#finale theory
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gingerylangylang1979 · 1 year ago
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Does Carmy die in the end? Don't hate me.
Ok @thoughtfulchaos773, here's the post.
I've been thinking for a while that Carmy may die in the finale. I may not be able to write this post as intelligently as it deserves but here it go.
You know how shows tend to end how they begin? The pilot begins with Carmy on a bridge with the bear in a cage. This is a dream and seems like a final showdown with his nemesis/alter ego. They are about to battle and then a car horn and swerving sound breaks the dream state and Carmy wakes up in his reality. We also get a scene of a body in a morgue. We assume it's Mikey but what if it's Carmy. We also hear voices from Micheal as if him and Carmy are in the same realm.
All throughout the show driving is a theme. It always seemed noteworthy to me because it's a show themed around cooking. Why is driving so important?
In "Hands" there is a lot of emphasis on who can drive and who can't. In "Dogs", there is confusion on where Cicero lives. Cicero later discusses a dream about Carmy's dad driving and what seems to imply Carmy is the little boy flying forever in the air. Sounds ominous. Syd names her catering company Sheridan Road. In season two Carmy and Claire make random trips out to the suburbs and needing a ride is central. Why do either of them really need a ride to do these errands? Donna crashes her car into the family home. Syd tells Richie to drive friends and family night.
Now back to it all coming full circle. There has been a lot of speculation of Carmy leaving for a different career or not. If we fully accept that he doesn't leave by choice, he could leave due to death. Why does everyone from the health inspector to Mr. Sirsky (sp?) confuse Carmy as the dead brother?
Carmy seems to be gradually handing the place over and disappearing but it doesn't seem to be conscious. That would make him seem suicidal like Mikey. But it's not that, he has no idea he's setting up his departure. He gives Tina the knife. His new whites have his initials in san serif white font, not the pronounced blue cursive, like he's a ghost. Syd's scenes parallel his as if she is meant to take over. He tells her it's her ship and I'll dial business you are everything else. Syd and Carmy are often shown in ethereal light, like Mikey looking back at Carmy in 1.8. Do they both pass on and Syd is the new hope/destiny?
And then, again there is the reference back to the pilot if this all comes true and full circle. Anybody who watched Six Feet Under gets it. I always found these two stories very similar. In the pilot Nate (Carmy) has an aneurysm. We kind of forget about it because the story shifts to him coming back home as the prodigal son and the whole family dealing with the death of the patriarch and the passing over of the family business. The brother who stayed (Richie) is resentful. He stayed. He didn't really want to be a mortician but it was how he stayed close to the family and tried to bond with the dad. The business is in shambles and they have to "change the chemistry" to make it work. A new talent (Sydney) comes in that makes it all better and offers a different perspective. I won't go into the entire plot but in the end what happens? Nate dies. Aneurysm. Full circle. This is often how shows end. There are often clues.
My theory is that somehow Cicero and his dad tie into some sort of trip to the suburbs. I honestly think Cicero is Carmy's real dad. I feel somehow this will come to light and he makes a trip to see one of them. Why was Carmy confused about where Cicero lives? I don't think that was a throwaway line.
Does Carmy die in a car accident in the suburbs?
I may have left out a few things but I dunno, thoughts?
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philippeauguste · 1 year ago
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In season 1, Ed thinks he’s getting everything he wants, leaving Blackbeard behind to start a life with sweet Stede.
Stede is not ready to leave his issues behind, he’s still traumatized about his encounter with Chauncey, and he has unresolved issues with his family. Stede leaves Ed for his wife to work on those.
In season 2, Stede thinks he’s getting everything he wants, he’s getting recognition from the pirates, he’s popular and finally a real pirate. He gets to be co-captain with his boyfriend Ed, also a famous pirate.
Ed is still traumatized by his suicide attempt, self esteem and abandonment issues (preexisting and triggered by Stede and Izzy). Ed leaves Stede to become a fisherman and work on those.
They both end up suicidal (or at least very reckless in Stede’s case) and broken hearted. First trigger for both of them is the breakup and second one is betrayal and abandonment from close friends. The second trigger compounds their pain and push them over their limit.
One thing that the two breakups mirrors is that the perso be leaving does not communicate their issues and blindsided the other, making them believe they got left behind because they are unlovable and unworthy.
The key is simply to communicate. Ed and Stede actually want to be together. It’s not each other they rejected but their communication is abysmal.
Stede saves Ed when he appears to him as a mermaid, giving him his hope back.
Now that Ed left Stede and Stede is on the republic of pirates under attack, it’s logically Ed’s turn to show up miraculously and save him. After all, the title of the last episode is Mermen 😅❤️
Hopefully, those 2 will find their middle ground between normal guysTM and bloodthirsty pirates to make their own path together.
