#for a character with his background that makes perfect sense to say something of the sort

[cranberry-writes]

Dating Headcannons for The Boys characters!

Please send requests, i need motivation

Characters listed; Hughie, Butcher, M.M, Frenchie, Kimiko

Warnings; Mentioned drinking and cannon typical violence/language. Also i’m barely on season 2 please bear with me

Hughie;

- He’s so so sweet about your relationship

- He gets you flowers for no reason other than he saw them and thought you’d like them

- He has thousands of reminders so he won’t forget anything, from a drink you liked to your anniversary he will have it written down.

- Later on in the series he gets protective and cautious about the relationship, scared someone (homelander) will mess it up by hurting you

- He’ll probably push you away a bit to try and protect you but after you knock some sense into him he’ll be back to normal

- Loves park/library dates, going on a picnic during the summer and to the library when it’s to cold out.

- He will do so much for you (flowers, gifts, dates etc) and insist it’s nothing but will cry (happy tears) if you do the same

- Don’t get me wrong tho, he’s still a bad ass (sometimes). He just dosnt want you to think differently of him because of it, he’s hurt people, killed people, and he honestly isn’t too keen on focusing on it. Even if you two are in the same line of work.

- And if you two don’t work together he tries to keep his ‘work’ life and dating life separate, very separate.

“You’ve never told me what you do for work, maybe i could stop by and meet your co-workers.”

“Uh, actually, i don’t think that’ll work.”

“Why not? is everything ok there or something?”

“I-, uhm, work alone, so i don’t even have coworkers for you to meet really, it’s really boring infact you’d probably fall asleep just from me talking about it hahaha.”

- You find out like two days later

Butcher;

- Little shit

- I mean that affectionately

- His pet names will range anywhere from “Darlin’” to “Fucker” and i WILL stand by it

- He’ll probably introduce you to his work before he does his dog

- But his dog is the big ticket, you meeting Terror is essentially his way of proposing before proposing

- He’s protective but not in the “i’ll watch your every move” more in the “im teaching you how to use every weapon to ever exist” way

- Honestly work would probably come before you for a while before he sucks it up and actually makes an effort

- Dates will be at the most shity bar imaginable, unless he’s apologizing for something then he’ll take you to the nicest place he can and put on a suit. (it’s the Cheese Cake factory and he’s wearing a Hawaiian shirt under his jacket but he’s trying)

- Unlike Hughie he will introduce you to his work at some point, granted it would still be a while before he did but he would at some point.

- He’s sweet in his own way

“Darlin’, look what i got ya.” And it’s a Garfield shirt a size to big but you still wear it anyways

MM;

- Definition of husband material

- remembers anything and everything after being told one time

- makes you baths with rose petals and candles and all that stuff if you mention you’ve been tired lately

- Takes you out to the movies and a nice restaurant at least twice a month

- Good gods he’s sweet to you

- He knows how to cook/bake and will make stuff for you all the time

- My guy will make a meal from your culture and practice making it almost daily just to give you a taste of home.

- He really loves back massages and cuddling after a long day

- Put on some crappy reality show for background noise and nap together

- He wants you as far away as humanly possible from his work, will literally say shit like “everyone at work has the plague you can’t visit” as a joke to try and change the subject

- Chances are you won’t find out

- His favorite flowers are tulips and nothing will change my mind about it

“Baby what are these?”

“Tulips, I bought them from a street market on 11th today. They’re your favorite, right?”

“Gods, sweetheart you’re perfect.”

Frenchie;

- When you two meet you both think it’s just going to be a one night stand

-…then it’s two nights, then three, then a week, then you start spending more time at his place than your own. One day you guys just realize you’re moved in and dating

“Are we dating?”

“…Was there anything else we could be mon cœur?”

- honestly i don’t think you two would get together if you weren’t working together, or at least you were also into some shady shit

- But overall you guys have a strong relationship, one gets hurt the other kills someone, someone is hungry the other is already cooking, stuff like that

- He also cooks but it’s only french food, it’s like a super power. He can cook any french food effortlessly but literally anything else he messes up

- If you are french he’ll be super happy someone else will appreciate the same stuff in a similar way

- If not then he’ll be happy to share stuff with you, teach you some french words and tell you about stuff he grew up with

- Honestly he’s just happy someone (other than Kimiko) will listen and take an interest

Kimiko

-I have a confession to make, Kimiko is my favorite and i have a very blatant bias towards her

- Kill anyone you want bby i don’t care ill always like you

- Anyways, It probably takes you a while to get close enough to her that she’ll consider dating you

- Once y’all get to that point i don’t think you could break it tho

- I think she would like constant minimal physical contact, like hand holding or leaning on each other

- I think she’d be pretty protective over you, like someone looks at you wrong and she wants to maul them

- Learn sign language with/for her she will love it

- Draw with her, get her supplies, like those alcohol markers i’m sure she’ll love them

- Honestly i don’t think she’d be big on pet names, she wouldn’t object to it but i don’t think she’d give you one first

- Cook for her, i just think it would be sweet and she deserves it

“I got you some of those markers you’ve been looking at for a while.”

Thank you, this is nice

- Please she’s perfect i love her

[ckret2]

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.

[meltinghun]

A real gentleman ; Joseph Descamps.

summary: Joseph and Reader never got really along until something changed.

warnings: genderneutral!reader, enemies-to-lovers, idiots in love!!, Y/N mentions lol, just kiss already.

author's note: Hi! I wrote this bc I fell in love with Mixte 1963, and when I looked up for ffs, there were NONE, so I said, 'I'll take one for the team' and came up with this. Please keep in mind that I'm not a writer and english is not my first language, I'll appreciate it if you can point at any errors. <3

The chilly breeze hitted their faces, making them close their eyes momentarealy due to its force, breathing in the smell of wet soil mixed with the freshly made bread from the bakery a few houses down the road.

The day looked very promising; today they woke up a little bit earlier than usual, using the extra time to finish in advance some english homework assigned for the next week and even strarting a big upcomig proyect due to the end of the month, hearing the weatherman in the radio as a background noise, announcing that it was going to be an unusually warm day of autumn.

Everything seemed perfect, the subtle orange hue of the skyes illuminating their face as they walked and the soft rumbling of cars passing by the principal street made them feel like a character of one of those romantic movies they dearly love watching, a thought that felt reinforced when every leave they stepped on made a perfect crunch sound. A soft greeting left their lips when they walked past one of their neighbours who was heading out to work like many other people did at those hours.

It truly felt like a peaceful morning.

'You seem lost in thought. Are you daydreaming about me already?'

Until it wasn't.

They dedicated a slight scowl towards the person who dared to interrupt their peace and inhaled a big breath of air before answering.

'Not even in your greatest dreams, Descamps.' They made a condescending gesture with their hand. 'Now leave me alone, yeah? I was perfectly fine until you came with your annoying presence.'

A booming laugh abandoned his throat. 'Don't act so disinterested. I know you couldn't live without my annoying presence even if you wanted.'

Joseph Descamps. He was a classmate of theirs that took an interesting liking towards their persona, or how they liked to say, a liking towards making their life miserable.

Since the start of the year he took every possibility to annoy them out of their mind, it started with some snark remarks insulting their way of doing certain things and it slowly progressed to petty acts, such as slighty tugging their hair when passing each other, hide their belongings when they aren't looking and even blocking their path by standing in the entryways, smiling down at them while demanding a 'password' that changed every day. Just petty acts meant to be a pain in the head.

He was everything they couldn't stand: a bully with some serious narcissist tendencies who, on top of it all, loved to get a rise out of people by pushing their boundaries and provoking them in any possible way.

But even with that horrendous description, Y/N couldn't avoid that rare feeling at the bottom of their stomach whenever he was close. At first they thought that it was a reflect of how disgusted they truly felt by his persona and the gross acts he usually did, a few weeks later, that feeling was accompannied with their heartbeat increasing when they noticed that he was invading their personal space, but chalked it up as just being nervous of his tall frame hovering them like some sort of prey, that made total sense on their head. However, some days later, he did something that made them realise what they truly felt for the boy with the patch.

It started to rain towards the end of the day, exactly 15 minutes into their english class and the frustration was clearly palpable, it was so unexpected that nobody could've predicted it; what it seemed to be a passing grey cloud turned out to be a massive downpour, Y/N started to complain with their friends about how it was a shame that they chosed to use the new sweater their grandmother knitted for them and how sad it was that now it would get ruined under the relentless rain. When the class was over, they noticed how Joseph went outside the building running and disappeared behind the school gates. They thought it was really weird, but they knew better than to expect something coherent from him. Minutes passed and it seemed like the temporal was getting worse so a few people decided to just suck it up and walk under the cold rain, sighing for themselves and rapidly lamenting once more the lost of the sweater, they prepared to follow the steps of the brave mass of students when a breathless voice interrupted their movements.

'L/N, wait!' A disheveled and completely soaked Joseph made himself seen, his shout drawing attention to the both of them.

'What do you want now, Descamps? I'm already late to home, I don't need you keeping me here any longer than necessary.' They stated with a confused frown, curious as to why was he there but trying to mask it behind indifference.

A smirk made its presence on his sharp features. 'I know, but I couldn't just let you go like that under the rain, that wouldn't be so gentlemanly of me, don't you think?' From behind his back, he pulled a blue umbrella and extended it to a dumbfounded Y/N.

Was that really happening right now? Did the most annoying person they ever met just ran under the rain to bring them an umbrella? And not only that, but he somehow managed to get one with their favorite color, too. Did he just called it to be a mere gentlemanly act?

It might as well start raining cats and dogs.

They opened and closed their mouth, being left without anything to say for the first time, a half-hearthed chuckle interrumping their messy train of thought.

'I heard what you said about your sweater and how sad you would be if it got ruined.' They swore that their heart would get out of their chest for how hard it was beating. 'And I didn't want you to get heartbroken for it, so I thought that you could use one of these.'

He closed the distance that separated them by taking a few steps, reaching out for their free hand and making them hold the umbrella, the contact between their fingertips sparkling a something deep inside each other.

'I know we are supposed to not like each other, but let me be nice to you for once, please.' His eye shining with an intensity they couldn't explain. 'Don't worry, we can keep hating us tomorrow.' When he saw that they wouldn't object, he turned around and began walking outside, getting under the rain once more.

Feeling the heat creeping on their face and having found their voice, they asked out loud.

'How did you know?' His head turned around enough for them to see his face. 'How did you know that it's my favorite color?'

They knew that it could've perfectly been a mere coincidence, something insignificant that shouldn't be overly analized, but something told them that it wasn't like that. They really hoped it wasn't. And it was confirmed when he flashed them another one of his infamous smirks.

'Sometimes I listen to you more than i should.'

