#flow of the scene to make it fit perfectly
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devondespresso · 8 months ago
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new fic has been titled and is now officially real nevermind the 7k already written for it
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(i think im so funny ashdjfghafjk)
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animatingforfun · 8 months ago
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This was a pure joy to work on.
For the behind-the-scenes story of how I made this animated mini-short, click “keep reading” below.
I started this 6 weeks ago, just before Nintendo shut down its 3DS and WiiU servers. The server shutdown meant no more multi-player online play for 3DS games, like Mario Kart 7, but also no more uploading to the Butterfly Animation online gallery directly from the app.
As an homage to the Inchworm and Butterfly Animation apps for the DSi and 3DS that I’ve been animating on since 2011, I originally was just going to animate just a single shot featuring something butterfly related.
But the story evolved as I began asking myself a series of "what if" questions that I had fun answering, like, “what if it was a little girl playing dress up as a butterfly?” And then “what if she was first cosplaying as a caterpillar then the butterfly?” “If this is a story of growth, what if she stumbles? What is her attitude when she stumbles?” “What if the design of the girl was something like Isao Takahata or Yoichi Kotabe would draw?”
Making this was the embodiment of everything I hope to achieve with my personal animation: to let creativity flow and just have fun animating and creating.
Since this mini-short was animated on my Nintendo 3DS, there was a memory limit of only 100 drawings, which was a bit of a challenge for longer or complex actions, but was a fun puzzle to solve. Sometimes limitations force you to come up with even more creative solutions. (I was able the squeeze in more drawings than the memory allowed, and filled it to the max!) :)
The song I used is from Rebecca Sugar’s album, "Spiral Bound", and perfectly fit the theme of the short. Initially, while I was drawing the character, I found myself humming a tune from Steven Universe that dealt with beginnings, endings, and not being ready. It’s amazing how the brain can subconsciously pick the playlist!
In the end, that song, sung by Steven’s father in the show, didn’t quite fit, but then I remembered another song by Rebecca Sugar which was more on theme with my story, called “My Own Way to the End”. The whole album is wonderful! You can check it out here:
Painting the backgrounds for this was the most challenging thing for me, but also the most eye opening! After painting, I would look around at the trees in the neighborhood differently. So many colors when you really look closely.
There’s so many talented people at my work and it was great that I could ask them for advice. One person I asked was the talented Tia Kratter, who happened to teach a mini-painting class for the animators while I was working on this short. I asked her for advice on one of the background paintings and she asked great questions which challenged me to try different things, but I still felt like I was having fun and playing without fear of failure. I mean, it was still hard though! Hahaha!
If you’ve read up to this point, thank you for reading this. :) I hope you enjoy this mini-short as much as I enjoyed making it!
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srslylini · 1 month ago
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season 2 has a structure problem and that makes act 1 flow naturally enough and it sets up the next acts perfectly well, but they wanted to do so much more than what they were
1. setting up
2. capable of doing in 9 episodes
had they just cut a few plot lines everything would've moved far easier. For example
1. cut the Smeech thing entirely. Sevika and Jinx don't need this to find themselves together and start a found family. That scene In Silcos office was so moving and everything I always loved about Arcane, stuff like this is what's needed. In fact move the prison break to act 1 and have them handle that together, Jinx can still make Sevika her arm, and everything could've still moved the same. It would've fit so much better and there also would've been so much more time to develop anything else with the magic system and act 2 wouldn't feel like it was overflowing with anything and everything. Isha is a character that as of in the show can be cut so easily and that's so sad because she'd be so interesting. Everything about her would've worked and SHOULD HAVE worked but she also just felt like Plot and a thing to make Jinx sad over again. Either don't do that or make Isha not a character like this???? I liked her scenes with Jinx so much and the scene with Jinx freaking out after finding out that Isha was taken to prison was genuinely so good, I'm still holding on to the hope that they didn't actually kill her
2. either cut that shit with the tree because let's be so honest that basically only happened so that Heimerdinger, Ekko and Jayce could meet, since we do NOT even really talk about the tree in act 2? that was so weird. Like either actually make it a thing or find different ways to let characters meet naturally. I dont know, the show was so good with that in season 1. And if they truly wanted the tree scene at least make it make sense and don't randomly drop it Idk.
3. I LOVE Mel she is like my favorite character but the plot with the black rose takes so much necessary time away from what we actually need to focus on. I heard they want to make different shows so they are setting this up but it just doesn't work. Mel could've so easily been integrated into the main plot line and it would've also made so much more sense at that. Though I'll just wait on act 3 before I judge too hard. (if they actually DARE to make her pregnant Istg)
4. Making Jinx that hero character for only like, what, a few seconds was so strange. I hope act 3 gets that better but that, first of all, happened mostly out of no where and a few touches to her shoulder after the prison scene was also not??? helping??? either set that up from the very start or don't do it at all. She isn't a hero, she is a tragedy and someone who needs help and room to breathe. The scenes where they tried to make that funny, in my opinion didn't land at all. She doesn't need a hero complex she needs calmness and stable relationships. Let Isha live I swear to GOD.
in fact that leads me into the next point
5. Have Vi realize she doesn't want to be an enforcerer sooner? I actually do like how rushed that part felt don't get me wrong, but if they wanted a reunion between Jinx and Vi don't randomly put it into act 2 with barely any build up. Let Jinx and Vi realize it during the fight, they kinda did do that but??? just didn't move that anywhere. it's so strange. If they had cut the Smeech stuff they could've easily used the third episode to make Jinx and Vi slowly reconcile. Which also means I think Vi would've been such a better "symbol" than Jinx. Vi and Jinx, for me, show what Zaun is made of, and Jinx is quite literally the valid pain, distrust and anger of Zaun, and she as well as Zaun desperately need healing. Like that would've been SO COOL. that's just my opinion though, so there is that.
6. If they had made Vi the symbol the conflict between Caitlyn and Vi would've felt a lot more natural as well. Like??? Also Caitlyn should've had so much more time if they wanted that switch up in the end to work. Cut the black rose stuff and that would've worked perfectly fine.
7. Now do NOT get me wrong, Ambessa's character is so interesting and I feel like exploring her is so cool but she and her plot just doesn't fit into the Piltover/Zaun thing. It makes it too big for what the show is. In fact I (and now this is just my opinion, anyone can have their own just saying lmao) would've either cut out Ambessa's character/plotline or subtly continued Ambessas drama with Mel, which would give Mel, who didn't get taken by the black rose in my version, a lot more to do and way more interesting stuff too. Again this is very much my opinion and doesn't mean anyone needs to share it, but I feel like they could've easily made Heimerdinger be the one who gets Caitlyn to where she was/is with Ambessa. It would've expanded Heimerdingers character and it would've stayed in the setting they already perfectly build up, Piltover and Zaun. Also, Heimerdinger wouldn't just feel like a random joke character anymore.
8. The Pit fight stuff could have been SO interesting and I feel had we not stayed with Viktor Christ so much which was also so weird at times, we could've gotten so much necessary insight on Vi. If we follow my idea it could've been Vi forced to be a symbol because of the person she is. The embodiment of Zauns loyalty, strength and resilience. And then the fights that will come out of that forcing Vi to face so much stuff she shouldn't etc etc (I haven't fleshed that one out yet don't come for me) and that could've ended in her pit fighting era, which should've taken at LEAST an episode and not a random montage that just gets forgotten??? for no reason at all. Really hope act 3 talks about that cause??? I feel with Vi as the leader the healing of Zaun would make so much sense, because Jinx realistically can't do that. The idea of Jinx being in that position IS interesting I just feel it wasn't established/developed enough.
9. I really really liked how from the very beginning Viktor's safe haven did not in fact feel safe. There was always a very uneasy feeling and that's what I love about the show. I was always waiting for the shoe to drop and it happened, that was amazing. Though I would've either established a lot of this way earlier on in the show or made it not so, and now walk with me here Ik its magic, unrealistic. That does sound strange but having Viktor suddenly float in space with white silver flowing hair and his dead assistent next to him was... very very out of no where. It was like a lazy show trying to get away with "yeah well it's magic so of course this works" and I hate that because even magic needs explanation and build up. So yeah. Either cut that shit out or have it established sooner. And while seeing the one person who helped Jayce as a kid did kind of help, it still wasn't enough for THIS, though again MY OPINION. Also we spent way too much time there, it was getting ridiculous. So much time could've easily been lent to stuff that actually needed it. I actually laughed out loud when Viktor started the healing process with Vander because come ON now, and I do not think they wanted me to laugh.
10. The stuff with Vander, Silco and Felicia (while cute) was unnecessary and weird. What I liked the most about Vander taking in Vi and Powder was the feeling that he didn't do it because he necessarily knew them very well but because he knew their mom was dead (that did show he and their mother did kind of know each other but so do like all the people in the lanes that is kind of established) and wanted to PROTECT. This new context sadly makes it feel like "well of course he stopped everything and took them with them and cared for them he knew them since birth, duh" when I always wanted to feel "well Vander is in his heart a good man who saw what terrible stuff this war and fighting did and then took in orphaned children because of course he would do that" if that makes sense? I feel this new thing took away so much from Vander, but again that's maybe just me.
11. So many jokes and scenes didn't land with me. The scene with Jinx trying to show Sevika her middle finger was SO GOOD and so Arcane that seeing the scene were they try to make it funny with Jinx's trousers and that enforcerer felt so out of place? Like what. That scene could have EASILY been cut and nothing would have changed at all. And that's what is the worst because there isn't one scene in season 1 that I feel could've been cut and there are so many of them in season 2.
12. Introducing Maddie in act 1 made me believe she'd be a bigger, even more of a threat to Zaun, character than she was and that's so sad. What I loved about season 1 is that every single character mattered. Even those we saw maybe once. This time around I hardly cared at all for any new character because they didn't feel like a Person anymore, they just felt like Plot. In season 1 episode 1 there is this scene, the first scene Vander gets to speak in. The only reason Huck meets the woman and the man to trait was basically so we get to know how the undercity works and establish Vander as basically its leader and protecter; The one people are loyal to etc. But it doesn't feel that way. It's something that naturally happens and every character in that scene, even the man and the woman we never see again, mattered and felt real.
yeah so those were really just my thoughts. I could very much go on but I also don't want to.
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wonsters · 4 days ago
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⠀⠀𓈒⠀⠀𓏸 ⠀WAiTiNG ROOM : FRUTiGER-AERO⠀𓇼
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This isn’t just a place to wait—it’s a place to be. Somewhere that exists outside of time and space, built entirely to serve your desires. The air hums with the soft buzz of infinite possibility as your thoughts shape the world around you. Here, relaxation is an art form, indulgence is encouraged, and everything is at your fingertips. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒 ⠀⠀⠀⠀⠀⠀໒⠀ ⠀bars that cater to your whims ⠀⠀─── ა ྀིྀི The air hums softly with the clinking of delicate glasses and the murmur of your favourite melodies in the background. The bartender—perhaps a charming stranger, a famous actor, or a friendly AI in human form—knows your every preference without a word. Drinks appear like magic, tailored to your every mood: sparkling fruit spritzers that dance on your tongue, creamy milkshakes topped with edible gold dust, or dark, rich coffees brewed just so. Every sip feels like a new discovery, a little celebration of you. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒 ⠀⠀⠀⠀⠀໒⠀ ⠀kitchens overflowing with endless delights ⠀⠀─── ა ྀིྀི The kitchen is no ordinary room; it’s a sprawling paradise where the scent of fresh bread, simmering spices, and buttery pastries dances through the air. Counters gleam in polished marble, cupboards stretch endlessly, and every drawer holds a surprise. Say the word and a feast appears—perfectly plated sushi with intricate designs, steaming bowls of soul-warming ramen, and a cake so decadent it could make angels weep. There’s no limit. Want a perfectly nostalgic home-cooked meal like your mom’s? Or a creation plucked from your wildest culinary dreams? Done. The fridge hums happily, never empty, and the oven is always warm. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒
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⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒 ⠀⠀⠀⠀⠀໒⠀ ⠀bedrooms crafted for rest and dreaming ⠀⠀─── ა ྀིྀི
Here lies the softest haven in existence, where sleep becomes an art form and dreams feel like journeys. The beds are immense, swathed in silk sheets and duvets that feel like a cloud’s embrace. Pillows mould perfectly to your head, each one cooler than the last, and the air smells faintly of lavender and rain. There’s always the perfect playlist for relaxation—soft whispers of the wind, delicate piano, or the gentle patter of rain against the window. And when you close your eyes? You drift effortlessly into dreams of golden fields, starlit skies, or anywhere your heart longs to wander. Even just lounging here feels like a rebirth. Time doesn’t matter—here, you’re held. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒 ⠀⠀⠀⠀⠀໒⠀ ⠀rituals of serenity and liquid escapes ⠀⠀─── ა ྀིྀི Step into a realm of ultimate relaxation, where the bathroom and swimming areas blend into a sanctuary of indulgence. The bathroom is a spa-like retreat, with chrome surfaces glowing under soft, golden light and the scent of lavender and eucalyptus in the air. Rainfall showers offer endless settings, while deep clawfoot tubs invite you to soak away every worry. Beyond, the swimming areas unfold like a dream—an infinity pool shimmers beneath a glowing dome of stars, while a hidden heated lagoon nestles among lush greenery. For playful moments, a vibrant pool awaits with slides, waterfalls, and floating loungers fitted with snack trays. Whether it’s the silk-like flow of water in the bath or the crystal-clear embrace of the pool, every corner invites you to escape and rejuvenate. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
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⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒 ⠀⠀⠀⠀⠀໒⠀ ⠀cinemas where anything comes to life ⠀⠀─── ა ྀིྀི
A cinema beyond your wildest imagination sprawls before you: plush seats that recline into near-nests of comfort, buttery popcorn and candy appearing at the snap of your fingers. But what’s on the screen? Anything. You want to watch a book you love turned into a perfectly directed masterpiece? Done. A fanfiction visualized with your dream cast, every scene sculpted exactly to your taste? It’s playing now. Want to relive moments from a DR or watch your favourite actor perform just for you? All here. The screen is endless, the quality so crisp, that it feels like you could step inside. And you can—should you choose, the scenes could stretch around you, pulling you into worlds of your own creation.
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒 ⠀⠀⠀⠀⠀໒⠀ ⠀a phone that bridges worlds ⠀⠀─── ა ྀིྀི Resting delicately on a nightstand or tucked into your hand like a lifeline is the ultimate phone—a device that bends to your will. Its surface gleams softly, showing apps that let you scroll through TikTok or Instagram with ease. Every post feels perfectly curated, and time itself stretches so you never feel rushed. Handle accounts across your DRs, text your CR/DR friends as if they’re right there beside you, and exist on the edge of reality. Call someone who lives in the place you’re headed, or scroll just for the joy of it. This phone doesn’t glitch, doesn’t die—just waits, pulsing softly with endless possibilities.
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒 ⠀⠀⠀⠀⠀໒⠀ ⠀mirrors that let you become anything ⠀⠀─── ა ྀིྀི
Standing like a gateway to wonder, the mirror isn’t ordinary glass—it’s liquid, shifting, alive. Step before it, and the reflection stirs, waiting for you to decide. Want to see yourself with softer features? A bolder wardrobe? Hair like cascading waves of moonlight or skin adorned with radiant tattoos? It adjusts instantly, letting you try on identities and aesthetics without limit. Spin in gowns made of galaxies, suits cut to perfection, or casual looks that feel so you. Every tweak and change feels satisfying, a playful exploration of who you are and could be. The mirror never judges; it just shows you the endless, beautiful possibilities of you. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒
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⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒 ⠀⠀⠀⠀⠀໒⠀ ⠀the atmosphere itself ⠀⠀─── ა ྀིྀི Beyond the individual features, the very feeling of this waiting room is enough to make you melt. The air is a perfect temperature—just warm enough to hug your skin, with a breeze carrying the scents you love most. The lighting shifts seamlessly: soft and golden when you need peace, cool and vibrant when you want energy. Windows reveal scenes of beauty that change with your desires—sunlit forests, endless oceans, glittering cityscapes, or galaxies swirling with stars. Time bends and stretches here, never demanding anything from you. Also, the entire waiting room? Edible. Feel free to take a chunk from the floating sofa pod. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒
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GOD OMG THIS TOOK ME LIKE 3 HOURS. IM SO PROUD :3333
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proseandpretrichor · 3 months ago
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Longing For You~ Spencer Reid
Summary: After noticing you share the same bus route, Spencer can't help but want to know more about you Warnings: None
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Spencer had memorized your entire routine. Not in a creepy stalker way, he honestly couldn’t help it, your existence shone so bright it rendered him in captivation without you really even trying. 
The first Monday he saw you, he smelled your perfume first. Vanilla with some hints of coffee and cinnamon, warm and comforting, like a hug from fall itself. You came to stand in front of where he sat, there being no room in the crowded bus, leaving you with the only option of invading his presence with yours. Facing him so that you could look out the window, the only words you had since spoken to him were a quick, “Sorry!” before turning your attention to the contents outside. 
He didn’t anticipate what your voice would have sounded like but it matched you perfectly, soft, warm, melodic and lilting. Reminding him of the wind-chimes, Garcia cluttered her front porch with. 
He wouldn’t have given anything and everything the universe desired of him to hear it again, to hear it every moment he was given on this earth. 
He took the advantage of your distraction to commit your appearance to memory. You were much shorter than him. While he was tall and lanky, you were soft and curvy, every part of your body well loved. Shiny  hair tumbling to kiss your shoulders creating a halo-like frame around your face. The hue of your hair saturating the  in color your eyes, which sparkled from the wide-framed glasses perched on your nose dotted with freckles that splayed out reaching out till your cheekbones. Your full cheeks tinted pink from your exertion to reach the bus. Your lips were a modest plump, your fuller bottom lip caught in between your teeth as you surveyed the scenes they passed. 
That day you wore a simple black dress. Thin straps meeting the v-line that plummeted to your cleavage. The fabric clinging to your soft curves until your hips then fell loosely till your mid-thighs. Artistically woven jewelry making home in the open space of your chest as though pointed to the art below the garments. An oversized sage green sweater covered your exposed shoulders and trailed down your arms covering your ring clad fingers which clasped your leather satchel matching his. 
Your black boot clad feet tip tapped on the bus floor as you mouthed the lyrics to the music flowing from the earbuds in your ears adorned with more jewelry he thought could possibly fit on someone’s ears. 
It was then that he noticed an array of tattoos underneath your black stockings. 
An open faced pomegranate, a fairy, a hummingbird, a lit lantern with some plants hanging from the frame, a cracked antique looking mirror and a mosaic looking window were only some of the art that he could see covering your lower thighs and upper calves. Spencer was never particularly drawn to tattoos before, but there was something so mesmerizing and intriguing about the ink plastered on your skin. Why these drawings, what did they mean to you, what were their stories, did you have any others he couldn’t see. 
The chirping sound of someone signaling the driver to stop the bus interrupted his thoughts and before he could snap out of his trance you were  gone. 
The next day, Spencer vibrated with anticipation as the bus hurled towards the stop he hoped you would be at. Sure enough, the open doors wafted your perfume towards him as he glanced up from his shoes and saw you walking towards him as you boarded the bus. 
This Tuesday was rainy, foggy, humid, and ominous. While Spencer loved the possibility these kinds of days brought, most of society didn’t. And much to his delight, this meant the bus wasn’t as crowded as the previous day, allowing you to perch yourself  in the seat across from him. 
The open space allowed you to open your satchel and bring out your book which seemed to delight you. You wiggled in your seat as you opened the very worn copy, cramming the bookmark, annotation tabs and pencil in your hand as you placed the book on your thighs. 
Spencer couldn’t help but stare at you in awe as you lost yourself in the pages in the way he’s only seen in himself. Every now and then you would pause, look up and out at the window above him, adjust your glasses, underline a particular sentence or two and tab the page before losing yourself in the plot once more. 
He couldn’t help but feel pieces of his soul chip off of his being and float over to you every time you  hummed a note in the song you was listening to or pulled a berry glossed lip into your teeth. 
Spencer knew in his very genius logical mind that love at first sight couldn't possibly be plausible. While love at first sight could very well be an intense initial attraction, one couldn’t simply be in love or hold the intense passion of love with nothing but a singular glance of a person.
 But in that moment, Spencer was willing to risk it all, he was willing to step onto every stage he ever stood on and declare he wished to worship this one goddess for the rest of his life, however long he was blessed with. And if he was granted too little time on this earth, he would beg on his knees to a god he didn’t believe in to have just one more minute looking at you. 
Over the coming weeks, Spencer committed any little detail of you to memory. An unsleeved coffee cup told him the secret of your coffee order- a hot/iced dirty chai extra chai and a shot of caramel. The temperature of your beverage depends on the weather that day.
He figured out your favorite color as your glasses, phone case, and many of your articles of clothing were various shades of the same color.
A flash of your work badge allowed him to notice your place of work- a local university in the city of Quanitico which a quick shameful google search he made as soon as he got to work told him you were the lead analyst and book curator for the library at the school.
He joined Instagram just to scroll through your posts and stories which included snapshots of the books you read - a blend of the classics, fantasy, and romance being the most frequent genres you enjoyed, song lyrics that spoke to you, and what you called photo dumps of random candids of you and things you enjoyed throughout your weeks.
He learned you had a rescue pitbull named Galadriel which you affectionately called Gala from your posts and phone lockscreen.
He learned you graduated from Harvard from the only swag sweatshirt you seemed to own since unlike all of the clothes he had seen you wear this one was faded and worn and a quick inquiry from an acquaintance who raved on and on about the sweet, dedicated, and smart nature of their old student. 
After three months of shared bus routes, he was totally enamored with you. You were  his last thought before he went to bed wondering how you would do your hair or what you would wear the next morning and the first thought he mustered when he woke up a ghostly waft of your perfume fueling him to start the day just to see her.
 He longed to hold you in his arms, to bury his head in your neck, card his fingers through your soft tresses and listen to your every word with a baited breath. But no matter how much he longed and struggled to gain the confidence to just try and approach you, he couldn’t enter your bubble for fear of you finding him uninteresting. 
It was 3:37 on a Wednesday afternoon as Spencer sat down in his usual seat. He and the team had just wrapped up a case when he decided he would take the after case paperwork home and do it after a little power nap and shower. As he leaned against the window clutching his go-bag in his lap, he didn’t notice the bus filling up with people leaving work, nor did he register the presence coming up towards him. 
“Excuse me,” he turned to face the voice, “Do you mind if I sit here, there’s no more space otherwise I’d give you the row” You smiled softly at him gesturing at the seat beside him. 
“No, of course! I don’t mind at all.” He said a little to hurriedly wincing at his own excitement. 
With a soft thanks, You plopped in the seat, thigh brushing his due to the close proximity. 
“Are you alright? I don’t mean to pry but you seem more exhausted today then you typically do. Not that you look tired normally, I didn’t mean that…” You stuttered, taking a deep breath before continuing, "I just haven’t seen you in a while and wanted to make sure everything was okay in your world.” Finishing with tinged cheeks you glanced at him before focusing on one of your rings. 
“I am quite alright, thank you. Exhausted yes, but if anything relieved to be here. I was on a case.” Spencer told you, teeming with excitement that they were finally having a conversation, something he only ever thought would happen in his daydreams. 
“A case?” What kind of case, if you don’t mind me asking.” You tilted your  head fully invested in his next words. 
Spencer couldn’t believe that not only did you notice he was gone, wanted to check on his well-being, but actually was invested in his life with a sliver of interest he had with you.
“You don’t have to share. I know I’m being nosy. Just tell me to butt-out if you want some peace and quiet.” 
“No! He quickly shut you down. 
“I don’t mind, I work for the FBI, I was on a case to stop a series of serial killings.” 
You  fully turned in her seat, mouth dropping in shock. “I thought they only had those jobs in movies! Do you have those boards with the pictures and the red strings, and have the family members make phone calls to the criminals?” your hands started waving and your eyes widening as the thoughts raced around in your  head. 
“Well I am a terrible liar so I don’t think I’m cut out to be an actor. He tried to joke that he was delighted to be rewarded with a little giggle from the girl beside him.
“We have boards, yes, no strings, though. We mainly put photos of preceding victims, evidence and geographical tools such as maps. Sometimes we entice the unsub with direct contact if they have the need to inselves into the investigation. Most of the time we don’t have any contact” He rambled but quickly trailed off taking a peek at you to see if you had any signs of boredom. 
Instead you found you leaning towards him, chin resting your closed fist which you propped on your thigh. You nodded along pausing before asking, “Unsub? I’m unfamiliar with that term.” 
“Unidentified subject,” Spencer supplied, “Since they are not convicted or charged with a crime, yet they are not technically criminals.” 
“Ohhhhh, yeah that makes total sense. Duh” You said lightly smacking your forehead. Spencer couldn’t help but chuckle. 
Spencer expected you to be content with the conversation and turn your attention elsewhere. Instead you continued asking him questions about the case, interjecting to ask his opinions on the unsubs behaviors or make little comments of your own. Just as Spencer anticipated, talking to you was easy even if they were discussing a rather heavy topic and you voiced very interesting points. 
Before he knew it, the bus had arrived at your stop and Spencer's heart ached when you moved to get up. 
“See you tomorrow… I’m sorry I don’t know your name!” you exclaimed, hands coming up to cup your cheeks in embarrassment. 
“Spencer Reid.” He offered. 
“Y/N Y/LN” you returned beaming up at him. “I would love to continue this conversation tomorrow if you're interested.” you  asked, looking down nervously. 
“I would like that.” Spencer returned. 
You nodded and with a little bounce you turned and headed to the bus exit. As you stood behind the line of passengers exiting,  you turned back and waved at Spencer before you disappeared off the bus. 
Spencer held his hand up to wave back hoping you  saw him return your gesture.
For the rest of his ride, he could not stop grinning. He willed the bus to drive to his apartment faster so he could climb into bed so the next time he opened his eyes he would only have to wait a little longer to hear your voice and smell that vanilla perfume.
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lets-try-some-writing · 3 months ago
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Transformers One: My Thoughts and Critiques
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Note: This is going to be a very long read, so be prepared.
Before I begin my thoughts on the film, allow me to state beforehand that I will be looking at this film as a standalone film first and foremost. I will not be considering the fact that it is meant to be part of a trilogy until the end of my assessment because a good piece of media should be capable of standing on its own. With that said, minor allowances will be made because of this fact.
Additionally, I will not be applying any other continuity lore to this film review in order to limit my continuity bias (although I will make frequent comparisons). Please note that these are my thoughts and opinions and the fact that I even bothered to write more than a two sentence 'it sucked' with a wail of anguish tacked on means that the film has value. I am merely picky. Obviously, this will have a heavy does of my personal takes thrown in along with genuine analysis, so don't take my assessment as gospel.
From this point onwards, spoilers will be present. Read at your own risk.
The Good
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(Me trying really really hard to not accidentally be negative.)
The visuals for Transformers One are, of course, stunning, and the voice acting, as a general rule, is very on point. Chris Hemsworth as Orion Pax and later, Optimus Prime, was a decent decision. I like his voice as Orion, but regarding Optimus? I have opinions that will be discussed later. But for the time being, his voice as Orion gives the character life, emotion, and a great deal of ethos. He's likable and interesting, giving him depth that we have not seen in any other Orion Pax since G1.
Megatron's voice actor was also incredibly well picked. The emotion and tone in his voice was undeniable and gave D-16, and later Megatron, such enthusiasm and vibrancy that I (and likely much of the audience) couldn't help but feel for him in many of his interactions and speeches. I loved hearing how his voice evolved as he went, slowly becoming more aggressive and deep. Elita-One was a reasonable pick when it came to voice actor. She certainly had tone and opinions. Bumblebee's voice actor was very entertaining when it came to giving the character development. Having Bumblebee with such a enthusiastic voice actor made him into someone who had far more depth than he likely would have otherwise.
Sentinel's voice actor was golden. He comes off just the way the movie needs him to be, and it is done quite tastefully, although it certainly doesn't break any molds when it comes to the cliche evil character arc. I adored Airachnid's voice acting. It fit her well and was a polite, but well earned shift from the snootiness seen in other continuities. She automatically has more depth simply because of her voice.
The worldbuilding for Transformers One was well done considering the time limits of the film and the focus that had to be given to other subject matters. There are many issues of course, but overall I cannot fault a single film for not having the length and depth of something like Prime or the IDW comics. The flora and fauna showcased were bright, and at least in the case of the flora, quite diverse. The designs for the few creatures showcased were interesting but not overwhelming, especially for the Quintessons. The shift from inorganic to organic was clear as day with their presence, and highlighted the love and care put into every single frame of the film. It was clear that there was real love shown to each character, movement, and scene. For once, the creators seemed to genuinely care about what they were doing.
The fight scenes were stunning. They flowed incredibly well and made excellent use of the environment and the biological aspects of fighters. The use of partial transformation and transformation in general was something I have never seen given such emphasis in a Transformers film or cartoon, not since Prime at any rate. It was done perfectly in my opinion, and showed an actual understanding of how the characters should move and likely would move in various combat situations.
Onto the actual film. The movie hops right into the action and we, the audience, are given a fantastic view into who Orion Pax is as a character. We see his longing to be something greater right off the bat, giving new fans a solid start for his character. Old fans are also given a nod to various continuities with his character design and his overall knowledge and interest in the archives tied with his station as a miner.
The design of Iacon was a fascinating shift from other continuities, that with everything being underground. And D-16's introduction was well integrated into the scene. His and Orion's friendship is masterfully done, and their interaction on the train gives amazing hints into their past, potential history, and creates interesting lore for an audience to ponder. Their relationship is by far one of the most important and intricate parts of the film. It is a masterclass in setting up a relationship prior to a film or story actually shoving two characters into a setting where more of their traits are showcased. Honestly, we can see so much about both of them from that first scene.
D-16 bailing Orion out of trouble quietly like its normal. Orion going through all the effort to give his friend something of value that is both personal and has money attached. Banter that showcases their depth and rich relationship that also flows smoothly and naturally, like old friends should. We get to see how Megatron will come into being through his adoration of Sentinel Prime and Megatronus Prime. His youthfulness combined with Orion's desire to see and experience everything brings out the best in both characters, giving them reason to be together and to get along.
I will never stop giving my praise for that first scene with D-16 and Orion since it was so tastefully done.
Their work in the mines is well directed and the introduction of Elita is... a thing. (thoughts later)
The lore presented in the mining operations is ingenious as it showcases both Cybertron's situation, lays the groundwork for the knowledge characters possess later in the film, and overall shows D-16 and Orion's hesitant heroism (at least on D-16's part) when they save Jazz from certain death. In some cases, the introduction of new information is masterfully done through the use of referencing demotions and promotions in a manner that applied to the situation in question. The lore regarding energon and the overall loyalty of the miners also demonstrates much of the mindset Cybertron is operating under and is done quite well, as seen with the cogless bots being totally fine with their lack of transformation ability for the most part.
Brilliantly done pre-set mindsets. Especially showcased with Sentinel's message to the cogless leaving them all in sheer awe and cheer. I could sense the villain a hundred yards away, but I could tell that the characters believed what they were hearing, and that in my opinion is a show of how well presented the mindsets of the characters and overall view of the society are.
The race was fun to watch, with plenty of spectacle. Orion and D-16's conversation pre-race showed more of their character and D-16's adherence to the rules vs Orion's desire for something more. Orion leading them through back roads into the race also added more depth to Orion's character which I adored (and was unfortunately underutilized). I appreciated the tricks pulled by Orion and D-16 to win. I also adored the brotherhood shown between them, especially how Orion went through the effort of giving D-16 his chance to be a hero, even if D-16 was hesitant. Their brotherhood in the beginning of the film was honestly one of the best highlights, and distracted me from many other things that I will discuss later that were less than optimal.
I loved seeing how excited D-16 was toward the end of the race, and of course how Orion stopped to help him. Their banter in what I assume was the medical bay was also enjoyable and laid further groundwork for D-16's character.
The scene with Sentinel congratulating D-16 and Orion Pax was suitably filled with awe and stiltedness in equal measure. It played well and showed D-16's character as well as Orion Pax's passion and drive. One thing I will not fault the film for is Orion's devotion to his goals. They were clear and remained so from the get-go along with D-16 admiration (right up until the fifty minute mark).
The meeting with B-127 was unique, and an interesting show into the madness that forms in those who are condemned to the bottom rungs of society, even though it was played for laughs. The introduction of the main plot device was something I have critiques regarding. Although, with that said, D-16 and B-127's reasonings for going were both done pretty well. I like how D-16's reason played off his character and previous history with Orion. Again, the brotherhood between them is key in this film.
The logical leap to get onto the trains was well done and also set up essential plot devices for later. Elita's presence was odd, but whatever.
The fight scene on the train and the rush to stop Elita from telling on all of them was well played for the most part. Her anger made sense and her snark didn't exactly come from nowhere. Her taking of the map made reasonable sense (although I have opinions). B-127 is vaguely humorous at times during their journey, which I can appreciate in small doses. (His cave comment got a vague chuckle out of me.)
The introduction of the Quintessons was well placed in light of the future scene with Sentinel. I loved our main characters maneuvering to avoid detection as it showed their cooperation as a team for the most part. Orion's knowledge of the Quintessons made sense in light of the very first scene in the film (again, it was an excellent start to the movie and laid a lot of groundwork).
There were a few scenes in this film that really kicked me in the feels, and the moment the group enter the cave and find the bodies of the dead Primes is one of those moments. The scene is solemn, not a hint of snark or banter to be found. Everyone is lamenting, thinking. The atmosphere was perfect, and the sheer emotion from D-16 in particular was delightful in its own quiet way. The way he sat before Megatronus Prime was emotional. For once in the rapid fire mess that is TF One, time was taken to let everything sink in. You can see a quiet shift in him, and in Orion there is something that makes the audience note how lost he appears. Elita and B-127 only added to the scene as their usual lines died off, letting the scene simply breathe. It was, in my opinion, very well done. Especially with the music running softly in the background.
