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#flight 77
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FORTY-SEVEN MINUTES AFTER TAKEOFF, CARRYING EIGHTY-SEVEN hostages, five tons of cargo, ten thousand gallons of fuel, and five terrorists, American Airlines Flight 11 completed its forced conversion from a passenger jet into a 283,600-pound guided missile. Its nose aimed slightly downward, its right wing tipped upward, the silver Boeing 767 with red, white, and blue stripes and “AA” on its tail smashed into the north face of the North Tower at 8:46:40 a.m. Its violent arrival carved an airplane-shaped gash in the steel and glass that stretched at an angle from the 93rd to the 99th floor. As it entered the building, what remained of Flight 11 sliced through thirty-five exterior steel columns and heavily damaged two more. It severed six core columns and damaged three others. It shattered at least 166 windows. It broke the concrete floor slabs of the 95th and 96th floors eighty feet deep into the building. It launched a fusillade of flying debris that knocked or scraped fire-retarding insulation from forty-three core columns. It stripped the insulation from sixty thousand square feet of steel floor supports over several floors. It severed pipes that fed water into the fire sprinkler system. It stopped elevators in motion and cut off elevator service to at least the sixty upper stories. It sent glass and metal and office contents and body parts raining down a thousand feet to the plaza and the streets below. It altered the path of American and world history. All that damage took less than one second.
Mitchell Zuckoff, Fall and Rise: The Story of 9/11, Chapter 13, p260
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Timeline
September 11th, 2001
8:54 – Flight 77 is hijacked above southern Ohio. 
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djdiscovery1 · 4 months
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The Impossible Acrobatics Of American Airlines Flight 77 HD
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jrlunaart · 3 months
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My current reading list. I really wanted to try a bit of everything. Especially since my last two collected editions I've picked up were really long. So now I'm doing several shorter ones. Which of these would you give a read?
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nfcomics · 10 months
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GRIMM FAIRY TALES no.77 • cover artists • Harvey Tolibao • Robby Bevard [Nov 2023]
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rastronomicals · 8 months
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7:36 PM EST January 13, 2024:
Yes - "Flight Jam" From the bootleg Yesshows '77 (Recorded September 26, 1977)
Last song scrobbled from iTunes at Last.fm
Decent audience taping. Recorded at the Long Beach Arena, along the band's Going for the One tour. So Anderson Squire Howe Wakeman White
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brightnews · 1 year
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9-11-2001: 77 Minutes That Changed Our World
A factual account of 9-11-2001. We believe that this account of what happened on 9-11-2001 gives a concise and factual recap of some of the events of that day.  A generation of our population has been born since that day and unless the story is not share with there young people.  Folks will forget as time moves on.  Please save and share.  Thank you Mary Lou Cagle. 9-11-2001: 77 Minutes That…
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I think rockstar lestat would be flying to dubai all the time to have amazing "yeah we're exes of 77 years keep scrolling" sex with louis and he'd looove that a twitter account was tracking his private jet use. He'd be like Mon cherie, do you see....they call me the enemy of the sans-culottes, they say I am scorching this blue marble to cinders, but they have no idea...louis I wear my kilométer count as I wear my heart on my sleeve, every flight path leads to you, mon ange....you have heard that crass ballad about mademoiselle delilah, non? yet it captures avec précision the mind of a crazed lover who, if no transportation were available, would walk to his beloved upon foot....look at my pedicured feet, louis....if there was no d'assault f'alcon, no etihad nor emirates, no jet bleu, why....I would ruin these feet for you....
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psychotrenny · 11 days
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do you think 9/11 was completely justified
First of all I don't know why you're asking this. I have never made a public statement of support or approval, implicit or explicit, towards the hijacking of flights 11, 175, 77 or 93 and their subsequent intentional crash landings into the New York World Trade Centre or Washington DC's Pentagon. I have only ever stated that such attitudes of support existed, not that I personally held them and it's very strange to conflate the two
Secondly, to answer your initial question, Yes
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starqueensthings · 8 months
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A very Crosshair Character Analysis
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I posted a poll the other day looking for some opinions, and the prompt was: does Crosshair ever truly miss a shot? Meaning, of all the shots we’ve seen him aim and fire, how many of the few that didn’t land, were intended not to land? Does Crosshair have the skill and ability to land every shot he takes, and what of the ones that go astray (because there are some!)? The overarching, collective opinion (77% of votes) is that the sniper only misses a shot when he intends to, but let me explain why I was asking— the "methods behind my madness," if you will… (Fasten your seatbelts, and keep all extremities— and pitchforks— inside the ride!)
If Crosshair “doesn’t miss”, then there are some things that demand consideration and possible explanation. Please accept this weird internet essay as a deep dive into Crosshair’s character based solely on how I perceived his actions throught season one and two, and opinions I formed while watching his character develop. And while this could not be a Tech-approved analysis without touching on both his perceived good qualities and “flaws”, please know this is not a hate-on-Crosshair post.
Before I get into specifics, I think it’s imperative that we establish a basic understanding of his personality before the chip’s activation. While there is, sadly, not much “footage” we can use to form a true characterization of him, there are some instances we can touch on. The Skako/Anaxes arc from TCW and the earliest few moments of “Aftermath”, Crosshair is shown to be quite sarcastic, uninterested in trivial conversation, measurably combative toward those with differing opinions to his (seemingly all regs, including but not limited to Kix and Jesse), moderately argumentative toward leadership outside of his own Sergeant (mainly Rex, as Crosshair seems to have no qualms following Anakin’s or Cody’s orders), comforting to those who need it (Echo), and an overall good tactical team player.
So, let’s start this analysis by dialling things way back to their mission on Kaller and the complications that arose once Order-66 had been dropped. More specifically, hunting Caleb down in the forest. One of the things I noticed upon first watching that scene and every re-watch since, is how often Crosshair toggles back and forth between blaster bolt and stun cartridge on his rifle, as if constantly battling the indecision of exactly how he wanted to detain the Jedi. Now, if you remember, Tech com’s in and basically says [paraphrased obviously]: “Shit is starting to his the fan, we better get our butts outta here,” to which Hunter responds: “Can’t. Haven’t found the kid yet.” Crosshair then chimes in with, what I have long-deemed to be his catch phrase: “Wrong,” and proceeds to shoot the branch that Caleb is perched on. Not Caleb, who, in Crosshair's mind, should be the rightful recipient of a kill shot… the branch. Hmmmm.
If every one of Crosshair’s shots is so masterfully aimed that its deemed an automatic hit, and thus every miss is intentional (a notion of which I also believe, less one particular shot which I’ll touch on a little later), then there would’ve had to have been a portion of Crosshair’s cognition overriding that Order-66 command to eradicate all Jedi, even if it was only enough to fleetingly switch his gun to stun.