Since that very moment it's been really difficult to fight the involuntary smiles that made a way into their face when he unexpectedly tries to integrate them to a conversation by asking their opinion on a subject, or the feeling of warmth that invaded their chest everytime they made visual contact and let's not forget how everytime they both "accidentaly" brush hands Y/N had the extremely rare need to interlock their hands with him.

But after all, he was still Joseph Descamps, the attractive cocky idiot who is always up on some trouble that he himself seeked out.

'...-ou cold?'

They blinked repeatledly with confusion written all over their face, the taller boy smiling down at them for being able to catch them distracted.

'Huh?'

'I asked if you weren't cold.' He repeated the question slower, a soft look on his eye. 'You are shivering'.

If he didn't pointed it out, they wouldn't noticed that, in fact, they were shivering. The chilly air becoming colder than before making them lowly insult the unstable weather of the so-called "unusually warm day", having only a thin cardigan that didn't do much to help.

'It's nothing. The school's a few blocks ahead, and I can take a little bit of cold.' Grumbled under their breath, only to sneeze some moments later.

The boy snorted while shaking his head before swiftly taking off his coat and placing it on their sholders. 'You are not going to catch a cold, or at least not on my company.'

'You are being awfully nice to me lately.' In a slight moment of braveness, they blurted out the question that was tormenting their head. 'Are you flirting with me, Descamps?'

An incredulous look got settled in his face, and they regretted saying it immediately, wishing to come back on time to stop themselves and save them from the embarrassment. Did they read the signals wrong? Was he only trying to become their friend? Was he only being nice? Was he...?

'Yes! Thank you for finally noticing it, I was starting to think that you were cruelly ignoring my advances.' A beautiful and dashing smile was sent in their direction, the biggest they ever saw him smiling.

And it was because of them.

A shaky sigh left their lips accompanied by a nervous laugh, not realizing they were holding their breath, with equally shaky hands coming up their head to accommodate their hair on a jittery action.

'I... I didn't know, really. I had a slight impression, but I thought that I was imagining things.' They cleared their throat in an attempt to regain their cool and collected personality. 'So, when are you taking me on a date then?'

The slight quiver on their voice was noticed by the still very amused boy, who took mental notes on how cute they looked flustered and to try to do it again in the future when given the opportunity.

'Would you accept if I asked you to skip school with me and have a date right now? I don't think I can wait any longer.' He asked with a playful tone, typical of him.

They let out a snort. 'I would tell you that you are crazy if you think that I would do something as risky as that. But lucky for you, I'm free today, so meet me at the cinema at four o'clock.'

'Then I shall see you there.' Replied between soft laughs, not believing that this was really happening. 'Some recommendations for this poor soul?'

The open gates were a few meters ahead of them, the other students that hanged outside throwing curious and shocked looks on their direction when they noticed the much larger coat that lied on Y/N's shoulders and the flustered smiles on their faces.

'Yes, the most important thing, don't you dare being late. If I get there and I don't see you, you can even forget that we know each other.' He brought both hands up in the air in a sign of redemption. 'I'm serious about this. You'll regret it if you do.'

'I wouldn't even dare thinking about it, I'll let Magnan take my other eye before screwing my opportunity with you.'

Their eyes widened at the hidden seriousness of the statement and the simplicity with which he pronounced it, the sincerity of it all making their heart race like crazy. Slowly nodding their head while trying to gather their thoughts.

'Well, it's settled then, at fo-...'

'Four o'clock sharp, I couldn't forget even if I wanted to.' He made a pause, regaining his usual playfulness. 'Should I bring you flowers? I want to be a real gentleman with you.'

'Okay, now you are showing off that you know how to flatter someone, shut up.' Rolling their eyes with a smile, they started walking toward the gates, leaving him behind. 'And I like camellias, for your information.'

'I only wish to flatter you, nobody else!' He said loudly, making people start to whisper about the supposed swear enemies.

'You don't want to know.' Was the only thing they said, accompanied by a slight shrug of shoulders.

Trying to bite back a bigger smile they waved him off, getting closer to their friend group with each step they took, all of them looking the exchange with incredulous eyes, silently begging for an answer as to what just happened.

They never before wished that the day would end up sooner.

[ghouldtime]

Neighbor! König Part 2

Part One

Part Three

After you expressed interest in his miniature collection, he actually actively OFFICIALLY invited you over one evening (and inside!)

It may not sound like much to most to be invited into someone's house but for him, it's the ultimate trust. His house is his private space, his sanctuary, where he goes to be without other people

He doesn't ever invite anyone inside unless necessary or they've truly gained his trust and being invited INTO his house, and actually into a shared space of one of the hobbies that matter the most to him?? Yeah, that's how he says he likes you

He's been working on his models and dioramas for so so long he's incredibly proud and can't help but to want to actually show them off to someone who wants to see

Usually most people don't care :( or think it's weird

But you've embraced it! You're so excited and he's over the moon, he's having the best day ever, if you do research and bring him gifts or show him some new ideas

He has exquisite attention to detail and INSISTS on everything being exactly the way he envisions it. And you notice! You actually notice. Which means you care about his hobbies, the work he puts in, and therefore him

It might be a bit early to say the L word but he's feeling certain ways

He may be a big dude but that doesn't mean he lacks fine motor skills. He's laying those tiny pieces of moss onto the cobble stones like a PRO

Miniatures allow him control over the environment, even if it's on a smaller scale, and offer a way to keep his hands and mind busy so he often throws himself into it

It also helps him relive happier memories. He's afraid of forgetting them and when he's stressing, it's his happy place because he can look at them and simply remember the things in life that matter

He'll ask you about a story you like or a favorite show or book or movie. That's his next miniature planned (in secret. Can't ruin the surprise, he needs to have it all perfect. He will either read the book, watch the movie, will study EVERY detail)

He will start to invite you over when he's having a painting night or is working on them. You don't have to follow his rules or do what he wants! He's just happy you're there and appreciating it

He will always have your favorite snacks and drinks in stock too. Need to make it fun and can't have you going hungry

If you want, he'll put on background noise! He's happy to make it immersive and to light a candle or put something in a diffuser to really set the scene you're going for. But he's perfectly happy to hangout with you as is

You'll finally get to hear him laugh and hear his really, really bad jokes. He has a dry sense of humor and most of what he says isn't even close to funny, he's awkward like that

But if you laugh? That's it, he's sold.

Time flies so fast when you're over, you don't even realize it's 3am

You don't need to go home! I know it's right across the street but he has a guest room and it saves you the trip in the morning. You have a whole nother round of characters to paint :)

Okay maybe it was an excuse so you could see the curtains he'd made and the pillows and he decorated the guest room with! Like actually tried decorating. They're made with love, that's what counts right?

Did he spray the pillows with his cologne before you came over? Maybe, but he won't ever admit to it

You can't complain. Not when he insists it's no trouble at all, you should stay over, and he does everything he can to make you comfortable.

And you're certainly not complaining when you wake up to breakfast in bed

He's so happy to finally have someone to share his life with, even if it's nothing official. He might not say it because words are hard, but he'll always show it in every way that he can 💚

If you look closely at the replica he made of his childhood home, you'll notice two figures in the kitchen who just so happen to look like you and him

Proud believer of König being just a guy! A guy with hobbies! A guy with a calm domestic life! Just because he's a private military contractor doesn't mean he's a constantly violent dude or a guy who lacks an immense amount of respect for boundaries. Sure, he gets really into his job when he does it, but that's his realm! That's his zone. That's why he's confident and having fun, he knows he's good

Outside of work, he's just a guy with a troubled childhood making the best of life and trying to find his own sense of belonging, happiness, and peace

Justice for König, he's not an insane perv or some freakytron or some stalker :(

[artist-issues]

Tell me every reason you enjoy Zootopia enough to give it all the rewatches you do.

Every? Oh boy.

Good Story

Perfect Characters

Visual Appeal

Earnestness

Let me break it down.

1. Good Story

Zootopia’s main point is: “Try to make the world a better place by realizing we’re fundamentally the same.”

That’s a really good main point.

It has the benefit of being true. Right now our culture is super into “self-identification,” and this crazy contrast between, “I want to be able to identify as something special” and “Now that I know what categories I fit in, I can choose who’s ‘one of us’ and who’s ’not one of us.’” Okay well that sounds pretty and I’m sure it fulfills some emotional need at some point, but it’s actually super divisive, and self-serving, and it’s the seeds for all prejudices. Including racism.

Do we have differences in origins and experiences? Yes. Of course. Do we also have some fundamental things in common? Yes. Of course. Which truth are you going to give the highest priority to? If it’s “no, I’m a prey animal, I know exactly where I belong, that’s who I am, that’s how I dress, that’s my compass for how I interact with others” then you’re getting all your security from your “sense of self,” and being able to understand what that is…which is just a fancy way of saying “I’m all about me. My own perspective informs everything I do.”

Anyway. Zootopia’s message was super true.

And the coolest thing about it is that if only Judy were in the wrong, and the other half of the dynamic duo, Nick, was this open-minded, un-prejudiced guy…and she just hurts him and has to apologize…the movie’s message wouldn’t be as well-communicated.

They have their prejudices and their hurt-from-being-prejudiced-against in common!

They’re the same…because they’ve both felt what it’s like to be treated like they’re not “the same.”

Nick isn’t the only character being mistreated and written off because of his species. The whole first half of the movie is about Judy being mistreated and written off. They think she can’t be a cop because she’s little and cute and a prey-animal. They think Nick can’t be trustworthy because he’s sneaky and small and a predator.

So literally…if Judy represented one race, and Nick represented a completely different race…the movie would be saying that both those races are discriminated against. They even have discrimination in common. AND, if Nick represented men who people make assumptions about because he’s a man, and Judy represented women who people make assumptions about because she’s a woman—the movie would be saying that both those genders are falsely judged.

I mean. Wow. Right now, your movie is either pro-woman or pro-man. Right now, your movie is either BLM or white-supremacy. Everybody’s lining up on one side of the line or the other. Zootopia says, “it doesn’t matter what character you’re looking at, from the elephant that can’t remember anything to the two main characters—every single one of them has fundamental things in common, and one of those things is that they all live like they’re in their own special category. When actually, they’re all fundamentally the same.”

I don’t want to keep beating the dead horse. But I have a post somewhere that lists every background character and points out that each animal is the exact opposite of what you would assume they are based on their animal-stereotype. The otters are never shown being playful or snuggly, only traumatized and ferocious. The cheetah is fat and slow, not quick or even quick on the uptake. Etc.

Even if you look outside of characters—look at the sets. Look at the environments. The whole city is designed “for animals, by animals.” But it’s in neat little segments. The animals organize themselves by habitat. Of course, in one sense that’s practical—the polar bears can’t live in Sahara Square, etc. but the point is, by making Judy and Nick, the main characters, small animals, in a city where everything is built to accommodate by species—UGH this is so good—they have to figure out how to problem-solve in situations that weren’t made to accommodate them.

