#flashback so this makes some more sense

[dont-look-at-me-u-u]

yo my bad i did NOT mean to add that much text to the last two i guess i needed more words to describe it that i thought 😭

[welcometogrouchland]

I miss them so bad (Dick and Damian)

[longagoitwastuesday]

ngl it sort of pisses me off the way adults regard Gojo in Jujutsu Kaisen at times. Which could be a very interesting and poignant point in a good way if well written, but as it is it becomes mainly just frustrating and sad in a negative way.

Nanami saying Gojo never cared about anything or anyone other than himself crashes interestingly with Kusakabe saying the whole situation was just all his fault because he refused to kill Itadori. The students are very aware of those aspects of Gojo's personality, but overall they seem to regard him with way more kindness and fondness even when at their rudest, not truly coinciding with either Nanami's or Kusakabe's views.

[crehador]

i don't know if i think it's really funny or kind of a shame that many people are going to know tadaima okaeri solely as "the omegaverse bl" when it's actually such a sweet slice-of-life about community, family, the struggles of the older generation to understand the younger and vice versa, recovering from social isolation and how recursive that recovery can be, forging lasting friendships as adults, and so on. it's so wholesome and drama-free that it barely has any plot to speak of, but what it lacks in plot it makes up for in themes and man. what beautiful themes

[isthereintruthnobeauty1968]

thinking about saavik again orz

[foxmulderautism]

i am being silly.......cause why am i getting visions for lover boy chapters being "colour coded"

[teruthecreator]

the general plotline from wolf -> jamba -> cowboy -> awkward is one of my fav parts of wolf

[gonguji]

another  lil  hc!           whilst  I  do  like  all  depiction  of  Kabukimono  (  canonic  &&  fandom  ) ,    I  think  rendering  him  as  not  knowing  how  to  do  anything ,  how  the  world  of  humans  work  at  all ,  or  making  him  beyond  clueless  is  a  bit  too  popular .      I  much  prefer  him  to  had  been  trained   by  Ei ,  lectured  about  the  art  of  performance  such  as  kenbushido . . .    he  canonically  has  memories  with  Ei  &&  Yae ,  even  wears  reisō  (  white  attire  for  shintō  purification  rituals  )  signifying  his  affiliation  with  the  Grand  Narukami  Shrine .        he  had  the  entire  Shakkei  Pavillion  to  himself  with  all  the  equipment  inside ,  with  no  servants  nor  guards  so  he  was  most  likely  awaiting  the  day  his  mothers  would  return .        I  firmly  believe  he  was  preparing  each  day  to  properly  greet  them,  which  also  requires  basic  skills .

[oblako]

249 episodes and we still know barely anything about shinhye

[brambletakato]

OK PSA TIME. Idk if anybody else struggles with this but.

You have every right to not allow someone to use your chosen name. That is YOUR NAME and your name alone. Nobody, and I mean NOBODY, should define how you should use your name except yourself.

If someone using your chosen name makes you uncomfortable, setting boundaries with them does NOT make that chosen name any less of a name.

Boundaries are HEALTHY.

[ambrosiagourmet]

I want to talk about why I think this is the one of the most important Falin panels:

So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.

In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.

At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.

And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.

Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.

If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.

We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:

So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.

Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."

So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.

However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.

Isn't that the same thing?

No, no it very much is not.

Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:

Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.

But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.

If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.

Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.

Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.

Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.

We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.

And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.

So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.

It doesn't seem like Falin has ever confronted any of it directly.

And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:

Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.

And this is something Falin embraces, too. She comes back to life, after all.

We see her choose to come back to life.

And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:

Do you want to eat more?

There is a double meaning in the Winged Lion's final words on the next page.

When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.

But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.

And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.

It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.

[metallteeff]

trying to be smart and different with your stories is a disease and i have it

[blkkizzat]

YAKUZA!TOJI X MILF!READER —aka toji on some joe goldberg bullshit

⟢ rating: mdni.18+ each episode will have its own ratings but general warnings— lactation kink, face riding, drugs (weed, alcohol, cigs), infidelity, yuji is sukuna x reader child, size-kink, milf kink, breeding kink, voyeurism, masturbation, dubcon/noncon, squirting, pussy talk, biting, creampies, obsessive tendencies, heavy manipulation, yandere, Toji in daddy and dad mode. this will be fem black reader coded as reader is foreigner and uses some aave but no other descriptors. ⟢ total run time: 𝟏𝟑.𝟒𝐤 of ? ⟢ opening theme: Rich Baby Daddy - Drake

⟢ subscriber access: tag request in comments, previous tag list from the teasers are already accounted for. ⟢ director's note: this fic is to celebrate my year of having this account! literally this is the first fic i thought of and wanted to write and have been working on it since nov'23. so full circle moment fr! i hope you enjoy it. ⟢ executive producers: special thanks to @littlemochabunni, @ryomens-vixen, @yung-notorious and @buttercupblu143 for helping me beta this and bounce off ideas and listen to me be crazy for the past 9-10 months about this fic 🥹.