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pheracy · 2 months ago
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Jinx's traces of make up after she has cried looks like Vi's face tattoo but backwards and they both have it in their left cheek.
Besides, her final look and outfit resembles her sister's in S1 and S2. The bandages covering her chest and the new hairstyle with the shaved undercut on the same side is also similar to Vi's.
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After all it seems like Vi and Powder cannot coexist in the same timeline or dimension. When Powder lives, Violet doesn't. When Vi lives, Jinx decides not to. "Always with you, sis".
The parallels, the attention to detail and the design for each character in Arcane is insane. I can't believe this amazing series is over. I'm gonna miss these sisters like they were my relatives.
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egophiliac · 5 months ago
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crossing my fingers and wishing upon every star that chapter 10 finally brings us the tweel cards 🤞🤞
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lynxgriffin · 1 month ago
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Mightier Than The Sword
Gerson had one regret, but now Alvin has many. A fancomic about my thoughts and theories and who -and what- the Knight is!
While not directly connected, I'd say this one is in the same vein as the Deal With The Devil series! Hope you enjoy!
Alt text for this comic under the read more:
Page 1
Panel 1 - Wide shot of the interior of the Boom household. Several monsters are gathered in a clean-looking hall, dressed in somber clothing and talking quietly in small groups. The monsters include QC, Cat Mom, Toriel, Asgore and Mayor Holiday. Father Alvin stands waiting at a door in the hall as his sister, a red-headed turtle monster in a pink dress, exits through the door and speaks to him. “Alvin…he’s ready for you.”
Panel 2 - Mid shot as Alvin prepares to enter the room. Ms. Boom steps out of the way, and puts a reassuring hand on his shoulder. Both of them look somber. 
Panel 3 - Alvin enters the room, mostly dark and lit by a few candles on a nearby desk. Gerson Boom is lying on a bed ahead of him, watching him enter. Alvin closes the door behind him and says, “Father, I’m here.”
Panel 4 - Alvin approaches his father, lying in bed. The bedroom has a few amenities, including a footstool set off to the side, a large rug bearing the delta rune, and a massive bookcase filling the entire back wall. A few books and papers litter the ground. Alvin bows his head, and says, “The hammer is ready for…for afterwards.”
Gerson just smiles, and responds, “Wa ha, is it? Well, it’ll do fine, I suppose.”
Panel 5 - Closer shot of Gerson extending his right hand towards Alvin. He’s smiling still, content with where he is. “Come here, son.”
Page 2
Panel 1 - Closeup as Alvin takes his father’s hand in his own, and clasps it tight. “Whatever you need…I’m here,” he says from offscreen.
Panel 2 - Alvin kneels by his father’s bedside, still clasping his hands. Gerson says, “Of course you are. Wa ha…you’re such a good and kind man, Alvin.”
Panel 3 - Closeup on Alvin as he just holds on to his father’s hand. Tears prick at the corners of his eyes. 
Panel 4 - Focus on Gerson as he holds up a hand to conspiratorially whisper to Alvin. “And I know I can trust you with a secret, right?”
Panel 5 - Closeup on Alvin as he looks back up, face earnest. “...Of course.”
Panel 6 - Gerson holds up one finger as he speaks to Alvin. “I told your sister I had no regrets, but that was a BIT of a fib! I’m afraid I have one regret…”
Panel 7 - Side view of Alvin as he learns closer, his face now worried. “Father?...”
Page 3
Panel 1 - Focus on Gerson as he leans back on his pillow, looking up at the ceiling. “I wish I had started earlier. Writing stories, I mean. Seein’ you an’ your sister’s eyes light up whenever I read you a new chapter…and then seeing all that joy from so many young folks after those stories were published!” he says, looking wistful.
Panel 2 - Alvin watches on sadly as Gerson continues, “It was the greatest feeling in the world, Alvin. It’s what life’s all about, y’know. Helping the young folks grow.”
Panel 3 - Gerson closes his eyes and looks back towards the ceiling again, still wistful. “So, I wish I’d started writing stories sooner.”
Panel 4 - Closeup on Alvin as he bows his head, still holding Gerson’s hand. “I truly do cherish those times you read to us, father…” he says.
Panel 5 - Closeup on Gerson as he closes his mind with happy memories. “Me too, Alvin. It’s a shame…I’ve still got so many tales to tell! But–”
Panel 6 - Gerson is interrupted by a round of hacking coughs. His time is fast approaching.
Panel 7 - Gerson settles back in to his bed and says, “The Angel’s given me SO many good, happy years. Doesn’t seem fair to ask for more.”
Panel 8 - Closeup on Alvin as he continues to hold his father’s hand tight. “This doesn’t seem fair, either…” he says, tears still pricking at his eyes.