Their worldview was shattered in that cave, and I adored seeing it play out.
Alpha Trion's character was done well, very well considering how short of a chance he had to be on screen. He showed proper confusion, but then moved along once he noted the situation. There are things I would change obviously, but his character played its part, and I appreciated how he got to the point and limited his cryptic behavior to an extent. He seemed tired, as he should have. His death was also well timed and I appreciated how much the movie wasn't afraid to straight up off a titular character in other continuities. The scene with the T-cog distribution was also a delight to watch. The animation was very clean and it gave me a whole lot to ponder biology wise.
I must say Sentinel's interaction with the Quintessons was, quite frankly, not surprising. But it did convey its point well. I like watching this noble looking character finally drop his façade fully, bowing before invaders and shocking our main cast (even if the audience could see this coming from two seconds into the film).
D-16 and Orion's first argument hit me in the feels, mainly because I really did understand D-16 far more than I did Orion. He was angry, he wanted justice, and above all else, he looked lost. I was simply enthralled with the way his character started to shift and change, going from passive to aggressive in response to rapid fire hits to his worldview, ultimately leading to a perfectly reasonable bot shattering under the pressure.
Alpha Trion offering the group T-cogs from the Primes was interesting and left me with many worldbuilding related questions. The scene where the group first transform was fun. I liked how the characters were given a chance to show their inexperience and struggles. Disregarding the comedy, it made perfect sense for bots who'd never once transformed to have to learn to do it all from scratch, trial and error. It was fun, especially D-16's leg being stuck halfway into turning into treads.
From here my praise is a bit more limited, but I enjoyed seeing D-16 flex his authority and get his group in line. I appreciated the moment of tension between him and Orion, showing the conflict brewing and yet the lingering brotherhood that had not yet cracked. It was delightful to see the war going on inside D-16 in that moment, the hesitancy and the care for his best friend buried under newfound rage and betrayal. Orion later doing his best to try and check up on D-16 was a delightful touch that only further cemented their struggling companionship as the film progressed.
Seeing Starscream was fun. Shockwave's voice was a nice addition and the extra emotion I find was a bonus. Also Soundwave with unique abilities. Nice.
D-16 beating the ever living snot out of Starscream was fun on its own, at least without considering the context and pacing. I enjoyed Starscream's character and the change to his usual cowardly behavior was, in my opinion, well earned and much needed (at least so early on in this new continuity). Orion's growing confusion and uncertainty was a lovely touch. I also adored how he stepped in, bringing D-16 back to reality long enough for him to spare Starscream and make his declaration.
Just going to throw this in here. Sentinel Prime is peak evil and I loved how cruel he was throughout the entire film. He oozed snooty and evil billionaire. The entire scene with him slaughtering Alpha Trion like some sort of hound, his dialogue, and later his insults toward D-16 were just *chef's kiss*. Him carving Megatronus's symbol onto D-16's chest was downright evil and served to further prove just how terrible he was. It was a great scene with very solid dialogue. Honestly, despite how evil he was, Sentinel was one of my favorite characters simply because he was consistent and his dialogue was very well done without any severe stilted moments right up until the end.
Not much to say about the D-16 capture and the Orion & Elita-One pep talk scene. It happened. More thoughts in The Bad section.
Additionally, D-16 staring death in the face was brilliant. I loved seeing his sheer defiance, and the way he met his potential end with honor even when B-127 was willing to stay down. It spoke so much of his character and his development since the beginning of the film. He went from wanting to hide from fights to actively standing up for his rights.
Orion talking to all the miners was, in theory, and probably on paper, a fantastic scene. It wasn't as grand as it could have been, but I really appreciated the size difference between him and the others combined with his attempts to rally them. His speech was moving and I could see his comradery with his fellows the spark of Optimus Prime within him. I loved seeing him rally his troops, encouraging his people to stand and fight. The miners being all so small really did wonders for the scene though. I know I already referenced the size difference, but seeing all these cogless bots look up in awe did something wonderful, especially with the lighting.
The revelation of the truth was downright brutal. It wasn't done as well as it could have been, but I appreciated it all the same, even if it gave off "I'd kidnap a thousand children before I let this company die!" vibes. (Thank you, Monsters Inc).
D-16 fighting Sentinel and then the subsequent attempt on Orion's part to calm him down was... painful (in a good way). I knew it was coming, I could smell it a mile away, but I honestly hadn't expected the scene to play out as it had. Orion trying to stop D-16 once was expected. Him trying again and getting hit was very him, and very powerful with D-16's response thrown in. Seeing the anger that had been brewing in D-16 fade for a moment to instead be replaced by guilt and grief for a precious second brought me nothing but sheer joy. It was such a turning point for the character, especially when the disbelief in his tone hit. D-16 holding onto Orion while on the verge of breaking down, warring with himself, and then deciding to let Orion fall?
Beautiful.
In that moment, we got to see D-16 metaphorically die alongside Orion Pax, breaking their brotherhood so that Megatron could rise from the ashes and try to bring down everything that led to their paths crossing and ultimately diverging. Honestly, I would have paid good money for an alternate ending where Orion died and stayed dead for a while longer, specifically so that Megatron could have a chance to grieve and contemplate. There was just so much going on in that scene with the music, the loss, and the tension that made it a fantastic visual.
The whole comparison between Orion and D-16 as they changed and morphed was a wonderful thing to witness. I enjoyed Megatron's birth a bit more than I did Optimus's, but that was largely because as Orion approached Primus's core, I personally would have adjusted a few small things to keep the dramatics in place. Megatron's birth however was truly stunning, showcasing his strength, his rage, and his passion all in a few short scenes. The music was phenomenal and only made it all the grander. His speech was simply perfection and I have absolutely no complaints. The concept of Megatron was rightfully embodied there and I was all but squealing in excitement when he made his declaration.
Optimus and Megatron's battle was amazingly done. The fighting and the use of weapons and transformation was spectacular and I have exactly zero complaints regarding the fight scene on its own. Optimus then banishing Megatron from Iacon had its own set of feelings, although, there are things I would change.
Bumblebee's line at the end of the movie was actually funny. It got a very solid chuckle out of me.
The flashback was adorable. I loved seeing the contrast between the bot who D-16 was, versus what he became. A brilliant scene, albeit a tad out of place in my opinion.
I have exactly nothing good to say about the last few sequences of the film. But I will say that Megatron is forever awesome.
With all that said, the music for the movie was phenomenal and made scenes that otherwise would have been simply moving into heart wrenching moments of awe. The Fall is by far my favorite simply because of all the emotional tracks in it. Every time I listen, I see that pivotal scene play out in my mind. Megatron and Optimus's birth, so perfectly contrasted and the emotion played out spectacularly. It's been days since I watched the film, and the emotional value of the music hasn't worn off in the slightest.
The Bad
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(Aka, my rant combined with actual critiques)
Oh boy here we go.
Orion is just off. As a character, there's something off about him. He's perfectly acceptable on his own, but there is a lack of substance to him that makes it difficult to find him compelling at times. We never really know why he even gives a crap about the things he does. He just cares about the Matrix and becoming greater because of... reasons. There's no basis for his interests, not like D-16 who expressed in dialogue and actions why he cared about the things he did. He loved Sentinel because Sentinel "saved" them. He loved Megatronus Prime because he was the "strongest Prime who ever lived". Orion's reasoning for caring about the Matrix and freedom in general amounted to wanting to help Sentinel. I mean, it made sense, but it wasn't particularly fulfilling for his character, especially when the rest of the population was perfectly fine with their situations for the most part.
There needs to be reasoning. What happened to him to have him break the mold and try to act out? Why did he break it at all? Orion is obviously an outlier in mentality, and therefore he should have at least been given a single line of dialogue with D-16 to explain his interest, (excluding his declaration of wanting to help Sentinel find the Matrix. That is a mere statement and it didn't give me much of anything to understand why he cared since he wasn't as devoted as D-16). This issue follows him throughout the whole film. He's a bit of a shell at times, although it could have been due to the way his dialogue hit. This lack of foundation for his character made it difficult for me to really feel for him like I did with D-16. When D-16 got angry, I was on his side because I understood where he was coming from. But with Orion? He was always just... there. He expressed emotion and I loved seeing how he shifted, but his growth didn't match the pace the movie set, leaving him in the dust a bit.
It weakened his character drastically.
His voice is also a tad... bland. No offence to Hemsworth, but I just don't think he managed to capture Orion like Brian Tyree Henry managed to get D-16 and Megatron. Orion had his moments, and those moments were spectacular, but his speeches never had any of the depth of Peter Cullen's Optimus or the youth of TFA's Optimus. He lacked something distinctive to set him apart. He tended to sound somewhat blank in certain scenes, almost like Hemsworth had only just been given the script (or was still attempting to be Thor). It was especially bad when Orion becomes Optimus Prime. Where Hemsworth did an arguably fantastic job as Orion, his voice simply didn't fit Optimus. Am I biased because I enjoy Peter Cullen more? Yes. But also, Optimus is a mech meant to show power.
He needed a deeper voice desperately, something that would rattle and have the tone of a true commander, demanding respect even when he's being gentle. Hemsworth was a fine Orion Pax, but Optimus needed to change and become something more in my opinion. They didn't even have to change voice actor if Hemsworth could pull off a bit of range like Brian Tyree Henry did with D-16 and Megatron.
No complaints about D-16's introduction.
Back to the film. The sheer amount of background Easter eggs was fun right up until I started seeing far too many familiar faces in the same place. The world of Transformers One, unfortunately, feels incredibly small. We see Iacon and we see the cogless and Sentinel's servants, but nothing else is really there. It's a strange emptiness. I can tell the film creators were trying to fill the void, but we never got the chance to see those who did more than just mine. Where's the middle ranks? Who is running everything else? Why is every single Autobot a miner? There should at least be a few middle rank bots wandering around. We did see scenes with random civilians at the end, but I would have liked to see a greater range of work involved in Iacon. Even just a medic would have been great. If those things don't exist, then how does the city operate? Where the heck are the other cities? Is there a council of some sort? How is Sentinel running literally everything without an inner circle? We only ever see Arachnid after all.
Honestly, a tad more variety is what we needed. Not to say the variety we got was terrible, but seeing a medic, a random vendor, or even a military drill sergeant in the background would have done wonders I think.
Additionally, there should not be so many familiar bots all in one place. I know this is a new continuity, but it feels weird because there is no way every single big Autobot just happens to come from Iacon because they were ALL cogless miners. If that is the case, that destroys so much depth it's not even funny. I mean, the continuity can do what it wants since its new and has its own lore, but I suppose its a bit of a let down if everyone shares the exact same origin. Additionally, the voice acting for most background characters was... fine. Some scenes were fantastic, like the race where everyone rushes to see the miners on screen. But the movie could have greatly benefited from a few more unique and passionate voices. I wanted to see true anger, REAL heartbreak at the lies that had been fed to the cogless. This is more petty than anything else, but a few more voices and a bit more depth would have been fantastic.
It's only made worse by the fact that the entire film just feels tiny compared to the scale its operating on. One city, one mining area, one train, one open field, one race track, one abandoned base, one rebellion base, and a cave. Sounds good on paper, right? Lots of room to move. But we never see anything about any other part of the world. Not even a mention or a poster on the wall for a different city. It made everything so much smaller and more controlled. That's not necessarily a bad thing film wise, but giving artificial depth through background characters and whatnot would have been great. Even just some chatter from background characters would have served this purpose. Think about Star Wars or Lord of the Rings. Both movies referenced planets and places that came into play later far before they actually showed up, and in only one or two lines. TF One needed such dialogue if it wanted to establish the scale of the world. Unfortunately, we didn't get that.
The first mining scene in the movie agitated me on a spiritual level. Not necessarily because it was bad. I found the actual operation of the scene very interesting, especially seeing how Cybertron reacts to the mining and how the bots go about getting energon. It was downright fascinating watching the trained and trialed methods the crew used to get in, do their mining, and get out. Jazz was hilarious. However, Elita-One murdered the mood for me.
Elita is... an interesting case. I will just say it outright. She serves no purpose within the film that actually means anything. And this fatal flaw reflects horribly on her character. On her own, a bit of snark and anger over her situation and even the arrogance would be good character flaws for her to work past, but combined with her place in the film, it made her nothing short of grating. Every scene she did anything more than fight or offer reasonable commentary was a slow torture for me. There was nothing to give me a reason to like her. She's an arrogant bot who thinks she knows and can do everything, and that bothers me. If there was something for her to have to go through to work past those flaws, then I could appreciate it. But she maintained her poor disposition throughout the entire film with little to no outward changes. It was a wasted character and an arc that was never even given a chance to exist.
With that said, every time Elita turned up and started getting talkative I died a little inside. I am prepared to be crucified for that take.
Elita's attitude after Orion and D-16 saved Jazz was just the worst. Even though I understood her take, she still bothered me with her rudeness. She's a very selfish character if you really look at her, and it shows. Her voice acting wasn't bad, although there were a few repeat lines that got stale fast.
The Iacon race was a fun concept, but Orion's character was again left to exist in a vacuum when he took D-16 to the race. Evidently, Orion knows a crap ton about the underground and travelling discreetly. This skill is never seen again. Nor is his knowledge of travelling quietly on his own ever mentioned after this scene, to my knowledge at any rate. Whatever the case, he was given a hint of lore and then left to go be rebellious for reasons we still do not have a solid foundation for. Honestly, I understood D-16 far more than I did Orion and I think that's a problem in a film meant to be their origin.
I have no real complaints about the actual race. The scene with Sentinel had nothing for me to comment on negatively.
Bumblebee is again, another character who holds little use in the film. I understand WHY he was put in (fanservice and all that), but the way he was implemented was very poor. There were far better ways to incorporate him into the story and actually make him important and telling. Instead, he's just a chatterbox there for jokes and one liners. He's far less agitating than Elita though because at least he has vague chemistry with our main protagonists. Also, B-127's whole nickname sequence should have been cut, or at least sidelined a bit. It really wasn't that funny, and if the crew were trying to show how isolation has gotten to him, the whole fake friends part got that across quite well.
The plot device was ridiculous. Not necessarily in its existence, but in its implementation. You want to have a SOS message from Trion to be the key? Cool. DON'T put it in the actual trash in the most obscure place on Cybertron. The fact that the bloody message survived is a miracle and quite frankly, it felt contrived. There were far better ways to implement the message. Think about Stars Wars and R2D2. Personally, I would have been privy to a bit of War for Cybertron coming into play, or possibly Smokescreen from Prime. That way Bee could actually be useful while still offering the crew their plot device. That said, it wasn't the worst thing and with a bit of grace, it is not a major sin.
The train scene with Elita was actually painful to watch. I despise her so much, and she just made the whole thing agony to get through. I skipped through her kicking the guys around like boyscouts because it was not appealing in the slightest. (I do understand some people like her, but I am not one of them and this is where my bias shows most.)
No complaints about their stint on the roof of the train.
Elita's entire scene on the ground where she gets in Orion's face made me want to strangle her. I can understand her reasoning, but she's so frickin annoying that I simply could not care about her in the slightest. Her lines might have even been funny if she hadn't been such a poorly done character.
Why does she get the map??? Why??? She isn't even meant to BE there??? Orion, why are you letting her walk all over you??? That's your evidence! You can't even trust her! Let D-16 read the bloody thing. He feels like he has the most braincells out of all of them. I get that they were aiming for girlboss and mom friend vibes combined with Elita, but she's simply agitating and I think it would have been far better for Orion or D-16 to lead the way and show more of their character. Actually, let Orion do it. He snuck into the archives all the time. He's a perfect fit for the role and would have given him the chance to show off that foundation that he lacked throughout the entire movie. If they REALLY needed Elita, they could have used the chance to build that oh so lovely ship bait for fans by having Elita and Orion have to work together to successfully read the map. After all, Orion knows all the weird underhanded stuff and Elita was a team leader for the miners. Their combined knowledge could have been a bonding moment AND been useful to the plot later to show why they fight together in a reasonable fashion.
Again, Transformers One feels tiny. There was one creature type shown on screen, and I understand animating is a pain, but even just some shifting shadows as the group walked would have been nice. Would have made things feel more alive and artificially expanded. (again, a petty complaint above all else. Maybe Cybertron just doesn't have a ton of animals.)
No complaints about the cave scene.
So... T-cogs can just be taken from the dead? Is that not a health issue? We see later that Megatron taking Megatronus's T-cog changes him further. Does that imply that all four of the crew are now biologically related to the Primes? If those T-cogs aren't rusted to hell and back after fifty cycles and don't give the crew infections later, this has some startling implications. Less of a complaint and more of my confusion. Seriously, are there no prerequisites to have a T-cog when a bot's original one has been removed?? Does this mean that biological offspring can be a thing via passing on a T-cog?
(I have some worrying thoughts about relationships on Cybertron now because of the shift in characteristics for the crew when they got their Prime inherited T-cogs)
Too much exposition from Alpha Trion. It fit the scene certainly, but the whole film had a running problem of mouthing off and throwing exposition around like candy. It was not done particularly tastefully 90% of the time. In fact, the only exposition that I liked was from D-16 and B-127 because it felt natural for them to explain things as they did. Trion's was cool certainly, and honestly if Orion's first exposition in the archive and then Trion's were the only dumps, I would have been quite happy.
I can't believe the Primes fell as easily as they did. I understand they were ambushed. But how on earth did Sentinel manage to personally cut down several of them when, up until that point, Alpha Trion said they were winning? One sneak attack is understandable, but the rest was a bit unbelievable. Especially Megatronus Prime.
Why is everyone suddenly so chill with killing? I mean D-16 just shot someone to DEATH despite having never raised a hand to pretty much anyone with intent to kill up until that point. Is this a society thing? Cultural? (I am not talking about Orion here. He's a sunflower compared to B-127 and everyone else going off and chopping enemies to bits)
Regarding D-16's arc, it was rapid fire from this point onward. I can see what they were aiming for, but there was a distinct lack of anything to really cause him to fall as far and as fast as he did. Actually, allow me to rephrase. Rather it was that he HAD reason, it was simply too fast paced of a film for me to feel his change and truly cement it in my soul. It stuck and it most certainly made sense, but it was a bit like whiplash when he chose to let Orion fall to his death despite them having gotten along up until that point for the most part.
Orion is an idiot as well. He spent all of D-16's rapid fall into warlording staring at his best friend like a confused goldfish. He did very little to step in aside from try to ask if D-16 was alright and stopping him from killing Starscream. Yes, D-16 was captured and there wasn't a lot of time to do therapy. Yes, the rapid character change occurred literally over the course of like, a day and change, so I can't fully blame Orion. And do I understand why he was so hesitant? Yes of course. The change was super fast. Do I also understand how and why D-16 fell? Absolutely yes. Were both of these characters rushed? Abso-frickin-lutely. The foundations were there and they were fantastic. They just had to be roller coastered to their completion without any regard for the emotional value of pacing their respective shifts away from their previously shared goal.
I do not truly blame the film creators for the rush, but it does kill a lot of the emotional impact that would have come if we'd been given more time to see D-16 and Orion have more and more arguments over increasingly difficult moral decisions.
Starscream and the High Guard are stupid. They are a fantastic concept on paper, but much like half the cast, their implementation was poor in the extreme. They came from nowhere, were exposition dumped into existence, and promptly followed the rando who beat the snot out of Starscream and could have, for all they knew, been an actual spy. For some of the best trained bots on the planet, there was not a single braincell amongst them.
Starscream had so much potential too. But that vanished into smoke twenty seconds into his face getting bashed in. Soundwave looks like a taco. And he acts like one with his lack of substance character wise. Shockwave was neat right up until he got wrapped up into the stupid gag with B-127. It's a dumb joke and it destroyed whatever seriousness was building. Like come on guys, we are at the one hour mark. It's time to get serious or go home. Again, aren't these the High Guard???? Very important very well trained bots??? Why are they acting like savages and petty children? We at least need explanation for that if we are rolling under that rule. They needed more depth desperately. As it stands, they were nothing more than free guns for D-16 to yoink for future movies.
Also, again, Orion the goldfish. Standing there all confused without doing a bloody thing about it. He's so passive in this movie and it infuriates me because it feels like his character arc never picked up the pace like D-16's did at the hour mark. I understand he's going through a lot and watching his bro fall is likely a bit shock to the system, but one would think with how close they are that Orion of all bots would be the one to try and humble his brother in arms. (I am aware he did his best with what time he had, but still). I know that if one of my siblings decided to go all murder hobo on me I would be the first to get up there and throw a shoe at their head. Once more, I do understand that Orion was likely in shock, but due to the pacing of the film, he feels a bit like stale bread right up until he's literally shot.
Neat, a fight scene. D-16 is captured, ooooh that could be interesting- aaaaaaaand there's Elita being the worst again. Great pep talk. Fantastic even. Now I hate her even more because all I am getting is sheer arrogance and not even in a humorous way like Knockout from TFP. Good heavens Elita sucks.
"We won't follow you." *Elita exists* "wE wiLl fOLLoW yOu" - Frag ALL the way off with this garbage. High Guard indeed. High on drugs and low on self-esteem. Elita has done NOTHING to prove herself worthy of being followed, or Orion for that matter. It would make far more sense for the High Guard to just be pissed off and opt to go fight Sentinel on their own since they've lost their new leader and a ton of their troops all in one raid. It would have been majestic for them to straight up decide now or never and lead a charge, and then have Elita and Orion join them with unexpected troops in the form of the cogless.
Again, aren't these guys meant to be the High Guard? Why can't they get into their own city? Surely they have contacts or old knowledge? Actually, why can't Orion bargain his way into their ranks using his knowledge of all things underhanded in Iacon? It would have been a great callback to his scene getting himself and D-16 into the race. I know they sort of went that route by having Elita get everyone in while Orion went to fetch the cogless, but it would have been way more interesting to see them working together in a logical manner and planning their attack. I know there were time constraints, but that doesn't mean they couldn't have worked together for a short period of time and shown either the brutality of the High Guard or their similarities in regards to goals and ideals.
The scene with Orion addressing the cogless was certainly stunning, but it needed more. Emphasis, tone, lighting, music. I think it needed something just a touch grander. Not too much mind you. Orion needed to have come back with a new aura around him, something to really make him stand out aside from his newfound height. This is his dawning moment after all, his first spark of Optimus Prime. If he'd spent some time scheming with the High Guard, maybe he could have had an air of a fledgling soldier, just bloodied and ready for battle. He did punch Darkwing, and that certainly helped, so I will give him a pass in this regard. His speech still would have meant more if he'd been a bit grittier and yet still kind, especially contrasting D-16 who took one life and then never stopped doing that. His compassion was a nice touch, as well as his relatability to his fellows, but there had to be that hint of something more commanding. He had the inklings and I appreciated his first real speech, but the rallying cry was, in my opinion, a tad off. It could have been due to the voice acting. (Seriously though I did love this scene, I just have itty bitty suggestions regarding how it could have been better. And Orion made a funny face halfway through his big pep talk so there's that).
The background character voice acting didn't show quite enough confusion or awe for me to really be sold on the scene. I would have preferred something more akin to the TFP scene where the kids are introduced to Optimus. Shock, awe, excitement, a hint of fear. Those things were present of course, and I understand the miners were tired from doing their million and a half shifts. But a bit more could have been done. More background chatter essentially.
No complaints about the Sentinel and D-16 interaction.
The battle scene was well done, all of them. The Arachnid thing worked, but the big reveal of the truth did absolutely feel torn right off of 'cliche villain downfall bingo'. I would have liked something a tad more original. Just a bit. But it did get the point across well enough so I can't really be upset.
Again with the background characters. It wasn't bad, but where's the RAGE?!? Where is the sheer chaos? It was emphasized later with the battle, but I think that scene with the big reveal needed a bit more violence so show just how unruly the population ended up. It could also make it clear why so many would eventually choose to join Megatron. Give me ONE guy with a Molotov cocktail throwing it at a statue of Sentinel or something. Why not have some of the cogless start attacking their superiors as well as Sentinel's servants, just to show the sheer destruction going on? Please, it would have been delightful and only have taken up like, five second of screen time MAX.
No real complaints about the scene with Orion, D-16, and Sentinel. It was still fast paced, and Orion still felt a bit like a goldfish, but overall the scene was perfect. The pacing is all that made it feel somewhat off.
The birth of Megatron was perfect. Zero complaints.
Once Orion reached Primus's core, the birth of Optimus gave off "Meeeeeeeegatrooooooooon~" vibes from the TFP Movie (Thank you Unicron. Love the voice acting man). Alpha Trion's voice was not doing it for me. It made a grand moment rather cheesy. Personally I think Orion needed whispers, echoes and flashbacks to go along with D-16's increasing violence and declaration. It would have been the perfect time to throw that flashback from the closing part of the film in. Let Orion see a ton of rapid images of him and D-16 along with increasingly loud whispers from all the Primes, cumulating in "Arise, Optimus Prime." Maybe even chuck in visions of the dead Primes, showing bits of their lives as a way to nod to the knowledge contained within the Matrix (if this continuity is going that route anyway. If nothing else, it would look cool and allow each Prime to meet Optimus in a natural manner during his creation). Additionally, that way Optimus can maintain a hint of mysteriousness but also grandeur.
Optimus flying up to the surface like superman.
I get what they were going for, but it was a tiny bit silly. I think it would have been grander for Optimus to have taken a bit longer returning, simply so that he could have the very earth part for him Moses style. I am not entirely sure. There isn't really a right way to fix this scene in light of the time constraints, and frankly the sonic shoot up to the surface did look cool and served its dramatic entrance purpose. I don't necessarily dislike it, but given the opportunity, I would have gone a slightly different route.
No commentary on the battle. It was perfect.
Again, Megatron's character arc was seriously rushed. He needed far more time. I adore him in TF One. He's quite literally the best character in there. But everything leading up to his final moment was rushed and it left me feeling unsatisfied at the end. There was plenty of foreshadowing in small ways, but those didn't start happening until the hour mark, give or take. Also, Optimus banishing Megatron from Iacon?? Why just Iacon??? Where the heck are the other cities?? Do they exist?? I'm spitballing but the whole scene felt ever so slightly off. Megatron limping into the distance didn't feel quite right. I honestly think that in exchange for wounding him, Optimus should have gotten a scar somewhere in return as a reminder of his cause. Megatron got Megatronus's face burned onto him. Let Optimus get a similarly noticeable marking, that way both players show a mark of their fallen friendship.
Sidenote: How does ANYONE know how to fight in this film?? Sentinel, the High Guard, and those with T-cogs makes sense. Orion? Sure. He did a lot of rough housing. Elita? Maybe. Hard to tell with her limited background. But D-16 and B-127? The rest of the cogless? Where did they pick it up? Its a recurring problem. And how does the crew improve so fast? I mean, they know how to fight with their big ol saws from mining, but we don't get to see in anyone except Orion so its hard to believe anything. We are never given a solid time period between the journey to the surface and then back down again, and really I think some of that travel time should have been spent with the group sparring or otherwise bantering about their backgrounds to lay the groundwork for their skillsets.
Regarding the final scene of the film, its really bad. Painfully bad.
(I would like to throw Elita off the nearest structure thank you.)
I get that they are laying the groundwork for more movies, but the flashback was quite forced. It was cute and absolutely had a place in the film somewhere, but not right there. It didn't feel quite right, or at least not with how it was edged into. The narration was just... weird, to me at any rate. The T-cogs being distributed was cool, certainly. But it raises many questions about the logic of it all. It feels dues ex machina. Not in a good way either. Not saying it wasn't cool, but it did feel forced. Like a participation trophy. I would have loved to see the cogless remaining that way and having to collect cogs from wherever Sentinel stored them, or otherwise take them from the fallen. That way they could have more diversity going forward.
That whole ending bit with Optimus and the Autobots running into the sunset was stupid. There is no other way to describe it. The scene gave nothing to the film and I think it would have been spent far better if we saw Optimus and Megatron both gathering their armies while the Quintessons loomed overhead. Megatron watching his warships be built and then him looking up at the sky. Optimus gathering up the cogless and helping them get their T-cogs via Matrix and then also looking upward. Only to then have it end with the Quintessons looming above.
The Quintessons were so underutilized in TF One it wasn't even funny. I don't even really know why they were there. I mean I understand they had to exist for war reasons and Sentinel and all that. But if they are such a threat, then they need to either be driven off so that the Cybertronian civil war can happen, or they need to make themselves everyone's problem so that Optimus and Megatron's spat looks all the worse for the planet.
There needed to be more for the Quintessons. They needed to have played a bigger role or to have been somehow removed from the playing field by the end of the film. Even one scene with them seeing Sentinel falling and then opting to get the heck out of dodge would have served well enough. But they didn't. And for that reason they are just... there. Letting their prized slaves rebel. They won once against all the Primes. Why not do so again?
Also why do they want the energon??? There are too many questions right now and not even the barest inkling of an answer.
The Characters
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(A look into every character of note + my edits to their development in the film.)
Orion Pax/Optimus Prime:
Orion's character is quite well done. He has goals, morals, and a personality that shines in the right environment. His adventurous spirit gives him life, and his desperate desire for something more makes him compelling when he's given the opportunity to really flex his morality muscles. He has a bit of fight in him, an eagerness to improve and assist those around him that makes him lovable and fun. Every moment he was on screen was a delight, and there was never any point where I directly despised his presence. He had moments of greatness, and moments where I would have preferred someone consulted Peter Cullen for advice on scenes where more Optimus was meant to show. His arc was steady, but it didn't move quite fast enough to match the pace D-16 set with his rise (or fall). It was clear Orion was meant go from largely trying to become greater for his own personal reasons to instead fighting for something more than himself. The creators were attempting to broaden him, give him more to fight for and more to lose. They were well on their way to doing that, but Orion's arc simply did not move fast enough, leading him to end up feeling a bit static while D-16 steamrolled ahead.
To adjust him, all I would want to see is for Orion to be shown having a more solid reason for his goals. Instead of just wanting to help, perhaps have him witness a hint of the mess on the surface at some point in his youth. Maybe he could mention it to D-16, saying that when he was newly forged, he either witnessed a record or saw a peek of the surface or perhaps some other Quintesson related thing to get him to feel a degree of investment in trying to help. Maybe he found the surface lovely and wanted to travel there. Maybe he heard legends of the Primes and particularly wanted to see them and make sure that they really had fallen. He either needed to show a level of devotion to the cause to match D-16's love for Sentinel and Megatronus Prime, or he needed to be skeptical. I would have loved to see Orion doubt, simply because no bodies of the Primes were ever recovered and old records did not mention the Matrix passing on (or perhaps he is skeptical in general). Whatever the case, giving Orion this foundational skepticism or believe would have allowed him to be more compelling when the truth was revealed.
Then, to match D-16 character arc, Orion should have started to try and take a commanding position earlier. Perhaps he could feel just as betrayed and angry, but instead of being more passive like in the film, his anger could instead be directed as the Quintessons who allowed things to happen as they did. Maybe Orion could feel loyalty toward his people as a whole, making him want to do things correctly and rally his kind together for the sole purpose of ensuring no other could ever enslave them, directly contrasting D-16 who was off to kill Sentinel for arguably more personal reasons. Making Orion care more about the people as a whole, knowing that they have all suffered under the threat that is the Quintessons, all the while D-16 cared more for his specific group of fellows... yeah it would have been delightful. Just, having Orion focus more on the bigger picture as the movie progressed, leading him to maybe mistreat D-16 a bit in his haste to spread the truth rather than get rid of the source of the problem. This way both Orion and D-16 could be given depth, since arguably, both are right in their approaches.
These are, of course, vague edits. And much like D-16, there isn't a ton I would change for Orion. He just needed more time on screen, and more opportunities to be presented with moral challenge and/or chances to lead.
"The line between friend and enemy is not as clear as I once believed. Once it's crossed, there's no going back, because some transformations, are permanent."
D-16/Megatron:
D-16, and later Megatron, was by far the best developed character in the entire movie. A very good thing considering the film is his origin moreso than anyone else's. He had the most growth to go through, and my goodness he went through it fantastically. He started off somewhat meek, mild tempered, and cheerful. He was a normal bot, one just happy to go about his life and enjoy his few passions as an average civilian. But as the film progressed, his character shifted from one of fun and adventure to anger and betrayal. One lie after another stacked up, slowly breaking down his innocent belief in everything he held dear until he had nothing left to stand on. All he could do was direct his anger at something, lest he lose himself entirely. His reasons were all justified, and you could see the way his morality shifted between "I want him in chains" to "you need to get out of my way, before I move you myself." and it was brilliant. Everything about his arc was well formulated, at least regarding showing his shift in character.
All I would have changed is the rate at which he changed. It was very fast paced. And from what I gather, occurred over the course of maybe a day or two. Crimes of passion are a thing, and some change really does happen that quickly, but D-16 needed at least a few more scenes of moral debate. Perhaps a scene in the beginning where he makes a simple choice that Orion's agrees with and then a very similar scene later where he goes directly against his previous choice. He should have been shown arguing with Orion more as the film progressed, and over more and more serious matters. Perhaps it starts with the map, but as time goes on, it starts edging into who to kill, who to suppress, what path to take in laying siege to Iacon, etc. That way D-16 moral shift can come a bit more naturally when he finally beats the snot out of Starscream and later kills Sentinel with no remorse.
D-16, and later Megatron, is a delightful character. There is very little I would change for him. Above all else, he needed more time on screen to shine, and I think that's the best possible critique there could be for a character.
"The age of Primes has ended. No more false Prophets. Follow me, you will never again be deceived! Rise up!"
