#fitzgerald friday | Explore Tumblr posts and blogs

osarina · 1 day ago

Text

ᡣ𐭩 BLIND TO THE PURPOSE OF THE BRUTE DIVINE

FEATURING: dazai osamu

SUMMARY: you're finally in a position to make your first, and hopefully final, move, but the guild isn't your only enemy that's actively working against you. you were foolish to think things would be so easy.

AUTHOR'S NOTES: happy friday lil guys, i struggled with this chapter unfortunately and i'm not sure if i'm happy with the results </3 hopefully you guys will enjoy it more than i did hahah. comments & reblogs appreciated

GENERAL WARNINGS: fem!reader, port mafia executive!reader, civilian!dazai, dazai's struggles w suicide & sh, reader partakes in mafia business, dazai isn't dazai without a bit of obsessiveness and possessiveness (the possessiveness doesn't come til later but the obsessiveness starts from day 0).

CHAPTER SPECIFIC WARNINGS: hardly edited. suggestive language. reader is a bit of a cunt to fitzgerald & takes advantage of his love for zelda. she also takes advantage of zelda's fragile state to manipulate her. repin's ability (memory manipulation) is now going to be heavily in play for the rest of the series so keep that in mind. mentions of gore (blame klaus).

SEE: WASTELAND, BABY! SERIES MASTERLIST

The human mind is terribly fragile, but some are more so than others.

You don’t even need to use your ability on Zelda Fitzgerald to make her crack.

One conversation to plant the seeds of trust.

Three conversations to make her believe you’re a friend of her husband.

Five conversations to convince her that Fyodor Dostoevsky was the one who had her kidnapped from her home in Manhattan, and that you, as a favor to Fitzgerald, were the one who had her rescued.

In the seventh conversation, you hinted at knowing something about her daughter before you left for a meeting with the other executives. You let her stew on it for a few hours before returning. By the time you came back, she’d worked herself up into a mess.

In that eighth conversation, you acted apologetic, pretended that you’d misspoke, you backpedaled and bit your tongue. You made it seem like you were reluctant to speak, like you didn’t want to betray Fitzgerald’s trust. She begged you for hours to just tell her what you meant; you refused and left.

You came back three hours after that, and you put up a nice facade of guilt when you did. You told Zelda that you didn’t like lying to her, that her husband is a dear business partner of yours and you’ve come to think of his family like your own just from how much you hear about them through him. You told her that this wasn’t your secret to share, but she begged and pleaded, and you still made sure you came across as reluctant, but this time you gave in and told her.

In that ninth conversation, you told Zelda Fitzgerald that her daughter was still alive and her husband was keeping her away, because the last time Zelda spoke to her daughter, they’d gotten into an argument that drove Frances away. Her husband thought it would be easier for Zelda to think she was dead, because for all intents and purposes, Zelda was dead to Frances. You told her that you got your information through Nabokov, because Frances was living in Russia now under a new name with Dostoevsky’s help.

She believed you.

It took four days.

You don’t really have anything against Dostoevsky. You’ve met him a handful of times during events and he was pleasant enough, but his rats have been seen a bit too frequently in Port Mafia territory and since he and Tolstoy are both Russian, it’s easier for you to help Zelda confuse them. You figure this will be enough of a warning for him to leave Yokohama. If not, it’s just another issue for you to tackle later.

Nabokov, on the other hand—he pissed you off you. You’ve never thought highly of the man, even when you visited him in Saint Petersburg, you thought he was quite despicable, and the more you heard from Klaus about the things that happened in the fighting rings, the more your distaste grew.

Now, he backed out of a critical transaction with the Port Mafia which fucked over one of Piano Man’s deals with the Family in Rome and one of Ace’s casinos, so he’s turned just about the whole round table of executives against him and you think this is a quick way of getting even with him. He would be quite unhappy once Francis Fitzgerald turned all of the resources of the Guild onto him in retaliation for spreading lies about his daughter. The man's one weakness has always been his family, he wouldn't think twice once given a name and reason.

All of this is the reason why you prefer to work from behind the scenes. There are many pros, of course, to being in an organization like the Guild where each executive member is an influential, internationally known public figure, but there’s one big con that you just can’t get over: the lack of privacy.

The Fitzgerald family has been headline bait for all of the world’s most popular tabloids for years, and when his daughter passed away five years ago, you made sure to follow each and every story. You figured one day that the Port Mafia would end up in conflict with the Guild—Fitzgerald’s reach has always been endless, Yokohama was one of the few places out of it, and you knew one day he would move to gain a foothold here and you didn’t want to be scrambling for information about the man once it happened.

Chuuya always rolled his eyes at you when he found you surfing the tabloids, but look how handy it is now. There’d been several popular theories circulating when Frances Fitzgerald was killed in a car accident. Some people thought it was an assassination—the tabloids speculated that Fitzgerald was the intended target but his daughter got caught in the crossfires; the people that knew of the Guild’s ties with the underworld tended to think that his daughter was the intended target as a means to try to break Fitzgerald.

You didn’t buy either of those theories.

You’ve witnessed many assassinations—assassinations gone wrong, assassinations gone right; assassination attempts on you and assassination attempts on enemies. You are very well versed in the art of assassination. You’ve plotted many of them yourself with Albatross and Iceman, and the ones you didn’t, you still oversaw.

You don’t think Frances Fitzgerald was assassinated, by accident or otherwise.

No one bought into your theory when you tried to place bets on it with the Flags—not until one of the American tabloids released an insider scoop from a relative of Zelda Fitzgerald who claimed that the mother and daughter had gotten into a blow out fight the night she died in the car accident.

You think that was the last bit of information you needed to confirm your theory: Frances Fitzgerald was not assassinated, she was a stupid and reckless teenager who was upset after a fight with her mother and drove too fast down a road that was too windy and ended up driving herself right off a cliff. It was a gamble to bring it up now to Zelda, because you couldn’t be entirely certain, of course, but it paid off.

You’d been right—some type of argument had broken out between them the night of her daughter’s death, and Zelda has blamed herself for her death ever since. The woman, who’d been the face of American socialites for almost a decade, had all but retreated from the public’s eye after it happened. People whispered that her daughter’s death broke her mind, and you think that they were right—this woman is hardly a shell. You almost feel bad for what you’re doing to her.

Almost.

Unfortunately for Zelda, she’s a fair trade in Fitzgerald’s eyes, and until Dazai is back to you, she will be treated in the same way you assume Fitzgerald is treating his guest. He’s lucky that you have a high enough opinion of him to believe that he wouldn’t stoop to physical torture; he’s likely just trying to turn Dazai against you in the same way you have with Zelda, but Dazai will see through his manipulations.

He will.

He has to.

Your eyes slide shut as you fist one of Dazai’s sweaters—a cashmere one you’d bought for him to wear when you take him to nice restaurants, he prefers them to button ups. It still smells like him. He wore it when you took him to a hibachi restaurant in Nishi-ku a few days before the argument the two of you had that led to all of this and you haven’t had the chance to do laundry with everything going on.

You know that you don’t have time for this—there are more things you have to do to prepare Tolstoy’s subordinate, Ilya Repin, for what you’ll need him to do. You haven’t even met the man yet; Tolstoy is embarrassed over it, he keeps apologizing and saying that Repin is fickle when he’s in the middle of projects, but you’re not exactly in a position to make demands when they’re doing you a favor.

“Should you be laying around right now?” a familiar voice hums from the entrance to your bedroom. Your gaze flickers up to see Chuuya's concerned face staring down at you, head tilted to the side. “You look like shit, y’know?”

Your lashes lower as you look away. “I didn’t even hear you come up,” you say quietly. “Shouldn’t you be going to the meeting with the Family envoys with Piano Man?”

You’re the one that usually handles negotiations with the Family, but Piano Man brushed you off when you said you would go. Told you to focus on getting things settled here with the Guild. Told you to get Dazai back. You almost wish he would’ve let you go so you could busy yourself with something other than torturing yourself with reminders of Dazai.

Chuuya exhales as he tosses his hat onto your dresser before sitting down on the bed next to you. You almost want to turn away from him, but he doesn’t let you. He wraps an arm around your shoulder and drags you a little closer to him, and your eyes slide shut as you sink into him, hiding the way your vision blurs against his shoulder. Your breath shudders when you feel his hand running up and down your back, slow and soothing—Chuuya is always warm, but somehow, even with his arm wrapped around you and your body curled up against his, you still feel cold.

“Piano Man’s fine,” Chuuya murmurs. “He and Albatross are handling it. Wanted to come check on you.”

Ordinarily, you would make a snippy comment about him being sappy and he would get mad, smacking you over the head with a pillow. This time, you only let out a shaky breath and a noise of acknowledgement that’s far too weak, and evidently, concerning considering how Chuuya’s hand tenses on your back.

“Why are you here, Chuuya?” you ask tiredly, voice a bit raspy, before he can say anything. “I thought you were mad at me.”

“Never that mad at you,” he says quietly. “Not enough to leave you alone. Especially right now.”

The next breath you take in is wet and ragged, the tears that mist your eyes threaten to spill over. You’ve been on the edge of collapse for over a week now and every time you find yourself alone, you think it’s finally going to happen, but for better or for worse, someone shows up and you have to pull yourself together. But now… Chuuya’s arms are so familiar, too comforting—living in a world like you are, casual comfort is a rare delicacy, one that you can rarely allow yourself to indulge in.

“I’ve got you,” Chuuya whispers. His arms tighten around you and he pulls you more firmly onto his chest, shifting so you could wrap your arms around his waist, your fingers digging into his gray waistcoat. Oh, you realize, desperately trying to bite back a sob bubbling in the back of your throat, it’s happening. “We’ll get him back.”

“I’m tired, Chuuya,” you say, the words wobbly as you fight off tears. Your breath hitches when his hand slides against your shoulder blades gently. “I’m so tired. I don’t know how you did it.”

Your words don’t register until you feel Chuuya pause in the absent strokes of your back.You look up at him, about to speak again to change the subject because you hadn’t meant to bring up what happened two years ago, but he answers before you can.

“I didn’t,” he says with a wry smile. “I destroyed a ward and shut down. You handled it, remember?”

And you failed, you finish, but Chuuya can certainly hear the thoughts running through your head from how his arm tightens around you. He pushes himself up into a sitting position and shifts you to sit upright in the bed. You sigh when he reaches out to grab your chin, forcing you to look at him.

“What happened back then, it wasn’t your fault. That shit was out of your control, you know that. Don’t let it start getting in your head now,” Chuuya tells you firmly. “You didn’t fail back then, you’re not going to fail now. Yeah?”

You don’t even realize you’re crying until you feel Chuuya wiping the tears away. You avert your gaze and whisper, “I miss him, Chuuya. You were right. I never should have-”

You never should’ve let this happen. You knew from the beginning that you couldn’t let this go far, but you did. And even then, Chuuya warned you. He told you what would happen if you continued this, but you did.

Chuuya stares at you for a moment with an indecipherable expression before nodding to himself, pushing himself to his feet.

“Come on,” he says. “Let’s go force that fuckin’ Russian to talk to us. I’m done waiting around for him to finish his shitty project.”

—

It is not Twain, James or Fitzgerald who walks through the door to Dazai’s prison cell of a room days after your alleged release from prison. It’s a girl who seems to be a little younger than him—she wears a maid’s dress and has long crimson hair tied into two thick braids.

A girl who probably should not be there considering she looks shifty-eyed and nervous. Plus, Fitzgerald has not hid that he’s been making an effort to ensure that nobody else knows about Dazai’s presence here—he’s kept him isolated, and Dazai never hears anything going on outside of his room, so he assumes he’s purposely being secluded from the rest of the Guild for whatever reason. Probably has to do with the reason behind Fitzgerald keeping his knowledge of your ability on the low—he doesn’t trust that people aren’t listening and doesn’t want this information to get out to anyone.

So this girl is likely not supposed to be here, but Dazai can’t even bring himself to be curious as to why she is here, because he’s tired.

He is so tired.

His gaze is listless as he tracks the girl. She acts like she’s the cornered animal as if she wasn’t the one who willingly came into his room. She paces to the corner of the room furthest from him and presses herself into it, eyes narrowed on him, studying him like he’s some sort of specimen.

She’s his first visitor in eight hours. Dazai assumes that means it’s around morning. He doesn’t know exactly what time it is—there’s no windows in the room he’s been staying in, so he has no way to gauge the time of day, and everything has just been blending together. He tried to keep track of when they would bring him food to have some sense of the day and time, but he realized quickly that they were bringing it at uneven intervals so he couldn’t figure it out.

He thinks it must be some kind of torture tactic—making the days seem impossibly long so that it feels like he’s been here even longer than he has. It’s working to some extent because it is hard for him to tell how long he’s actually been here. Realistically, he knows it can’t be longer than two weeks, but it feels like it’s been three or four.

“You don’t look special,” the girl finally says, her tone slightly accusatory. Dazai’s eye twitches, he’s been reminded quite frequently by Twain that he’s nothing special and it’s exactly why you aren’t coming for him, and he doesn’t need to hear it from anyone else. “Francis has never taken a foreign prisoner and not consulted the rest of the Board. They’re not happy.”

“Does it look like I care?” Dazai asks irritably, rolling his eyes. He should probably try to get information out of this girl, but he has no patience for it.

The girl gives him a scowl in return, but her expression quickly returns to a more contemplative one. “I’m just curious. What organization are you affiliated with? Why didn’t he tell us what’s going on?”

