#first time in over a year

[jakeperalta]

I'm curious. what job would you do if money was no object (you just automatically had an income you could live comfortably on)? including work like volunteering, studying etc. please share in the tags :)

[mirrorama]

estimate! and say you currently still work at your first job, just choose how long you’ve been employed. i also understand there might be some nuance as far as maybe like promotions/transfers/etc etc etc, so feel free to explain things in the tags!

[marisatomay]

It's so funny that everyone immediately called Eddie gay for doing the Risky Business dance and he is but he also just beat for beat recreated what Tom Cruise did in Risky Business and. well.

[egophiliac]

since Eng is getting 7.5 soon(?), I felt motivated to go back to my Meleanor rig and make her a couple of lesson animations! ...except for alchemy, because the cauldron bubbles proved too hard to photoshop around, whoops.

maybe she just got lost on her way to the classroom...?

(credit: backgrounds are from the game, I just put her on top of 'em)

(aside from the backgrounds, this is not an edit, I drew her from scratch! please do not tag or treat as an edit!)

[hinamie]

unconditionally

[stoopidstapler]

SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.

[somnimagus]

out of the frying pan and into the fire and into another frying pan that's also on fire

[id in alt text]

[wardingshout]

Zelda goes mushroom girl

[dragondawdles]

this has taken me SO long. Hi. has youtube link aswell

[why-the-heck-not]

me, a responsible being, working on the coding project as I should vs. me, a dysfunctional shithead, getting distracted by reading about brains (once aGAIN damnit (it's my favorite "I need to study my field but bc I should do that it's an impossible unthinkable feat now, so I'm reading about something else to fool my brain I'm still being productive"-topic))

[batsyheere]

The dynamics between Dan, Danny and Ellie are so funny to consider. Danny is far too used to handling Sam and Tucker at their worst and now he has an additional gremlin duo who picked up whatever madness was in Vlad's system when he decided cloning was a great idea. (Danny is highly aware that it is not a good thing to have more him in the world and has resolved to better avoid clone plots). Meanwhile Dan and Ellie will fight over the most random, inane things, but the minute it's about family they band together into a proper terror and the only beings able to stop them are Jazz in her disappointment if the situation calls for it, and sleep deprived Danny who does not realize his exhausted presence is like a terrifying parental figure catching their kid doing something stupid.

It gets even funnier when Jazz finally breaks out of the mindset that she needs to be in charge and instead enjoys herself, and so the only leash for the three most feral Fentons (honorary and named) is a perpetually tired teen/young adult.

Now drop that in Gotham.

[fizpup]

pov: it’s the mid 2000s and you’re learning what love is

[setmeatopthepyre]

Third Act [ now also on Ao3]

They've just evacuated the last of the factory workers when Incident Command calls for total evacuation. Structural integrity can no longer be guaranteed, everybody out. Eddie, who has their patient's other arm draped over his shoulders as they help the man limp to the nearest ambulance, grins at Buck. "Now that's what I call perfect timing."

"Yeah," Buck agrees, maybe a beat too slow, distracted by the number on the turnouts that just darted past them. The name under the 217 started with the wrong letter, the person's shoulders too narrow, height not quite right. Not that he's looking. Not that he's been looking. Not that it would matter if he was. With the enormity of the factory and the spread of the fire they have on their hands, the chances of running into a particular individual are small. Besides, if he's here, he's more than likely at the other end of the staging area, with the helicopters that are being refueled and awaiting instruction. Not that Buck's been looking. Or paying attention to any of that. At all.

They've just handed over their patient to the paramedics when their radios crackle to life once more, this time to confirm that all first responders who had entered the building are safe and accounted for.

"Thank God."

Buck turns to find Bobby has come up behind them, has clapped a hand on Eddie's shoulder, a relieved smile lighting up his face under his helmet. And. Yeah. Buck smiles with him, feels terrible for a moment for being so preoccupied when he should just be damn grateful for how their day - night, now - has panned out. Despite the enormous structure, despite how fast the fire spread, despite the upgrade from a three to a four alarm fire when it became incredibly clear the building was not up to code, despite the flammable materials housed in the far end of the structure, (despite the whir of helicopter blades overhead reminding Buck of him, despite the way he had to force himself not to stop and listen when a headcount for the 217 went out over the radio) they got everyone out alive. Some of the factory workers were in critical condition, others would be touch-and-go for a while, but they got them out alive and that was all any of them could ask for.

Perhaps it was too big an ask.