Elita-One:
Elita-One is the worst offender in the entire film when it comes to horrible character. Where others lacked personality, she got far too much and absolutely zero development for it. She came in arrogant and came out just as if not more so. Obviously, the creators were aiming for her to be a foil for the boys, trying to make her into a more stable and commanding counterpart to Orion's, and later D-16's, rebellious nature. But her extreme arrogance, snarky attitude, and little to no love for anyone else made her presence grating. There wasn't enough of a relationship between her and the boys for me to see her in a more familial light for them, nor was there enough of an indicator of rivalry for her viciousness to not be annoying in its presentation. She was mean, bitter, and overall a pain throughout the entire film. And while there were reasons for those traits to be presented initially, they were obtrusive and took away from the film since they were never again addressed or given proper conclusion. Elita-One had no character growth, and as such, she leaves a bad taste in my mouth. Her relationship with Orion in particular was agitating. She had a backstory at least, and it did contribute to her character, but it didn't help to differentiate her a ton or warrant her arrogance, unfortunately.
Elita-One needed a reason to be so confident in herself that was visible to the audience, not just her forcing her crew to repeat her greatness. Arrogance can be done well, as seen with Starscream and Knockout in TFP, but Elita's just came off as annoying at the best of times. To adjust her character, I would have pre-established her relationship a bit differently. Instead of aiming to be supervisor, she should have been one already. To make her arrogance less annoying, she should have been shown as being affiliated with Orion before her demotion, perhaps as the one letting him get away with all his shenanigans. That way her arrogance plays off as her bantering and simply noting her station, and maybe she flaunts it around a bit, having Orion do her random favors since she won't go breaking protocol, but she knows he will. Their relationship could be one of mutual benefit, perhaps even hinting at Elita having used Orion's help to achieve her station at some point. That way they can be vaguely affiliated and their power dynamic can be somewhat equal since Orion offers a service and in turn, Elita covers his back when he decides to go and wander off.
If the creators wanted to go the ship baity route, or even just make Orion and Elita closer, it could be a thing where Elita was an old friend of Orion's who simply drifted apart after her rise to supervisor. Instead of being harsh with him during the mining scene, she could offer to speak later. Their entire dynamic could be that of ancient friendship, older than even Orion's and D-16 connection. Maybe they were in training together. Perhaps they were on the same mining crew for a while. Whatever the case, making Elita a bit nicer would go a long way, especially if she attempted to cover for Orion yet again after he broke protocol to save Jazz. She could try to cover for her old friend and be punished for it, making her less willing to help later in the movie when her aid is needed once more. Her character could go through serious growth because of this.
Additionally, if this were to be how her character played out, when she's brought to the surface, her lingering arrogance can be crushed like a grape in the unfamiliar environment. Where she once looked at Orion as a bit of a nuisance due to his habit of going places where he really shouldn't have been, she can now appreciate his skill and support him with her own. Maybe as a former supervisor, she's the only one who can read the map accurately, but for that same reason, she has very little skill in traversing the land and translating old indicators on the coordinates. That's where the boys could step in, helping and offering their skills and in turn showing Elita that while she's not the best and never will be, her skills are valuable when applied correctly, just as her companion's skills are as well. They could play off each other in a more meaningful way, helping Elita develop a healthy relationship with her companions and her ego. By the end of the movie, she could end up a bit more like Skybound or Earthspark Elita-One, confident and competent, but mature enough to know when to let someone else take the lead and when her job should be to play support.
She could even serve as a bit of an echo of Megatron, starting off where he ended. Anger, passion, and of course, arrogance. Then slowly she can learn to mellow a bit and apply herself in a far more productive manner. This could let her relate to D-16 as he starts to crumble, giving her more of a reason to be invested in him since as she improves, he starts to fall to pieces. There are many ways she could be played, but more importantly, she needs to be showed having actual chemistry with her companions and changing as a character into someone more mature. She's not a bad pick for a character, but she needed to be tempered, a lot.
"My point is, that your instincts tell you to break protocol for a reason."
B-127:
B-127 is a character that, on his own, doesn't really have a purpose being in the film at all. He's comedic and does show the beginnings of maturity in more serious moments, like when he and D-16 are captured. However, he lacks substance. He's fun, he's peppy, but it feels like a lot of the basis for his presence hinges on old and new fans recognizing his paintjob and knowing who he will become later down the line. He's a rather shallow character, which is not a necessarily bad trait since Sentinel pulled it off brilliantly. But since he is meant to be a main character in this film, I would have preferred he be given a more solid foundation. His actions are fine, his personality is acceptable, but he needed more to work with, a reason for his behavior if you will (since he can't exactly have a reputation to run with, being on sub-level 50).
I think the best way to have introduced him and given him a foundation would be to foreshadow the sub-levels. Perhaps have it be noted that bots go down a few levels and never come back, unfortunate miners who mess up one too many times. (maybe D-16 reminds Orion of this potential fate). Instead at staring at smelters, B-127 could be introduced as a scavenger. Rather than be down so many levels doing essentially nothing, perhaps show him weaving through discarded rubbish in huge heaps before they can be incinerated, taking bits and pieces that he likes. This way his random assortment of knowledge can make sense. It can explain his madness in a slightly more believable manner. Seriously, if B-127 knew how to get out, why wouldn't he leave at some point to seek out companions? Better it be that he's trapped, and now that he's got new companions, he feels totally fine accepting them and showing off his collection of trinkets since they are all prisoners together. He could state he's been down there for a very very long time, maybe making him the oldest out of the eventual group of four. This would explain why he has the plot device later, and if he shows off more confidential reading/viewing material he's collected, his knowledge base and animalistic fighting style make more sense.
It would give him a foundation as someone more feral, easily surprised, and excitable. It would give him unique skillsets, such as scavenging and self repair. If needed, he could even be the team's makeshift medic. Maybe B-127 could even have a broken T-cog instead of missing it altogether, showing that the practice of removing a cog was imperfect for a time, and since his removal failed, they disposed of him. Yet another hint of what is to come. His introduction scene would be about the same length too, since all that would change is the setting. It would also give all three time to bond since B-127 doesn't know how to escape, but has resources, which would allow D-16 and Orion to put their heads together to get them all out. It would also create a sense of loyalty for B-127, encouraging him to stay with the group. No changes need to be made to B-127's personality, just a shift in scenery.
"Are you serious? This is the greatest day of my life! I get to work for the government!"
Starscream:
Starscream's appearance in this film, much like Elita's presence, served little to no purpose. He existed purely to provide D-16 a chance to exercise his brutality and growing passion for rebellion. However, with what little time he had on screen, he presented an incredibly unique version of the character. Gone was the cowardly behavior seen in almost every single Starscream to have ever been produced. This Starscream appeared to be a highly competent character, willing to fight and die for his cause. He showed determination, energy not seen in any other Starscream. I can't exactly say he was the most intelligent character, a shame considering his station. But the embers of something more that he presented were fascinating, and in my opinion, a delight to witness.
I would have liked to have had his foreshadowed earlier. Personally, I think a great way to have hinted at his presence would have been to make him a bit of a martyr. He could have been blamed for the betrayal of the Primes, with Sentinel pinning their fall on the High Guard and Starscream in particular. That way, he could have been foreshadowed via D-16 absolutely hating him for his "betrayal" and also served to hint at the High Guard's power later. Additionally, if Sentinel made it so the High Guard looked like they'd sold out to the Quintessons, him going to the surface would be even more "Dangerous" since he'd be fighting "traitors". All the more for him to have lied above, and more to keep everyone off the surface.
Bonus if Starscream actively has a warrant out for him, as evidenced perhaps by chatter from background characters or maybe even Darkwing calling D-16 and Orion Pax "High Guard/Starscream sympathizers" for their rambunctious activity. Through this slight shift, Starscream's later appearance could be far more meaningful and make him an ally of note, especially if its mentioned that he and his people have been attacking energon trains for sustenance and to mess with Sentinel. Starscream's intelligence can be shown, as can his former ties to the Primes, all by adding a line or two depicting his presence.
"Two options for you! One, we slowly dismantle each of you one bolt and screw at a time, and really make sure you feel it. Or two, in exchange for a quick death, you give us intel on the energon trails, access to the mines, or anything else that could hurt your Boss, Sentinel Prime."
Soundwave: Soundwave can hardly be called a character in this film. He exists. That's about all he has going for him. He looks like a taco and has all the personality of one, that being none at all. There was so much potential for him, but he got a grand total of perhaps three lines before he became background noise. Jazz had more lines than Soundwave. Jazz, the cogless background character. We know nothing about Soundwave except the fact that he's with the High Guard and apparently important enough to have been in the records. No explanations regarding his abilities, no backstory, no reason behind his connections. Nothing. He's a familiar name for old fans to gawk at and does little else.
If Soundwave is going to be in a film, I feel like it is law for him to play at least a semi-important part. Even if I didn't know Soundwave from other continuities, he would still be seen as highly underutilized. Personally, I think he would have done so much better serving as an agent of Sentinel Prime who turned when he learned the truth. He could have been right at Sentinel's side whenever he was in the city, offering reports on other cities and their struggles to obtain energon but ultimately being waved off. This could help with the small setting feeling and give Soundwave character through his hesitance and concern for the rest of the population. It could be fascinating to see Soundwave loyally follow this Prime, despite his concerns, and then be betrayed with the knowledge that his world and his people have been enslaved by the one he thought was their savior. This way, he would have a very valid reason to hate Optimus when he comes into being, and consequently have a reasonable desire to join Megatron.
"Scanning electrical impulses: He speaks the truth."
Shockwave: Thankfully he's less of a taco. Unfortunately, he only has a bit more personality than Soundwave. We also know exactly nothing about him and he suffers from the same problems as Soundwave personality wise. We've got next to nothing to work with, not even a title. He also comes off as a bit of a potato since the very first thing he did when threatened by Elita of all bots was to bend the knee. It does tell us about him, but its not done tastefully and as it stands, Shockwave has the personality of a small child who got his favorite toy stolen from him.
Much like Soundwave, if one is going to use Shockwave, he has to at least have had some sort of impact in the past, if not the present. I would have liked to have seen him possibly have been the one who assisted in removing cogs from the newly forged. It is an essential part of their structure, so I imagine there is a certain degree of delicacy involved. Or barring that, why couldn't he have been the High Guard's medic or scientist and studied the process and uses of the Transformation Cog? That way, he would have a plethora of knowledge and be very invested in Sentinel's downfall since he knows the truth of the matter. Perhaps he feels guilty for having assisted. Maybe he was banished for trying to do too much. There are a thousand things that could be done with even a hint of such a backstory. Heck, maybe he could be the one to have a small mountain of cogs to offer cogless bots during the battle against Sentinel. Or if we want to maintain the emotional value of the bots fighting without their cogs, have Shockwave offer up images of piles upon piles of destroyed T-cogs or something for evidence. There is a lot of potential for him that was never realized, and all it would have taken is a line or two to establish him and his usefulness to the Decepticons later.
"He wouldn't stop talking."
Sentinel Prime:
Sentinel's character was, quite frankly, delightful. There were no redemptive qualities about him, and I personally found that to be perfect for his character. He was cruel, prideful, vicious, arrogant, and everything else I expected from a cliche villain. And yet, despite being cliche, his voice acting combined with his stable character portrayal always had me adoring how terrible he was. Whenever Sentinel came on screen, I was excited to see him because I knew how he was going to act, and I was thrilled to see it play out every time. I knew his personality, and yet how he went about his activities always exceeded my expectations. Personally, I adored how smug his dialogue was, right up until the very end of his life. It sold him as being the worst, even if he wasn't breaking any new ground with his character. Sometimes you just need a character who sucks as an individual. I appreciate that the movie was willing to make him irredeemable, unlike other iterations of Sentinel Prime who at least had a slightly non-selfish hidden motive somewhere in their backstory. There's nothing I would change about him, not in the slightest, at least not without adjusting the entire movie and rewriting it from the ground up. He fits. Simple as that.
"What truth? That I plucked your cogs from your newborn chests, forced you to mine so that I could pay off the Quintessons, and live like a King?"
Alpha Trion:
Alpha Trion was a fascinating character with so much potential history and lore attached to him. I am quite sad he didn't get more of a chance to shine, considering his past and his status as the last living Prime. He did serve his part in the movie, quite well might I add. But he could have had more. He was so very tired sounding, lost even. He seemed to care for our main cast and offered so much wisdom, and yet had so little time to actually impress it upon the main characters. He died with honor and what times he did have the chance to speak were well put together. However, I would have liked to see a bit more of him, personally. A bit more character, spice if you will.
I would have given at least one digit on my right hand to see him train our group of four, or at least begin guiding them back to Iacon so give them more time to talk. His presence could have accentuated the fallout between Orion and D-16, showing their shifting ideals when compared to the pure goal of Alpha Trion. Perhaps he could be the one to try and guide the group into working as a cohesive unit. And perhaps his slaughter could be one of those things that drives D-16 and Orion apart now that they no longer have a stabilizing force to keep them from arguing over what to do with their evidence. Honestly, I'm thinking something Uncle Ben combined with Uncle Iroh for Alpha Trion would have been a perfect way to introduce him, make use of him, and ultimately offline him in a meaningful manner. But again, time constraints are a real issue and I understand the problems the movie had giving everyone time to breathe.
"I failed you, old friend. You deserved so much better than this end."
Arachnid: She's a fascinating character who I personally would have loved to see more of. The times she turned up on screen were always noteworthy, and the fact that her intentions were largely unknown gave me a feeling like she was this movie's Soundwave. She didn't need too much development because her role in the movie was perfectly structured. She was Sentinel's right hand, his eyes and his hands. She is a perfect example of a character who doesn't need much exposition or backstory simply because she fulfills her role perfectly. We can make assumptions and still have room to speculate, but her character doesn't feel like a vacuum or like its missing some grand piece. Would I have appreciated a hint more for her thought? Yes.
Personally, I think hearing rumors of Sentinel's frightening right hand might have given her the final touch she needed to be a solid character in my book. Just some bots being in awe as she walks by with Sentinel, or perhaps Orion recognizing her from some old text from the archives. That way she could come onto the scene with a reputation. Or barring that, a sense of dread. That said, I did enjoy her introduction and I have no real critiques of her. The character is built well for the time she's on screen. I enjoyed her far more than I did Elita-One which should tell you all something. A girlboss character can be done well. Look at Arachnid and her combat prowess and intelligence. Elita was just a poorly done, slapped together attempt at giving our main cast flavor.
"I see everything."
That One Random Quintesson: It looked neat. Very intimidating in its own weird way. Certainly uncanny considering the metallic scenery. Could have used at least a line or two to sell the evil. I personally would have paid money for the Quint to talk in gibberish and for Sentinel to somehow understand because that would show just how long he'd been working for the Quintessons.
Jazz: We saw him a grand total of perhaps five times and I love him. No complaints. He's very Jazz and maintains his Jazz attitude throughout every single scene he turns up in. I especially love him during the scene where Orion rallies the cogless. He looks so confused and yet so happy later one when he gets his Transformation Cog.
"Little? There's nothing little about you."
Darkwing: DARKWING DUCK- I'm kidding. Darkwing's character had little to no depth, but he served perfectly fine considering his role in the movie. An aggressive enforcer of some variety, evidently high ranking enough to be in the Iacon 5000. He's got enough flavor to him that I'm sure someone in the fandom will decide he is their blorbo and run with it. He's not breaking any new ground, nor are his lines anything noteworthy. He simply is, and considering his role, it suites him.
"You are no cog bots with limited options. Report to waste management immediately."
Background Characters in General: Nothing really of note. They existed and served their purposes. I appreciated the fact that no two bots were the same appearance wise. It made Iacon feel more lived in, a trait desperately needed considering how small the world felt. Seeing so many familiar faces was fun.
The Plot
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(An assessment of the story overall & its holes.)
The plot was fantastic, at least with all the random unneeded scenes not considered.
There were quite a few themes present, most of which were at least touched upon. Honestly, the journey to discover the truth was a wonderful overall plot. I have very few complaints about the way the story set out. Two miners who, by accident, are cast away and gain an inkling of the truth. This in turn sending them on a quest to uncover said truth, only to have their worldview shattered. It's simple, and at the end of their road, their differing ideas regarding what to do with the truth are what drive them apart.
There are some things that don't add up, such as the time it takes the crew to actually get from Point A to Point B at any given part of the film. Time is a real issue in the movie. If we had only been given the illusion of more time passing, some of the pacing issues might have been less in our faces. Additionally, there are a few inconsistencies.
The boys being chucked down fifty sub levels because the plot needed it to happen. The plot device just happening to be there for reasons. How B-127 and the boys know how to get anywhere is beyond me. Elita being at the exact train they need to board at the exact right time is a bit off. The t-cog situation is interesting and I can't help but wonder how that whole mess really works. The High Guard popping out of the ground like cabbage patch kids. D-16 suddenly choosing to betray his best friend for reasons that were not given enough time to justify.
It's just a lot of smaller things that added up, when combined with the pacing, to create something a bit off. However, overall, the base story attempting to be told is very solid, only needing to be tweaked and refined to add further depth and give characters reasons to be there at all.
A very solid 7.5 - 8/10 movie when viewed overall.
The World Building
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(Current questions & Information + musings)
Cybertronians don't bleed, unlike other continuities.
I find this fact downright fascinating. When characters are killed, they don't bleed. TFP bled, pretty sure other continuities did as well. Except for G1 at any rate. It's an interesting take since energon appears to be a liquid, not crystal, on this new version of Cybertron. That leads me to believe that it must be pure energy since the moment it is taken in, it appears to go straight into powering the bot in question, rather than flowing through their veins. They are far more machine like, and I have had that fact grow on me a lot. Less alien, more mechanical.
The cogless had their cogs removed before coming online. Where are said cogs now?
It really is fascinating to think about. Sentinel had all of these T-cogs removed, presumably thousands upon thousands of them. I have to wonder, were they destroyed? Stored away in case on of the bots allowed to have their cogs needed a new one? If they were thrown away, how did no one notice or snag a few? There are many questions regarding how this big biological aspect of the cogless was kept from them.
Where are these bots forged? No Well of Allsparks was mentioned, at least to my memory.
It was stated that the first Primes came from Primus's core, which adds up since they are the closest this new continuity has to demi-gods. I would say that it would be likely that bots just clamber on out like the Primes did, but considering how fricking long that fall was for Orion, I have my doubts. Personally, I'm thinking this continuity probably is going the hotspot route where bots just kinda pop out of the ground in certain places. They obviously aren't climbing since they weren't online for their T-cogs to be removed. That leads me to believe that they likely form in hotspots and are cultivated until they are ready to come online. This would give Sentinel plenty of time to do a little removal all easy peasy.
Cycles are years. Days are days.
Interesting take on time, but ultimately kind of useless on its own. Lots of human time terms are used, so it seems cycles is just in there for alien factor. A unique take all the same though. I like it.
Primus is mentioned and acknowledged, but there is no mention of Unicron whatsoever.
It's really quite fascinating, but not particularly surprising considering the setting TF One takes place in. Many bots are uneducated, and with the fall of the Primes, it could very well be that no one knows about Unicron anymore because the threat he posed paled in comparison to the Quintessons. It could also be that Sentinel might have had any records about him removed in order to keep the population afraid of one threat, rather than many. It's not as thought Sentinel can deny Primus exists. But Unicron? Can't see it? No need to believe it. Still, it will be fun to see if Unicron ever comes up.
The war with the Quintessons is stated to have gone on for thousands of cycles, and yet there are few ruins. Just how devastating was it? How powerful are the Primes?
I am of the belief that long ago, Cybertron was an empire. There were cities everywhere and the surface was most likely covered in defenses. Most likely, the Quintessons whittled away at Cybertron's surface population, hence the war going on for so long and the people retreating underground into their creator's shell. The Primes appear to be powerful, but they were most likely scattered across the surface to try and limit the damage done by the enemy. The war was likely very close to be lost after millennia of being continually under siege when the Primes finally fell. In a sense, Sentinel likely did buy Cybertron time, but he also doomed them by destroying what history they had that might have helped them.
Are there other cities on Cybertron? There has to be, considering how large the planet is, but the offered energon to the Quintessons tells a different story. What happened?
We don't have enough information to make a good guess, but I personally believe, as stated above, that most cities were likely wiped out. Those who survived fled underground, meaning that most cities are either few and far between, or they are so sprawling that 'Iacon' encompasses far more area that we are led to believe. The offering of energon could have possibly been so small because it has been so long. Maybe, once upon a time, the offerings were far larger since more cities could bring energon in. It's hard to tell.
Is Cybertron in a post apocalyptic state?
I think so. Considering the ruins on the surface, the suppression of the masses, and the struggle to get energon, I do think that Cybertron is sitting in such a state when the movie is happening. The setting scene in Transformers One, and Iacon in particular, appear to be the last gasp of a dying race after what could have been a siege lasting up to thousands upon thousands of years.
T-cogs evidently have a certain amount of biological alteration involved in their acquisition.
This can be seen in Megatron when he takes Megatronus Prime's T-cog. Personally, I think this says something about the use of a T-cog. Some appear to be more suited toward combat whilst others have other uses. It appears to be Cybertron's version of the genetic lottery, since up until one gets a T-cog, it seems as though it is quite impossible to determine alt-mode or abilities. Look at Jazz. He didn't get his little door wings until after he got his T-cog. This has a lot of implications for T-cog inheritance too. Is that a thing that can happen? Does it affect various bots differently? Many many questions.
Does the T-cog have an effect on the mentality of those who inherit it? Was Alpha Trion aware of this when he chose which T-cogs to give to the crew?
I honestly think it's impossible to know at the moment. We don't have enough lore to make a solid assessment. But I would like to think it at least has some effect on the bot in question when they get a T-cog that was not originally theirs. Again, look at Megatron. Maybe Alpha Trion selected the Primes with the most adaptability for a reason. Perhaps some of those latent traits present themselves in their new wielders. I don't know, but I would very much like to.
Cogless bots are essentially children.
They are smaller, slower, and from the looks of it, less liable to fight against those larger than them (although that could just be common sense.) They don't appear to be less intelligent or anything, but I do imagine the T-cog is a sort of wakeup protocol for bots. It diversifies them, allowing for specialization. So yeah, from the looks of things, they might as well be children frame wise.
No noticeable spark chambers. Instead, we have the slot for T-cogs.
I find it downright fascinating that instead of having a way to expose their sparks, the TF One bots instead expose their slot for their T-cog. There's not a ton I can gather from this lore except for the fact that this must mean sparks are likely farther into the frame and more protected, and like a human heart, probably not meant to be seen.
(Also the smut writers are going to have to get creative)
There are different Primes this time around. Still Thirteen of them, but a few old and new faces from various continuities.
I have no clue what it implies for the most part, but from the looks of it, we aren't going to have an IDW/TFP Arisen any time soon. All the Primes are named, have faces, and are confirmed to be dead. There's no mystery here about some secret resurrection Prime goofing around in the background. I like it personally, even if it does limit the more mythological aspects that could be present in this new continuity.
There don't appear to be any sort of familiar or mentor-mentee social structures on Cybertron. We also don't see anyone who acts young enough to possibly be newly forged. Does this mean everyone comes online with basic knowledge? Or are they put through bootcamp before even entering society?
Again, I'm thinking the bots are raised like cabbage patch kids, grown and watched over wherever they form until they come online. Then, most likely, the cogless just kinda figure it out, IDW style. Same goes for the rest of the population.
How are the cogless selected for their fate? Is it random since Sentinel removed their T-cogs before they even came online?
It's a good question that I would like the answer to. Most likely, it's a numbers game. Special traits don't appear to present until a bot gets their alt-mode, leading me to believe that the cogless are selected based purely off how many miners are needed at the time.
D-16 gained a weapon via being angry. Do all bots have that? Is it a stress response? Or is D-16 special like that?
Again, the T-cog question. It feels like it's related to biology somehow, but I don't have enough info to make a solid guess.
The Matrix is referred to as an entity. Why is that?
No bloody clue but I really hope the dang thing talks or has some sort of unique ability aside from being an extra battery that gives Optimus a really cool axe.
The bots have eyelids and tongues.
It makes sense that they have them. I just think it's neat.
Some bots have real names. Other do not.
I have no clue what this implies, but I am running under the assumption that there is either a criteria to meet to get a name, or bots just pick their names and roll with it.
The Ending + Implications
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(How I think things will go from here in future films.)
The ending scene was ridiculous and felt chucked in there above all else (note: I am referring to everything after the t-cogs are distributed). However, it did offer a hint of insight into what is coming in the future.
Based on what Transformers One presented, and the fact that it has been stated that it will (if all goes well) be part of a trilogy, I have a few predictions for the coming films. Of course this is all speculation because the movie ended on a rather open ended note without much foreshadowing for what is to come, at least on the surface. So take this as my musings above all else.
Firstly, the Quintessons are going to be removed or otherwise sidelined as a threat. Optimus's line regarding the Quintessons at the end of the film leads me to believe that they were more of a plot device than anything else, and I expect them to become even less prominent going forward. I simply cannot see them being the BBEG of the trilogy considering the layout of the movie. Although it is very possible that they could serve as a minor antagonist to push the war along in later films.
If things continue as they are and the creators keep to the origin story vibe, then I see the second movie as likely focusing heavily on the war and its rapid fall into sheer chaos. I expect it to be fast paced, just like Transformers One. So quite likely, it will be a series of battles, schemes, and Megatron marching his armies while Optimus desperately tries to rally his people and fight back.
The second movie will probably be split between Autobot and Decepticon perspectives, Avengers Civil War style if I had to guess.
We will likely see Megatron gathering troops and capturing territory while Optimus fortifies what land Sentinel previously controlled in order to try and limit conflict (and promptly fail).
Optimus will go through some arc or another that gets him to fight seriously, but considering this is Optimus, he is probable to maintain his attitude of 'I can fix him' at least to an extent. Although, considering how he sent Megatron away, we may be surprised going forward.
We are going to be introduced to key Autobot and Decepticon characters throughout the second movie. Prowl, Jazz, Ironhide, Arcee, and others. Starscream, Soundwave, Shockwave, and the rest will likely get actual development.
There will probably be at least one peace talk that goes south the instant Optimus dares to breathe in Megatron's general direction.
Elita is bound to get more screen time than she deserves.
Bumblebee will earn his name and either have his voice taken from him, or he will end up forcefully silenced through some other means, perhaps a vow or trauma. Depends on how mature the creators want to make him in the future.
Megatron will probably end up seeing Orion as having died in some capacity, either that, or he will see everything Optimus stands for as a betrayal of their shared history and a insult to the suffering of the cogless.
The third movie will likely end with both factions abandoning Cybertron during a great exodus (if they are trying to follow G1/comic canon vaguely.) I simply don't see the films moving to Earth since that's been seriously overused over the past twenty or so years.
I anticipate the introduction and or the alteration of previously well known characters throughout all the films. Since the creators have been willing to adjust the origin as much as they have, nothing is off the table.
Those are all the predictions I can make at the moment considering there has been very little to work with foreshadowing wise.
My Suggested Adjustments
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(My thoughts for an ideal TF One which stays within the time limit, keeps to the established plot & acknowledges the future existence of more films.)
Now, again, before I begin my edit rant, I will try my very best to keep to the plot of the film and not go off track. I will be offering edits, not a rewrite (yet). Also, most of this is just musing and things I would like to see, not professional writing. Take with a grain of salt. That said, here's what I would adjust.
I would add a few lines of dialogue during D-16 and Orion's chat on the train to hint at Orion having a fascination with the surface and/or skeptic attitude toward what they've been told backed with a desire to check things out for himself. This would be just to build a little extra character. Additionally, during their chat, D-16 can remind Orion that the surface is dangerous not only because of the Quints, but because the traitors are up there. The wild High Guard, now gone mad. Orion can wave him off, stating he's not going to become like Starscream before moving onto his discussion about how he has a feeling like he's meant for something greater. The conversation can then continue as normal.
Remove Elita from the mining scene in the beginning. Have someone like Ironhide be the team leader so that his gruff personality can really drive home just how dangerous their job is before they even get started. Instead of Elita's rant, Ironhide can again remind his group about the risks of their work and maybe even discuss how someone got his or her lower half crushed in the last tunnel collapse. The group can then rush to get to work, with D-16 and Orion being all buddy buddy about it. D-16 and Orion can greet a few of their fellows, maybe assisting a bit in order to bring in more familiar faces. A brief pause can occur for Elita to look down on the group from her position overseeing things. She and Orion can share a brief look/nod/salute/gesture that D-16 can then mock and Orion can use to remind his brother in arms that Elita is an old friend, nothing more thing less. Elita can then call down, ordering them to get a move on before they get in trouble. Ironhide can then get the group hustling into the tunnel. This would solidify Elita's place of power while also introducing other characters and the harshness of the work.
The mining scene can go on as usual, but when the rescue happens, Elita can jump down and order Orion and D-16 back, maybe yelling something like: "Pax, D-16, pull back! I won't ruin my record with three deaths in one day!" in order to cement her deep care for her position. And once they make it out safely, Elita can check Jazz over for a moment before getting in Orion's face, D-16 probably trying to not be involved. There they can share some dialogue that shows Elita's exasperation with him, but also her fondness. Perhaps something like this:
"How many times have we done this Orion? I can't keep letting you break protocol!"
"Even to save a few lives?"
"We are miners. Danger is part of the job. Your recklessness is a liability."
"Even though it saved you from that tunnel collapse last cycle?"
"That is beside the point Orion, and you know it. You really need to develop some self-preservation skills."
Then of course Darkwing can jump down and fire Elita, only this time instead of being as sudden as it was in the original TF One, Elita can instead be fired for letting Orion and D-16 off yet again AND sustaining an injury to her team (RIP Jazz's leg). She can fight back, saying that lives were saved despite the breech of protocol. Darkwing can then shoot her down again even when Orion steps up to try and take the blame. This way, Elita can have the final straw moment with Orion, her expression being bitter as she has her rank badge ripped off. Her dialogue with Darkwing can hint that this is not the first time she's let things slide, hence the demotion. She can look at Orion and D-16 in sheer anger, shaking with rage as she murmurs about how hard she worked for this position before shoving past both of them. This would make her less agitating as a character but still give her ample room for snark and anger while maintaining a connection to our main cast.
When Sentinel gives his message to the people, D-16 can get just as excited TF One canon, but Orion can be a bit skeptical. The scene with Elita can influence him, making whatever skeptical nature he'd developed all the more real. Perhaps, as a bonus, Sentinel mentions that the winner of this race will get to request something from him/get a new rank. Seeing this, Orion will then want to get in both to try and prove a point, and to hopefully make it so that he can get himself and those closest to him to a high enough rank to make a difference. His hope could be that if they won, he could request better oversight in the mines and a chance to show their grievances. D-16 can still, of course, not want to be involved when Orion implores him to try and be something greater.
The race scene can stay as is, only changing to show Soundwave AND Arachnid by Sentinel's side. But when the duo are in the med bay, Ratchet can come by to fix these two idiots up. Instead of being cogless, he can be one of the higher ranked bots and perhaps serve Sentinel personally. While Orion and D-16 have their little banter session, he can work on them and probably tell them to shut up before the Prime arrives. Perhaps he also comments on their poor repair, wondering if the mines have medics. D-16 and Orion can state that they do not, earning Ratchet's anger since he assumed they at least had basic health care. Maybe he even tells them to watch their mouths, or perhaps praising them for their stupidity and being mildly in awe of it. This could set him up as an ally later.
The discussion with Sentinel can go as it does in canon, but when he leaves with Arachnid, it can be Soundwave who is ordered to 'remove' them. Soundwave can hesitate, looking at the duo and then at Ratchet would could try to object since he would know what is coming. Soundwave, ever the loyal aid to his Prime, could then call Darkwing in to take D-16 and Orion to their fate. Soundwave can even look genuinely upset at the scene, his fists all clenched up as the duo cry out in confusion. Ratchet can curse, and the scene can end with our two heroes being thrown down to sub-level fifty where no one without an alt mode with wings can escape.
Down in sub-level fifty, it can be a horror show. A huge set of incinerators where huge conveyor belts are transporting waste to the fires without end. Maybe there are even a handful of bodies amongst the mix, miners and other cogless. D-16 can continue to believe it must have been some huge mixup, perhaps getting all angry about it before B-127 appears from the rubbish, looking terrifying and scuttling over to them. He can get all up in their faces, maybe touching them to ensure they are in fact alive before his mask lifts and he goes right into being himself. He can have his nickname moment, but it can be mixed in with him showing the duo around the fires, giving them some warnings like:
"Don't mess with the bodies, those tend to be infected."
"Watch where you step! Don't want to miss energon by accident. It's rare down here!"
"With you two here, I won't have to worry about accidentally ending up on the conveyors while recharging!"
B-127 can ramble for a bit, much to our duo's horror. Then he can show them his makeshift residence, made of trash and other things. Inside can be all sorts of wacky things, including STEVE. As he's showing off his collection and gleefully pointing out things from various cities he's found, D-16 can marvel at a few of the older wartime relics Bee has and Orion can sift through Bee's stack of random reading and viewing material. As D-16 tries to smile through B-127's eager explanations of how he found things, Orion can note the symbol of the Primes on one of the small disks B-127 has. Bee can notice and exclaim how he found it on the body of someone from the High Guard forever ago. At that, D-16 can recoil, but Orion can turn the disk on.
The message can be revealed as normal, and again, Orion can convince D-16 to go despite the threat. Being trapped underground, they decide to give it a shot. B-127 sadly points out that he's been down in the sublevels for actual cycles and he's never been able to get out, not without a T-cog. At this point, he can show off his damaged T-cog, taking it from one of his shelves for all to see. The duo can be quite confused as Bee states that he came online with it broken, mentioning how he felt someone trying to mess with it before he was thrown into the sublevels. Orion's suspicions can grow, D-16 can become more adamant that something OTHER than Sentinel is going on here, and from there, they can use B-127's things and tools to work their way out. Perhaps they construct a grappling gun, or otherwise use old material to tower their way up to a vent on the far wall. D-16 can undo all the screws with some difficulty as the conveyor belts below them threaten to drag them into the fires. But with time, they can quickly crawl their way out, perhaps with D-16 grabbing Bee before he can fall back into the rubble below.
