#finch characters

[sasaofastora]

~ Susan Finch ~ Gen Seven ~

Read Susan's story here.

I had a lot of fun making moodboards for each of the characters in the Finch Legacy so far- including portraits of my sims made on the ToonMe app.

[reyenii]

since edwin is very closed off, except for when he’s with his best friend, charles, costume designer kelli dunsmore reflected his buttoned-up mentality through his bespoke suit, complete with bowtie and collar. edwin’s outfit, along with charles’ period garb, were designed to help them stand out more in modern day port townsend. “i knew edwin would, because no one dresses like that now,” says dunsmore.

dunsmore wanted everything about charles to feel “a little bit cool and underground,” from his union jack and the who bull’s-eye patches to his checkerboard pins. his little cross earring and chain on the outside of his shirt are also meant to be homages to the ’80s.

in the show, crystal’s hero color is purple, which you’ll notice in her velvet coat and long silk letterman jacket, which dunsmore thought of as a psychic cloak with hand-embroidered patches, including the wilting rose of england.

her brown trench coat represents an explosion of everything going on in her mind. dunsmore decided the scribbled words and drawings are a result of crystal writing all over it to express her inner turmoil. there are even lyrics on there from the song she’s listening to on the tube when she meets the dead boys.

david’s connection with crystal seeps into her wardrobe, too. since david wears a flower shirt, dunsmore’s team hand-painted flowers onto crystal’s black boots. and niko is wearing a dark sweater with flowers on it when we first meet her, as an homage to crystal. the costume department also drew the same rune pattern the dead boys use to exorcise david in episode 1 onto crystal’s trench coat and on the tab of her wool bomber jacket. “so she’s always got some sort of protection,” says dunmore.

every color niko wears is inspired by what’s happening in that episode, from the green post-sprite exodus to blue when she’s feeling sad. niko only wears a white look, with nods to her japanese heritage, in the finale as a reset. the charms on her obi belt represent the colors she’s worn all season.

night nurse is someone who’s in control all the time and likes things to be in their proper place. dunsmore looked to vivienne westwood for inspiration, since everything in night nurse’s world is a bit exaggerated. (by the way, niko’s orange monochromatic look is a nod to her scenes with night nurse and night nurse’s red hair.)

since david is a demon, he finds a london boy that looks cool enough for crystal to find attractive. that meant dunsmore dressing him in a shearling jacket you’d find in “all the guy ritchie movies,” black pants and creeper shoes. the costumer’s mood board for “david the d” featured radiohead and amy winehouse and her husband blake, who often wore hats similar to the one you see david wearing in the show.

pay close attention to monty’s leather jacket and you just might spot an inlaid crow feather or two.

it’s not only esther who wears clothes with a gilt, old-gold color — cat king and night nurse also do as a nod to their villainy. (esther and cat king also have similar fur coats.) amidst her beauty, dunsmore wanted esther to be a little rough around the edges. she wears a cuff around her hand that’s adorned with a snake and a ring with teeth all around it to represent the teeth she’s collecting from all the little girls. her eye necklace is meant to be her witch pendant.

mischievous as ever, cat king has (cat) eyes everywhere and is aware of edwin’s affection for charles. so he wears charles’ socks the first time he meets edwin.

[densewentz]

Guess who's been playing Don't Starve while watching Dead Boy Detectives 💕

[windybreeze12]

i love how no one, literally no one from the main/secondary cast is a straight white male in DBD.

Let's break it down:

Edwin: Straight White Male(?) Charles: Straight(?) White Male Crystal: Straight(?) White Male Niko: Straight(?) White Male Esther: Straight(?) White Male Monty: Straight White Male(?) Jenny: Straight White Male Cat King: Straight White Male(?) Tragic Mick: Straight(?) White Male(?) Night Nurse: Straight(?) White Male

AND HALF OF THE MEN HERE ARE GENDER-AMBIGUOUS BECAUSE WTF WE GOT A CROW, A WALRUS AND A CAT OVER HERE. MEN???