There had been a few moments in Buck's life in which he'd wondered if the universe had it out for him, was just waiting for him to be happy, let down his guard a little, so that it could pull the rug out from under him and send him sprawling. Choking on breadsticks on Valentine's Day. Choking on blood at his own welcome back party. Choking on his own nickname in his own loft as. As he walked out the door.

It feels like he's choking again. Buck watches the faces around him fall when dispatch tells them they were wrong, that there's still two people inside, on the top floor. When the IC responds that there's nothing to be done, the lower floors are ready to cave in, it's too unsafe. When a familiar voice crackles over the radio, saying there's a chance, if they land a helicopter on the roof, get the last two people out from there. That he'll do it.

"Absolutely not, firefighter pilot Kinard. That roof is ready to go any minute now, and you want to land a bird on it? That's a suicide mission. Stand down, that's an order."

There's a static crackle, as if someone, as if he, is weighing his options before he speaks. Buck doesn't breathe. Doesn't think he could if he wanted to.

"If there's any chance they can be saved, I have to try."

And Bobby meets his eyes, still tries, "Buck-", but they both know there's no version of this moment in which Buck doesn't grimace apologetically, doesn't turn, doesn't run faster than he's ever ran before.

He's gone, long strides, lungs burning, everyone and everything he passes a blur. He bumps into someone, yells "Sorry!", he thinks, isn't actually sure that's what he does, eyes set on the rotor blades looming dark against the orange cast of the fire in the distance. It's hard to tell if they're moving, what with how the light shifts in the dark, what with how his vision has become narrowed to that single point, and the dull roar in his ears could be his own blood pounding, could be the commotion that comes with a scene like this, could the be panic rising like bile in his throat.

For one insane moment, he thinks he can hear the sweeping crescendo of an orchestra, thinks, hysterically, like sprinting through an airport in the third act of a romcom. Thinks, I should tell Tommy. Realizes what he's hearing is that dull roar shifting into the high whine of rotor blades gaining momentum and thinks, Oh, god, Tommy. And then, in a blink, he's fighting the dust in his eyes and being buffeted by wind and his hands find purchase on the titanium hull and he's hauling himself inside.

With the wind gone, it's like he's suspended in stillness for a moment. Stillness, not silence, because helicopters are loud and the sound is everywhere, like a physical sensation. Or maybe that's just how it feels to be in close proximity with Tommy again. Tommy, who is staring straight ahead, punching buttons, flipping a switch, and Buck isn't sure Tommy's even aware of his presence until Tommy's reaching back, headset in hand, not looking at him at all, gaze still firmly on the dashboard.

Even when Buck has the headset on, the roar of the engine finally dropping away, Tommy doesn't acknowledge him immediately. The set of his shoulders is stiff, determined, defensive. He lets out a sigh. "What are you doing here, Buck?"

Buck carefully ignores the name, ignores the way Tommy still can't look at him. Squares his shoulders, even if Tommy can't see it. "I'm going with you."

There is a moment in which Tommy doesn't respond, simply finishes the last of his pre-flight checks. When he speaks, his voice is carefully deadpan. "You know we're probably going to die out there."

Buck can't help it, shoots back before he can think about it. "Figured this way I can prove I want you to be my last."

It works. Finally, Tommy turns. Meets his eyes. Breathes out. "Evan."

And Buck knows it's a ridiculous moment to smile, but it's like a weight falls away from him and he can feel his chest expand in a way it hasn't been able to since "See you around, Buck."

"Like you said," he amends. "If there's a chance at all, I have to try."

Buck doesn't think he's imagining the spark of hope in Tommy's eyes, the twitch of a smile, before Tommy turns back to his controls and the ground falls away beneath them.

[demigods-posts]

they're filming season two, but i'm thinking about the potential adaption of the mount tam scene in season three. you know, the one where annabeth could apologize for pushing percy out of the way and falling off the cliff in his place, and how she knows that sounds terrible but they didn't have time for another plan and she didn't want to lose him that way. but percy just engulfs her in a hug because he's so relieved that she's safe now and everything else be damned. and annabeth doesn't understand why he's snickering to himself after that last statement, but she melts into the hug anyway because she missed him. and thalia and grover stand in the background happy for their friends on the outside but internally mortified, because their friends are definitely falling for each other but fate may not allow them to see it through.

[secretsimpleness]

Sometimes I want to bring Morrigan but then I remember I play as a face-tanking rogue and I bring Wynne. Warden Cousland, Morrigan, Wynne / Dragon Age Origins (c) Bioware

[shummthechumm]

NICKELODEON/BACKYARDIGANS OFFICIAL HIRE ME I CAN HELP YOU!!!!