Dazai can’t help the snide comment that spills from his lips. “Us?” he mocks, looking pointedly at the maid’s dress she wore. “I don’t think you’re a member of the Guild’s Board… Seems more like house-keeping.”

Her face flushes as red as her hair, eyes wild and angry, but more than that ashamed. Clearly, Dazai hit a sore spot and he can’t even bring himself to feel guilty for the way the girl gets embarrassed over it. Her lashes flutter as she looks away, not speaking for a moment.

“I was,” she finally says, voice strained, cracking over the word ‘was’. “I was, and I would’ve been consulted with the rest of them at the time, but I wasn’t. I want to know why, who are you?”

Dazai’s lips curl up into a taunting smile. “None of your business,” he sings, leaning back against the wall and raising his eyebrows at the girl when she nearly snarls at him in response. “Who are you?”

“Lucy,” she spits. “There. I told you who I am, tell me who you are.”

“Nope,” Dazai says with a grin. “Why would I tell you that? I didn’t promise to tell you who I was if you told me.”

“You-” Lucy raises her voice, furious, but then cuts herself off, looking nervously at the door. She gives him a sharp look and then continues just as angrily, but more quietly, “Tell me who you are. Why didn’t Francis tell us about you?”

Dazai doesn’t respond. He thinks Fitzgerald has the right idea. The less people who know about him, the better, because if it does get out who he is to you, it’ll just give more of your enemies ammunition against you. Dazai’s done enough damage by now, he may as well mitigate as much as he can.

“You’re with the Port Mafia, aren’t you?” Lucy suddenly demands, and Dazai looks at her quickly, wondering how she managed to figure that out. She looks entirely too smug as she lifts her chin. “It explains the sudden pressure they’ve been putting on us. They blew up the S.S. Zelda a couple days ago, intercepted some of the supplies that we were sending out to our people back home, and slaughtered a whole regiment of Margaret and Nathaniel’s men. From what I heard from Mark, they’ve been nonstop for almost two weeks.You must be the reason why. Am I right?”

“None of your business,” Dazai replies again, but this time, his chest feels a bit lighter.

He makes sure not to let the sudden relief cross over his face, but Twain, James and Fitzgerald have made sure to leave him with no information on what’s going on in the outside world. Especially any information regarding you. But now he knows. He knows that you’re out there still fighting for him, even if you haven’t been able to get him back yet, you’ve been fighting for him—you’ve been taking out the Guild’s bases, you’ve been isolating them from their allies, you’ve been backing them into a corner.

Suddenly, the past two weeks had become entirely more bearable. The heaviness that had been weighing on him wasn’t as oppressive anymore and the nagging doubt that had been clouding his brain was all but gone.

He knew you hadn’t forgotten about him—in his heart, he knew it, but getting verbal confirmation of it was much needed.

“Oh, come on,” Lucy snaps. “I just-just tell me something. Tell me something I can bring back to Francis, anything, I just-

Dazai’s gaze flickers up curiously, watching as Lucy straightens, inhaling sharply as she tries to hide the tears of frustration that suddenly clouded her eyes. Her hands are balled into fists at her side, she gnaws at her trembling bottom lip as she forces herself to settle down enough to speak without her voice wavering.

‘I was,’ he remembers her saying, and realizes instantly why she came down here.

“You want something to bring back to Fitzgerald so you can get yourself out of the doghouse,” he drawls, eyes flicking over her. Her face flushes red, lips parting to protest Dazai’s words but nothing escapes them. “You want to know my opinion?”

“I want information,” Lucy says. “I don’t care about your opinion.”

“I think that’s pathetic,” he shrugs, ignoring her. Lucy’s lips part in disbelief, but Dazai continues before she can say anything. “It is. You’re sneaking down here to beg me for information that you can bring back up to your boss because he demoted you… for what, exactly? Didn’t bring him the right food?”

Lucy swallows thickly, unable to meet his eyes. “I lost a fight,” she whispers. “I lost a fight to one of your people, and I lost everything. I worked so hard to get where I was. So hard. Harder than you could ever understand and-”

“I don’t care,” Dazai says, turning away from her. “If you want my opinion, if you got demoted to being a housekeeper because you lost one fight, you have a shitty boss and should probably find somewhere else to work instead of begging for scraps just to be treated like shit.”

Dazai doesn’t say anything else after that, and makes a show of not looking at her to make sure she knows the conversation is over. Luckily, she gives him no grief over it—in an instant, he hears the door slamming as she storms out of his room and Dazai lets out a soft sigh as he rests his head against the wall. Tired, lonely, and missing you so badly that it almost makes him ache.

Don’t keep me waiting too much longer.

—

You are irritated.

You’ve been waiting in one of the larger rooms in the Mafia headquarters for twenty minutes now—the smell of paint is giving you a headache and the sheer insult happening before your eyes is nearly enough to send you over the edge. Ilya Repin has the audacity to keep his back turned to both you and Chuuya even when Tolstoy introduces you to him. He sits on his stool and continues to paint his canvas, ignoring the two of you quite blissfully: he doesn’t look at you, doesn’t greet you, doesn’t acknowledge you.

Tolstoy is becoming increasingly more embarrassed if his red ears and apologetic looks have anything to say about it. Unfortunately, you’re not sure if any number of apologies will save him from Chuuya’s righteous wrath at this point, because if you are irritated then he is downright murderous.

You watch your fellow executive from the corner of your eye as his eye twitches and his lip curls up. The thin thread of control he has snaps as his tongue kisses the back of his teeth and he starts to storm forward. You stop him quickly, grabbing his wrist and giving him a sharp look.

“He-” Chuuya begins to hiss at you, but you only raise your hand to quiet him down and move forward yourself.

You don’t know if you’re making a mistake by forcing Repin’s hand before he’s ready to help, but you do know that you’re tired and you need Dazai back desperately. It’s been over a week now and if Fitzgerald has been half as aggressive with him as you have been with Zelda, then you know that he’s been playing mind games with Dazai. And Dazai is smart, yes, but how long can someone hold out when given no hope or reason to?

It takes ten long strides for you to cross the room, placing yourself between Repin and the canvas he’s working on. The man pauses, paint brush inches from your cheek, and then looks down at you with narrowed eyes.

“You’re in my way,” he notes astutely.

“And you are in mine,” you counter with a thin smile. “It seems we’re at an impasse.”

Ilya Repin is not what you expected. From how Tolstoy described him, you expected an old stubborn coot who had one foot in the grave and acted like each day was his last on earth. Instead, you’re met with a man who can’t be much older than you—with tousled brown hair and light blue eyes, you’d think he was pretty if he wasn’t so irritating.

He looks down at you with a pinched expression, like he’s considering painting right over your face, but after what feels like an eternity, he lets out a dramatic sigh and glares at Tolstoy over his shoulder.

“I told you not to let anyone bother me until I was done,” he complains, rolling his eyes. You watch as Chuuya’s eyes bulge at the way Repin dismisses you, a familiar red glow flickering around his fists, but Tolstoy responds to Repin before the artist can find himself splattered on his own painting.

“Ilya.” Tolstoy spits out something in such rapid-fire Russian that even you can’t catch what he said. Whatever it is, it makes Repin roll his eyes again before turning to you with a smile that’s too sweet for comfort.

“Her Highness finally decides to grace me with her presence. Honestly, I thought you’d be down here days ago—you’re awfully patient for someone whose lover’s life is on the line… Unless, you don’t actually love him? But then why go through all of this trouble?” Repin hums, leaning forward so close that it has you taking a step back, forgetting that his painting is behind you. His hand darts out to curl around the back of your neck, stopping you from hitting the wet paint while at the same time forcing you even closer to him. He looks down at you through his lashes, nose nearly brushing yours as he says, “Don’t mess up my painting.”

You click your tongue and step away from him, careful not to let it show just how disconcerted you are by his casual disrespect. Chuuya looks like he’s on the verge of bringing the whole building down, Tolstoy has left a wide berth between the two of them as the gravity manipulator becomes more and more vexed by his subordinate. You give him a look to tell him that it’s fine, but it doesn’t seem to ease him in the slightest.

“You’re lucky that you’re Leo’s cousin,” you finally say, giving Repin an equally saccharine smile as you stand a few feet away from him. He finally spins in his stool to turn his back to his painting and his attention onto you, a curious expression on his face as he looks down at you. “I’ve had people’s tongues taken for less.”

“What a waste that would be, my tongue could be used for things much more pleasurable than glossectomy,” Repin replies easily, tone laced with innuendo as his lips curl up into an amused smirk.

Unbothered, you amend your statement. “Your hands, then—a fitting punishment for a painter, I think.”

Unfortunately, Repin is equally unphased, holding his hands out as his smile widens. “But then of what use would I be to you? I thought you needed my ability,” he says.

You raise your eyebrows, silently beckoning him to explain what exactly his ability is because Tolstoy thought it would be better coming from the ability user himself. The man sighs and hops off of his stool, speaking as he starts to put away his painting equipment.

“Essentially, I can take memories from people and store them in my paintings,” Repin explains, walking over to a covered painting and pulling the cloth off of it, revealing a scene of a midnight rendezvous between two lovers. “This is a favor I did for an acquaintance. He was cheating on his wife, his wife figured it out and was going to grill him, he asked me to remove his memories of his mistress so his wife didn’t realize he was lying. I don’t really like him, so I keep the painting on me and light the bottom on fire whenever he irritates me.”

“What does that do?” Chuuya asks, side-eyeing the painting before turning his attention to Repin distrustfully.

Repin gives him a once over before looking back at you pointedly. You don’t have to look at Chuuya to know that he must be livid, so you give Repin an equally pointed look and wait for him to answer Chuuya’s question.

Repin sighs. “Burning the painting returns the memories to whoever they’d been taken from, so whenever I light the bottom on fire. He starts to get that looming feeling that he’s forgotten something important. He’s tortured with that feeling of something being on the tip of your tongue but unable to fully remember it. He calls me all wound up about it whenever I do… I think I might be his only friend, which is kind of sad considering I can hardly stand the sight of him…”

He’s rambling more to himself now than to you, frowning as he taps the tip of one of his paint brushes to his chin. You press your lips together as you think—removal is good, you need to have Fitzgerald’s memories of Dazai gone, along with any other of his subordinates that might’ve seen or met him.

But you need more than removal.

“What about implanting memories?” you ask, interrupting his stream of babbles. He casts you a curious look. “You can remove, but can you implant new ones to take the place of old ones?”

He studied you now, an intrigued expression on his face as if he’s seeing you in a new light. “I’ve done it once,” he says after a few moments. “It’s a far more… demanding process.”

“How so?”

“I need to have a painting ready for it,” he says. “More than that, I need a scene. A story. Every painting has a story—that’s the theory my ability is built on. Memories are stories that can be captured in paintings. I need to have the same depth of detail that a memory would have to make a painting that can be implanted as one. It’s much harder than you’d think. One lack of detail, one inconsistency, it could throw everything off, and once someone becomes suspicious that an implanted memory is a false one, it unravels. I burn the paintings here to return stolen memories; they, figuratively, burn the implanted memories in their mind once they start getting suspicious.”

Not quite as reliable as you’d hope, but you can make it work. You have to make it work. You’re running out of time, each day that passes—each hour that passes… You need to make your move, and you need to do it as soon as possible.

“If I can give you a detailed story, how long would it take you to create a painting that can be implanted as a memory?” you question.

Repin smiles, tilting his head to the side. “With the right muse? A couple of hours,” he murmurs.

Finally, you think. The relief that hits you is almost debilitating; you let out a sigh as you nod, giving Chuuya a long look. For the first time since your arrest, you feel an inkling of hope; you see the first rays of the sun breaking over the horizon, shattering the long night that’s been hanging over you.

The end is in sight. You’ll have Dazai back before nightfall.

“Good,” you say. “I’ll be back in fifteen minutes. Have everything ready to start.”

You don’t bother to listen to the response, turning on your heel to leave the room. You have one last thing to take care of with Zelda, and then, you can sit down with Repin to finish up the final preparations. It’s almost vindicating when you pull out your phone to send a location and time to Fitzgerald.

Just a little longer. I’m almost there.

—

Dazai is lounging in bed when the door opens again.

“I was sleeping,” Dazai says irritably. He wasn’t sleeping, but they don’t need to know that. Twain and James are the ones unfortunately gracing him with their presence, which is odd considering they’ve never shown up at the same before. “What?”

“Up,” Twain says, clapping his hands together twice as he ushers Dazai out of bed. “C’mon, kid. Francis is waiting. Let’s go.”

Dazai scowls when Twain grabs his bicep to pull him off the bed, slapping away the other man’s hand. His skin crawls where his fingers had once been—Dazai has never enjoyed physical touch, not until he met you, but even then it’s limited to you and you alone.

He misses you.

A heavy air settles around him as he drags himself out of bed. He doesn’t know why he’s started to descend into such a depressive spiral since Lucy’s departure from the room, he thought he would be happy knowing that you haven’t forgotten about him, but he’s only become increasingly more despondent.

His fingers feel numb and clunky as he pulls on a pair of shoes—you bought him them. You bought him everything he’s wearing right now, actually. Despite the fact that Fitzgerald has brought Dazai several new pairs of clothes to wear, he hasn’t changed out of the outfit he’d arrived in. He’s sure it smells terribly and he must look like a mess, but Dazai’s mind has always been cruel and now more than ever, it enjoys playing tricks on him.