Not long afterward, we see his beloved Firepuncher saber-whacked from his hands, and Crosshair opts to then continue his attack with his backup DC17. Missed shot, missed shot, missed shot, missed shot. Were these blown shots intentional as well? And if so, why does he continue to assail the Padawan? Is Crosshair only able to fight off the command to kill Caleb while his finger is on the trigger, possibly knowing that’s when the fight against his own mind becomes most crucial? Is he clinging to some autonomy in the moments where he’s not posing an imminent threat to those around him, like during the flight back to Kamino? Or can he only resist the chip’s influence when the urge to do something terrible is paramount?
Let’s skip ahead, shall we, to when the Batch is attempting to flee Kamino with Omega. Crosshair sashays onto the landing platform in his new gothboy armour, fresh out of an undescribed chip “augmentation” procedure (whatever that eludes to), and proceeds to have a small stand off with Hunter— both of whom have their weapons directed pointedly away from each other (interesting). During the succeeding fire fight, we see Crosshair line up several well aimed shots, many of which appear to be only inches away from landing on their “intended target”. He eventually succeeds in shooting Wrecker in the shoulder, and I’d like to point out that this shot lands almost exactly where Wrecker was hit by the training droid some hours/days previously. Was the placement of this shot intentional? Did Crosshair pick that particular target area knowing Wrecker would survive the damage?
The shot I find most intriguing is the one near-perfectly aimed at Hunter’s head (lol— brothers). You know, the one where Omega saves the day by unexpectedly blasting Crosshair’s rifle out of his hands. If the chip's activation was the reason he was now hunting them and claiming their treason, why had that moment seen him hesitate? Perhaps he needed a second to line up his shot, you might argue to which I would say argue: we’ve seen him use the active recoil from that same rifle to line up his next shot many times in quick succession with a zero margin of error (see the Skako/Anaxes arc in TCW and the first few minutes of Kaller), including when each shot was aimed at targets both more dynamic in action and further away than Hunter was.
Crosshair then takes several shots at the ramp of the Marauder as they take off, all of which are well aimed… and simultaneously redundant; the passengers are taking cover in the ship already, the Marauder has begun its take off, the ramp is closing, Crosshair running whilst knowing he can’t reach them. I personally attribute those last few shots as tokens of both anger and resentment for being left behind, not ones made with the intention of killing. I think that he expected his brothers to know him better than to believe these actions were of sound mind— he thought they’d be able to deduce that he was fighting a losing battle inside his own head, yet they were quick to believe he would actually entertain such sudden and aggressive hostilities toward them.
At this point, you might be itching to argue that maybe Crosshair's accuracy is largely diminished when he opts for a pistol instead of his rifle, and while I can't dispell this theory, I can provide some statistics. We see Crosshair use a pistol only four times in the entirety of the show so far: 1. against Caleb on Kaller (objective miss), 2. against the Batch Batch as their leaving Kamino (objective miss), 3. against a soldier while he and his new elite soldier squad infiltrate Saw's camp (direct hit), and 4. against Leiutenant Nolan when that asshole he gets on Crosshair's last nerve at the Outpost (direct hit). I will leave it up to you to decide if the theory of whether his skill level changes based on the weapon he's firing holds any merit, or is worth further discussion.
Moving on— the 99-clan is reunited on Bracca. Let’s turn our attention to the shot Crosshair takes at Tech whilst the latter was emerging from the ion engine, and I’m going to include pics this time to support my assertion.
Crosshair has an undeniably clear shot— his line of sight is not impeded, there are no environmental or atmospheric disturbances to disrupt his composure, he was ready and waiting for them to appear. The shot that he fires lands a good distance in front of Tech. Though the unexpectedness of it was enough to startle the genius into nearly falling out of the engine, I believe it was intentionally aimed this way (see below). A warning shot if you will. A “Hello, I outsmarted you and am waiting at your point of attempted escape. Stop trying, and get down here because I don’t want my new imperial cohorts to take aim for me and kill you” shot.
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The next arc (Ryloth) quickly demonstrates that any neurological augmentations he’s been subject to (at this point, I believe we've been shown two, but have been led to believe there were several), have had no effect on Crosshair’s infamous sniper skills. First, he fires a perfectly aimed tracking beacon onto the moving target of Gobi’s ship. Then, upon the ship’s return, uses a single shot to disable one of the engines; a shot taken from, what appears to be, several kilometres away and having the immediate desired affect of disabling the ship. Finally, he makes the astoungingly precise shot (and I’m using astoundingly very heavily here) of blasting Senator Taa in the head. This shot, more than the previously mentioned two, are a sign of his impeccable marksmanship. Let me remind you, he was an undisclosed albeit very far distance away, on the opposite ridge of an enshadowed canyon, and is still able to shoot the senator in a place in which HE WOULD SURVIVE the attack. And not just survive, “make a full recovery” as Rampart claims afterward. This is unrivalled accuracy, and while I do not support the assassination attempt in itself, I can not deny how much skill was required to have achieved it.
My next point is something I have always personally found quite compelling, and it occurs in an off-the-cuff, likely forgotten about piece of dialogue.
Brief context: Crosshair has scooped Hunter off of Daro, they’ve landed on Kamino, and the duo (and a third soldier) are on their way to the Command Center to await the rest of the squads arrival. One of Crosshair’s elite troopers waits until he departs the platform before approaching Rampart and saying: “I question the clone’s motives with his old squad. I don’t trust any of them.” I’m intrigued to know where such a potent mistrust began. Is it simply because he’s a clone? A person born and raised unnaturally in comparison to someone with a traditional gestation and upbringing? Or has this soldier previously identified possible cracks in Crosshair’s imperial facade? Has Crosshair failed to hide his distress in quiet moments where he possibly longs for the life he had with his brothers? What is it that triggers this soldier to suspect Crosshair has an ulterior motive in capturing his old squad, and one that they’re apparently worried would not coincide with Rampart’s ideals?
Ramparts reply, in my opinion, gives us a well disguised clue: “If his plan fails, none of them will be a problem any longer.” If his plan fails. Crosshair’s plan. Crosshair has a plan for mobilizing his old family into one place, and what is it? Is he concealing the hidden objective of a reunion with his brothers under the guise of squad assassination? Was it always his plan to eliminate his new elite squad members, hence the perfectly placed mirror pucks we see him utilize in the training room, to make room for his old squad?
Remember, Hunter asks him some time later: “So this was your grand plan? Bring us here and kill us?” Crosshair answers: “If I wanted you dead, you would be.” And this is a statement which I believe to be incontrovertibly true. He has never wanted his family dead, despite having both the resources and skill to ensure they would be if that’s what he desired, but no. He’s angry that he’d inherently felt more loyalty to them than they had shown to him; frustrated that their choices post-Kaller did not align with his expectations of their choices, disheartened that they hadn't initially recognized to his choices to be ones made outside his character, and Crosshair now eagerly rebuffs their every excuse. Reference the spoken: “They don’t leave their own behind… most of the time.” . . . “You tried to kill us, we didn’t have a choice.” . . . “And I did?”