They're all just a textbook about diversity and this is reason number #984342423429 why this show should be watched and loved and not cancelled. GO GO GO

[potachi]

Little Adventures ✨

[larunart]

Finished this video game concept a few months ago to apply to Uni, using one of my already existing stories.

I really do hope I get to work on this further in the future, even if “just” in comic form. The content is close to my heart and relates to my own experience with depression, suicide and psychosis / the schizophrenia spectrum. Maybe it could help others find more empathy within themselves for their younger past selves.

I actually got the very first spark for this story back in… 2017? 2018? It’s insane how much has changed, it really does feel like it gained a mind of its own. Jane was originally the protagonist with a whole lot more curses involved. For a hot second it was even set in a magical boarding school! Imagine that!

Game in general is inspired by Silent Hill 2, The Cat Lady and What Remains of Edith Finch. If I gave this another try I’d definitely include more fake screenshots.

Some slides (3) are missing - you can view them on my ArtStation profile :-)

[shibesky]

cant believe i forgot to post this

[the-modern-typewriter]

im so obsessed with the touchstarved hero thing that you did ive read it more than 20 times, a very normal amount yes, would you ever think of writing another touchstarved prompt or even a touchstarved villain one? thank you so much for your work

"I don't mind."

"Hm?" The protagonist looked up, brow furrowing.

"I don't mind when you touch me," the villain said. "That is - it's not horrific."

"Well, I'm glad I wasn't horrific. Life goals."

The villain shot them a look.

The protagonist smiled despite themselves. It was too easy to feel lulled, brain at ease for the first time in far too long, buzzing with all the good endorphins. Intimacy. Closeness. It was impossible to dwell on the danger, for as surely as there was attraction, there was danger.

They leaned in, slowly enough to clearly telegraph their intentions, and pressed a kiss to the villain's chest. Half teasing. Half something infinitely more dangerous, like genuine affection for the terrible idea sprawled beneath them.

The villain held their gaze. They almost even smiled back. They tangled their fingers into the protagonist's hair instead, but didn't tug them away. They let the protagonist settle even closer than before, head against their beating chest.

The protagonist was starting to understand that meant something too.

"It's merely that people don't do it very often," the villain said, voice clipped, carefully controlled. "Touch me, I mean. Or when they do, it's with the sort of casual presumption that makes me want to rip their hands off. You do not presume."

"Well, you did look ready to rip my hands off once or twice." They knew what the villain meant though. When the protagonist had touched suddenly, unexpectedly, it had been less about trying to control the villain and more just needing something to hold onto as the villain kissed them stupid. Instinct. Desire. Need. The villain had known that, hadn't they? "But you're welcome. I mean, any time."

The villain nodded. Once. Curt - uncomfortable, perhaps, with such an open and vulnerable emotion. They cleared their throat.

The protagonist felt another stupid swell of warmth. They could hear the villain's heartbeat slowing beneath their ear, trusting, and it felt like yet another giddy thrill for the day. A complicated and tentative privilege.

They lay together, in their stolen moment of illicit peace.

"Besides," the villain broke the silence after a while. "Next time, I can always ziptie your hands to the bed posts."

"Next time?" The protagonist's heart skipped.

The villain shrugged. "You like touching. You'd look adorable begging for it. I think I'd like to see that."

The protagonist was sure they'd gone all wide-eyed again, flushed and flustered, because that time the villain definitely smiled. They hesitated, then tugged the protagonist's hair.

"Come back here so I can kiss you again," the villain said.

The protagonist obliged, even as their brain whirled through all the villain had said.

How long had it been since someone touched the villain like this? Since the villain let themselves be touched? It was clearly something they craved, enjoyed, just as clearly as it was something more complicated than that too.

They stopped thinking as the kiss deepened. They drew themselves a little closer still, ever-mindful of where they put their hands, and only more conscious now because of that of the way the villain's body responded beneath them. The shiver of breath. The thud of their heart. The way the villain pressed in, only to pull back again, like a starved creature that could only sustain itself in small increments before it became too much.

It was intoxicating. It felt just a little like power. A good, perfect, brilliant sort of power.

As they broke apart, the villain studied them for another long moment, expression unreadable, but eyes almost soft.

"Come on," the villain murmured. "Play time's over. Let's go."