He’s never slept well before. Usually he doesn’t sleep at all, but when he does, he’s plagued with nightmares. The past few days, weeks, however long he’s been here, it’s been no different. When he sleeps—which is frustratingly often because of the head injury he received the day they kidnapped him—he wakes from long, vivid nightmares of lives where he never met you. He wakes entirely convinced that the entire past few months with you was just an elaborate dream that his mind made up to torture him, that you don’t exist, that you’re just a figment of his imagination created to show him a life that he could’ve had if he were more normal.

It’s only the physical evidence of you that drags him out of a dangerous spiral—the clothes you bought him, the lingering scent of you on him, and the few marks that remain on his body from the night spent with you in the cabin. But your scent is fading and the marks are disappearing, so all he has is the clothes on his back to remind him that you’re real, you’re alive, you’ll come for him.

You’ll come for him.

“Where are we going?” Dazai finally asks, finishing getting on his shoes, but he doesn’t budge as he stares at the two of them, waiting for a response. They don’t give him one. He wonders if the Guild is done with him, if they’re skipping over torture and going right to execution. “Hello? I asked a question.”

“I told ya,” Twain tells him, stepping out of the room and raising his eyebrows, urging him to move along. “To Francis.”

“But why?” Dazai presses. “Why didn’t he come here? Where are we going?”

Twain and James share a long look, like they don’t want to explain to Dazai where they’re going. And-

And Dazai doesn’t dare get his hopes up—he knows better—but it’s impossible to stop the way his body physically reacts to the realization he just came to. His throat swells and he works on over time trying to stop the way his heart suddenly starts racing. He can’t.

Twain would’ve eagerly told him if they were marching him off to be executed; he’s been gloating over the fact that you ‘left him to rot’ since you were released from prison. If this were the Guild getting rid of him, Twain would be just as vocal about that, but it’s not, so could it be…?

He stares at the two members of the Guild. He wants to ask, but he doesn’t want to be disappointed, so he waits to see what they say.

It’s an eternity before Twain rolls his eyes and says, “Seems your girl didn’t forget about you. She called for a parley. We’re going out to meet her.”

Dazai lets out a wavering puff of air, one that he can’t bite back. The tension in his shoulders instantly dissipates, after what seems like weeks of darkness and despair, Dazai finally sees the light at the end of the tunnel.

“I told you,” he tells them, voice a bit more breathless than he meant for it to be. “I told you she’d come. Maybe you should’ve listened to me.”

Twain clicks his tongue and rolls his eyes. “Get moving,” he snips, forcing Dazai out of the room and leading him down unfamiliar halls. Dazai is quick to map out the place, noting all of the twists and turns just in case he somehow ends back up here. He’ll get out on his own if he has to, he’s not spending another night in this place. “Don’t get your hopes up. I doubt she’ll be able to come to an agreement with Francis.”

Dazai is a bit too smug as he says, “If she reaches out to meet you, then it’s already over. She wouldn’t have reached out to meet you if she wasn’t sure things would land in her favor, otherwise she would’ve reached out days ago.”

It’s the truth—Dazai knows it. His faith in you wasn’t misplaced, never has been and never will be. You just needed time to make sure everything was in place because you didn’t want to find yourself on unequal grounds during the negotiation. He almost feels giddy as he follows Twain and James out of the building, walking in the direction of a long black car.

Their base is in one of the southern wards, he recognizes immediately. Sakae or Totsuka… maybe Kanazawa. It’s in a residential district, and there's a road sign to Kamakura, so he must be in Sakae or the southern part of Totsuka. His gaze flickers back over to the two escorting him, wondering why they wouldn’t have blindfolded him before leading him out of the building.

Maybe they think it doesn’t matter—they don’t intend on coming back to this base for whatever reason after their meeting with you, or maybe… Dazai’s gaze lingers on the side of Twain’s face, noting the way his jaw is tight and his eyes keep flickering around aimlessly. He looks over to James, seeing the larger man in a similar state.

“You’re nervous,” Dazai voices, still entirely too smug. When Twain doesn’t respond, only giving him a sharp side-eye, he realizes that his assumption was right, and it makes him even more amused. As he gets into the black car, he gives the man a simpering smile before saying, “Good, you should be.”

Fitzgerald is already in the car waiting for them. He’s so hyper-focused on his phone that he doesn’t even realize the three of them entered the car until Twain says something. Dazai should probably be paying attention to what they’re saying, but he finds himself dizzy over the thought of seeing you again.

When the car starts moving, his heart starts racing. He doesn’t know where they’re meeting you, but it can’t possibly be more than a thirty minute drive and that means he’s thirty minutes from seeing you again after days—weeks, maybe—of isolation. He finds himself nervous, almost, because he doesn’t really know what to expect from you—are you mad at him for what happened? Do you still want to be with him? Dazai is unsure because he thinks that even if you did want nothing to do with him anymore, you’d still make sure to protect him if he got caught up in this.

He chews the inside of his cheek, doubt whittling away at his excitement; he’s only drawn back to the present when Fitzgerald responds to something that Twain says.

“I haven’t heard from Zelda today,” he murmurs, looking a bit unsure. “She usually calls when she wakes up in the morning.”

Zelda, Dazai notes the name down, recalling that Lucy had mentioned it too and thinking back to the comment Fitzgerald had made during the second conversation he had with him. I’ve only met one other… you remind me much of her. His gaze flickers down to the man’s left hand, seeing the gold wedding band sitting on his ring finger.

Fitzgerald notices Dazai’s lingering gaze and sighs before looking away, staring out the windshield as the driver continues down the road in the direction of Nishi-ku. After a few moments, he says quietly, “Zelda is my wife… All of this, it’s for her.”

His tone is solemn, eyes heavy as he stares ahead. Dazai tilts his head to the side as he studies the older man, curious. “All of this?” he asks dryly. “You kidnapped me because of your wife?”

Fitzgerald’s lips curve up into a resigned smile. “Yes,” he says. Dazai’s brows furrow, mind racing as he tries to put together the few puzzle pieces he’s been given. What does his endeavor in Yokohama and with the Port Mafia have anything to do with his wife? He’s missing something. “I’ve done terrible things in the name of love, I’ve gone well past the point of no return. I have to see things through now.”

“I would do terrible things for you, Dazai Osamu. I have done terrible things for you, and I would do them again and again and again.”

Dazai misses you. The reminder of your words from the beach house makes his body ache with longing. Yet, Fitzgerald’s words don’t settle well with Dazai. They make his skin crawl with nerves, itching uncomfortably beneath his bandages—he needs to replace them, he’s hadn’t had the chance to change them since the Guild kidnapped him. They’re all yellowed and grimy now, and they’re almost intolerable against his skin. He wants to go home. Wants to be with you.

“What do you mean?” Dazai presses. “What does this have anything to do with your wife?”

Dazai figured that the Guild was just trying to expand into Japan and wanted their first foothold to be in Yokohama to unseat the Port Mafia as the reigning leaders of the Eastern Hemisphere’s underworld… but what would that have to do with his wife? It doesn’t make sense. There’s something he’s missing, something that runs deeper than just territorial conflicts.

Before Fitzgerald can answer, Twain clears his throat, giving Dazai a suspicious look before speaking to his boss. “I’m sure Zelda is fine,” Twain says. “The nights have been getting longer and colder back home, she always gets more quiet when winter comes around.”

Any disposition Fitzgerald might’ve had to answer Dazai’s questions is gone as the man sighs and leans back in his chair. Dazai shoots Twain a dirty look, to which he receives an entirely too smug one. Bitter and irritated, he hopes that you humble the redhead severely in the meeting.

“You’re right,” Fitzgerald says more to himself than to anyone else. “I’ll see if J.D. can stop by the high-rise after this meeting, he offered to check in on her since he decided not to come along.”

Fitzgerald doesn’t seem inclined to continue any conversation at all. He looks out the window of the passenger seat and a tense silence falls over the car—Dazai is wildly uncomfortable between Twain and James. He can feel both of their thighs bumping against his with each turn the car takes and the forced physical contact makes all of this even more unbearable.

The seconds feel like hours, the minutes feel like days. When the car finally pulls to a stop, Dazai is itching to claw past Twain so he can have fresh air and personal space. The other man takes far too long to open the door—Dazai thinks it’s on purpose from the way he gives him an entertained look. Dazai scowls at Twain and shoulders right past him, frustrated and antsy, and then-

And then he sees you.

Dazai’s breath catches when he steps out of the car, nearly tripping over his foot when he realizes that you’re standing outside of the teahouse. There are two people on either side of you, but he’s tunnel-visioned on you and you alone. The world could be burning around him and all he would be able to see was you.

You look beautiful. You always look beautiful, but you look especially beautiful now when he’s been deprived of the sight of you for so long. The sun is setting over the bay and Dazai thinks he could drown in the image of you, that he could die happy now that he’s seen you again. You’re dressed neatly in a suit and your expression is cold and closed off, but he can see the way your eyes soften as soon as he’s in sight and it makes his whole body warm with a comfort he’s been so awfully deprived of the past few weeks.

He loves you. He’s missed you. The apology that he’s been rehearsing every day since he was kidnapped threatens to burst from his lips along with everything he wished he said to you but thought he’d never have the chance to. He refrains, if only barely, because he knows now isn't the time for this, not in this setting, but he itches to be at your side, to feel your skin on his again.

“Don’t try anything funny, yeah?” Twain says with an unkind smile as he nudges Dazai forward. He feels the muzzle of a gun pressed to his lower back, a silent threat for if he was thinking about running to your side.

Fitzgerald walks in front of the three of them, stopping at the bottom of the stairs you’re standing on—a power play, Dazai recognizes, you on a higher ground forcing them to crane their necks to look up at you. Now that Dazai is only partially dazzled by your appearance, he recognizes Nakahara Chuuya and Piano Man on either side of you. The three of you seem to be purposely blocking the entrance of the teahouse and don’t make any effort to move once Dazai and three members of the Guild start making their way to you.

“Do you intend for us to parley out in the open? I would’ve thought that the Port Mafia would appreciate discretion more than that,” Fitzgerald notes dryly.

“I’m afraid we will not be parleying under the current circumstances,” you sigh, and your voice. God, your voice is heavenly, he’s missed it desperately. “You send your… guest over to the car waiting right over there, and then we can talk.”

Hm? Dazai watches curiously, wondering what you’re playing at. There’s no way that the Guild will just hand over their leverage before going into a negotiation, even Dazai knows that much. He knows that you wouldn’t have called this meeting unless you got yourself on even footing with them, but even footing wouldn’t be enough to force Fitzgerald to hand his only advantage over to you. Unless…

“Unfortunately, you’re in no position to be making demands,” Fitzgerald says with a thin smile. “Once we’ve come to an understanding, I’ll be happy to return your lover to you.”

Lover, Dazai thinks a bit dreamily as if he’s not currently a hostage.

You let out a soft laugh, but it’s not a kind one. Dazai snaps himself out of the borderline trance he was in because of how he was addressed when he hears it, gaze flickering back over to you. The smile on your face is small, but equally unkind, like you know something that Fitzgerald doesn’t. From the way Fitzgerald stiffens, he seems to realize that too.

“I fear that I’m the only one in any position to be making demands,” you say light-heartedly. Dazai watches as you slide something off of the ring finger of your left hand, brows furrowing as you hold up a ring between your thumb and pointer finger, showcasing it for Fitzgerald. “Beautiful ring, truly… You must really love her.”

You flick the ring toward them carelessly. Dazai watches as it bounces against the ground with a soft plink once, then twice, and then everything descends into chaos around him.

His eyes widen as a gold glow emanates from around Fitzgerald—within a blink, he’s in front of you, Chuuya and Piano Man, fist raised as he threatens to land a devastating blow onto you. Dazai’s lips part in a cry that doesn’t even have the chance to escape his lips because Chuuya is instantly between the two of you, the Tainted Sorrow activated as he throws Fitzgerald back roughly into the road.

The gun that had been pressed to Dazai’s back is now at his temple, and as Fitzgerald rises back to his feet, you raise your hands in mock surrender.

“Careful now,” you say, an amused lilt to your tone. “We don’t want things to get violent before negotiations even start. Zelda is a lovely woman, I’d hate for something to happen to her.”

“Give me my wife back,” Fitzgerald says, voice strained, but he deactivates his ability, expression hard as he glares at you. “She has nothing to do with any of this. She-”

“Neither did he,” you interrupt, the easy tone replaced with a much colder one. “Let him go, and then you can come in and we can talk.”

The standstill that takes feels like an eternity. James and Twain stare at Fitzgerald, waiting for orders, and Fitzgerald stares at you, angry and frustrated. It’s almost odd seeing the suave and collected man that’s held him captive the past few days acting like a cornered animal. Dazai supposes he can’t blame him—if he’s done all of this for his wife only for you to now have her as a hostage… Dazai would pity him if he still wasn’t so bitter about the head wound and weeks of captivity.

Finally, Fitzgerald nods. After a moment’s hesitation and with a conflicted expression, Twain drops the gun that’s pointed at his head. Fitzgerald is stiff as he makes his way forward, Twain and James a step behind him, leaving Dazai standing alone at the bottom of the steps of the teahouse.

You smile thinly as you step out of the way for them, letting them walk into the building. “Good choice,” you say quietly, mockingly because you know that he didn’t have another choice.

Chuuya and Piano Man share a quick look with you before following the Guild members into the building, leaving you alone outside with him. Dazai stares up at you, all of his practiced words failing him, he wants to walk up the stairs to you but his legs are rooted to the ground. He doesn’t need to move though, because as soon as the doors shut behind them, you’re rushing down from your high ground to him.

