#first member spoilers

[haine-kleine]

'the villains were irredeemable insane sadistic terrorists too far gone to deserve to live' and it's just these guys

[bei-b]

Yoon Jeonghan: master of brain games bonus:

[kittyoverlord]

Dang (Jacob) stabbing me in the fucking heart with his lines/character decisions.

This on the back of this incredible moment:

Did not expect Dang to be the character I related to the most, but I'm not mad about it.

[originalartblog]

[ the Murase AU ] (part 1)

(part 2/2)

Chuuya leaving after the Dragon's Head Conflict means that he barely (IF he did) had access to the Arahabaki files (post-DHC gift), and never got to see his parents (executive promotion gift). Ranpo is not gonna stand for his detective skills being questioned, and since he was challenged while deducing Chuuya's past...

[hamable]

Brennan: Blimey me once, shame on you. Blimey me twice, shame on me.

[suffarustuffaru]

so i talked a bit about reinjulisuba on this blog in the past like in this one ask but now ive made a quick and easy diagram summarizing their whole deal <3

[powersandplanetaries]

Thinking about Kristen Applebees, fleeing a hostile home for people who fully accept her but still feeling guilty about not being there to "shield" her younger brothers...

Thinking about Penny Luckstone, with 18 siblings who are all definitely loved but she's still helping her parents run the house and struggling between duty to a family she loves fiercely and pursuing her own dreams...

Thinking about Aelwynn Abernant redirecting her parents' scorn for Adaine, again and again, not always kindly but eventually, finally standing up to her parents when it became clear what they were willing to do to her little sister. "But Father, Adaine's just a baby..."

Idk guys having some real normal thoughts about the role of eldest daughters in Fantasy High.

[hollenka99]

Siffrin is so funny in the loops where he helps all of his friends because he keeps telling himself he's a bad person, manipulating them all into liking him. And all I can think about is

Like buddy, they already liked you before the loops even began. What are you talking about, 'manipulating them into liking you'?

[nydescynt]

Thematic Analysis of Hades II: Why You Can Never Go Home

(At some point I might make a video on this, but for now sharing my thoughts via textpost. Spoilers ahead!)

So the text of the story of Hades and Hades 2 are Zagreus breaking out of the House, and Melinoë breaking in.

But the wild thing (and the reason Hades 2 is much more interesting to me) is that both games actually have almost inverted themes from that text. Zagreus is intent on uniting a household; Melinoë is discovering the home she's fought to return to is rotten to the core.

Zagreus, despite his entire textual goal being to leave his home and family, is narratively & thematically working to bring the family and household together. His mother comes back and is reunited not just with him but her husband, mother, and entire extended family. Achilles and Patrocles, Orpheus and Eurydice, Asterion and Theseus: Hades is a story of people metaphorically coming home and making peace with where they are (Sisyphus, Thanatos, Orpheus). Everyone basically gets a happy ending, credits roll, problems all resolved or en route to be solved. Everyone is home.

(Important to note: we never see a human in the first game. We see shades, and gods, and monsters, and the closest you get to a mortal living thing is the satyrs. This is a story concerned with the realm of the gods.)

In contrast, Melinoë has no home - besides being estranged from her childhood home, she literally lives in a tent. In case the theme was too subtle, presumably.

Now, she has been fighting her entire life to become powerful enough to return home and reclaim her family - that seems Zagreus-adjacent on its face. However, there isn't a home to return to- Hades is in shackles, the rest of her family trapped in time. At this point in Early Access, on both a metatextual & diegetic level she quite literally can neither make it to Mt Olympus or into Zagreus' room - she cannot go home, she cannot meet her family.

Consider the others: Odysseus' presence seems to tie into the idea of a long journey home, but this is an Odysseus who lived and died and now has other (inhuman) priorities. He loves them, but has no interest in reuniting with Penelope and Telemachus at this point. Nemesis dislikes her siblings, and is more concerned with the equal application of "justice" than whether it has any reforming effect. Narcissus and Echo eventually talk and part more amicably, but that's the best that can be said about their relationship.

Hecate refuses to be called Melinoë's mother: she will not distract from the "true" family that Melinoë has no memory of ever meeting.

Instead of Ares and Dionysus (enjoyers of chaos and least affected by the toxicity of the family in Hades 1) we have Hestia and Hephaestaus- a goddess who helped murder her father and a god constantly belittled by his own family. Their tense and frequently bitter interactions with the other Olympians are evocative of the central theme being explored: what if there isn't a home to go back to? What if your family is unforgivable? (What if you want to forgive them anyways? What if you need to?)

This theme is why Arachne is in the game, and Athena is not: likeable, first-helper-of-Zagreus Athena turned Arachne into a spider out of petty anger. How do you reconcile that?

Moros (lovely, kind Moros, who gushes at Odysseus like a fanboy) and his sisters the Fates did horrible things to mortals out of boredom. The same mortals whose bodies you can see stacked up like cordwood in Ephyra, who you repeatedly claim you are fighting to protect from Chronos. Moros can neither confirm nor deny that the current events could have been set in motion by the Fates. How do you reconcile that?

Polyphemus raises sheep. He genuinely loves and cares for them, is protective of them. He also eats them, and is confused when Melinoë implies a contradiction.

