction about, say, a certain genocide and their country's support for it. It's inconceivable. They see themselves as nothing but earners and entertainers.

I often think about the timeless greatness of Ali, being not only the greatest boxing champion of all time but a great formidable political spirit as well. Ali who did not succumb to fear and pressure and risked his career, freedom, many millions of dollars, and even his life (in a country notorious for lone assassins) by consistently refusing to join a war the American public was still overwhelmingly for at the time.

And what do we have today? Complete craven silence. All the great athletes, rock stars, actors - deafening silence.

Not one of them has as much to lose as Ali did, at the height of a singular career in global sports. Not one of them risks jail time, fierce public hate, or financial ruin. Still, they find no courage to speak up.

They all count their dollars and likes in the dark, psychologically broken, and morbidly anxious stars of nothingness.

-

Nearly 6 decades after he willingly put everything on the line for his principles in a spectacular act of real-time political nonconformity, The Great One still shines as a huge beacon of light in a sea of rancid complicity. An inspiration and a role model like no other.

-

The absence of an Ali-like figure of our times tells a sad and uniquely poignant story about the triumph of capitalism and conformity over the human spirit in America in the post-Vietnam era; it also tells us how much of a giant Ali really was.

Alon Mizrahi

[toushindai]

Hello it's me again~ I was thinking of one of your stories, in which Ganondorf tempted Rauru with the imagery of having him imprisoned and thus being able to do whatever he wanted with him. Ganondorf found his way out of his cell the first time he was imprisoned and put himself at Rauru's mercy in hopes of snatching the Secret Stone, which Rauru used as his justification for having his way with him, but what about if he had been able to contain Ganondorf and actually keep him imprisoned until he could have him put on trial? Would he take advantage of someone who is a prisoner without doubt, in the way Ganondorf painted that image for him? Does Rauru draw the red line between "I am keeping you here as a guest in this castle but I'm not letting you leave" and "you are my actual prisoner in an actual cell who very obviously does not have the free will to reject me as the king" when it comes to his justification of being involved with Ganondorf ? Does he just think that the laws he set for Hyrule don't apply to Ganondorf, prisoner or not, because he is evil and a warmonger and thus sees himself as free to do with him as he sees fit? Basically my question is that would he/did he ever entertain that fantasy once he actually put Ganondorf in a cell and how would he justify himself if he did.

Gonna stick this entire answer under the cut because wow this is going to be All About Noncon. If anyone who needs to Not See That hasn't done so already, it really might be best to just block the "and we were both kings 😳" tag, though I'll continue to tag for noncon when particularly appropriate.

So, I'm going to answer this in a few different permutations but I think--we'll see if this holds out as I keep typing--that all of them boil down to variations on no, that's not something Rauru would have acted on.

Especially not between the final sex scene of UAWTATR and its final scene/Ganondorf's escape; at that point, there are several glaring reasons why Rauru's not inclined that way. The fact that Ganondorf's just tried to kill him; the post-nut clarity horrible realization that what he's just done is past what he can justify to himself; the political considerations he is absorbed in. These are significant factors but also part of it is just that... the game is over. They're no longer pretending that it's anything other than pure animosity between them. (I mean, it is something other than pure animosity between them, by this point--at the very least there's a whole lot of desire there--but, for Ganondorf to have acted on his true intention puts an end to the need to relieve the tension between hating each other's guts and performing civility in public.) I think that at the end of the fic, something's cooled off significantly for Rauru because he's got this inarguable physical and legal control over Ganondorf. And because he's got a lot on his mind. Look, he's got a puppet chieftain to install and she doesn't even want to be his friend anymore. Bummer.

