#first time trying to do a gifset like this

[halosmoon]

A greater woman wouldn't beg

But I looked to the sky and said

[lefthandarm-man]

Steve Rogers // Captain America

and his habit of putting his hands on his belt

[ilkkawhat]

has tumblr been acting strange on desktop for anyone else or am i just cursed

[jinstronaut]

doing this cc wrapped has made me realize just how many of my sets are between 100 - 200 notes. like that's my average notes per set (re: jin a day specifically)

and that's wild all things considered lmao

[ectonurites]

almost 4am can't stop thinking about the meaning of the idiom 'to have blood on [someone's] hands'—to be responsible for a person's death—combined with the fact that Zach is the one we are specifically shown with Daryl's actual blood on his hands (once for real and once in a dream)... Not Josh who had been holding the sword Daryl fell onto, but Zach who took the sword out.

[baltharino]

Since I remade an old post the other day, I thought a comparison would be fun to look at :3 top row: original / original + new edit bottom row: old edit / new edit

[immren]

i need a show to watch but im so picky with shows. #Miserable

[oliviaeatworld]

This is exactly what I love about Echo he’s been through so much and he’s still so caring

tried to fit his entire backstory in tags. sorry for ranting

Echo canonically being sentimental (and a sweetheart)

With his armor, there's also the "For Hevy" memorial, the fact he kept Rex's handprint, and that he put the Bad Batch skull on his armor before he even joined them

Echo holding 99 as he died has always stuck out to me as one of the saddest/sweetest things in TCW (especially since the show rarely actually shows clones mourning/expressing much emotion)

I also noticed that Echo is often the one to mention his brothers by name, and make sure they're remembered. And of course his entire thing about saving his brothers and leaving no one behind. (Also that he turned the call signs into this like nickname/inside joke thing with Omega is so adorable to me ahh)

--

And then there's whatever this is:

Not even a reaction to the name (and we know they are good at implying expression under those helmets)! I know this is old news but it bears saying lol. They had the perfect opportunity here to not only address Echo's loss, but also to honor Fives and the sacrifice he made to discover the chips. A sacrifice which saved Ahsoka, Rex, and now the Bad Batch. This is obviously not the first time Echo and Rex talked about Fives, he knows he's dead (I firmly believe he would not have left the 501st if Fives was still alive), but come on! This did the bare minimum to check the box of 'mention Fives.' How about you cut Wrecker getting attacked by a sarlacc or whatever and give that screen time to show us an actual conversation?

Like I found this bit in an interview:

While the conversation obviously never happened onscreen, Corbett says that doesn't mean it never happened, suggesting the two talked offscreen, saying "For Fives, I imagine that Rex and Echo had that conversation after he was rescued off of Skako Minor, and I know in Season 1 we did have Rex reference Fives on Bracca," adding "So, in my headcanon, they've had many conversations about Fives."

And I'm just like... Jennifer! You don't have to have headcanons, you are literally the writer! Show us!!

(Also he should have gotten his handprint again no I will never let this go)

[creachercrunch]

if i decided to fuck more with channel mixer like. a week ago it probably would've made one gifset i made so much easier but it's okay i will hold this for the future

[iamthekarmapolice]

ok james marsden lovers you were right jury duty is hilarious

[inurnctdreams]

dress - m.l

idol!mark x idol fem!reader

genre: fluff, suggestive, established relationship, one shot, song fic (maybe?? i wouldn’t class it as one but there are references to lyrics and the song inspired the fic so??)

warnings: swearing, very suggestive (grinding, making out, over the clothes stuff but no explicit sex), alcohol, mentions of being tipsy/drunk (mark and reader have been drinking but everything is consensual), pet names (baby, babe, pretty girl, mine/yours, dude (affectionate)), mdni

wc: 3.1k

notes: this entire thing stemmed from this gifset that gave me mark brainrot and made me think of the song dress by taylor swift

you’re pretty sure you’re supposed to be paying attention to the conversation happening in front of you right now. one of the executives for mbc… or was it kbs? whoever it was, they were important in the industry and they were talking at you and your group mates about your latest comeback stage… or maybe next year’s end of year concert that was already in the planning stages? you’d kind of stopped listening about five minutes ago. and it wasn’t your fault, really. you took your career seriously and wouldn’t dream of disrespecting anyone who was showing interest in your group by ignoring them usually, but you’d heard zhong chenle’s signature dolphin laugh across the room and that had been it. he’s here.

it would obviously be absolutely, outrageously scandalous for you to take off mid conversation, make a beeline for the group that had walked in and greet him like you want to. you have some modicum of self control and societal responsibility. and it isn’t a surprise, you knew he’d be here, you’d even gotten updates via text with a rough estimate of when he’d walk in. but you haven’t seen him in person in over three weeks and you’ve been looking forward to this night since the last time he’d kissed you goodbye at your door before sneaking back out of your dorm building to his car. 3am on a tuesday morning had turned out to be the only time the both of you were in the same city and without obligations in months. comebacks, tours, interviews. both of your lives were so hectic, it was difficult enough to get a moment to yourself to breathe, let alone together. now he’s here, in the same room as you, and you can’t do anything about it. the anticipation is killing you.

it hadn’t stopped you from pausing mid sentence when you’d registered his presence, though. disguising it with a cough and a modest apology, you’d finished your words and promptly stopped contributing to the conversation. smiling politely with your best poker face on as you tuned out of whatever was being discussed further and listened out across the room for any sign of him. chenle’s laugh is infectious, so donghyuck’s high pitched giggles soon joined in, audible above the rumble of laughter that had erupted from that corner of the room. but that was it. once the joke had worn off, the usual sounds of casual conversation replaced it, no doubt one of the older members’ doing as they reminded them of their surroundings. the first hour or so of award show after parties tend to be just the thing you’re ignoring: prominent figures in the industry congratulating and backhandedly complimenting idols whilst trying to promote something or take advantage of rookies with less media training by getting them to reveal secrets or agree to things.

once they’ve either gotten what they wanted or given up trying, they make their way out and the real party starts. realising you’re going to get nothing from the indiscernible voices in their direction, you start to work out how long you’ve been here, and how long you have to wait before it won’t be suspicious of you to drag your group over there to greet them. unfortunately, you’re interrupted midway through your mental calculations by something digging into your side. it’s gone before you even register the touch, light and inconspicuous. you glance down momentarily before meeting the eyes of your group mate, amusement dancing in her eyes.

“sorry, i didn’t quite catch that last bit.” your years of experience in the spotlight and exceptional training kick in immediately. you turn back to the middle-aged man in front of you with a practised innocent smile. “what were you saying?”

you smile graciously at the waitress as she hands you a flute of expensive champagne off of the shiny silver tray in her hand. taking a small sip, you school your face into a neutral expression to hide the wince at the acidic taste. you’ve never been much of a fan of the stuff, but it’s always handed out at events so you’ve gotten somewhat used to it in the years you’ve been legally allowed to drink at them. this is your second glass, and yet again you find yourself longing for the boring portion of the night to be over so the alcohol can start flowing more freely. you meet the eyes of your group mate and share a look, she hates champagne too. giggling to yourselves, you almost don’t notice the group of twenty-something boys heading in your direction, led by taeyong.

you’re immediately at full attention, straightening up from the pillar you’d been leaning against and placing your half full champagne flute on the nearest surface as you grin at your friends approaching. it’s almost comical, how the amount of people surrounding you in that moment feels like you’re looking for him in a crowd rather than just among his own group members. but then yuta moves to say hi to your group mate and there he is. god, he looks heavenly. the all black ensemble complimented by silver jewellery, his artfully tousled hair, the hint of gloss that have his lips looking so shiny and kissable it’s taking all of your entire being not to ravish him right here and now in the middle of this crowded room. not that he needs any of it to start up the roaring of butterflies in your stomach or trigger the giddy high you’re feeling. no, mark lee makes you feel like this every time he looks at you. barefaced, old t-shirt and glasses on with a hint of stubble starting to grow in as you sit next to him in the studio. bleary eyed, half asleep and hair sticking up as your phone alarm goes off on his bedside table. hoodie, snapback and face mask hiding most of his face as he slips into your practise room and catches your gaze in the mirror.

“y/n.” and everything just stops. the rest of the room falls away, the roar of conversation as your groups say hi is silenced, all you can see, hear, feel is him. the way he looks you up and down appreciatively that still makes your heart flutter despite it happening every time he sees you. he just has this way of making you feel like you’re the only one his attention would ever be captured by.