And follows the: “We’re loyal to each other, not some empire.” . . . “You weren’t loyal to me. I was one of you. You may have forgotten, but I haven’t. And it’s why I’m going to give you what you never gave me: a chance…” conversation. (Just stab me in the heart and twist the knife around, Jennifer!!!! Ouch!!! I'm still not over this!)
Was this his plan? To lure his brothers back to their home, and indirectly beg them to join the empire? To offer them the chance to join the ranks of those who have relentlessly hunted them, in the hopes that there might be some semblance of safety in conformity? To reunite the elite squad that they were in the days of the Republic (the original elite squad of which Rampart is trying to replicate with tactically inferior recruited bodies), simply for the safety that joining the empire could potentially promise? Is this the first demonstration of Crosshair using hostility to shield those he cares about from the callous clutches of the empire that he’d become painfully familiar with?
Regardless of the still-unexplained motive, Crosshair’s plan fails. Hunter has either become, or has always been, as protective of his family as Crosshair is stubborn, and he would never willingly subject his brothers (and now sister) to a life of committing abhorrent war crimes in the name of an Emperor who rose, uninhibited, to extreme and unnatural levels of power whilst abolishing the Republic of which they'd previously served. That’s not what their squad was made to do, despite Crosshair trying to convince Hunter perhaps maybe it was.
Unsurprisingly, Crosshair’s pitch falls on deaf ears, even despite killing his elite squad as an offering of trust. Once the training droids have been taken care of and the fray had subsided, Crosshair stands to find Hunter now has a blaster pointed directly at him, as does Wrecker— (Echo and Tech, curiously, keep their weapons pointed away), and the tables have quickly turned. Hunter begins his own plea to his brother, and it leads to a very ambiguous admission. Hunter: “Crosshair, forget the empire. This isn’t you, it’s your inhibitor chip.” Crosshair: “Wrong. I had my chip removed a long time ago.”
What degree of this admission is true? All of it? Parts of it? None of it? Was Crosshair only told that his chip was removed during one of the apparently many augmentations he’d been subject to? Was it removed and replaced with an alternative? Or was it truly extracted, and his questionable actions have been entirely his own? If so, was it the fall of the Republic that spooked him enough to join the ranks of an unknown empire? Did the thought of disobeying orders bother him enough to sacrifice the family dynamic he’s always known, and replace it with a safe sense of conformity? And if this is the case, was missing all of the shots he’d aimed at his brothers, a veiled display of love?
Atop the water hours later, Tipoca City has fallen. Due to their imminent death, Crosshair and his squad have been forced to work together to survive. Tech makes a lingering comment about Crosshair’s unyielding personality being outside of his control, and it’s still ringing in our ears at this point because it implies that a lot of this misunderstanding may just be because of how strongly Crosshair forms opinions, and how only one of his brothers understands that about him. Omega is mid-drowning trying to save her droid friend, Hunter is .4 seconds away from leaping into Kamino’s frigid and turbulent waters to try and retrieve her… and we see Crosshair grab his rifle. This is a shot, of any, that I would expect him to miss— water both impedes and shifts the trajectory of a projectile and mathmatically accommodating for this would take some serious, well thought out calculation; the only usable light for aiming is from the burning remnants of their home, and the container in which Crosshair is perched heaves and tips with every wave.
But he doesn’t miss. He, again, demonstrates that he can make any and every shot he wants to. He lands his shot on AZI’s chest (not dissimilar to where he shot Wrecker, on an obviously smaller scale), and pulls Omega from the depths of the water. Upon turning to see his brothers poised and ready to shoot him if they deemed the need appropriate, I think Crosshair realizes how monumental the fracturing of their squad was. They have no trust left for him. His actions, powered by an inhibitor chip or not, quickly led them to believe he was not the person they knew him to be. As much as he desperately wanted to them understand how powerful the control of the chip was, they didn’t. And I think this moment robs Crosshair of some of his anger and resentment he harboured toward them, and reaffirms that his only option now is to follow the path he was first influenced to follow, regardless of if it’s what he wants now or not. He then chooses abandonment. He chooses to be left stranded on that platform, likely aware that the potential he’d perish there was high. His separation was now his choice.
Let’s move on to Season Two! Episode 3, appropriately named “the Solitary Clone”, indirectly shows us more about Crosshair than I believe any previous episode ever has. Crosshair’s marksmanship is, once again, on full display as he takes down an old separatist tank with one shot (I’m still reeling over it, ok? That shit made me horny). And I can’t move on from this episode without also mentioning how it ended— we know Crosshair has respect for Commander Cody, that was demonstrated by his willingness to follow Cody’s command while he rebuked others’ in the Skako/Anaxes arc. I think it’s also apparent by the return of his notorious sarcasm, that Crosshair is happy to see a familiar face, one of which he may have previously deemed a friend. Cody, in return, places tidbit of trust in Crosshair (I’m also going to link this post in case anyone is curious about my thoughts on Cody’s initial comments). Not only does the commander inch toward the precarious conversation about “going rogue” and the Order-66 debacle, but Cody lets Crosshair take the lead after their shuttle crashes on Desix. “Trust me,” Crosshair begs, and Cody accedes.
They gain access to the strong hold; Crosshair, Cody and Nova (RIP) struggle only mildly with the droid forces ("Droideka's."). Crosshair demonstrates more inhuman trigonometry abilities and immaculate skill by using those mirror pucks to shoot around corners. Cody saves Crosshair’s tushy when a Commando droid gets a little too close to the sniper. Crosshair lowers his weapon at Cody’s request while they negotiate with Tawny Ames, a motion he had otherwise refused earlier in the episode (the civillians they come across behind a closed door— Cody lowers his gun and reassures them, Crosshair does not.) And when the Empire shows its true colours by demanding that Cody renege on his promise of peace and assassinate the governor, Crosshair does not hesitate to answer the call.
Now superficially, this act would appear as nothing more than a repeat of his crimes on Onderon, or Crosshair simply “following orders” as he had previously developed into a sort of mantra. But I think it’s much more layered than that. I think Crosshair recognized that Cody would be subject punishment did he not comply, a notion reinforced by his extended time at Rampart’s elbow, where it was regularly displayed that clones were of little significane and use to this new military regime. What would happen to Cody as a result of his disobedience? Would he simply be demoted from Commander? Would he be court-martialed and questioned? Detained and imprisoned? Killed? Is this why Crosshair took action into his own hands, and “did what needed to be done”? To protect Cody from the repercussions of disobeying a direct order? Or, more harrowingly and something that I am more inclined to believe, was Crosshair protecting Cody from the poignant shame and self-hatred that he knew the Commander would feel if he DID comply? Was Crosshair unwilling to let the mind of another clone be tainted by the emotionless demands of the empire, so he took the action upon himself? Was his objectively unnecessary and cruel attack, an action of deep seated respect and appreciation? Is this why Cody's comment about living with the consequences of their decisions affects Crosshair so deeply as they separate at the end of the mission?