Little Rodentia? Judy has to avoid stepping on all the mice or knocking over their buildings. Parking tickets? She has to figure out how to jump to reach bigger animals’ windshields—or she inconveniences smaller animals because the tickets are all printed at the exact same size. Stuck in a cell? The guards didn’t think about the fact that small animals can fit down the pipes made to accommodate big animals.

Zootopia is a city advertised to be where all the animals can come together. But the way they do that is by trying to accommodate every species’ preferences. So then actually while they try to come together, everything from their cars to their districts remind them of their differences. The whole idea is that they prioritize the wrong truths. Yeah, mice can’t drive giraffe cars—but they still have “driving” in common. See?

And oh my word. Initially it was supposed to be a spy story. But they changed it to a buddy cop story. Why? Well because justice doesn’t discriminate. Or at least, it’s not supposed to. So then there’s another lens to look at the story’s main theme through.

It’s just that every layer, every perspective you look at the movie from, is just hammering that truth into you: “Try to make the world a better place by realizing we’re fundamentally the same.”

2. Perfect Characters

Every character is so well-thought-through in this movie, even the side characters. You get the feeling you could watch a whole movie based on the side characters, because that’s the amount of love and nuance built into them.

Look at the main ones, though. Bellwhether is supposed to be soft and a follower. She’s a sheep. Instead, she’s hard and bitter—and she’s a leader. A villainous leader, but a leader, nonetheless. Even as she tries to keep animals divided based on fear of their stereotypes, she’s not fitting her own stereotype. Her voice actress has this strained, half-hoarse, but sweet voice. Like you can tell that this character has spent a lot of time under pressure and trying to manage appearances. Appearing like she’s fine, and she can handle it—until you realize that the appearance she’s really managing is “the cultural fear-based identify of the city.” They dress her in plaid and flowers and she’s a farm animal, because that’s the kind of character Judy would be most likely to trust. But she still has green eyes, and jagged teeth, so that when she does start making evil expressions there are some caricature-pieces in there that come out and accentuate that.

Nick Wilde—everybody’s favorite—is supposed to be sly and smooth and shifty. And he is. He’s a fox. But he’s also brave, helpful, and trustworthy. The first time you see him is when he’s dodging out of the way of a bigger animal ignoring him and about to run him over. Well, that’s important.

Because Judy knows what it’s like to have to get out of the way of larger animals, because they overlook her.

So right off the bat, this character she has to get along with and work with, this character who furthers her development and nails the main point, is introduced in a way that has something in common with her. But he’s also introduced in a way that gives her an opportunity to focus on a different truth—that he is different from her. Because the sheep is yelling that he’s a “fox.” Right away, we’re back to species-as-identification.

And that’s what the movie does, all the way through. It presents new animal characters, and with those new animals characters, more than one thing is true at a time. And Judy has to try to focus on which truth is more important. “Try to make the world a better place by realizing we’re all the same.” Yes, Nick is a criminal. But Nick is also brave, helpful, and eventually, becomes trustworthy.

Judy, too. Judy is an incredibly well-done character. Because she believes, in her head, that anyone can be anything—which is not what the movie ends on. In fact, she goes from saying, “anyone can be anything,” to saying, “we all have limitations.” It’s not true that a fox can be an elephant. But it is true that a fox can be trustworthy. Figure out what’s true, and try to make decisions for the better, based on that.

I could talk about character design and acting. Ginnifer Goodwin gives just the right amount of smugness and self-confidence to Judy without making her unlikeable—you don’t realize she’s smug and her self-confidence is misplaced until she does, when she fails to make the world a better place for Nick.

Judy wears tight, actionable, well-fitting uniforms for the whole movie. In her civilian clothes when she comes to Zootopia, she’s wearing athletic t-shirts and shorts. Ready for action, that’s Judy, even in her civvies. Meanwhile, Nick? Nick wears loose-fitting clothes. Loud, patterned clothes that don’t match. Like he didn’t even what, ladies and gentlemen? Like he didn’t even TRY. “Try to make the world a better place…”

Because when you meet Nick Wilde, he’s long since given up on trying, in life. So his character design reflects that. He rarely even stands up straight, or opens his eyes all the way—his default is drooping. And guess what?

When Judy “gives up?” Quits her job? Goes back home? Stops trying? Her civvies aren’t ready-for-action, trying clothes. They’re loose flannels. And her “ears are droopy.”

SERIOUSLY, you can find things like this in every corner of the movie. For every character. Not one character is a throwaway, not in voice acting, not in design, not in animation, and not in narrative.

3. Visual Appeal

Which leads me into this point—no other animated anthropomorphic animal movie is as visually appealing as Zootopia.

What Zootopia does is it matches the best of the best anthropomorphic animal designs from past Disney movies:

And they marry it with this incredible intentionality with modern CGI.

Did you know Disney invents its own software for things like fur textures?

The sheep’s wool, the velvet pig skin, the fox fur, the bunny fluff—it’s all completely different textures. There’s no one “fur” covering all the hairy mammals.

Nick isn’t just orange. He’s orange with deep red and dark tufts. Judy has black tips to her ears, too—which helps the two of them look like, in some sense, they belong “together” in every shot.

It’s so important to the movie that the animals feel like animals that they worked this hard to do this. And then that extends to the textures of the snow, the ice, the sand, the wet leaves, the grass, the fire.

Every character moves like their animal, and like themselves. Nick and Gideon are both foxes, but they don’t move similarly at all. Gideon is aggressive and glowering and physical. Nick, again, is slouchy, leans on everything, completely non-confrontational.

Other anthropomorphic animal movies like Sing or Puss in Boots—they’re not doing both as well. Zootopia is appealing, without sacrificing realism completely, and without cutting character acting.

The lighting. Nope. This post is too long, I can’t talk any more.

4. Earnestness

There is no disingenuous moment in this movie.

The animators are never lazy. They always go for the challenge. They don’t cut corners. Have you ever seen “Over the Hedge?” I like Over the Hedge. But I watched it recently and it’s crazy how many shots are strategically placed so that the animators don’t have to solve a certain effects problem.

For example, when RJ sprays Hammy with cool whip to make it look like he has rabies? He doesn’t. You never see the cool whip leave the can. It just cuts away, then cuts back when RJ is pulling the can away from his face. The shots are also cut so that you never have to see gas actually come out of Stella—and you never see Vern’s full body as he gets back into his shell, just the upper part of the shell as he wiggles it around, going through the motions of putting it back on.

That’s because that stuff would be painstaking to animate. Any time one character has to interact with props or substances (especially liquids) that are not part of their model, it’s harder on the animator.

Zootopia? We’re getting full-on views of characters getting wet, fur and all, characters touching various objects and elements, foam coming out of the mouth, new clothes, new set pieces, multiple models, huge crowd shots of different animals in different outfits, all with their own movement patterns and acting.

And all that hard work and effort, aimed so totally at the main theme of the movie? Making sure it looks as good as it can? Not just that, but the way it’s written, the acting, is so genuine. They don’t hold anything back. They don’t shy away from real emotion.

Judy Hopps’ apology scene is brutal. She’s crying, having a hard time finishing a sentence, her voice is all tight. It’s not pretty, it’s not romantic, it’s like…ugly crying. And her character is wrong in a super embarrassing way. They're not afraid to go there. The writers, the actors, the animators—they’re not afraid of being too vulnerable with these character flaws.

So many movies, especially kids’ movies today—they just pull up and shy away from being real through their characters. They think a quick sad facial expression will get the point across. And it does. The audience gets that the character feels sad about whatever the circumstance of the scene is. But not as powerfully. Because you didn’t put as much work and heart into it.

Zootopia is all heart, from work ethic to vulnerability to the filmmakers enjoying what they’re doing, enough to make it as good as it can possibly be. I can’t explain it better, other than to say, you feel like they would’ve been happy making this movie much much longer than it was. You feel like they’re cramming every bit of joy and passsion into every little joke, every side character, every hair on a CGI bear.

There you go. Long post, you did ask for it

[capquinn]

Do you have any of your own dad!quinn daydreams with him and Bug in the Amazon episode? Is he the type of parent to completely avoid her being posted or he’s okay with a small amount like pictures and candid moments

oh i've been waiting for this one!!!!!

Quinn’s online presence has basically become non-existent since he became captain, which makes total sense. When he does post or share something, it’s almost entirely about his career — the odd Insta story repost from the Canucks, like charity work or celebrating a teammate's milestone, or occasionally something promotional for the Canucks or NHL posted to his feed. I mean, we didn’t even get a summer dump this year, so it’s clear he’s become much more private. The idea of him posting something personal would feel so out of character now, you know? Honestly, I’d have to wonder if he was being held at gunpoint if it happened lol

With that in mind, I feel like dad!quinn would take that privacy even further when it comes to Bug. He wouldn’t post her on social media at all — there’s no way he’d want her out there for public consumption. Maybe he’d share the occasional snippet on a private or close friends Instagram story, but even then, he’d be incredibly careful about what he shows. Think faceless photos — like a shot of her little sunhat shielding her face as she sits on the dock at the lake house in the summer, or a picture she drew of him, proudly displayed on the fridge with a caption like, “she’s pretty critical of my stick handling.” Those little moments that mean everything to him, but he’d keep them just for the people closest to him.

With the Face Off stuff, He’d want to keep her out of it entirely, likely requesting that they not film her or include anything too personal, doing his best to protect that part of his life. Instead, there’d just be traces of his family in the background — things that suggest without showing. A toy box tucked into the corner of the living room, a teddy bear left on the sofa, a colouring book and crayons on the dining table, family photos on the mantle but filmed at a distance so nothing is truly decipherable.

At most, maybe there’d be one sweet, subtle moment near the end. Like a clip of him on the boat with Jack, wakeboarding, and you hear Bug’s tiny voice calling, “daddy!” from the dock. The camera wouldn’t even show her — just her voice floating across the water while the shot stays focused on Quinn. His reaction would say everything, though: his big, unrestrained smile, the way his eyes would light up as he waves back toward her standing beside you on the shore. It’d be the perfect glimpse into his life as a dad without crossing the line into showing too much.

They might ask him during the interview part of filming what it’s been like balancing being a captain and a first-time dad, and his lips would twitch into that soft, shy smile, his gaze dropping for a moment like he’s carefully choosing what not to say. His answer would be thoughtful yet still so reserved. Something like, “it’s been amazing. It’s definitely a balance — wanting to give everything I can to both — but being her dad is the best thing I’ve ever done. She's pretty great.” And I can just imagine his smile growing as he talks about it, like he’s holding back from saying more because he wants to protect that part of his life so fiercely. The cameras might linger on him for a moment after his answer, his expression so sweet and so vulnerable, almost distant, like he’s thinking about Bug back home, probably drawing another masterpiece for the fridge.