But let's say that Ganondorf doesn't hack out of his cell and into Rauru's chamber and instead stays docilely in his cell until he's ready to break out for good and cause havoc. (Well tbh that's what he thought he was doing in chapter three, but let's say he waited a few days for some reason.) Does Rauru arrange any trysts in this situation, in the meantime? Even then, I'm not sure does. Ganondorf's impression of Rauru's desire is a little off from accurate; the fantasy he describes in "Sheath" is

“Would you come to me in my cell or have me brought up to you like a concubine? [...]The cell, probably,” Ganondorf continues, spinning the image out for Rauru in spite of the way it makes his own skin crawl. “You’d want me chained to the wall, wouldn’t you, so you could use your magic on my shackles to put my limbs wherever you want them…”

and while that's close enough to accurate to give Rauru a +2 Horny/-2 Intelligent debuff, it's not the exact shape of what Rauru would prefer. It's got a little too much of Ganondorf's preferences in it, truthfully: too much physical force (magic counts) used to make it impossible to fight back. If anything, the concubine image is actually the more appealing to Rauru I'd say. But still not quite. Rauru is much more into the coercion. He's into putting Ganondorf into situations where he has to submit to Rauru because the fiction is that he's here to submit to Rauru--and because Rauru has caused him to behave in such a way, the fiction is temporarily made reality. So once this fiction is ended--once the public story is that Ganondorf has done something worth imprisoning him for--it's not quite scratching the same itch. Yes, Rauru has often thought of Ganondorf in chains, as he admits in that fic, but I don't think that's actually a sexual image for Rauru. That's a god my life would be so much easier if image. He has a lot of those.

Whether Ganondorf does not fall under standards for just treatment because of how evil he is is something I write Rauru struggling with a lot. His instinct is that Ganondorf is not protected by such standards. His instinct is that to subscribe to such standards in Ganondorf's case is to put himself and Hyrule at a disadvantage and probably in danger. But I think he's uncomfortable with that instinct as well, disturbed that he feels that way. He doesn't want to be that sort of king. It's never, for him, quite as simple as "he's evil therefore I can assault him with impunity"--I think not even in that moment in chapter three when Ganondorf is pushing really hard for him to admit just that. Even then, it's if I really do have this ugliness in me, I should vent it here instead of anywhere less deserving. And then he feels a deep horror at himself after (in the few seconds he gets for it before Ganondorf tries to strangle him). But it's still true that he did it. It's still true that he has this deeply potent fantasy of having the soft power to force Ganondorf into (sexual) compliance, and that he carried out that fantasy.

This answer is really jumbled, I'm sorry. tl;dr: for Rauru, it's all about "I'm not going to give you any choice to make but this one, but you still have to perform the act of choosing." And once he actually has Ganondorf literally captive, I think that flavor changes significantly enough that he wouldn't pursue it.

[tinfoil-jones]

Gravity Falls: For Your Own Good, Ch. 8

Summary: A few years after moving to Gravity Falls and having his lab built, Stanford Pines happens upon his estranged twin brother, Stanley. He mentally prepared himself to be suffocated by his brothers neediness all over again - what he wasn't prepared for was Stanley walking right past him like he didn't even notice him.

Rating: M for language, violence, and adult implications

Preface: Dialogue only, but some actions will be annotated for clarity. Cross-Posted on AO3 Here

First - Prev - Next

CH.8

“You’ve been down here forever PhD. Maybe you should… I dunno, leave your evil basement sub-lab? Maybe eat something other than an entire tube of toothpaste?”

“This isn’t toothpaste. It’s a calorie-rich blended solution formulated specifically for daily nutrition, in a convenient tube to avoid the need for cutlery.”

“Doc. Read the label.”

“...”

“You should probably sleep too if you mixed those up.”

“You’re just trying to get me to leave so you can escape.”

“I’ve broken out of county jail, the trunk of a sinking car, a shipping crate, cement shoes, and even my loan sharks book club meeting. But this? A forcefield? A real, no-shit forcefield? I don’t have anything for that… anymore.”

“What was that last part?”

“I said I can’t break out of sci-fi prison. Go to bed already, Doc - it’d be a lot easier for me to sleep too if you weren’t hovering over there, looking at me all sad like I’m some stray at the pound about to be put down.”

“Fine, but don’t go anywhere.”

“Well there goes my plans for the night.”

“...What plans?”

“For the fifth time, it’s called sarcasm.”

“Now that I think about it, I think I still have an invention I need to calibrate…”

“Specs was right; how did you survive out here by yourself?”

(...)

“Thanks for helping me clean the place up, Fiddleford. I’ll admit, I’ve been putting it off for a while now.”