Let’s dial back to the debated intention of Crosshair’s shots— are his missed shots deliberately missed? Our next stop on this journey is The Outpost (my personal favourite, and not because of the dreamy, sardonic, bearded Commander Mayday), but because of the overt growth that we see Crosshair attain. (Here’s an analysis I posted a while back about some of the messages I think the writers were trying to convey via symbolism throughout Crosshair's episodes to this point). If you've read it and even partially subscribe to my theory, then we can agree Crosshair’s mentality has been shifting little by little since we saw him last, and his attachment to Mayday (and the adjacent benefit that Crosshair rediscovers in companionship and brotherhood) is proof of this. So here’s what happens— raiders make it inside the perimeter of the Outpost thanks to limited man-power and degrading equipment. Crosshair heads directly to where he knows he can play to his strengths: high ground. He’s taking quick and careful aim at the retreating insurgent when the nearby shuttle explodes, and something peculiar happens. Whether it be the blinding flash of the explosion magnified significantly by his riflescope that had caused him such immediate discomfort, or something more (chip alert? Maybe? Or residual effects of having it augmented so many times?), but Crosshair’s subsequent shot is not of his regular quality. He hits his target, so I am not deeming this as a shot missed, but Crosshair has a track record of “one-shots” or “kill shots” of which this is not.
I’m inclined to ramble on for centuries about this episode because there is simply so much development, growth, and symbolism that occurs in those 28 minutes— it’s truly a masterpiece in story telling, but I’ve deviated too far from the intention of this essay (novel) so let’s trek forward.
Let’s get to Tipping Point, and what I would deem to be his only failed shot (and the implications of what it might mean). Crosshair has been sedated, interrogated, injected, neglected, confused, and abused since arriving on Tantiss. (You guessed it, I also have an analysis of this episode, structured a little differently than my previous but still helps to break down what I deem to be the motives behind his actions). Hemlock first attempts to bribe Crosshair with his freedom in exchange for information on his brothers, and as such, divulges his true need for Omega. Crosshair, who has never really had the chance to bond with her like his brothers have, refuses to provide any information. And why? Having only a surface level relationship with Omega, and having rebuffed her advances for companionship several times, why would he protect her in the face of imminent chemical torture? Because it directly protects them, and they are no longer being hunted by a squad of recruited bodies lead by an angry brother... but by a twisted and cruel doctor who's methods were proven unorthodox and tortuous upon immediate introduction.
Upon awakening from another round of interrogation, Crosshair understands the time to act is diminishing quickly, as is his ability to refuse Hemlock the information he wants. Each interrogation leaves him physically and mentally weaker; the time is act is now. He shoots and kills the pair of troopers, as well as the interrogation droid, with no difficulty. He stuns Emerie the scientist (possibly recognizing her clone accent for what it is, thus opting not to kill her?), steals her access card, and stumbles from the room. His body is no where near recovered from whatever toxin that droid injected him with, and he staggers through the unknown halls. Quickly coming across a pair of troopers guarding a doorway, the next shot is the only one that I believe he truly missed, and understandably so. It lands on the wall between their heads, and Crosshair quickly realizing his failure, shoots them with the following two rounds.
While missing that shot is largely inconsequential to the overall story, I think it’s an important anecdote for his character growth. In that moment, Crosshair is both physically weakened and mentally desperate to get a message to his brothers, and it’s the combination of those that had his aim faulty. He’s found himself nothing more than a man broken… stripped of the celebrated titles he’d once possessed and mentally mined until simply raising and aiming a blaster, a motion he’d once found more innate as breathing, was a motion difficult for him. He's forsaken his family, lost his purpose, been rendered nothing but an experiment and a tool.
So to summarize this egregiously long essay of Crosshair’s character, I’d like to reiterate that he is human. As we all do, he has faults. A lot of his reasoning is arguably flawed. He makes poor decisions, often in haste without considering the ripple effect it may have. He is extremely stubborn, and he does not communicate well. And there are things he’s done and decisions he’s made that I can not personally elucidate and would love to openly discuss with other Crosshair enthusiasts (example, trying to incinerate his brothers in an ion engine— did he assume Hunter would double back again, and this is Crosshair’s attempt at forcing them into the open? Or is this one of the moments when he cannot fight off the chips control?). You don’t have to like him. You don’t have to agree with him or anything he says. You don’t have to like me or agree with anything I say, but as we head into the third and final Act of this remarkable story, it is worth determining which of his actions are superficially misunderstood, and which have a deeper meaning that a casual viewer might simply overlook.
Thank you for attending the Ted Talk that no one asked for.
Holly ♥️
**forewent the taglist as this is not my typical content
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Timeline
September 11th, 2001
9:37 AM – Flight 77 crashes into the western side of The Pentagon. All passengers aboard are instantly killed and so are 125 civilian and military personnel in the building.
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nobaraisalive · 6 months
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Pablo Antonio Míguez was born in 1963 and disappeared in 1977. He was kidnapped along with his mother, Irma Beatriz Márquez Sayago. He was 14 years old. About his time in captivity “Pablo was an introverted, happy, intelligent boy. He had suffered a lot. When they were kidnapped, they took him to the clandestine center El Vesubio. They used it to get my parents to talk. They made him witness the torture and rape of his mother. And there a dilemma appeared in the military. Pablo was too small to kill, but too big to let go, he had already seen a lot.”
They then transferred Pablo to the Clandestine Detention Center that operated in what is now the former ESMA. That's when he crosses paths with journalist and survivor Lila Pastoriza. She was kidnapped between 1977 and 1978, and while they were together, Pablo told her part of his story and Pastoriza was in charge of spreading it.
“When he was at ESMA he was very skinny, with long hair, and a very sad face. By mid-1978 there are no more records of him,” says his brother Eduardo. “But they didn't break them. "They killed my parents at the end of '77. They were part of the death flights." Pablo's fate is not known, it is believed that it was the same as that of his mother. The location of the Parque de la Memoria work makes sense: it is in the Río de la Plata, where many of the victims of the last dictatorship were dumped, and where Pablo's mother was dumped, and, perhaps, he was too.
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chunkypossum · 3 months
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Chapter 4: Fate and Fury
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No one knew what happened to souls as they were passed back into the arms of the Mother, least of all Eris. He hoped though, to stay in the wind if that was his fate, become part of the song that drew Azriel up into flight, and breathe against his wings one last time. 
When I read back through this chapter to review it I got to this line and whispered, "What is wrong with me?"