It feels like exactly the kind of balance Quinn would strive for — protecting his family’s privacy while still giving the smallest, most heartfelt window into the joy of what being a dad brings him.

[isaacarellanesismyhusband]

why not me?

pair: Percy Jackson x reader

summary: Percy is dating Annabeth but y/n(she/her) has been Percy's only best friend, besides Grover, and she's had a crush on him for years now, even before they knew he was a demigod

masterlist | navigation

❀✿❀✿❀✿❀✿❀✿❀✿❀✿❀✿❀✿❀✿❀✿❀✿

You sit at the edge of the campfire, your knees pulled to your chest as you watch Percy and Annabeth laugh across from you. Grover's somewhere to your left, probably foraging for more marshmallows, but you’re too focused on them to care.

Percy’s smile is bright, his sea-green eyes crinkling at the corners, and every laugh he gives sends a pang through your chest. You’ve known him for years—long before either of you even knew what a demigod was. Before the monsters, the quests, the gods. When he was just Percy, your best friend who lived down the street, the one you could always count on.

Now he has Annabeth, and the "what ifs" and "why not me?" consume you every day.

You were there before all this started. The thought races through your mind as you absently twirl a blade of grass between your fingers. You knew him when he couldn’t even pass math, when his biggest worry was keeping his ADHD in check during class, when you two would spend hours at the park just talking. You were the one who stuck by him when the world didn’t make sense, but now, sitting across from him, you feel like a background character in your own life.

Annabeth is perfect, you think, your gaze flickering to her. Of course she is. Daughter of Athena. Smart, brave, beautiful. You can’t compete with that. You’ve tried to stop comparing yourself to her, but it’s impossible. Every time you see them together, you can’t help but notice how effortless it is for her. The way she fits into Percy’s life like she’s always belonged there. The way she’s everything you’re not.

You glance down at your hands. What did she have that you didn’t? She was brilliant. Fearless. Meanwhile, you’re just... you. Ordinary, human, flawed in all the ways Annabeth is perfect. You don’t have godly parents, you don’t have that kind of courage. No matter how hard you try, you’ll always feel like you’re not enough.

“Hey, Y/N, you good?”

Percy's voice pulls you from your thoughts, and you look up to find his concerned eyes on you. Your heart skips a beat at the way he’s looking at you, but it also aches because he’s not really seeing you. Not in the way you want him to.

You force a smile, the same one you’ve been using for years now. “Yeah, of course. Just tired.”

Annabeth throws you a glance, and for a moment, you wonder if she can tell. You’ve gotten good at pretending—pretending you’re happy for them, pretending it doesn’t hurt every time you see them hold hands, pretending you don’t lie awake at night asking yourself why you weren’t enough.

Percy gives you a soft grin, one that you’ve seen a million times before but never get tired of. "You sure? You’ve been quiet tonight."

Quiet. Right. You’ve been biting your tongue so hard lately it’s a wonder you can still speak around him. You nod, your throat tight. “I’m fine, Percy. Really.”

He shrugs, seemingly satisfied, before turning his attention back to Annabeth. And just like that, the moment is gone. You’re invisible again.

As you watch them talk, your mind drifts to all the times you’ve wondered if things would’ve been different if you’d just spoken up sooner. If you’d told Percy how you felt before he and Annabeth got together, would he have seen you then? Would he have realized that you were always the one who stood by his side, that you loved him long before he was the son of Poseidon, long before any of this?

Or maybe you were just never meant to be more than the best friend. Maybe that’s your role, and you were foolish to think you could ever be anything else.

You hear Annabeth laugh at something Percy says, and it twists in your gut like a knife. She doesn’t even have to try, does she? Everything comes naturally to her—the love, the adventure, the destiny. And here you are, desperately trying to keep your smile intact, trying not to let the cracks show.

Why not me? The question echoes in your head again, louder this time. What does she have that I don’t?

You hate that you’re thinking this way. Annabeth doesn’t deserve your jealousy—she’s never been anything but kind to you. She’s never treated you like you were lesser, but that’s how you feel, anyway. Less than her. Less than what Percy deserves.

You swallow the bitterness building in your chest and stand up abruptly. “I think I’m gonna head to bed,” you say, keeping your voice as steady as you can.

Grover has finally returned with the marshmallows, and he offers you a confused look, his hand halfway to the fire. “But we haven’t even started roasting yet!”

You force a smile. “I’m just really tired. I’ll see you guys in the morning.”

Percy frowns again, but he doesn’t press. “Alright. Night, Y/N.”

“Goodnight.” You turn away quickly, before the tears in your eyes can betray you.

As you walk toward your cabin, the weight of it all crushes down on you. The laughter behind you fades, but the pain doesn’t. You bite your lip, trying to hold back the flood of emotions that’s threatening to spill over.

You wonder how long you’ll be able to keep pretending, how long you can keep wearing this mask. How long before Percy realizes the truth?

But then again, maybe he never will. Maybe you’ll spend the rest of your life standing in the shadows, loving him from a distance, wishing things were different.

[anemicjellyfish]

Random theorizing and/or speculation post idk.

So I've said it before and I'll say it again. Helluva Boss is pretty damn good at "Show, Don't Tell."

While it isn't entirely devoid of expositional dialogue, it really doesn't seem like they rely on it heavily. Even with a few heart-to-heart moments between characters like Blitzø & Fizzarolli in Oops and Loona & Octavia in Seeing Stars, big dialogue exchanges are kept to a minimum. Character development happens over time and through on-screen events rather than sitting down and talking it all out.

This, combined with the show's tendency to both 1, let events come full-circle and 2, show generational trauma as a way to let characters break free of the molds set for them, is why I think Octavia might get the "Stolas Experience" soon.

Now, I love Octavia. If I could pick a character to make sure the writing team doesn't traumatize, it's her. (This is a No Hate Zone for Octavia and Stolas btw.)

What I mean is that Octavia seems to have been kept from the same expectations that were put upon Stolas his whole life. She appears to make her own choices and express herself in ways that Stolas wasn't allowed. I have a feeling that, now that she is with her mother and uncle, she will be held to a similar standard as her father (at least until she's of age, which is likely 18).

I feel like minimal expositional dialogue will come in to bridge the gaps in her knowledge. Octavia getting told she's "just like her father" as an insult when she's not adhering to new standards.

To bring it to a head, I also like to speculate that Stella will try to arrange Octavia a marriage of her own. When Via pushes back on this, the "just like your father" line may come back. I also think Stella will deliver the final nail in the coffin of Octavia's opinion of her parent's marriage here.

My personal headcanon of the line is something like: "oh, for fuck's sake, Via. All Goetia marriages are arranged. It's not like Stolas and I ever loved each other. *laughter* Andrealphus, could you imagine? Stolas and I in love?! How ridiculous..." (mocking fades into the background as Via processes what she just heard) But this is just fanfic-level stuff that plays in the background of my brain.

Now, to skip ahead just a little. There are very few characters for Octavia to turn to. The most likely candidate for a lot of us is Loona. It makes sense, as they've already shared some screentime & Octavia got some solid advice then. And I don't disagree at all. It's a good choice.

But I like to think Octavia has something in common with someone she despises, but who could never hold hate in his heart for her.

Blitzø and Octavia have some unlikely common ground in severing connections with those they care about most through an emotional response to feeling unloved.

Octavia's song "I Will Be Okay" uses fire imagery to burn photographs to symbolize her readiness to cut off contact with her father after she came to the conclusion that he never loved her.

Blitzø set a literal fire unintentionally when his own father valued Fizzarolli over him, and likely felt that Fizz would never love Blitzø in return.

While the parallel between them isn't completely perfect, Blitzø is uniquely suited to understand a teenager who is scared, alone, and feels unloved.

We know a good deal about the circus fire, but Blitzø really hasn't spoken about it to anyone. It's unclear if he ever went into detail about it to Fizz, and he only vaguely referred to it being "traumatic" when Stolas brought up Blitzø's love of horses.

I personally like to think that Octavia will be the one Blitzø tells about it all. I think he'll obscure the details of a teenage crush to stay on-topic. But the loss of a loving parent (Blitzø's mom/Stolas) and being left with a horrible one (Blitzø's dad/Stella) is something that connects them in ways that both of them don't realize yet.

This doesn't have to fix things. Confronting traumatic events doesn't mean those events no longer happened. Blitzø carries the physical scars of his past with him everywhere he goes, and the emotional pain doesn't always heal without leaving scars of its own.

Octavia could slowly rebuild her relationship with her dad over time. It's not impossible yet. But she is slowly gaining an understanding of how things work in Goetic society; she will likely know soon that she was only born to be an heir out of precaution. So a part of her is always going to be the teenage girl who needs reassurance that she's loved, that she isn't the obligation that she thinks she is.

Sorry for another incomplete post. My thumb is hurting at the knuckle because I over-extended it the other day and it's hard to type on my phone with just one thumb.

[goldeaglefire1]

so. played the Pristine Cut a few days ago (not the first time I've played Slay the Princess, for the record; I actually got into it like a month ago and have kinda just. lurked in the background, not making any posts about it. so uh. hi guys) and. GOD this game is good for so many reasons, with even more reasons being added by the Pristine Cut, and I know a lot of people have made posts about how good Happily Ever After is already, but, since I haven't seen anyone post about it from the angle I'm looking at it...y'all mind if I ramble about how good the Happily Ever After route is from a narrative perspective. trick question, I wasn't asking; I'm going to ramble about how good the Happily Ever After route is from a narrative perspective.

so! let's talk about the Damsel for a minute. this is all fairly obvious stuff but stick with me here; we need to lay the groundwork for the main discussion. the Damsel, from a purely Doylist perspective, is the archetypical "damsel in distress" trope - the girl at the end of the villain's lair who has no agency of her own and exists purely as a reward for the hero completing his journey and beating up the villain (before you get mad, I know the Damsel is not actually like this in-universe, and that fact is actually a surprise tool that will help us later, but, again, looking at this from a purely Doylist perspective: outside the world of Slay the Princess, not in it) - fundamentally, she's there to make you happy. the Shifting Mound changes based on perception, and by treating her as the archetypical damsel in distress in Chapter 1, she actually becomes one come Chapter 2, with all her hard, unconventional edges like, to pick a random example here, "the capacity to horrifically self-mutilate herself," being sanded away for a perfect storybook ending. that's what you wanted, after all.