Page 4
Panel 1 -  Insert closeup of Gerson as he smiles at his son. “That’s life, Alvin!” He doesn’t seem bothered by his imminent passing.
Panel 2 - Side view as Gerson leans in closer to Alvin again, hand raised, back to sharing his secrets. “But, knowin’ my secret…there’s something I’d like to ask of you.”
Alvin faces his father with seriousness. “Anything,” he replies.
Panel 3 - Closeup on Gerson, as he looks hopefully at Alvin. “You have a good heart, Alvin. I want you to know this joy, too.”
Panel 4 - Gerson continues in the next panel: “Please try writin’ stories of your own, alright?” Closeup on Alvin as he looks shocked and a bit worried by the request.
Panel 5 - Mid shot as Alvin holds up a hand to Gerson in protest. He says, “Father, I…I have no talent for writing fiction. Not like YOU.”
Panel 6 - Closeup on Gerson as he refutes his son: “Hogwash! I know you can.”
Panel 7 - Wide shot as Alvin stands up, and looks around the room. “No, I…”
In the foreground, there’s Gerson’s desk, currently showing some lit candles, some paper, an inkwell, a notebook, and his favorite fountain pen.
Page 5
Panel 1 - Closeup as Alvin grabs two objects off of the desk: the small notebook and the fountain pen. Offscreen, he says, “If you just…”
Panel 2 - Back at Gerson’s bedside, Alvin pulls up the footstool and puts the pen and notebook in front of him, intending to use it. He faces his father, and says, “Tell me your ideas, I could write them down, and–”
Gerson interrupts him: “‘Fraid it doesn’t work that way, Alvin!”
Panel 3 - Gerson holds up both of his hands and smiles as he explains: “My tales are between my soul and the pen. You’ll need to make your own.”
Panel 4 - Gerson watches as Alvin, tears in his eyes, looks down at the notebook and pen in hand. “I–I cannot…” Alvin starts, looking despondent.
Panel 5 - Side view of Alvin as tears continue to stream from his eyes. He says, “Not without you!” In the background, in grayscale, there is a scene from Alvin’s memory: Gerson reading a book to his two children by the fire. Gerson looks happy, and both kids are enraptured, with Alvin clinging to a cat doll that looks like Seam.
Panel 6 - Closeup on Gerson, his face now more worried and pleading towards Alvin. Gerson says, “Y-you can… It’s all I ask…”
Panel 7 - Gerson turns away as he’s again interrupted by a round of terrible sounding coughs. Alvin stands holding the notebook and pen in the foreground.
Page 6
Panel 1 - Horror comes over Alvin’s face as his father continues to cough loudly, clutching his chest. He realizes that his father might be close to death now.
Panel 2 - Wider overhead shot as Alvin turns away from Gerson, looking frantically around the room. “No! Not yet!--” he says desperately. Gerson is still racked with coughs.
Panel 3 - Closeup as Alvin grabs the candles from the desk–
Panel 4 - And then pulls a book from the bookshelf, with the delta rune on the front –
Panel 5 - And then finally pulls out what appears to be a beaded rosary, with the delta rune made of beads at the end of it.
Panel 6 - Wider shot as Alvin places the objects in front of him, candles to the side, holy book in front of him. Gerson can only lay there as he does so, trying to catch his breath.
Panel 7 - Front view of Alvin as he clasps his hands together in front of his face, the rosary threaded between his fingers. He closes his eyes and bows his head in prayer. “Angel…Angel above! Please, heed your servant’s prayer!”
Page 7
Panel 1 - Closeup on Alvin as he continues to pray, the candles glowing around him. He keeps his eyes shut even as tears well in them. “I know you call back my father’s soul, but please! Please refrain!”
Panel 2 - Gerson desperately reaches a hand out towards his son, shaking, but unable to reach him. In the foreground, the fountain pen sits on the footstool between them. “A-Alvin…” Gerson’s voice is shaky now.
Panel 3 - Aerial shot as Alvin prays over the book, and Gerson is still confined to the bed, only able to watch. “This world still NEEDS his gifts!” Alvin says. “I pray to you, don’t take them from us now!” The shadows around Alvin start to grow strange, not matching the candlelight.
Panel 4 - Gerson continues to hold out a hand, now not looking well. “No…”
Panel 5 - Closeup on the candles as they spark to life, now glowing stronger.
Panel 6 - A strange bright glow begins to emanate from Gerson. Behind him, the books in the bookcase all rattle and shift as if in a localized earthquake. The colors of the room grow brighter and stranger.
Panel 7 - Still reaching out a desperate hand, Gerson lets out a soft breath. His soul, an upside-down white heart, comes up from his body. On the footstool in the foreground, the fountain pen also begins to levitate, as if by magic.