꒰ disclaimer: this is a plot-driven eventual smut fic and is told mostly in Toji POV through flashbacks until the end of episode 3. so if you stick with me i promise you a freak nasty pay off in episode 4 💕🤭. the build up makes it 100x better, trust~ ꒱

🎬 𝐄𝐏𝐈𝐒𝐎𝐃𝐄 𝐋𝐈𝐒𝐓—

🎞️ 𝐒𝟏 𝐄𝟏: ❝ I STILL GOT SOME LOVE DEEP INSIDE OF ME, PLEASE DRAG IT OUT OF ME ❞

⟢ Reflecting on the last 3 months of meeting you during a time of organizational unrest, how did casual desire turn into a sinister obsession for a deadly yakuza assassin like Toji Fushiguro? It's your fault though, as a new resident of the yakuza luxury high-rise, The Nursery—shoulda known better than to have smiled that brightly at a single-dad widower, mamas. episode run time: 𝟒.𝟕𝐤

🎞 ️𝐒𝟏 𝐄𝟐: ❝ POPPIN' MY SHIT COME WITH CONSEQUENCES, POST NUT CLARITY I CAME TO MY SENSES ❞

⟢ With tensions in the organization at an all-time high and a traitor still on the loose, everyone is on edge. Fortunately, Toji has been watching over you for weeks, especially since Sukuna has been even less attentive. But when Toji notices you making a new friend—a potential lifeline apart from him—can he keep his jealousy in check? Just how far will Toji go to have you all to himself? episode run time: 𝟖.𝟕𝐤

🎞 ️𝐒𝟏 𝐄𝟑: ❝ WE FROM TWO DIFFERENT WORLDS BUT IT'S A MATCH TO ME ❞

⟢ Forced to make difficult choices this past week, it's becoming increasingly clear Sukuna's loyalties lie more with the organization than you. But of course, as chance would have it, Toji is there to console you when you have no one. Who needs Sukuna, friends, or anyone else when you have Toji? Toji can see the cracks forming in your resolve—but when he pushes, will you still be able to resist his charms? Or will you crumble in his hands? episode run time: ⩇⩇:⩇⩇

🎞️ 𝐒𝟏 𝐄𝟒: ❝ JUST SAY GOODBYE TO HIM, THEN TAKE THE RIDE TO ME, RIDE TO ME ❞

⟢ Circumstances align and you're practically served on a platter to Toji, he takes this as the prime opportunity to finally claim you as his. Toji deserves you. You know this though, so he won't have to do a thing—you'll come to him all on your own like a good sexy lil' milf won't you, mamas? Nevermind about your world falling apart around you—Toji has already made all of the arrangements to see that you and Yuji are taken care of. episode run time: ⩇⩇:⩇⩇

🎬 𝐁𝐎𝐍𝐔𝐒 𝐂𝐎𝐍𝐓𝐄𝐍𝐓—

🎞️ 𝐒𝐏𝐄𝐂𝐈𝐀𝐋 𝐒𝟎 𝐄𝟏: ❝ WANNA STICK AROUND FOR THE RIDE? BABY HOLD ON TIGHT ❞ AKA "DON'T DROP THE PANCAKES"

Prequel/Standalone. Yakuza!Sukuna x Exchange Student!Reader. ⟢ Moving to a foreign country for school ain't all sunshine and rainbows—especially when your student status prevents you from acquiring legitimate employment. Good thing a friend of a friend has a connect for under-the-table work. Although, being a topless maid for a ruthless yakuza leader wasn't on your bingo card for your new life abroad—especially when you end up pregnant. episode run time: ⩇⩇:⩇⩇

©𝐛𝐥𝐤𝐤𝐢𝐳𝐳𝐚𝐭 𝟐𝟎𝟐𝟒. 𝐝𝐨 𝐧𝐨𝐭 𝐬𝐭𝐞𝐚𝐥 𝐰𝐨𝐫𝐤𝐬 𝐨𝐫 𝐠𝐟𝐱, 𝐝𝐨 𝐧𝐨𝐭 𝐭𝐫𝐚𝐧𝐬𝐥𝐚𝐭𝐞.

[youryurigoddess]

So one thing led to another, and I’ve just paid a visit to the first (that we know of) confirmed Good Omens S3 filming locations. Due to the obvious sensitivity of this material, please tag it accordingly and share only with the fans consenting to know potential spoilers.