Read on Ao3
Holla at ya boi if you want on or off the Azris tag train :
@talibunny30 @iftheshoef1tz @born-to-riot @fell-in-luvs @fieldofdaisiies @aktrain @honeysuckle-daydreams13 @secret-third-thing @acourtofladydeath @pippsmcgee @youvereachedthenearest-lovergirl @baileybird71 @skyesayshi @yanny-77 @areyoudreaminof @unanswered-stars @futurehunt @ninthcircleofprythian @matrixsss @going-through-shit @c-starstuff-man0 @jules-writes-stories @the-darkestminds @krowiathemythologynerd @cauldronblssd @hieragalbatorixdottir @yourlazykitkat @hellolordling @climbthemountain2020 @lilah-asteria  @shadowsandlint @acourtofbatboydreams @theeternalstruggle
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rq-gift-exchange · 4 months
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Squad Road Trip Master Post
Veggie Squad Road Trip - @housetomte The Iron Squad is going on a "road trip" to the beach
The Quiet Game - @acourtofladydeath Tairn and Sgaeyl try to survive a flight with their little golden terror.
Running on Empty - @sarahydeart The squad are on a road trip! Or they would be, if they hadn't run out of gas.
Are We There Yet? - @yanny-77 Xaden drives Violet's squad to the beach...and immediately regrets it.
Road Trip Detour - txredsoxmama Created for RQ War Games and for my 1st Wing-mates. Just a silly little drabble.
Admit it, We are Lost - @alexandia03 The marked ones run away from home before their parents find out what they did.
War Games Drabbles - E_Hyde Part 1 of Hyde's War Game Drabbles
Play Stupid Games, Win Stupid Prizes - @alltoowellread Drabbles for the RQ Discord Server War Games.
Empyrean Drabbles - @greeneyedwildthing The gang take a roadtrip for summer vacation
One More Thing - Squad Leader Attie The squad gets ready to go on a road trip, but Ridoc needs one more thing.
What's the Holdup?? - EmJay The squad goes on a road trip but encounters traffic.
Road Trip! - @oh-no-its-dragons Violet and the squad work at a college town Barnes and Noble. They gotta get the books across town.
Road Trip Drabble - Veggie Tales Style - ILoveMyThighs The squad takes (unknowingly) sentient veggies on a road trip. This is their story.
Country Roads - @taumoebaa Violet and gang go on a road trip.
Road Trip - SarahEliz A post-term road trip for the Iron Squad
Ridoc's Shennanigans - Scarlet_Aeon The gang is going on a road trip....and Ridoc gets to pick the seating arrangements.
Lost - Nivaria Does anyone ever know where they're going?
Twilight Meets Fourth Wing - @spicycleansejuice Fourth Wing and Twilight characters head to the baseball field
Worth - EeveeAlchemist Anyone taking their first look at Evie would say that she didn’t belong in the Rider’s Quadrant. Secretly, Evie believed they were right.
Reginald, Reggie, RG for Short by @vanthh Please don't ask how I ended up from a turtle POV.
For What It's All Worth - @silverlude Violet and her friends get dragged away by their dragons to a mysterious place for a "vacation".
Baby Iron Squad - Fireheart_Rose When the Iron Squad go on an early morning hike, fall asleep, wake up as toddlers. The others find them…chaos ensues.
The Road to the Border - @quihi Rhiannon’s squad volunteers to meet the Navarrian families moving to Aretia. Turns out, they’ll be taking a road trip in both directions.
Squad Summer - @korrinamoe Imogen just wants to see Garrick, but her travel plans somehow end up involving everyone.
Prank Gone Wrong - Portjules Sawyer and his squad go on a roadtrip to fulfill another of Ridoc's pranks. What could go wrong?
Your Turtle is Blue - Nedeit “Tell me again what they said,” Brennan commanded, trying not to think about the sun setting down far away in front of them. 
The Leitis Commemoration Day Road Trip - Miz What a beautiful day, I think as I wake up in my bedroom overlooking Aretia.
First Wing Road Trip Warning: Alcohol Abuse, fainting, missing person
Road Trip "I swear to Malek if you don't move right now, I will force you to."
Car Ride with Liam Fourth Wing & Iron Flame Spoilers
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mrchiipchrome · 1 year
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77 and 57 Pleaseeeeee
Hmmm Lia walti? Or you can choose
prompt 57. -It feels like you don’t care.
prompt 77. -We may never, ever meet again.
You can request for whoever, prompt list is linked in my masterlist:) (please people, it's drier than the sahara in my inbox)
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“LIA! Will you just stop and listen to me for once!?” It had been long overdue, you snapping, but this time it had just gone way too far for you not to react.
You had signed for Arsenal when you were 22, and found your love at 23. Now 2 years later, you've gotten an offer from the world’s biggest club, Barcelona. 
Frankly it would be stupid to turn the offer down, but you were more hesitant than you’d ever been. I mean, you had your love and all your friends in North London, but on the other hand the board had been toying with you and your contract extension for months now.
You would think that your girlfriend of 2 years would be happy for the incredible opportunity you got, but when you told her of the record offer from the massive club she just shut down. Ever since then she’d been ignoring you for most of the time.
As for you, you’d tried everything in the playbook to get her to talk to you but it always led to arguments, like now.
“It feels like you don’t care, not about me and not about our relationship” You sigh out, just tired of the constant arguments. “I mean, when was the last time you looked me in the eyes? The last time you told me you love me, huh? Weeks.” 
Lia looks at you, stunned. She hadn’t even thought about how her behavior affected you, only how much it hurt her that you were thinking of leaving.
Now that you’re standing before her, in your shared apartment, packing your clothes into a suitcase to take with you to the Spanish city it all just becomes so real to the girl. She was really about to lose you because of her own stupidity and inability to be happy for you when it meant that she had to be sad.
“You know if you do this, we may never ever meet again?” Lia’s shaky voice finally comes out of her mouth, the words having been stuck there. She hears how you pause in zipping up the suitcase, but then you start back up again.
Cupping the older woman’s face, you press your lips to hers in what could be your last ever kiss, tender and loving. The kiss telling the woman that you’d always love her, even if it was from afar. Leaning your forehead against hers, you sigh before moving away slightly.
“I guess this is it for now. You will always be my dearest, I hope you know that. No matter what happens, I’ll always love you, from the moon and back.” Lia stands still in the place where you left her, eyes still closed. The tears only start to fall when she hears the echoing click from the door closing. 
Lia’s body drops to the ground, heartbreaking sobs wracking her body. As you stand outside of the front door that once lead to the place you called home, you can’t help but let out your own sob in despair. 
All you wanted to do was run back into the apartment and apologize, telling your love that you didn’t mean it and that you were staying, but then you’d be lying. You were moving after all, to Barcelona and away from your love, away from all your friends. 