From there, Orion can use his knowledge of all things underhanded to begin guiding them up toward the surface. D-16 can add his input by feeling for wind currents and whatnot. All the while, B-127 can tell them he's heard of a train depot nearby, considering maps and other things that fell into the rubble with him + shaking over head occasionally.
Once they get to the depot, they can try to join the masses of miners loading up the train carts. Attempting to blend in, they grab grates and try to move quietly and just, not emerge from the train once they get on it since they know its heading to the surface. But as they are waiting to load, they encounter Elita. She engages with them, attempting to stop them as a form of retribution and even arguing that she's saved their hides one too many times. Orion, despite his respect for her, pushing his group on. They push past Elita, discarding stealth in favor of leaping into the train before it can take off. Elita, still upset and desperate to stop them from causing more harm, throws herself in after them with the intent to stop them. The doors close before she can, and in anger, she pauses, and books it toward the front of the train to try and halt it. Being smaller and nimble, she dodges attempts to grab at her, even knocking a crate over which hits Orion. As they make it to the surface of the train, D-16 and Orion lag behind, but B-127 manages to slow Elita down by grabbing her leg long enough for Orion to also pull himself up and grab her arm before she can hit them.
Then the traintop scene can play out as normal.
Once they are thrown to the ground, Elita can still get up in Orion's face, but instead of losing her cool, she can instead grab him, take a few breathes, and say something along the lines of this:
"Orion, since they day we met, you've been a thorn in my side. Always getting me intro trouble whenever you decide to run off with your go-bot buddies and make a scene."
"I know. And I'm sorry. But this... this is beyond any of that. We could find the Matrix, Elita. We could do what Sentinel hasn't been able to. We can save our home."
"And that is the only reason I haven't tried to punch you yet, Pax. But if this mission of yours fails, if this is all some grand hoax, I'm taking you and your pals back to Iacon and getting my rank returned to me."
"That's fine, because I quite firmly believe that this is the real deal."
"It better be, or you can bet your bolts I'm never going to let you live this down."
"I wouldn't expect anything else."
Orion and Elita share a moment of reconciliation before they both look over the map together. Leaning on each other for support as they follow the coordinates. All the while, D-16 and B-127 comment on the scenery, and helping their group avoid various hazards. D-16 might even note how there aren't an High Guard rebels, a fact that leaves him suspicious, especially as the group passes through increasingly frequent ruins, all inhabited by the bodies of bots who bear the symbol of the High Guard, or the long dismantled old Cybertronian army. D-16 might even see how it seems as though a few of the High Guard were actively trying to defend civilians, as evidenced by the bodies. This leaves him thoughtful, less angry.
There should be a few flashes of the group taking cover as strange creatures move on the surface. B-127 can pause to gather up some abandoned weaponry from an old base, earning commentary from Elita-One about how she never knew they once had so many cities on the surface. It should be a somewhat solemn march, and as they go, they can practice with their haphazard firearms by shooting as various targets to acquire what energon they can and to scare off random creatures. Orion notes the cities they pass through, listing off names he's read in the archives and being saddened by the fact that they lost so much. D-16 becomes more and more upset as they go, seeing the bodies and wondering why Sentinel hasn't recollected abandoned resources or otherwise given the dead a bit of respect in light of the fact that they haven't seen a single enemy so far.
The scene running from the Quintesson scanner can continue as normal, and the group can rush to the cave as they watch the huge ship loom overhead. The cave scene can also continue as normal, only this time, the group can be even more distraught since they've seen the remnants of their old empire and already have doubts. Awakening Alpha Trion can go as normal, as can Sentinel's discussion with the Quintessons.
D-16 and Orion can get into a slightly more heated debate than normal when they return. Orion exclaims his desire to have the people get their justice, making sure everyone knows their loss. D-16 can agree, but their argument can occur when Orion makes it clear that the people come before getting revenge on Sentinel. This does not go over well with D-16, and although Elita and B-127 attempt to step in, Orion and D-16 begin to argue more furiously until at last, Alpha Trion steps up and pushes them apart gently. Probably saying something like:
"Primus has a plan for all his creations. Do not judge too quickly, instead, act with wisdom and foresight."
Trion can offer the values of his fallen brethren, encouraging D-16 to act as Megatronus Prime would, as a guardian of the people, their voice and their sword. In turn, he can urge Orion to follow after Prima or Zeta, telling him to use his noble spark to be a voice of reason. He might turn to the Elita and B-127, but then he notes that they are low on time. From here, Trion can give the group the T-cogs of the fallen Primes and hurriedly usher them out as Arachnid draws near. The escape progresses as normal, and Orion and D-16 again have their debate. Orion stands his ground a bit longer, showing a hint of anger. But remembering Alpha Trion's words, he consoles himself and D-16 by stating that he trusts D-16, which in turn diffuses the tension.
The group can move quietly, with Elita being solemn and B-127 a bit shaken up. Orion and D-16 discuss what they plan to do as Elita watches for enemy units and B-127 hurries ahead to scout. As they talk, it becomes clear that Orion wants to rally the people and spread the truth first and foremost. Meanwhile, D-16 wants to strike hard and fast, a tactful assault meant to end Sentinel. They can worry about the truth later in his mind. They argue for a while, and as they fight, Orion can get a bit aggressive, leading D-16 to push him. As they tussle, they end up tumbling, and despite both B-127 and Elita telling them to shush and trying to pry them apart, the group are unable to evade the High Guard soldiers that surround them. they aren't given a chance to fight back before Shockwave orders their capture.
The scene with Sentinel and Alpha Trion can go as normal.
The group can wake to Shockwave assessing them, noting that their T-cogs are not biologically theirs. He finds this interesting, and since they are of interest, he prepares to remove said T-cogs/perform other surgeries to see if they are a new flavor of spy. D-16's fears are confirmed for a moment, up until Skywarp and Thundercracker stop him, ordering Shockwave to bring the prisoners to Starscream. The name rattles the group, causing them all to bunch up in momentary fear. But when they are brought before him, Starscream looks at them all in intrigue. He questions them, asking why they were on the surface at all since its essentially a barren wasteland. Shockwave points out their T-cogs, and Starscream finds it suspicious. Skywarp and Thundercracker guard the group, one with a gun to B-127's helm to keep him quiet.
Starscream steps before the group, scarred and battered, maybe even a little sickly looking from lack of energon. The rest of his soldiers aren't much better. He assesses the group before concluding that they aren't spies, merely newbuilds who got too curious for their own good. Not wanting them to go back and spill the beans about the High Guard, Starscream offers them a place as soldiers in his ranks, confirming that they fought against Sentinel, not the Primes. He also makes it clear that he will require the group's information regarding energon, that being his major reason for keeping them at all.
At his point, D-16 can step up, angry and unwilling to serve another false prophet. He refuses to bow to a mech who fled, and then their battle goes on as normal. D-16 proceeds to hold Starscream captive, stopping Thundercracker and Skywarp, Starscream's lieutenants, from acting and ordering the rest to attack. He declares his desire to fight, to strike back against the enemy while they still can. He points out their weakness, their lack of energon, and describes his experiences in the mines. Knowing they served the Primes, D-16 repeats the tenants of Megatronus Prime taught to him by Alpha Trion, rallying the High Guard. The High Guard, seeing his passion, and after watching him beat down a few more bots eager to stop him, agree to follow his lead. Starscream is allowed to live, only because Orion steps up and grabs D-16's blaster. They have a moment of tension, but it fades as D-16 throws Orion off and declares that he knows the mines and can guide them in for an assault on Sentinel. The High Guard, having little to lose and finally having a chance to fight, are eager to serve.
Orion can then step up, upset that D-16 cares more about vengeance than the truth. D-16 states that they can share the truth later, once Sentinel is dead. Elita steps up to calm Orion, urging him to not be rash and compromise. B-127 attempts a similar method with D-16 and urging him to at least take time to plan. Orion and D-16 do not back down, and just as Orion asks for them to at least take time to discuss things, the attack from Arachnid occurs.
The battle goes as normal, but in its aftermath, Thundercracker, Skywarp, and Shockwave remain, along with about half their troops. Elita tries to get Orion up and going, reminding him of how his nature has saved bots time and time again in the mines, and how his instincts brought them there, to their newfound truth. She comforts him with a quick hug, urging him to get back up now that they have information to spread and friends to save. Orion agrees, and speaks with Thundercracker, Skywarp, and Shockwave. He bargains temporary leadership by offering the same information D-16 had, the way into Iacon. The High Guard are hesitant, but they follow if only to have one final hit at Sentinel before their end. They are all sickly anyway, and Thundercracker can note that without Starscream, they don't have much motivation anyway.
The group can board up on a train that passes by, throwing out the crates and loading soldiers instead. Elita takes control of the bridge with the help of Shockwave who guides her through security protocols. When asked how he can do that, he simply states that he once served Sentinel, keeping it vague and maybe stating he was his head scientist at one point and that his credentials are still valid since he was assumed dead. It could be something like that. And Shockwave can get them past security without issue. Thundercracker and or Skywarp rally the troops as Orion leaps from the train, making his way toward the mines.
There, he can speak to his fellows. Covered in soot, grime, and ash, he can hold a gun given to him by Skywarp before his leap, and he can make his grand speech. There, the miners are hesitant even after being told the truth. But Ironhide and Jazz can step up, offering their belief and support. Seeing that, other faces from the mining scene earlier in the film come forward, willing to fight. Orion tells them to gather up their tools, to fight for their freedom, and from there, the miners also raise concerns about their wounds. At that point, Ratchet can step forward, stating that he can help. Orion is in awe, but is even more shocked when he gets word that Soundwave of all bots is offering aid and supplies. More soldiers join the miners, eager to fight. Ratchet can smile, picking up a pistol and declaring that he, Soundwave, and a few others have had enough of turning a blind eye to the injustices committed by Sentinel and his kind.
D-16's interaction with Sentinel goes as normal, although Starscream does pipe up along with B-127, attempting to save D-16 neck as he refuses to bow. After Sentinel carves the symbol and Arachnid points out their incoming enemies, the scene can shift to show cogless, not cogless, and High Guard soldiers alike all pouring onto the premises. Sentinel can demand to know why their defenses are lowered, turning to Soundwave in anger. Soundwave for his part can then betray Sentinel openly, showing his distaste and getting a solid punch in before he's thrown across the room. On the ground, Ironhide can be seen directing soldiers alongside a future Decepticon of choice, perhaps the Stunticons or Constructicons help him tear down some walls or other defenses. Ratchet can also be seen working with a few of the cogless and offering covering fire as Jazz and Prowl rush forward to get in a few potshots with their far too large weapons.
The battle progresses as normal, and Orion manages to get the truth out as per usual. The scenes shift to show bots all across the city swarming in anger, breaking things and fighting anything or anyone that looks like they might follow Sentinel. Elita and B-127 celebrate and Orion orders them to go assist with controlling the assault in order to capture Sentinel's followers and limit the chaos. They agree and rush off, but Orion soon finds himself in the battle with D-16 and Sentinel.
The Fall goes as normal, only having a bit more aggression on Orion's part as he pleads with his best friend, begging him to at least wait until the people can judge Sentinel themselves. They are fighting for freedom of choice, and he tries to dissuade his friend for D-16's sake. Unfortunately, the Fall goes as planned, and D-16 lets Orion drop after he comes to the conclusion that it would be better for Orion to die here than to witness what he's going to do next. He may even tell Orion as such, calling it a mercy. Then, he lets him fall.
Megatron rises as normal, and Orion is brought to Primus's core. There he hears whispers, contrasting Megatron's speech. Orion hears the Primes speaking to him, each murmuring softly and quietly showing him visions of times gone by between him and D-16, a final goodbye of sorts. Then, it ends with the Matrix bestowed, and Optimus Prime is born as a chorus of voices calls his name. He rises to the surface as Megatron starts shooting at Elita and B-127, Soundwave joining him along with Starscream who covers his back. More future Decepticons rally around him, helping him in his rampage while the cogless and Ratchet try to limit the crossfire. It all ends as Optimus Prime comes forth.
Their battle can then progress as normal, with Megatron being banished. Optimus can still be sorrowful, but something hardens in his gaze as he turns away from where Megatron fled. He had his moment to let go when he took the Matrix, and now he's ready for war. He gathers his allies, looking over the devastation and up toward the surface. Elita comforts him quietly with a smile and a hand on his shoulder. B-127 notes Optimus's new height and points out the people below, the cogless all watching in awe. Elita encourages him to speak, and Optimus does just that, rallying his people one more time with encouragement and a declaration that they must move onward, to reclaim their freedom and their world.
He raises the Matrix high, and energon again flows. The people are thrilled, and soon they each begin to step closer to the streams of energon. The cogless lean close, and their T-cogs are returned to them. The movie closes with Optimus's narration about how their battle is not yet over, and how it has merely begun. All the while, Optimus is shown getting his people in line, Elita standing proudly by his side as he begins to organize his troops. Ratchet smiles and pats him on the shoulder, Ironhide flexes and picks up a blaster, Jazz gleefully flutters his door wings. The people salute and cheer as Optimus passes. The scene then changes to Megatron with the High Guard, rebuilding their destroyed ship. Megatron welcomes new recruits from Iacon into his ranks.
Everything ends with the two leaders looking up toward the surface, ending with Optimus overlooking their world and seeing a Quintesson ship flying away as he gives his closing narration.
This is roughly how I would adjust the movie, minus all the itty bittie things that would have to be brought up with the animators and voice actors. But plot wise, these are my adjustments. It would lay the groundwork for future films and also establish character lore early. So yeah, enjoy my take.
Arguments Against My Critiques
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(Q&A against Strawmen. More of a joke than anything else don't take it too seriously.)
The movie is aimed toward a younger audience. You shouldn't be so serious with your review.
The movie had Megatron quite literally tear a mech in half. On screen. No cuts. It also dealt with the slaughter of actual Primes and touched dark themes like slavery and the beginnings of an Orwellian society on Cybertron. Sure, it had jokes and gags aimed at younger audiences, but this film was created with so many Easter eggs and callbacks that I cannot find it in myself to believe the creators were aiming for a children's film. They made it for Transformers, a franchise forty years old. When messing with such an old franchise that has always touched delicate and serious themes throughout all its media, you have to consider old and new fans alike.
Thus, I feel no inclination to be nice in my assessment. This is a film that's trying to reach all Transformers fans, so I will assess it as a full and proper movie.
The studio only had 75 million dollars and a tight time limit for the film. Can't a few allowances for pacing issues be made?
No, no allowances cannot be made. A good piece of media should be able to stand on its own, and a well constructed film should be capable of cutting excess fat in order to keep the movie on track. Transformers One was trying to do the seemingly impossible by shoving an entire origin story in one film. While I think it was possible to have been done tastefully, as seen by the glorious scenes spread throughout the film, they failed to make the pacing make sense.
They had roughly and hour and forty minutes to make their story happen, and far too much of that time was spent on meaningless characters and scenes. If that time was reallocated, the film could have dealt with much of its pacing problems. It probably wouldn't fix everything considering the tight timeframe for such rich characters, but it was doable.
Additionally, 75 million is MORE than enough to make a quality film. I doubt funds were an issue here. Although they might be going forward.
Orion was in a state of shock and couldn't be expected to act perfectly considering the situation. And D-16 anger made perfect sense so there is no need to criticize them both so harshly.
I partially agree. I can't judge them too much because on their own, these traits of theirs are expected and in fact, good for their development. Unfortunately, due to the pacing, D-16's combustive rage and Orion's passiveness came off as rushed and somewhat childish on both Orion and D-16's side. I judge them harshly because their arcs feel like whiplash, or in Orion's case, unfinished. I'm willing to give D-16 a little room because his arc actually arced, it did its thing and finished in a convincing manner (disregarding the pacing). But Orion? Nah. I judge him and D-16 because they could have been so much more given TIME.
The plot wasn't that bad. The progression made sense on paper and each shift in the narrative led into the next scene without much trouble.
I'm sure it did! I really am! If I were writing a novel with this plot, it would make sense when blocked out! But the presentation of an idea is what defines it. Transformers One had a perfectly acceptable outline, I'm sure. But the pacing threw the entire thing into a blender and topped it with mustard and kale. Because of the pacing, the plot itself started to fall apart, especially with excess bloating in the form of unneeded scenes and characters. It's a shame since I'm certain that given enough time and proper progression, the jerky scene shifts could have been made spectacular.
The High Guard could have worked. They really could have. But they needed foreshadowing and time. The same goes for a lot of things in Transformers One.
Why are you so harsh with Elita-One? She finally got some spotlight and had a chance to shine!
A shiny turd is still a turd. Next question.
You can't expect every background character to have depth or for there to be a thousand cities for the cast to traverse.
True enough! But to that, all I can say is: Environmental factors.
I don't need to see Kaon, Tarn, Helex, Uraya, Polyhex, Rodion, or any of the other cities seen in various Transformers lore to know they exist and feel the world is bigger (And if they don't exist in TF One then it would be a great hint at the horrors inflicted by the Quints to state that there are no other cities anymore). All it would have taken was a bit of background lore and attention to detail to make me and other viewers feel like there's more to Cybertron than a cave, a field, and a city. A few posters on the walls, some background chatter from side characters, maybe even Bumblebee mimicking various accents from around Cybertron since he's meant to be comic relief. Heck, just show various flashes of bots in other cities being shooketh during the big reveal with Sentinel and suddenly the world feels so much more lived in.
And for characters? I don't need Soundwave's entire biography to feel he's rich. Look at Arachnid. I know next to nothing about her but she feels alive. All the side characters needed were important side roles and a few actions worthy of note. Think of TFP Soundwave who hardly ever centered but was always there. Always doing something to assist the main story. It really shouldn't be that hard to make a world feel alive. Just attention to detail.
Why does the voice actor for Orion/Optimus matter so much? What's the point in focusing so much on it?
It matters because there is a distinct change between Orion Pax and Optimus Prime. Frankly, you could have anyone be Orion because Orion is the origin. But when it comes time for him to grow, to become more? That's when its time to put on a warface and give Optimus Prime a voice that matches the name. Optimus Prime isn't just a name, it's a title, it's a long string of powerful characters each showcasing empathy and strength in equal measure. If Optimus's voice is not distinctive or powerful, his resonance as a character is seriously damaged. Now why don't I share this opinion for Megatron? Because Megatron doesn't have a frickin relic in his chest. Megatron is a voice for the people. Megatron is the embodiment of strife and anguish. His rage and his passion is what gives him distinction, not necessarily the commanding tone of his voice.
It's a difference in character that makes me care so much about the voices for Orion Pax and Optimus Prime so much.
Why bother with such a long review at all?
Because Transformers One is the first not-garbage to come out in over a decade. (No, I do not like Earthspark. That's a whole other animal and I don't think I'd have the willpower to actually watch the thing again for a review of this length.)
I want to give this film the respect it deserves by showing my every thought for it. I want to show people that despite all its good and bad features, its still something to think about and acknowledge. I don't want something this groundbreaking for our beloved franchise to go down the drain because people were too apathetic to care or too blinded by new content to use their brains and help develop better things going forward.
Final Note
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(Best film ever? No. Great addition to the Transformers Franchise? Yes.)
Transformers One was a masterclass in setting a scene and establishing relationships. Everything in the first ten to fifteen minutes of film was brilliant in regards to setting up the world and our main characters. Even if I weren't a Transformers fan, I would care about the brotherhood between Orion and D-16, or at least understand it. The visuals were stunning but not too intrusive and the film was clearly made with love. The characters that were given screen time were fleshed out as much as they could be considering the constraints. And while a great many things were very out of place and made no sense logically, at least within the rapid fire time frame that is the film, the overall movie was enjoyable right up until the meeting with the High Guard, at which point things became a bit contrived.
The plot was whack considering the film's short run time. Some things were very janky. The Quintessons weren't shown nearly enough or given sufficient presence. But again, lots of this was just a side effect of not having enough time to get things rolling slowly and properly as they should have been. It was a kick back, binge on popcorn, and scream at Easter eggs type movie.
If you want something colorful to look at and a half decent set of characters to enjoy, go right on ahead and watch TF One. You certainly won't rot braincells like you would watching some of the Bay films, but I can't in good concious say that TF One is better than older things like Prime. It is a brilliant concept that needed more time. It needed probably a two and a half to three hour runtime to set up, to get the ball rolling in a meaningful manner, and to establish the broken friendships and rivalries in a far more intimate manner. The concepts are lovely, the scenes are well done, but its a pity that it was cut so short and so many things were shoved together when they could have shone on their own in the proper setting.
There was so much there, and yet so much missing. So many pieces that fit well and yet so much more that was cast aside altogether. It is an imperfect thing, but this movie isn't a bad introduction or addition to the Transformers franchise, not in the slightest. Its a new start, a chance to make things better for this fandom and its abysmal run of bad movie after bad movie developed in Bay explosion style topped with far too much emphasis on humanity.
I believe that while TF One isn't going to be my personal favorite, or even the next big thing for the time being, it sets a new standard. No longer can we be fed garbage, because now we've been given a chance to look at something better. Hopefully, TF One will set the groundwork and foundation for far better films and shows going forward, giving this fandom new life and redeeming our sullied name as the big explosion robot fanatics.
TF One is flawed, but its a start. It's a fledgling attempt to make something new and interesting in a show business that is dead set on killing creativity and squashing anything of quality in an attempt to press an ideology. It is the baby steps shown by people who care. People who want to see the movies they never got. I will not fault it or the creators for existing. It may not be Lord of the Rings, War for Cybertron, Transformers Prime, the comics, or other big names, but it is a hope for the future.
It's not a bad movie. It was simply born in a bad time.
With that said, I'd recommend watching it at least once, if only to get a glimpse of what we have gotten and to have hope for what we might get going forward. I certainly intend to fill in holes with fanfiction, but that's just part of fandom, is it not? Enjoy this new piece of media, but don't take it too seriously. It's flawed just like everything else, but can be taken for what gifts it brings.
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"We could have built the future together."
"I'll build it myself, after I tear down everyone in my way."
199 notes · View notes
nahimjustfeelingit-writes · 3 months ago
Text
Imagine Part 7
Office Bae. The finale.
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At AECOM, we believe infrastructure creates opportunity for everyone—uplifting communities, improving access and sustaining our planet. We’re committed to managing our business with the utmost responsibility and to always strive for better—be that reducing emissions, creating social value or diversifying our senior leadership and workforce. We understand both the urgency of the changes facing our society and our responsibility to act in an impactful and enduring way. We’re leading the change towards a more sustainable and equitable future, partnering with those who want to make a positive difference in the world…
Michelle Jones shared a look with Bret Stevenson behind the scenes, seemingly pleased with their new CFO holding down the company. He talked with such poise and intellect. The satin peak lapels of his classic tuxedo glistened beneath the geometric chandelier with crystal accents. He’s leaning against the bar, a whiskey in his hand, eyes twinkling. He’s putting on the charm, smiling, and looking damn good doing it. Michelle watched him closely, her eyes sweeping over his body, taking in the way his tuxedo is tailored perfectly to fit his well-built physique.
“Good choice, Bret. Honestly, having a fresh, young face for our company. He’s quintessential. Not to mention how handsome he is,” Michelle said.
Michelle Jones is a member of the AECOM board, giving direction to Bret Stevenson. She passes along shareholder input and is a part of an oversight system with some controlling power. Michelle, dressed in a champagne-colored slip dress and Rene Caovilla heeled sandals, grabs her glass of wine from the bar and proceeds over to him, a slight smile on her lips. The volume of her layered, sleek brown hair bounced with each strut. The topaz color of her skin appeared golden beneath the lights.
“Excuse me, is it alright if I steal this brilliant man away for a second?”
Erik Stevens looked over at Michelle with a smirk before shaking the hand of the man that he’d been conversing with. Erik took his place in front of Michelle, his gaze locked with hers.
“How do you like the cocktail party?” Michelle questions before a smile stretched across her generous and sensuous lips.
“It’s cool, I’ve been to plenty of these so I know what to expect.”
“I bet you’re excited to spend some time in your new office space.”
The corner of her glossy lips is upturned and eager. Erik’s forehead puckered and then his eyes glanced over her shoulder.
“There she is…baby, what was the hold up?”
Michelle scrutinized you. She followed Erik’s arm wrapping around your waist, observing the way his fingertips rubbed you there in small circles.
“Michelle, this is my beautiful date, my baby girl, Y/N.”
“Oh,” Michelle extended her hand to shake Y/N’s, “What a pleasant surprise! I didn’t know you brought a date. Nice to meet you.”
“Yes,” Y/N’s eyes sized Michelle up, “It’s a pleasure to meet you as well.”
She looked enticing. The red dress she wore has a sultry deep plunge neckline with clever draping that compliments her curves. It’s mid length just below the knee for an elegant, balanced look and a cinched waist with long sleeves. Her hair is pulled back into a low ponytail with long, flowing curly extensions. Gold hoops accented her ears and her feet are covered in patent so-kate pumps.
“We were just talking about how boring cocktail parties are,” Michelle added, “Same shit every single year,” she whispered.
“Well, it’s my first company cocktail event and I’m excited.” Y/N said before grabbing Erik by the chin, both of them sharing a smile.
“I think you’re gonna love it even more towards the end,” Erik spoke against your lips with a pleasantly rough voice.
Michelle could take a hint when it was time to make her exit, so she grabbed her wine glass and sauntered away to mingle.
“There, she’s gone. It’s really that simple.”
“You came in at the perfect time, beautiful. Listen, thank you for accompanying me tonight. It feels good to finally be able to show you off. You don’t deserve to be hidden, baby…”
“And miss my baby’s special evening as the new CFO?! You crazy?!” Y/N playfully shoves him, “I wasn’t going to sit at home in my sweats while you hold it down by yourself.”
“Damn,” Erik cracked a smile, “See, that’s why I love you.”
“Seriously, E. I’m always gonna be there. I love you too…”
Y/N loved a man who’s always sweet to you. Always wants a kiss, isn’t afraid to grab her hand or wrap his arms around her in public. Quick to show her off as his girl proudly. The slow jazz music set the mood perfectly as Erik guided Y/N over to his table. There are a few familiar faces that she recognizes and she waves to them on passing.
“That’s where I plan to make my speech tonight. Right there,” Erik’s hand points to an empty stage with a large banner with the AECOM company slogan.
“Are you nervous?”
Erik peered down above her, pushing in her seat like the gentleman he was before he took his place next to her.
“I only ask because I can tell. Baby…you got this.”
Erik glanced around the room and then his eyes fell to his lap where her hand grabbed his. He hummed quietly, a small smile gracing his lips before he took her hand, bringing it to his lips, and kissing her on her knuckles.
“I know, I just…don’t want to get up there and fuck it up, you know?”
“You are good at improvising. Half of these motherfuckers in here can’t keep up with you, E. You can talk circles around them. Don’t be so hard on yourself…”
Erik rubs the back of his neck, “I can’t flake. I gotta show them who Erik Stevens is.”
“There you go. That’s exactly what you have to do. Bret sees potential in you. I see potential in you.”
Erik studied Y/N’s face before leaning in to meet her soft lips. Y/N fell into his kiss, both of their lips moving in rhythm. The kiss became heated and it quickly turned hungry as her tongue roamed in his mouth. Erik slowly pulled away, his eyes blazing.
“If we start, we will not stop.” His voice is gentle and unhurried.
“But do we have to stop?” Y/N tried to kiss him again, but his hand is on the back of her neck now, rubbing there softly, staring deeply into her eyes.
“Yeah. Unless you want me to put you on this table.”
____________
“This young man here…”
Bret Stevenson pointed to Erik from the stage, a spotlight moving across the crowd to ignite Erik’s table. Applause grew and Erik stood from his seat, one hand smoothing down the front of his tux jacket while the other waved to the people cheering him on.
“There’s so much I can say about him. Great financial foresight, excellent communication skills, confidence, a deeply rooted understanding of business and the natural aura of a leader. I couldn’t have chosen a better man to work alongside me. Everyone, please, let’s welcome our new CFO to the stage!”
Some hooted and hollered, others clapped loud and proud. Y/N gave Erik’s hand an affectionate squeeze before watching him go. That smile with those adorable dimples was just as bright as the lights overhead. Y/N stood from her seat, eyes glossy and a proud smile. Erik stood before Bret and they shared a firm handshake with a pat on the shoulder. Now, he’s alone at the glass podium with a small angled microphone. The applause dies down and everyone takes their seats. Waiters began to circulate with champagne flutes bubbling a golden hue. Y/N wasn’t concerned with that, her man is up on that stage.
“Wow,” Erik’s eyes danced around the room, “last time I was up here, I accepted awards for my work with the company. Now, I’m the CFO. It’s still so surreal. I’ve been given this opportunity to really shape the company’s agenda. Ensure a strong financial performance. AECOM always stood for something great to me. I’m a philanthropist myself and to be able to improve the world—I couldn’t have asked for a better opportunity. There is always room for improvement and I want to evolve as the company evolves. Look beyond what’s in front of me…”
Behind Erik, there is an enormous projector screen with a slideshow displayed. Each slide of photos is presenting Erik hard at work. Some photos show him out on business trips working within the environment hands on. Other photos show how dapper he is in his suits. There is even a photo that Y/N remembered being a part of during a department potluck.
“There are so many people I would love to thank for the opportunity and just being there. Bret, Jason Thomas, Barry Rowan, Monica Bradley. Thank you so much for everything. I’m looking forward to the next step in my career. It is an honor and a privilege to be here today and to be your new leader alongside Bret. I don’t know everyone in this room, but from speaking to so many new people that are a part of this company, you all do such amazing work. I grew up in Oakland and I was teased as a kid for being a nerd and wanting to improve my environment. None of that stopped me from becoming the man I am today…”
Y/N remembers the long talks late at night with Erik, his head in her lap with her fingers combing through his locs. He spoke so highly of his parents, both of which are no longer here. Y/N giggled when he walked down memory lane, reminiscing on the science fairs and the solar system that he built in his room. His first telescope. How much he enjoyed going fishing. How his mother loved to plant and she always dreamed of having a greenhouse. He could have easily fallen prey to the streets but he saw past that. He saw his potential. He wasn’t going to live up to the stereotype of a black man.
“…So thank you, AECOM. Thank you for believing in me. I won’t let you down.”
Applause broke the silence within the grand room and photographers lined up to capture the moment. Shortly after, Erik left the stage and joined Y/N at the table. After a few more speeches, the food began to arrive. Honey garlic glazed salmon, roasted red potatoes, grilled asparagus, rotisserie chicken, dirty rice, and oven roasted vegetable medley. Y/N was never left with an empty glass of champagne and the food was delicious. Towards the end of the meal, Bret stood up to say a few words, thanking everyone for coming. He couldn’t go without mentioning Erik again. Her eyes sparkled with ardor every time he smiled.
Erik felt it necessary to say a few final words to end the meal and even though he looked confident, her hand placed on his could feel the tremors. Y/N interlocked her fingers with his to calm him and he squeezed in response. What else did he have to say that was so hard to put into words?
“I forgot to mention that I would not have been able to get through my busy work days and even the Alaska trip without my beautiful woman, Y/N.”
Y/N bashfully smiled and prepared herself for what comes next. He was going to gush about her for the entire room.
“This woman is so hard-working. She shares the same amount of passion and concern about the environment as much as I do. She actually helped me out with several speeches of mine, one of which ended up with a famous quote in the New York Times. ‘The time to answer the greatest challenge of our existence on this planet is now. You can make history or be vilified by it.’”
Erik ushered for Y/N to stand with him. She smiles despite her very own nervous jitters and takes his hand.
“I fell in love with her the first day I laid my eyes on her. To have a woman who not only shares the same passion as you but someone who is caring, driven, fun, smart, and—and just such a good person. I know this has nothing to do with AECOM at the moment but I feel like she deserves her flowers. Please, let’s make a toast to Y/N.”
Everyone at the table and throughout the room picked up their new glasses of champagne and stood from their seats. Y/N did the same, never taking her eyes away from Erik. He held her piercing gaze as well.
“To Y/N, and a wonderful future with you. To traveling the world together, spending nights beneath the stars, watching the sunset from a mountain top, collecting seashells on the beach. This is to you…”
Y/N sipped from her glass and after three sips, she couldn’t control the tears streaming from her eyes. For a second, she thought he would pop the big question.
—————
It’s been a long week for Erik. No one said it would be easy. It’s strange waking up after a good night's sleep and not going into work. Y/N would be lucky to catch Erik before he left for work but the 800 thread count of his sheets and the TEMPUR-Cloud pillows had you sleeping in until 11 AM. She yawned and stretched her arms above her head before grabbing Erik’s T-shirt with the logo for his nonprofit organization embroidered on it. Y/N works alongside him as an environmental and climate change activist.
Fashion has always been a passion of hers. One of her proudest achievements is being able to collaborate with sustainable clothing brands such as Colored Organics and Everlane while also creating lifestyle and travel content. Y/N took a look at her phone and realized that today is the day she’s supposed to meet up with Regina to show her around the new home Erik surprised her with a week ago. He always wanted a home with contemporary architecture with an eco-feel and a roof garden. What he didn’t know was that she secretly had a greenhouse built in the yard in remembrance of his mother. Speaking of Regina, she was currently calling Y/N.
“Are we still on for today?”
She finally gets out of bed, careful not to trip over a few moving boxes.
“Yeah, I’m just getting out of bed. Why don’t you just meet me there? I may be ten minutes late.” Y/N said.
“So that means no lunch on the way?”
“Just pick me up something and I’ll meet you there. My good friend that’s finalizing Erik’s surprise wants me to have a final look at things.”
“I can’t wait to see what she came up with! Your man has been running around this company with his assistants following behind. How does he do it?”
“Because he was born to lead. I’m sure he’s got it all together. He doesn’t talk about work much when he comes home. It’s always how much he misses me and I’m always spoiled with his attention.”
“You’re living the dream you’ve always wanted. I bet Eric with the C is miserable.”
“Serves him right…I’ve been meaning to talk to you about the speech he gave about me.”
“What did he say?!”