A fellow Good Omens fan has mentioned that residents of a certain Edinburgh area had unexpected guests recently, knocking on their door and telling them they are filming in their street soon. Imagine their surprise when a polite question about the details led to the offhand answer: “IT'S ONLY GOOD OMENS”.

For those unaware, the City of Edinburgh Council has been working really hard on promoting the city for film and TV industry for a few years now (the effects of which we saw in S2), and has a set of very clear and very publicly available guidelines regarding the modus operandi here.

The Good Omens production has both large scale and a high impact on a specific location due to the crew size, amount of technology used, and requirement for crowd control in most of the exterior and interior scenes (e.g., bookshop, pub, or coffee shop windows), which is why not only the local authorities, but also residents were informed about the filming with an at least 8 days notice:

Ironically, I just had happened to have a trip here planned and a hotel booked within walking distance to the locations on the attached TM and parking plan map, so it would be a waste not to use this opportunity for the greater good of the fandom. Can’t stay long enough to see the actual crew, so unfortunately the hair photos will have to be made by someone else. Disappointing, I know. But there’s still a lot to be excited about!

According to the provided notice, the filming will happen within one working day with the required set-up planned for the day before, mostly in the afternoon hours. The attached map shows planned parking suspension and SYL dispensation on two streets close to the chosen locations, which is where the trailers and equipment vehicles will park:

Location One turns out to be, rather surprisingly, a cosy corner bookshop. The shop — one of the Edinburgh’s oldest surviving secondhand bookstores — is very small, but crammed with a wide ranging library of beautiful books to serve readers and collectors, including antiquarian true first editions and signed copies.

It’s giving Muriel’s sweet and whimsical charm, but the bits and pieces of the unpublished Good Omens sequel point out not towards Whickber Street, where the angel currently resides, but more towards a new in-universe location. Maybe one that will be opened in the future post-Second Coming, maybe one that will remind one of the characters about a home base of operations back in the heart of London’s Soho (and theirs— wait, who said that?).

Notice that the road closure includes north and south sides of the pavement visible in the last photo, so both indoor and outdoor shots could be expected:

Location Two seems a bit more complex, since it’s basically a skewed triangle consisting of one longer street and a short side street diverging from it. Conveniently for the filmmakers, the architecture here is uncharacteristic enough that it could be easily presented as British, Scottish, or even American. I’m personally a bit partial to the last option since it would make sense story- and budget-wise, especially now with the two people previously adamant on shooting the US scenes only on location there not on the production team anymore.

The contrasting structures and materials visible here easily offer background for multiple potential contexts and scenarios, so much in fact that it’s easy to imagine more than one scene being shot here for cost- and time-effective reasons. Some of the buildings along the cobbled road have the right look and feel for historical flashbacks, as you can see below. I find the two separate entrances next to each other particularly lovely:

A considerable part of the buildings in the area, however, belongs to a more modern complex that communicates a very different personality and function. With a bit of camera and post-production magic, it could transform to a wide range of settings — please let me know your thoughts and ideas if you have any!

Specific filming times and more detailed information are consciously not shared out of concern for the crew and cast members who clearly don’t want them to become public knowledge. Those of you who live in the area and might visit the set anyway, please don’t forget to make sure that your presence won’t bother them as well as other locals. And remember to keep any new photos and information contained with tags so that you won’t spoil it to the people who would rather wait for the movie itself!

[peachesofteal]

Simple Math / Part Twenty

Simple Math masterlist

Ghost/Soap/female reader 4.1k words - AO3 Tags: 18+ mdni, nurse reader, feelings of fear and panic, PTSD, references to domestic violence. Trauma, blood. Flashbacks. Dubious ethics and morality, dark content.

“Are ye comin’ inside?”

“I need a minute.” He needs more than a minute. He needs days, weeks. Needs to wind back the clock and slam it into the ground, over and over again, until the springs and hands and tiny numbers splinter into pieces.

Failure. He failed. They failed.

They failed you.

“Wait, go back.” The video pauses and rolls backward, all the way until Simon tells Kate to stop it when you step out of the elevator. “What’s in her hand?” 

“Dinnae,” Johnny’s nose is practically touching the screen. 

“The recording is pretty low quality; I’ve tried enhancing it with no luck.” Kate’s voice crackles through the speakers from the other side of the laptop, the other side of the world. This is the first time they’ve managed to get a hold of her in weeks, and even now, the connection is half static. 

“Looks like a piece of paper, or a picture?” Johnny murmurs, leaning back. 

