#first date questions

[620migs]

who is the greatest TE of all time

[occudo]

Hear Me Out So- there is this Podcast musical called 36 Questions... I only did some of the first song, but do you see the vision??

[dekariosclan]

I think everyone is aware Patch 7 fixed Gale’s ‘last name’ dialogue so that it activates in the game now, but equally as important is that it also fixed his expressions, too. Previous datamined clips showing this dialogue had him looking very ‘flat’ while he spoke, so you couldn’t really read into his emotions:

Gale: You like so many things about me I’d have sooner discarded…Your generosity is quite wonderful. Gale Dekarios likes you too. Very, very much.

Now, after watching the updated animation, it struck me how he says “Gale Dekarios likes you too” with a serious, sincere look on his face—but then he pauses, and his whole expression shifts into a loving smile as he emphasizes “Very, very much”…

Look me in the eyes and tell me this isn’t him thinking about how he’s going to propose to Tav 🥹

[incognitopolls]

We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.

[marsduality]

Tiktok by @DecolonizingLove

[beginning of transcript]

Ten First Date Polyamory Questions.

[Millie:] What does cheating in polyamory mean to you?

[Nick:] How do you unpack jealousy?

[Millie:] How do you practice safe sex?

[Nick:] Do your partners have any Veto Powers?

[Millie:] How do you unpack Couple Privilege?

[Nick:] How many times a week would you like to see your next partner?

[Millie:] What are your Love Languages?

[Nick:] So why are you polyamorous?

[Millie:] What is your relationship structure?

[Nick:] What type of boundaries do you have?

[end transcript]

[deadboyagency]

DEAD BOY DETECTIVES LETTER PROJECT

Starting this Thursday we will be sending letters to Netflix! Please prepare letters with all of your love for the show to convince Netflix to reverse their decision! 💜

Please use the following address: 5808 W. Sunset Blvd, Los Angeles, CA 90028 US

Every other week will be a letter mailing week so everyone has time to prepare their letters to send them on the selected Thursday's! You can send as many as you want to Netflix HQ and show them just how much you love Dead Boy Detectives!

[pheyphem]

ignoring the obvious. is anyone else really fucking intrigued/confused by this room

it is so STARKLY different from the rest of the phouse like it has fuzzy padded brown walls?? like they have a reason for every design choice in the phouse so why did they go with fuzzy brown walls in here and here only (it seems)??/?

drop your ideas below

[bildads-shoes]

nooo don't turn out to be an aziraphale hater you're so sexy aha

[t4t-dazai]

your honor, they're nb4nb

[angry-glasses]

i know a lot of people like to take Kokichi's flirting with Shuichi seriously, but consider the much funnier alternative:

he was shipbaiting the audience

[damn-iwantedtobecalledmystique]

college au where alex and sean are roommates and only do laundry at 3 am bc of the cute nerdy guy they always run into

[wannabemylover]

rewatching the first episode of Hannibal and holy shit I forgot how good this is but it's actually insane that Brian fuller set up the ep like this, he introduces will and Hannibal by first briefly showing them at their core, at the darkest, most vile part of them---we get a glimpse behind the curtain---and then its gone, the curtain is snapped shut and we see their masks, their human suits.

Will empathizes with killers because he likes it, and he wants to kill but he refuses to give into the urge because he knows how much he'll like it and he won't be able to stop. So he lives vicariously through other killers, satisfying his own dark urge by feeding it little morsels of secondhand blood lust. Every crime scene he works gives the urge something that satisfies it, not enough for it to grow, but enough for it be sate. Enough that he can ignore it for long enough that he can walk around and be Professor Will Graham who is Weird, Brash, and Non-sociable.

And Hannibal is a cannibal at night and a psychiatrist by morning.

[theygender]

Going to college as a nontraditional student with an office job is kinda funny bc now when a professor messes things up in a way that fucks me over instead of being like "omg this authority figure is so unfair 😭" I'm approaching it more with the vibe of like "if Karen from Accounting doesn't fix this mistake that's hindering my work after my third passive aggressive email I'm going to CC her boss"

[icewindandboringhorror]

indeed my exact process once every 8 months or so

[lazuliquetzal]

I keep on telling people you're the only one who knows how to plot. Can you teach all of us how to plot, please? I love you.

I AM SUMMONED? PLOT BRAIN SUMMONED?

I love plotting. It's my favorite part of the writing process. Plot is "things that happen" and the best part of writing is imagining things that happen. I'm going to assume that whoever may be reading this knows how to imagine The Happenings, so I'm gonna be talking more about structure, but in like, a kinda abstract sense.

A good plot is a little bit more than a string of events. Plot is like music: there's variation in rhythm and sound and melody, but ultimately there's cohesion, because it's all one song. You can have a bunch of wild things happening, but no matter how strange, there should be something that links them all together, because you're telling one story.

Plot structures are patterns in stories. I'm pretty sure most of them were developed as analysis tools (as in, story already exists > look! it follows this pattern) rather than as writing tools, but people use them as writing tools because it's a neat little way to organize the chaos that is "shit happens." Stories follow patterns for the same reasons music follows patterns: we enjoy the certainty of hitting certain beats. But we also like being surprised. A good pop song doesn't sound like a random collection of sounds, but it also doesn't sound like the middle slider of other songs.

There is this shared concept in both music and writing: the idea of tension and release. Basically, you're playing with reader expectation: there's an imbalance in the experience (tension), and we want to see that imbalance resolved (release). All the common plot structures deal with this basic pattern:

You set an expectation

There are complications to the expectation

You meet the expectation

And this rhythm is happening on multiple levels in writing. Scenes follow this structure (we're gonna get past that door, we're gonna find the murder weapon, we're gonna collaborate and come up with a plan) and all those scenes feed into the overarching expectation (we're gonna solve this murder!). I usually think of chapters as their own mini-story, part of the larger whole. And I think of scenes as their own mini-story, part of the larger chapter. I have engineer brain. I see the gears spinning in the clock. That's why all my chapters have at least One Important Thing happening, because that's that particular chapter's Step #3.

And One Last Important Thing:

In music, a delayed resolution is almost always more interesting than the standard resolution. In writing, that means you wanna drag out Step #2 for as long as you can. That's where the bulk of the story is happening, that's how you build tension, that's how you get people to turn the page.

So when you write a fake dating fic, those bitches better not get together until the very end. I came here for fake dating, not for real dating, damn it. If you resolve that expectation early on, you better replace it with a different expectation that's just as engaging.

But also don't drag it out for too long. Sorry. The hard part of writing is learning the difference between too short and too long. Writing is unfortunately a nuanced skill which is why my advice is like "do this but not too much teehee." But tension and resolution is just rhythm, you can build a sense for it if you engage with enough stories.

[livingincolorsagain]

i wanna write a buddie proposal fic. should i write a buddie proposal fic