Dazai nearly collapses into you as soon as he feels your arms around him. One arm curls around his shoulders, hand cradling the back of his head, and the other wraps around his waist to hold him steady when he leans his full body weight onto you. He has so much he wants to say to you, but he can’t even speak a single word—his breath is ragged and his nails bite into the back of your suit jacket, face pressed in the crook of your neck.

I’m sorry, he wants to say, I’m sorry for what I said, I’m sorry for running out on you, I’m sorry for putting you in this position, I’m-

“I’m sorry,” you say quietly. Your voice cracks over your words and Dazai’s throat spasms as he swallows back a lump. “I’m sorry it took me so long.”

“It’s okay,” he replies, voice muffled against your skin. His lashes flutter as his eyes slide shut, basking in the familiarity of your arms. For the first time in weeks, Dazai feels safe, he feels warm, he feels like he’s home. “I knew you would come.”

Your arms tighten around him and Dazai almost wants to ask you to skip the meeting with the Guild and come home with him. He doesn’t—mostly because he doesn’t think he has any grounds to ask you to do anything after everything that’s happened, but also because a part of him worries that you might agree to it and he knows this meeting is critical.

When you pull away from him, Dazai barely bites back a protest but he can’t stop the way his face drops as soon as your arms drop from around him. You notice, a soft smile curling at your lips as you lift your hand to cup his cheek. Dazai leans into your touch, eyes lidded as he looks down at you.

“I shouldn’t have left,” Dazai whispers after a few moments. He’s always struggled with apologies, and even now, the words taste like ash in his mouth, but he forces them out. “I’ve caused you so much trouble, I-”

“No,” you say, shaking your head, not even letting him finish. “Don’t. I shouldn’t have let the argument escalate the way it did, I knew better. What happened isn’t your fault.”

Dazai begs to differ. Your words don’t ease his guilt, but he doesn’t want to argue with you about it, so he lets it drop. His eyes flutter shut again when you run your thumb along his cheekbone, fingers carding absently through the tips of his hair. He doesn’t want to leave you again, almost wants to ask if he could stay for the meeting, but again, he doesn’t.

“Atsushi and Kyouka are going to go back to the apartment with you,” you finally tell him what he’s been dreading, and he knows it’s only a matter of time before you send him off. “I won’t be long. I promise.”

Dazai lets out a heavy sigh, a bit more dramatic than he intended, and you give him a fond smile.

“I left some crab linguine in the microwave for you,” you add. Dazai lights up at the mention of his favorite food—he hasn't had crab since the night he was kidnapped by the Guild. “Go, the quicker I can get this over with, the quicker we can get home and curl up in bed together.”

Dazai makes a show of pouting and being unhappy, but he does step away from you in the direction of the car. He doesn’t get out of arm’s reach before he’s pausing and looking at you again, you raise your eyebrows, silently asking him what’s wrong.

“I love you,” he says very softly, almost like he’s hesitant. Not hesitant in his love for you, just hesitant voicing the words out loud when he knows how much the world likes to fuck with him. It’s not the first time he’s said it, but it’s the first time he said it first.

You give him a small, adoring smile. “I love you too, Osamu.”

Dazai lingers for a few seconds longer before making his way over to the car. As his fingers curl around the handle of the door, he pauses and looks back at you, remembering something crucial that he’d been meaning to tell you, calling your name.

“Yeah?” you ask with a frown, looking a bit concerned.

“The Guild isn’t working alone,” he says. “Fitzgerald… he mentioned that he had allies, referred to them as rats that he didn’t trust not to be spying on conversations. He also knows what your ability is, one of your executives is feeding information to him and the Ivory Eagle.”

Your expression shifts into a more unreadable one, gaze shifting from him to look out at the horizon. “Rats, hm?” you say quietly, more to yourself than him. “That explains a lot, actually.”

Dazai isn’t sure what you mean by that, but he figures he’ll bother you for more information when he gets the chance later. He gets into the car with another quiet goodbye, hardly paying attention as Atsushi and Kyouka greet him. His eyes stay on you even as the car pulls away, and you don’t budge from your spot at the bottom of the steps until the car is out of sight.

Somehow, Dazai still has a looming feeling that he’s not out of the woods yet.

—

You enter the teahouse a few moments after the car disappears around the bend leading to the main street of Nishi-ku. The air is brisk and familiar, you’ve spent many days and nights at this teahouse dealing with business for the Mafia. It's your favorite place to bring adversaries for negotiations—the owners are always quick to accommodate you even for last minute meetings, and they’re pleasant enough company when you’re there early waiting for the other party.

Despite having seen and held Dazai, you still somehow feel discouraged. There’s an unexplainable heaviness in your chest as you make your way into the private room in the back of the teahouse, closing the door quietly behind you.

Chuuya and Piano Man sit on either side of the empty chair left for you; Fitzgerald opposite you with his two lackeys on either side of him. An executive of the Family sits at the head of the negotiation table—originally, you wanted Tolstoy to oversee the negotiation, but you figured that Fitzgerald would be at ease with a more neutral party as the host, and two executives of the Family were already in Yokohama to meet with Piano Man. While the Family is definitely more aligned with the Port Mafia, they also have significant business endeavors in Guild territory, whereas the whole world knows that the Three Deaths and the Port Mafia are pretty much extensions of each other because of your relationship with Tolstoy.

The Family executive is a young woman—you recognize her vaguely, most of your meetings have been with Goldoni himself, but she usually follows along like a silent shadow. You think Goldoni has her set to take over as the next ‘Father’ after him. Regardless, as soon as you take your seat at the negotiation table, she looks at you, waiting for you to begin the discussions.

A tactical advantage, one that you appreciate.

“Now that-”

“Where is she?” Fitzgerald interrupts, knuckles white around the edge of the table. “Where is my wife?”

The executive of the Family turns an unimpressed look onto Fitzgerald. What a fumble, you think, amused. Negotiations aren’t just political devices to create a space for peaceful conferences between rival factions, they’re also used as avenues that can make or break alliances. Disrespect the mediator of the negotiation and you might just find yourself on the outs of the entire organization—the mediator chooses who gives the first dialogue of the negotiation, you don’t ignore that unless you want to piss people off.

You raise your eyebrows at Fitzgerald. “I didn’t say I would give her back to you if you let him go. I said we would talk.”

Fitzgerald slams his hands against the table and rises to his feet. His two subordinates share a look with one another, and you feel Chuuya’s hand rest on your knee, ready to activate his ability at a moment’s notice if Fitzgerald tries to attack you.

“Give me my wife back,” Fitzgerald says, jaw tight and voice rough, clearly trying to restrain himself. “I let him go, so give me her back.”

Your lips curve up into a small smile, and then you say, “No.”

Chuuya doesn’t sigh, he knows better than to not show a united front at the negotiation table, but you know that even though he knows this is necessary, he doesn’t like it. Still, you find yourself enjoying it—what Fitzgerald is feeling right now, you’ve felt for almost two weeks. You’ve never claimed to not be vindictive.

Your smile widens a bit when Fitzgerald stares at you, expression entirely unreadable. You raise your hands up casually as you shrug, finding the whole situation entertaining.

“Why would I do that?” you ask, amusement clear in your tone. “I never would’ve given Dazai up in your position. Much less without even getting a promise out of me to get your own hostage freed. That’s crazy.”

You almost expect Fitzgerald to launch himself right at you, no ability activated, just throwing hands, but after what feels like an eternity, he sits back down, back rigid and teeth grinding together.

“What do you want then?” Fitzgerald asks, his voice is still strained but he’s calmer now.

“Why are you in Yokohama?” Instead of telling him what you want, you hit him with a question yourself, watching him carefully. Now that he’s calmer, your ability starts to go to work—not nearly enough to override how on edge he is because of the situation with his wife, but enough for you to work with. “We both know this isn’t about territory, Fitzgerald-san. Let’s start this off right; tell me what you’re really here for, and maybe we can come to an understanding.”

Fitzgerald’s subordinates share a look with one another, and Fitzgerald himself does not seem keen on answering your question. Interesting, you think, what’s so important that it makes him hesitate even under these circumstances? This is something big, it has to be, especially if Dazai heard correctly and Dostoevsky is involved—that man only ever gets involved with conflicts that have high stakes that he knows he can win, and that doesn’t bode well for you.

“It is about territory to some extent,” Fitzgerald finally says, resigned. When you narrow your eyes, he shakes his head and continues. “We’re looking for something here in Yokohama. So yes, we were trying to get a foothold in the city so we would have an easier time looking.”

What?

You can feel both Piano Man and Chuuya give you a sharp look, but you keep your gaze trained on Fitzgerald. Your mind races trying to figure out what he means by this, but you just don’t have enough pieces to put the puzzle together. You need to press for more.

“Looking for what?” you ask coolly.

Fitzgerald stares at you, lips pressed together, expression cold and conflicted. You stare right back, unrelenting. After a few moments, he shakes his head and says, “A book.”

“A book?” you echo.

“A book,” Fitzgerald confirms. “A reality altering book.”

“What?” Piano Man asks sharply, unable to help himself. You give him a look from the corner of your eye—only the two people sitting in the central seats are supposed to speak during negotiations, but you honestly can’t blame him, because you don’t fully understand what Fitzgerald just said to you.

“What do you mean?” you ask slowly. “A reality altering book here in Yokohama? Where did you hear this from? How do you know it’s real?”

“Fyodor Dostoevsky of the House of the Dead-” You almost roll your eyes. Of course, it’s him. You’re glad you decided to go with the route you did now. “-approached me about it. It’s something that I simply can’t let pass me by… my daughter…”

Fitzgerald’s face twists in pain; you almost feel bad for everything you’ve done with Zelda. Almost. His two subordinates—Twain and James—lower their gaze to the table, frowning. After a few moments of silence, and carefully constructing a question to figure out if this ‘reality altering book’ might be real’, you speak again.

“And how do you know this book is real? I know enough about you to know you wouldn’t start a full blown war over what could just be a wild goose hunt, what makes you think this thing actually exists?”

“James was with me when I spoke to Dostoevsky, his ability allows him to decipher whether or not someone is lying. More than that, I’ve seen the Book at work,” Fitzgerald says. Your eyes widen a bit in surprise at his words, more so at the fact that he doesn’t seem to be lying. “Dostoevsky… he has one page of this Book. To prove its ability, and to secure an alliance with the Order of the Clocktower and the Guild, he used a section of it. The Book is real, I was promised a page of it to bring my daughter back if I helped Dostoevsky retrieve it.”

What the fuck.

You stare at Fitzgerald, careful to keep any emotion off your face even though you’re full of turmoil on the inside. If there’s even a chance that Fitzgerald is telling the truth and there’s now a reality altering Book at play, and not only that, if Dostoevsky already has a page of it, that changes everything. There’s no telling what has or has not been altered, the entire truth of this reality is at question. How much damage could be done with a single page? How does it work? There’s too many variables.

It might not even be real, you think, trying to calm your racing thoughts. Dostoevsky is notoriously manipulative, there’s always a chance that he manufactured the existence of this book to get Fitzgerald and Christie to do his dirty work. It wouldn’t be the first time he’s pulled something like that—he could’ve used someone else’s ability to make it seem like the page of the Book altered reality to ‘prove it’ to the two other leaders… but somehow you have a feeling that might not be the case.

“What does the Book have to do with the weretiger you put the bounty on?” you ask.

You’re starting to feel a bit anxious—this is way more than you anticipated, and there’s so many bad implications that you almost feel overwhelmed, but now’s not the time to let it get to you. You need to focus, you can’t afford to shut down. You need to understand what’s happening before finishing up this negotiation, especially now that Fyodor Dostoevsky and Agatha Christie are seemingly involved.

“We were told that the weretiger is essential in finding the Book,” Fitzgerald says after a few moments. “I wasn’t told more than that. I intended on getting my hands on him to figure out why.”

Atsushi doesn’t know anything about this Book. The first thing you did when you got ahold of him was interrogate him for any reason the Guild might’ve put so high of a bounty on his head. Your mind drifts back to Dazai’s theory—that maybe the tiger is a separate consciousness, maybe the tiger knows something about the Book, but you’re not going to voice your theories now. You’ll talk about it with Chuuya and Piano Man later.

“I see,” you say with a thin smile. “How enlightening.”

“Where’s my wife?” Fitzgerald asks again. “I told you everything you want, I-”

“I didn’t promise to give you your wife back if you answered my questions,” you tell him dryly, tone a bit mocking. “That’s twice now. You’d think you would learn.”

You almost commend Fitzgerald for not instantly snapping at you. He stares at you, expression tight and voice strained as he speaks, “Tell me what you want for my wife. Enough of this.”

You watch him listlessly for a few moments, trying to decide if there’s any more pressing information that you should get for him. You’ll have a chance later, but you need to figure out if there’s anything more that might affect the plan you’ve concocted with Tolstoy and Repin. You don’t think there is, and you have to be careful with what you say anyway considering the human lie detector is sitting right next to Fitzgerald, so after a hesitation that lasts too long for Fitzgerald’s comfort, you finally give him your answer.

“How many of your subordinates are aware of Dazai’s existence?”

“Just the three of us,” Fitzgerald replies. Your eyes narrow, so he continues, “I didn’t want it to get out to Dostoevsky. I was worried he would capitalize on the situation before I could. These two were only made aware because they were the ones I had bring him in.”

“Is that so?” you ask coolly. “And which one was the one that left the massive bruise on the side of his face?”