“This is just before she bolts,” the playback continues, and they watch as you walk down the hall, bright smile fading when you reach the corner. “She’s here for a minute and then runs…” Simon is glued to the screen, forward on his haunches, and Johnny rubs his back, kneading his knuckles into that ever-present knot in his shoulder. He watches your head turn, your back stiffen, and Johnny sucks in a breath. 

Kate nods the confirmation. She’s already put the puzzle together. 

Graves.

You’re reacting to Graves, seeing Graves. Entire demeanor shifting, changing from their sweet, smart girl with newfound confidence, to a deer, shocked and startled, running from a scope. 

Graves.

It’s simple math. Plain as day. You take one look at where he’s come around the corner, running his mouth, chewing that fucking gum, and split. 

It’s Graves. 

And it all makes sense. 

“-you don’t know what he’s capable of. You don’t understand. He’s chased me across the world, he always finds me, no matter what, no matter what I do”

“He’s in the military. Some sort of security work, department of defense, or something. He never really talked about it.”

“He always finds me.” 

“He has resources. Has followed me across the globe more than once. My only saving grace is that when he has to work, he has to work, and it’s usually for long chunks of time.”

“I’m originally from Texas.” 

Texas. Texas. Texas. 

There was a conversation, months ago, that slipped through Simon’s fingers. A wisp of a suspicion, one pushed away by doubt, by disbelief.  

Not possible. A coincidence. 

He was wrong, about being wrong. He was right, all along.

Johnny nearly flips the table before Simon urges him back down. “Where… where does she go after this?” 

“She gets the car,” Simon answers, timeline clicking into place, “she borrows that gits car, comes home, packs a bag, and runs.” Johnny’s hands are shaking, fingers white against his knees. 

They’ll kill him. He’ll paint the walls with Phillip’s blood. They’ll do what should have done in the first place. 

He should have protected you, should have seen it all clearly. Should have applied more pressure and made you crack, if only for your own safety. 

He failed. 

They failed. 

“That piece o’ shite, I’ll-“ 

“Kill him.” Simon finishes simply, and they exchange a look. A promise without words. Simon will shatter his skull between his palms if he has to. 

Johnny nods. The gears are already turning. Are they so different from a man who has stopped at nothing to drag you back to him? 

No. 

They'd burn the world for you, to protect you, to bring you home to them. 

Kate clears her throat. “There’s more.” More? “I was checking some records, looking at her last clock out, when the last paycheck was paid out and I pulled her personal information, her medical chart.” Kate’s tone is wary, hesitant, and Johnny straightens. 

“What is it?” There’s a pause on the other end of the line, unsure trepidation that’s so unlike Kate the hair on the back of Simon’s neck stands up. 

“Kate…” 

“She’s pregnant.” You could hear a pin drop. Johnny’s rage turns to panic, and an ocean of blood rushes in Simon’s ears. 

“She’s- she’s what?” 

“She’s pregnant. By now, she’s probably twenty weeks, maybe? I’m not sure. I don’t know much about those things, but her chart notes say both of them are… were in good health. Low risk.” 

“Twenty weeks,” Johnny echoes, faraway look in his eyes. 

A baby. You’re pregnant. 

Pregnant. Pregnant and alone, and scared. Running away.  

From them. 

Simon’s trying to wrap his head around it, but he can’t. The information doesn’t fit. It doesn’t make sense. 

“If she’s twenty weeks, then she’s been pregnant since before she left.” Johnny’s talking to himself at this point, because Simon can’t force his mouth to make words. “Why keep it a secret?” Kate is telling them something about index hits and cameras, but it all amounts to nothing after you board the train, and Simon still fails to make a sound. 

And then, she piles it on. 

“Graves is in the wind.” Simon’s heart stops like he’s been struck by lightning, electricity jolting him alive. 

“How?” 

“He went offline. No traceable activity in the last week or so. Last known location was Texas. After that, I’m not sure. Yet.”

‘He can’t be in the wind,” Johnny whisper shouts, all too aware of Penny upstairs, napping. “We need to know where he is. Now.” 

“I’m doing all I can. He has resources too, you know. A lot of them.” The screen goes black for a second, before she reappears, lips pressed into a grim line. “I have to go. I’ll keep you updated. Sorry guys.”

They can only nod. 

It’s clear as day, what happened now. How you saw them in the hallway, how you drew the conclusion, one that seemed so painfully obvious, connected the dots that appeared in your mind, stringing together bits and pieces until it all made sense.

He knows what will have to happen now. They both do. 

Simon presses his forehead to Johnny’s. “We’ll find her.” 

“An’ bring her home.” 

“No matter what.” 

The rest is left unsaid. 

You’re having a dream.

It’s a lovely one, more of a memory than anything else, but a dream, nonetheless.