Oh how were you going to make it without your greatest love by your side, through all the good and bad, all the hard and easy, through the ups and downs.
That was something you’d have to figure out during the 2 hour flight to your new home, for the foreseeable future…
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be-my-ally · 5 months
Text
The Seatbelt Sign is On
A Big Bunny Vignette.
Bunny wants to get tied up, so uh, here we are. Playboy!Reader x 76/77 Elvis - this little plot-less smutty fic is set between The Lisa-Marie & Crash Landing. Although I think it could be read as a standalone. This is pretty much totally unedited, so apologies for any typos.
warnings: 18+ 18+ 18+. Light bondage. No safewords or anything but it is clearly pretty ssc**. Oral, and penetrative sex (p in v), slight overstimulation. 
75-77 elvis x playboybunny!reader (established relationship - here's the link for the rest of the series)
wc: 4.2k (miss concise smut is back baby!!)
** ((Spoiler: Elvis does say he has scissors in case she needs to be cut out - but he’s pretty much just holding her down with some ribbon and a seatbelt.))
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Elvis often climbed up the stairs with his last burst of energy post-show - happy to collapse and settle in or onto the nearest chair, sometimes not even making it to his bed, taking in the precious hours of rest before the next stop. It meant that even though you were spending a serious number of hours with Elvis, it didn’t leave a whole lot of time that he was lucid or awake enough to actually spend it with you. 
You’d worried it was you, to start with, but you’d heard the guys whispering about him lately. About his lack of interest in the girls he flew out to meet him, or the ones waiting back home for him. You’d watched Sam looking you up and down a little smugly in the middle of the conversation as if saying without a word that there was a lack of interest in you too. The rumours that he couldn’t get it up at the moment followed raucous retellings of salacious events from years before that you were sure were heavily embellished if they’d even happened at all.  But, despite what they would gossip about, you never would describe Elvis as lacking in some way, and certainly not out loud. Sure, he didn’t always (or even often) have the energy to be intimate with you but when he did he was as considerate and, usually, as fun as ever.
Sometimes though you couldn’t help but feel like it was just…a bit bland. You still blush when you think about those first few flights on Big Bunny, meeting him in next to nothing for that rehearsal. Nothing has really come close in a long time. He certainly wasn’t behaving in the same way, and you felt a little like maybe you had become too comfortable together, or like a married couple or something. A distinct lack of excitement together. 
The issue, you thought while brainstorming ways of keeping it interesting, was that despite how brash and forward Elvis could be, he ultimately became quite shy and almost too respectful towards you while you were alone. You knew enough about how his brain worked to know that part of the appeal of the opposite sex was, for him, the perceived softness and ability to at least perform an act of gentle innocence. He could be brazen and arrogant while ordering you to dance for him, to roll his latest dirty film acquisition, yet when he had you alone he’d be almost apologetic, gentle. You didn’t want him to be mean to you, but maybe a little less of the…desperation. If he could just take a little more control again. 
It was at the end of a run of shows, Elvis tired but with it, when the answer came to you. He’d been carefully kissing the inside of your thighs, where you lay, still fully dressed on the bed of the Lisa-Marie when you’d moved your hands onto his head in an attempt to impatiently guide him. He’d tutted at you, immediately pulling away from your fingertips trying to bury themselves into his longer hair. 
“No, no, no, keep your hands outta the way, baby, gotta let me work.” He returned, but a kiss to a sensitive crease sent your leg knocking into his shoulder. It’s been a while. You can feel his grin even as he pulls away again to look up his lashes at you. 
“I told you you gotta stay still, I need my hands for this, can’t be holdin’ you down.” You’re not sure the noise that came out of your mouth could be heard by anything but dogs but he laughs, shaking his head, “What m’I gonna do with you?” You wiggle a little, and there’s a clunk of metal hitting the floor. You both turn to look, and your wide eyes meet his calculating ones. 
“You can. You know, if you want.” He stares at the seatbelt now trailing on the floor for a moment longer before responding, turning bashful; 
“Uh, well, I don’t know. I wouldn’t wanna pin you - I wouldn’t want you to be uncomfortable… I was really only jokin-“ He runs a hand through his hair, pushing it off of his forehead. 
“El- it’s ok, really, I think I’d like it.” 
“I didn’t, uh, I didn’t - do girls, do ya, do ya, uh, really like that kinda thing?” 
“Uh-huh, I think so, or well, maybe not every girl, but I like the sound of it, all tied up and ready for you, just having to take whatever you wanted to give me? Doesn’t that sound good to you too?” While you were talking you could see him looking at the belt, gently stroking your wrist as he considered the proposition, he swallows. You can tell he likes the idea. 
“You’d… you just, you’d just let me know if you want out right?” You laugh at his nervous questioning; 
“Lord Elvis, what’s running through that mind of yours to do to me that I’d want out?” He shrugs, glancing at the clock. 
“Well, not today, baby, gotta be ready for the show in an hour, ‘m gonna, gonna freshen’ up.” And with a pat to your side, he headed to the bathroom, leaving you there.
You realised you might have made an error in judgement bringing it up just then, just when he’d started to get going now you were left with your panties twisted to one side, skirt hitched, alone on the bed with the plane seemingly whizzing past any prospect of an orgasm today. 
——————————————————————
“We’re uh, going to Denver, you know, for the uh, burgers.” You pull the headset from your ear, as if blinking at it was staring at him and he would offer you more explanations.
“Oh, yeah… sure, ok.”
“Well, don’t ya wanna come too?” He sounds offended at your noncommittal response, but you don’t really. Truthfully, you still didn’t quite feel like you were rested from the tour yet and you knew it was only a matter of days before you’d be up all hours of the night and day and running ragged after him again. But, he made that dejected sort of hopeful hum that made you cringe at the mere thought of not agreeing to his plans. 
“Of course I do - I’ll uh, I’ll be there just as soon as I can.” It’s silent on the other end, and then, 
“We’re leavin’ now, so hurry.” Of course he was. 
It didn’t occur to you until much later that he didn’t want to go to Denver at all, and definitely not for the burgers - you’d heard Joe ringing from the comfort of Elvis’ fancy car-phone to make sure someone, presumably a pretty Miss Colorado of some sort, was home. Assuring them down the line that Elvis couldn’t come to the phone right now, but if they made sure they were at the airport he’d be there in a few hours for a flying visit. Somehow, you were able to listen to this - your legs nudging his, and his nudging Joe’s, without the slightest jealousy - just a mild sympathy for this girl desperate for the crumbs he was willing to lay. It would be much later that you would realise Denver had nothing to do with this girl either, that it was all an excuse for you. You’d realised there was some kind of ulterior motive to a lesser extent though as soon as you were, quite frankly,  shoved into the bedroom as soon as you had boarded. 
“Elvis! I’ve got a job to do!” He shakes his head, grinning at you and standing in the way of the door, 
“Nu-uh baby, I been thinking about what you said last time.” You didn’t expect that. 