You don’t get a response, you don’t expect to, but you do catch the way that both glance at the man sitting on the left—Henry James. Your gaze slides from the man over to the far right corner where Akutagawa is standing; Klaus is in the far left one, but Akutagawa will be more brutal if you let him off his leash for this, and you want him to suffer. The boy catches your gaze and gives an imperceptible nod, acknowledging your silent request.

“It doesn’t matter,” you say even though you’ve gotten your answer. “I’ll release Zelda to you, but there’s one non-negotiable condition to it.”

“Tell me it,” Fitzgerald demands. “I’ll do it.”

You lean back in your seat, tilting your head to the side as you study him for a moment, and then you tell him, “You’ll meet with a friend of mine. He has an ability that allows him to alter memories. All memories of Dazai will be removed.”

The room goes silent at once. The redhead, Twain, stiffens in his seat and casts a justifiably wary look toward Fitzgerald who looks caught off guard by the request. You imagine that he probably assumed you would demand he stops working with Dostoevsky and leaves Yokohama. You don’t need to demand that, because that will come as soon as Repin does his job… but Fitzgerald doesn’t know that, of course.

“How do I know you won’t mess with other things in my head? That you’ll only remove those memories?” Fitzgerald asks tightly.

Originally, you planned on lying and telling him that Repin’s ability didn’t have the power to do anything more than memory removal, but you can’t do that with Henry James sitting next to Fitzgerald, so you're forced to pivot.

You shrug and say, “You’ll have to trust me not to.”

Fitzgerald stares at you, and it feels like hours even though it’s only been a few passing seconds, but when he speaks, you feel as though you’ve won.

“Fine,” Fitzgerald agrees, expression pinched and conflicted, swallowing thickly. “Fine.”

Your lips curve up into a small smile when you realize he’s decided to trust you—not that there was much of a choice for him if he ever wanted to see his wife again.

“Good,” you say softly.

Still, a fatal mistake.

—

“So… uh,” a white-haired boy says awkwardly as soon as Dazai settles in the car next to him. A girl with black hair dressed in a red kimono sits on the other side of him, back stiff and expression eerily blank as she watches Dazai—she doesn’t blink, hardly breathes, Dazai is almost unnerved. “Don’t mind Kyouka. She takes our missions… really seriously, and you’re our mission right now, so…”

“I’m your mission?” Dazai asks dryly, sighing as he rests his head against the head rest, careful to not touch either of the teens sitting next to him. God, he’s tired of being around people, he just wants to curl up in bed. Preferably with you.

“Mhm.” He nods his head a bit too enthusiastically. “Boss told us to make sure you get to her apartment. We’re gonna stay with you until she gets there.”

Great, Dazai thinks, a little bitter over it.

Evidently, it shows on his face because the boy cringes in on himself and says, “We’ll leave you be, I’m sure you’ve had an, uh, exhausting past two weeks. You won’t even know we’re there. Promise.”

Dazai side eyes him, noticing the way the boy stares ahead embarrassed as if contemplating all of the words he just spoke. He looks… normal for the most part—not like the girl sitting on Dazai’s other side, definitely not like that emo Akutagawa that trails after you like a lost dog, and certainly not like that unhinged brat Klaus who follows you around.

“What’s your name?” Dazai asks for a few moments, sparing the kid from his own thoughts. The kid looks at him startled as if he didn’t expect Dazai to willingly speak to him. “Well?”

“Ah-” he splutters out and then smiles a bit. “I’m Nakajima Atsushi. Just Atsushi is fine though. It’s nice to finally meet you, y’know, without the others around.”

He lets out an awkward laugh and Dazai recalls the last time he saw the boy—he was with the other two outside of your building when Dazai first got the blackmail on you. Of the three of them, he seemed the most nervous. He’s met both Klaus and Akutagawa since then, unfortunately, but never him.

“That’s Kyouka-chan, by the way. She’s not much for conversation, but she’s great. I would’ve introduced myself sooner, but the first time we met wasn’t exactly the best situation, and boss has me training all the time to try to learn better control over my ability, and Kyouka’s always on missions for Kouyou-san so you probably haven’t met her yet.”

Dazai nods, although he’s not fully paying attention. “What’s your ability?” he asks absently, wishing he was sitting at the window so he could at least distract himself with the passing buildings.

“I can, uh, turn into a tiger. I can’t control when though,” Atsushi explains, tossing Dazai a sheepish smile. “That’s why I’m always training. I need to be able to control it without relying on boss or, uh, the collar.”

“You’re the weretiger,” Dazai realizes, glancing at Atsushi and then down to the collar around his neck. He can’t tell from first glance what exactly it does, but before he can figure it out, the boy is speaking again.

“She’s mentioned me?” Atsushi leans forward, eyes wide. “What did she say? Did she say anything about how my training is going? She’s been so busy, I haven’t really been able to get any feedback from her, but I’ve made some progress with controlling my transformations… Kind of.”

“Uh,” Dazai says smartly. Weak-hearted, too soft, not fit for the Mafia. Atsushi's smile starts to drop, so Dazai quickly adds, “Yeah, she has. She’s noticed all of the work you’ve been doing. She’s impressed.”

Atsushi frowns and side eyes Dazai. “She’s never impressed with anything. You don’t need to lie.”

Dazai grimaces and decides not to argue. Instead, he asks, “How did you end up with the Port Mafia?”

“Oh, ah… it’s a long story,” Atsushi says, laughing awkwardly as he rubs the back of his neck. “I lived at an orphanage, but I got kicked out because there wasn’t enough food. Or well, actually it was probably because I was attacking people when I turned into a tiger at night. But it was for the best anyway! And, well, I ended up here in Yokohama, and I guess at night when I transformed, I started attacking Port Mafia warehouses. So boss sent Klaus and Akutagawa to, uh, kill me, I guess. Or capture me, maybe, for the bounty. I’m not sure now that I think about it; it felt like they wanted to kill me, but they’re both also always trying to kill everything, it’s just their natural state. But I wasn’t tiger-me when they got there, I was me-me, so they brought me back to her… um, and then I talked to her for a bit and she told me about the bounty, and then she fought the other executives to not hand me over to the Guild, and now I’m here.”

Dazai stares at Atsushi. “Wow,” he replies blandly. “Quite the story.”

Atsushi flushes. “You asked,” he accuses, scowling at Dazai and looking away.

“Yes, very narrative, ten out of ten story-telling skills,” Dazai says with a simpering smile. He notices the stone-faced Kyouka’s lips curl up as she looks out the window, as if trying to hide it, so he considers it a win, even if Atsushi gives him an outraged look. “What?”

“We can’t all be literature majors, some of us spent our entire lives in an orphanage only to be kidnapped by the Mafia as soon as we got out,” Atsushi hisses, face still pink as he pointedly looks away from Dazai.

“Actually, I’m a creative writing and classics double major if we’re being specific,” Dazai corrects with a sweet smile. “... How did you even know that?”

Atsushi clicks his tongue and side-eyes Dazai. “Aren’t you supposed to be smart?” Dazai squints at Atsushi, a bit insulted. “Where do you think I heard it from?”

You, Dazai realizes, lips curling up a little instinctively. He wonders how much you talk about him—Atsushi isn’t the first to throw in his face that he’s supposed to be smart. Klaus did when he first met Dazai outside your building, Chuuya has too. He imagines you must brag about him, and it makes Dazai’s chest feel warm and bubbly because he’s never had someone brag about him before. Never.

“You make her happy, y’know,” Atsushi says quietly. He’s not looking at Dazai, opting to stare out the window instead. “She’s… not as… Forget it. I don’t know what I’m saying.”

“You can’t just say that,” Dazai complains, interested in knowing what Atsushi was about to say about you, but the boy seals his lips shut and stares out the window. Dazai rolls his eyes.

“Hime is not as cruel as she pretends to be,” Dazai startles at the voice of a young girl, almost forgetting that Kyouka is on his opposite side. “She looks out for everyone, but doesn’t let anyone look out for her. Acts like she doesn’t care so no one cares about her, but she does. A lot. Ane-san worries about her, I can tell.”

Atsushi nods. “When she found out everything that… happened at the orphanage, she had the whole staff removed and replaced them. Made sure what happened to me didn’t happen to anyone else,” he says quietly, an indecipherable look in his eyes. Dazai isn’t sure what happened at the orphanage, but he doubts it was anything good.

“Hime and Ane-san helped me figure out the truth of what happened to my parents,” Kyouka agrees softly. “Ane-san couldn’t have gotten the files without her help.”

“And she’s done stuff for Klaus and Akutagawa too,” Atsushi adds, “but she won’t let anyone else help her with anything. Not me, not Klaus or Akutagawa. Hardly even Executive Nakahara. She relies on you though, I think a lot more than she realizes… she’s not been good the past few weeks.”

Dazai’s expression drops, lashes lowering as he looks down at the floor of the car. He’s wondered while he’s been captured how you might be doing. When he got really in his head, he imagined that you were doing perfectly fine without him, didn’t even care that he was gone. He thinks maybe he would’ve preferred that than to know that you haven’t been doing well, he doesn’t like that. Doesn’t like that you were hurting because of him and his stupid decisions.

He’ll just have to make it up to you, he decides. He’ll make it up to you once everything has calmed down. But how? He can’t buy you nice things like you do for him because he’s broke. If he tries to take you out somewhere to eat (not that he can even afford it), you wouldn’t let him pay the bill. Maybe… maybe he could show you what he’s been working on for his poetry workshop.

His face flames up at the thought, pushing it away immediately.

No, he’ll think of something else.

“Why is your face all red?” Kyouka suddenly asks, eyes sharp as she stares at him. “Are you ill? Did they poison you before releasing you? Look at me, I can call Doc-”

“I’m fine,” Dazai bristles, flustered. “I’m fine, I’m not sick.”

Kyouka looks unconvinced, reaching forward to try to press her hand to Dazai’s forehead. Dazai leans back, almost into Atsushi, who yelps and worms away from him.

“Stop that,” he hisses, grateful when the car rolls to a stop in front of the familiar sight of your building. Dazai is climbing over a protesting Atsushi and pushing open the door before the car has even fully stopped. “Thank god.”

He almost trips and falls, foot catching on Atsushi’s leg as he stumbles out of the car. He ignores Atsushi and Kyouka rushing to scramble after him as he rushes into the building. He’s too eager to be back in your apartment, he has every intention of getting up there and locking himself in your bedroom until you get back.

He’s home free now, nothing else matters.

He’s home.

Home.

It’s almost too surreal for him to believe. He’d just about come to terms with the fact that he was never going to see you again, that his fate was in that cold and ugly room the Guild had him trapped in, but now he’s moments away from being back in the familiarity of your apartment.

Moments away from being home.

In a few hours, when you’re back, he’ll be able to curl up in your arm, he’ll be able to hear your voice, he’ll be able to be with you. He just wants to be with you. And he will be. Soon, he-

Dazai freezes when he takes a few steps into the lobby of your building and feels the muzzle of a gun press to his lower back. His eyes widen and he hears Atsushi and Kyouka skid to a stop a few steps behind him. He swallows thickly, realizing while he’d been lost in thought, he’d also lost track of his surroundings.

There’s a group of unfamiliar people in the lobby of your building, all armed and all wearing strange collars around their necks. Not like the one Atsushi wears, these ones are large metal ones with a gem implanted in the middle. Your doorman, an older man named Hinata who Dazai has become acquainted with over the past two months, lays dead on top of his desk, hand still reaching out for his phone.

“Who-”

“Shhh,” an equally unfamiliar voice says dismissively. It’s nasally and grating to the ears, Dazai already knows this man is going to be a piece of work. “Don’t speak, I want to get this done and over with.”

“Ace,” Atsushi shouts angrily. “What the hell are you doing? Get away from him.”

“No can do, weretiger,” the same man, Ace, drawls. “On orders from the Boss. I suggest you step out of the way, I was told he needed to be alive… but anyone that tried… well, you see what happened to old man Hinata over here. Never liked him, thought because he answered directly to our precious hime that he was something special. He wasn’t. Neither are the two of you, so get out of the way so I can complete my mission, yeah? Yeah. Good.”

Atsushi and Kyouka don’t verbally respond, but they don’t need to. Kyouka seemingly responds well enough from the sound of her katana being drawn, Dazai wants to turn around to look, but the gun against his lower back stops him. He’s so frustrated that he almost wants to cry, of course things couldn’t be this easy. He should’ve known better.

Ace clicks his tongue and Dazai still can’t see him, but he can tell just from the mocking tone he uses that the man must have a really punchable face. “Careful, Kyouka-chan, you won’t be the only one getting in trouble for going against the boss’s direct orders. Little hime and Kouyou-san will face the consequences for your disobedience too. You don’t want that, do you?”

“Kyouka-chan, it’s okay,” Dazai says, voice deceptively even. “It’s okay.”

It’s definitely not okay, but if they’re not going to kill Dazai on the spot, then he can safely assume that they want something from him. That means he’ll have time to stall. Enough time for you to finish up the negotiations and get here.

“But-”

“You heard it from the man himself,” Ace sings, forcing Dazai to turn around to walk right back the way he came. “Swords down and claws away, kids, and step over to the side so my men can make sure you don’t go and let our shining star know what’s happening too early, alright? Let’s give her time to handle things with the Guild so we don’t have to worry about those irritating Americans anymore.”

Dazai was right. Ace’s face is extremely punchable, and his hands twitch at his side when the man has the nerve to give Dazai a very smug smirk.