“This still feels like a bad idea.” 

“Isnae, ye’ll do great bun. Jus’ the ‘hawk now.” You’ve already finished the sides of his head, which were easy enough, but using actual scissors to cut hair is well outside your wheelhouse. 

“What if I mess it up?” 

“It’s jus’ hair, pretty girl. It grows.” 

“How’s it going out here?” Simon leans out the sliding door, Penny in his arms, and you try to plead with him with wide, nervous eyes. He chuckles. “Looks good so far.” 

“See?” Johnny smiles, one of the big ones that stretches his whole face and makes your knees weak. Penny loves them too, and she claps her hands together, giggling. 

“But… I don’t… I’m going to mess it up.” Johnny stands, warm hands on your arms. 

“Ye could shave me bald and wouldnae mess it up, bun.” You nod, but the acid, noxious taste of worry is still there on your tongue. 

“I just… I…” you’re starting to shake a little, fingers squeezing together. He tugs you into his chest, kisses your temple. 

“Ye’re alright.” 

“I know.” You do know. You’re safe. They’d never hurt you, never betray your trust or even yell at you, but muscle memory doesn’t forget. “I know, I’m sorry.” 

“Ye dinnae have to be sorry.” 

“It’s okay, bunny.” Simon murmurs, but it’s not. 

Is this how you’ll spend your whole life? Afraid? Shaking? 

No. 

Not anymore. 

“If I ruin his hair… it’s not my fault.” Simon chuckles. 

“We’ll blame him.” You turn back to Johnny and put your hands on his shoulders, taking a deep breath, surveying the mop of unruly brown strands, and he covers one of yours with his own. 

“It’s okay. If ye-“ 

“No, I can. I can do it.” You don’t know why you’re so nervous. It’s just a hair cut, for crying out loud, but for some reason it feels like plunging into the deep end of a pool. “Okay,” you breathe, making the first snip. He nods encouragingly and you roll your shoulders. 

“See? Not so bad?” 

“Not so bad.” You cut again and again, trying to manage it all into a proper length, shaping as best you can. 

Each snip, something grows. Your hands tremble a little less, your jaw unclenches, lips flexing upward into your cheeks. You breathe deeper. 

When Johnny turns around, he doesn’t care about his hair, or the slightly uneven chunks, or the fresh clippings on his shirt. 

He cups your face, kissing you before pulling away to rub his thumb across your cheek. 

“There she is.” 

Spring rain. There’s nothing like it.

It washes away the gloom of winter. It’s the turning of a page, the spine of a brand-new book snapped open with a splintering crack. Cabin fever becomes walks in the park, lunches and coffees outside, hanging out on balconies and patios.

Dead things turned to soil now sprouting new life.

Like you, you guess.

You’ve been dead before. If someone looked really closely, they could see it in your eyes. The grey of decay, the separation of iris and pupil. Dead and brought back not quite right, every time. Sally, stitched together incorrectly, the wrong pieces of patchwork, poorly aligned.

Every time he ripped another piece of you away, you found a different one, one less like you, to put in its place.

Every time, until you weren’t you at all. Until you were a girl in a mirror. Until you were a ghost.

It makes sense that you don’t know yourself now, haven’t known for years. On the run, there’s not a lot of time to stop and consider things like that, those pieces. Coffee or tea? Chocolate cake or vanilla? Do you like snow? Do you like the beach? 

Do you like yourself? 

You could have had these answers, you think. Could have learned these things, if it hadn’t turned out the way it did. If Simon and Johnny hadn’t turned out to be a hydra, mouths open, waiting to devour you.

Sunbeam kicks. They nail you in the bladder, and you wince, rubbing over the crest of your belly. “You’re killing me, you know that?” You feel like you’ve been hit by a bus, every day. The aches and pains are never ending, your back and hips screaming by the end of a shift. You can’t sleep, the heartburn makes it hard to eat, you’re never comfortable.

The whole time, you curse them, Simon and Johnny.

Their fault, it’s their fault.

And yours too. 

But no matter how tired, how sore, how cranky you are, you can’t bring yourself to regret it, and in your dreams, it’s like all the bad, all the awful betrayal didn’t even happen. You dream of a family with them, Penny holding her little sibling, the five you together. It’s all been buried in your mind, too deep and nearly impossible to dig out. The visions of them, the longing, the good memories. You’re infested with them.

You didn’t want this. You wanted them, you wanted it all, and that might be the hardest thing about it. You weren’t given a choice, this decision was made for you, taken from you, just like almost everything else.

Except little sunbeam. You wanted them, chose them, will choose them, over and over, forever, keep them safe, make sure they know they’re loved.