“Basically how much I’ve helped him through the stress of work and how amazing I am and how in love he is with me. I cried a little because I wanted to hold it together.”
“And he didn’t propose?!! What is he waiting on?!!”
“Maybe that wasn’t the time. Whenever it happens, it’s an automatic yes.”
“Awww! I can’t wait for the day! Anyway, I’ll see you soon, girl…”
After her brisk shower and other early morning hygiene rituals, she get dressed in a matching lounge set colored sage, slipping her feet in a pair of Ugg Tasman slippers, making sure she had the remaining boxes packed in the back of her new white BMW X3. On the way over, stuck in traffic, she decided to call Erik’s work phone—a second cell phone that he purchased strictly for the job. His personal cell is always stored away for emergencies or non job related things but he hadn’t picked up the times she attempted to reach him. It rang three times before he finally answered.
“Hey, beautiful. I’m sorry I didn’t get back to you. I just got off of a zoom call and it looks like I’ll be traveling again soon.”
“Hello, handsome. I just wanted to hear your voice and let you know that I’m headed over to the house. Where are you traveling to this time?”
“It’s a small thing that will happen multiple times but I’m going to Australia. Remember I was telling you about how AECOM is expanding internationally? Well, we want to partner with environmentalists there to help with the wildfires. It’s a start but it’s a lot of work—thanks Sarah—sorry baby—”
“Listen, no worries. We can talk more when you get home. I love you.”
“I hate getting off the phone with you. I love you too. I’ll see you later.”
Erik blew you a kiss through the phone before hanging up.
__________
“I need it rented out for the evening and I need a nice dinner set up as well. The finest champagne for my beautiful girl. Don’t mess this up for me either, tonight is special…”
Erik paced his office while talking into his Bluetooth, the only time he had to finalize the romantic evening he had planned for you two. When he was a child, he remembered his parents' proposal. It was a trip to the zoo in the evening around Christmas, and his dad got down on one knee on a bridge decorated with colorful lights to propose to his mom. Erik had so many ideas of how he wanted to ask for your hand in marriage. Beneath the stars on a camping trip. On the Alaska trip. In your new home. He finally decided on taking you to your favorite childhood place and he had an elaborate evening of fine dining setup that will end surrounded by the beauty. This proposal plan is definitely his favorite out of all the options he could choose from. Erik and his photographer friend arranged a shoot first, then planned on having the proposal somewhere in the middle of it all. Erik loved the intimate and tranquil vibe of it all.
A part of him knew you would say yes. He could only hope you would. Erik could only see you wearing his ring and having his last name. It took him a long time to get here. Once a playboy until you walked into his life. He had come to realize that you are the most important person in the world to him. Erik cracked a smile as he imagined the blinding ring that will be on your finger, so eye-catching like a billboard announcing to everyone he knows and everyone you’re gonna know, that this woman is mine. She owns my heart. Erik is so caught up in his thoughts that he hadn’t noticed one of his assistants enter his office. She lightly tapped him on his broad shoulder and Erik brought his eyes down to Sarah with a tablet in her hand and what Erik guessed was his information about funding for upcoming events.
“Should I come back, Mr. Stevens?” She spoke with caution.
“No, show me,” Erik leaned over to get a good look, Sarah taking a safe step back so she wouldn’t be caught taking a sniff of his vanilla teakwood cologne.
“It’s just some estimates on what we expect to spend. Are all the numbers good?”
Erik’s dark eyes studied the many zeros and while he agreed to most, a few unnecessary purchases bothered him, especially since he specifically spoke to Michelle about it.”
“Sarah, could you ask Miss Jones to come to my office please?”
“Yes, Sir,” Sarah sauntered out of Erik’s office.
Five minutes passed and Michelle Jones walked in dressed in a forest green maxi skirt with a black blouse and black pumps on her feet. Her usual silky straight hair is pulled back into a french twist with some strands framing the squareness of her face. She allowed his frosted glass door to close before walking towards his desk to take a seat across from him.
“Michelle, did you go over the final funding for the AECOM partnership event? It’s a few numbers that aren’t adding up.”
“I figured we could use some extra money to make the event more interesting. I mean, we’re sitting on a lot here, Erik. What’s wrong with a little bit more luxury? Gifts for the partners, a layout of fine dining—”
“We did that already. Do you understand how much it’s going to cost alone to get the resources and technology together for the Alaska deal and whatever else we have going on?”
Michelle remained silent and folded her arms across her chest defiantly. This isn’t the first time since Erik was made CFO that Michelle made decisions without consulting with him first. She may have walked all over the former CFO, but Erik wasn’t having it.
“…I’m talking millions of dollars, Michelle. I’m not saying we can’t have fun, but play time comes after.”
“Fine. I’ll make the changes and have one of your secretaries show you the new costs, okay?”
“That’s all I wanted. Thank you.”
Erik adjusted the collar of his tailored suit jacket and stood from his seat, walking to his door and like the gentleman he is, held it open for Michelle. She gave him one final look before walking out.
___________
“Ten minutes, huh?”
Y/N stepped out of her car with a roll of her eyes at Regina’s words. She walked the pathway that led to their gorgeous new home and accepted a green smoothie from her work bestie.
“Traffic is a bitch this time of the day, girl. Thanks for coming!” Y/N smiled at Regina.
“I wouldn’t miss it even if I tried! I’m probably more excited than you!”
Spread across an expansive double lot on Stone Canyon Road sat their colonial Mediterranean home. It exudes elegance and old world charm. The estate is a perfect retreat from the city with ample space for both entertaining and the everyday routines of life. Y/N opened the door and allowed Regina to enter first. She was immediately blown away. The striking entryway sweeps you into an expansive, airy living room with dramatic windows overlooking the lushly landscaped backyard.
Y/N started giving Regina a tour. The library provides a comfortable retreat to seek quiet while the formal dining room is at once grand and welcoming, making it easy to keep both families and guests connected over the dinner table. On the second floor, the elegantly-appointed primary suite closes off to the outside world, creating a sense of serenity and sanctuary. Many of the rooms feature clear glass French doors that open onto the verdant yard, which is filled with unique water features and mature trees that provide shade and greenery, making the estate the ideal place for both entertaining and peace. A home fitting for an environmental engineer.
Y/N ended the tour in the kitchen where Regina sat their Vietnamese food on the counter top. Y/N opened their wine cellar to grab a bottle of Chateau Suduiraut Sauternes 2016. She retrieved three wine glasses that were brand new and a corkscrew. A faint knock on the front door alerted Y/N to her friend, Sylvia’s arrival. She excused herself to open the door. Regina took that moment to uncork the wine and she filled the glasses almost to the rim.
“Hello Hello!”
Sylvia walked in with a friendly smile and bright, hazel eyes. She had a head full of loose, curly, brown hair with blonde highlights, and a tall, petite frame. She reached out to shake Regina’s hand and sat her YSL bag down on the counter.
“Are you excited? I bet you are, thank you,” Sylvia accepted her glass of wine, “I can’t wait for you to see it. I can’t wait for Erik to see it. He’s gonna flip out!”
“Y/N got herself a good one,” Regina tilted her glass of wine, “Good guys always finish first! Ain’t no last over here!”
“I hear that,” Sylvia responded, “Your momma love him?”
“Does she,” Y/N groaned, “She’s obsessed with Erik. She calls him more than me nowadays. He says she reminds him of his mother. I love that for him…”
“And your dad?”
Y/N couldn’t contain her giggles, “They are like two peas in a pod! You know how dads can be at first, but I was pleasantly surprised at my father! Joe hated Eric with the C.”
“Let’s toast. To a future with happiness and unconditional love…respect…kindness. Let’s toast to our black girl joy! And our love for our friend here. Y/N, we love you! We’re so happy for you! This home is beautiful! To Y/N!”
“To Y/N!” Sylvia raised her glass.
The three ladies clinked glasses and drank down some of the wine.
“Whew! This is good and smooth.” Sylvia said.
“Plenty to go around,” Y/N replied, “Now…the moment I’ve been waiting for. Lead the way, Sylvia!”
Sylvia couldn’t contain her laughter. She’d been working on this design for a while now. They walked out into the expansive yard and Y/N kept her eyes shut while holding Regina’s hand. Her footsteps halted and Regina’s audible gasp made her stomach churn with excitement.
“Okay…open your eyes.”
Y/N’s eyes slowly opened and the grip she held on her wine glass slipped.
________
Erik Stevens made sure to smooth the stress lines from his face before exiting his car within their four-car garage. He loosened his tie and released a deep sigh filled with frustration. Work has been kicking his fine ass. He didn’t realize his job as CFO would require a lot of cleanup. He had a long list of chores to do on top of prepping for his Australia trip. He’d just gotten news that some partners from Australia want to move forward with the in person meeting as soon as next week.
Erik had his proposal set within the next week. Now, he had to rearrange his plans and he hated last minute adjustments. He entered their magnificent home to the smell of good cooking and his mouth instantly watered. He hadn’t realized until now how hungry he was. Erik took off his dress shoes and hung his suit jacket, making his way towards the kitchen. There, he came face-to-face with a wondrous sight.
Y/N was removing a dish of mac and cheese from the oven that sizzled to perfection. She carefully sat it down on the stovetop and removed the oven mitts from her hands. Erik’s eyes took a lustrous tour of her body dressed in a black dress that was sheer and form-fitting. She even had on his favorite pair of heels. Those YSL Logo-Heeled Sandals in black patent. She looked up and almost jumped out of her brown skin from being startled.
“Erik! Baby, you scared me,” Y/N laughed, turning down the music she had been playing from her phone, “When did you get in?”
“Just now,” Erik walked up to her and dipped his head to kiss her forehead then her glossy lips, “Sorry I scared you…damn, baby girl…you look amazing.”
Erik twirled Y/N so he could get a good 360 of his woman. He wasn’t expecting a dinner and the dessert before him.
“I’m gettin’ fed tonight, huh, sexy?” Erik said with a bite of his bottom lip.
Y/N giggled, “All you can eat. Better save some room after all this food I made!”
“Baby,” Erik rolled the sleeves of his white button up shirt to his elbows, “You know I can put it away…”
He circled his arms around her waist and started peppering soft kisses along her neck. Y/N felt a flutter in her belly from the sensation of his pillowy-soft lips. The smell of Jasmine and vanilla on her neck caused him to nibble on her flesh. The sound of her soft breath shot straight to his big dick.
“Behave, daddy. Dinner first…”
“Dinner can wait,” Erik cuffed her ass in his hand with his face pressed against her neck, “You shouldn’t be this damn fine…”
“I want you to eat, daddy. You can have all of me all over this house after I show you your surprise…”
Erik paused. He peeled his lips from her delicious skin to stare at the side of her face.
“What surprise?”
“Just…a little something I’ve been planning…”
She escaped his attention by grabbing plates and silverware to set the dining table. Erik watched her with a curious brow raised. He didn’t like surprises.
“You’ll know after you eat, okay? Wash your hands and have a seat.”
“Yes ma’am.”
Erik went to the sink to clean his hands and after drying them he made his way towards the dining room. Y/N entered shortly after with his plate and a glass of red wine. The aroma of the smothered beef short rib, smoked kale, and mac and cheese caused his stomach to grumble. Y/N placed a napkin in his lap and kissed his cheek before sauntering away to grab her own. Erik didn’t waste time digging into his food. Y/N returned and she sat across from him with a content smile on her face.
“Good?” She questioned while forking some of her smoked greens.
“Good ain’t even the word, “Erik chewed his food and grabbed his wine to wash it down, “Shit is bangin’.”
“Thank you. How was work today?”
Erik’s left brow ticked up, “Too much to talk about. But there is an update on the Australia trip. I gotta leave by the end of next week.”
“Why?”
“The partners want to rush the process. My guess is they are testing us. Tryna see if we’re the right fit for the change they're advocating for. There’s a lot of flooding going on in the Southeast…bush fires…”
“How about the climate control program here in America? Before I left I remember that was going into effect.” Y/N said.
“Yes…that’s another thing that’s keeping me busy…and I’ve been trying to figure out how to divide duties. How am I supposed to control funding AND travel? It’s a lot…”
Y/N reached a hand across the table to calm Erik. The tension in his shoulders settled and he looked across the table at her with restless eyes.
“You’re the right man for the job, Erik. Brent wouldn’t have chosen anyone else. I’m proud of you and I believe in you, baby. Take it slow. None of this is going to happen overnight. It’s all a process…”
Erik raised her hand to his lips and placed a firm kiss there. She always knew how to calm him down.
“I hate bringing work stress home to you…”
“I mean…you could always take it out on me. You know I love it when you do it, daddy.” Y/N replied with a smile.
His eyes glinted with desire at her words.
“Come with me to Australia, Y/N.”
“Really?”
“Hell yeah. Why not? You don’t understand how hard it’s been since you left, baby girl. My assistants have been driving me nuts and Michelle—”
“What about Michelle?”
Erik watched Y/N’s face harden.
“…she’s been doing the opposite of what I expect her to do. I had to pull her into my office today about the monetary situation with this fundraiser we’re putting together.”
“Do I need to come up there?”
Erik chuckled. He knew Y/N would. Memories of Connie, Demetria, and Nicole popped into his head. He didn’t want Michelle to feel his future wife’s wrath.
“No, I got it under control. I don’t want you stressing about her. She knows I’m not the one to be played with.” Erik said.
“As long as she stays in her place…”
Erik gave Y/N a dimpled smirk, “So feisty…”
They continued to eat and Erik listened to Y/N talk about her non-profit he helped her form. He watched her with a transfixed smile and loving eyes.
“…it’s coming along so well. We’re working on clothes for kids now. I have to show you some of the designs.”
“I can’t wait to see them,” Erik ate the last bit of his mac and cheese before leaning back and patting his belly.
“Full already, daddy?”
Erik cut his eyes at her.
“Fed and happy not full. I still got room.”
Y/N got up to clean off the table and she had to stop Erik from trying to help her. She instructed him to stay put. Erik waited impatiently for her return and when she did come back, she had a blindfold in her hand and a cheeky smile.
“It’s time for that surprise…”
“Ahh, shit.”
Y/N laughed at Erik’s expression of confusion before walking up behind him. She placed the blindfold over his eyes and smoothed her hands down his shoulder before whispering in his ear. His chest heaved up and down from her voice.
“Are you ready?”
“More than ready…”
Y/N took Erik by the hand and he stood up from his seat. He allowed Y/N to guide him, his mind working to figure out what this surprise could be and where they were going. Soon, he could feel fresh air against his body and that’s when he realized they’d gone outside.
“Where are you taking me, Y/N?”
“Shhhh! Almost there…”
Their footsteps came to a stop. Y/N let go of Erik’s hand and he used his sense of hearing to track her movements. Eventually, she wrapped her arms around him.
“Before I take your blindfold off, I just wanted to say…I love you. I’ve been thinking about doing this for you for some time now…and a good friend of mine came through for me and put together something special. As hard as you work, you deserve a treat too. I know you don’t like surprises but..I know for a fact you’ll love this one…before I take the blindfold off, I want you to keep your eyes closed. Can you do that for me, daddy?”
“Yes…”
It had to be something meaningful. Y/N slipped his blindfold off and Erik kept his eyes closed.
“Open your eyes!”
His cognac eyes snapped open and Y/N witnessed the biggest smile appear across his face. His hands went in his hair. He took two steps forward, and he kept staring at her with disbelief at what he was staring at.
Sylvia designed two Gothic Arch Greenhouses. One is a garden room and the other is a modern retreat. The well-made conservatory was uniquely designed to cater to Erik’s needs. The shape matched and complimented the layout of their new home. It had an aluminum exterior with a wooden interior in Spanish cedar wood. It housed a vast selection of decorative elements and greenery.
“Baby…what the fuck? When did you—when did you have the time—”
Erik was speechless. Y/N couldn’t contain her excitement. She was overjoyed by Erik’s reaction.
“Go on! Go inside!”
Erik walked into the garden section of the greenhouse like a kid in a candy store. Y/N gave him room to explore. He named all the greenery, flowers, and succulents, amazed at what Y/N put together for him.
“I have my own greenhouse…this is so wild…”
“I made sure to have all of your mother’s favorites planted…”
Erik nodded his head, “I see…”
He actually stopped to smell the flowers. Y/N followed him around the garden relishing in his silence. She knew he was remembering his mother. All the stories of their little greenhouse.
“Got the well-drained, rocky, sandy soil…these hydrangeas look exactly how I remembered…gotta make sure we water them regularly…peace lilies! She loved these…”
Erik paused to gaze out at the many beautiful flowers and plants. Y/N settled next to him and Erik wrapped a hand around her waist.
“I don’t even have the words to describe how thankful I am to have you in my life…this is such a special gift…”
“Anything for you…you still gotta see the other side.”
Y/N opened a door that led them straight into the other side of the greenhouse. It was the perfect outdoor lounge area to retreat to on a hot day. Erik especially loved the interior design. He could come out and have a beer while admiring the nature surrounding him. He would propose to Y/N right now if he could. Erik picked her up and gave her a passionate, fiery kiss with some tongue. He stumbled over to one of the sofas and made her sit side saddle on his lap as he continued tonguing her down.
Erik was on a roll. She tried slowing him down by touching his face and pulling back a bit. Y/N looked at him with deep desire and love. Erik’s chest heaved up and down like he was trying to catch his breath. He wanted Y/N bad.
“You’re going to Australia with me. It’s not a request. I need you there…”
“Okay—” Erik stopped her from talking with his lips. She melted into his frenzied kisses again.
"You’re going crazy, aren’t you?" she asked with a chuckle, but his hands were on her nape pushing her head back to him so his mouth could continue ravaging hers.
His heightened sexual need flowed into her and when their lips separated for a moment, Erik groaned so hard she thought he was in pain. Their mouths collided again and Y/N whimpered while Erik grunted from the mewling sounds coming from her as their necks shifted from left to right for a while. When Erik started sucking on her tongue, his hand reached up and clutched at her breast and his touch made her squirm in his lap.
“You keep moving on my dick like that…Keep it up.” Erik warned.
“It’s your fault, I could cum right now just from your kisses,” Y/N whispered against his lips.
“That pussy wet? I wanna feel that wet pussy…”
His hand snaked up her dress and he slipped her thong aside to feel just how wet she was. He groaned and his eyes rolled shut. Y/N loved that look on his face. She loved that her pussy made him look and feel so desperate. Erik strokes her clit to a nice, hard bud and then he slipped a finger down to tease her opening. He tapped it with his middle finger and her back arched. Curling two fingers, he pushed up inside of her deeply, drowning her moans with his lips.
“Tight fuckin’ pussy…”
His words were punctuated with each stroke of his long, thick digits in her creamy cavern. Y/N buried her face into his neck, moaning weakly and inhaling the scent of his cologne. She could hear her pussy making noise around his middle and ring finger. She just knew she was making a mess all over him.
“Daddy gon’ fuck you real good…you deserve it baby…you deserve all of it.”
“Erik!” Y/N gasped, “Right there…”
“You ain’t gotta tell me this wet puss cumming. Just do that shit…do it…do it…do it…”
“Oh my gosh!”
Y/N’s chest thrust out and Erik licked her sweaty neck. She kept squirming all over his erection. That movement made him pry her legs open further. He reached up under her dress and pulled hard on her thong. She felt it rip in his hands and he lifted her up from his lap. Y/N stood up as he fumbled with his belt and the zipper on his pants. His tapered locs fell over his forehead making him look more powerful and sexy. She could feel the frustration coming from him when he couldn't get his pants unfastened quick enough.
When he finally released his stiffness, he shoved her dress up higher on her hips and didn't even give her a chance to think before he was making her sink her pussy down on him. Hands full of ass, Y/N wrapping an arm around his shoulders with her other hand fisting the front of his shirt, he thrust up into her, drilling her pussy ferociously. She bounced in his lap and threw her head back with a bite of her lip.
Erik needed to get up in her better. He twirled her on his dick so she could straddle his waist. Y/N gripped the back of the sofa, the straps of her dress falling from her shoulders. Erik pushed her dress down further and yanked her strapless bra down, titties swaying from the force. He latched onto a nipple while one hand wrapped her braids around his fist for leverage, causing her neck to extend. He started beating that pussy up again.
Erik popped a titty out of his mouth, "I couldn't wait for this dinner to be over, girl. Looking at you in this fuckin’ dress...I needed to be in my pussy," he said.
“Erik…fuuckkkkk…”
Each and every time he craved her the same as the first encounter. Y/N felt her lower back pop each time his dick thrusted up deep. She dug her nails into the back of the sofa harder. He feasted on her titties so good she was seeing the galaxy.
“Can’t…take…it…”
“I don’t give a fuck,” Erik barked out, “Ima make you take it.”
Y/N’s walls clenched up tight and she froze above him in suspended ecstasy. Her body shuddered against Erik’s solid chest and he slowed down his movements to give her a second to recover.
“I’m not finished with you yet.”
Erik maneuvered Y/N onto her back and stood to remove his shirt and pants. Fully naked, body built and ready to fuck, he spread her legs at an odd angle and got down to eat her pussy. Erik wasted no time sucking on her clit. He sucked away as much cream as he could. Y/N dug her heels into his back and sat up to grab his hair. She watched him with a mixture of awe and delight eat her pussy. He had his whole mouth between her folds working overtime to make her cum in his mouth.
“Daddy…feels so good…huhhhuuhhhh! Keep doing it like that!” Y/N cried out.
She could hear his incessant slurping. She could feel his big lips. That skillful tongue. Her eyes crossed and her mouth dropped open.
“Mhm…mhm…”
That’s all he said. He didn’t have to say anything else. Y/N was creaming in his mouth. She almost scalped Erik with how hard she pulled on his hair. Erik removed his face from her sweet pussy and when he stood up his dick looked longer and thicker from her position on the sofa. Y/N sat up and took Erik’s big dick in her mouth hungrily.
“Damn, baby girl…”
He still had remnants of her pussy juice on his mouth and his facial hair. Each breath he took he could smell her pussy on his upper lip. It kept him bricked up in her jaws. She sucked all ten inches and tugged on his balls with her pussy spread open and titties out. Erik slapped her pussy lips so he could hear that wet and gushy sound he loved.
“That’s right, suck daddy up like that. Lookin’ real sexy with dick down your throat, girl. Ima gloss them pretty lips up with my fuckin’ nut…”
All he could think about was making her his wife. She was the total package. She was slurping him up so good Erik had to shake his head. Shit felt amazing. His pretty little slut. The girl he worked hard to make his.
“I love you so much, baby…uhuhhhhhhghh—”
Three more sucks and Erik’s dick was pulsating and spitting into her throat. His hips flexed with his release and Y/N’s sultry eyes connected with his. Erik’s lips poked out and his brows snapped together from the intensity of his release.
It was time to take this shit to their new bed and break it in.
Erik helped Y/N up and she undressed, leaving their clothes on the sofa in the greenhouse. They walked with Erik pressed against her back and his lips attacking her neck. She still had her heels on. Good. He loved the way it made her legs look. They made it inside and Erik stopped her just before they could reach the stairs. He pressed her back against the wall and started kissing her again. Y/N dragged her nails down Erik’s sweaty biceps. Erik pulled away reluctantly and then he rubbed her lips with his thumb before placing it in her mouth to suck.
“You ready for daddy to fuck you some more?”
“Mhm,” Y/N replied with a nod of her head while chewing on her bottom lip.
Y/N pushed away from him weakly and she started climbing the stairs. She looked back at him with those come-fuck-me-eyes and Erik raked his eyes up and down that body. He couldn’t take it. His dick was bouncing between his legs all hard. Erik caught up to her and Y/N gasped.
This man was about to dig her guts out on the steps. They didn’t even make it to the bed. The sight of her walking on wobbly legs and that big ass in his face he had to listen to what his dick wanted. It wanted more pussy. Erik gripped her waist and placed her on the steps.
She just let him get his pussy. He pushed her knees back and thrust into her pussy with her back digging into the steps. It was skin slapping, hard pounding. Y/N weakly grabbed at Erik’s arms but his constant motion had her losing her grip.
“I’m fucking this pussy up!” Erik growled in her ear, “Pussy just swallowing my dick all up…that’s why I can’t pull out now…”
“FUUUCK!”
“Damn, tugging on this dick…yanking on this pole like that…nasty bitch…”
Y/N drew in a sharp breath as her body convulsed with her release. Erik with his undeniable strength picked Y/N up and as he climbed the stairs he bounced her on his dick. Her toes curled and a series of emotions painted her face. Shock, lust, dumbfounded. He was screwing her brains out. They finally made it inside the room and Erik didn’t even bother turning on the lights. The light from the hall was enough. Erik’s dick slipped out of her and he put Y/N on her stomach.
“Bring that ass up…you know how I like it, baby girl. I told you I’m fucking you good tonight…”
“Umph,” Y/N arched her back. She could feel her pussy lips quivering with anticipation, “Like this, daddy?”
“Uh-huhhh,” Erik popped her on the ass, “Just like that. And keep that ass there. Don’t make me fuckin’ mad…”
“I won’t!”
Erik spread her cheeks and used his hips to sink inside. He went in nice and slow so she could feel every…single…inch.
“Oooh!”
“Yep,” Erik did it again, causing her pussy to queef, “It’s long ain’t it?”
“Fucking YES! So damn big! I love this big dick!”
“Show me you love it. Bring that pussy down on this dick.”
Y/N gripped the sheets and started fucking him. She threw it back and cried into the sheets. Erik would pop her cheeks if she didn’t go all the way down. He would even thrust forward to meet her backwards strokes if she didn’t behave. A sharp, single thrust that had her begging for him to stop.
“Cream all over this dick, lemme see it…good…fuckin’…girl…such a good girl…”
“Erik…”
Y/N froze with her climax. Her brain was fuzzy and she didn’t know if she had more left to give. Erik rubbed her cheeks and then he dragged his hands up to grab her by the hips. His thrusts increased to a back-breaking pace.
“Look at me…”
Y/N looked back at Erik.
“I love you.”
“I–lo–love you–too—UHH!”
“My nuts tight, baby…I’m finna nut in you—”
Erik pulled Y/N into his body, grabbed her neck from the front, and buried his face into her hair while he clapped them cheeks. Her eyes crossed and her mouth dropped open. He moaned into her hair, the type of moans to cum to.
“Uhhh…huhhh…ughhh…ahhhh…mmm…”
He sounded so damn sexy. Hips pistoning out of control, Erik painted her tight walls with his cum. When the tremors wore off, he slipped out of her and fell back against the bed. Y/N snuggled closer to him and rested her head against his sweaty chest. She stared down at Erik’s dick with their mixture of fluids. He rubbed on her sweaty back.
“You weren’t playing with me,” Y/N said with a grin.
“You know how I do, baby…I get you right every time.”
“Yes you do…”
——————
One Week Later:
They traveled across the Great Victoria Desert that stretched from eastern West Australia to the western half of South Australia, making it Australia’s largest desert. It’s a sand-ridge desert with many low, frequently tangled sand dunes and lunettes bordering playa lakes. There are few creeks and rocky outcroppings. Gibber plans can also be found. Eucalypt open woodlands, mulga woodlands, and acacia shrublands, are among the vegetation types found in the Great Victoria Desert. Habitats have largely remained undisturbed. Animals such as desert skinks, sand goanna, and hornbills occupied the desert among other things.
Four desert ATV’s traveled in sync towards their destination. Erik Stevens with a black bandanna on his head, aviator shades shielding his eyes from swirling sand, stood up in his seat, taking in the view. He was dressed in a washed-blue Henley with khaki cargo pants and steel toe, Timberland hiking boots in a brown color. Y/N sat with a desert scarf covering her braids and face, shades over her eyes. She wore a long-sleeve, fitted white top with camouflage cargos that hugged her hips and ass. She had a pair of HOKA hiking boots on her feet in a teal color. She gazed out over the vast area, happy that she came along.
“Alright there, bloke?!”
A fellow environmentalist named Parker was controlling the ATV to their destination. Parker had sandy brown hair and forest green eyes. Erik replied with a thumbs up and a smile.
“Your lady?!”
Erik looked down at Y/N to check on her. She lifted her shades and winked at him playfully.
“She’s perfect!” Erik replied.
“Almost there! Ten minutes!”
“You seeing all this, baby?!”
“Yeah!” Y/N shouted.
It was beautiful. She was going to enjoy this. Bret was in the first ATV with his mistress; Jane and the other two ATV’s were packed with other engineers including Michelle. They finally arrived in an area filled with tents. Their ATV slowed to a dirt, swirling stop and Erik jumped out. He opened Y/N’s door and helped her out. Erik led her towards the area and Y/N watched the others exiting their vehicles. She noticed Michelle straight away. She was wearing a form-fitting leotard in a sage color. She was too busy shaking her curls out because of the sand. Something must have touched her arm—some insect. She leaped away and started squealing. Y/N giggled to herself.
Stupid bitch.
“How was the ride over?”
One of the new environmental engineers that replaced Connie; Aaron, was walking over to Erik. He’s the youngest of the bunch and Erik spoke about him a lot. He said he reminded him of how he was. Aaron was tall and lanky with a curly fro and light-brown eyes. His wide grin was enough to let Y/N know that he had a good time.
“Great! Really great!” Aaron replied.
“My CFO, are you ready?”
Bret approached Erik and shook his hand firmly. Jane lingered in the background on her phone and Michelle stood beside Bret, her eyes giving Y/N a quick once over.
“All ready, boss. Let’s get to it.”
Bret held his hand out to Y/N, “Nice to see you again, beautiful. This guy still treating you right?”
“Oh, yeah! Nothing to worry about, “ Y/N squeezed Erik’s hand affectionately.
They all walked towards the area and a short, pudgy man with balding hair dressed like he was ready to wrestle crocodiles and a tall, fair-skinned biracial woman with close-cropped hair wearing a denim top with denim shorts, a bandanna around her neck, and hiking boots on her feet waved to them.
“Arvo! Welcome to Australia! I’m Jeanie,” she walked down a line shaking all their hands.
“And I’m Robert.”
“Let’s talk shop! I have a tent set up here with beverages and snacks until you all get back to your resort.”
Y/N followed closely behind Erik into a tent with fans circulating. She exhaled a longing breath that she would be able to cool down. Everyone got settled and introduced themselves to others in the room before getting down to business. Erik got up to present with Bret to the group. They had an entire presentation layout and Bret allowed Erik to have the floor.
“Hundreds of fires burnt, mainly in the southeast of the country, until about May of 2020. The most severe is happening as of recent, in 2022, peaking from December to January. The fires burnt an estimated 24.3 million hectares, destroying over three-thousand buildings, and killed almost one hundred people. AECOM is aware of the natural disasters happening here in Australia. Including the most recent—flooding. We would love to extend our support and partner with you on future projects. You’ve seen our constant pursuit in rebuilding Sudan and other parts of Africa. Allow us to pitch a hand at making sure the surrounding habitats and wildlife are safe…”
Erik had this knack for captivating an audience. It didn’t take long for the Australian environmentalists to be on board. This was much smoother than their Alaska trip. Erik opened the floor for questions, and he answered each one honestly and intelligently. Y/N found herself falling back into old habits of writing down important information. After all, he didn’t bring his new assistant. They took a break from working hard to mingle. Y/N helped herself to some Aussie Bites and water, taking a seat at an empty table while Erik did his thing.
“Mind if I join you…”
Y/N glanced up at Michelle and Jane making themselves comfortable at Y/N’s table.
Then what was the point in asking?
“Sure,” Y/N replied dryly.
“How’s everything, Y/N? Been good?” Jane asked.
“Yeah. Finally getting to do what I love and make a difference, you know?”
“What exactly do you do?” Michelle questions.
“I have a non-profit for environmental impact. I designed different clothes and partnered with other eco-friendly brands to boost my work…”
“How interesting. I’m sure Erik is pleased. Mr. Carbon Footprint…”
Y/N internally cringed at that nickname.
“If you don’t mind me asking…did you two hook up while you were working at AECOM?”
Jane looked at Y/N out the corner of her eye. She knew not to chime in. She was currently fucking the CEO. Just had his offspring three months prior.
“I do mind actually.” Y/N quipped.
Michelle narrowed her eyes threateningly. Jane could sense the tension.
“Y/N, I love your nails, very pretty,” Jane pointed to Y/N’s almond-shaped pinky-nude nails.
“Thanks, Jane.”
She could tell that Michelle was jealous. Envious of her relationship with Erik. A bitter bitch.
“I’ll see yall around,” Y/N stood up when she noticed Erik was ready to get back to work.
After another hour of planning their short work trip, they all hopped back into their designated ATV’s and made their way back to the resort. Y/N couldn’t wait to take a long bath and snuggle beneath the luxury sheets.
“Today and tomorrow will be work days for me. On our last day here, I have something special planned for us.”
Y/N leaned into Erik while they were on their ride back to the resort.
“A surprise?! All for me?!” Y/N replied with a giddy smile.
“All for you! It’s a surprise though. No guessing.”
“Unlike you, I adore surprises.”
It took them a total of forty minutes to get back and when they did Y/N didn’t waste time leaving the ATV. She was covered in sand and her skin felt itchy. They were staying at the Crowne Plaza Adelaide—a contemporary haven located in the city’s vibrant East End. It had spectacular views of the city and the famed Adelaide Hills from South Australia’s tallest building. Their things were taken in on trolleys while everyone checked in. It felt good to walk in and not have to sneak around.
“We have a King premium with a city view…”
Y/N accepted her keycard and Erik insisted that he could take their belongings to the room. They both took the elevators to one of the top floors and Y/N made her way to the room to hold the door open for Erik.
“This is nice…”
Their suite gave them a glorious view of the dazzling city. There’s a walk-in shower, with other hotel amenities and the bed looked nice and cozy with lots of space.
“How do you like it so far? You think we got a shot?”
“I do. They seem on board with it all. I believe they will accept your offer.” Y/N replied encouragingly.
“I hope so. I worked hard on this. Bret was ready to pull the plug but I pushed him to keep going.”