“hi, mark.” there’s a smile on your face, and you’re trying to make it your usual polite idol, public appearance smile, but really you have no control and you can feel the corners of your mouth turning up further against your will. you think that if you looked, his would be similar, probably that mischievous half-smirk he does that makes his dimple appear. and you love his dimple, but you’re currently captivated by the lovestruck look in his eyes. in that moment, you’re thankful you’d put your glass down because you would’ve dropped it. your hands shake as you force yourself to hold back from him. your groups are publicly very good friends, having known each other as trainees and debuting within a year of each other. you and mark have been best friends for years, and that’s all it was until the mutual pining hit its peak. there was something so beautiful about being in love with your best friend, with someone who understood how demanding your career was and already knew everything about you and who was still your best friend alongside being your boyfriend. around you, the rest of nct are giving your group mates half-hugs or shoulder nudges, but you don’t move to touch him, knowing you won’t let go if you initiate physical contact.

“y/n!” johnny rips you from your bubble. you have no idea how long you and mark were stood there, staring into each other’s eyes with that look on your faces, but it must’ve been long enough if someone’s intervened. the older idol pulls you into a short hug, but not before leaning down to murmur in your ear. “we know you guys are like, sickeningly in love, but would it kill you to not make it super obvious while there’s still cameras everywhere?”

oops.

“mark!” you whisper. or at least you hope you do, you’re pretty tipsy by this point in the evening. he just laughs, equally inebriated, and continues pulling you down the empty corridor, fingers intertwined. on a scale of zero to having your relationship exposed by dispatch come morning, sneaking off together a mere forty minutes after the industry execs had left the party is probably a solid deniable accusation. not exactly a great idea, but if anyone found out it wouldn’t be the end of the world, just carefully curated excuses in a statement and an earful from management. the first couple of doors he tries are locked, but third time seems to be the charm as you’re pulled into a room and plunged into darkness when the door clicks shut behind you.

“c’mere baby.” and you let go. all the pressure from being around so many people that could ruin your careers with one article, all the stolen glances across the room, all the secret smiles you share, all the patience that had been slowly wearing thin the longer you were in his proximity but not being able to do anything about it. it’s been been building all evening, and the dam finally breaks.

you practically throw yourself into his arms, winding your own around his neck as his wrap around your middle. he holds you to him so tight it hurts a little, but you’re probably slightly choking him with how strong your own grip is. the initial ‘holy shit you’re here and i can touch you without everyone looking’ moment passes and you both relax slightly. he still holds you close but it’s more grounding and comforting than anything. you bury your face into his neck and just let yourself breathe him in. his scent, the underlying notes of mark and home underneath the fancy cologne. the steady, comforting beat of his pulse against you. his arms are your safe place and being held by him makes everything better, even if just a little. you can’t count the number of times you’ve been exhausted or stressed or upset or scared or angry and all he’s had to do is pull you into him. you’ve cried on him, ranted into his chest and listened to him murmur words of encouragement and reassurance and love into your ear. there’s no other place you’d ever want to be. and even when you couldn’t physically be with him, he’s been there on facetime, or phone call, or over text. you’ve done the same for him without hesitation more times than you can imagine. he’s your person, your best friend, your soulmate, your everything, your one and only, your lifeline. you feel him press firm kisses into your hair and smile against his throat, snuggling into him happily.

“missed you.” you mumble. the alcohol in your system is amplifying the giddy feeling that’s thrumming through your entire being. all semblance of public image and self-control come crumbling down in front of him like always until all that’s left is the unguarded, most raw versions of yourselves laid bare for each other. he squeezes your hips and pulls back a little to look you in the eyes. you’ve adjusted to the darkness enough to make out his facial features and that same unfiltered, pure love is staring back at you from earlier but now he’s unabashedly grinning at you and his cheeks are flushed with happiness (and alcohol). his dimple is out in full force as he giggles right back at you. this is your mark, the one reserved for you and you only.

“fuck, you’re so perfect.” he whispers. “wish we could stay in here forever, just us.”

“i know.” you bite your lip, and his eyes zero in on your mouth. “wait, where even are we?”

“i don’t care.” and just as quickly as the wholesome, lovesick feeling had flooded you, the arousal and want flares up, threatening to consume you the second he grabs your face and claims your lips in a kiss that’s anything but gentle. he walks you both backwards until you’re pressed up against the door, gripping the sides of his jacket both for stability and to satiate the overwhelming need to get your hands on him. you whine against his lips as one of his hands slips into your hair and pulls gently, letting your hands roam under his jacket all over his waist and up his chest until they’re holding his shoulders. you use the leverage to push yourself up onto your tiptoes to match his heated, open-mouth kisses with the same carnal energy. he groans, the sound making you shiver and adding to the warmth pooling in your abdomen. the hand that’s not in your hair drops down to slide around you and grab your hip, pulling you even closer so you’re flush against his body. the need for oxygen is beginning to grow, but you’re addicted to the floaty, lightheaded feeling that comes along with it. it soon becomes too much, though, the both of you breathing heavily as you break away for air, but he wastes no time in leaving a trail of kisses down your jaw and neck, each one hotter and more filthy than the last.

“mark.” you whimper, turning your head to the side to grant him more access to your throat. he nips at your pulse point softly, careful not to leave a visible mark, but it makes you gasp and arch into him further all the same.

“my pretty girl.” he pants against your skin. “all mine.”

“mm-hmm.” you agree. “yours.” and you are, fully and irrevocably his in every sense of the word. you thread your own hands into his hair and pull his face back up to kiss him again. you could spend forever kissing him and never be satisfied, never get bored. it doesn’t matter than you know him better than you know yourself, or that you’ve spent hours in this exact same position with him already. there seems to be this endless need inside you for mark lee that started when you met him. you were kids back then, but you always craved his presence, his attention. over the years it’s developed, but the need for him has never wavered, even after he became yours.

“been thinking about this all night, you look incredible.” he confesses between kisses, both hands dropping from around you to wander under your dress and start caressing your thighs. his touch is electrifying, leaving trails of fire in his wake as he slides his hands up to grab your ass and squeeze it. the subsequent jolt of excitement has you whimpering against him and his grip moves to the crease where your ass and thighs meet. he kneads the soft flesh there sensually before squeezing again, and that’s all the warning you get before he lifts you up and presses you back against the door in one fluid motion without even breaking the kiss. you’re quick to wrap your legs around his waist, ankles crossing against his back. not that you think he’ll drop you, it’s never happened before, you just use the leverage to pull him in until you’re happily trapped between the cold, hard surface of the door and your boyfriend’s warm, inviting body. you both groan as his hips roll into yours. whether it was a result of you pulling him in or an intentional movement on his part is unknown, but the way he bites your lip and grinds his crotch into yours again is definitely not an accident. with you now supporting yourself, he’s free to bring one hand up to your chest, groping at your tits through your dress. his hips haven’t stopped moving, and you can feel the way he’s quickly hardening against your underwear. whilst the sensation is incredible, it snaps you out of the trance you’ve been in.

“babe.” you moan. “mark, baby, we can’t.”

“you mean we shouldn’t.” he smirks.

“no, i mean someone is going to notice we’re gone soon, if they haven’t already, and come looking for us.” you counter. he stops moving and looks up at you, the fog of arousal starting to clear from his expression. he sighs exasperatedly, knowing you’re right.

“fine.” he lowers you back to your feet. you know you both probably no longer resemble the perfect idol look your stylists and hair and makeup artists crafted before you decided to sneak off for a tipsy make out session in one of the back rooms, so you feel around for a light switch. your eyes squeeze shut as the room is flooded with light, blinking a couple times to readjust your vision. a giggle escapes you as you take in how adorably disheveled mark looks, hair tousled, collar rumpled and the pink hue of your lipstick smudged around his lips. although, you’re sure you look pretty similar.

you spend a couple minutes making yourselves look presentable again before you rejoin the party. “i should probably go first, give you a couple of extra minutes to calm down.” you tease, eyeing the tent in his pants.

“i bet if i checked, you’d still be soaking wet for me.” he retorts, eyes darkening slightly, sending a flush of heat straight to your core. he’s not lying. you take a deep breath to compose yourself before opening the door and stepping out into the corridor. you turn back to your boyfriend.

“behave.”