“You don’t say… You know, you still haven’t told me what that extra level in your basement is for.”

“I’ve already told you, it’s a private study.”

“You’re so secretive about it.”

“Private study.”

“Alright, alright.”

“After we’re done here, I have an anomaly in the woods I need to check out; would you be willing to keep an eye on the house and the lab while I’m gone?” 

“I have no problem making sure your brother doesn’t disappear into thin air, of course I’ll stay back for your peace of mind.”

“That’s not what I asked.”

“It’s what you meant - oh don’t make that face at me. I’m not trying to make fun of you, I think it’s… Endearing, that you care so much even if you have the worst ways of showing it.”

“...Just keep an eye on the house. And maybe go down there every so often to interact with him, the isolation isn’t doing him many favours.”

“How did your last talk with him go?”

“He’s still convinced that I’m grieving over my ‘real’ twin, and using him as a substitute because we look alike. He can acknowledge that the timeline and traits line up, and that he himself has a missing past, but he still thinks he’s a ‘Malone’ and not a ‘Pines’. I don’t know why he’s being so resistant to the possibility…”

"You know... 'Stan Malone' sounds mighty similar to 'Standalone'. 

*Ford facepalms*

“I thought it was clever.”

“It is, that’s why I’m mad.”

(...)

“-and it’s actually called ‘Backupsmor’? That’s its name?”

“Yes.”

“Wow. They didn’t even bother hiding what they were huh?”

“I suppose so. What about you, Stan?”

“Pft, I didn’t go to college. I’m… pretty sure? I didn’t graduate high school.”

“You’re not fully sure?”

“F, I can only remember back when I was 17, and I was already living on the streets. I don’t think I could have graduated by then. Not like it would have helped me.”

“17, you say? Interesting…”

“What about you? Your whole family full of geniuses like you?”

“Everyone’s… smart in their own way. I’m the only member of my family to attend college, however. The rest of my family works on a hog farm.”

“That’s pretty cool, striking it out on your own.”

“Mighty kind of you to-.”

“Good-looking, smart, and independent? I like that in a-.”

“I’m back!”

*Fiddleford hastily presses the mute button on the containment unit*

“Stanford, you’re back! How was it?”

“I was hoping it was something new, but it was just the gnomes trying to utilize the size changing crystals. How were things here?”

"I was just getting more information on what past he does remember- didn’t rightly get much because he is such a flirt."

"He's only doing it to a) make you uncomfortable, b) make you let your guard down, or c) charm you enough to convince you to free him."

"Well he hasn't quite succeeded on any of those. Does he flirt with you?"

"That's disgusting, Fiddleford. I don't know how you do things in Tennessee, but here it is improper for siblings to-."

“Genius, didn't you just say he doesn't believe you're related?"

“Somewhere in there he must still know I'm his brother. Which is a good thing for us because his memories can't be buried too deep."

TAPTAPTAP

*Fiddleford presses the mute button of the cell to unmute it*

“No, that's not it. That motherfucker is ugly.”

“Ugly? We have the same face!”

“Yeah, but on you it doesn't work.”

To be continued...

[forestwhisper3]

Welcome back to [Not Quite] Midnight Meditations, although tonight, we are surprisingly more or less on time (as long as the clock still says 12 I'm counting it as on time), where I share segments from the darker corners of my flash drive. As stated before, these are all ideas that held my interest for a bit but were left unfinished for one reason or another. It is very unlikely that they will ever be fully fleshed out, but I figured it would be fun to share them.

Continuing in order from the last post, tonight's segment is Digimon again. This one is based firmly in Gen 2 and is yet another Davis-centric fic, but the concept this time is that he turns evil.

I do remember enjoying the concept of evil Davis when I wrote this (and I will admit the idea still holds some appeal even now), but I also remember being rather put off by the execution of many of the fics I read that pursued this plot. A lot of them had everyone suddenly turn on him because of one small mistake, or he decided he was tired of being "second best" to TK. That always felt sort of lackluster and unrealistic to me, so I tried my own spin on it.