Y/N wrapped her arms around Erik and rest her chin on his chest, staring up into his cognac eyes fringed with thick lashes.
“You got this, daddy…you always do. You’re the best thing to ever happen to AECOM. Bret wouldn’t be able to function without you. You could be the CEO and really show ‘em how it’s done…”
“Hmm, CEO, huh?” Erik cracked a dimpled smile.
“The best CEO. You’d take this company to soaring heights. You’d be a legend…”
Erik peered into Y/N’s eyes longingly. He lowered his head and kissed her, smiling against her lips.
“Shower,” Y/N tried to pull away from Erik but he had a tight hold on her, “We’re filthy!”
“Okay…”
Y/N got undressed and trekked that beautiful body into the bathroom with a seducing sway of her hips. Erik waited until she turned on the shower before opening one of his bags. He grabbed a black velvet box and checked to make sure she wasn’t in sight before opening it. Erik stared down at a white gold halo engagement ring with a 0.76 carat diamond. He studied it carefully to make sure it didn’t have any damage to it from travel.
A nervous sensation formed at the pit of his gut. He shut the box softly and then he released a shaky breath before turning to place the ring back in his bag.
“Erik?—”
He shot up from his bag quickly. Y/N was standing in the doorway in her naked glory, staring at Erik with a skeptical eye.
“Are you okay?”
“Yeah, yeah. All good. Just grabbing some briefs and a tank to throw on afterwards…”
“Oh, you won’t be needing that daddy,” Y/N gave him a sly smirk, “I want some dick.”
Erik’s eyes roamed her body. Her words had his dick chubbing up quick. He quickly removed his clothes and rushed into the bathroom.
—————
After two days of lackluster activity, it was finally their last day in Australia and the day of Y/N’s surprise. Erik made a room service order for breakfast instead of meeting Bret and the others downstairs. Their second day in Australia required a lot of touring and outdoor activity. Y/N joined them on the first half of the day, but Erik asked her to stay behind until he got back. He set up an entire day of relaxation for her. She went to the spa, and had a personal driver take her out for a bit of shopping and lunch. When Erik returned, they ordered food into the suite and sat in bed naked while watching Love Island.
Y/N was still sound asleep when their breakfast arrived. Erik grabbed their cart of food and set it up on a table for them to enjoy. He stepped over her designer shopping bags and returned to bed, climbing in carefully. Y/N’s serene face glowed in the morning sun that peeked through the slightly drawn curtains, bohemian knotless braids scattered across the pillow. Erik smiled, brushing his knuckles against her warm cheek. She was beautiful beyond words.Y/N stirred and stretched her limbs. Erik felt her lashes flutter against his chest before she let out a gentle sigh.
“Morning,” she murmured against his solid chest.
“Morning, Angel,” Erik leaned in to kiss her cheek, “I ordered us breakfast.
“Thank you.”
Y/N finally opened her eyes and looked up at Erik.
“Waking up to your face every morning just does something to me,” Y/N said.
Erik stroked Y/N’s bare arm, “I’m happy to have that effect on you…”
Y/N giggled before sitting up fully. She was naked beneath the sheets. Erik stole a kiss from her before climbing out of bed. Y/N excused herself to the bathroom and earned a slap to the ass while she brushed past Erik. It didn't take Y/N long to return. She was wearing her robe open. They tucked into their food and Y/N looked across the table at Erik with a questioning look on her face. He didn’t realize how hard he’d been staring at her.
“Erik, what’s up with you?”
He knew what was up with him but he couldn’t say at the moment.
“I’m just…happy to be here with you. I love you.”
“Aww, love you too, babe.”
Erik tried to settle his nerves while eating. He swore he wouldn’t be nervous about the proposal. But the reality of it all, and seeing this beautiful woman in front of him, he couldn’t calm down. In his heart, he knew she would say yes.
“Erik, did you hear me?”
“…huh?”
Y/N forked some of her eggs, “Are you worried about the Australia deal?”
“…Ever since I became CFO, I’ve done nothing but worry.”
“I’m gonna have to fix that…”
Y/N took a sip of her orange juice and stood up, making her way over to Erik. Erik watched her drop down on her knees in front of him, fumbling with his briefs. She looked up at him with a smirk.
“Take these off.” She whispered.
Erik chuckled before raising his hips, lowering his briefs. He was semi-hard and hanging over his balls. Y/N gripped him and started slowly stroking him to full capacity. She never took her eyes off of him. Erik’s eyes remained locked on hers.
“When I first laid eyes on you…when you walked into that office…something told me you were special…and I was correct…”
Erik parted his lips, revealing his tongue that swiped his bottom lip.
“I would watch you from my cubicle…peeking at you while you talked through your Bluetooth…played with your Rubik's cube…pace back and forth while studying your paperwork…I started developing a little crush on you…”
Erik had never been told any of this. His dick evolved in her hand in a matter of seconds. Veins protruding, tip seeping precum, and shaft rigid.
“…but I knew that it wasn’t right…I knew I shouldn’t have those thoughts…but the more we connected, the more I wanted to see what it would be like to kiss you…and touch you…” Y/N stroked his tip with her thumb, “I’m so happy that you felt the same…I just wish it was you first and not him…”
Y/N peppered soft kisses along his dick. Erik closed his eyes and savored the feeling of her soft lips on his hard dick. One of his hands rose to stroke her head. She started moaning with each kiss. Erik opened his eyes and watched Y/N sink her tight lips around him. Erik gripped the arms of the chair to control the urge to force her head down on his dick.
“Fuck…baby…that feels so good…”
His feet slid across the carpet. His pecs jumped. He dragged his teeth across his bottom lip. The slow sucking had him in a whirlwind. She was showing him with that talented throat of hers just how much she loved him. Their eyes connected and Erik almost bust on her uvula with that look she gave him. Such a nasty girl.
His brows knitted together each time she would focus on his tip. He was so close. She increased her pace and Erik couldn’t take it anymore. He palmed the back of her head and bounced her slutty mouth on his big dick. The gawk gawk gawk gawk grew louder and louder. Erik bit down hard on his pouty bottom lip, quads flexing and hips levitating from the chair.
“Fuck baby…dats it…uhhhhhh…drink this nut…drink this nut down…..huuuuuuuhhhhhh….”
Y/N emptied him like a insatiable woman. No cum left behind. She sat back and licked her lips. Erik held his dick at the base and watched Y/N tongue away a trail of cum from his tip.
“I needed that bad,” Erik threw his head back and laughed.
“I know you did!”
Y/N stood up and Erik grabbed her hand, pulling her onto his lap. He tongue kissed her nice and sloppy. That had her pussy good and wet, he knew that for sure.
“My turn.” Erik whispered.
He picked her up and placed her on her back on the bed. Y/N spread her thighs and then with one hand she stroked her clit to tease him. Erik crawled up onto the bed and Y/N pressed her foot against his chest. Erik playfully nibbled on her toes and his teeth grazed up her leg until he was situated between her thighs and staring into her wet flower. He strong-armed her legs to keep them out of his way, and then he used his tongue to savor her taste. Y/N threaded her fingers through his tapered locs.
“Eat that pussy…yes…”
Erik flicked her clit with his tongue at just the right angle that had Y/N squeezing his head with her thighs. Erik forced her thighs open and with furrowed brows and his eyes closed in bliss, he sucked and licked all over her puss. Y/N wiggled beneath his attack to her folds.
“Fuck, fuck, fuck, ERIK!”
Her nipples were hard, her clit twitched against his tongue, she looked pleasantly ruined. Erik added two fingers and sucked her clit into his mouth while finger-fucking her. Y/N sat up on her elbows to watch him. He looked up at her, watching her come undone. She moaned so angelic it was music to his ears. Her legs quaked from her orgasm and Erik kissed her pussy.
“Good girl…”
He made his way up to her and before he reached her lips, he sucked on her nipples. Y/N hooked her leg beneath his and forced him onto his back. Erik looked up at her with wide eyes. She reached down and pointed his dick at her pussy. Erik popped her on the ass.
“Get down on this dick…”
Y/N turned reverse cowgirl so Erik could have a better view. She threw her braids over her shoulder, looked back at Erik, and sank that good pussy down on his big dick. Erik was dizzy from the up and down motion of her ass. Her cheeks clapped against his hips. She moaned and talked her shit, taking what’s hers. What will be hers forever.
“You fuck this dick, baby. Get yours…”
“This my big, fuckin’ dick…”
“Show me…keep showing daddy…good girl..”
“Uhuh, I’m your good girl…no other bitch can fuck you like I can—”
“Gahdamn, baby…”
Erik gave her two appreciative slaps to her cheeks. She was correct. Ain’t no other like her.
“I can feel that dick getting bigger in me…pressing against my walls…you wanna cum?”
Erik groaned, “Make me cum.”
“What do I get for making daddy’s big dick cum? Do I get a present?”
You’re getting a ring on your finger and a baby in your womb fucking with me.
“Whatever you want, baby. Whatever you want…fuck…I’m close…”
Y/N bounced harder. Erik’s body seized up. He extended his neck and grunted deeply. Erik’s dick pulsated deep within her, covering every ounce of that lethal pussy with milky-white jizz. He was spent. She wore his ass out. Y/N leaned forward so Erik’s dick could slip out. He watched her push his cum out that wet ass pussy and he almost fucked her again.
“Nasty bitch…”
Y/N giggled, turning to lay next to Erik.
“The food is probably cold…”
“We’ll microwave it in a minute…let me rest my eyes…”
——————l
They sat in the back of a chauffeured car on the way to their surprise destination. Erik gripped Y/N’s hand tightly, admiring how beautiful she looked in one of the new dresses she purchased. It was an emerald green, strapless, ruffled fringe dress. She wore the Van Cleef and Apels earring, necklace, and bracelet set he purchased for her birthday. His favorite heels were on her feet and so was an anklet with his name on it. She covered her beautiful brown skin with a body shimmer that glittered in the light.
Erik wore a Ralph Lauren tailored velvet suit jacket in emerald with a white button down and a black bow tie and black slacks. Dior Derby dress shoes were on his feet, and he accessorized with a custom made Eliantte diamond watch and pinky rings. His locs were braided back—Y/N did it for him. Y/N remained blindfolded the entire ride. They arrived to take a jet and Erik hopped out, jogging around to open Y/N’s door for her. He held his hand out for her to take and she grabbed it.
He removed her blindfold and Y/N opened her eyes, staring at a personal jet. It was one of the best in Australia.
“Erik?!!! A jet?!!! Where are you taking me?!!!”
Erik smiled at her excitement. He grabbed her hand to stop her movements, leading her over towards the jet. He had her climb on first so he could make sure she didn’t fall. They settled in their seats and while the pilot prepared for take off, an attendant sauntered over to fill their glasses with champagne. Y/N stared across at Erik with glee.
“This is bringing back memories…”
Erik laughed, “Some of the best memories we’ve created. I don’t know though…tonight might top that…”
Y/N squinted her eyes at Erik.
“What do you have planned, Sir?”
“Drink your champagne.”
Y/N poured her lip, reaching for her drink.
“How long till we get there?”
“About an hour. Hour and a half…”
They stared down from the clouds at Australia below. Erik needed the distraction. He was too tense. Y/N kept him calm with her stories. He loved listening to her talk. They were descending after an hour and fifteen and Erik had to take a deep, calming breath. His jaw tensed as he unbuckled himself. He made sure Y/N was straight before they both exited the jet. Another car was waiting for them.
They entered the SUV and Erik made sure to put her blindfold back on before stealing a kiss. He squeezed her hand affectionately, staring out the window. His heart pounded against his rib cage. He could feel his hands sweating and shaking slightly. Y/N didn’t question it thankfully. The SUV slowed to a stop outside of their destination. Erik exited the car and held a hand up to the driver, stopping him from opening Y/N’s door. They left the car and Erik pressed forward, pausing directly in front of the entrance to their memorable evening.
“Okay…we’re here.”
Erik looks down at Y/N, taking her in before removing the blindfold.
“Open your eyes.”
She opened them on his command, and her hands went up to cover her mouth in shock. She stared at him with wide, shiny eyes. Erik smiled down at her fondly. There were people holding the doors open for them to enter.
“Erik…the aquarium?! We’re having dinner here?! This is so cool!”
She jumped up and wrapped her arms around his shoulders. Erik wrapped his arms around her waist, swaying her from side-to-side. He closed his eyes and planted a kiss on her neck.
Erik reserved the entire AQWA Aquarium in Western Australia. One of the best in Australia with an underground journey along their coastline. It has stunning exhibits and iconic creatures. Erik rented out the entire dining area for the evening and booked a photographer. They climbed the stairs carefully, greeting the workers at the door. Y/N took in everything with a bright smile.
They were given a guide to take them throughout certain areas before they had dinner. Y/N held Erik’s hand, stroking it with her thumb. He looked down at her and she met his gaze with loving eyes. It was an aquatic paradise. So many marine animals and colors. Y/N pressed her face closer to the glass, eyes wide and filled with thrill. Erik admired the way the motion of the water created patterns against her brown skin. He couldn’t wait to travel the world with her. His fingers grazed the ring box in his pocket with anticipation the further they traveled.
They made a pit stop at a gift shop and Erik purchased a large, dolphin stuffed animal for her as a souvenir. After an hour and some minutes, they finally entered the dining area. It was a large, undersea restaurant located sixteen feet below sea level. They would be able to enjoy their meal with 180–degree panoramic views of the water above them. Erik pulled out Y/N’s seat directly next to the glass so she could have a closer view. It was a fine dining experience to remember.
“This menu has a lot of seafood on it.” Y/N jokes.
“Says the woman who loves crab legs and salmon.”
“Sorry fishies,” Y/N whispered, “You’re just so GOODT.”
“Finger-licking good,” Erik added with a chef’s kiss.
They enjoyed lobster bisque, crab bites, and shrimp cocktail before their main dishes arrived.
“Let’s toast,” Erik raised his wine glass, “To many memories with you. To traveling the world. To love.”
“Here! Here!”
They clinked glasses and both of them watched each other take a sip.
Their plates of sizzling fish with roasted vegetables and red potatoes arrived. Y/N snapped photos of her plate before taking a bite. It was delicious.
“I love how intimate this is. When did you even have the time to do all of this?”
“I make a way. Took care of it before the trip.” Erik responded.
“You never cease to amaze me, Erik.”
“That’s the plan,” Erik elevated a single brow at her.
“I love you,” Y/N spoke softly.
Erik gave her a half-dimpled smile, “I love you too, baby.”
They finished their meal and Erik made his cue and a photographer was waiting to come out after the final act. Erik shifted in his seat, praying that everything worked out how he planned. He had to draw her attention to the glass.
“Look at all these pretty fish…”
Y/N gazed out at the fish swimming. The photographer started recording the encounter. Erik kept his finger to the glass, pointing at random fish to keep her attention. Music started playing, a saxophone rendition of Whitney Houston’s Saving All My Love For You. Y/N swayed in her seat, singing along to the love song. Erik watched her with glossy eyes.
“Baby, baby, look…”
He pointed to a diver making his way towards them. Y/N’s eyes bugged out in shock. The diver settled in front of her underwater. They waved their hand to her, and Y/N waved back. De’Ree I’m Kissing You started playing. Y/N giggled at the choice of song, since Romeo and Juliet was one of her favorite movies and the scene where Romeo looks at Juliet through the fish tank makes her cry. The diver pulled out a peace of paper, Y/N trying to make out what it said.
Erik watched her with a penetrating stare. The paper unfolded and the words were clear as day.
Y/N L/N Will You Marry Me?
She looked at Erik across that table. Her hands shot up to cover her mouth first. Erik stood as the song began to fade out, making his way towards her. The photographer drew in closer, Erik dropping down on one knee. Y/N gripped the arm of the dining chair with one hand while the other covered her mouth, eyes flooded with tears and shoulders slightly bouncing as she cried.
Where are you now?
Where are you now?
‘Cause I’m kissing you
I’m kissing you, oh…
“Erik…oh my god,” Y/N sobbed, “oh my god…”
He opened the box. Y/N weeped harder. Erik lowered his head to wipe his own eyes.
Marry me, Y/N,” he blurts out with a shaky voice.
“Erik…” She was in pure disbelief. Even after he expressed to her countless times how much he loved her. The song replaying again made the moment more beautiful.
“…Because I love you,” he says, staring up at her and taking her hand in his, “and I want to go to sleep with you every night and wake up seein’ your face every morning. I want you to be the mother of my children, I want to see the world with you. I want to climb mountains with you and be challenged by you, I want to argue with you just so we can have crazy, hot, makeup sex…”
Y/N laughed at that last part as her tears fell. She was so stunned that all she could do was stare down at him on his knee, the white gold halo engagement ring with a 0.76 carat diamond brilliantly blinding her.
“…Marry me, because without you I’d be lost….and because I love your family like they’re my own…and because you’re my best friend and I want to grow old with you.” He starts tearing up, and it’s shocking because she’s never seen him cry. “Marry me, Y/N, because all I could ever think about since the Alaska trip was making you my wife. Say yes, Y/N.”
Y/N was blown away by the shock of it all. The big rock that he was proposing to her with, his meaningful words, how she was not expecting such a beautiful and heartfelt moment. She’d loved aquariums since she was a kid. Erik took careful consideration into making sure it was all perfect for her. To have a man like this in her life…she burst with happiness and tears leaked from her eyes even more. Y/N covered her face with both hands and bent forward, body shaking from the uncontrollable crying she was doing.
She could go on and on about how amazing Erik is; her Office Bae. He set the tone. He stepped up when her ex couldn’t even do that after so much time together.
He defended, protected, encouraged, and would carry the planet on his back for her. She finally removed her hands from her face, makeup still intact thankfully. Y/N straightened herself and fanned her eyes to control the tears. Erik stared up at her with tears in his eyes and a smile.
“HELL YES!!!!!!!”
Y/N jumped up and down, spun around, threw her arms up. Erik finally stood up and he couldn’t contain his joyful laughter. She held her hand out and he gently took her delicate hand in his, the breathtaking ring sliding down her fourth finger, a perfect fit like Cinderella’s glass slipper. He’s her Prince Charming.
“YES! YES! YES! YES!”
Throwing her arms over his shoulders, Erik’s arms circled her waist and he spun her around like a princess in fairytale endings. The photographer worked overtime snapping photos. Y/N stretched her hand out to admire the engagement ring, a cheesy smile on her face. She was all teeth and gums. Erik peppered kisses along her cheek while still holding her up off of the floor.
“I love you so much, I’m so fucking happy that you said yes,” Erik spoke with a hushed tone.
“It was always going to be a yes, baby! I’m so happy you came into my life…”
Erik finally put her down and he watched her admire and gawk at the size of the diamond. He chucked at her shocked expression, unable to keep his hands to himself. He gripped her waist, pulled her closer, and kissed her forehead.
“To forever with you…” Y/N said, looking up at him with a smile, “I love you, baby.”
Y/N grabbed his face and Erik leaned down, kissing her passionately. His tongue smoothed over hers in a sensual dance. Hearts racing, they both smile against each other's lips. She couldn’t wait to start their life together.
Mrs. Stevens had a ring to it.
Where are you now?
Where are you now?
‘Cause I’m kissing you
I’m kissing you, oh….
@hearteyes-for-killmonger @imagining-greatness @chaneajoyyy @uzumaki-rebellion @lisayourworries @ratedbadgal @bombshellbre95 @cancerianprincess @dameshaemonique @6lack-1otus @thickemadame @thickeeparker @stinkalinkkkk @ehniki @electrixt @prettyisasprettydoes1306 @melodichaeuxx-lacritquexx @bxolux @sweet2krazee @seyven89 @ispywithmylileye @geemamii @unbotheredblackchild @nubianbabee @adoreesun @blackpinup22 @nayaxwrites @cocoa-puffs @dersha89 @honeytoffee @thickianaaaa @modelmemoirs @why-wait-4-eventually @queenfaithmarie @angelicniah @soulfulbeauty19 @aijha @novaniskye @callmemckenzieee @blowmymbackout @lahuttor @momobaby227 @blackerthings @kenbieee @princessxotwod @palmstreesallday @kokokonako @coolfancyone @soulsparker @richgirlaesthetics
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sp1d3rzz · 9 months ago
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The Devil's Bride
Ryōmen Sukuna
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Warning!! : Mentions of death/killing, forced marriage, and basically Sukuna being an asshole and having no respect for reader.
Summary : After Sukuna reclaims his throne and becomes known as the King of Curses once again, he decides on bringing forth a Queen. You
A/N : I somewhat switch pov's during this so don't get confused. Part 2 coming soon!!
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Days have passed since Sukuna has once reclaimed his throne. Yet, he seems to be bored out of his mind. There's nothing to occupy him from his apathy.
Sure, he has countless people at his feet he can order to do as he pleases. But what's the fun in that? He needs something exciting to happen. Something to fill his empty pit of boredom.
He contemplates on whether or not he should start a war, find more slaves soldiers to do his bids, or perhaps even go on a killing spree somewhere random in this dark, dark world. Better yet— why not just kill everyone??
Well, not yet at least.
His teeth grind together and his fists clench in annoyance to this endless pit of nothing he can't seem to shake off.
But just before he rips someone's eyes out with his bare nails from frustration, he forges an idea. And with that idea, comes a no-good smirk spreading across his face.
What does every king have in every fairytale, movie, and book? That's correct. A Queen.
"You." His thundering voice reaches the ears of a guard who could be approximately 52ft ahead of him. "Come here." he motions with his fingers.
Almost immediately, the soldier makes his way up the steps and to the throne of his King. "Yes, my Lord?"
Sukuna makes a simple face of boredom, supporting his head with a propped up fist. "Gather 5 of my best soldiers and find me my Queen." his eyes squint, which silently says 'Hurry it up.'
And without another word, the guard takes off to seek out to the Kings orders.
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Not many people could get in the mind of Ryōmen Sukuna. To understand what goes on in that so called empty mind of his is mildly impossible. But, taking a wild guess, the soldier puts together things the King takes an interest in.
Power, Control, and Cruelty.
To find a Queen fit to the Kings likings, she must be innocent. A girl who can't stand up for herself, but when she attempts to, she cowards out.
A girl who needs someone to make the decisions for her. But also a girl who has a little spark in her soul. A spark that can carry her to victory no matter the battle.
This shall be the woman who Sukuna finds quite delightful.
The next step was finding a girl who fits this description.
While this soldier is pondering off into space, he almost forgets about his group of men. Which, he's surprised to see catch up to him with a younger looking woman.
"P-Please!! Let me go!" she sobs, loud enough the birds in the trees fly away and flee from the scene.
Tears flow down her cheeks and onto the dirt. Her clothes are scrunched up and dirty, most likely from how roughly his men handled her. And her breathing is so uneven, she might just pass out.
"I swear I'll never tell a soul—" hic! ",if you just let me go!"
There's two men on each side of her, both practically dragging her through the ground. "We found her out here by herself. She seems to be lost." The one on the left inquires.
Once she's dragged to be met face to face with the lead soldier, he grins.
She's a mess. Forehead so sweaty strands of her hair stick to it. Panting so rapidly, she might use up all the air she has left in her lungs.
The soldier takes one last look at the girl, eyes scanning her over, just to analyze how fit she is to take the role as Sukuna's Queen.
"What do you want for me?! Why– why are you doing this!" the girl begs to know any sort of information. Anything to get a grasp on herself.
No one responds.
She looks to her sides, expecting any kind of answer. But is instead met with the men completely ignoring her.
"She'll do perfectly."
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Heavy footsteps echo throughout your head, which by now has been ruined with a horrible headache. Lucky you.
It's hard to tell how long you've been out for. If they've hurt you, or if you've somehow died and awoken in the after life.
The only thing you're sure of is how much pain is coursing through your body. It's to the point you're numb all over and you can barely lift your head up. Barely lift a finger for that matter.
"My lord." A familiar voice rings in your ear and back out. "Your Queen." Another one seems to say in-front of you.
In a desperate attempt to figure out what the hell is happening, you weakly lift your head, blinking a couple of times to regain your focus.
Your vision still remains slightly blurry, but you're only able to make out a set of stairs. Stairs that lead to what seems to be a throne. And in that throne, sits a man.
As you concentrate on this mysterious man, your vision slowly begins to recover.
He has spiky pink hair, long black nails, two eyes on one side, with a plated set of 2 more next to it, and 4 arms? His chiseled shirtless body seems to be tattooed with stripes and dots on each of his shoulders. No, no, this can't be right.
"Bring her here." his voice practically echoes into the air.
Your eyes widen to this sudden command, and you wiggle your arms, attempting to loosen yourself of the men who have you a strict hold over you.
Though it seems to not work, because the men ignore you and continue to their orders. Step by step, the men take you to who appears to be the lead of this whole situation. The man who looks to be the devil himself.
In protest, you kick your feet a little, trying to gain balance and hopefully escape wherever you've been brought to.
But before you can successfully break away, it's too late.
You're met with the horrifying (but somewhat sexy) face of the man who has caused you all of this misery. You scowl at him, which in return earns you a small look of satisfaction.
Disgusting.
His men hold you up to him like a piece of meat, dangling you in-front of his nose as if he was meant to devour you with one swift bite.
His eyes scan up and down your figure. Almost like he's purposely invading your personal space. "Pretty little thing, aren't you?" his words taunt you in a sense you'd never thought you'd feel.
You avert your eyes from his. Turning your head away so he's only in view of your cheek. You're mentally unable to face him.
The prideful moment you had was quickly interrupted. With one swift move of his arm, his hand snatches your chin and snaps you back so you can looking him eye to eye. "Did I say you could look away?" he growls.
His sharp nails press into your skin, making you wince. With how tight his grip is on you, it feels like your skin might tear.
His brows scrunch together lightly as his eyes lock with yours.
"I-"
"Silence." he's quick to cut you off.
Your mouth closes shut almost instantly, and your head drops once he releases you from his grasp. Pathetic.
Everything hurts so much. Your head, your body, and apparently your voice now too.
Small whispers spread around you. From one person to another, you can hear all sorts of comments the strange people are making about you.
If the men holding you up right now were to let go of you, you're sure you would collapse and never get back up again. Fall into an endless abyss and never awaken.
"Take her to the cellar. I shall deal with her later." he orders.
You groan a little when the men tighten their arms around yours. But your vision fades back to nothing as they take you away.
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It's been hours.
Hours of crying, screaming, and wishing upon your own death. To end this confusing mess that has somehow been brought upon to you.
You're curled up in the corner of the cell, cold walls and bars keeping you away from whatever source of life might be out there.
It almost pitch black in the haunting cellar. The only things in sight is your arms, which wrap around your legs to pull yourself into a tight ball.
Everything feels dirty. You feel dirty.
Small droplets of damp moisture fall from the ceiling and hit the rough concrete. Your skin is hot, tingling up your bones to the point you might overheat.
Your mouth is dry, deprived from the lack of water you've had in the past week or so.
Before you were captured, you were on the run from home, escaping the endless chains of torment your parents had put you through.
It might have been a stupid decision, especially since you had no where to go at the time, but it had to happen. Your life wasn't meant to be lived like that, and neither was it for this life.
Your eyes close shut, mind struggling to block out the unbearable sound of water meeting cold, hard, ground. It itches down your skin with every fall.
Abruptly, the creak of a wooden door captures your attention quickly. Lifting your head up out of curiosity to see who's there.
"H-Hello..?" You call out, but it seems useless since no one replies anyways. Though you know someone has to be there. The evidence of lingering footsteps tells enough.
Seconds pass by to what seems to be an eternity before the footsteps stop in-front of your cage cell.
Everything, including the man in-front of you, seems so unreal.
He doesn't say anything, just stares down at you as if you were just some dirt on the floor.
"What do you want from me!" You shout at him, but it appears to get you no answer except a irritating frown.
Your teeth are gritted together, and it take everything out of you to not pounce at him. Well, not like you have the strength or energy to do so anyways.
He rests his bottom two arms on his hip, and crosses his other two over his bare chest. "Y'know, you're starting to piss me off."
A moment of silence rests between the two of you before he finally speaks up again.
"What's your name?" it's more of a demand than a question, but you don't care. You don't owe him anything.
And once again, another pass of silence flows by.
He raises a brow, giving you another chance to answer. But, it seems you wont of any use for the time being.
"Name's Sukuna, but you can call me your King."
His words catch you by surprise, lifting your eyes up in a shockingly manner. "W-What..?" you have to confirm what he just said was actually him and not just an imaginary voice in your head.
He let's out a huff, shaking his head to your stupidity. "Do you know why you were brought here?"
Well obviously not, or else you wouldn't have been taken aback to his statement. "No, I don't."
"You were brought here to stand beside me as I rule over this.. kingdom of mine."
And just like that, his words crash and bring down your whole life. Everything you've been through, fought for, and accomplished are all worth nothing. It was all useless.
"No, I refuse–"
A hand slams down on the bars, causing you to flinch. "I don't remember asking how you felt, did I?"
Immediately, you go quiet. The hurtful beating of heart being the only sound audible as he glares down at you from behind the bars.
"Tomorrow shall be the wedding. I'll have my men bring you to me first thing in the morning."
Leaving you no time to protest, question, or even give him a snarky reply, he disappears.
You're left all alone, mind now pounding with how quick this is all happening. You have no say in anything, it seems.
Nothing seems to matter when you feel your eyes flutter close. Too exhausted to reject this rest, you fall asleep.
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Thank you for reading! I'll try to have part 2 out as soon as possible (which contains the smut 👀) but I hope you guys enjoyed this so far ^^ Reblogs are also greatly appreciated 💗💗
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wowzer-bowzer · 4 months ago
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Title: A Perfectly Simple Gesture
Summary: Kate asks you out on a date.
Kate Martin had never been this nervous before a date, and she’d been through plenty of them. But today was different. Today, she wasn’t just going to a party or a casual hangout. Today, she was going to ask someone she deeply cared about out on a proper date.
Kate’s heart pounded as she stood outside of your dorm, clutching a bouquet of bright, colorful flowers and a small box of chocolates. It was a crisp autumn afternoon, and the campus was alive with the sounds of students rushing between classes. The leaves had turned shades of orange and gold, making the scene outside your dorm picturesque and fitting for what Kate had planned.
She took a deep breath, trying to calm her racing heart, and finally knocked on the door. A moment later, you opened it, you face lighting up with a bright, genuine smile when you saw Kate standing there.
“Hey, Kate! What’s up?” You asked, your tone warm and curious.
Kate’s nerves were palpable, but she managed a smile as she held out the flowers and chocolates. “Hey, Y/N. I thought I’d surprise you. I brought these for you.”
Your eyes widened in pleasant surprise as you took the bouquet, inhaling the sweet fragrance of the flowers. “Wow, these are beautiful. Thank you Kate, I love them!” You glanced at the box of chocolates with a grin. “And chocolates too? You’re really going all out.”
Kate chuckled, feeling a bit of her nervousness ease. “I guess I wanted to make today special. I was actually hoping we could talk for a minute. Maybe go out for coffee or dinner?”
Your expression softened, a mixture of surprise and curiosity dancing in your eyes. “Are you asking me out on a date?”
Kate nodded, her face flushing slightly. “Yeah, I guess I am. I’ve been wanting to spend some more time with you, just the two of us. And I thought this might be a nice way to do it.”
Your smile widened, and you stepped aside to let Kate in. “I’d love that. Let me just put these in water and we can talk about it.”
Kate followed you into your dorm, taking in the cozy, personal touches that made the room feel uniquely yours. The walls were adorned with photos and posters, and a small desk was cluttered with textbooks and notes. It felt intimate, and Kate felt a bit more at ease.
You placed the flowers in a vase and set the chocolates on the desk before turning to Kate. “So, where are we going?” You asked, you eyes twinkling with excitement.
“I was thinking we could try that new café down on Main Street. I’ve heard they have amazing lattes and pastries,” Kate suggested. “We could just hang out and see where the day takes us.”
“That sounds perfect,” you replied, your smile never fading. “I’m really glad you asked.”
Kate felt a rush of relief and happiness. “Me too. I’ve been wanting to spend more time with you, and I thought today would be a great chance to do that.”
You spent a few more minutes chatting and laughing, enjoying the easy camaraderie that had always been a part of your interactions. Finally, you headed out together, walking side by side through the autumn afternoon.
As you reached the café, Kate couldn’t help but feel a sense of contentment. Everything seemed to be falling into place perfectly. You ordered your drinks and pastries, finding a cozy corner to sit and talk. The conversation flowing effortlessly, punctuated by shared laughter and meaningful glances.
By the time you both finished your coffee and pastries, the sun was beginning to set, casting a warm, golden glow over the city. Kate walked you back to your dorm, feeling a sense of accomplishment and joy for the day.
Once at your dorm, you paused, you both a bit reluctant for the day to end. You looked at Kate with a soft, appreciative smile. “Thank you for today. It was really amazing.”
Kate smiled back, feeling a surge of warmth. “I’m glad you enjoyed it. I had a great time too.”
You shared a tender hug, and Kate couldn’t help but feel a sense of excitement for what might come next. As you closed the door, Kate turned to head back to her own dorm, her heart full of hope and happiness.
The day had been simple but perfect, and Kate knew it was just the beginning of something wonderful.
I would like to thank you, for the support on my last two fix’s. I’m literally so happy. But like seriously thank you. :)
Also I take requests. No smut though. :)
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surielstea · 3 months ago
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Move Me, Baby
Eris Week, Day Seven: Free day
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Pairing: Eris Vanserra x Fem!Reader (arranged marriage)
Summary: Reader and Eris slowly fall in love with both the music and each others movements, on the dance floor and off.
Warnings: Smut | minors dni | Beron being Beron | p in v | 18+ | creampie | begging | praise | suggestive | teasing/taunting
A. Note: Last Eris Week day, and it would not be a Surielstea Eris fic without a ballroom scene, so enjoy… ;)
3.9k words.
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Eris has never felt this way before. This eagerness and anticipation. But this female, his betrothed, she was changing things, stirring up feelings that he had long since thought dead. Hope, being one of them.