“Oh?” 
“Yes ma’am, and you’re right.” You really didn’t expect that, 
“Oh! Well I can’t say I’m surpr-” You yelp as he pinches your side, 
“‘Nough of that, on the bed! I got ‘quipment.” You pause your stride towards the bed, looking at him grinning with his hands on his hips, it was all a bit sudden.
“Um, I didn’t, I mean, I’m not su-” He grins at you, 
“I thought you were Miss Confident?” He gets that sly look on his face, his eyes narrowing and crinkling in their corners, “You know… I’ve been readin’ up and I don’t know if I oughta be worried, liking this kind of thing is listed in the DSM you know…” You gulp, your stomach twisting a little, feeling a flush rise up from your chest to your cheeks. 
“Jesus El - I’m not the one with equipment! I just like a little…I’m an adult, and I know what I like and I think it’s unfair of you to say that kind of thing, especially when I know what you’ve been up to, and you know Hugh -  Elvis stop laughing at me!” 
“You’d have thought I was secretly sending you off to the nuthouse baby, the way you were carrying on then,” He manages to get the words out past his giggles, “ ‘s just a bit of ribbon, honey-bunny.” You both feel the rumble of the engine starting up, “C’mon we’re on a time limit.” 
“Well, if you’re - if you’re sure…” You bite your lip in nerves. 
“Where’d my conf’dent l’il bunny go huh? C’mon baby, ‘s no worries - you’ll like it .” 
“Are you - you know what you’re doing?” His mouth gapes a little, wide-eyed. 
“Of course!” He looks genuinely offended, for a second before grinning, “I got good at knots in the army don’t you worry.” He winks at you as he salutes, his feet knocking together and you giggle, your tension relieving itself.
“I’d be more reassured if you’d been in the navy.” He swats at you, 
“ ‘M better than any of them boys playin’ out on their little boats I tell ya, now hush and let me work here.”  Your breath catches again, “don’t worry darlin’ I saw this in a uh, blue movie, don’t ya worry, I know how you like it.” 
That did little to calm your nerves - his reassurance that he knew what he was doing too often led to some kind of mild disaster. “Well, ok, but - you’ve got, you’re prepared, right? You got some scissors or, something, haven’t you? In case you hafta get me out quick?” 
Elvis puts the bag back onto the bed, holding three fingers up - but his solemn face belies the comedy of the action; “I swear, swear to you, I’ll get you out if you want to be. Not gonna let anythin’ happen to my best bunny.” You look into his eyes pausing for a moment and nod, lying back on the bed. He situates himself between your legs, bending to place a feather-light kiss on the corner of your mouth, 
“Aren’t you gonna…?” You shake your wrists at him and he huffs a laugh, his breath fanning over you, 
“Gotta get you worked up first baby, ain’t no fun if you’re not ready to wriggle and jiggle around, is it? Now, hush,” He whispers against your skin, “let me work my magic.” 
He might not have been focussing his energy through his ‘healing hands’ this time, but you couldn’t deny he did have the magic touch, he barely had to brush his fingers over you, press a thigh against your side, and you were gone from the world, levitating above the bed, above the plane, into the sky above. You’re embarrassingly quick to turn on, making out with Elvis enough to make you squirm. After a minute or so he presses kisses against your clavicle, open-mouthed while his fingers fumble with opening the buttons that stretch from your neck to your thighs, almost immediately shoving his hands around the waistband of your tights and he tugs hard enough that there’s the tell-tale ripping sound of the nylon falling apart - if you’d been more conscious of it you would have rolled your eyes, somehow you never seem to be able to keep a pair for long around Elvis. As it was you were far too distracted to care, relieved simply to be divested of the fabric and you lift your hips to let him roll them off - throwing the destroyed fabric to the corner of the room. His hand supports your back as you lean forward, pulling your arms out of your dress, immediately wrapping them around his neck once you were free. 
He’s all-encompassing, someone else might find him smothering, the way his arms seem to be everywhere all at once, caging you against him. But you can’t get enough. Your underwear ends up somewhere, god knows where. You’re reminded again of that revelatory first time when he’s biting nibbling kisses across your chest, tiny pink bruises sucked onto your soft skin, Elvis’ hands pawing at you in that somehow hot clumsy way. He tweaks a nipple and your back arches to meet him, you don’t know when your eyes closed but you open them at the sudden loss of any sensation, 
Elvis is sat back on his heels, assessing you, rubbing your thighs firmly. He nods with satisfaction at whatever he sees, reaching up the bed for the ribbon and tugging your wrists towards him. He kisses your pulse, and you wonder if he can feel how it jumps. He tuts when the ribbon twists, wrapping it around several times and looping it over and under before finishing it off with his best attempt at a bow. You make eye contact with each other, and you open your mouth to tease him about it, but he stops you with a pointed finger, his eyes alight. 
“Don’t say a word.” You swallow your words, playfully snapping at his finger instead, and he laughs, holding your newly tied wrists above your head as he leans down to kiss you again. It’s somehow dirtier this time, whether because you just feel that way, or because he doesn’t take his time, biting your lip and pushing his tongue into you; forcefully mapping out your mouth. He works his way down, sucking a small, darker bruise on the underside of your left breast, you wonder if it was intentionally close to your heart. You tremble, wriggling against him and after a moment he evidently grows tired of pinning your wrists, his long arms not able to keep them pressed flat while he works down your body and he looks for a way to secure them better. 
“Well, I guess we didn’t think this through, honey, it’s not the right kind of headboard, so I s’pose you’ll just hafta keep ‘em there.” He presses your newly tied wrists against the pillows, fingertips brushing the velvet of the headboard and your back arches with the effort of keeping them there. His breath tickles when he returns to his place, and the air over the sticky wetness of your inner thighs makes your arms involuntarily attempt to come back down to hold him in place. Elvis tuts at you, leaning back.
“’S no good. You’re wriggling around too much.” He stands up, his hands on his hips to assess your predicament. He sits back down and peers down the side of the bed. “C’mere.” He hauls your body up and you wriggle up with him until you were high enough up the bed that your back was now supported by one of the cream-golden reading cushions and he was able to pull the seatbelt across your stomach.“Keep your hands there.” He pats them at the top, and you grip the top of the headboard as best you can. “Where was I?” 
You’ve lost all ability to speak, simply too turned on to comprehend what’s going on. There’s the barest hint of sweat beading above his eyebrow and glistening on his dark, longer, sideburns. Your hands twitch to cup his face and you whine in frustration, unable to reach where he kneels between your legs, your fingers clutching the dusty top of the headboard, desperate not to ruin the game. He grins, tongue running over his teeth, and you thump your head back against the hard cushion, 
“Elvis, c’mon.”