“I’ve been waiting for someone to knock that girl off her high horse for a long time. Longer than you can imagine,” he says wistfully. “I’m so glad I get to be the one to do it. Get moving.”

“She’s gonna kill you,” Dazai says quietly.

“And disobey a direct order from the Boss?” Ace mocks. “You must not know her as well as you thought you did. She’s like a loyal hound to that man. A real bitch if I do say so myself.”

Dazai’s body moves before he actually processes the words, arm shooting out and fist cracking against the man’s jaw hard. Dazai is almost proud of himself as he watches Ace crumple to the ground, groaning, realizing that even after all of this time, he can at least somewhat remember the self-defense lessons that Odasaku forced Dazai to take part in. Though he doesn’t have much time to bask in his pride, because for the second time in less than a month, his head is bashed in by a baton and he crumples to the ground hard.

Shit, he thinks, pain coursing through him as his vision starts to go black. This is bad. This is-

—

“Is it done?”

“Don’t talk to me,” Repin says, holding up his hand as he swiftly walks past you. “I have paintings to create. Too many memories are flooding my head right now, if I have to see that moron you call a boyfriend for longer than I have to, I will gouge my eyes out.”

You roll your eyes. “I’ll take that as a yes then.”

“Don’t forget our deal,” Repin shouts as he leaves the room. “I’ll be cashing in on it. Those additions you asked for were not easy work.”

“Yeah, yeah,” you say dismissively. “Go do what you need to do.”

Chuuya looks concerned. “Deal?” he demands. “What deal?”

“Don’t worry about it,” you sigh, shaking your head and turning your gaze back to the one-way glass showing the room that Twain and Fitzgerald are sitting in.

The two are chatting with one another, oblivious to what just happened to them. Repin told you to give it a few minutes before going in, let their brain adjust to the new memories he implanted, but you’re impatient. You want to finish things up here so you can get to Dazai. You miss him desperately already—the few seconds you were able to hold him in your arms were simply not enough. Each passing minute without him now is agonizing.

Before you can spiral deeper into your thoughts, the doors to the room behind you open. Akutagawa and Klaus step into the room—an impassive look on the former’s face, as if his coat isn’t dripping blood onto the ground beneath him, and the latter has a wild smile on his face and an even wilder look in his eyes. Akutagawa evidently allowed the other boy to partake in the bloodshed considering Klaus’s face is smeared with an equally disturbing amount of blood.

“It has been done,” Akutagawa announces, raising his chin. “Henry James was killed.”

“Really fucking brutally too,” Klaus interjects with a laugh that almost disconcerts you. “Wanna come see?”

“No,” you say flatly. “Call the clean up crews.”

Klaus visibly pouts at your words, but Akutagawa nods and pulls out his phone, taking a step away. You turn your attention back to the room, lips pressed together. It’s… odd almost—Fitzgerald and Twain talk casually, not knowing that the negotiation that took place between the two of you even happened, not knowing that

Not odd—scary.

You’ve encountered all types of abilities before. Chuuya and Akutagawa have two of the most lethal abilities you’ve ever come across. Klaus’s ability has always disconcerted you with the way it takes and takes and takes from the boy, knowing that someday it would consume him entirely. There was a child you once met with an ability kind of like yours—a type of mental manipulation triggered by physical harm to the user that ravaged the human psyche with hallucinations; they couldn’t control their ability, couldn’t even stop it at their own will, so you had to have them killed. Ayatsuji Yukito, the notorious Homicide Detective that the Special Division has recently leashed, concerns you because the man could kill just about everyone you care about with minimal effort if he’s ever brought into Yokohama to investigate the Port Mafia.

But this is different. Repin’s ability alters the mind so fundamentally that you don’t even know your mind has been altered. That scares you. It scares you almost as much as the prospect of that reality altering book Fitzgerald mentioned. The idea that one person could completely manufacture your perceived reality and you’d have no idea…

It scares you.

“What’s wrong?” Chuuya asks quietly as Akutagawa and Klaus leave the room to direct the cleaning crew to wherever they butchered Henry James. “Hey, you okay?”

“I’m fine,” you say, shaking your head. “Just want to be back at my apartment.”

“Soon,” Chuuya tells you, nudging your shoulder. “You wanna go in and talk to them now?”

“You think it’s been long enough?”

“Yeah,” Chuuya says. “Go for it. I’m gonna head up to the conference room. Mori wants to see us after you’re done here.”

You roll your eyes. “I’m going to see Osamu first,” you mutter. “I need to make sure he’s okay before…”

Before getting back into all of this bullshit. You just need to spend ten minutes with him before doing anything else. Ten minutes. Even though he’s back, and you know he’s safe, you watched him get into the car with Kyouka and Atsushi… you’re still on edge. You don’t know why, but you’re still on edge.

Chuuya nods. “I’ll cover for you,” he promises. “Now go finish things here.”

You don’t say anything else, sighing as you make your way over to the door. You wrap your fingers around the door handle, pausing for a second to collect your thoughts. You already know what you’re going to say—you’ve scripted it out, rehearsed it a hundred times. You’ve gone over information with Repin dozens of times to make sure everything is ironed out.

You know what you’re going to say, you just have to say it, and then you can go see Dazai.

With that thought in mind, you push open the door to the room where the two Guild members are waiting for, making sure the smile on your face is warm and inviting while amping up your ability just enough for it to have a physical effect on them. The tenseness in their shoulders eases, and Fitzgerald rises to his feet with a small smile.

“Ah, Miss Mori-” God, being called that makes your skin crawl. You can’t remember the last time someone actually referred to you that way—you even prefer hime to it. You have to make an effort to not let the irritation show on your face as Fitzgerald continues speaking, “It’s a pleasure to finally meet you. I’ve heard a lot about you.”

“Fitzgerald-san,” you greet lightly, holding your hand out to him. He shakes it firmly and you add, “I wish it didn’t have to be under the circumstances.”

Fitzgerald grimaces as he nods and takes a step back. “Yes,” he agrees, voice low. “My wife. You have her?”

“I do,” you tell him, taking a seat next to him. “She’s… not doing well.”

This is a more casual setting, a sitting room in one of the central building’s higher levels—a few couches set up in the center of the room around a coffee table, a window overlooking the city and a bar on the opposite side of the room. Twain lounges back in one of the armchairs in the corner of the room by the window while Fitzgerald sits closer to you. You chose this setting on purpose: it’s more intimate, less official than a negotiation room.

More like a meeting between friends than enemies, which is exactly what this has become with Repin’s meddling.

Fitzgerald sighs and looks away, lashes fluttering. “I feared that would be the case,” he murmurs. “How bad is it?”

You give him a small, sympathetic smile as an answer and Fitzgerald inhales sharply, rubbing his hand across his lower face, forehead creased in worry.

“I should’ve known better than to deal with Dostoevsky,” he sighs, despondence lacing his tone. “I was warned, but…”

“Many have made the mistake of falling for his charms,” you say quietly. “You can’t blame yourself.”

Good, you start to become a bit more comfortable. Repin pulled through. If all went according to plan, Fitzgerald should believe that Dostoevsky was the one to have Zelda kidnapped, and the Port Mafia was able to intercept. You’ve spent the past few hours tying up all the loose ends—Tolstoy handled the security cameras in New York, you the ones here in Yokohama, there’s no physical evidence left of Tolstoy’s involvement in Zelda’s kidnapping and you’ve ensured rumors have already started spreading about Fitzgerald reneging on his alliance with Dostoevsky and Christie by withholding information. You don’t need to whisper anything else, the entire world knows that Fyodor Dostoevsky does not take treachery lightly, the assumptions will be made on their own.

“I can when my wife is on the line because of it,” Fitzgerald snaps, and then lets out another heavy breath. “I’m sorry, I didn’t mean to snap at you. I’m just frustrated with myself.”

“It’s okay,” you tell him easily. “I understand.”

“Can I see her?” Fitzgerald finally asks hesitantly. “Or is she…”

You make sure the expression on your face is contemplative, a bit concerned and then say, “You can, but I don’t know if it will go well… Dostoevsky… he did a lot of damage to her psyche with the stories he was telling her. I’ve hardly been able to make any progress with her, I’ve only been able to convince her that I’m a friend.”

Fitzgerald grimaces and looks away. While he decides what to say, you contemplate your next move. You have Lippmann ready to bring Zelda into the room; you know that she won’t take the sight of Francis kindly, you’ve ensured that much. Zelda Fitzgerald’s mind has been all but shattered even without the use of your ability. But if Fitzgerald insists on taking her with him, which there’s a good chance he will, you’ll lose some very critical leverage over the Guild. If Fitzgerald ever manages to unravel the memories Repin has woven into his mind, it’ll leave the Port Mafia vulnerable to a full blown war with the Guild without a hostage in hand.

You really don’t want to lose Zelda.

But… maybe you can still make this work.

“I want to see her,” Fitzgerald says after a few moments. “Please.”

You nod and glance down at your phone to shoot a text to Lippmann. You’ll only have a few seconds before he walks through the door with Zelda, but you’ll have to figure out your exact approach once you see how visceral her reaction is to Fitzgerald. Though you know it'll be bad, if it’s not bad enough, you won’t be able to convince Fitzgerald that she needs your help.

The door to the room cracks open and Fitzgerald is on his feet in a second, holding his breath as Lippmann steps in, holding the door open for the fragile woman. His blue eyes are glittering with amusement as he catches your gaze, and you find yourself relaxing, realizing he must’ve been able to get her worked up before leading her in here.

You lean back in your seat, folding your hands in your lap, settling in to watch the show about to unfold.

It doesn’t take more than a few seconds for it to begin.

Zelda freezes in the door frame as soon as her eyes fall on Fitzgerald. You watch the way her breath catches, the way her eyes widen and the way her pupils dilate. She mouths the word ‘no’ before speaking it, shaking her head slowly.

“Honey,” Fitzgerald whispers, taking a step forward, but Zelda takes a step back as soon as he does. “Honey.”

“Stay away from me.” Zelda’s voice breaks over the words, lips visibly trembling as she presses her back against the door frame. She looks like she’s on the verge of fleeing, but Albatross’s sudden presence in the door stops her. “Stay away. You lied to me. You lied. Frances… our daughter, my daughter, you…”

“What?” Fitzgerald breathes out, brows furrowing in confusion. “Zelda, honey, what are you talking about? I don’t-”

“You lied,” Zelda cries, voice rising. “You lied to me. You took my daughter from me, get him away from me, get him away! I don’t want to see him, I don’t-”

Zelda is hyperventilating, hardly breathing properly, eyes wide, wet and watery. You nod at Lippmann, and the man leads her out of the room. It’s quiet once she’s gone—your gaze sweeps across the room, Twain looks sick from where he’s sitting stiffly in the chair he’d been lounging in and Fitzgerald, the powerful leader of the Guild, looks crushed, ashen as he takes a shaky step backward to sit back down.

To his credit, he still tries to keep himself put together. You can tell from the way his breaths are robotically even and his fingers are trembling in his lap. You watch him for a few seconds before reaching out to place your hand on his shoulder.

“I’ve been trying to help her,” you say, carefully choosing your words. “I’ve been told you know what my ability is, is that true?”

You know that it is, you were careful to make sure that Repin didn’t disturb any of those memories. You figured it could help you in convincing him to let you keep Zelda if he thought you could undo the damage ‘Dostoevsky’ had done.

“I don’t want you messing with my wife’s head,” Fitzgerald spits out. “That Russian bastard has done enough damage.”

“Of course not,” you agree amiably. “That’s not what I mean. I can use my ability to keep people at ease. Every other hour she’s going into violent fits of hysteria… tries hurting herself, I-”

Fitzgerald lets out a sharp breath, looking away. “What did he tell her?” he asks, voice wavering. “She mentioned Frances. I-”

“From what I was able to gather, she seems to think your daughter is alive and you helped her… escape to a foreign country to live out her life away from Zelda,” you say, watching Fitzgerald’s face twist in distress and frustration as he buries his face in his hands. “I can release her to you, if that’s what you want, but-”

“You can help her?” Fitzgerald demands, looking at you. His eyes are red and glassy but his face is tight. He seems to be doing his best to not fall apart until you’re gone, but his self control is wavering the more he hears about Zelda.

“... I can.”

“How?” he asks. “How will you do it?”

Here’s your chance. You can’t mess it up.

“When Zelda is having those… hysterical fits, she’s impossible to reason with and can’t settle down on her own. I’ve only been using my ability to calm her down so I can speak with her. It’s taking a lot of time, but since I’ve managed to convince her that I’m a friend, I think I’ll be able to make progress in convincing her that Dostoevsky's lies were just that—lies. It’ll be… tenuous, definitely won’t be a smooth path, but I think, with time, I’ll be able to do it.”

“Will there be any side effects to you using your ability to calm her down?” he questions, watching you carefully.

“Nothing major,” you say honestly. “In the future, she’ll probably feel instinctually more relaxed around me—her brain will just associate me with being at ease, so even if I’m not actively using my ability, it’ll still reflect that way, but no lasting effects.”

After an agonizing few seconds, Fitzgerald nods.

“Help her. Please,” he says, voice raspy. “When Dostoevsky comes to Yokohama, you’ll have the Guild’s support in dealing with him. I swear it. Just help my wife.”

Wow, you think, almost unnerved by how well this worked out. You have Dazai back, you managed to keep Zelda, and you turned the Guild against Dostoevsky. You can’t help but feel like there’s going to be some sort of catch, or that it’s going to backfire. It would track considering how poor your luck has recently been. But for now, you roll with it and hope for the best. You'll start preparing for the worst after you’ve been able to spend a few days with Dazai.