This idea didn't get as much attention as the last one, so it's considerably shorter, but I feel like it sets the mood for what could have been the rest of the story rather well. Anyway, I won't keep you any longer, so here it is.

XXXXXXXXXXXXXXXXXXXXX

"I-…I think something's wrong with me."

"…Wrong how?"

"I've been hearing voices."

Ken rushed through the forest, the others hot on his heels, adrenaline pushing them past their normal limits. Inwardly, he was berating himself. He and Davis had both considered this possibility, no matter how reluctantly on his part, but Ken thought they might have had more time- that it might not happen because it was so unlikely…

Ken stiffened slightly while Davis grinned weakly. "Yeah, that's what I've been thinking too."

"…How long?"

"About a month now. It wasn't so bad at first- I thought it might have just been the late hours mixed with my imagination…but now…" Davis gave a deep, exhausted sigh. "I'm worried, Ken."

So he had ignored the warnings. He brushed off Davis's increasing weariness, his growing paranoia and jumpiness at the slightest things, and his increasingly frequent concerns that something serious was at work.

"We can't be sure that it's something to worry about yet," he countered a bit fearfully. "Maybe you just watched too many horror-"

"Ken. That's not it and you know it."

Davis's smile was so full of sadness and understanding that it made Ken tear up even while filling him with fury.

He had ignored it when Davis had started growing easily irritated and distant as well, although that wasn't the case with the others, who had finally caught on that something was happening. Not that they could have done anything by that point- the confrontation between TK and Davis was still a painful subject for all of them.

There was no ignoring it anymore.

"You're wrong! The dark spores were destroyed! There's no way for them to be affecting you!"

"Ken-"

"Don't! I don't want to hear it!"

Tai was the one who had found the letter.

It was as if Davis had known all along that Ken would never find the strength to admit that he was slowly losing his friend. Perhaps, in a moment of clarity, Davis had realized that it was something that they wouldn't be able to fix in time and wished to explain. Whatever the reason, he had somehow managed to sneak the letter into Tai's home and hid it away in Kari's scrapbook.

Davis went missing the very next day.

A long, tense silence fell. It was the sort of silence they hadn't felt between them since the early days of their friendship. After what felt like forever, Davis sighed and stood up.

"I need to head home. I'll see you tomorrow?"

"Sure."

He nodded and went toward the door, pausing once it opened. "…Just promise me you'll think about it."

Davis was gone before he could answer. Then again, he doubted he would have been able to.

Now, they had finally gotten a reading on their leader's digivice…but he was afraid of what they would find.

Every day, the digital world seemed to grow just a little bit darker. Any digimon that weren't at Ultimate level or higher would stay hidden, and there were whispers…

"Ken?"

The tentative voice brought him out of his thoughts. The others were looking at him in concern, but he couldn't bring himself to even pretend to be all right.

"It'll be okay, Ken," Kari tried to assure him, although the way her brows were furrowed betrayed her worry. "We'll get him back."

"Yeah," TK agreed. "Davis is tough. I'm sure he's fighting whatever's possessing him with everything he's got."

"You don't understand," he whispered, not caring at how his voice cracked. "He'd been fighting it for almost a year before he disappeared. The thing about darkness is its subtlety. It waits for the best times to strike, and it always goes for your weak spots. It's amazing that he's lasted this long, but even Davis isn't invincible. One slip is all the darkness needs, and then you're overwhelmed…"

"I hate to say this, but Ken's right," Matt cut in, expression solemn. "We've all encountered darkness in some way, and we all gave into it eventually. It's a testament to Davis that he held it off as long as he did, but we have to face the fact that when we see him, he won't be himself."

"You saw the changes," Tai added grimly. "The Davis we know would never act that way. All we can do is fight and hope we can reach him like he reached Ken."

Hesitantly, they nodded.

Still, they weren't prepared for how much their friend had changed.