No matter what. 

It’s the train, always the train.

Not the long rail train, the commuter train. The one that takes you to and from work, the one that’s sometimes-standing room only, though most people offer you their seat, which is surprisingly kind, compared to where you’re from.

Regardless, you feel the gaze on the train, and no matter how hard you scan, dissect, watch the people around you, there’s nothing. All three faces, three sets of eyes, three profiles, are never anywhere to be seen.

It’s overwhelming, unsettling. The stress of this prickling unease combined with the stress and physical strain of your job is taking its toll on both you and Sunbeam, as the midwife likes to remind you.

Take it easy, take some time off, try to relax. Stay hydrated, eat well.

Yeah… okay.

You rub your belly anxiously, tugging your hood farther over your head, trying to look around without being so obvious.

“Excuse me?” You jolt, startled by a man standing at your elbow, pointing to a vacant spot on a bench. “Would you like my seat?” His smile is subtle, matching an encouraging but not overly intrusive demeanor.

“Sure, thank you so much.” He nods, stepping to the side, into the space between the seat and the divider, close to the door. You try to swing your backpack in front of you, but it gets caught, and he snags it before it falls. “Sorry, thanks.”

“Of course, no problem.” You give him another glance. Really handsome, rich brown eyes you could get lost in. He’s got a baseball cap on, but it’s not pulled down over his face like your hood, he’s not trying to hide. “I’ll move when your stop comes up.”

“Okay, it’s not for a while so, no worries.” He might be kind, but he’s still a stranger, and you’re not going to divulge anything specific. Stranger danger. 

Not everyone is a threat but… 

“How far along are you?” You blink.

“Uh, about twenty-five weeks, give or take a few days.” He nods.

“My wife is due next week; it’s been a rollercoaster.”

“Yeah, it’s not the easiest.” You laugh, a little apprehensive, but also, a little glad, secretly, to have a casual conversation with someone. He sticks his hand out.

“I’m Kyle.” Your tongue rolls with the practiced name you’ve memorized, the one you’ve drilled into yourself over and over again. “Nice to meet you.”

“Yeah, you too.” The next stop is announced, and he moves gracefully, reaching for his bag and tugging it over his shoulder, barely giving you a second glance.

“This is me, have a good day.”

“Thanks.” He doesn’t look over his shoulder at you when he’s getting off, doesn’t watch you through the window from the platform. He’s completely uninterested, and you breathe a sigh of relief.

The box is delivered on a Tuesday.

The Scottish government gives you almost everything you need. Clothes, thermometers, baby books, a changing mat, a mattress, a sheet, a blanket, the list goes on. The box even doubles as a bassinet.

You cry over it. Rifling through everything, tears drip down your cheeks and you bury your face in your hands. You didn’t get to share an ultrasound with anyone, or have a shower, or hold someone’s hand to your belly as sunbeam kicked, but there’s this. A box full of baby stuff, a box that says no matter how hard it is, you and sunbeam will have a good start. Even Sunbeam’s room is halfway sorted at this point, crib set up, dresser half stocked with clothes, collection of diapers and burp cloths and bottles starting to pile up in various places in their room. You’ve made it comfortable, slowly, mix matched furniture and all.

Every day feels like a year, but as each one passes, you slowly adjust to a new normal, a new life. Something you made, again, from scratch, for yourself, your survival.

And now, for Sunbeam.

One day, maybe it will feel like home.

You really need to stop buying so much crap at the store.

You practically have to drag your grocery loot into the elevator, bags overflowing with fruit, vegetables, cans of formula. Random cleaning products, stuff for baby proofing, a new candle.

Apparently, some call this nesting. You just call it annoying.

You lean against the wall and close your eyes for a moment, shifting your weight to alleviate the pressure on your spine.

Thirty weeks.

Ten weeks left.

Ten weeks left. It’s wild to even think about, to even say to yourself, or out loud. You’re going to be a mom in ten weeks. Going to have a whole human depending on you for every single thing, in ten weeks.

You’ll be alone, with a newborn, in ten weeks.

Alone.

It still aches. Stings. Salt in the wound-

Lit end of a cigarette against your skin.

You instinctively cup your belly, thumb rubbing over where one of your burn scars has been stretched by Sunbeam, and shiver.

You’re fine. You’re safe. Get it together.

“We’re home!” You announce to no one, no one except Gus the goldfish who’s swimming circles around his bowl. You got him two weeks ago on an impulse, following a pathetic, sad desire all the way to the pet store.

It’d be nice to have something to come home to. 

You tap a few flakes into the water and watch him gobble them up, oddly soothed by his presence in the flat.

This is how far you’ve fallen. Taking comfort in a damn goldfish.