“the rest of this party’s gonna be torture, having to watch you go around looking like that.” he looks you up and down appreciatively again, though this time it’s a lot less innocent. you’re so glad that your schedules have calmed down enough to allow you more time together for the next month or so, the last couple months without being able to see him properly have been rough.

“well you can show me how much you like it when we get back to yours, later.”

“i plan to.”

“good. ‘cause i only bought this dress so you could take it off.” you smirk as the door shuts behind you.

“not helping, dude!” his voice is muffled as you begin walking back towards the party, giggling to yourself as you go. “i hate you!”

“no you don’t!”

[kinnbig]

✨ Simple Gif Colouring for Beginners ✨

I wrote up my basic gif colouring process for a friend recently, but a couple of people here mentioned they'd also find it helpful! so, as requested, this is a beginner-friendly walkthrough of the way I colour my gifs :) it's aimed at brand new gif makers with no prior experience with photoshop or photo editing.

when I first started gif making I found colouring and photoshop in general suuuper daunting, so I've tried to simplify everything here as much as possible. hopefully this will be relatively easy to follow and not too intimidating!

a couple of things to begin with:

I'm only talking about colouring here - this is not a full gif making tutorial. I've linked to some of my favourites of those here!

I personally like to make bright, 'clean' looking gifs with vibrant but natural colours, so that is the style of colouring this tutorial is geared towards. most of gif colouring is subjective and about personal taste - the only thing that I'd say is possible to get wrong is skin tones, which I talk about a lot in this guide.

as I mostly gif Thai dramas, most of the advice is geared towards colouring for East Asian/South East Asian skin tones - but the techniques should be fairly universally applicable (and here are some tutorials that talk about gif colouring for other skin tones).

I'm not an expert! I'm not claiming this is the best or the only way to colour gifs - it's just how I do it.

this post is very image-heavy. if the images aren't loading (or the gifs are running slowly or cutting/looping weirdly), then try viewing the post in its own tab (rather than on the your dash or someone's blog) and refreshing the page.

okay, full walkthrough beneath the cut!

contents:

1. intro a. natural gif colouring goals b. very very basic colour theory 2. super simple colouring (the essentials) a. curves b. selective colour (and skin tone correction) c. hue/saturation d. saving and reusing colouring e. another simple colouring example 3. other adjustment layers a. brightness/contrast b. levels c. vibrance d. colour balance e. channel mixer 4. troubleshooting a. curves b. saturation 5. fin!

1. intro

the colouring part of gif making can be super overwhelming, especially if (like me when I first started!) you're completely new to photoshop and/or have no experience with colour theory or photo/video editing.

if you're opening photoshop and making gifs for the first time, I highly recommend getting used to making a few basic, uncoloured gifs to begin with. just to practice, rather than post anywhere (though you can always come back and colour them later if you want) - but it'll make the rest of the process much easier if you're already beginning to get used to working in timeline mode of photoshop. give yourself a bit of time to practice and get a feel for things like how many frames you tend to like in a gif, where you like to crop them for the best loop, what kind of aspect ratio you like etc* - so that you're not trying to navigate all of that for the first time on top of everything else!

* frames: for me between 60-90 frames is ideal, but 40-120 frames is the absolute min-max I'd personally use in a normal gifset loops: for the smoothest loops, try to avoid cutting someone off mid-movement or mid-word if possible. aspect ratio: for full-size (540px) gifs, I tend to go for either 8:5 (slightly 'skinnier' gifs), 7:5, or 5:4 (particularly big, thick gifs lmao)

✨ natural gif colouring goals

part of what can be so daunting about starting gif making is not knowing where to start or what you want to achieve. this is definitely something that gets easier with practice - the more gifs you make, the more you'll get a feel for what kind of look you like and the more instinctively you'll know how to get there. it also helps to see if any gif makers you like have made "before and after colouring" posts - these can help with getting a sense of the kinds of changes made through gif colouring. here's one I made!

in general, I like to make my gifs bright and 'clean' looking, with vibrant but natural colours. these are the things I'm usually hoping to achieve with colouring:

brighten dark scenes

remove muddy, yellowish lighting or filters

saturate colours

correct any skin lightening filters or overexposure

make lighting and colours as consistent as possible between gifs within a single gifset, especially gifsets featuring gifs from multiple scenes/episodes/videos

this guide is focusing on natural colouring, but of course there are many cool ways to make stylised/unnaturally coloured gifs. imo you'll need to master these basics first, but if you want to learn how to do things like change the background colour of gifs or use gradients or other cool effects, then @usergif's resource directory has loads of super helpful tutorials!

✨ very very basic colour theory

[disclaimer! I don't know shit about fuck. I do not study light or art. this is just an explanation that makes sense to me exclusively for the purposes of gif making.]

the primary colours for light/digital screens are red, blue, and green. having all three colours in equal measures neutralises them (represented by the white section in the middle of the diagram).

so to neutralise a colour within a gif, you need to add more of the colour(s) that are lacking.

in practice this usually means: the scene you want to gif is very yellow! yellow is made of red and green light, so to neutralise it you need to add more blue into your gif.

it can also mean the reverse: if you desaturate the yellow tones in a gif, it will look much more blue.

looking at the colour balance sliders on photoshop can make it easier to visualise:

so making a gif more red also means making it less cyan.

removing green from a gif means adding magenta.

taking yellow out of a gif will make it more blue.

tl;dr:

neutralise yellows by adding blue (and vice versa)

neutralise reds by adding cyan (and vice versa)

neutralise green by adding magenta (and vice versa)

2. super simple colouring (the essentials)

starting with a nice sharpened gif in photoshop in timeline mode. (these are the sharpening settings I use!)

some scenes are much harder to colour than others - it helps to start out practising with scenes that are bright/well-lit and that don't have harsh unnaturally coloured lights/filters on. scenes with a lot of brown/orange also tend to be harder.

I usually save a base copy of my gif before I start colouring just in case I end up hating it, or find out later that it doesn't quite fit right into a set and need to redo it etc.

so here is my base gif!

it's an okay gif, but it has a bit of a yellow tint to it that I want to reduce.

colouring is easiest to do in adjustment layers, which can be found under layer -> new adjustment layer - or for me they are here:

there are lots of different types of adjustment layers that do lots of different things - but for me the absolute essentials for colouring are curves, selective colour, and hue/saturation.

I also use brightness/contrast, levels, exposure, vibrance, colour balance, and channel mixer sometimes, depending on the gif - but I use curves, selective colour, and hue/saturation on every single gif.

✨ curves layer

the first thing I always do is a curves layer. when you first open one it will look like this:

first I usually click the ‘auto’ button, just to see what happens. sometimes it makes a big difference (it usually brightens the gif a lot) - but on this gif it didn’t do much.

if it had made the gif look nicer then I would have kept it and added a second curves layer on top to do the rest of these steps.

the next step is selecting the white and black points with the little eyedropper tools.

the bottom eyedropper lets you pick a white point for the gif. click somewhere super light on the gif to see what happens - for this gif, I clicked on the lampshade on the left. if it looks weird, I just undo it and try somewhere else - it usually takes a few goes to find something that looks good.

here's what that did to the gif:

then I pick the top eyedropper and use it to pick a black point by clicking somewhere really dark, again playing around until I find a black point that looks good.

here's what the gif looks like after picking the white and black points:

this can take some experimenting, but you can make super easy drastic changes to your gif just with this. in this case, the curves layer took out a lot of that yellowy tint.

and this is what the curves graph looks like now:

you can click and drag those lines to make further changes if you want - I usually leave them alone though. the colours of the lines indicate which colours have been changed in the gif - for example, you can see from that steep blue line on the graph that blue has been added to neutralise those yellows.

next I usually do another curves layer and just press the ‘auto’ button again to see what happens. usually it brightens the gif a bit more, which I like.

‼️if nothing is working: usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :( the troubleshooting section at the end goes over some options, including starting with a levels layer instead.

✨ selective colour (and skin tone correction)

skin tones are made up of a mixture of yellow and red.

removing yellow (or adding blue or red) to a gif will make the skin-tones too red - and removing red (or adding cyan or yellow) to a gif will make the skin-tones too yellow.

adding blue to this gif with the curves layer took out the yellowy tint, which I wanted - but it also took the yellows out of Kim's skin tone, which I don’t want. so I need to put yellow back into the skin tones specifically - without putting it back into the rest of the gif.

selective colour layers let you select an individual colour and adjust the levels of other colours within that colour. you can change how yellow the green shades are, or how much cyan is in the blues, for example.