How can you love someone and be willing to kill them? For survival? For fleeting satisfaction? For vengeance?

Is Chronos' willingness to eat his children so morally heinous that it makes him worse than every cruelty the gods have wrought? Worse for who?

[theresa-draws]

she spent ten years trying to move on from the past, only to have it all come crashing down when his regret found her first

[yellowvixen]

Rough art, but wanted to show Dr Daria's colour scheme! (From here). Heavily based on her canon colours lol

For context, this is a New Yoke version of Maria who didn't have a version of Shadow at all and survived to adulthood. She's in her late 40s and thinks her relatives (the Chaos Council) are stupid and very much stands against them

[bitterseaproduction]

Angsty Bilbo dying Bagginshield art giving me another story idea~ 😂😭💕

But no, seriously? A play on the popular time travel fix-it, but one where Bilbo dies protecting Thorin during the Battle of Five Armies? And Thorin is inconsolable, I can’t even. And he might pull himself together long enough to stabilize Erebor, but there is No Way he can be a good ruler in his grief, so he has to pass it on. (I was going to say to Dain just to twist that knife a little harder, but actually there are reasons hinted below on why Fíli & Kíli must have lived.) And Thorin just… he wanders, probably. A shell of himself for the rest of his days.

And yet, when he inevitably passes away, he awakens on the road to the Shire. And he’s younger. And he’s so confused, quickly suspecting he must be dead and this is nothing like what he was taught to expect. But then his instant impulse to check Bag End has him walking in on that same meeting from so many years ago, his Company intact, the wizard smiling at him, introducing him to… to…

Bilbo. His Bilbo. The sight of him makes Thorin want to weep and hold him and never let go again, but he is instantly terrified to do anything, because is this a dream? Will he wake? What happens if he says something new, will ‘this’ be ruined somehow? He doesn’t want that, doesn’t want to change anything, save for the end. The very end.

But, even as he strives to mimic himself, he knows something is wrong. He’s off-script from the start purely due to his shock, but he tries to recover, get back on track, and within words, he’s managed it. The discussion is righting itself, and no one there could possibly know the difference, right?

And yet, Bilbo stares at him. From the instant Thorin walked in, Bilbo was staring, looking lost. As he had before, that first time, but it wasn’t the same. Bilbo had been confused then as well, but it had been a light, anxious uncertainty then. This time? He was frowning, his expression tense.

His eyes haunted.

Because Bilbo has also lived that night before. Just once as far as that night was concerned, but it was familiar to him. So familiar. That first night had haunted him for decades, to the very end of his long, long life, when he thought he might know rest, and perhaps — if he was truly as lucky as some once claimed — he might get to see his friends again. See Thorin again.

Instead he had slept, drifted away, and awoken to a battle about to start.

And he had questioned it, had stumbled that first time, but he adjusted. He tried to save Thorin. To save them all.

And he failed. Again.

Then, when he finally slept for the first time afterwards, he awoke to the battle starting again.

And again.

And he tried, over and over, day after the same horrid day to find a way to get through. And sometimes Thorin lived. Sometimes the princes did. Sometimes, new people died. The wrong people.

Once, in his darkest moments, he thought that perhaps someone was trying to teach him humility, teach him to accept fate as it was and not try to fight it, not change anything. And so he went through the motions as well as he could remember them after all those years, following them to the letter, save for when he sobbed all the harder when it was done.

He sobbed again, the relief bone-deep, when he awoke again the next day, the battle still awaiting him.

He lost count of his attempts, and no one could rightly vouch for his state of mind when he finally resorted to the one thing he had refused to try: Not since that fourth (or fifth?) time, when he managed to be there for the fight and threw himself in Azog’s way, but Thorin pulled him out of the way, and screamed at him with such outrage and fear and despair in the few beats he bought by pushing Azog over, that Bilbo never attempted it again.

Until that final day. And that time, Bilbo didn’t give Thorin a chance to stop him.

And it broke a heart Bilbo thought long since shattered to hear Thorin scream, to feel him pick him up and hold him close and hear his voice like that. But the words faded soon enough, and he couldn’t feel anything, nothing except for regret and acceptance, because this was different. He felt it. This time, he would not awaken again, and that was fine. He had saved his king, kept all of his dwarves safe that last time. If that was to be the last, then that was all he could ask for. It was alright. He could sleep.

Then he woke up.

Not outside Erebor, but inside a hole. His hole. Bag End.

He walked outside, stood in the sun, and watched a wizard walk up the road to his door.

He did not understand.

[the-carlos-cow-eyes]

Also, RIP Alice, you were my favorite and I loved your relationship with Billy :(

[hello-eeveev]

my opinion on the last hour of e95 is that Liam and Marisha are consistently incredible scene partners. it doesn’t matter if they’re doing romance or irritation or best friendship or intense conflict, they kill it every time. they play off each other so well. their scene chemistry is ridiculous.

[californiannostalgia]

I have verbally shouted out loud every time my ships in the bells hells had a Moment

I have never shipped so hard this is like. unprecedented.

[kineticallyanywhere]

we're all so distracted by the norm-scary parallels we're blinded to the reality that link is the one turning into early-season scary right under our noses