He stood outside my door anxiously, silently pacing back and forth as he waited for the clock to strike seven, when he was supposed to be here. He hadn't meant to come so early, but his impatience got the better of him and suddenly he was dressed and ready and meandering towards my chambers.
I was unaware of the males presence just outside my room, too busy admiring myself in the mirror. The dress Eris had gifted me this morning was exquisite. Made of the smoothest silk, the deep green shimmering fabric catching the light as it moved like water— and when I put it on I looked as beautiful as an emerald.
The cut of the dress was beyond flattering, with a low neckline and form fitting bodice that hugged me in all the right places. The skirt of the dress was long and flowing into a train that blended from emerald to a glimmering gold.
I decorated myself in golden jewelry, adorning a few rings that paired well with my engagement ring.
I looked to the clock on the wall to see it a minute past seven, when a knock sounded at the door.
I smiled slightly and strides over to the door, I took a moment— making sure my hair was still neat and my painted lips weren't smudged for the umpteenth time. Then I swung open the door and was greeted with the Heir of Autumn.
Eris froze as soon as he saw me, his eyes drinking in every inch of me. His mind went quiet and his throat dried, he had always thought I was gorgeous but tonight I was downright devastating.
I noticed how he stared particularly long at my chest, his eyes roaming over my ample cleavage on display.
Finally, he looked to my eyes and sucked in a sharp breath, understanding that he had been caught.
"You're late, Vanserra," I say and he gives me one of his signature smirks that had my knees buckling. "What's your poor excuse?"
"I know, I know," He rolled his eyes at my chiding tone. "By all of one minute." He adds and I smile up at him. He reaches forward and brushes a strand of my hair behind my ear. "You look absolutely sinful," He said as I linked my arm with his.
I smile broadly. "I know," I sent him a wink and his smirk only widened.
We walked in silence towards the ballroom, but every now and then Eris would steal glances down at me and how perfectly the dress he chose for me hugged my dips and curves. He had never seen something so worthy of worship.
He wanted to be closer, linking arms wasn't enough, he needed more than friendly contact— but he had promised a night of dancing and sparkling wine, not a night in his bed, no matter how much he fantasized about the latter.
"Act like you're in love with me," I say through a tight lipped smile as two royal guards open the large wooden doors leading into the ballroom.
He momentarily wagers how brutal my glare would be if he rolled his eyes, but decided it best to place a hand on the small of my back, bare due to the low cut of my dress.
We strode into the ballroom as one, his protective grip on me claiming me off limits to any male who thought they were good enough for me. I ease into a graceful saunter, nodding my head at bowing guests and curtsying court members. My fae ears perked up at the sound of soft music playing from the live orchestra in the center of the ballroom, filling the large hall with notes and tunes of beauty. I would've lost myself in the sound of it if Eris hadn't guided me over to the dais, where his father and mother sat in their thrones— or rather throne, the Lady of Autumn was sat in a simple, cushioned chair instead.
Eris's mask of cold calculation slipped in place as his arm left my waist in favor of bowing to his parents formally. I do the same, curtsying with a feminine grace that took years of practice.
"Father," Eris rose from his position and I did so I few moments afterwards. "Mother," He nodded his head.
The High Lord gazed at me with a sickeningly honeyed expression, as he always did, and Eris's hand slipped back into mine protectively. The movement doesn't go past either of their notices, but while Beron narrowed his eyes, his wife smiled softly.
"Our newly weds," The Highlord purrs, his eyes taking me in with feline enthusiasm. "You look absolutely delectable tonight, my dear," He hums and I nod with a soft smile.
"Thank you, my lord," I will myself to sound polite and pray it doesn't come off as sarcasm. Eris's hand squeezes mine, relaxing me slightly.
"You are quite proper compared to the last lovers my son has taken into his bed," The high lord says and Eris stiffens.
"Father, I would appreciate it if we didn't discuss past partners while in the presence of my wife." Eris said with a terse voice.
'My wife.' He had said, the words still echoing off the walls of my mind as Beron replied, "Oh c'mon, boy. I'm only teasing, surely she isn't too bothered by it. Right my girl?" His cold gaze slides back to me and my back straightens under the weight of his gaze. I try not to cringe at the nickname and the possessiveness that came with it, but Eris made his distaste clear.
"I don't mind in the slightest, My Lord," I say with a soft voice, leaning into Eris's side, telling him it was all a ruse and I was fine, that even if I was upset I didn't need his protection. But I could still feel the heat rolling off of him, he was ready to pounce and shred into him like one of his smokehounds might.
"See? Shes a perfect little obedient wife, isn't she?" Beron arched a brow, directing all his attention at his son. I wanted to reassure Eris, to tell him his father was only saying all this because he knew that when he spoke of me it got under his skin the most, but that comment, it made my stomach knot and bile threaten at the back of my throat.
Beron smirks, satisfied at the level of discomfort he had breached in both of you. "She is perfect, yes. I would have no complaints." Eris said with a cool grace that I marveled at.
Berons smile widened with amusement, to my dismay. "You've got quite the grip on my son, girl," He hums. "Wrapped around his finger." Beron leans lazily back into his throne. Neither of us supply a retort, which seemed to invoke enough boredom for him to excuse us. "Well, off you go then. The guests have come to see that happy couple dance."
We bow in a synchronized motion once more before Eris whisks me away towards the dancing aristocrats, planting his hands on my hips and holding my back to his chest as he guided me through the grand hall, as far as he could get from his father.
"You didn't have to answer that, you know," He mutters beside my ear, his lowered voice sending a shiver down my exposed spine.
"Answer what?"
"What my father said. About me being with other lovers, you didn't have to agree with him." He clarifies and I frown, my brows bunching.
"I simply didn't see the point in starting an argument with the High Lord at a ball thrown in our honor," I supply, whirling around to face him, he was much closer than I was anticipating and I had to crane my neck to look up into his gold flecked amber eyes.
"I only meant that you didn't have to go along with his teasing, I can't imagine it's very amusing to think about your husband's past partners." Eris expressed.
"Why?" I tilt my head. "I don't have an issue with you being with women prior to me, we live long lives, I don't have any right to be upset about what's happened in the past." I say while mindlessly straightening his dark green suit jacket. He let out a strained sigh and I glanced up at him, a smirk pulling at my lips.
"Don't tell me you're jealous, Vanserra," I taunt and he scoffs, looking anywhere but my eyes.
"Please. I am not, that's laughable." He shakes his head.
"Really? So my past relationships don't affect you in the slightest?" I suggest with an arched brow.
He looks down at me, it was humiliating the way he towered above me. "No, I suppose you're right that it is jealousy. My perfect little obedient wife having a history of other males certainly does not please me." He retorted and I sneered at the recall of his father's description of me.
"You're almost too easy to rile up these days, My Lord," I grin devilishly up at him.
"Oh, you're pushing it Princess," his hands return to my hips. "If it's anything, it's the dress you're wearing that is riling me up." He stated amusedly and I smirk, not falling into the flustered haze he wanted me to.
"It's only a dress," I reply innocently. "One that may end up on the floor of our bedroom tonight if you play your cards right."
"Keep talking like that and I doubt this dress will even make it to the bedroom." He remarks and I curse myself for blushing, losing the little game we had been playing as a rush of heat washes down me.
"Is that a threat, or a promise?"
"Could be both, but I'd mark it as a warning."
"Careful now or we might find ourselves skipping this ball entirely." I grin at him mischievously.
"Is that such a bad thing? I'd much rather have you to myself than watch all these people gawk at you," He smugly says.
"We must dance at least once, first." I say with a knowing certainty, pulling him closer to the dance floor, towards the rising music that I could feel thrumming through my bones.
He lets out a low grumble but obliged anyways, and took my hand in his, his other on my waist. "Alright, one dance and then I will carry you back to our rooms if I have to." He said with a defeated sigh, his eyes roving over me as I pulled him onto the tiled floor, in the center, closest to the music.
"So impatient," I tease while placing a hand on the nape of his neck.
The music flows into a new song, and like clockwork Eris and I easily slip into a graceful waltz. It came like second nature, spinning and twirling beneath the warm lighting, the gold of my dress fanning out, the other dancers giving us a wide berth at the flowing fabric.
I was far too aware of the eyes that were on us, some stealing glances between turns, others outright staring. But my husband didn't seem affected, he was too caught up in my movements to comprehend the idea of anyone else. I flash him a wide smile as he twirls me, then pulls me into his chest with enough force to invoke my crashing into him.
The music ceases and we're met with our heavy breathing, his hands tightly on my hips. "We have danced," He stated with a puff of breath. "And now I am free to be as much of a selfish ass as I wish," He hummed, slipping his hand into mine and pulling me off the dance floor before the next song could start.
I let out a soft laugh as he steers me through the throng of court ladies attempting to get our attention that he ignored, and continued to lead me towards the door. "Calm down, your highness." I purr, squeezing his hand slightly. The use of the nickname made him pause, and he turned back to look at me. "We can't just ditch halfway through a ball that was set in motion for us," I explain.
"There's nothing left for us to do here, aside from me standing here, watching as the others stare at how ravishing you look tonight." He intoned and I flashed him a lovely, innocent smile.
"And that's such a bad thing?" I bat my lashes up at him and he smirks, taking a step towards me and closing the distance between us.
He leans in closer, his voice a rolling purr as he says, "You have no idea how incredibly torturous it is to watch every one here foam at the mouth over the sights of you in that dress"
"You're being dramatic." I scoff, looking at the crowd surrounding us who quickly averted their gazes. "The looks everyone was casting our way had little to do with me." I shrug and look back to the Heir.
"My fawn, do not go shy on me now. You look like an angel tonight." He shakes his head and turns away from me again, his hand still interlaced with mine as he pulls me through the large doors which the guards closed behind us, shutting the peering eyes of the crowd out.
"An angel, hm? Careful Vanserra you're starting to sound like you have some real feelings for me." I say, bumping into him playfully.
"My 'Real Feelings' for you would be on display the moment we walked into that ballroom if I wasn't worried about ruffling our people." He makes clear and I grin. Our people. I might have been from the winter court but he was fully prepared to share his lordship with me, as his high lady.
"Oh?" I glance up at him. "And what exactly do these 'Real Feelings' consist of?" I say while continuing the journey back to our chambers.
"Would you like a demonstration?" He suggests as we reach the doors of our suite.
"I've always been a visual learner." I retort, the flirtatious hum in my voice enough to send any male wild.
"You know exactly which buttons to push to drive me mad, don't you?" He asks while throwing open the door and following in after me.
"I don't hear you complaining." I shrug, my snarky attitude sending him into a spiral. He tightened his hold on my hand and pulled me back, pressing me into the door and pushing it shut with my weight.
"No, I'm certainly not complaining." His hand comes to my waist, and the click of the lock makes my ears perk up. "Quite the opposite actually," He confesses, leaning forward and pressing a claiming kiss just below my jawline, licking, sucking, and biting at my neck. I let out a soft sigh at the feeling of his lips on my skin.
"Eris," I murmur through a hushed moan.
"Yes, love?" He voices, the sound vibrating against my neck.
"You're moving too slow, I think you've been patient enough with me." I grumble, my hand slinking into his deep red hair and tugging on it slightly as he tortures a particularity sensitive spot just below my pulse point.
"You're going to be the end of me." He grumbles, his restraint slowly slipping from his grasp. "Do you have any idea what I want to do to you?"
"Enlighten me." I smirk with lustful eyes, a challenge.
"The list of things would take us days to get through, my dear." He admits and my core heats at the idea, a wicked grin on my lips.
"Good thing we've got nothing but time." I suggest.
"You're not making it easy for me to maintain my control." He grouses against my skin.
"Who says I want that?"
"You're toeing a dangerous line, pretty girl." He narrows his eyes on me, a cold smirk playing at his lips.
"There's no line, it's just a statement." I retort, my hand tugging at his hair while the other undoes the buttons of his shirt. "Right now there is nothing I want more than for you to lose control." I admit and his teeth brush over my neck as he grins wildly.
"Have it your way love." He grabs my hips and pulls me over to the bed, practically carrying me and settling me down onto the bed.
"Please." I press my thighs together, my hands fumbling to get his shirt off.
"What do you need?" He hummed, coming to hover over me, his muscled arm mmm flexing with the movement.
"You, I need you." I murmur as he dips down, his lips sealing over that same sensitive place on my neck, biting and kissing around it, forming a group of purple marks around the area.
"Oh yeah?" He purrs, his knee coming down to press in between my legs. I gasp, gripping the sheets beneath me as he allowed me to grind down on it, friction sparking up my spine.
"Yes, oh gods, yes I need you." I sigh, my head tilting back, giving him further access to my throat.
"And what do you need me to do to you, my pretty wife?" He asks and my mind reels with possibilities. A list, he said he had. I wanted every item on that list crossed off by the end of tonight.
"Eris I can't take it anymore, please," I writhe beneath him, biting into my lower lip to stop myself from pleading with him any further.
"Keep begging and I'll consider it." He drawls, his voice low and flooded with lust.
My breath hitched as I let out a soft, "Please." My head is heavy with need and my core thrummed. "Please take me right here, right now. Do whatever you want to me Eris just, please, I need you inside of me." I whimper, pathetic, that's what I was, and I'll be full of shame in the morning when I remember how needy I am, but right now the only thing I cared about was his touch.
A resounding tear sounded through the room and I gasped, looking down to see my dress falling from my frame. "I warned you what would happen to this dress if you kept your teasing up." He growled and I grinned, showing off all my teeth.
"I've never been too mindful of warnings." I utter, hands moving to the buckle of his pants as he kisses across my collar bone.
"I'm painfully aware." He grits through his teeth, holding back his groan as I palmed him through his pants.
He pulled back to look down at me, taking in every dip and curve of my body, his hands caressing over my waist and it felt like flames licking up my side. "Gods you're beautiful." He murmured, mostly to himself.
I revel in his touch, left only in my underwear before him. He helps me with the task of his pants, thrashing them off and discarding them onto the floor to join my ruined dress.
His hard length met my clothed cunt and I gasped, my hands forming into fists at the sudden stimulation.
"Eris, please," I whine, my brows furrowing with need. He smirks and in one fluid movement he's moving my panties down my thighs, revealing how wet I was, all for him. He grunts at the sight, his eyes losing any emotion except desire, lust.
His eyes trace the outline of my body as he leans down, his lips pressing to mine and I moan as his cock pressed into my aching folds. He takes the opportunity of my open mouth to slip his tongue in, exploring with it eagerly, flicking and curling it so skillfully that it made me wonder what it could do in other places.
"You sure about this, baby?" He panted into my mouth, his words ghosting across my raw lips.
I nod, fervent to please him, to feel him.
"Words beautiful, use your words," He whispered over my lips.
"Yes, Eris, please— I'm sure," I whimper and he grins, my words all he needed to hear before aligning his head with my entrance and pushing in.
I gasp at the stretch, my hips lifting and back arching in adjustment as he continues filling me, inch after inch, seeking new unfound levels of pleasure. I move my hands to his back, muscles shifting as he leans down.
His hips meet mine, fully sheathed inside of me. I look down at where we connect, my pulse picked up as he begins to move, and I watch, stare as he pulls out only to thrust back in, stretching me wide.
He continues his brutally slow pace, groaning and panting filling the room as I grow more and more used to the pain, slowly morphing into pleasure.
“Yes, Eris, yes,” I chant, shoving my head back into the pillows, eyes rolling back as he molds my elastic walls to his cock.
“You’re doing so well, such a good girl,” He praised, leaning over me and pressing a kiss to my cheek, his touch all too innocent as one of his hands comes up to grope my breast. His touch was smoldering and burning, but I delighted in it, for it was purely him and no one else could replicate the marks he left on my skin.
“Eris,” I whimper, his name the only thing my mouth could form, everything else was an incoherent moan. “Eris,” I repeat and I realize I was praying to a god willing to answer my every request.
“I know, I know,” He said over my skin, his warm voice like embers still crackling. “You going to come, my love?” He taunts, but I was too caught up in reaching my high to pick up on his teasing tone.
I nod frantically, scratching my nails down his back.
“Go ahead, come for me.” He implored and I let out a cry of pleasure as his thumb presses to my clit, the bundle of nerves sending shockwaves up my spine.
A wave of white hot ecstasy washed down my spine, staining my cheeks, warming me down to my very bone.
His climax was quick to follow, my clamping down on him beckoned him to barrel towards his peak, his release seeping into my most untouched places.
He co tinted to guide me through my high, slowly coming down. He leaned forward and placed a supple kiss to my sweat slick forehead. “You did so good, my dear,” He murmured into my skin as he slowly pulled out, grunting softly as I milked him for all he was worth.
“Come now, let’s get you cleaned up,” He gathered me into his arms and I smiled softly at the warmth and familiarity of his embrace. And I knew then, as I found comfort as he cradled me, that it was no longer just sex, but rather what I had been craving for years and hadn’t been able to name it. This intangible thing that I had always yearned for without realizing it, love, I loved him. I knew there was no return from this point on.
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Eris Week Tag List: @adharanotfound @mp-littlebit @its-me-meg @olive-main @bookwormysblog @inurus @iwishiwasaprincess @randomgurl2326 @tigerlily00 @i-know-i-can @bubybubsters @booklover0318 @lalaluch @hallabongy @paintedbyshadows @ninthcircleofprythian @chasing-autumns-chill @deepestmentalitypersona @myromanempiree @rosewood-cafe @witchmoon10 @andreperez11
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waynewifey · 1 year ago
Note
Well, can you write a batman x fem!reader where the reader is a super hero (like catwomans superhero version or smth) and they just keep meeting at crime scenes and always flirt and stuff and end up dating?
obsessed much? — b.w blurb
summary: request above!
pairing: bruce wayne x superhero!reader
warnings: murder; hero wears acape
word count: 360
A/N: hii tysm for this request! i haven’t been writing much lately since my ‘aftermath’ fic, so this isn’t as big as you probably wanted, it just really made me want to write it as a blurb. maybe i’ll write a full fic about it later. also, i know a lot of people hate cape-wearing heroes but i absolutely love the goofy cliche, so i had to add that in. let me know what you guys think!
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he’s kneeling near the body with the putrid smell of blood flowing into his nostrils. the puzzle pieces are coming together, but there’s still a big one missing. the shadows devours him into the room. what isn’t he seeing? slowly, the sound of heels hitting the ground approach his back.
“i thought heroes didn’t do investigations.” the first reply is a scoff, then the cape rustling.
“i don’t,” she says, “but this one hits home.” bruce turns around to stare the deep round eyes, one of the few things he could see underneath her mask. her suit fits perfectly in her curves, the stretchy and non-flammable fabric accommodating her fight needs. perfect for running around town. it wasn’t bulletproof, though, because the stone-hard skin was all the protection she needed. the cape was just for fun. “i saved this dude from a train wreck last week. thought it was a malfunction, it sure as hell doesn’t seem that way anymore.”
“you think someone is targeting you.” she hums in response, a chill running down her spine. all she wanted to do was to use her gifts for the good of the city. somehow, that ended up with the total of four murders so far.
“they want to get my attention, i just don’t know why.” a pout appears in her puffy lips. he wonders what they feel like. he takes the plastic gloves off, staying with the leather ones, and lays them on the floor.
“who wouldn’t?” as he gets up, a snarky grin lightens her face up. they’ve always been this good in making the other forget the bodies in the room. literally.
“obsessed much?” one step in his direction leaves them inches apart. he still thinks it’s way too far. the height difference has her looking up, batting her eyelashes. “maybe you’re the killer, batboy.”
“it’s batman.” his voice is baritone and raspy, and she can feel his warm breath on her cheeks. one move and his hands would be on her. her heart beats shamelessly on her chest, like drums inside her body. his gaze is so penetrating she has to look away before answering.
“right. cute.”
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yaut-jaknowit · 5 months ago
Text
The Fight Of A Lifetime
Pairing: We'ar-ow (Female Yautja) x GN!Reader
Word Count: 5509
Summary: The week is up. In one last try, you throw yourself at her feet and pleads her to not do this. As much as you don't want to watch, you can't not be there. If she were to die, Dwainet will kill you, might as well make it swift. So you go. We'ar-ow looks magnific in her armor and adorned in weapons. The two arrive in grand style. You're decked out, head to toe in everything We'ar-ow has given you. The battle commences.
Author Note: It has finally arrived! This is the second to the last chapter planned for this series. The climax of it all. I hoped the fighting scenes are alright. I hate writing fighting scenes. They need to be quick, fast and I like to describe everything. So, it's the opposite to what I do.
Masterlist
Ao3
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 | Part 14 | Part 15 | Part 17 | Part 18
Everyday since the challenge had been issued, We’ar-ow acted indifferent. Not a thing changed. She would take you to her throne room where she dealt with the dealings as the Monarch of her clan.
Well, besides the fact you admitted your love to the alien. Outside the safety of her quarters, We’ar-ow was the same Monarch everyone knew her as. Yet, inside those walls, specially when the night cycle fell upon the two of you, she would cuddle with you. Her eight foot and so frame was easily able to dwarf you. She’d scoop you to her torso and curl around you like some sort of brick wall. Imposing and immoveable.
It was impossible to nudge her even slightly to the side to get up when nature called. The lumbering giant female hugged you like a koala. There was little chance to escape unless you’ve threaten to piss in the bed or getting a UTI because you’re holding it for so long.
Besides the cuddling, that’s the only thing you’ve noticed. And that made you begin to think. The way she barely has changed her personality at first had you worried that she didn’t return your feelings. Then, you got to thinking.
If nothing had changed… maybe she has loved you from the beginning.
Then, to find you there, all those months ago, on the verge of crying couldn’t been fate. You don’t believe she had anything to do with Dwainet breaking up with you. It was the opportunity falling into her lap. We’ar-ow, the predator she is, took the chance to snatch you up before some other Yautja could. A lone pet without its master was a call for trouble.
Now, look where you are now. From the depths of food chain where Dwainet survived in as a newly blooded to the mate of the monarch. A clear glow up for yourself.
Including now; decked out in a finest of material Raunch designed for the day. You looked nothing less than a deity while standing in front of the mirror. The thin, see-through material flowing from around your neck and down your back was flowy. It attached at two points to your wrists. The brown easily complimenting the pink that made up the rest of your outfit Raunch threw you in.
His life must have been on the line when he created this because of how fabulous and stunning you looked in it. We’ar-ow wanted you nothing short of the deity she saw you as. You glanced at said Yautja through the mirror while she armored her up.
One creature soft, pliant, silky. The other rough, jig jagged, coarse. Two pieces of a puzzle that fit perfectly against the other. Both complimenting each other.
You couldn’t help the gentle smile to upturn your lips at the thought before it dropped. The realization of what was about to occur hitting you straight in the gut. This could be the last time you saw each other alive. Despite her plentiful reassurances that the day would go as planned, you are only human. And humans fretted, a lot. Any little thing could go wrong. And boom, she’s dead.
The blood in your veins ran cold. Death wasn’t new to you. Not when you’re surrounded by a species that hunted and prided themselves over the bodies they brought home. Or when they duke it out over a challenge thrown down. But to lose We’ar-ow. You couldn’t fathom the heartbreak it would bring upon you.
Goosebumps clouded your skin. The soft flesh of your bottom lip worried on by dull teeth. We’ar-ow’s strong gaze flickered over at you. Instantly, you straightened and found anywhere else to look at. Then, you attempted to relax and act natural in the face of your mate. Said Yautja began to stalk towards you before halting just shy of your back.
Her form towered even more with the added armor decorating her. She downright looked like a beast ready for the hunt. Your breath got caught in your throat when your eyes raked up her body in the mirror. She was stunning and terrifying all in the same boat.
The heat of her body blanketed you in comfort and helped ease the tension holding your shoulders. We’ar-ow reached around you to cup your throat and tilted your head back. “I have told you, there is nothing to fret about. I will be victorious. Not for me but for you, little one,” she growled and tugged you flush against the muscles that lined her thick thighs.
As much as you wanted to believe a hundred percent, there was that constant nagging inside of your mind. The part that will always make you human. The part that whispered from the depths that she will fail, she will fall, she will die. Then, you will have no choice but to be handed over to Dwainet. Once more in the hands of a sheep in wolf’s clothing.
A part that We’ar-ow can never quell.
“I am only human,” you muttered, eyes drifting down to look at the two of you in the mirror. Her claws lightly bit into the soft flesh of the back of your neck. But, We’ar-ow is careful, mindful of your more fragile form in her presences.
A grumble sounded from the back of her throat. “And I am the monarch of this clan. I have never lost a challenge. I will not lose this one. Not when I have something to lose, someone important,” her voice softened towards the end. Then, the pink Yautja bent at the waist to nuzzle her mandibles into your hair carefully with the decorations adorning your head. In her eyes, you rivaled Paya with your deity status.
Your orbs snapped up to the pink Yautja at your back, expression softening. “We’ar-ow,” you whispered her name then heavily sighed, eyes closing. This is a weight you never expected to bare. Not a weight that was meant for a Yautja more than you yourself.
“What can I do to make you believe me?” she mumbled into your hair then peered over to look you deeply into your eyes. “What will be the tip in the scales?” If you didn’t know any better, you could say she was begging for you to believe in her.
And that hurt you. Guilt burned a hole in your stomach. It was your own demons causing this issue to worsen with each denial that passed your lips and reflected in your eyes.
“Win the fight,” is all you can do to answer her. That will be what will make you believe her. When she brings you the head of the fallen Yautjas who will bring upon a fight that will challenge We’ar-ow in every sense of the word.
Her gaze hardened, mandibles pulled tight towards her mouth. Then, the Yautja leaned down and pressed them against your forehead in a mock kiss. “That I will, little ooman. That I will. All in the name of you. That scum will fall at my feet from my hands. Then, you won’t have to worry no longer.”
That eased the majority of the tension coiling in your muscles. But not all of it. You could still feel its burn in the back of your throat like acid. A feeling that would never go away. Not until the problem had been dealt with at the source. You prayed to their god, Paya, for this day to go the way you wanted. To see We’ar-ow’s beautiful face at the end of the day.
In tandem, side by side, you left the safety of her quarters for the hallways of her ship. Whatever shield that place put over you washed away the moment you stepped into the hallway. Less doors to protect you from the hazards of being on a Yautja mothership. You walked with your shoulders squared and back. A stance of pride that was felt in each step you took.
The doors of the elevator opened to reveal a face you were relieved to see. Xilomere. Him and his goofy, alien smile was a sight for sore eyes. You almost ran up to him to give him a hug. Today is a day you needed all the support possible. Anything to get you through the events planned.
Next to him was someone you’ve only seen once before. One of We’ar-ow’s sister’s who is on her council team. You politely dipped your head at her with a closed lip smile. The last thing you wanted to do was piss off her. We’ar-ow had enough to deal with today. She doesn’t need to put herself into a problem you created. Well, another problem you created.
“Xilomere, I’m so glad to see you,” you spoke, your face spilt with a closed smile. Your eyes shined with your feelings.
The green male set his palm on your shoulder and gave a welcoming shake. “I wouldn’t miss today even if I was legless. Plus, someone needs to keep an eye out just encase Dwainet is gonna play games. Who knows if he’ll break some more rules today.” The helped more to ease your racing heart. He was going to protect you while We’ar-ow fought. Like he said, who knows if Dwainet may send one of his goons after you while We’ar-ow is distracted.
Her sister, a beautiful shade of tans, beiges, and browns, huffed at Xilo. “So will I,” she rumbled and looked down at you. “I will protect you from any harm. I promise both you and my sister this.” Your heart soften even more from her words. The two of them, barely knowing, are willing to put their lives on the line in case of an attack for you. It was probably mainly for We’ar-ow but still.
You dipped your head deeply. “Thank you. I can’t say enough how much I appreciate that. Truly, thank you.” They returned to motion themselves.
We’ar-ow stepped up behind you and held both of your shoulders. “It is time we go. Dunkot is escorting the prisoners as we speak,” the pink Yautja wormed her way into the conversation. Not that you minded. You tilted your head back, throat completely exposed, to look up at her. The monarch of this ship was willing to put her neck out for you. To keep you protected. Not even Dwainet had done that.
Clearly, you’ve found the one.
As if the four of you were marching like soldiers, you stepped in time with one another. We’ar-ow kept the pace slow enough for you to easily keep up. You march side by side with her. Xilomere and her sister watched your backs the entire time.
Instead of the normal pathing to the throne room you were used to, We’ar-ow led the four of you down a different set of hallways and elevators. Down to the kehrites. A section of the ship you barely have been down to. Not unless you were begging for trouble that is.
All four of your entered the kehrites. Your jaw dropped though. These weren’t the mediocre sized classroom kehrites. No, they had knocked down all of the walls somehow and put in a few risers.
Every available space was consumed by the hundreds of bodies squished into the open area. There was even young children and unbloodeds who were stationed at the front for the best possible view.
A section in the middle of everyone was open and set up with a stage. We’ar-ow wanted everyone to see her beat Dwainet into the ground like the way he deserves. The way needs to be put down like the asshole he is. He doesn’t deserve to breath the same air as you. You couldn’t wait for the end but at the same time, you didn’t even want the battle to start. Not with We’ar-ow’s life on the line.
Your head held up high, you followed We’ar-ow over to a designated section carved out for you and your bodyguards. A seat that resembled a throne had been set up. The perfect size for you. It wasn’t fancy like We’ar-ow’s in the throne room but it was more than enough to state your status. She motioned you to climb the three stairs and sit upon it.
The plush seat met your butt allowed you comfort. It gave you an additional height against the larger aliens that filled this room. You didn’t feel small. We’ar-ow looked at you. You looked at her.
Everything else didn’t matter. You reached out despite your brain screaming at you that it was a bad idea. We’ar-ow leaned in and allowed for your hand to cup her cheek. Her warmth raced up your fingertips to settle in your heart. You had found a way to love again and that too was threatened all over again. It burned you had no way to help or fix this problem you created. You could only trust We’ar-ow to overcome the challenge that stood in her way to having you strictly to herself.
Xilomere and We’ar-ow’s sister stood directly on either side of you. His usually goofy expression was replaced by a hardened look that would take years to perfect. A warrior born and raised for the fight. The sister had one as well. Both were armed to the teeth with weapons. Unlike you who was adorn with soft, plush cloth for a gentle figure, they were prepared to take down an army if it came down to that.
The softer texture of We’ar-ow’s face rubbed against your palm. You tugged her closer to you and pushed your forehead against hers. Screw whatever anyone might think about this. You didn’t care. Not when everything was on the line. Your livelihood, your love, the one person you’ve found comfort in.
“Win this. My heart is yours,” you stated firmly, nails biting into the skin behind her jaw before letting go and leaning back into the throne.
We’ar-ow returned to her full height. “Mine has been yours since the beginning.”
Shock filled your system. You opened your mouth to respond but the sound of marching feet interrupted you. We’ar-ow turned her back on you to face the oncoming fleet.
Your thoughts whirled around inside your head, knocking into each and causing chaos in the making. There was no time to reel them in either. The best you could do in the moment was to shove them into a box and close the lid. Because, the moment a familiar form stepped around the corner, you pulled on your stoic façade and stared the beast. The monster who caused all of this. All of this for his moment in the spotlight.
Duknot practically dragged the dishonorable male into the room. He wouldn’t allow for him to attempt to walk and forced him to stumble and flail. Humiliation. Two other males were secured in chains behind Dwainet. Their guards weren’t as demanding.
From their faces and low amount of scars, neither were high ranking. Three low ranks against a monarch. You were feeling a little better at the realization. Her chances of winning had increased.
All three of them were shoved onto the stage. Their chains didn’t allow for them to catch themselves. You bite at the inside of your cheek to prevent yourself from laughing outright when they fell on their faces. Dunkot’s expression cracked with a hint of smirk. Then, he hopped onto the stage with two other guards.
Dwainet was hauled up by Duknot’s strength alone and placed back onto his feet. A hardy glare was sent to the guard but it was simply brushed off. In unison, the chains crashed to the ground. The sound echoing throughout the room after everyone had gone quiet. You felt your heart stuttered at the fact the traitor had been freed.
At your sides stood your guards. At your front stood the first and last person who would fight until her dying breath for you. You were safe.
Now, on the platform, Dwainet stood tall and scanned the crowd before his sharp eyes landed on you. Yet, you acted no different. A neutral expression is all he was faced with. He could see you from over We’ar-ow’s shoulders. She corrected this by sidestepping and blocking his vision. All the attention on her now.
His companions climbed to their feet as well and rubbed at their sore risks. From the space, you couldn’t hear what their chittered to one another. The translator unable to pick up from that far.
This was it.
On We’ar-ow’s side, she unclipped her combi-stick and opened it up. With a mighty slam, a loud clang gathered everyone’s attention to her now.
“Thank you all for coming to this special occasion. A lot has occurred over these last few weeks. A lot of information circulating between everyone. I’ve come to quell this unrest once and for all. Dwainet will succumb to the crimes he’s completed,” We’ar-ow started off when she rallied the entire clan’s attention to her.
Her voice echoed throughout the expanded room. “From this moment on, he has been deemed as a bad blood. He’s attacked a defenseless, weaponless creature. My pet under my protection had been injured by him. A crime such like that has brought upon his fate as a bad blood.” You couldn’t help up internally flinching at the reminder. It still felt fresh after all this time. To have someone you once loved so much attempt to murder you.
Horrible laughter rung out from the platform. “Oh, monarch. You can’t even protect the worthless pet in your protection.” Dwainet scanned the surrounding area. “You are weak. You are fragile. I can’t wait to beat you into the bloody pulp since day one. The title as monarch will be mine and you will be dead,” Dwainet boomed and kept his gaze moving.
You could tell he was trying to rile the clan up. In the presence of their monarch, no one even said a sound. The tension and fear palpable in the air.