I need to add yellow back into the red tones to correct the skin tones on this gif. this is the case for most gifs in my experience - the vast majority of the time, unless a scene is very heavily tinted in another colour, a curves layer will add blue/remove yellow.

in the 'colors' dropdown, select the 'reds' section and drag the 'yellow' slider higher - this will add more yellow into just the red shades within the gif.

the amount of yellow you need to add back into the reds depends on how much yellow was taken out of the gif initially - I just play around with the slider until it looks right. if you're not sure, it helps to have some neutrally-coloured (not white-washed!) reference photos of the people in your gif to compare to.

here's the result. Kim's skin is a lot less pink toned and much more natural looking:

✨ hue/saturation

this adjustment layer lets you adjust the hue and saturation of the gif as a whole, and also of each colour individually.

I don't use the hue or lightness sliders unless I'm trying to do something more complicated with the colouring.

clicking the dropdown menu that says 'master' lets you edit the saturation of each colour individually. this is useful if your gif is still super tinted in one colour.

I thought the yellows on this gif were still slightly too bright, so I switched to the yellow channel and desaturated them slightly. (remember if you do this then you need to go back to selective colour and add more yellow into the red skin tones to balance out the desaturation!)

then I increased the 'master' saturation of all the colours to +5:

I usually find the right amount of saturation is somewhere between +5 and +12, but it depends on the gif.

‼️if the gif feels undersaturated, but the saturation slider isn't helping/is making the colours worse, try a vibrance layer instead.

done!

✨ saving and reusing colouring

you can copy and paste adjustment layers between gifs to make your colouring even across each of your gifs for one scene - so if you're making a set of multiple gifs of the same scene, or you think you might want to gif the same scene again in the future, you can save it as a psd so you can reuse the colouring again later.

each gif's colouring will then still need tweaking - different cameras/angles/shots of the same scene can still start out with slightly different colouring.

I recommend uploading the gifs as a draft post on tumblr so you can see what they all look like next to each other and catch any inconsistencies.

✨ another one! (speedrun!)

HI KEN!

the white point for the curves layer was in the window behind them.

the curves layer removes the muddy yellow tint, but again it makes their skin tones (especially Ken's) very red toned, which is adjusted by the selective colour layer.

3. other adjustment layers

imo many many gifs can be coloured really nicely with just those three adjustment layers, but some need different adjustments.

✨ brightness/contrast

pretty self explanatory!

I personally usually avoid using the 'brightness' slider because I rarely like the effect - I only tend to use the 'contrast' one. 

the 'auto' button is sometimes useful though, especially if you’re struggling with the curves layer.

✨ levels

levels alters the white and black points of the gif, like curves - but unlike curves it doesn't also alter other colours.

use the sliders beneath the graph to alter how dark/light the gif is. you can slide the black slider further to the right to make the blacks darker, and the white slider to the left to make the whites lighter.

levels is a good place to start if your curves layer isn't working.

(I'm going to hit the image limit for this post lol so here are some screenshots of a table I made to demonstrate this rather than actual gifs. sorry!)

on both sides, I dragged the sliders up to where the big jumps are on the graph - this is usually a good place to start!

✨ vibrance

vibrance... makes the colours more vibrant. it's more subtle than saturation.

it's really helpful for gifs that feel grey. sometimes adjusting saturation just makes the greys kind of weirdly tinted, but a vibrance layer can fix that.

vibrance is much more subtle!

✨ colour balance

colour balance affects the overall balance of colours within a gif.

it's good for scenes with heavy tints.

I tend to stick to the 'midtones' dropdown, but you can also alter the colour balance within the shadows and highlights if you want.

✨ channel mixer

I avoided channel mixer for such a long time because it scared me. but it's great for scenes that are very heavily tinted in one colour.

basically, it works with the levels of red, green, and blue within a gif. you select an output colour and then play around with the levels of the colour you selected within each other colour.

kind of the reverse of selective colour?

so in the 'blue' channel, the levels of blue are at 100%, and the levels of red and green are at 0% - but you can impact how much blue is in the reds and greens and blues.

this tutorial explains it well - but imo the best way to get to grips with channel mixer is just to play around with it a bit (sorry)

(when I made this guide for my friend, I also made a slightly more complicated gif colouring walk-through that included using channel mixer. there isn't space to include it within this post, but if anyone is interested I could always upload it as an 'intermediate' gif colouring tutorial - lmk!)

4. troubleshooting

‼️curves

usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :(

for example, with this base gif:

using many of the brightest points as a white point turn it wacky colours, like this:

yikes :(

some options for these cases:

try brightening the gif first with the 'auto' button on the curves layer or with a levels layer. having a brighter gif to start with can give you better options for picking a white point.

try finding an alternate, whiter/brighter white point. look for places the light reflects - on this gif, using the light on Porsche's cheekbone works well as the white point. it also helps to find places that would be white if the scene wasn't tinted - the lightest part of a white shirt is often a good place to start, for example.

skip the curves layer, and instead use a levels layer to alter your white/black points, and colour balance or channel mixer to balance the colours.

‼️over/undersaturation

if your gif (especially the skintones) is looking a little washed out or lifeless, it might be undersaturated. boost that saturation - or if that's not working, try a vibrance layer.

oversaturation is often easiest to spot in the mouths and ears of any people in a gif. if the mouths are looking unnaturally, vibrantly red, then you've gone too far with the saturation.

5. fin!

and done! I hope this was coherent helpful to somebody.

if there's anything that I've missed or that doesn't make sense pls feel free to shoot me an ask or a message and I'll do my best to help! I've also collated a bunch of additional reading/resources below.

happy gifmaking 🥰

✨ some links!

photoshop basics by @selenapastel

gifmaking for beginners by @hayaosmiyazaki

gifmaking guide for beginners by @saw-x

dreamy's gif tutorial by @scoupsy-remade (includes instructions on how to blur out burned-on subtitles or annoying video graphics)

beginner's guide to channel mixer by @aubrey-plaza

how to fix orange-washed characters by aubrey-plaza

colour correcting and fixing dark scenes by @kylos

does resampling matter? by usergif

how to put multiple gifs on one canvas by @fictionalheroine

watermarking using actions by @wonwooridul

resource directory by @usergif

[damienns]

My GIF Making process: Screen capturing using MPV player, Organizing files, 3 Sharpening settings, Basic Coloring PSD + Actions set

This is a very long post so heads up.

I’ll try to be as thorough and true as much as possible to the way I make my gifs (I already use Photoshop Actions which I’ve long since set up but now for this tutorial I’m reviewing them to show you the exact steps I’ve learned to create my gifs 😃) and present them to you in a semi-coherent way. Also, please bear with me since English is my second language.

First things first. Below are the things and tools we need to do this:

Downloaded 4K or 1080p quality videos (let’s all assume we know where to get these—especially for high definition movies and tv series—so this post doesn’t get removed, okay? 😛)

Adobe Photoshop CC or the CS versions can work as well, but full disclosure I haven’t created gifs using the CS versions since 2020. I’m currently using Adobe Photoshop 2024.

mpv player. Use mpv player to get those frames/screenshots or any other video player that has a screen grabber feature. I’ve used adapter for the longest time but I’ve switched to mpv because the press to screenshot feature while the video is playing has been a game changer not to mention ultimate time saver for me. For adapter you need to play it in another video player (like VLC player), to get the start and end timestamps of the scene you want to gif which takes me ages before I can even open Photoshop.

Anyway! Please stop reading this post for a moment and head over to this amazing tutorial by kylos. She perfectly tells you how to install and use mpv player, both for Mac and Windows users.

One thing I have to share though, I had a tough time when I updated my MacOS to Sonoma since MPV is suddenly either duplicating frames or when I delete the duplicates the player seems to be skipping frames :/ I searched and found a solution here, though it didn’t work for me lol. My workaround for this in the meantime is decreasing the speed down to 0.70 then start screenshotting—it’s not the same pre Sonoma update but it works so I’ll have to accept it rather than have jumpy looking gifs.

Now, after this part of kylos’ tutorial:

you can continue reading the following sections of my gif tutorial below.

I want to share this little tip (sorry, this will only cater to Mac users) that I hope will be helpful for organizing the screenshots that MPV saved to the folder you have selected. Because believe me you don’t want to go through 1k+ of screenshots to select just 42-50 frames for your gif.