You blow out a breath and fall onto the couch, swinging your legs up onto the cushions, dragging the pillows under your ankles, or what used to be your ankles. They’re more like overstuffed sausages now, tops of your sneakers cutting into your skin. Every chance you get, you’re finding places to sit at work, caught yourself leaning most of your weight on your patient’s beds, more than once. Thankfully, your coworkers are overwhelmingly understanding.

And when you come home, you do this. Collapse on the couch. Talk to a goldfish, or Sunbeam, or both.

The oddest trio: Mom, baby, goldfish.

You manage to limit yourself to three bites of ice cream before putting the carton away in the freezer. You’re supposed to be watching your sugar intake, apparently, not because you’re at risk for gestational diabetes, but because Sunbeam is already projected to be on the bigger side.

You look mournfully at container, spoon still in hand.

One more. What’s it going to hurt? One more bite isn’t going to turn Sunbeam into a giant, it’s-

Knuckles rap against your door.

Your blood goes cold, colder than ice, and you instinctively find the floor, crouching by the fridge, using it to shield yourself, keeping away from the door’s direct line of sight.

The knocking gets louder.

Someone’s saying something on the other side of the door, but you can’t hear it over the buzzing, beeping sound in your ears.

How. 

How? How did it happen so fast? Where did you fuck up? 

The fear you once felt for yourself pales in comparison to the true fear you feel now. You’re supposed to protect Sunbeam, supposed to keep them safe.

You’re supposed to be a mom. 

A sob claws its way out, and you clap your palm over your mouth, agony squeezing your heart, panic clutching your throat in a vise, choking off your air, throttling you until you’re gasping.

You should run, should sprint into the bedroom and grab the gun from under your mattress, should start crawling out the window to the fire escape.

You should do these things, but instead, you’re trapped, immobile, watching with horror as the deadbolt turns horizontal, sliding the lock free with a bloodcurdling click.

Your baby. You were supposed to keep your baby safe. 

You failed. 

You stand, so unsteady you have to support your weight by leaning against the counter. The only thing in here are kitchen knives, and you rip two from the block, one hiding behind your back, the other brandished in front of your body like a sword.

You’re going to die. 

But not without a fight. 

Tears wet your cheeks. “I’m sorry,” you choke, sliding a hand over little Sunbeam, “I’m so- so sorry.”

The creak of the door handle is unmistakable, a metal whine scraping against the frame. You close your eyes.

“Bunny.”

Your heart stops.

The men you thought love you are standing just inside your kitchen, the sight of them turning your stomach, their eyes flicking between you and the shiny, sharp knife in your hand.

Johnny inches forward, his voice a low, gentle murmur, one that cracks your heart. “It’s okay pretty girl, we’re here to take ye home.”

“Get away from me.” The knife is practically rattling in your hand.

"It's alright. We’d never hurt ye, either of ye. We know what ye saw and-“

“N-no,” you sob, voice cracking, shoulders shaking, “don’t come near me.”

“Put that down, sweet girl, it’s alright.” Simon edges around the counter, caution and wary weighing his steps. They’re supposed to be muffled you think, soft, but they ring so loud.

“Stop!”

“Just let us explain, give us a minute-“

“I saw you! I saw you w-with him.” Your vision is blurred by tears, and you look down at your belly, desperate. “Just let us go, please. Don’t- don’t let him-“

“Listen to me, sweetheart. We have nothing to do with Phillip.” His name makes your flinch, and you inch backwards.

“You know him.”

“We do. He tried to kill us, betrayed us, on a mission. Nearly succeeded with Johnny.” The words conflict, mash together into a scramble you don’t understand. It doesn’t make sense.

More lies. 

“I don’t believe you.”

“I know, I know you don’t. I wouldn’t if I was in your position either, but we’re telling the truth.” You shake your head.

“No. You’re just… you’re just trying to trick me.”

“We’re not,” Johnny murmurs, “We’ve always told ye the truth, bun. And we’d never hurt ye.” He steps forward. It’s too close, way too close, and you pivot, both knives still clutched in your hands.

“Put them down.” Simon instructs, a little bit of steel in his voice now. He can obviously see the one behind your back, and your heart starts to sink.

There’s no way out. You should have run when you had the chance. 

Stupid.

The girl in the mirror stays silent. She says nothing.

For all you know, she’s dead already. Killing blow dealt by your own hand.

You think about Sunbeam, all warm and safe, protected from the world, and despair swells in your chest, an entire ocean beneath your feet, waiting to swallow you up, drag you down and drown you.

“Now, sweetheart. We don’t want you to hurt yourself.” You laugh. It’s a sickly, nervous thing, too tinny and high pitched.