==============

[laulo821]

to clarify my opinion on "proper" english, idfc how people write in their personal lives/to friends or family/etc, but in professional/published works- or anything that is meant to be understood by a wider audience i think the clarity provided by adhering to certain grammatical rules and structure is veeerrry important eheheh. for the sake of ease of communication!

i try to be pretty careful about my word choice and order allll the time for that reason, even if i drop a lot of proper spelling/capitalization/punctuation for casual dialogue.

nonetheless, i think when people act intentionally obtuse just to shame people for speaking casually/colloquially/with slang/whatever thats stupid and evil etc. hate when people do that. i might not understand a lot of it, but it has the right to exist yk! it is just as worthy of respect ^_^

anyways i think this topic is very interesting as well its something i enjoy talking about :33

once again i dare ask, where does the professional/private begins and stops? thats a big debate we had in termonology class (terminology , the science of terms aka specialised & professional words). some terminologists argue that terms are only employed in the field by top-notch experts to top-notch experts and nothing else qualifies as a term. other terminologists argue that funk that: "spoonful" is a term because it belongs to the professional sector of cooking, disregarding how common/unspecialised it may be (they dont actually disregard it but yknow). also some guy who goes fishing as a hobby every week and starts talking about the components of his rod to his friends: not an expert (meaning doesn't work as a fisherman)! but using specialised words! should they count as terms or common words? should that be considered professional discussion cuz the terms or private discussion cuz he's talking to a friend? anyways it's just to say that the gap between professional and private discussions may not be so clear

on a same note, what is a wider audience? we're on the internet literally everyone could read that post, making it, by its nature, designed for a wide audience. should every tumblr post thus should have proper english? likewise, works that were only notes and scribbles, like Les Pensées by Pascal that were published post-mortem... it was not meant for a wider audience in that state and is not always using proper French. due to this, are thus Les Pensées not a piece of literature anymore? (kinda teasing w this paragraph hehe but you see the issue i'm poking)

like you said the most important task of a language is not to be proper. it is to be spoken but also to be effective. to enable communication. we could also go all in and dare say, funk the rules as long as a message or piece or literature is understandable, it is proper english!! arguably, every broken rule of proper english creates a new variation of english that could be its own proper variation english (like UK english, US english, NZ english, etc, coexist together as proper englishes)

also youre soso true about the shaming stuff. dawg that pisses me OFF. that's why fuck the Académie Française i wish i could dismember that bullshit of an institution. they are the ones "making the rules" of French but NONE OF THOSE FUCKERS ARE LINGUISTS AND ALSO ARE ALL 109 YEARS OLD HOW CAN THEY im cool im cool [insert the hades calming down gif]. anyways. language belongs to the people so whatever they do with it it's fine as long as they have fun and are themselves <3

on a final note i'm heavily arguing against you here but i think you're overall right nonetheless :p rigor may not always be needed in a language but languages need a strong basis and grammatical rules to exist and actually make the communication efficient!! i perfectly see your points and they are very legit

[team-heavenly]

Drumroll‚ please! 🥁

It’s been some time, and I managed to slip on my promised deadline once again (thank you for your patience)... But finally‚ we return to the story of Teresa and Andrea in our Pokémon Mystery Dungeon: Explorers of Sky Randomizer!

A few items of note before we get started (and yeah sorry this is overly detailed and lengthy because idk what it means to be concise, just scroll down if you're not interested):

Please be aware: updates to Team Heavenly’s story will not be as frequent as they were during main. I now work a full-time job in a field where my schedule is somewhat contingent on unanticipated emergencies. And in general‚ I’m just a very busy adult! So I unfortunately can’t give you an exact (or even rough) timeline of when posts will be released— It basically comes down to whenever I have the time to do it. But rest assured‚ the entirety of this tale will be told… eventually!

I’ve gotten my hands on a newer tablet since last year, so my camera quality is much better now! …However. While snapping pics for this post‚ a seemingly unavoidable digital blue glare persisted‚ no matter how I adjusted my screen brightness. When I subsequently ran these photos through the auto function‚ they didn’t really… improve? So I had to do a lot of manual tweaking… Anyway‚ all of that to say if one shot doesn’t look visually consistent with another, it’s because each image got edited a little bit differently.

I will link multiple posts for a single "chapter" (see last bullet) in the same manner as before, with preceding and succeeding parts linked at the beginning and end, respectively. I’ll also update the table of contents in the pinned post for continued ease of navigation.