“I’ll do everything I can for her,” you say, rising to your feet and giving Fitzgerald a small smile. “You can stay here for as long as you need. I’ll have one of my men wait outside to escort you back to the lobby when you’re ready.”

Fitzgerald thanks you, and you finally turn to leave, ready to see Dazai. You just need fifteen minutes with him before you go off to your meeting with the other executives. You need to see him, hold him, talk to him. Need to make sure this isn’t all some cruel, elaborate trick your mind has played on you before heading into another exhausting meeting.

Klaus, Akutagawa and Albatross are waiting outside for you. Albatross parts his lips to speak but you shake your head, not wanting to risk saying anything until you’re well out of ear shot of this room, just in case. They follow you to the elevator, and it’s only once the doors close that Albatross bursts into laughter.

“You’re one evil bitch,” Albatross snickers. “Fucking that woman’s head up just to play the hero? That’s messed up even for you, doll. I don’t know how you sleep at night.”

Your lips curl up into a smile as you toss a wink at Albatross. “I’ll sleep just fine tonight with Dazai in my bed.”

“Gross,” Albatross complains, rolling his eyes. “No, but really. This was one big play—less than two hours and we’ve managed to totally turn the tables. Crazy. What exactly did you have Repin do besides remove their memories of your boy?”

“Before Dazai went back to my apartment, he told me that the Guild was working with Dostoevsky,” you explain as the elevator gets to the lobby. Albatross walks at your side, Klaus and Akutagawa trailing behind the two of you as you make your way out of the building to walk across the property to your building. “I already intended on using Dostoevsky and Nabokov as scapegoats, but this made it a lot easier. Fitzgerald was withholding information from him-”

“Everyone knows that bastard doesn’t let disloyalty slide,” Albatross grins sharply. “Of course he’d retaliate.”

“Exactly,” you agree. “I had Repin twist the situation. Made them believe that Dostoevsky was the one that had Zelda kidnapped, but we were able to intercept. Only Tolstoy’s executives, our executives, and my direct subordinates know the truth. Tolstoy handled CCTV in the States, we handled the ones here. If Dostoevsky tries to convince Fitzgerald that it’s not true, there’s no proof—only he said, she said—and even if he does…”

“We still have Zelda,” Albatross finishes with a sharp grin. “Evil. I can’t believe we managed to come out of that with your boy back, the Guild on our side, and the hostage still in our custody. God, I love you. You can be fucking terrifying sometimes, y’know that?”

Your lips part to make a quip back at him as you push open the doors to your building, but the words die on your tongue as your gaze lands on what’s awaiting for you in the lobby. The first thing you see is your doorman slumped over the desk, blood dripping over the side and pooling on the ground in front of it. The next thing you see is Kyouka and Atsushi, both unconscious, needles discarded carelessly on the ground next to them.

You don’t see Dazai.

“What the fuck,” Albatross breathes out, pulling out his gun and shifting to stand in front of you. “Klaus, go check on Atsushi and Kyouka.”

Klaus and Akutagawa rush from behind you—Klaus to Kyouka and Atsushi, trying to wake the two of them up, and Akutagawa in front of you and Albatross, Rashumon at the ready. You can feel Albatross’s hand tight around your forearm, you can hear him talking but you can’t make out any word that he’s saying.

“This isn’t real,” you say flatly as you stare ahead. “This cannot be real.”

Something bubbles in your chest—you don’t know if it’s rage, distress or sheer hysteria, you think a combination of all three because although your blood is simmering, you feel your eyes misting over and a laugh about to burst from your lips because what the fuck?

You press your hand to your mouth, hardly even registering what’s going on around you. Klaus is trying to shake Atsushi and Kyouka awake, Akutagawa is scouting out the rest of the lobby to make sure no assailants are still lingering, and Albatross is trying to get your attention but you don’t take notice of him, shaking your head, and trying to hide the way your lips are curling up into a disbelieving smile.

What a joke, you think, breath catching as you pace over to Klaus, Atsushi and Kyouka. Shit.

As soon as Atsushi’s eyes flutter open, you’re grabbing his chin and craning his neck to force him to look you in the eye. “Where is he?” you ask, voice surprisingly steady. “Where is he? What happened? Answer me, Atsushi.”

Albatross says your name and grabs your wrist to try to get you to back off, but you toss his hand right off of you. Atsushi is still out of it, not understanding what you’re asking him, but before your frustration can bubble over, you feel your phone vibrating in your pocket.

Your hand drops from Atsushi’s face to reach into your pocket. Your fingers are stiff and clunky as you pull your phone out, and as soon as you see the name on your screen, you know.

You don’t say anything as you answer the call and lift the phone to your ear, waiting for the person on the other line to speak first.

“Hello, little hime,” Mori says, you can hear the smile on his lips. “Have you finished with the Guild?”

“Where is he?” you ask in response. “Where is he?”

“Safe for now,” Mori hums, sounding entirely too amused. “I’ve had quite an interesting conversation with him. I can see why you like him as much as you do.”

“Everything I do for you,” you hiss, the nails of your free hand digging into your palm. “Everything I do, and this is how you repay me. I’ve spent my whole life doing everything you want, and you can’t even spare me a shred of fucking loyalty. You-”

“Oh, don’t be so dramatic, dear,” Mori sighs and your blood pressure skyrockets. “I’m doing this to protect you, as has everything I’ve ever done. You truly have no faith in me.”

“To protect me?” you shout, your throat burns and it’s a struggle to force yourself to breathe properly. You feel dizzy, a panic attack coming on, but now is not the time, you need to calm down. “You did this to protect me?”

“I did,” Mori agrees. “This boy had been lying to you for months. I had a feeling, but I wanted to confirm it before bringing anything up to you. I know you care for him. I didn’t want to unnecessarily break your heart.”

“What are you talking about? You’re not making any sense, I don’t believe you.”

“I’ve never lied to you, little hime. I have to many people, but never you. He’s been lying to you about who he is… I suggest you get up here quickly.”

“What do you mean?” you ask. Your voice wavers this time, you can’t stop it. You can feel several sets of concerned eyes on you, but you can’t bring yourself to meet any of them. “Stop being cryptic, just spit it out.”

“The boy’s name is not Dazai Osamu, dear. It’s Tsushima Shuji.”

Your ears ring as his words slowly process through your head. Your silence is enough of an answer for Mori.

“I’ll be waiting in the conference room for you. Do get here soon.”

#dazai x reader #dazai x you #dazai osamu x reader #dazai osamu x you #bsd x reader #bsd x you #bungo stray dogs x reader #bungo stray dogs x you

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randombush3 · 7 months ago

Text

you're not sorry to go

ona batlle x reader

summary: ona and you are best friends, but it's a bit more complicated than that

words: 4.5k

notes: this one is based on true events x

also let's ignore the result of my poll because i want the next part to have smut and it wasn't fitting with the vibe of this part

oh and the title is a quote from 'this side of paradise' by f. scott fitzgerald

January, nine years ago.

Nothing about today has been out of the ordinary.

The weekend is starting, winter drags on, and Ona is all set to train later on in the evening, provided you confirm whether or not you are willing to accompany her to the local pitch.

Barcelona B usually allows for Fridays off, but Ona isn’t stupid. No one becomes the greatest footballer of all time by not playing more. School is beginning to bore Ona to death, and she knows that she wants what she always has: to go professional.

“I have a plan,” she tells you confidently, glad you don’t mind sitting on the uneven, grassy sideline as she sets up her cones with determination. You hold the ball between your hands, though Ona is amused by how foreign it looks to you, and you seem to be holding her prized possession hostage so that she spills. “It sounds simple and obvious out loud, but it’s that I am going to play for Barça while you go to the university. You can introduce me to your smart friends so I can meet my wife, and you’ll have all the boys after you anyway so–”

“Ona.” Her monologue has led her eyes to the ground, but your voice makes her head jerk upwards, not needing much authority to get her to look at you. “I’ve actually had a… realisation, of sorts,” you say with a bashful grin, chin jutting out the way it does when you are gearing up to tell her something that no one else will get to know. “Your cousin is really pretty.”

“I’ll tell her you said that.” It’s a nice thing to say, and you are partly aware that Ona’s cousin knows who you are because she doesn’t shut up about you ever, but you can’t help the frustration that begins to bubble up inside of you.

“No, Ona,” you try again, “she’s really pretty. Like, I would kiss her.”

Ona frowns, then. “Don’t be one of those.” She means the girls who experiment, who toe the line of liking girls but don’t, not really. She has been warned about them by her older teammates, the ones who go out for drinks and kiss girls in clubs. The budding footballer really admires them, because their advice is always good and she gets to explore her sexuality without feeling like a creep. No one in Vilassar de Mar cares much that Ona does like girls, but it doesn’t stop her from feeling judged all the same.

You are one of her best friends, but Ona isn’t sure she can forgive you if you become someone like that.

“I’m not! I wouldn’t do that.” Your offence is suspicious, and you have been so caught up in destroying her worries that the ball has been dropped and is now rolling towards Ona’s feet, where it is instinctively flicked upwards and caught. “I wouldn’t, Oni, because I know it’s unfair to you guys.”

“But you want to kiss my cousin? That makes you interested in girls in general too, you know.”

You bite your lip.

“Ona, I think I’m gay.”

The ball is dropped, along with her jaw, and you shift uncomfortably in your seated position, not enjoying how big of a deal she is making this out to be.

People realise that they’re gay all the time! Why should it be any different for you?

“Oh,” is all Ona can manage to breathe out, wondering what to do next. Although your friendship cracks the padlocks of most secrets, there is one that hasn’t ever been shared. One that now means substantially more than it did five minutes ago.

“Say something, please,” you groan in mock annoyance, moving aside your textbooks so that you can grab Ona’s hand and pull her down on top of you. She is much stronger – she trains every day – but something about your skin touching hers injects a surge of patheticness into her well-earned muscles, and she falls, of course she does, because she always falls for you.

…

A year passes.

You kiss Ona’s cousin, as intended, and Ona knows the breakup is going to be rough but nothing prepares her for when it comes.

She’s conflicted, and she’s older now. No longer left behind by her teammates, Ona gets to go out with them when they don’t have football; she gets to talk to the girls about their sex lives, she gets to be involved in it all. She has met Alexia Putellas and been treated like an equal, and she made out with her fourth ever girl last week, this time progressing past tongues and confidently letting her hands roam.

Ona would say that she has learnt a lot since you dropped your nuclear missile, and she has managed to forget the initial hope she had felt. The secret had been near-faded.

Until you are calling her, sending her a text when she doesn’t reach her phone quick enough.

‘Ona, I really need you.’

She hears nothing from her cousin – they were closer when they were younger – and that, she reasons, is why she is by your side in an instant, meeting you at the windy beach you go to when you are sad, hair damp from running and eyes a little wide as she tries to wake herself up.

“She said she can’t do it anymore,” you whisper, voice cracking under the strain your sobs had put on it. “She said that she really likes me but that it’s not enough, and she doesn’t want to break my heart but she knows she has to.”

Ona doesn’t get a chance to respond, because you have flung yourself into her chest before she can think of the right words to say.

Your shoulders shake as you cry, devastating howling joining the whistles of the wind and the thrash of the waves. The sand is unsteady beneath your feet and you stumble, but Ona holds you firmly, as though she has only ever trained to hold you up. Though you feel her biceps, hard and significantly larger than the last time she had held you this way, you are too caught up in your first heartbreak to acknowledge the tiny, tiny spark between you.

As you cry and cry and cry, Ona can’t help but feel a little bitter towards her cousin. Clearly, your affection wasn’t false and, though it was working towards the severance of your friendship, you actually cared quite a lot for her.

Ona chooses to abstain from her jealousy because she is embarrassed that it is possible.

She is there for you the next day, ensuring you have eaten and allowing you to sleep, but the sun soon sets and Ona vows one thing to herself: she will not take advantage of it.

“I’m going home,” you mumble when you wake from your restless nap, rolling over into the empty space in your best friend’s bed. The sheets there are cold and unused. Ona must not have moved a muscle since you fell asleep. “My parents must be a little confused, and we have people coming over for dinner. Thank you for looking after me.”

“No problem.” Ona nods and you awkwardly stand up. “I think I’m going out with the team tonight, but don’t hesitate to call me if… Well, if you feel sad again.”

“It’s going to feel shit with or without you.”

You are trying to distance her, to tell her that she can have fun. It might be an issue that your friendship only seems to work when the two of you discuss your recent conquests or latest flings, but it is not one that either of you wants to address for now.

“I’m just making sure you know I’m here,” she defends indignantly, rolling her eyes at the glimpse of your happier self making its return.

“Are you going to be drunk?” Your question is pointed and you should really cross your arms and tap your foot impatiently to match your tone. “Don’t you have training tomorrow?”

“Maybe, and not tomorrow, no. I’ve been asked to join the first team the day after so they’ve given me an alternative rest day.”

“Ona, if you get drunk, you won’t be there for me at all. You’ll have your tongue down some poor, poor girl’s throat and your phone will be dead.” You laugh from experience, having grown accustomed to how she behaves under the influence. “I appreciate the sentiment, but I swear that alcohol is what fuels your hormones. I’m not going to burden you with my fucking pathetic crying, and, well, you know me, I’ll just find a boy to talk to. I am going to be fine.”

No one in the room is convinced.

You swat the air between you two, telling her to get on with getting ready. “Now, enjoy your night, and tell me all about it tomorrow morning!”