The Control + Command + N shortcut

This shortcut allows you to create a new folder from files you have pre-selected. As you can see below I have already created a couple of folders, and inside each folder I have selected screenshots that I want to include in one single gif. It's up to you how you want to divide yours, assuming you intend to create and post a Tumblr gifset rather than just one gif.

Another tip is making use of tags. Most of, if not all the time, I make supercorp gifs so I tag blue for Kara and red (or green) for Lena—just being ridiculously on brand and all that.

Before we finally open Photoshop, there's one more thing I want to say—I know, please bear with me for the third? fourth? time 😅

It's helpful to organize everything into their respective folders so you know the total number of items/frames you have. This way, you can add or delete excess or unnecessary shots before uploading them in Photoshop.

For example below there are 80 screenshots of Kara inside this folder and for a 1:1 (540 x 540 px) Tumblr gif, Photoshop can just work around with 42-50 max number of frames with color adjustments applied before it exceeds the 10 MB file size limit of Tumblr.

Sometimes I skip this step because it can be exhausting (haha) and include everything so I can decide visually which frames to keep later on. You'll understand what I mean later on. But it's important to keep the Tumblr 10 MB file size limit in mind. Fewer frames, or just the right amount of frames, is better.

So, with the screenshot organization out of the way, let's finally head over to Photoshop.

Giffing in Photoshop, yay!

Let’s begin by navigating to File > Scripts > Load Files into Stack…

The Load Layers window will appear. Click the Browse button next.

Find your chosen screenshots folder, press Command + A to select all files from that folder then click Open. Then click OK.

After importing and stacking your files, Photoshop should display the following view:

By the way, I'll be providing the clip I've used in this tutorial so if want to use them to follow along be my guest :)

If you haven't already opened your Timeline panel, navigate to Windows > Timeline.

Now, let's focus on the Timeline panel for the next couple of steps.

Click Create Video Timeline, then you’ll have this:

Now click the menu icon on the top right corner then go to Convert Frames > Make Frames from Clips

Still working on the Timeline panel, click the bottom left icon this time—the icon with the three tiny boxes—to Convert to Frame Animation

Select Make Frames From Layers from the top right corner menu button.

So now you have this:

Go and click the top right menu icon again to Select All Frames

Then click the small dropdown icon to set another value for Frame Delay. Select Other…

The best for me and for most is 0.05 but you can always play around and see what you think works for you.

Click the top right menu icon again to Reverse Frames.

I think Photoshop has long since fixed this issue but usually the first animation frame is empty so I just delete it but now going through all these steps there seems to be none of that but anyways, the delete icon is the last one among the line of feature buttons at the bottom part of the Timeline panel.

Yay, now we can have our first proper GIF preview of a thirsty Lena 😜

Press spacebar to watch your gif play for the very first time! After an hour and half of selecting and cutting off screenshots! 😛 Play it some more. No really, I’m serious. I do this so even as early (lol) as this part in the gif making process, I can see which frames I can/should delete to be within the 10 MB file size limit. You can also do it at the end of course 🙂

Now, let’s go to the next important steps of this tutorial post which I’ve numbered below.

Crop and resize to meet Tumblr's required dimensions. The width value should be either 540px, 268px, or 177px.

Convert the gif to a Smart Object for sharpening.

Apply lighting and basic color adjustments before the heavy coloring. I will be sharing the base adjustments layers I use for my gifs 😃.

1. Crop and Resize

Click on the Crop tool (shortcut: the C key)

I like my GIFs big so I always set this to 1:1 ratio if the scene allows it. Press the Enter key after selecting the area of the frame that you want to keep.

Side note: If you find that after cropping, you want to adjust the image to the left or another direction, simply unselect the Delete Cropped Pixels option. This way, you will still have the whole frame area available to crop again as needed and as you prefer.

Now we need to resize our gif and the shortcut for that is Command + Opt + I. Type in 540 as the width measurement, then the height will automatically change to follow the ratio you’ve set while cropping.

540 x 540 px for 1:1

540 x 405 px for 4:3

540 x 304 px for 16:9

For the Resample value I prefer Bilinear—but you can always select the other options to see what you like best.

Click OK. Then Command + 0 and Command + - to properly view the those 540 pixels.

Now we get to the exciting part :) the sharpen settings!

2. Sharpen

First we need to have all these layers “compressed” intro a single smart object from which we can apply filters to.

Select this little button on the the bottom left corner of the Timeline panel.

Select > All Layers

Then go to Filter > Convert for Smart Filters

Just click OK when a pop-up shows up.

Now you should have this view on the Layers panel:

Now I have 3 sharpen settings to share but I’ll have download links to the Action packs at the end of this long ass tutorial so if you want to skip ahead, feel free to do so.

Sharpen v1

Go to Filter > Sharpen > Smart Sharpen…

Below are my settings. I don’t adjust anything under Shadows/Highlights.

Amount: 500

Radius: 0.4

Click OK then do another Smart Sharpen but this time with the below adjustments.

Amount: 12

Radius: 10.0

As you can see Lena’s beautiful eyes are “popping out” now with these filters applied. Click OK.

Now we need to Convert to Frame Animation. Follow the steps below.

Click on the menu icon at the top right corner of the Timeline panel, then click Convert Frames > Flatten Frames into Clips

Then Convert Frames > Convert to Frame Animation

One more click to Make Frames From Layers

Delete the first frame then Select All then Set Frame Delay to 0.05

and there you have it! Play your GIF and make sure it’s just around 42-50 frames. This is the time to select and delete.

To preview and save your GIF go to File > Export > Save for Web (Legacy)…

Below are my Export settings. Make sure to have the file size around 9.2 MB to 9.4 MB max and not exactly 10 MB.

This time I got away with 55 frames but this is because I haven’t applied lighting and color adjustments yet and not to mention the smart sharpen settings aren't to heavy so let’s take that into consideration.

Sharpen v1 preview:

Sharpen v2

Go back to this part of the tutorial and apply the v2 settings.

Smart Sharpen 1:

Amount: 500

Radius: 0.3

Smart Sharpen 2:

Amount: 20

Radius: 0.5

We’re adding a new type of Filter which is Reduce Noise (Filter > Noise > Reduce Noise...) with the below settings.

Then one last Smart Sharpen:

Amount: 500

Radius: 0.3

Your Layers panel should look like this:

Then do the Convert to Frames Animation section again and see below preview.

Sharpen v2 preview:

Sharpen v3:

Smart Sharpen 1:

Amount: 500

Radius: 0.4

Smart Sharpen 2:

Amount: 12

Radius: 10.0

Reduce Noise:

Strength: 5

Preserve Details: 50%

Reduce Color Noise: 0%

Sharpen Details: 50%

Sharpen v3 preview:

And here they are next to each other with coloring applied:

v1

v2

v3

Congratulations, you've made it to the end of the post 😂

As promised, here is the download link to all the files I used in this tutorial which include:

supercorp 2.05 Crossfire clip

3 PSD files with sharpen settings and basic coloring PSD

Actions set

As always, if you're feeling generous here's my Ko-fi link :) Thank you guys and I hope this tutorial will help you and make you love gif making.

P.S. In the next post I'll be sharing more references I found helpful especially with coloring. I just have to search and gather them all.

-Jill

[ravensmadreads]

Unhinged totally unasked for thots about Riding Pedro Boys

Authors Note: So this came from me chugging entirely too many energy drinks and then projectile vomiting in Taylors inbox. I'd like to warn you that: English isn't my first language, I have never written smut before, I'm not a real writer, and also I'm trash goblin levels of unhinged about this. That being said; Enjoy and uhh. Forgive me Fandom

JAVIER PEÑA

Javier Pena doesn't let you do it.

Don't @ me LISTEN! (YES I STARTED OFF WITH A CONTROVERSIAL THOT FUCKING BITE ME.)

That man does not have the time, or the patience, or the good sense (the sense is at the other end) to let you ride. He needs the control okay? And sometimes it's not even about the control ! It's the frustration. It piles and piles and piles until he snaps. He needs to do. He will bend you over and work his frustration away until he has had enough and you let him because he needs it. (And lets be real he makes it worth your while every single time)

BUT. When he finally fucking retires, and gets a ranch, and breaths air not tinged with the smells of death, cigarettes and guns for the first time in however many years, and maybe drinks some fucking water, he takes you out on a date. He fumbles through the entire thing, panics because he thinks he blew it, still manages to get you home, gets ridden for the first time in like 6 years, and can't walk straight for an entire day and stammers every time someone asks him why.