and, if you take everything at face value, that's exactly what you get! if you follow the Voice of the Smitten's advice and completely ignore the Narrator's nonsense about how she'll "end the world" or something, you will get exactly what you asked for, because, well. that's all there is to it! there is no deeper story here, it's just "hero saves princess, the end," end scene, move on to the next princess. but that's the Damsel route, and we're here to talk about the Happily Ever After route. and in order to properly get the Happily Ever After route, you have to horribly fuck up the extremely simple narrative presented before you. so, how do you do that? two ways - either try to question the princess's character and see what underlying motives she has, or, the method I'm choosing to focus on (both because it's the one I got when I first got the Happily Ever After route and because it better illustrates my point) - when you get near the end of the Damsel's story, right as you're about to get your Happily Ever After...you listen to the Voice of the Hero. because while the Smitten may be ignoring literally everything the Narrator says, the Hero has not been doing that, and quite frankly has some concerns about the potential end of the world thing. if she really can end the world...well, she just wants to make us happy, right? so surely nothing will go wrong if you just decide to stay in the cabin forever! it's a perfect compromise!

spoiler alert: it is not a perfect compromise. it is in fact as far from a perfect compromise as you can possibly get. makes sense, really, as there are no real compromises in Slay the Princess - you can either choose to trust the Narrator in any given route, trust the Princess in any given route, or you can choose, to quote the Contrarian in the Apotheosis, the third option that nobody wants. and the only two times the third option is any good is, well, when you're very intentionally spiting both parties - hi Contrarian - and when there's an actual third party you can appeal to, as is the case at the end of the game. every other time? you will be massively punished by the narrative for trying to find another option. try the "let's keep the princess in the cabin" maneuver in chapter 1? you get the Nightmare. try to be a smartass and avoid the "slay the princess/save the princess" issue altogether? you get the Stranger.

hell, every chapter 3 is ultimately the result of you not playing the role you're supposed to in the narrative (aside from the Razor who forces you to go to a chapter 3 no matter what but she doesn't count). if you play the role you're given in chapter 2, you'll be fine! for example - did you get the Spectre? congratulations! you get the Voice of the Cold, a cold-blooded killer - except, hmm...the princess is already dead, so no one to kill there...but there is the Narrator, who you're fairly mad at for the frankly terrible reward for doing your damn job, so how do you kill him? easy - take the princess out into the world and let her world-destroying properties do the job for you. did you get the Beast? congratulations! you get the Voice of the Hunted, a meek prey animal trying to avoid a massive predator...except, well, bad news, boss - you're the only food around here, so you're going to have to get eaten. sorry man. did you get the Nightmare? congratulations! you get the Voice of the Paranoid, a nervous wreck who, frankly, does NOT want to be here, and, well. honestly, do you expect to be able to save the world? the fact that you're even managing to stand up next to this eldritch abomination is a miracle; you might as well just let her out, because, frankly, who would blame you? and so on and so forth.

the Damsel's narrative is extremely simple. you get the Voice of the Smitten, a classic, overly dramatic, simple hero to match the simple princess you're given. your job is to swoop in, sweep her off her feet, and leave. that's it. that is all there is to it. the Narrator's talk about her ending the world does not fit into this narrative, so you have to discard it. after all, why would the hero release a world-ending monster into the world? that's preposterous! he must be lying, obviously. but, by giving the Narrator the benefit of a doubt, or trying to dig deeper into the Damsel's narrative role and find depth when there is none, you expose the cracks in that narrative...and chief among those cracks is that the Damsel is not the simple character her narrative role wants her to be.

I'm not going to do a full character analysis on the Damsel because that's not the point of this post, but even on the most surface-level reading, the Damsel has two very clear desires - she wants to make you happy, and she wants to be free. and, yeah, that's fairly straightforward, but it's more than nothing, which, ah, doesn't exactly bode well. after all, the Damsel's narrative role is that of the damsel in distress, a role most known for, very notably, having no agency, and here you are, dangling her freedom right in front of her face and snatching it away, and quite frankly, that sucks! she wants to be free! she wants to be free a LOT more than she wants to make some stranger she barely knows happy, and while normally those two desires have no conflict with each other, now they do, and while the chapter 1 princess could have done something about this situation and gone Nightmare on your ass, being a blank slate as far as the narrative goes, that's not an option anymore - you've locked her into her narrative role, now, and as a damsel in distress, she can't do shit. the worst she can do is be mildly upset but otherwise have zero objections to your proposal

luckily (or, well, unluckily depending on your point of view), that's enough for you to get your proper comeuppance in the form of Smitten. poor, poor Smitten - unlike the Damsel, he really is as simple as he appears to be on the surface. even on other routes, he is always, always madly in love with the princess, no matter how she looks or acts, and all he wants is to make her happy. a simple character for a simple narrative, who, conveniently, is NEVER forced to question the Princess' role in that narrative...until now. until you forced the fact that she is NOT the simple damsel she's supposed to be directly in his face, and that she's unhappy with your decision, well. that can't be right. she can't be unhappy, we're supposed to make her happy no matter what! something's clearly wrong here - it can't be the princess, because blaming the princess for anything is inherently not an option for Smitten; it's not in his nature. it can't be us, or at least he can't figure out how it could be us, because he's a simple character for a simple narrative, and the thought of "dangling the princess's freedom in front of her and then taking it away is a massive dick move" doesn't even occur to him, because he doesn't realize that's what we were doing. so...it must be something else. maybe the Narrator, who's been describing her as this world-ending abomination when she's clearly a maiden in need of rescue, or this cabin, because, well, why would a princess be in a cabin? she need a proper castle, obviously! he can fix this, surely, there has to be some solution here, he can make this work again...and it all begins by bearing out his heart.

or, rather, YOUR heart. which, you know, kills us. everything goes dark, and we die, etc., onto the new chapter! or epilogue, if you want to go by the title card. welcome to Happily Ever After, the reward you deserve! you goddamn bastard. this route is effectively Smitten's attempt to fix the narrative you broke - and, in many ways, his efforts can be compared to the OTHER route you get by breaking the narrative of the Damsel, that being the Burning Grey. in that route, you kill the Damsel, and, well, that very obviously breaks the narrative, so when Smitten kills you in retaliation and a new world is formed, the Damsel, now the titular Burning Grey, tries to fix it. much like Smitten can't blame her, she can't blame you, because her narrative role doesn't allow it, and she doesn't blame herself, because she did literally nothing to deserve that (aside from like. the fact that she killed you that one time but frankly if you hold that against her that's a bit of a dick move), so she comes to the same conclusion that there must be an external force responsible for derailing the story. the difference between Smitten here and the Burning Grey is the solutions they come up with: the Burning Grey, fundamentally, is part the Shifting Mound, the embodiment of change, rebirth, and death. so, naturally, the solution she comes up with is to burn down the cabin with both herself and us inside, finally being together with her love forever. by melting together her and our flesh. which, you know, sucks, but at the very least the death is...relatively quick?

the Happily Ever After route does not give you or the Princess the luxury of death. after all, Smitten is not a part of the Shifting Mound, but a part of you - the Long Quiet, the embodiment of stasis and stagnation. killing you or the princess doesn't even occur to him as an option - at least, it doesn't now that he's outside of you. and while this allows him to get something much closer to what we would associate with a happy ending, it falls apart fast. the same feasts over and over again, growing more stale and bland with time, the same games over and over again, excitement dulling into boredom as you play repeatedly with no end in sight...it's not Happily Ever After, not even close, but it's the best he can manage. after all, isn't this what you wanted? you DID save the princess, and Smitten is a simple character for a simple narrative, so, this is the only option he can think of outside of riding off into the sunset with our beloved. so, this has to be what you wanted, right?

and as for the princess? well, if she was locked by the narrative before, it's even worse now with Smitten. after all, as far as she's concerned, Smitten is us, so all she knows is that, after we dangled her freedom in front of her and took it away, and she showed even the slightest bit of resistance in response, we proceeded to make her already bad situation into a living goddamn nightmare. so, yeah, she is terrified of what could possibly happen if she shows she isn't happy with this, so she's quick to smother any and all signs of dissatisfaction in the hopes that, as long as she seems happy with all this, you can't make this worse somehow. the MOST she does in terms of resistance is wear the Pristine Blade as a necklace, which is honestly more of a vague hope of "if you won't let me free from this cabin alive, then maybe at the very least you'll let me free from this cabin in death? please? on god?"

and, well, you could in fact do that. or, hell, if you REALLY feel like being an asshole, you could decide to NOT break the facade at all. but if you really want to make it up to the princess? if you realize how badly you've fucked up and want to actually make up for your mistakes? you have to let her actually express her discomfort. you have to give her back the agency she's been denied by the narrative - the agency you took away in the first place. and once she finally has that back...she cries. in relief, because she's finally free from the hell you put her in, in sorrow because, despite it all, the facade of a happy ending was nice while it lasted, in a mix of both with the tears she'd been unable to shed for so, so long...and, at the end of the day, despite having every right to hate you...she doesn't. because you DID set her free, in the end. you realized your mistakes, you learned and changed as a person, and you actually made things right, so even though you might have made her life a living nightmare...she's willing to give things a fresh start. and whether you decide to amicably part ways or start something new together, at long last, she'll finally have her chance to dance under the stars.

this is a love story.

[starnana7]

every time I remember that the hit show supernatural made God, the literal God from the Bible, canonically bisexual but couldn’t do the same with a random guy who hunts monsters it actually makes me feel physically ill.. like blasphemy is okay but we draw the line at making the main character a little bit queer because it would “upset the heterosexuals men”? okay ig… and it’s so funny to me that they tried SO bad to make dean like really really straight and macho and a manly womanizer (I mean dude has literal porn brain and is obsessed with cars and is a film nerd) And still is the number 1 bissexual boy.. I mean no one that into cowboys is 100% straight 🙄 and if they actually wanted him to be that much of a cishet guy WHY would they make him have a codependent homosexual friendship with his best friend for more than a decade ?? and we have so much subtext to corroborates it that it’s actually insane.