Also, please note... last year, my older iPad somehow managed to circumvent any sort of (consistent) image limit. But that is not the case this time! There is a strict hard limit of 30 images per post. It's therefore likely that post-game chapters will have more parts than the main-story chapters ever did. (Though whether that actually equates to a "lengthier" chapter is up for debate.)

As the post-game content does not get separated into official chapters‚ I will be partitioning the story based on subject matter! For example, this first act will focus on the guild’s graduation exam, the next will include Sky Peak, and so on. I also intend to use a random number generator to select chapter names from this list. (I mean, c’mon, that's part of the fun of a randomizer!) But for the sake of clarity, I will be including the actual subject matter after the chosen title in (parentheses). Thus‚ this first unofficial post-game chapter is known as…

Chapter 21: Would you like to eat moss?

(AKA: The Guild’s Graduation Exam)

As a result of Teresa and Andrea’s heroic actions… The destruction of time was stopped and peace returned to the world of Pokémon. They went back to Totodile’s Guild and fell back into their daily routine of vigorous training.

One morning‚ several months later…

Pineco: “:/ Hey hey, why can Teresa and Andrea take the graduation exam before we do? We’ve been around a lot longer…”

Tropius: “…They literally saved the world and have proven themselves to be worthy many times over. Also skill issue lol.”

Don’t feel bad for Pineco though; he’s not the only one getting roasted.

Lol rip.

Anyway‚ Andrea asks the very sensible question of what exactly this exam entails…

Dark Chasm? Evil MANSION?!

Are you— are you sending us back to the future‚ Totodile?! WTF??

Oh! That’s easy enough though. I mean‚ compared to scaling a collapsing tower while Time itself crumbled at our feet? Pshaw! This will be a cakewalk!

...You know, this is really the first thing that should have tipped me off as a kid 🤦‍♀️

🤨 How convenient.

Okay, so he's not gonna be any help, unfortunately. Looks like we're going in blind. (Haha unintentional pun...unless?)

But for real, anything that makes Mewtwo cry out in fear and run away is a force to be reckoned with indeed.

As we enter Nautical Cottage to begin our preparations, we run into our stand-ins for Teddiursa and Ursaring! After a quick chat, Horsea reveals they are also headed to the Dark Chasm...

*seen (sorry).

Also, at the risk of beating a dead Horsea (aHA! TWO FOR TWO ON THE PUNS!), y'all go play WHERE? *gets hit immediately by a Snipe Shot*

Andrea immediately suspects something is sus. Unfortunately, this is the smartest she's ever gonna get about it.

Anyway, it's been a hot minute, so I go to check my storage and evaluate what I have to work with...

BRUH?? I do NOT remember picking this up omg 😳

So my plan is to equip this for the exam, right? But then I totally forgot to do that 😅

Also I don't have a picture for this but I was able to buy 3 Poké from the Finnkecleon shop for free lol

✅Mission: set ✅Destination: arrived ✅Chance of success: 💯😎🎆

Oh my god, this really is the future of darkness!! I guess our efforts to save the world weren't enough, damn 😓

🎶I'm starting with the man in the mirror I'm asking him to change his ways🎶

A couple of Gummis later, Teresa learns the Lava Evader IQ Skill! Neat!

Me when Ivysaur used Fly:

Believe it or not, this actually almost killed Andrea at 96 damage. But the stairs were nearby and I wasn't too worried about it until...

Go figure, amirite?

Then Andrea reminded me of the awesome power of Blizzard and we knocked out everyone except Combusken and the Kabuto on the first turn <3 And she got right back up again in no time with the Fast Healer skill!

Does anyone remember that one time when I had the foolish idea to forget Quick Attack in favor of Helping Hand? Yeah, not one of my smartest moves. But I managed to find a TM in this dungeon that does the same thing as Quick Attack but better!

Here's the info for Quick Attack:

And here's the info for Mach Punch:

Higher power and hit ratio? Yes please! (Yes, I'm aware both are only one star stronger. But hey, every bit counts.)

I teeechnically have enough room for three more images, but this feels like a natural transition point so click here to advance to Part 2!