JAVIER GUTIERREZ

Javi G loves it. He loves watching you. Gets all puppy dog wide eyed (remember the pool scene face??? Thats it.) and you have to really focus because his look of straight up wonder and awe and bright eyed eagerness makes you want to cry. He's panting like he's running a marathon, running his big hands EVERYWHERE he can reach. He makes you feel worshipped and adored and so very very loved. Thanks you after. For being so amazing, and so wonderful to him, and thanks the universe that he found you. Cause he's sap. You definitely cry after.

JOEL MILLER

(Watch me be controversial again) Joel is fucking tired okay? He has old man bones and creaky joints and his back is achy. Patrol was agony, Jesse wouldn't shut up the entire time, and Tommy was giving him shit, and he has no energy to drill anyone into the mattress (as much as we all want him to). He's just plain tired. He likes you on top. Likes it slow (like a roast chicken on a sunday slow). Enjoys the gradual build up, likes to lean back, watch with half open eyes as you take your time. Wants to indulge in something beautiful at the end of the world, and that something is you. He makes sexy grunting noises, mutters a whole lot of praise ~and filth~ and just y'know. Savours it. 🫠🫠🫠 savours you. 🫠

DIETER BRAVO

Dieter is a maniac. (Leave him alone he has adhd!!) He can't still still for the life of him so you best believe he changes positions 6 times and the only way you're getting to ride is if you're also putting some weight elsewhere. To hold him down! You squeeze his neck once and he MELTS. INSTANTLY. Loses all sense. Starts babbling and whimpering and making extremely pathetic noises. Will definitely buck up and whine. PRAISES YOU. BEGGING. LOUD NOISES.

MAX PHILLIPS

Max is a heathen. He just likes watching you bounce. That's it. That's the post :p

MARCUS PIKE

Marcus P is a romantic. He will be doing the whole "lean forward and try to get kisses in between" while also "moaning and maintaining eye contact" and he's holding you so tight , squeezing your sides and also muttering declarations of love. About how he wants a life with you, and a family, and a home, and a future. How he's going to "make you so happy baby, I promise I will, I swear to you". Doesn't let you off for from on top of him for atleast a half hour after; kissing all over your face and rubbing your back and petting your hair "I meant all of it sweetheart. I want all of you." shsbzgwgsvsg ilovehimsomuch and I've only ever seen gifsets of this man what is wrong with me

MARCUS MORENO

Marcus M is A MENACE. He wears his stupid glasses, and has his stupid shirt off, while he does stupid taxes/meeting plans in bed. You keep throwing side glances and getting increasingly wound up and he just has this gentle smirk but he's mostly ignoring you. You sidle up to him and maybe start kissing his jaw, laying gentle pecks down his neck, and he's still fukcungh working "Baby. I need to finish this. I'm sorry, you need to wait." But that smirk is still there and it's driving you crazy and maybe you keep kissing until you reach his *coughs* and then you're working on getting him interested. You can still hear the fucking pen scratching though and so you go deeper, and he raises an eyebrow. "be good now honey" You're settling in his lap and he has you sitting there until he has finished his paperwork with you whimpering and trying not to squirm because you want to be good you really do and you know he'll make it so much better but he feels so good and when he's finally finally done you get to move but you're so wound up you can't pull yourself together enough to find a rhythm and you're nearly in tears and he has to grip your sides and murmur instructions in your ear and help you until you're satisfied and just when you think he's done, and about to flip you over, he adjusts his grip and starts moving from underneath you until you're crying and he's finished ~which doesnt happen until you've come 2 more times~

DAVE YORK

Dave. Oh my gosh Dave. Dave is a strict dom if ever there was one. With him it's a punishment. He'll tell you to hold off until he's done which is freaking impossible with how deep he gets, and how he likes to warm up his hands on your butt while you're trying desperately to hold onto that last thread of control. He is muttering absolute filth, holding your arms behind your back with one hand while the other is either laying smack after smack or rubbing you furiously all the while he's got the smuggest look. "Don't you dare baby. Be a good girl now. Listen and obey for once". But you can't because he's not fair and he knows it. And when you do finally fall apart he's clenching his teeth trying to hold back himself and his hands are holding you up as you gasp his name like it's the only word you know. He's running his hands down your back and kissing you softly and helping you catch your breath and when you finally get your heart to stop pounding and look up at him, he's watching you with this dangerously soft smile and he goes "oh you're in for it now aren't you honey?" and kisses your forehead while you try not to whimper.

FRANKIE MORALES

Frankie is a soft boy. He loves it. Craves it. He loves giving up control. Wants you to tie him up and have your way until he has no thoughts left in that pretty little head. He is swearing like an absolute sailor the entire time, calling you ma'am, begging to be released so he can kiss you and touch you, absolutely nearly breaks the head board once he was so desperate. Wants to be edged but also is the biggest WIMP about it. Will pout and swear and beg and plead but then want you to deny him again. Will definitely be mumbling absolute nonsense once you're done. Needs all the aftercare. Blushes pink when he gets it. Wraps himself around you like a HUGE koala bear after. ~and returns the edging favour 3 times over when he gets in his Captain Francisco Morales Mood~

JACK DANIELS

BONUS TWO I KNOW NOTHING ABOUT and tumblr won't let me put gifs for:

Jack makes every single cowboy joke known to man. You have to put your hand on his mouth to get him to shut the hell up. His eyes get all glassy when you do. He puts his hat on top of your head and busies himself in your neck (dual benefits: A. He shuts up and B. HICKIES) will definitely drag you on top of him in his Bronco (he likes to show off) will pull up on the side of the road almost 70% of the times you drive together. Bites you over your clothes. Loves the way you grab desperately at this leather jacket. Definitely makes you bend over and 'clean up the mess sugar' before driving like the hounds of hell are after him all the way back home and doing it all over again because "we gotta make you a mama now love"

PERO TOVAR

Pero got married after he came back and retired as a sell sword. His wife is a soft but sassy thing who's a little (read: not at all, she returns his snark twice over) intimidated by him but also thinks he's a good man because he saved her village from raiders. She has seen him grumble and snark at but then also share his food with the orphans who works at the village inn. She's inexperienced (let me live my victorian life) and he doesn't really think he deserves her but also he's not so much an idiot to say no to someone like her. She's the village "healer" and he met her when he got stabbed by one of the raiders (arm wound: not serious.) He has to teach her. She gets shy and flustered, which is a total 180 from her sassy self, and Pero loves it. She makes the most amazing sounds that have him thinking that maybe he did something right in his life to end up in her arms. She wants to please her new husband and asks her married friends for advice and they tell her about this new position. So she asks him, stuttering and tripping over words, if she could try something she heard about? From a friend? She straddles him and Pero loses his mind. He's closing his eyes and clenching his jaw so hard and she's whimpering in the most DELICIOUS way and he's trying so hard to hold back and let her take her pace and she's so worried "am I not doing it right?" Pero has to take 3 deep breaths before he's centred enough to answer and then he helps her. Puts his hands on her hips to guide her. Puts one of her hands on his shoulder "steady now pequenita" and puts the other low on her belly and presses in so she can feel him. Loves the way she cries out. Bends forward to leave little marks everywhere he can reach. She's scrambling at his chest, leaving nail marks he loves, and finally grabbing his hair and pulling until he groans. And when they're both done and sated and sweaty he kisses her, looks her in the eye and winks. "I'm going to have to go thank your friend now, mi esposa."

DIN DJARIN

Din and you dont have time. The razor crest is finally in hyperspace, you got shot at for the 50th time in 2 weeks, (because Murphys Law seems to be the only law Mando never breaks), you're exhausted, sweaty, and the giggly green monster of chaos only made you chase him down from the top of a weapons cabinet twice before he finally decided to take a nap. You're frustrated, and in desperate need of a shower, and a nap, but also you can't get the image of Mando fighting out of your head. Before you know it, the hormones have taken over and you're attacking him in the pilot seat. The bucket is off (I refuse to look at my own reflection in the tin cans helmet while we do the do), he's got you arching into him, your shirt is half torn from the top because Din refuses to wait for "so many fucking buttons Meshla" the gloved hand is squeezing the back of your neck, his mouth is on your chest, his other hand (you only managed to get one glove off) is splayed out on your back. You're riding him like you're trying to break him and his thigh holster? thing (do i look like i can figure out what they're called?) is digging marks into your skin but you're too turned on to care. It's frantic, it's messy, you're PRAYING the tiny green menace stays asleep as you do your best to muffle your sounds. The refresher isn't big enough for a round two, (you still do your best), and your legs feel like jelly, when you finally pass out; curled up on top of the human space heater while he hums Mando'a in your ear.