[cassandrajean]

Its been awhile since I drew my lil Harry Finch and decided to give him a new hair cut 🤍

[coinsucks]

He matches now!

[claudiaeparvier]

We simply do not appreciate Crystal Palace enough. Homegirl looked within, found her ancestors and the truth surrounding her gifts, came back to the present and confronted Esther not with her magical power…but with the power of these hands.

[sasaofastora]

~ Vera Finch ~ Gen Four ~

Read Vera's story here.

I had a lot of fun making moodboards for each of the characters in the Finch Legacy so far- including portraits of my sims made on the ToonMe app.

[deathianartworks]

🎵 I've been sipping poison, waiting on the ocean to come and sweep us away🎵

Mermaid AU!Eugene Finch that is part of a series of designs I've been working on!

Closeups and a little lore under the cut

A little bit of lore:

Eugene is a manta ray mermaid, deep sea specialist and inventor. He lives on the outskirts of the city in a large house where he uses his knowledge to design methods of communicating with deep sea mermaids and explore more of the sea bottom. He's trying to venture even deeper into the unknown of the oceans but to do this, he needs the expertise of our lovely Drawtectives (not that he knows it yet), whose designs will come soon!!

[shaylogic]

Thinking about how Crystal's wearing a brown jacket because she's wrapped up in concern about David

Monty's wearing a blue jacket because he's wrapped up in concern about Edwin

Crystal's jacket has a burgundy hem with two yellow stripes, like burgundy polo Charles' collar (conflation of Charles and the demon ; reference to character dynamics of Crystal, Charles, David battle in the forest scene)

Monty's got a scarf that is seemingly just red as that's what's always showing, indicating Charles as a barrier

Just realized that the scarf looks like it's actually red on one side, blue on the other, referencing Edwin & Charles' inextricable connection--THE KNOWLEDGE OF WHICH WEIGHS HEAVY AROUND MONTY'S THROAT

I maintain that The Case of the Creeping Forest is a Monty and Crystal parallel arc episode

[louhinks]

one of my two fallout ghoul OCs. Finch used to be a big hollywood star pre-war and now he lives in a basement and has a problematic relationship with Stealth Boys :]

[dead-enby-detective]

I wonder how much this scene plays a role in Monty choosing to target Edwin over Charles after Esther sends him to befriend the boys and then later how it impacts him falling for Edwin.

Edwin is the first one to enter so he’s the first one Monty sees.

Monty doesn’t crow when Edwin enters the house but waits until Charles enters. Does he already like Edwin better? Did he see Edwin and see something special?

Charles immediately responds to the crowing by telling him to hush. Did Charles’s words stick with him after Esther gave him a human body and mind and feelings? Were his feelings hurt or was he just annoyed by it?

Edwin pulls his gloves off as he passes Monty’s cage, does he think about that after becoming human? The way Edwin takes off a piece of his armor right before going into danger?

After Edwin tell his partner he believes in Charles’s ability to open the lock, Monty crows, and Charles sasses back. Edwin pays him no mind. Does that frustrate him, later when he’s human?

After Charles opens the lock, Edwin is the one who figures out that cabinet is a trick door.

I may not like Esther but she is clever. Was Monty learning from her the entire time he was her familiar? Does he take after her in that way? Always learning, always being wanting to be clever?

Monty, is shown soon after becoming human, to have a vast knowledge of zodiac signs. Did he learn all that in that short time span or was some of it things he’s taken in from Esther over the years? How much had he learned from her, from her spells, her books over the years?

Was he “raised” to appreciate cleverness even as a crow? Did he admire Edwin’s cleverness from the beginning?

Did he become human and immediately think back to when they first entered the house and wonder if Edwin would appreciate cleverness in return? Would appreciate the opportunity to learn something new from him? Hoped that they could be clever together?

There’s just so much to this scene from Monty’s perspective that I think we should consider.

Did he ever wonder if he was clever enough, would it be enough for Edwin to give him a chance?

Like he said, he never asked to be human… did he hope that, when the time came, with all his cleverness, that Edwin would understand that?

That he had never really had a chance in the first place?