and it’s also rlly funny to me that sam would be the most obvious choice for a queer storyline. like i’m not sure this is true but i heard somewhere that he actually was supposed to like be lgbt and that it’s implied in the show he’s pan bc he basically have sex w/ everyone and doesn’t care (like monsters and stuff). i wholeheartedly disagree bc sure he hited a demon and a werewolf and a kitsune and God knows what more But it still were just women and for me he’s still just straight 💀 we do have gabriel however and i would say that’s a valid argument but i don’t actually like them together because of the whole torturing-sam-every-tuesday-over-and-over-again but it’s still a good take ig. again this is just my opinion But anyways doesn’t matter my point Is that sam always felt like a freak and wanted to be normal and like was more open minded and “less-macho-toxic-behavior” than dean. he was a theater kid and talked about his feelings and all. STILL THO dean went and become The bissexual icon (Not Sam, Dean!!). and the fact that he was more manly actually only emphasized to his sexuality (and him being closeted) and sam being the straight one, and bare with me here. as sam winchester once wisely said “well you are kind of butch they probably think you're compinsating.” (to dean asking why people always assumed they were gay) and like this is so true, sam always felt comfortable in himself and like his nerdier and less cool strong man personality. But dean, oh, dean, no, no, no. and it could all be linked to john. we know how much dean wanted to gain his father approval and respect, all he ever wanted was for john to be proud of him. so he’d listen to the same music as john, same clothes… and so on. but when we really see a glance of him, we realize he’s actually much more “““girly””” (sorry for the term i lacked a better one) than he shows, Especially when compared to sam—who’s supposed to be the more girly one (again sorry for the term lol) or whatever. dean canonically likes taylor swift, chick flick films, actually liked when a woman made him wear underwear, the bailarinas shoe were “speaking to him” in that one ep of cursed objects, and so on. and every time he makes fun of sam for doing something not-manly-enough (like drinking lemon water or drinking from tiny coups) he eventually goes and do the same thing 😭 and i’m 100% sure that the writers just thought “haha funny scene this really straight deadly man does something not so convencional/more feminine(?) haha comedy relief time!!” but it actually just made him have a whole perfect queer background developed in the series. specially with the fact that He Does Overcompensate. why is he always flirting with women, why is he so butch and scary, always talking about straight sex and so on? because he’s really just deep in the closet. and it makes so much sense with john being his father, with him having to hunt two lesbians nuns in his 17 bday, always having to be strong and macho and cool and perfect—and therefore straight. even without cas, dean really does immaculate the bissexual experience and i’m so sorry but this is just true.

and now pointing to the subtext that i mentioned in the first paragraph (lol i can’t believe i’m making a whole rant as to why dean winchester is a confirmed bisexual), that whole confession to that priest where he says he wants experience new feelings, new people, FOR THE FIRST TIME. that always that the show mentioned a gay couple it ALWAYS focused on dean—not sam, DEAN. the gay hunters, the gay couple on the bar that the cupid “made”, the two cosplayers partners… the fact that every time that dean liked something it was borderline fangirl (gay) obsessive (the dr. sexy episode, that wrestler fighter). he Had a gay thing—and was all flustered about it. he flirted with a guy throughout charlie. THE MALE SIREN. the male siren like after that ep i was 100% convinced that man was not straight. he had a hot demon sumer with crowley?!!! and it’s so funny to me that not one of these things involves castiel, so if they really wanted to make dean be that straight why would they do that?? and only to dean, not even once to sam. Like. and not to mention all the homoeretic tension with benny??? sam never had a male best friend like that.. all of that and i didn’t even entered on destiel. Because this then really just confirms that he is Not straight. even if he wasn’t In Love with cas, they had something going on and the fact that if cas was a girl it would 100% be canon and filmed and Everyone would ship—and I really mean everyone—it just makes me go fucking insane. they could’ve had it all. the fanfic episodes, the parallels between dean and cas and “real couples”, ruby and cas duality and the fact that sam indeed had a relationship w/ her. Anyway i’m a # bi dean truth believer and i know this bc same boy # happy pride month to my fav bissexual boy in the whole world

also to anyone that says that “destiel” was unrequited love yes it kinda of was but only bc dean was so deep in the closet, he did love cas. he was indeed a bissexual man. i’ll die on that hill.

[angelmichelangelo]

Any thoughts/opinions on TMNT 2007, either in comparison to other iterations or about the characters/relationships in general?

oh boy have i got some thoughts on TMNT 2007 !

straight off the bat i’d say it feels so set apart from all of the other ninja turtles movies we had/have at that point. they’re a little older (i can’t remember the canon ages but wasn’t it pretty much fanon for a long time that they were at least early 20s?) and starts their story off kinda at their end.

2007 was also supposedly a continuation of the 1990s movies. whether you want that to be solid canon or not (personally i don’t) but either way, they’re kind of in “retirement” stage of their lives with everything with shredder already happened and this is kind of just the aftermath of that.

the relationships in this movie !!!!! oh my GOD it’s just near to absolute perfection. i usually don’t always super love the classic raph/leo tension just because sometimes it feels a little overdone and can really take away the shine from other aspects of the movie, but i really do like how different it feels here.

raph is so obviously not coping with having so much of his family dynamics changed. and i think that’s why the whole aspect of the movie being set after all of their biggest most heroic adventures works well, because in a way, this movie just highlights how much their lifestyle has impacted them. imo raph struggles with having leo so far from home. he’s going through a little bit of separation anxiety, can’t regulate his emotions properly and lashes out bad.

leo obviously takes this all the wrong ways. he’s going through something too so he’s blind-sighted to the fact that raph isn’t intentionally trying to piss him off. they’re back butting heads maybe because it feels most familiar in a way that hasn’t been since leo left.

b-team in this movie is just. chefs kiss. so much to unpack here, too.

donnie who is finally being highlighted for how much he does for his family behind the scenes, normally quietly bumbling along, now here he is, trying to keep a sense of normality and feeling under appreciated!! which rightly so!! he kind of just gets this shit load of responsibility thrusted onto him when leo leaves and raph distances himself. he’s treading water in the deep end, barely afloat but rarely does he really lash out because he wants to do good, and keep peace (mostly for mikey’s sake, I would argue)

and mikey. oh mikey. easily one of my favourite interpretations of mikey in this movie. he’s kind of mellowing out and maturing in a way that i think hits leo with full force when he comes home from south america. all because he’s had to grow up and pick up the pieces left behind in the wake of their family kind of slowly crumbling apart.

they’re all hurting in this movie but mikey’s hurt is so painfully obvious and so masked when he’s putting up with a job he really hates, barely seeing much of either brother he has left because of their schedules and feels cooped up. he trips over himself with just pure glee when he sees that leo is finally home. he’s still that kid at heart, despite everything, that truly believes that his big brother can mend this. it’s a really bittersweet thing to think of him just hoping his life would fall back into place again after it being so out of sorts for so long.

TMNT 2007 isn’t a perfect movie by any means. whilst i adore the way the turtles have been written, is still falls into the trap of making don + mike background characters towards the last half, giving leo + raph the limelight once again, and sometimes leo does act a little out of sorts but i could just pin that down to him having some sort of PTSD, so it remains high in my ranks regardless.

it’s not perfect but it’s still really really good. the animation holds up pretty well. it paved the way for 2012 in regards to CGI turtles. the voice acting is something i don’t see hyped up enough. nolan north as raphael?!!! i feel like as a fandom we definitely sleep on that fact way too hard

the plot is original and fresh and it’s clear that this wasn’t just a cash grab, but a real love letter to the franchise and to the fans:) the people that made this cared for these characters and this world and it shows :)

the fight scenes are really fun and easy to follow. the leo raph rooftop scene is just incredibly done. whoever wrote that.. please always be involved in tmnt wherever you are.. honestly pure fire some of those lines

nobody feels like a caricature of themselves here, which often happens with tmnt when a new universe is introduced, just to establish their character roles. i really love the thought of them in the wake of the fight and after the dust settles and they’re trying to cope with their feelings and problems separately because they don’t know what else to do. they need a million hugs, please, i would love to see more of this that isn’t just the last ronin. show me the turtles in their 30s trying to adjust to their lives changing drastically as they’re getting older and recognising their trauma, finally. i would eat that up!

in anyone hasn’t seen TMNT 2007 (which, i’d assume most of my followers probably has) then i would absolutely recommend it !!

forever mourning the mikey centric sequel we were supposed to get before the studio shut down and forever sending wishes up that there’s someone out there with enough money and a dream to bring it to life in some way shape or form (i’ll take a comic. a mini series. anything lmao)

TMNT 2007 will always have a special place in my heart :)

[court-jobi]

Tired Eyes

((Banner by me! I don't own Horikoshi's work/characters))

Pairing: Todoroki x reader (UAteacher!reader x Pro-Hero Shoto)

Rating: T+ (smol insinuated spice between lovers)

Words: 2k

Warnings: GN!reader, Behold the FLUFF, est. relationship, stress relief, Shoto is a good partner, just comfort hours, yall, tender kissing, *light suggestive pining* Shouto is a petname king

Summary:

An overworked hero and his under-rested lover are both due for a vacation. You are certainly dreaming of such a time where you can get away, and pose the idea one night when the dreams become just a bit too real and appealing to all your senses to ignore.

A/N: Ok, I super love writing Shoto now. Y'all's love of my first fic convinced me... more love for our half-and-half beau awaits~

For my My Hero Academia Masterlist, check it out here!

Read on Ao3

Night sky. No clouds in sight. There is only a sky of deepest blue, a sea of deepest green, and sparkling gems of reflected starlight in between. Music rises from the sandy beach band beneath you, but out of sight from the serenity of this island paradise. 

There’s light, despite the lateness of the hour. Streams from the moon above you: so brightly that it casts shadows through those teetering, cascading palms over the entire balcony.

Just slightly too cold, this wind. A perfect midnight breeze, but you’re hardly chilly. There’s a perfect set of arms holding you around the waist– paired by a warm cheek pressed against your right side: his left.

You don’t get views like this living in such a thriving city. Those skylines hold their own beauty, but it’s hardly a candle to this unspoiled beach. Distant rolls of waves crashing at low tide act as the perfect background noise. Your better half is humming the familiar song that’s playing downstairs there by your ear; a relaxed state emanating from him that you rarely see– 

Todoroki slips into your study, on the hunt for where his darling lover could be. Catching you catnapping at your desk, he runs a hand through your hair to test how deeply you sleep.

‘What’s gotten into you, huh? You never dance!’

‘We’re on island time, aren’t we? What’s the saying.. ‘there’s a first time for everything’.’

‘Breaking news: Japan’s number four hero, SHOTO, dancing his life away with the love of his life’- that’ll make headlines! I gotta make a call-’

‘They’ll never believe you…’

‘Where’s my phone- I gotta get proof-OOPHM!’

‘Stop talking. Come dance~’

A cool hand swipes a finger up your neck, another test.

Kisses outline your cheek in a curve, coupled by dreamy, airy hums. Lips that sear with their ‘want’ of you, laden with heat and obsessed with covering you in their wake. Making you weak for someone who proves his strength with utter softness– and his power with gentleness. 

The man atop you -who worships you- has held your hand for years, but your heart for much longer. Friendship turned to something dearer once you both tested the waters together, which led to seeking out new shores in whatever spare time you could afford– time away being a precious treasure. You’re set on committing these kisses to memory, making the most of this respite that resets his busy mind and serious outlook.

He’s making sure you let go of every ounce of worry, now that he’s feeling better. Making you sing his praises without a care for who might hear over the billow and sway of hala trees.

Making you his.

‘M’love… My love….’

‘-My love?”

You stir suddenly and wake like nothing’s happened. That work email draft still sits idle on your browser and as you turn, the discovery that your boyfriend’s returned from the streets of Esuha comes to life as well.