With her back to you, you could feel the smirk etching its way onto her face. She expanded her arms out at her sides. “No one agrees with you, Dwainet. They see the truth. I true with a mighty fist but I know how much strength to use. I know the limitations. I know what this clan needs.” You hoped that the truth. We’ar-ow was a once in a lifetime leader. One that is needed in every clan across the board. Dwainet, he was the opposite of what We’ar-ow stood for.
A snarl ripped through Dwainet throat, his claws flexing at his side. You smirked and sat up straighter in your throne. You were heavily proud of We’ar-ow.
“Now, are you going to keep bickering or are you going to face your fate? I’ve got plans after this,” We’ar-ow drawled and crossed her arms.
Dwainet glanced behind him where his helpers stood. One was clearly nervous at the upcoming battle. The other was attempting to hold it in. These were just newly bloods like Dwainet himself. They weren’t as skilled as We’ar-ow. What was Dwainet thinking?
His gaze returned to her. “You shouldn’t have. There is nothing for you after this except for meeting Cetanu,” he growled and stomped down a foot on the platform. You could feel the eyeroll coming from We’ar-ow without her even looking at you. One that Dwainet whole heartily deserved.
We’ar-ow glanced over her shoulder one last time before marching straight into battle. The muscles that lined her back rippled with each step. Where her heart resides was protected by her metal armor covered by a pelt she earned herself. Both on her chest and back.
You couldn’t help but peek at the two body guards standing at your sides. Xilomere held onto his Combistick, his gaze directly in front of him and scanned the area thoroughly. We’ar-ow’s sister brandished two dual swords while preforming the same action. Both were on high alert. You were grateful for them and their willingness to do this.
The comfort of We’ar-ow’s presences left you. It was your turn to hold down the fort and wait for her return. You gripped the arms of the throne, white knuckling it before glancing at the sister again.
A thought nagged at the back of your mind. You nervously flickered your gaze around before leaning towards her. “I’ve realized I never caught your name,” you whispered in the quiet space, mindful of how loud your voice could grow.
“T'ah'keiad,” she calmly states yet never looks down at you. That would compromise her job as a body guard. Your eyes widened at the interesting name, lips pressed together. “For your ooman mind to understand, you can call me Kei.” You were thankful she understood her name may be difficult at first to speak. Your head dipped in thanks.
Then, you returned to scene unfolding before your very eyes.
We’ar-ow simply stepped onto the platform and towered over the males that opposed her. “Duknot, relieve their weapons to them,” she rumbled but kept a keen eye on Dwainet. He was the only one she truly had to worry about. She knew his tactics and how sneak he really could be. The others, she may not know how they fight but they couldn’t be worse than Dwainet. He was a disdain on her clanship.
The skin of your bottom lip was worried away by dull teeth. You couldn’t help it. Not with her standing directly in front of Dwainet and allowing for them to have their weapons. They were already adorn in meek armor. Armor that is what many new bloods only have. They don’t have enough ‘street cred’ to get anything better from any of the merchants.
Not once did We’ar-ow turn her back to Dwainet or his two helpers. Instead, she backed up to the edge of the platform and waited.
Dunkot stood in the middle like a referee. Two of the guards produced said weapons and handed them over. They returned to the flat ground and stood off to the side. Dunkot stayed in the center.
“As requested by our Monarch We’ar-ow, this challenge will be a battle to the death. Whoever is last to stand will be proclaimed at the new monarch per our rules. May your hands be true!” His voice boomed out over the area. Roars echoed from the crowd afterwards, deafening. You clapped your hands over your ears to protect them from terrible sound. It barely saved your ear drums from exploding.
Then, he left the platform. A strange shimmer rolled down from the ceiling and surrounded the platform. It was a shield to protect the crowd. Smart.
Before you had a chance to contemplate all of this, a loud bell sounded. Instantly, you knew what that meant.
In your throne, you had a front row seat to watch the fight unfold your very worried eyes. Despite your brain desperately wanting for you turn away and cower like the prey everyone thought you as, you held unsteadily strong. You watched with baited breath when We’ar-ow lifted up a crossbow and shot off a bolt directly at Dwainet.
The young male is able to narrowly dodge the flying bolt by rolling to the side. But, his partners in crime aren’t as lucky. It strikes one directly in the shoulder and pushes him back against the invisible shield. He chokes on a grunt and grabs at the bolt. The wood was snapped off to leave just the head inside but the damage had been dealt.
Dwainet goes for offense. He’s swift to get into We’ar-ow’s personal space. Flurries of kicks and punches were all deflected in matter of seconds. His hits hard, mean, likely to leave a bruise later on.
One of the other Yautjas tries to attack from the back. We’ar-ow ducks a hit from Dwainet and sticks out a leg to trip the darker red Yautja behind her. They fumble then fall back.
Finally, the last Yautja, a lighter red comes in by launching himself into the air. He believed We’ar-ow was distracted. She grasped Dwainet’s throat then aimed her crossbow once more at the already injured male. A bolt flies. It strikes him square in the chest. He fumbles and smashes in the space in front of We’ar-ow. The pink Yautja slams Dwainet down and picks up a foot.
The light Yautja’s head is crushed below her heel like the insect he was. Green blood stains the ground and coats the shield. You gasped and overed your mouth.
A throwing knife sticks out of We’ar-ow’s side. She acts no different. Her hand squeezing the life out of Dwainet. More pierce her hide to the point she picked up Dwainet again and threw him into the red Yautja.
They collided harshly with each other before slamming into the shield and flopping to the ground a pile. We’ar-ow moves with purpose over to the two scrambling forms. The crossbow back on her hip. She swipes Dwainet off of the ground again by his throat and holds him up. Her foot presses into the vulnerable area of the downed Yautja. The rings protecting his skin barely able to hold against her weight.
Her only foot on the ground is swiped from underneath her. Dwainet is allowed to be let loose. She is able to roll onto her stomach as claws swiped for her torso. Your eyes widened at the sight of her blood staining the floor this time. You sat more forward in your chair and played with your hands.
Red gets on top of her and grabs harshly at her neatly braided tresses. He pulls. We’ar-ow yanks her head forward. You gasped. Loose dreads hang in his hands, bleeding at the roots. You knew that had to hurt a lot.
We’ar-ow rams her elbow into Red’s side and knocks the wind out of him. A foot flies towards her face. She narrowly dodges a bad blow and latches her fangs into flesh. Dwainet roars and yanks his ankle from her mouth. Blood dripping down from the new wound.
Rage is a wildfire in his eyes. You had to stop yourself from curling into yourself at the sight. He snatches an axe from his belt and swung high above his head. No! You covered your mouth with both of your hands, unable to do anything to stop it.
In a terrifying slowness, it came down. Here you were, stuck in your chair, with a shield blocking you from the love of your life. You were forced to watch as Dwainet brought down the axe.
Her name left you lips in a cry.
The sickening sound of the axe sinking in will forever haunt your mind. You flinched away from the sight and covered your ears, unable to watch the final blow.
Dwainet roars. Pained. Confusion flooded your system. You picked up your head and looked back at the platform. Red was off of her back. Both of the male had been lifted up by their necks, forced to claw at her hands. The axe was imbedded into the metal floor besides were We’ar-ow’s head once was.
The pink female shoved both of the males against the shield directly in front of you. Her eyes pinned to your shaking form. You uncurled from your cowering position and looked up at her through blurry eyes. The sight of her alive form had your body sagging. She was okay. She was alive.
We’ar-ow dropped red then swiftly kicked one of his knees. A sickening crack echoing over the roars and cheers of the riled up clan. He dropped down where she knocked him down onto his back. In a similar fashion, she stomped down on his head, caving in his face. He too was dead.
You didn’t even flinch this time. Your eyes watched every move.
In her hand, Dwainet struggled and wriggled like a worm. His claws dug into her arms, anything to grant him release. He couldn’t get out of Dwainet fatal hold.
His feet dangled above the platform. We’ar-ow was able to hold him up without the aid of both arms or the shield. She snatched both of his wrists though and leaned forward. Your head tilted, brows furrowing on why she was making herself vulnerable for attack. Her mandibles twitched with words that your translator couldn’t pick up. You couldn’t only imagine what she was promising.
Then, he went soaring through the air and smashed into the ground and rolled before coming to a stop. He groaned while on his back. We’ar-ow unsheathed a machete from her waist band and brandished. The sharpened edge glinted from the overhead lights.
At her approach, Dwainet scrambled to his feet a moment to late. We’ar-ow swung and struck his forearm, just below his elbow. The blade sliced clean through muscle and bone alike. The injured Yautja choked on a cry and stumbled back and clutched at his profusely bleeding arm. You jerked your head back, eyes expanded at the terrifying sight before you.
His amputated arm flopped to the floor in a bloody, neon green heap. This when it finally hit you that this is where Dwainet was going to die. This was truly happening. Dwainet was about to be murdered right in front of you by your… mate. You just stayed sat and watched everything.
A snarl ripped from Dwainet’s throat. He glared daggers at We’ar-ow with a passion of hatred. With his only hand reminding, he brandished at  knife and raised it above his head. The blade came down. We’ar-ow meets the offending hand with her own weapon. The cut was clean through his wrist as well. Another cry croaked from his hoarse throat. He collapsed to his knees as blood spurted from his amputated hands.
He didn’t raise his head to look death in the eye. We’ar-ow used the tip of her machete to tip his head up. Something primal and deep rumbled from her chest. Dwainet’s entire body froze as if he saw Cetanu himself. She stepped behind his deer in headlights position and faced you.
Despite the distance, you met her gaze. The machete was clipped to her belt again. We’ar-ow grasped his tresses with one hand. The male grunts and folds his mandibles in tightly to his face. His expression neutral. He knew what was to come.
We’ar-ow’s muscles flexed. A sharp crack pierced through the air. Life still shone in Dwainet’s grey eyes. Then, a roar sounded from your mate. Flesh and muscles alike ripped in a grotesque sound. You had to stop yourself from throwing up your lunch, but neither could you look away.
Green, neon blood dripped down to pool on the platform. Cheers of triumph echoed throughout the modified stadium. You could feel the ground rumbling underneath you, but all was quiet. The dead eyes of your ex-mate staring directly into your soul. The finale had come to a close. We’ar-ow stands as the winner once and for all.
Sound floods back into your ears, deafening to the point they rung. The shimmer of the shield faded away and allowed We’ar-ow freedom. The pink Yautja was the only one to move. Her thick legs dropped down from the platform and marched straight towards you. As much as you wanted to leap out of your chair and ensnared her in a hug, the blood of her enemies painting her skin reframed you.
Her yellow eyes met yours for an infinity. One of her knees dropped to the floor causing a silence to steal the noise of everyone. All was quiet. You gasped, instantly knowing a monarch kneeling was trouble.
In her bloodied hands, she presented you the head of Dwainet. Your heart pounded in your ears.
Your name was boomed across the room. “Do you accept this trophy as a gift of courtship?” We’ar-ow asked and watched every little sign from your expressions. Your eyes nearly bulged out of your head. Gasps from the crowd could be heard. Chitters and clicks as the translator only focused on the Yautja in front of you.
She was asking for you to be her mate… in front of the clan. She was laying claim over you more than the mark etched into your skin.
A few seconds ticked by. You nodded rapidly and rushed forwards. The head was dodged. Your arms wrapped tightly around We’ar-ow’s neck in hold she wouldn’t dare try to get you off. The blood of four was rubbed into your skin, including the life essence dripping from her missing tresses. We’ar-ow was swift to return the gesture, understanding this meant ‘yes’ in human.
Bellows escaped from the crowd but it was a sound you could care less about. Today was the day that marked the new chapter in your life. A newfound freedom from the chains Dwainet had weighed down on you. You had power not even the highest Yautja aboard this ship besides the monarch has. From the bottom of the barrel to sitting on a throne, you’ve grown.
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 | Part 14 | Part 15 | Part 17 | Part 18
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thewebcomicsreview · 7 months ago
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So, Gunwild, the writer of Cassiopeia Quinn, made a comment on that post about webcomics turning into illustrated prose
gunwildversuseverything said: I was hoping this would prompt a discussion about formats and expression, but no, it’s about artist versus writer workloads and “amount of story” being reduced to equations and word counts and update schedules. Figures.
And you know what, it's a good point. So instead of getting into the Artist vs Writers debate for the millionth time, let's take a look at how you, and artist and/or writer, can get a story told on the internet. For the sake of this discussion, lets assume you don't have any actual preference for a given medium that might influence you, you just want to know what's right for your story and will learn whatever skills you need.
TRADITIONAL WEBCOMIC
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Comics are the most visual-heavy medium that a solo project can realistically do. This has several business advantages (pictures do better on social media), but it's also a good fit for stories with a bunch of things that are interesting to look at. Cassiopeia Quinn is a story heavily featuring weird alien races, cool spaceships, and attractive young women with extraordinarily casual dress codes. These are visual things! And visual things can be conveyed super quickly and subtly using visuals. Imagine just the "Cassiopeia doesn't wear pants" gimmick, if this was written out. If Cassiopeia gets a description of her appearance the first time she shows up in chapter one and then it's kind of glossed over, the reader would forget. If every time Cassiopeia entered a scene Gunwild had to go
Cassiopeia sauntered up to the motorcycle rack. Her own rack was barely contained by a dangling strip of black fabric, visible through an open orange jacket. Black elbow-high sleeves, covering her hands, matched her thigh-high stockings, separated from her black panties by her thigh pouch.
Somehow it's a lot less cute when it's written out like this, huh? And it also takes way longer to read that then it does to just look at her on the page, which increases the chance your readers might get bored. Comics are the medium that takes the most time to make and also the least time to read, which makes readers a lot more likely to put up with exposition or a plot tangent that doesn't really connect with them. Even if your comic has bits that don't grip your readers, they can grip themselves if you show them interesting bits.
The main downside of comics is the "equations and update schedules" part. They take a looooooong time to make, even compared to everything else. It's also got issues with how people read it. A comic that looks good on a desktop often looks too small on a phone.
TEXT UNDER A PANEL
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This style is so strongly associated with Homestuck that a lot of people who weren't making explicitly Homestuck-themed comics seem to have been scared off it. But it's a perfectly cromulent format. It reads well on both desktop and mobile, and lets you use art for all your visuals while using text for dialogue and character thoughts. It's not, however, the best fit for every story. Because each panel is separate, it can be hard to make an exciting action scene this way, which is part of why this format is also associated with special animated pages (I mean, besides "Homestuck did it"). The panels don't really flow into each other, and there's a constant switching between looking and reading.
ILLUSTRATED PROSE
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Distinguished from the Text Under a Panel Style mostly by the ratio of text to art, without a hard line demarcating the distinction between them. This style also reads well in desktop and mobile. Well, it should, but a lot of webcomics who switch to this style tend to stay in their webcomic format, meaning it's a picture of text that doesn't resize legibly, grumble grumble. I don't....I don't know if I need to explain the concept of "text" to people. You know what words are, and if you don't there's nothing I can say to explain it.
VISUAL NOVEL
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I'm not going to claim to be a visual novel expert, but the main advantages are that it's the most art-efficient medium of any of these (because you can flat-out reuse art), the main disadvantages are that you'll usually need music, it's maybe not as well suited to long monologues, and most importantly that it's not a good method for drip-feed three-day-a-week updates. You kind of have to release the entire thing all at once, or at least in large episodes.
ALL OF THE ABOVE
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A comic like Out-of-Placers is mostly traditional, but uses illustrated prose for lore updates. Prequel is text-under-a-panel but not always, and of course Homestuck is the absolute king of format switching, even ignoring the animations. The upside is that you can use the best format for any given scene, and that you're constantly keeping your readers on their toes. The downside (besides having to learn to do all this shit) is that you kind of have to commit to the bit and get your readers on board early with the idea that you're going to just be doing whatever this week. It's also harder to take full advantage of any one medium if you're constantly switching them up
I'm sure I'm forgetting about two hundred formats, but what are the biggest ones I'm missing?
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ceilidho · 1 month ago
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Do you have any advice for a novice writer who can’t for the life of them figure out how to begin a story and/or scene? I’ve been slowly working on a novel in my free time for the last couple of years, and I feel like I have a decently solid plot and outline, but every time I go to start the actual process of putting words on paper I always get stuck. I’ve gone back and read the first few pages/chapters of other fantasy books to see how published authors do it, but I can never seem to find the right words or starting point that feels authentic and fitting to my own work. It always feels so clunky and out of place, and although I try to follow the ‘rule’ of starting the story in the middle of the action/a moment of change so that it doesn’t feel boring, nothing I come up with seems to help things flow into the beginning of the plot :/
ugh that's hard because actually forcing yourself to write is truly the hardest part. a lot of it is just nerves. like genuinely you're just experiencing stage fright.
that's why i love using tumblr as a micro-writing platform. when i make stupid little posts here, it feels low effort and i don't attach any anxiety to it, and actually that helps a lot when later on i take bits and pieces of stuff i've written here and add it to larger works (if you were following me when I was actively writing "landscape with honey" or "superstore" you'll remember i took a lot of asks that i'd already answered and just shoved them into the fic).
i highly recommend making a word cloud or vocabulary list for yourself if you're trying to cultivate a specific atmosphere as well. i have one on my phone for random words that i want to use.
then i think it might be helpful for you to try and break it down piece by piece. like if you have a scene where a character is packing a suitcase in order to catch a train, just focus on the first part where they're packing their belongings. there isn't a 'right' way to start a story or write something, so don't beat yourself up because the paragraph/sentence doesn't match perfectly what's in your head. the first draft is always going to be rough as well.
try to think of it like when an artist starts a piece. usually they start with simple shapes that they slowly add on to. you can think of your first draft kind of like this:
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(image source)
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yiangchen · 1 year ago
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it's so tragic funny that while i was watching t100, jroth was so adamant that there was nothing romantic there with bellarke, that it literally made me doubt what was very clearly being written as romantic (and it actually was. like, we know this now. it has been confirmed).
looking back, bellarke could have kissed at so many different points in the show, without changing anything else but having them kiss, and it would have made perfect sense. it would have flowed. it would have aligned with their relationship development.
just think about it. 1x09. unity day. is this a bit early? yes. but do they have the chemistry? yes. and have they had sufficient build up for two characters to have their first kiss? yes. honestly more than a lot of ships that happen in the first season of their show. especially since day trip just happened! plus, the flirting during unity day was...not subtle.
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listen...she wanted to kiss him here so bad. seriously though. clarke could have and that would have been a very natural progression of this scene. it would have especially fit the early drop ship days vibe.
(or you could add in a scene where clarke finds him later, now sufficiently buzzed, they flirt some more, then she kisses him, and bellamy's like, "woah, woah, princess, what are you doing?" but he's smiling and she just shrugs with a smile and goes in to kiss him again, saying "having fun", and bellamy says, "you're drunk" and clarke is exasperated saying, "well you told me to!" and bellamy laughs, very amused, and from the look in his eyes, you can tell that he is also very very VERY smitten.)
if you still think that's too soon, yeah, i tend to agree. i love the idea of s1 bellarke in fanfic, but for the show, i prefer a bit more of slowburn. so let's push it to season 2. no, that's not a true slowburn, but still, you had to wait a little for it, and a lot of shows do this successfully. so anyway. 2x05. post iconic reunion hug, shot in a very romantic way i might add.
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bellamy is watching clarke sleep by the fire, she wakes, we have some platonic gazing with firelight flickering across their faces...
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we all know how the scene goes. he reassures her. he confides in her. she reassures him back.
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i'm sorry, but the way they are looking at each other here? dude, if they had been sitting any closer, they could have kissed. i tend to think it would be more in character for clarke to initiate a first kiss with bellamy in s1-4, but in this scene, i 100% could see bellamy going in to kiss her after this.
(and yes, i'm aware that octavia was pretending to be asleep this whole time, but honestly, her reaction to them would have added some much needed levity to the situation. octavia is a bellarke shipper, after all. also, some people might say that this would make clarke's "i love you" to finn less believable, but i disagree. you can have feelings for two people at the same time. i mean, she literally kisses lxa very quickly after finn's death sooo yeah...plus, it would have made the bellarke angst of s2b/3 even better.)
maybe you still want more of a slowburn though, and that is perfectly fair, which brings me to s3, which in my opinion would have been one of the best seasons for canon bellarke. alright. 3x05. hakeldama yup! it was prime time for a first kiss. i mean, all the build up of s1/2 obviously, but also...this had just happened:
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but anyway...back to hakeldama. this is the peak of their angst. nothing tops it.
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but then, after the heat of the moment, the softness comes in. as it always does with these two. they wind up sharing the softest, most romantic scene in this entire show (fight me).
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that last gif, man...at this point, i think they would both go in for the kiss. mutually initiated. god, it would have fit the scene so well!
(some people might say that this would invalidate clarke's love for lxa, considering everything that happens two eps later, but again, i disagree. like i said before, you can have feelings for two people at the same time. people might also say that this would undermine bellamy's relationship with gina, but you know what? the whole fucking narrative undermined that relationship, so i really don't care. i loved gina, but if clarke can kiss lxa right after finn's death, then bellamy can kiss clarke right after gina's death. this show is messy, okay? and bellarke are messy as fuckkkk.)
still think it would be too early? okay. season 4 then. very recently, i realized how easy making bellarke canon in s4 would have been, holyyyy. starting off in 4x03. bellamy is sleeping on the couch and clarke watches him sleep with the softest smile on her face (i'm still crying about this btw). i can't find the right gif, but you all know the smile! then clarke is struggling so bellamy wakes up and is there to support her, making a declaration that has romantic undertones, it just does!
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and then clarke lowkey makes a move on him lmao. for real though?? what was this???
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i would only change one thing here. he takes a seat beside her first and then puts his hand on her shoulder. so that way they are eye level (aka kissing level).
when she lifts her head off their hands, their faces would be so close. maybe bellamy would tuck a lock of hair behind her ear, not realizing how intimate that kind of thing is until he does it. i could see them kissing here. clarke would initiate. although, i think it would be so much better if it was just an almost kiss. bellamy tells her she should get some sleep right before it happens.
and then in 4x06...
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it's actually so funny how she says that and then she's like 'oh no. that sounded like it implied something. i did not mean to imply.'
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and bellamy's over here like 'omg she's implying.'
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which leads to him literally about to confess. i'm sorry, but there is no other way to interpret....
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and of course clarke interrupts, but this is the moment, you guys! this could have been the moment.
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right after this, before roan's interruption, there's a pause, and then clarke kisses him. it's a quick one. the kind of kiss where she has both of her hands on his face and he's so stunned by it that his eyebrows raise in surprise and before he can even process that it's happened, she's pulled back and they're looking at each other, a bit in awe, both surprised that she just did that.
then in 4x09, we actually get to see the reunion!! and it's the running kind. just like 2x05. only this time, after they run to each other and hug, bellamy pulls back and takes her face in his hands to examine her for injuries, and once he realizes she's okay, probably after she reassures him and puts a hand on his face, then he kisses her, but they both go in for it (and i cry).
in 4x13, i would change the location of the head and heart scene. somewhere more private...a bedroom (!). so, after this moment:
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and bellamy turns away, upset, clarke pulls him back to face her and takes his face in her hands. his eyes are watery. so are hers. she kisses him. one thing leads to another and we get the sex scene we deserved!! then they're lying in bed, cuddling. bellamy's head is on her chest and clarke's playing with his hair. that's when she decides to ruin the moment lmao and continues the head and heart convo with "we've been through a lot together, you and i." i can just see it so well. they would shift so that they're laying on their sides, facing one another. maybe clarke's fingers play with the hair at the nape of his neck now. when she says he has a big heart, her palm rests on his bare chest. when she says he has to use his head too, her fingers of her other hand shift from his neck to his temple. when bellamy says, "i've got you for that," clarke kisses him. their foreheads stay touching for a few breathes, then she pulls back to look at him and says that raven's premonition came true. like...am i crazy or would this have worked so well?? literally the same dialogue but...they're together.
(plus, this could have led to clarke raising bellamy's kid--august--along with madi over those six years they are separated, i'm just saying!)
maybe you still think that season 5 was the ultimate time for bellarke to go canon, and you know what? i honestly might just agree. the set up was there with clarke calling bellamy every day for 2,199 days. the potential was there. madi was the biggest bellarke shipper i swear. she wanted them to be together even more than all of us combined i think. for a bellarke kiss though, you would almost have to drastically change the course of events...unless you go with 5x13 and blecho have broken up earlier in the season. after clarke wakes bellamy from cryo (still crying about this moment, yeah!), i could see them having a moment.
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before jordan walks in, maybe clarke helps bellamy out of the pod, and once they're both standing, bellamy would finally make his move. instead of bellamy asking why they're the only ones there, clarke does. bellamy tells her, "we'll figure it out, clarke, but first, i have something i wanna say." maybe he does something soft, like take her hand or brush her hair behind her ear. clarke is staring at him, not quite believing what is happening right now, but deep down, she knows. he tells her, "those six years without you were the worst of my life and i don't wanna waste any more time." clarke is wearing a watery smile, still not quite sure she believes what she's hearing. she tells him, "i radioed you every day you were gone." bellamy's whole face lights up and he tells her, "i know." their foreheads touch. both of his hands are cradling her cheeks, her hands are cradling his wrists. she whispers his name. it's the kind of kiss where the time before the kiss is excruciatingly long, but once they kiss, it becomes much more urgent as they finally give in to all of the feelings. god. would have been ICONIC.
plus, they both looked absolutely gorgeous in this scene. hello???
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would have been one hell of an aesthetically pleasing first kiss holyyyy. then jordan interrupts and makes some comment about how his mom and dad were right all along :)
if not season 5 though...moving onto season 6. 6x10 to be exact. i know i've said that other times were the ultimate time for canon bellarke, but this episode is too! or right after it in 6x11. there are two scenarios that i see playing out here. (in both, blecho have broken up previously.)
in the first scenario, it's 6x10. as soon as bellamy saves clarke and she wakes up, instead of going in to hug him, i swear when i was watching it that i really thought she was going in for the kiss. that was the one and only time where i legitimately thought they were about to kiss while watching. it had never made more sense than in that moment. even with all of jroth's attempted brainwashing, my mind was stronger in that moment. it saw it coming. or at least i thought i did lmao. i know they didn't actually kiss.
but listen.
they really should have.
clarke is literally looking at him like this:
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come on, man.
i usually say that bellamy should be the one initiating post s4, but in this moment, it would have been clarke.
and if not then, the other scenario is that they hug as usual. clarke gets some rest as usual. but when she wakes up in 6x11 and bellamy is at her side, they are in a separate private tent. they have that same conversation that they do. they argue about clarke risking her life again. but then...
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he tells her, "hey, i just got you back." he says it firm but soft. i see bellamy initiating the kiss here, especially since he's almost lost her twice now, but once clarke realizes that this is really happening, that after all this time he wants her just as much as she wants him, she would for sure be the one initiating everything else. she would be sitting in his lap making out with him so fast jfsldkjfaslk and you know what? good for her!! they either just kiss a lot here, laying down on the bed, all tangled up together, and then they're interrupted, or maybe, just for once, they're allowed to be happy, uninterrupted, and they sleep together. either way. natural progression.
that's really the point of this longwinded post. so many times it could have happened. all of them a nature progression of the story that was being told.
then comes season 7...
there are no words.
6x13 left them off in a perfect place...
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the set up was literally right there! they should have kissed in 7x01!! they should have lived happily ever after with madi in a seaside cabin situated in a field of gold!!
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milgram-tournament · 11 months ago
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MILGRAM Best Song Tournament, Round 2, Match 2 BRING IT ON vs. THIS IS HOW TO BE IN LOVE WITH YOU
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Propaganda for both options under the cut!
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Propaganda for BRING IT ON:
"Reasons why Bring it On should win:
- Just by starting the song, the instrumentals are BANGER. Like his more rock style is very cool, even better than After Pain’s more mellow style - Arthur’s voice (Futa’s va) had bills due because have you HEARD his singing?? His raspier voice fits Futa so well - It feels so explosive and like a call to action in a sense, which very much matches Futa’s mentality during trial 1. He also wasn’t playing victim like a CERTAIN girl… (jk, love you mu!) - SAA HAJIMEYOU USOTSUKI KARIDA - UNDEAD HEROOOI YES SLAY KING HIS HIGH NOTE HERE IS HEAVENLY - His scream at the end. Oh my god. HE LITERALLY ATE THIS NOTE. AFTER PAIN COULD NEVER. BRING IT ON FTW 🔥🔥🔥" - His range goes WAAAAAY higher than Mu. She would end up like PHG if she even tried hitting any of his high notes in the last chorus /j
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- The vocals are amazing, those growls are so well done - You’re able to get Fuuta’s crime and motive pretty succinctly, only based on the visuals - But it still leaves a lot up to interpretation, like how he only attacked once in the final fight scene. It lead to some cool theories. - On that note, the game aspects are so cool!! Especially when paired with him going after people online, just good synergy with awesome style! - Fuuta’s scared face after he realizes what he did. The great contrast of other foes simply being knocked out then being met with blood splatter. - The tempo of the song changing with his mood is a really good touch as well. Make the song more chaotic which highlights his character traits well
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"propaganda for bring it on: the music FUCKS it genuinely slaps so hard listening to it. song style is incredible its perfect for fuutas personality and gamer vibes. also the way the mv frames everything as a game? the only time real blood and real gore happens being when killcheroy dies? the little details of all the usernames, the different monster designs, the generally distorted feel of everything being too lighthearted?
okay i could go on about the mv for hours but lets not. aside from that: the FEEL of the song!!! the vocals!!!! it really feels like fuuta putting his whole heart into it, into this point of view that both blows problems out of proportion and minimises them, and DEEPLY fucking up. my darling little hypocrite gamer boy twitter user. he makes his witch hunt genuinely sound like something that could sweep people up into it. also the instruments goddddd. the guitar and synth the bass and the drums the DRUMS. im relistening to it to write this propaganda and it keeps making me headbang when i should be writing. if you arent headbanging to bring it on you are LYING.
the way the lyrics are written is wonderful too!!!! they feel so brash and brave and powerful and like. cocky about it. and it fits PERFECTLY. its gets someone swept up into it and it FUCKS. vote bring it on im serious. lets go!! a victory march!! dan da dan!!"
Propaganda for TIHTBILWY:
okay so like the thing im most in love with: the VOCALS!!!! this song has an absolutely AMAZING singer and AMAZING vocals!!!! the way the conversational talk-singing lines still feel so musical!!!! the cute cute cuteeeee mahiru voice!!!! it brings you so much energy!!!! its a song sung with so much love!!!! mahirus va brings such an amazing feel to the song with such amazing talk-singing!!!! its very skillfully done and it happens in i love you too!! mahiru songs r the QUEENS of musical talk singing
the silly phone call bit. kurururu~!
the little vocal flourish and the way her voice raises up like an excited exclamation in the final prechorus!! daijoubu nante kirai DA!
its such a fast song but everything flows so well!!!! it makes it feel so bright and cheery and peppy!!
the instrumental is so underrated just LISTEN to that catchy bass line thats so pretty in the verses!!!! no for real even if u dont vote this is how to be in love with you go listen to the bass line in the verses it works to move both the song and the listener forward at mahirus sweeping breakneck pace. and the cute keyboard sounding and synth instruments!!!! its SUCH a danceable song!!!! i cant listen to it without bopping along in my seat
the way the ominous bits are subtly hidden? it all sounds so cute but there are just these Things that she sings that are really kind of concerning and unhealthy when she sings them!! and the veiled desperation to be in her relationship- listening to that and the cheery tone and breakneck, quick song pace, it really does represent mahiru SO well. she throws in all these little bits that just go noooo teehee the relationships just fine!! when it REALLY isnt
i would listen to mahiru talk for hours
the MV!!!!!! HER FASHION SENSE THE MAGAZINE STYLE!!!! the magazine style especially works so well with her character!!!! its so cute and stunning and just looking at it you have a blast. also her birdcage!!!! her birdcage and the bright orange and the pink bars!!!! the way everything desaturates and becomes more sickly looking when she wakes up at the end!!!! its such a happy carefully curated and designed dream and then it drains away!!!! also god all her outfits are stunning. mahiru call me
the way she sings "overheat de~!" cutest thing in the WORLD.
the little faces she makes!!!! godddd shes so expressive
actually the whole songs so expressive!!!! shes putting her all into it!!!! her words have so much expression in them!!!! once more praising mahirus va the way her voice can soften and become bright or subtly desperate so quickly is MASTERFUL control of expression when singing and its so underrated. join me in being insane over miho okasaki delivers her lines. shes such a perfect mahiru.
funniest es cover. hands down. funniest es cover.
this is how to be in love with you is FREE serotonin!!!! free energy right there!!!! this is how to be in love with you sweep!!!!!
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-The song is so cheerful!! I always feel like dancing and singing when this one comes up in my playlists!! Absolute banger, mood definer, kicking sadness in the shin with those high-heels and then hitting its face with a cute purse -THE HIGH-HEELS STEPPING TO THE BEAT OF THE MUSIC IN THAT ONE SCENE (0:50). SIMPLY ICONIC. NO ONE DID IT LIKE HER. -👠💅👝👗 -She is slaying. Look at her outfits. She put so much effort there. She gave it her all. Absolutely serving. -SUKITTE KIMOCHI WAKATTA TSUMORI? NARA KONO MAMA FUTARI O-VA-HI-TO- DE -The storyline of the mv MAKES SENSE and you can form a COHESIVE TIMELINE OF EVENTS (unlike other unspecified contestants' mvs you know 🙄) -look at herr 🥺 she beby 🥺 all she did was love too much 🥺 we all love mappi don't we 🥺 she deserved more let her win this pleease 🥺 -No medical malpractice happened in the making of this mv 👍
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I care so much about This is How To Be In Love With You- it's visuals are brilliant in the ways it conveys its themes and narrative. I'm never normal Ever about the "Love as marketing" symbolism that is brought in by the use of magazines. It's a lovely upbeat song but the Horrors are Always Lurking under it, the breakup Ritual line is my Favorite Line cause its so horrifying but its said so casually and its so good oh its so good-
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