Ona wonders if you are over-compensating by insisting to hear about whoever she has gotten off with, but you are practically flying out the door the minute you have said goodbye to her family and she is stumbling around her room trying to find a clean bra. Life goes on.

If time did not tick on its own, one of you would task yourselves with turning the hands of the clock manually.

You try to recover from how much it fucking kills to have a girl break your heart by reminding yourself of your worth in the best way possible: male attention. They hound you, but you enjoy it. You crave it, most of the time, even if the feelings are never quite believably reciprocated.

It annoys Ona to no end, the way you play with the boys chasing after you. She hates the push and pull, fed-up with the constant complaining from your end. Often, because Ona speaks her mind when she can, she tells you that it’s not fair on the ones who hand their hearts to you only to watch you pierce through them with sharp, I-was-never-a-lesbian nails.

You don’t talk about her cousin. At least, not to Ona because you have been informed by some other friend that blood is thicker than water.

Or maybe it’s because Ona begins to avoid you, begins to spend more time with her teammates, who don’t hide their sexuality and who like the things she likes. (Once, in a hateful frenzy, Ona thinks to herself that the only thing the two of you have in common nowadays is that she likes you and you like you too.)

“What happened to your best friend?” Laia Aleixandri asks thoughtfully once after training. Ona is helping her collect the water bottles the other girls had left lying around on the pitch. There have been more injuries than what’s comfortable within the first team, and maybe some of the reserves have forgotten that they are not yet professionals. “You’ve stopped talking about her.”

“We’ve fallen out,” Ona answers, settling on that because she doesn’t know how else to describe the shift in your relationship.

“Over what?” comes Laia’s obvious sequential question, more a due dalliance than genuine interest. Laia is one of those girls who plays to play and can sometimes be too busy to spend time with the team outside of training. Because of this, she is largely unaware of Ona’s growing reputation within the squad. As Ona has grown up, her confidence has increased. Girls like that, and they are in plentiful supply to her. She no longer needs to be drunk, but something almost certainly occurs if she is.

“She dated my cousin and, I don’t know, the way she acted in the fall-out was horrible. She likes girls, I know she likes girls, but I think she has been scarred and her ego has been bruised. No boy has ever made her cry like that, and I think she’s traumatised. And it’s valid! I understand, completely and totally, but she is acting as though she never had a thing with my cousin and it’s annoying. It’s as if being gay is a joke to her.”

Laia senses that Ona’s not done, and she is correct to think so.

The next wave is this: “Laia, I really don’t agree with it, and it is hurting me. It hurts to see my cousin be messed around by a straight girl, it hurts to see my best friend hate part of herself, and it hurts me because, well, it just– it just does! I can’t explain it.” She can; she doesn’t want to. Her secret is still heavily guarded and it is going to take more than Laia asking about you to get her to confess. “I just want peace for everyone involved,” she says after taking a deep, diplomatic breath.

“Peace,” Laia repeats with a giggle. “Ona, the things I have heard about you are the opposite of ‘peace’. Aita’s been keeping me in the loop, and she says that–”

“Okay, Laia, I don’t need a lecture.”

What probably would have been very helpful for Ona to know is lost to the devastating final blow of her eye-roll as she jogs to the water cooler to return the bottles and head home.

…

The reconciliation of a decade-old friendship is fast and natural. Things do not quite go back to normal, and the two of you are not as close as before, but your group of friends at school breathe out a collective sigh of relief when the ice thaws and Ona starts to turn up to their gatherings instead of the ones held by her beloved blaugranas.

It’s a camping trip.

Their first year of bach has ended, and someone – Ona doesn’t know who – has suggested a camping trip because her grandfather’s brother owns a farm and the farm has a field and the field is far-removed enough for the smell of cigarettes and red-label whiskey to dissolve before reaching the house.

“Are we really going?” Ona asks, making you all laugh as you haul your bags and tents along the tractor path.

“I do think we should’ve gotten in the tractor,” you agree. Ona nods at you, thanking you for your support.

Everyone else says it’s good fitness, and then hurls insults at Ona for the remainder of the trek because she should be the last to complain if she is going to become a professional athlete.

It’s not as far as it seems, and the tents are set up quickly, along with some chairs, a foldable table, and a hefty stash of various bottles of alcohol.

You start smoking the minute someone flashes their lighter, and Ona uses that as a reason to stay on the other side of the small campsite for a good hour or so.

She stays away from you no matter how much you stare, but you watch her all the same.

The boys you talk to are not satisfying. Some may have innocent intentions but the majority don’t, and you know that you are pretty but you are not shallow like that. You don’t even meet the boys half the time unless they corner you at school and demand a slot of your in-person attention.

The boys you talk to explain football and the gym and why they have to play FIFA until the sun rises because it will definitely help Barcelona win on the weekend. They take you for an idiot, and they hardly acknowledge that your best friend (sort of) plays for their darling club so of course you know the rules and the positions. You know that Ona is a defender, and that she is good at it. You don’t want to be patronised and you don’t care about this kind of thing unless it involves Ona.

Therein lies the issue, actually.

You don’t care about much unless it involves Ona. Ona, who sways to the music bursting out from the speakers just as stiffly as she always has, not exactly blessed with dancing talent but not for lack of trying. Ona, who declines alcohol tonight because she is following a summer strength and conditioning programme with the hopes of playing in the first team’s preseason matches. Ona, who looks beautiful. Always.

Smoke billows from your cigarette, right towards the point of your focus, and, suddenly, doe-like eyes are staring back at you with a small, small smirk. She waves, as if to say that she has caught you, and you lean back on the camping chair you are slouched in, pretending to laugh at whatever your friend has just said beside you.

Later, when everyone else is knocked out from the bad quality of the whiskey, snoring comfortably in the other tents, Ona and you kiss. And once you start kissing, you don’t stop.

Ona is good at this, you assume, because she knows exactly what to do. Contrary to popular belief, you are far more active in theory than in practice, and she surprises you a little bit. Or maybe she doesn’t, because it’s Ona and Ona is good at everything.

You strive to match her, and you do by the time you finish school.

Sporadic, non-committal, and in complete disregard for your friendship, the arrangement of hooking up when you feel like it sees you out of Catalonia, with Ona naturally in tow.

Madrid CFF is happy to have her, and you quite enjoy the challenge of the Spanish capital. It’s not Barcelona, it’s not ideal, but change is good and you need space to explore who you are without watchful eyes and nosy gossipers.

Homophobia isn’t quite a thing in your family. Your parents are not radically against gay people. In fact, you’d say they are relatively supportive. However, that doesn’t stop you from feeling some discomfort. You lived through Ona’s struggle to come out, and her parents are ever more care-free than yours.

Madrid is a brand-new place, and word about how you are doing is easily controlled. Updates come from either you or Ona, and that means there is a filter easily applied to all anecdotes.

Your friends know about the sex, more or less. They know, they don’t approve, but they let you guys sort it out yourselves because everyone agrees that that is just how you and Ona are. They won’t understand it and they have given up on trying to.

Both of you make half-hearted efforts to separate the arrangement from your friendship. You don’t talk much afterwards until the other has left the realm of I-am-in-love-with-you. It’s nice to be in Madrid together, but you find different social circles soon enough and then you are reaching out more for sex than friendly activities and… You stop sleeping with each other upon the footballer’s request. She wants to focus on her career, on her success. She tells you over the phone because she cannot bring herself to end whatever occurred over the last two years in person, knowing that she’d take back her decision in a heartbeat. Ona really, really likes football, and she knows that she has to become obsessed with it to get to the top; more obsessed than she is now. How can she do that if you are distracting her?

You’re disappointed, but you respect her wishes.

Girls in Madrid stop seeming as shiny. The world is a bit duller, because although there had been no exclusivity between you and your best friend, there had always been that guarantee that the other would be ready and waiting. Your growing misery makes studying boring, and you find answers for your emotions in a science textbook, desperately running away from the obvious truth. Less sex means that you are unhappier. It’s biology.

It’s not a crush.

Not on Ona.

No.

And it’s certainly not this not-realisation that flies you to Milan the minute a modelling agency inquires about whether you have ever thought of, well, modelling. They scout you someplace random, and your mother claims that she could have helped you start your career earlier if only you’d have been interested.

When you explain to your best friend what you are moving for, she is oddly unsurprised and uncaring. Her reaction is sickening, because you’d have rathered her get an ego boost from having slept with a model than be so fucking apathetic.

“I’m going to Milan, Ona,” you repeat, just in case she has not heard you. “I’m moving. We did the trial shoots last week, and they loved me. They want me to update my social media and work on building up a following, and they said that I should start learning English because I might end up in New York.”

“That’s good. I’m happy for you.” She doesn’t sound like she means it, and you grow annoyed about how she is not even trying to sound enthusiastic.

“Can’t you be happy for me? Or is it only acceptable for you to have dreams?”

“I am happy for you, I just said that.”

“The words left your mouth, but they definitely did not come from your heart.”

“You’re being dramatic.” Ona rolls her eyes and the pent-up sexual tension builds and builds until the bottle it has been shoved into can no longer withstand the pressure. You haven’t argued since you moved to Madrid, which makes no sense considering you literally broke up – even if it absolutely wasn’t dating. Neither of you has processed your broken heart, and you’re pretty sure you are still too traumatised from the first girl you fell in love with to be capable of revisiting those kinds of emotions.

Ona hasn’t had sex in weeks, and it is affecting her performance. She can’t sleep if she has the energy she does, and she can’t get through her workouts because not sleeping makes her lose her appetite and then she does not have the energy to complete them. Her coaches are worried, but they know that she is young and though almost idiotic, they mostly assume that she is repulsed by the idea of playing for a club in Madrid. They get that a lot with the Catalans that come over from La Masia, whose dreams have been delayed because the first team had thought it necessary that they gained more experience elsewhere.

Ona has wanted to shout and scream every minute of every day, and so have you. Therefore, everything explodes.

…

You inhale deeply, exhaling when it feels as though some of the stress has dissipated. This casting is one of the more important ones of the week. It’s odd to be judged on your appearance, to be paid for it, but it has been almost a year since you moved to Milan and you are enjoying yourself.

You don’t miss university, and you don’t miss your parents. Your friends visit you lots, loving the idea of your career, loving the excuse to escape their dreary weekends in where they have always been.

Milan is great. You make friends with a few other models, though they come and go depending on work, and the more experience you get, the more your following count goes up. Brands send you things, nice things, and events start extending invites to lure you into the glamour of the industry.

Milan is great, you tell yourself on repeat.

Milan is great, but it would be better if Ona were here.

Milan is great, but you regret the way you left things and want to take it all back.

Milan is great but–

“Your fitting is tomorrow,” says the assistant, reading off her iPad. You suppress your wandering thoughts, nodding. You need this job, you need the money to pay for a flight. The agency has given you some advancements – an impressive thing, apparently – but not enough to cover the cost of the ticket to New York for the start of Fashion Week. This show will fluff out your experience, and increase your chances of walking at one of the bigger shows.

You’ve been told that you are quite a good model; attractive, funny, with just the right amount of personality to be both a mannequin and an interesting figure.

The lifestyle is different but good, and you realise that you’d never wanted the mundanity of studying and then working and selling your soul to some kind of tall office building. Not everyone gets the concept of living away from home, especially not those from your tight-knit community who think the city is stretching the distance slightly (the train works, you can live with your parents and have a good job – you’ve been told that a few times), but you don’t mind. You can explain it as much as you want and they would still be confused.

You stay in touch, but you don’t stay present.

As your career snowballs over the next two years, you pull away from your home, always on a flight, always busy. You go to LA and Paris and London, and you rent your flat in Milan out as an Airbnb whenever you’re not there. You love the city, you start to think of it as yours, and slowly but surely, everything else fades into the background.

Apart from Ona, of course. Your friends still visit, or you meet up with them if you ever find yourself in Barcelona, and they continue to affirm just how proud they are of you. They talk about her a lot, too; about where she’s playing now, about injuries and fame and representing Spain. They know you are too stubborn to search it up for yourself, but these are the people who have grown up with you: they know you would like to be informed.

When you hear that Ona has moved to Manchester, you don’t quite think your actions through.

You have had enough. You miss her terribly.

Her number has changed, but someone passes it onto you.

You: I saw that you’re playing Arsenal next week. I’ll be in London then. Do you want to get a coffee?

Ona takes her time replying, but that is only because she wants to delay the inevitable.

Her eyes shine and her hair is damp, but the kick-off had been early and you don’t have anything to do today. You meet her in the carpark, picking her up in a black BMW that’s sleek and shiny and 100% not yours. Her laugh is light and free as she knocks on the driver’s window and juts her thumb out, instructing you to swap.

“I’m not getting in a car that you’re driving,” she declares seriously, though you know she has forgiven you because she would not have agreed to meet if she hadn’t. “Come on, I checked on Maps and there’s a place not too far from here that looks nice. And it’s empty, so don’t worry about the paparazzi.”

“The paparazzi are not after me,” you shut down quickly, not wanting her to think you are a bigger deal than what you are. Successful, yes. Famous? Not so much. “One day it’ll be you worrying about them, when you’re all grown up.”

“I’m twenty-one!”

It comes out so whiny and childish that you burst into a fit of giggles. Ona is proud to have made you laugh.

You don’t kiss her, but you’d like to. Then again, maybe it’s better to just be friends.

#woso x reader #woso #woso imagines #ona batlle x reader #ona batlle #barca femeni #randombush3 #pretend it's not all build up #but it is

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