You breeze past your bleary-eyed stare at the man who was just carrying you to bed, distracting you with his mouth, looking fondly up at you unbound by responsibility…- you were sure it was real, just moments ago..

“Oh Sho– sorry about that, I was just um– heh.."

A teasing eye studies your masking. "Long day?"

A curriculum planning session with Aizawa and Cementoss you’d thought was wrapped up yesterday continued in the main office today. Both heroes had flanked your desk with recommendations for your third year students, as well as the intern assignments for the first years. There also lay plenty of midterm e-filing on the administrative end you’ve been putting off, in favor of helping each of the department heads with their assignments so as to not stop their momentum.

Yet where has that left you? Stretched too thinly, as usual. 

Not only has the Principal wagged a cautious tail at you for this level of stacked taskload, but in your carrying it home, you’ve received disapproving looks from your life partner as well.

Luckily, Todoroki appears more docile than normal– likely the result of his own weariness coming into play and softening his reaction to finding you this way yet again.

Long day yesterday. Long day today, and a long day most likely to face you tomorrow. 

"Yeah.. they do tend that way now.”

"You haven't touched your tea, it's cold." He eyes the way the cup beside you doesn’t steam anymore, with a raised brow. All you can do is rub your eyes and stretch for a little added cuteness.

"I like cold tea- just add a little lemon and some ice~" 

While charming, it sadly does little to sway your Pro-Hero. 

"You're working too late again, sweetheart. We talked about this."

"Look, it was my bad forgetting the deadline. I got carried away with other stuff,” you explain your shortcomings, “But I don't want to be more stressed out later; I just… thought I could tackle it now?..."

“You ‘tackle’ too much during the day. Surely something can be left for tomorrow?”

“There is plenty for tomorrow– but there’s still some tonight.”

Without much expression, Todoroki sinks from his authoritative stance. A blur of mussed red and white hair knelt beside you to allegedly listen… only to swivel your chair for you, and hold his hands out to you. 

You reached out, knowing you needed one of his award-winning hugs. Anything to settle the jolt of waking from such a pleasant dream.

…only Todoroki doesn’t offer you such a solace. Instead he pulls you up the rest of the way, and tosses you up over the shoulder and carries you by your pinned thighs. Paying no mind to your exclamations along the way to the bedroom,  you can’t even look back at him from this angle he carries you in .

"Sh-Shoto! C'mon, I can do this! I just need another hour or two - like two-and-a-half, tops."

He set you down on your feet by the bed, though you plop down onto the edge under his intensive -yet loving- stare. Todoroki lightly bridges over you, a hand atop each thigh to keep close to you.

"After… you take a shower, change out of these clothes, and eat something, then we can discuss your work schedule. But I won't let you run yourself into the ground." 

He cupped your face and tenderly ran both hands down your hair and back to cup your entire face. His hands finding their comfortable home on your cheeks, you melt at the soothing touch of Todoroki’s thumbs brushing tender skin that’s graced by your shut lashes- where some semi-dark puffiness lies from interrupted rest. 

"You have tired eyes, love.” your sweetheart whispers to you, “You're not listening to your body. Let's take care of it."

It’s the same argument you’ve coached him through sometimes. Though as a Pro-Hero, he’s taken the hint of self-care that you selectively ignore when it’s turned to you.

You sighed, but opened up to a well-meaning gaze; Shoto really was the most beautiful human you’d ever seen. 

"Okay, honey. You win."

He smiled- wrenching your heart again, “I'll warm up our dinner."

“What do we even have?” you fight for the memory of what’s in the fridge.

“Don’t worry about that,” Todoroki settles you with a kiss on your forehead, “I’ve taken care of all of it.”

You hop in and out of the shower in record time and dress down in a curated set of pajamas, courtesy of Todoroki himself. Prepped and pre-heated in the towel warmer right beside the shower door, the gesture was just one of the many expressions of his love for you. 

He timed his reentry perfectly, changed into lounge clothes as well and armed with a small tray complete with an assortment of some of your favorite poppables you can make a meal out of: crisp veggies, some rice balls, a touch of fruit for sweetness– all expertly topped with a green onion finish. 

It’s a taste of something you’d maybe find on vacation. Even the way Todoroki plates this late-night snack meant to share… you’re spoiled by the presentation, without any special occasion sparking it at all. He makes ordinary Tuesdays feel like more. Sunday evening scaries aren’t something to dread anymore. Small moments in the daily -that hearken to the indulgent moments you work hard for- make the biggest difference in your weekly grind.  

“You’re not off the patrol rotation around Golden Week, are you?” you ask wistfully, armed with a lightly sauced onigiri.

Todoroki stills from putting away some clothes; midthought, in puzzling fashion.

“Actually, I think so,” he gives a soft little smirk that’s more sleepy than pleased. “Iida and I worked out that he wanted some family time off the week after, so I offered to team up our agencies for that month to ensure smooth coverage while we’re both gone. The school is closed too, right?”

It’s perfect timing, you think. How you want to make your dreams a reality…

“We are. Got me thinking…”

Settling your finished tray aside to join you, Todoroki listens in.

“D’you think maybe if I get back in your good graces -not doing so much after-hours work-” you make a few bats of the eye to him, “...maybe we could get away for a bit? Take a little holiday?”

“A trip?” Todoroki asks. 

You hum your request, hoping he’ll be open to it.

It’s hardly a fight; by the way his brows lift in amusement, it’s only obvious he’s never been asked about such a thing before, but loves the idea.

“Where did you have in mind, darling?”

Only the subject of your dreams: a beach hidden from the rest of the world, where cell reception is next to none (you pray) and where good food and good music are all you need to focus on while you spoil each other rotten with a selfish streak of alone time. 

You shouldn’t feel so possessive of him -he’s a Pro-Hero who’s responsible for keeping this corner of the world safe… but you have to say, the idea of taking a break at his side has been seeping into your dreams long before tonight. 

You can’t stay silent on it anymore. 

“Somewhere there’s water.. And at least a six hour time difference. And a comfy bed.. N’ you.”

An amused huff leaves his nose again, transfixed on how soft your face looks at this moment. 

“Big end of the bargain you’d have to hold up,” Todoroki teases, his voice worn by a day on duty and tenderized to sleepy perfection, “I know you can’t always escape it.. Can you promise no more after 9PM? Would that be fair?”

You accept the challenge, “That’s a good window. I could do that.”

Todoroki trails a warmed hand up your arm to ultimately cup your cheek.

“Promise no more lukewarm tea?”

“Is that so bad an offense to you?”

“Nearly unforgivable. Grounds for disowning, if you’re Nana Yaoyorozu.”

You giggle in your delirium, “Well, certainly can’t have that! No more, pinky promise.”

Leaning in, Todoroki seeks out a last condition, 

“Promise I get my kisses in the doorway again?”

“Missed them tonight, huh?” you sigh guiltily.

Todoroki teased your partly open mouth, “Terribly.”

Nudging his nose, you beam at your sweetest reason to get up in the morning, 

“I promise, my prince. Whatever you want. So please, can we?”

Matching the nuzzle and never one to refuse your wants or needs, Torodoki dives back in to kiss you, 

“How can I say ‘no’ to my angel. Of course we can. A little break in paradise might just be what we need~”

You know no one works as hard as he does. Carrying the legacy of Endeavor is a hefty enough charge, forget that he’s set to forge his own path past what the reputation has already afforded him. Shoto has become a household name to many; though yours is where he is most content to come rest his head and heart.

With the dangling treat of a getaway with him on your horizon, you set the intention to finish your work after this aside for the morning, entirely. Shoto has already made his plea to hold you for the rest of the night, and you could never refuse his tender asks. When he treats you like royalty, how could you not in return? 

With your shared kisses and brainstorming of vacation destinations now on the mind, you’re hardly focused on student affairs; you have dreams to fulfill. 

[veryintricaterituals]

I know I'm a perfect stranger, but I'm a fellow fan, and I need to vent this shit to someone. That was the most heartbreakingly dissappointing and infuriatingly insulting half hour of television I've ever personally experienced. Especially because they had Guillermo there as the perfect audience stand-in relating to all of our pain. I was in tears watching him desperately grapple for some kind of character development, meaning, revelation, resolution, something, ANYTHING. Amid unfunny and often straight up insulting, callous jokes at his and our expense. Plot points brought up and left unresolved, character development left uncompleted. All the obvious Nandermo hints straight up queerbait, Nandor will remain romantically lonely and never discover the love "right under his nose" that was obviously seemingly intended to be Guillermo, Colin will never know Lazlo really raised and cared for him, Memo too, Guidja was never going to happen, Lazlos Dad locked in the closet with Colins Funkos seemingly hinting at making a comeback, not happening. Jerrys betrayal arc anticlimactic, badass parts of Guillermos last fight scenes with his cousin pointlessly cut for unfunny pointless bullshit, Nadja never getting an independent business or whatever, Guillermo and Sean mortal and destined to die and be lost to their friends forever someday. WHY THE FUCK DID COLIN BEAT HIM!?? they were hinting towards him being an EV but now that scene makes no fucking sense missing an opportunity to also explain where EVs come from. The Guide being pushed to the wayside. None of the other characters were brought up again. 3 fake endings obviously meant to insult us for, of course, being upset by this real bullshit one, one of them insulting us for wanting the Nandermo they had hinted at themselves, needlessly stretched between 3 episodes. The shitty Nandermo mocking 'cameras off' comment near the end. We were strung along with Guillermo for SIX FUCKING YEARS, and all of it wasted, none of it mattered. It was all pointless. The writers didnt care. And by the end seemed to hate us for loving and being attached to the show they made for so long and wanting more, and wanting Nandermo, which they set up, and just queer ship rep that they had been setting up in the first place. I guess you could say Guillermo grew the most, but I would've liked to see more about where he ended up. They had the option of another episode they turned down. There was just so, so, much wasted potential with what this show could have been and how much more time could've been spent on it without 'jumping the shark' as Waititi claims if it had competent, progressive, brave, writers who gave a shit all the way through and it didnt need to have constant jokes later on with less dramatic breathing room. They just wanted to be done with it. I can see now why Matt Berry seemed so unenthusiastic in interviews and apparently Harvey seemed annoyed with Simms in promos, and that comment he made in an interview about his last moments on set reminding him of Titanic and "Nandor and Guillermo finally being able to be, y-know" So fucking heartbreaking him experiencing this after getting invested in these characters and their relationship as a queer man himself. I was sitting there watching Guillermo walk into the foyer and just sit there silently defeated in tears, staring into the void as the other characters sang "we'll meet again" in the background, and I'm just crying with him.

The good thing about fandom is that we're all perfect strangers and great friends at the same time, as high school musical once said: "we're all in this together".

Go ahead and vent in my comments! Scream your truth! They fucked with us!