*****

TAGGING: @chronically-ghosted (you are a menace but ily)

@fuckyeahdindjarin (here I go trying that writing thing again, stop me pls)

[variousqueerthings]

okay I watched good omens s2 yesterday with my partner, and I was genuinely very surprised -- I think if you've grown up through superwholock/merlin/the 100/teen wolf type shows where (with the exception periodically of doctor who) you kind of had to make up the good show that something could have been in your head, that colours a lot of your viewing, and to be honest I thought season 1 of good omens was a fine little piece, honoured the book while modernising it somewhat, it was a nice, fun, low stakes time, with a couple of things I might have wanted a tad different but nothing overall awful.

so I was seeing all this meta and gifsets and discussion, while I was waiting to give s2 a watch with my partner and thought "ah, people have made up the good show in their heads again" not that I assumed s2 was going to be a bad show, but that people were taking extra deep plunges into possibilities, the way fandom does, and that was fine. I knew there was a big ol kiss, I had a sense of some kind of argument at the end, and that it was setting up a s3

I also knew that mainstream reviews were calling it (politely) self-indulgent and dependent on whether or not you enjoy david tennant and michael sheen having a good time for just under 6 hours

all in all, expectations of a somewhat mainstream show without too much to think about, a nice, fun low stakes time, moving on...

(EDIT: AND THEN I WROTE A LOT OF WORDS SO YOU CAN IMAGINE THAT MY REACTION WAS QUITE DIFFERENT)

as it turns out it seems these things that were being written on tumblr were discussing the actual text of the show and not things you could extrapolate if you squinted and tilted your head a little to the left as I'm so used to doing, so in fact there is much to think about!

and my first thought was "this is like when you read early discworld books that ask a question like a joke, only to find that over time the answer to that question becomes very serious (and also can be funny at times of course)." how terry pratchett would pick and pick at tropes and notions and social ideas and go "oh now hold on, this seems strange..." starting way back when he thought it was odd that women warriors always seemed to be dressed in metal bikinis and then realising he hadn't done a good enough job of subverting the trope, simply by depicting it and calling it a bit silly

why do goblins always get treated as the villains? what's with this divine succession of kings business? where are the female dwarfs? who do we treat as disposable?

good omens season one went: "haha what if heaven and hell were intensely incapable, bureaucratic, corrupt, and uncaring of the work they did, and we took an angel and a demon and had them actually care? wouldn't that be... a bit silly?" (and it was)

good omens season two went: "what are the consequences for caring when the people who have power over you are incapable, bureaucratic, corrupt, and uncaring? what are the forces that supersede systems built on fear, ignorance, and violent conformity? can people change and break out of/challenge/break down these structures by caring?"

and this was set up with a neat little sleight of hand (to reference aziraphale's switch-and-bait in the episode with the nazi zombies), because the majority of season 2 does feel a bit indulgent: hey, remember those two wacky angel-and-demon characters? watch some more wacky things they did through the ages, watch them take a sojourn through 1827 Edinburgh and do a magic show during the Blitz, and... stop the death of Job's and Sitis' children (actually maybe that whole segment ought to have been what they call "A Clue")

see them try to figure out a kooky mystery, all the while setting up a cute little same-gender romance on their street. watch as everything points towards a happy ending that's all about the two of them realising what they've been to one another all these thousands and thousands (and thousands and thousands) of years- but hold on. lest we forget - and the show has made this point over and over - there are powerful people who control them, who hurt them, and who plan on hurting others, throughout the whole season, and as it turns out they know what they've been to one another for far far longer, and know how to pull their strings...

season 2 then, has to show us these things, not because they're indulgent (well, maybe occasionally, but the apology dance is still important), but because in order to make the ending a tragedy, we first need to understand, properly, the impact that they have had on each other. we need to understand that Aziraphale relied heavily on Crowley to be his moral compass and leaned on black-and-white thinking in order to deal with things, because if it's all grey then where does he fit and what has it all meant and heaven has to be the good guys, even as Job's and Sitis' children are ordered to be killed, it's all he ever had...

and Crowley was always an anchor, needed to trust that Aziraphale was different, needed to bend to every whim that Aziraphale has, because otherwise what's his worth in all this? After having been already deemed worthless by the heaven that Aziraphale needs to believe in?

and that, simplistically described, is the narrative that we're seeing in s2, and alongside that the ways that the changes they have upon each other are noticed, and monitored, and placed under suspicion, and finally... broken up, not by the clumsy, brute force that's been attempted over and over again, but by a promise to return into a violent, controlling system and to "make it better from within"

and all of this is wrapped up in two queer relationships + a third queered-within-the-text relationship that creates the inverse of how it ends for Aziraphale and Crowley (so far). queer love -- whatever shape that has -- is explicitly the shape of non-conformity within this narrative, including within the symbolism of angel-and-demon love of Gabriel and Beelzebub, which in the context of the systems created is considered queer (and one can argue till the cats come home about casting cis actors, about angel-and-demon notions of gender/romance/sexuality, but the "queerness" comes from building something non-conforming to the systems they exist in), and enforced by the explicitly our-world-definition-of queer romance that Nina and Maggie have going on (which, while less high stakes, still contains the background controlling relationship that Nina initially is in)

all of this to say, that I disagree that s2 meanders, or that plotlines happen for the sake of showcasing Aziraphale and Crowley without purpose, or that characters get sidelined (I'd say it sets up a whole host of interesting characters to further get into actually), or that it's strictly mainstream easy-access narrative that's just an excuse for the main creators and actors to get back together.

the love is the point, and this show takes its time to show the love (and the unequal boundary-setting, and the fact that one of them has an undiscussed tragic backstory, and the desperation to belong again, and the fear instilled by oppressive systems, and and and), so that we understand why those last 15 minutes happen the way that they do

it's sleight of hand, and like all good magic, you don't notice until it's happened

[galedekarios]

plagiarism in the bg3 fandom

disclaimer: this post should not be taken as a springboard to harrass anyone involved.

-

as i've stated previously, i didn't want to make this post because i have a lot going on in real life, but i have been watching this being done to others and myself for months now and i can't not speak about my experience anymore.

laiostoudenn (prev urls: lathanderr/spellbooking/wizardblood) is a plagiarist and he has a history of stealing from other creators like @minthara, @mercymaker, @onewingedangels and others.

in this post, i, finally and after much and long deliberation, want to add my voice to theirs.

i'll try to give a chronological overview of what happened as i have come to experience it, through others and myself, and as condensed as possible and to make it easier for myself to tell:

the story

i became aware of this new blog after he @ me and he messaged me. he's been following me. i was slow to engage because i have a lot of things going on in my real life that cost me a lot of energy during the day. i have also grown cautious of too quickly becoming close to strangers online. i became aware, however, that he had been doing this with multiple bigger creators in this space, like my friend @hawke, who is also a creator in the bg3 space, and who has experienced the same behaviour. they asked me if i knew him and i replied that i did not.

that was it for me at that point and i didn't engage much beyond that because i didn't know him and i thought nothing of it - until later.

during that time, whenever i saw his creations pop up increasingly, either in the tags or on my dash, i noticed more and more that they looked familiar to the works of others, from @minthara, to @mercymaker, to @onewingedangels and other creators, including myself.

it was then confirmed that i wasn't simply imagining things when, months ago, two creators were brave enough to speak up about the fact that he has been plagiarising gifsets and edits from them:

@minthara and @mercymaker:

@onewingedangels original set posted on 31st december 2023:

his set posted on 29th january 2024 (now deleted):

this was done without consent, and after he had already copied prior sets from @onewingedangels.

i would greatly recommend reading the posts shared above, and looking at the examples provided in it, so that you get a clear picture of what's happening here. it's not one isolated incident.

if you take a look at the notes in the post, you can also see other creators speaking about their experiences.