“I’m havin’ fun now, baby,” He sing-songs it delicately and you shiver, “Gonna get you so worked up.” His thick hands grasp your thighs, fingertips digging in, “C’mon, bunny, open up for me.” You have no idea if the growl that comes from his mouth was intentional, or if it just had the unintended side effect of your legs immediately spreading, your breath hitching. He leans in and you feel yourself tense, hairs pricking with the tension of the moment, desperately anticipating his next move. 
Elvis is clearly not unaffected by the sight of you - his breathing much harder than before and it tickles as he gently kisses your inner thigh, his pouty lips open. The very tip of his tongue ghosts across your skin, and you shudder at the sensation, aching for him. 
“Elvis you’ve gotta - you’ve gotta touch me.” 
“I am touching you.” His fingertips continue to dance, and you try to squirm a little, the seatbelt trapping you in place. 
“Nooo. Properly.” He chuckles, 
“Properly” He teases with a shake of his head and you whine again, 
“Ssh, shhh, I’mma take real good care of you, bunny, just relax baby,” He firmly rubs at your thighs, as if he wasn’t the reason you were squirming. You let your head roll back again, suddenly distracted as he teases you by the sight of yourself in the mirror at the end of the room, the dark mahogany of the wood-covered room and the dim light reflecting off of the creamy ceiling putting you into a soft-glow focus. You can barely see yourself beyond him, he takes up the majority of your view, and though the concept is hot to you, fully clothed as he was, it left little to look at - just your twitching tied wrists, above both of your bodies, really visible. 
Finally he’s kissing across your bare skin and you’d forgotten somehow, impossibly, in the time since you’d last been together like this, just how good he was at this. You’re already so sensitive, you can feel the cooling dampness in the air, and yet it still comes as a surprise at his first kitten licks how responsive you were to him. He presses one hand against your thigh, fingers leaving bruises from his tight grip, holding you totally open to him. Elvis leans back a little, grinning at your attempts to grind on nothing, and you might be ashamed at such a wanton display in the morning but right now you just need the pressure back. He spreads your slick folds with his flattened tongue, moving his fingers in to keep you spread open so that he can lick up to your clit, sucking on the little nub and sending you shuddering. 
Your legs are the only part of you able to move, and you wrap them around his, now thicker, waist holding him against you until the movement of his talented tongue and fingers make them kick out. For some reason, even though he wasn’t doing anything new, being secured down like this was making everything feel ten times more - like someone had turned your sensitivity up on a dial. He tongue-fucks into you, and it’s so hard to keep your hands where they are, writhing around as you were, desperate to hold him in place - gain better purchase to grind against his clever, talented tongue.
The singular focus he dedicates to this task always reminds you of that first time and having him so committed only adds to your enjoyment. Elvis renews his efforts, suckling like he needs you for oxygen, and the warm wet pressure builds until finally, you’re shuddering over the edge of orgasm, legs spasming and your back arching as much as it was able to do so - and the tension of the seatbelt across your body - pinning you down far more than you would usually be held, has you electrified, adding to your startling passion. You pant, trembling as he leans back, it’s scandalous how he smiles at you, catching his breath, lips glistening with your slick and you try to form words to tell him how earth-shattering that vision is, but you struggle from the sheer anticipation of watching him stand up. 
“El- Honestl-El, how’d you, it’s so good. You need, I need you -“
You cut yourself off, panting, as Elvis finally, finally, slips out of his lounge pants and jacket.  His tanned hairy chest unveiled itself, a perfect trail leading down to his hard cock, its pink head poking out, glossy with his precum. You shudder, and he grins at you wildly for a moment, before seemingly focussing on the task at hand, clambering back atop you. He mutters the same thing he always mutters as he presses himself into you, 
“Y’re good, y’re a good girl, bunny, swear it - y’re so, fuck, so tight.” It probably shouldn’t make your chest glow so much. He presses a hand on your stomach, just below where the seatbelt pins you to the bed - holding you in place for him to get himself situated. The firm pressure is almost enough to tip you over the cliff again. You realise you’re babbling, muttering pleas when Elvis kisses your sweaty cheek, hushing you. He jerks his hips once, twice, in time with your gasps before he growls, evidently incapable of getting the angle right and you suddenly feel yourself being tugged down the bed, hands leaving the headboard and seatbelt scraping your skin until you were lying mainly flat, mostly immobile.
“That’s it, that’s - that’s better - that good for you Bunny?” He doesn’t give you time to respond, laughing to himself, “ ‘course it is. You’re like one of them kids toys, what’re they called, those, those, slip n’, slip n’ slides. So fucking wet down here.” You nod frantically in agreement, stuttering out that you were fine, it was all good - but please, Elvis, please, just move. 
It’s a strange sensation, being unable to use yourself to get leverage, and it feels almost objectifying. Lying there just to be used, but you liked it, and Elvis took advantage, pulling and tugging to exactly the pace and angle he needed to chase his own pleasure. You plant your feet, when you manage to get purchase, able to use your thighs to your advantage a little. You can feel the edge rising, but before you get there Elvis stills, his mouth agape, sweat beading at his forehead and eyebrow, upper lip aglow with it, and you feel him pulsing. His hand comes down to stroke between your folds, as he slowly pulls out, and you shake your head - it was almost too much, but he hushes you, 
“Shh. Wanna see you go again, it’s only fair - ’n’t that the reason I got you all tied up like this.” You tremble, and he presses his thumb against you, it’s filthy, the viscous mix of your fluids. Elvis deftly rubs your clit, and your body shakes through the waves of orgasm until you squirm away from his fingers, completely overstimulated, 
“El- El, that’s that’s enough, I can’t - fuck, that’s too much - too much,” He laughs at you, stroking you a final time as your legs twitch. You lie there panting for a long while, and Elvis gets up before you do, cutting the ribbon off of you, not bothering to deal with the knots that had tightened as you struggled, and heading to grab a drink from the little dressing table alcove at the end of the room while you caught your breath.
The ribbon had done pretty well at keeping your hands together, he’d done them up tight enough that they’d laid fairly flat and untwisted, but still, when you rubbed your wrists there was a light mark and the hint of soreness, especially around the outside edge of your forearm. You unbuckle yourself, sitting upright slowly.
Clearly, there’s a reason people don’t usually use seatbelts like this. The rough edge of the nylon had rubbed you where you’d wriggled around, the lines criss-crossing, while the heavy weight of the gold buckle had left indents - several of which you were sure were going to bruise. You didn’t mind that so much, pressing a finger into the darkest of the marks. 
“Good Lord Elvis, I look like I’ve been whipped or something!” He glances back at you in the mirror where you’re now fully upright, brushing your fingers over the pink marks. He points a finger at your reflection, 
“No chance in goddamn hell. Nope. There’s not enough space - don’t you go gettin’ any ideas now, li’l girl. Absolutely fuckin’ no.” 
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