You’re falling apart. You’re not a fighter, you’re a runner, shot lame in a race rigged against you from the beginning. They’re closing in, wolves stalking the bleeding lamb between them, predators about to fall on prey.

 “Don’t,” whisper, fingers tightening around the knife in front of your body, unable to hold it steady through the trembling.

“Bunny, listen to us, please.” Johnny is reaching and you get trapped in his gaze, spiraling into the swirl of misery and fear, mirroring your own. “I love ye, we love ye. Ye belong with us, at home, where we can keep ye safe.” You slam your eyes shut, trying to block him out. “I’ve loved ye since the day I opened m’eyes and saw ye leaning over the bed. We’d never hurt ye, we jus’ want to take ye home.”

Out of the corner of your eye, Simon moves. One powerful, huge step, and he’s on you, grabbing your arm, applying pressure to your knuckles to release the knife.

You scream. It’s instinct. Everything shuts down, narrowing down to one objective.

Run.

“Johnny,” he half shouts over your keening, holding gentle pressure against your arm as you try to rip yourself free. “Shhh, it’s okay, you’re okay.” You thrash, trying to twist out of his grip, shoulder shrieking in pain, and he goes with your momentum, providing slack so there’s no tension in your arm. “Stop, you’re going to hurt yourself sweetheart, you’re okay.”

You’re not. 

You’re not okay. You’ll never be okay. 

The walls close in, and it all becomes so clear. Your future, what will happen if they take you, if you leave here with them.

They’ll take Sunbeam. They’ll turn you over to Phillip, throw you out like trash, and you’ll die.

Are you going to let it happen, just like you let everything else? Are you going to roll over? Let it all be stolen, again and again? 

No. 

Simon reaches for the other knife and you swing it wide, slicing through the air until the blade meets flesh.

He hisses. Blood spills, drips down the handle, coats your fingers, and you stand there, frozen, gobsmacked.

Did you- 

Did you just- 

“Johnny,” he barks, but it barely registers, you’re too transfixed by the blood, hypnotized by it, too entranced to even register Johnny at your side, too stunned to see what’s in his hand.

A needle. 

He whispers your name, cradles your face-

And then everything goes black.

[kathaynesart]

The eye of the hurricane. I like to think Cassandra sometimes called the brothers by the nicknames their dad used, given they were probably pretty close before his passing.

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Man oh man, this one was way messier and off model than my last few updates but whatever, we got to keep this ball rolling! Life's been crazy so I've had to take some unwanted breaks in between updates. Thanks everyone for your patience as always!

One thing I wanted in this flashback was to really get a sense of how the brothers worked as an experienced team with Leo at the helm as a proper leader. It's something we never got to see much of in Rise and I felt it was important to include since half the team is already gone by the time of Replica. Team Dynamics Ted Talk under the cut!

We know from Casey Jr that Leo stressed the importance of listening to your team. A big part of that also means knowing how to communicate with them in general.

With Michelangelo, he keeps it short and succinct, trusting his brother to know what he's doing when in his element. This trust goes a long way with Mikey, having spent years of his youth as the baby striving for the respect he felt he deserved. Leo knows it's best to not bog Mikey down with details, allowing him to improvise as needed. This unspoken freedom has only grown over time as Mikey has dipped deeper into spiritual arts that, frankly, go completely over Leo's head.

The greatest sacrifice Leo has ever made was read Donnie's Big Book of Bad Guy Codes. While he doesn't remember ALL the numbers, he has memorized the ones that matter and it has helped tremendously in avoiding miscommunication with his genius brother. More importantly it silenced any of Donnie's usual belly-aching. As Leo's "twin"/"equal" the two still butt heads from time to time. Donnie respects his brother's authority (mostly) but will still push the boundaries of what he's allowed on a semi-regular basis. Give Donnie an inch and he will take the mile and then find a loop hole that allows him to go twenty miles more. This is partially due to him often being the one left behind at HQ, making the turtle just a TAD stir crazy. Leo does his best to keep him in line regardless.

Big brother Raph will forever and always be big brother to Leo. As such he holds a place of authority in Leo's heart and is someone he still regularly seeks counsel from in both the ways of leadership and more. Raph is always happy to support his younger brother and does a surprisingly good job (albeit after years of practice) of walking the line so as not to step on his brother's toes in the process. At least not since the secret of "the Key" blew up in their faces several years ago. They don't talk about that anymore. Leo is the leader now and he's done a great job in recent years as far as Raph is concerned. He trusts him to make the right call. The two have a close bond and regularly use mind meld to quickly communicate rather than speak ...this will be important to remember for the future.

Hope that overall feeling came through for this group!