I guess I'm actually not that angry because I could see it coming from a mile away, I feel like I've been grieving this show since season five ended and they destroyed Guillermo's arc, I just didn't think it'd be this bad.

There's just nothing there, no purpose, no aspirations, no character development. I get what they were going for, they been trying to ram it in since season 4 "Vampires don't change and everything stays the same" but the problem is that they have changed and significantly so throughout the seasons, they have grown and learned and loved and lost.

It's just fucking disappointing and such wasted potential, like not even thinking about Nandermo, but in general. They couldn't give an ending to any other character because they had destroyed their characters and arcs so completely there was nothing to say. And they knew that, they had a whole season to figure it out and instead just went, ehh let's use Guillermo as a stand in for the audience and gave us nothing anyway.

I have so many thoughts because I've been watching since season 1 and ughhh, I have so many drafts that I'll be posting in the next few days. All I'm going to say is thank G-d I have interview with the vampire because I would be way more devastated if I didn't have beautifully written gay vampire media to fall back on.

Anyway feel free to come and vent to me!! It's the way to get through this! also we're totally friends now 💜💜

[neyafromfrance95]

Can I just say I kind of feel sorry for the writers because you can tell they conceived the show as revolving around Haladriel and they really don’t want to deal with the Celeborn issue so they play lip service while writing something completely different lol.

To be fair though Tolkien himself wasn’t interested in him or him and Galadriel as a pairing especially when you compare how he writes his epic romances. It really feels like he was put there so we can get Arwen pretty much. And then she leaves without him to Valinor while he’s left mourning her which 🤣.

But yeah as far as the show goes if they didn’t want fans to see Haladriel as romantic they would have shown her grieving Celeborn…instead of falling in love with her arch enemy. This is just my opinion though but you can’t say how much she loves and grieves Celeborn while showing the complete opposite on the show. There was a way to center the relationship between her and Sauron without it being framed as romantic/soulmates but they didn’t which tells you everything you need to know.

exactly!

even before trop, it has been believed that the only reason tolkien wrote celeb0rn was to somehow connect galadriel to arwen and elrond.

the initial plan was for gal to marry elrond, but tolkien wanted galadriel to be the leader in her own right (it is her main defining trait) and keep doing her own thing. he did not want her to be defined by her husband/child. if she was married to elrond, she would be known as elrond's wife/arwen's mother first. so he gave her a npc family in the background instead.

but even then, i'd say her relationship with elrond is still more important in the books. and in the movies, she even seems closer to gandalf, lmao. so i'd say it would be better to focus on her relationship with elrond and establish her friendship with gandalf rather than introduce a new love interest (bc yeah, even if it's not explicitly romantic, haladriel is romantically framed).

btw, don't even get me started about how everyone seems to forget about finrod??? the one galadriel misses, the real "third" between her and sauron, her "guiding light" IS FINROD! nenya symbolizes galadriel's desire for power = sauron and galadriel's light/wisdom she got from finrod! nenya was made by sauron's design and using finrod's dagger! it's like sauron and finrod's battle continues within galadriel.

i don't dislike celeb0rn, but i think it's crazy that he was created so that galadriel can't be reduced to the domestic role and yet certain segments of the fandom do that anyways - reduce her to being her npc family's wife/mother in the show that intends to explore other aspects of her story and identity!

and idk man, but i feel like tolkien must have had some ideas for sauron and galadriel. "he gropes ever to see me and my thought" feels very significant. and they mirror each other in several ways as well.

trop does a fantastic job at giving this dynamic context. galadriel's greatest desire is to possess power, sauron's greatest desire is to posses the light. it makes sense for them to have a push-pull dynamic that's both intimate and cosmic in its' essence. the perfect way to expand on all the little details connecting sauron and galadriel in the lore. and it's just a fascinating story on its' own!

it would be such a waste to discard this dynamic for the sake of introducing the character that was never supposed to be that important. especially considering that the writers seem to have the show conceived with haladriel as its' core in their minds.

[nqueso-emergency]

sorry if this ask is repetitive, but i want to highlight something else about the possibility of them fleshing tommy’s character more.

first, let me say some to the point reasons that explain why i think the issues they face will take largely into context tommy’s past:

-we know buck. this is a chance for us to get to know tommy more.

-bringing past issues would be repetitive. ie the cheating and lucy and taylor SL with Buck.

-buck is our main character. we will be following him during this time. it wouldn’t make sense for us to follow him if he’s just waiting for tommy to process how he feels. it makes more sense if we see buck being the one to do so, first by talking to his close people, and then (hopefully) learning how to navigate that with tommy.

so. with all of that out of the way.

we are in season 8. i know some people believe ABC can try to milk 911 for a lot more seasons, but I honestly don’t see it. A few more sure, but 911 won’t be another Grey’s imo. So. Why take precious time in Season 8 to develop a character, if the intention is not to let him be there long term?

And I know the main argument will be Taylor and the storyline with her Dad and how she was still gone after that. And I will say, that was a good attempt from the writers to get us to care about her and the relationship with Buck more. But they never were that popular together, and Taylor was overall disliked (personally, I didn’t dislike her. But I do think Buck and her weren’t a perfect match), and not in a Tommy way. Most people still were upset at her for what she did to Bobby.

Long story short: Season 8, with Oliver expressing he wants Buck to have more domestic storylines and to, essentially, stop having short relationships in the series + tim agreeing and making an effort to make buck’s next LI one that could work (related to the first responder world, can interact outside of buck, good chemistry, we can invest) + lou embodying that to perfection and winning over a good portion of the fandom & the GA + Tim losing Tarlos after LS ends and there is BT, who is the only unmarried couple in 911 rn and thus, is a whole new playground for him…

Giving Tommy a background is very much intentional.

Thiiissss

[literalite]

mistki's the land is inhospitable and so are we (2023)!! as edits featuring mine and some of my friends ocs 😁 had a lot of fun with this project... rough explainer of how/why each song corresponds to each character/s under the cut because i love symbolism and talking! sorry it is long

bug like an angel - sapphire

without spoiling too much of her story and arc... sapphire's life is not easy. she's hurt by people she cares for and who care for her, although inadvertently, and in turn hurts people who she cares for and who cared for her, also not by her own volition. it's kind of a terrible truth that you will harm and be harmed by the people you love, even when you and they truly don't want to. it's up to you how much you're willing to take and deal. you can't keep every promise you make and you can't right every wrong. but you have to keep trying anyway. that's sapphire's strength, and the core of her goodness and why i personally consider her one of my favourite ocs. i chose to depict bug like an angel in mitski's more positive interpretation here and in that light i think it works best for saph

buffalo replaced - heiya

well first and foremost the vibes of the song fits heiya perfectly fhgjk but also lyricism and tone... yep. quick breakdown of heiya's background since i doubt i'll ever be able to do it properly she's an interesting character for me because she like a lot of my other characters has lost. everything. she had a wife and a child and they were both killed and she had to leave her home again and again and unlike how some of my others would have taken this she has never flagged in her unwavering dedication to preserving hope. for herself for her people for the future etc etc. which is a very fucking difficult thing to do! the world changes faster than you can keep up with it sometimes but for heiya she will not let herself tire and be swept away in it all. people rely on her. she's a guiding star as much as she is a woman. she's a lover and a fighter and thats what buffalo replaced means to me! so

heaven - vinny and caleb

i feel like of all my oc couples so far they have like. the sweetest most kind of simply mutually trusting dare i say straight forward love. they just love each other so much and thats all. the world could end around them when theyre together and it'd be okay truly. also yeah vinny is ostensibly in heaven now bye angel i feel like this one was pretty self explanatory. me and who WHEN

i don't like my mind - sunny

he just like me fr (said in denji voice) anyways wow ha. unstoppable unending guilt due to past actions that haunt your every waking moment? throwing yourself into any and all distraction just to take your mind off it, filling your time with other shit so that past sin doesnt for once echo in your awful and hollow brain? this song is perfect for sunny honestly just that sentiment also the "please don't take this job from me".... sometimes the coping is worse. you can be proud of something because you can do it better than anyone else even if that thing is terrible

the deal - wolfgang munch by @gunthermunch

Wolfgang Amadeus Munch. umm this will make more sense later on but it still kind of makes sense now i think. he doesn't want to be himself he keeps . leaving and moving and running away from his own memories his own self in reaction to others. if he could pawn it all off he would. if he could be better in an instant without having to feel every agonising second of change he would! but thats not how the world works. or is it. read munch by gunthermunch thats an order

when memories snow - lilian

i feel the older you get the more your past kind of swells up and trails behind you... at least for lilian that is shes very linked to the different versions of the girl/young woman she used to be. for her its a double edged blade, a lot of her own strength is drawn from who she was and what happened to her throughout her life. they haunt her but she's haunting it back in her own way

my love mine all mine - saige, bellona, ari

stares you down okay so usage of this song very much almost verges into spoiler territory but uhm. uhm. starts twitching basically the whole dynamic here is . sometimes when you love you will sacrifice. and while that is usually a good thing sometimes it is not but sometimes it still is. sometimes you pay your dues for love and sometimes someone else has to pay for your love as well. and whether that is worth it to them remains to be seen. but it's all about love still. whether that's a worthy cause is up to you i suppose

the frost - yoshiki and hikaru from hikaru ga shida natsu

fun fact (or not so fun fact since i had it listed as such) this slot was originally meant to be taken up by a gojo/geto edit and while it still works for them frighteningly well i swerved to do another black and white haired doomed gay pairing gfhjkl; i really recommend yall to read hikaru ga shinda natsu/the summer that hikaru died because honestly it speaks for itself! it's SO good i love it so bad

star - ari and luca by @anjitrait

wow these two did not deserve the horrors the narrative (me) slammed down onto their heads. they're kind of the most married of all time to me but like of course under pressure even the strongest most loving of bonds will warp. they've been together for roughly a decade and a half now. they know and love each other as totally as you could possibly imagine. despite it all i am yours, no matter. are we picking up what i'm putting down chat

i'm your man - nayef and sióar by @lucidicer

after the album dropped like at least 3 people swung into my dms with a ?this you?? about this song which. i mean the fucking dogs that start barking halfway through the song. are you kidding me. but anyways sioyef and devotion. sioyef and putting yourself in your lover's hands and looking to them like they are a god. this is super self explanatory. you know

i love me after you - redacted and ophelia

HM.... all i'll say here is that sometimes the homoerotic tension filled high school friendship where both parties have something very wrong with them but in totally different directions can be. scarring. bad. sometimes love just isn't enough when you don't know what you're meant to do with it and when you've lived in survival mode all your life. but that once the dust clears you can scrape yourself off the ground get up keep going and that isn't gonna be the end for you there. or for love, even. sometimes shit just ain't meant to be and thats ok