@minthara has recently also uploaded a google docs with the screenshots of the sets stolen from them because they either have been deleted, or lead to nothing due to now multiple url changes.

i was made aware today that he, following the first posts detailing @minthara and @mercymaker's experiences, apologised at first and admitted to what he's been doing on 31st march 2024:

but sadly, this wasn't to last, and the opportunity to learn and grow wasn't taken.

instead what happened was now painted as "bullying" from other creators, as "clique" behaviour and as "gatekeeping", despite many of us operating independently from each other. i, myself, have only started speaking to one other creator involved now that i have noticed the stealing and copying still ongoing.

i have in my time on this website never gatekept anything. i have shared metas, gifsets, creations, mods, art, tutorials, and many other things freely.

but back to the matter at hand: after he has been trying to ingratiate himself to me for some time now, following me, unfollowing me, and refollowing me again until i blocked him for my own mental health, i tried to remain civil before this point, engaging rarely if at all, hoping everything would go away on its own - which was a mistake in hindsight, i realise - i noticed that once again he's been lifting entire concepts and frame-by-frame gifs and sets from me.

things that he now claims - likely after he has been made aware of my prior personal posts and @minthara and @mercymaker's post circulating again by being reblogged by other people who have been affected) - were simply "remade" or "expanded" upon, that he may have been "subconsciously" influenced, while simultaneously claiming that he didn't know these sets existed in the first place, that he came up with the ideas independently, and that it's simply inevitable to use the same scenes because it's a limited game.

this doesn't hold up under scrutiny, however.

i want to make clear that i very much understand and that i am acutely aware that i do not own scenes and i do not own mods or outfits. however, what i do like to pride myself on is coming up with concepts and scene choices and captions accompanying these concepts that are unique, inspired by my metas, headcanons pertaining to gale and my own ocs altonaufein and karl, all of which i have seen copied by him several times now.

this is not as simple as simply gifing the same lines of dialogue from a scene as he and others supporting him are now postulating and i want to make that very, very clear.

another reason why this statement doesn't hold up under any scrutiny and, what ultimately confirmed my suspicion that he has been copying me, was when he - after the first post exposing his behaviour by @minthara and @mercymaker was made - reached out to me, asking if it it's ok to copy a gifset i made (note: again, this happened after he was called out for plagiarising the first time):

i didn't respond quickly enough, so he went ahead and posted it without waiting for my response (the response i gave him is pictured above and for transparancy, i responded about a day later bc of work and irl obligations).

below you can see the stolen post and what i managed to save from it:

the set was a 1:1 copy. he wanted a version for his oc so bad that he went ahead and stole my concept anyhow, without even waiting for the permission he asked for.

he went to take it down after my reply, made cautious most likely by his still fresh callout done in march 2024 by @minthara and @mercymaker, and i thought the issue was resolved and it wouldn't happen again, that he wouldn't take again without asking, despite having been told not only by myself, but by other creators as well, no. we are not comfortable.

but no. he "remade" the set, switching out gifs while complaining about how he "had to make it original":

my set in question was made on 1st february 2024, he reached out to me on 22nd april 2024 to "remake" the set. he is well aware of the existence of these ideas and concepts and sets he wants to copy, underlined by the need to ask for permission when it's simply too obvious to otherwise deny.

it's no coincidence.

like others have had the experience, i too noticed that he often would not engage with content he planned on stealing or did go through with stealing. he would sometimes present it as his own "remake" of a set he did, of another he was "inspired" or wanted to "expand upon", sometimes crediting, sometimes crediting someone largely unrelated, sometimes and, more often, not crediting.

as i mentioned above, this was not the first and not the only set/concept, which he copied from me - whether that was before asking or after asking, or not asking at all, if it was ok to copy.

i use this example mainly to show a clear pattern of behaviour that exists across the board: he takes concepts from other creators and inserts his own oc and/or favourite character into it because he wants a version of it so very badly. it does not matter if said creator might be hurt, if they told him no, or if they exposed his behaviour before. it doesn't matter how old the set is or how recent.

it is still going on today, the only difference is that he has stopped asking at all once again.

my story completely echoes that of @minthara and @mercymaker's.

concrete examples

i will now go into more detail about the concept sets he's been copying, include the caption or quote attached to it. i'm sorry that these will not be in chronological fashion. i will add at a later point, just like @minthara has done, a google document to better do side by side comparisons, highlight the similarities visually even more, and preserve some of the sets, which have now been deleted by him as recently as today:

the theme of hands in gale's romance

-> mine posted on 23rd september 2023

versus

-> his 1 posted on 24th february 2024

-> his 2 posted on 17th june 2024

i want to preface this by saying that the theme of hands was and still is incredibly important to story of my oc altonaufein and has concept of romance with gale. again, while i do not own these scenes, i wished to highlight a theme that i identified as poignant and profound within the relationship context. it's also why i added the poetry and quotes accompanying the set.

notice how even the caption format matches. the only thing lacking are my quotes / poems.

the format matches almost entirely: gifs from the same scenes (pulling gale out of the portal, the bench scene in an illusionary waterdeep, the astral sea scene, the boat scene, and more of the boat scene). the only thing that was added in this gifset are scenes that weren't available to me back then, namely the updated proposal scene, the kisses patches, and the epilogue as they came out well after i made my original gifset.

the second re-make even contains a gif that's not only the same minute detail of a larger scene - one that anyone who played gale's romance knows contains a multitude of other parts that could have been used - but also the same frames:

mine vs his:

i suppose adding that one to the original post with the same format i had chosen for mine would have made it too obvious, but that is only speculation.

gale + missing waterdeep/home

-> mine posted on 30th september 2023

versus

-> his (deleted on 18th july 2024) so i will have to include screenshots so you may compare:

same caption format, overlapping scenes chosen, only new additions are of content that wasn't available to me back when i first made my original set (the epilogue, kiss patches and proposal scene).

an attempt at "credit" even though he is only referencing my tags on an entirely separate set of a different creator, not the concept i came up with in my original set months prior.

and even though i have told him no before, just like others have told him no before.

i think it speaks volumes that this set is now, like some others, have been suddenly and coincidentally deleted.

gale of waterdeep vs gale dekarios

-> mine posted on 20th november 2023

versus

-> his posted on 13th may 2024

the concept is entirely the same, the scenes are largely overlapping, again, the caption format is almost entirely identical, with the sole difference of me including the full quote and devnotes as i'm wont to do.

gale + i love you

-> mine posted 16th september 2023

versus

-> his 2 (a "remake" of an "older" set of "his") posted on 13th may 2024

again, the concept is entirely the same, it's same caption format, the scenes largely overlap, some of the gifs added that were not available to me when i made my set (which, again, would include the epilogue, kisses patches, and the updated proposal scene).

mermay gale

-> mine posted on 13th may 2024

versus

-> his posted on 21st may 2024

it's the same concept again, the caption format is similar, it's the same setting (camp at baldur's gate), the same armour, the same armour tint, the same 3/4 pose except mirrored, and, this time, his tags were inspired too:

my tag: #i have the worst art block still and virtually no time but i still wanted to do smth for mermay so have this

his tag: #i can't do art so heres my mermay contribution i guess

copied oc post

-> mine posted on (likely) 30th september 2021

versus

-> his originally posted on may 7th 2024, which has also now been deleted on 18th july 2024:

the only thing different was the font. sadly, i deleted my oc post since i have redesigned some of them and wanted to make an updated version of it in the future.

thankfully i found the link on my friends blog, @ayrennaranaaldmeri.

as you can see, all of these happened after the first cases of plagiarism and after i personally told him that i'm not comfortable with him "remaking" my concept sets as his.

conclusion

there are many other sets that i suspect have been copied or plagiarised, i want to remain objective, however, and include the ones i feel are the most damning examples, supported by the fact that he has been deleting some of them today while again, trying to set up his narrative to his audience.

again, i want to highlight the pattern is here with him. my post is not the first, my suspicious are the first.

he knows what he is doing wrong, highlighted by the fact of trying to ask for permission, by deleting sets in question, by, at first, apologising, whilst now talking about "gatekeeping", "bullying", "inevitable repeats of scenes", "taking inspiration", "scrolling by", being "subconsciously" influenced, etc.

as a conclusion, i can say nothing more on this topic other than that i'm very sad. it doesn't give me joy. it stressed me immensely then and it still does now. i wish he'd have taken the already admitted wrong-doing to heart and grown from it, instead of attempting to change the narrative and doubling down on his past behaviour, not examining what he has done and is doing several times over by now.

i have blocked him now, as have done many others, and will not engage further with him. we have been through this before and at this point, i don't think he will change.

what i do very much hope, however, is that this is the last i hear of this happening.

edit:

updated the links to lead to his "archive" so you can access the stolen sets that he still hasn't deleted and seems to have no intentions of doing so.