Page 8
Panel 1 - Front shot of Alvin as he continues to pray desperately, his head bowed and hands together. “Grant us the love shown between his soul and the pen!” Behind him, the colors have grown stark and bright, and a shadow resembling the angel looms behind Alvin.
Panel 2 - Alvin looks up to discover something amazing and terrible: Gerson’s soul has been drawn to the fountain pen, and begins to flow down into it.
Panel 3 - Closeup as Gerson’s soul is completely absorbed into the pen, hovering high over the bed.
Panel 4 - The candles turn strange blue and pink colors, and the books in the bookcase shake and rattle relentlessly.
Panel 5 - Extreme closeup on Alvin’s eyes as he sees this miracle; the light of his father’s soul reflected in his eyes.
Panel 6 - Closeup as the pen suddenly drops, and clatters back on to the footstool.
Panel 7 - Wide aerial shot as the room very suddenly goes completely dark and silent, the bright colors and lights now gone. Alvin stands up and backs away from the bed, still clutching the rosary, his face filled with horror. Gerson now lies unmoving in his bed, having passed away.
Page 9
Panel 1 - The same shot as the first panel of the first page, with the other monsters waiting in the hallway. No one says anything as Alvin emerges from the bedroom, leaning on the door for support, his head bowed. Everyone in the room knows that Gerson has just passed, although they don’t know the rest.
Panel 2 - An establishing shot of the forest and mountains surrounding Hometown…the skies are a dark, gloomy gray.
Panel 3 - Above shot of Gerson’s newly dug grave. At the bottom of a small pit lies Gerson’s hammer, covered in his dust. Politics Bear stands over the grave, holding a shovel. 
Panel 4 - Closeup as the shovel begins to dump dirt over the fresh grave.
Panel 5 - Another closeup of Gerson’s headstone, with bundles of fresh funerary flowers laid in front of it.
Panel 6 - Wide shot of Gerson’s funeral. Alvin stands over his father’s grave, reading last rites from one of his books. Lots of monsters are in attendance, including Alphys and Undyne, Napstablook, the Holiday and Dreemurr families, and more. A very young Kris, Noelle and Asriel are present, but Dess is not. Everyone is dressed in dark mourning attire.
Panel 7 - After the funeral, Toriel approaches Alvin and puts a hand on his shoulder. She says, “Beautifully said, Alvin. I know your father is watching proudly by the side of the Angel.” Alvin looks distant and mournful.
Panel 8 - A closeup of the fountain pen laying forgotten on the desk in Gerson’s room. Gerson is, perhaps, not actually with the Angel right now.
Panel 9 - Back at the funeral, Alvin bows his head, eyes closed. “You are too kind, Toriel,” he says.
Page 10
Panels 1-3 - We see the seasons pass through the changing of the trees…from the barren white trees of winter, to colorful pink blooms for spring, to the bright oranges and reds of fall.
Panel 4 - Sometime much later, Alvin again enters his father’s old room, alone.
Panel 5 - Much of Gerson’s room has remained untouched. The fountain pen still sits on his old writing desk in the foreground. Alvin steps inside, and carefully turns on the overhead light. “It’s been years,” he says.
Panel 6 - Alvin cautiously approaches the pen, which seems to loom large ahead of him. He hesitantly picks it up.
Panel 7 - Alvin places some blank pages on the writing desk. “Surely…”
Panel 8 - Alvin sits in front of the blank pages, still holding the pen cautiously. “Surely by now, I can do it.” He’s going to try writing.
Panel 9 - Closeup as Alvin dips the pen in the inkwell, and it comes away full of ink.
Panel 10 - Closeup as Alvin holds the pen over the blank page. The pen trembles slightly in his grip.
Panel 11 - Alvin tries to put pen to paper, but he’s still trembling. He looks down with great anxiety. “I…I…”
Panel 12 - Closeup on Alvin’s face as he looks more panicked, shaking and sweating. In the background, his memory of his father’s soul being absorbed into the pen plays back at him. This is still his fault.
Panel 13 - Closeup again as Alvin’s hand shakes uncontrollably, and the pen with it. Ink spots begin to dapple the blank page–
Page 11
Panel 1 - Alvin’s shaking hand accidentally knocks over the inkwell, and it spills black ink all over the blank page.
Panel 2 - Alvin picks up the ruined paper and folds it in half to try and stem the ink spillage. He quietly curses to himself. 
Panel 3 - Closeup as Alvin holds his head in his hand. It’s clear that this isn’t going to work. “I can’t…” 
Panel 4 - Closeup as Alvin puts the ink-stained paper back on the desk, and quickly grabs up the pen and inkwell.
Panel 5 - Taking the pen and inkwell, Alvin exits his father’s room again, head bowed and expression sad.
Panel 6 - Left behind, the folded paper slowly peels apart and unfolds…
Panel 7 - To reveal that the spilled ink has created a rorschach ink blot image of a titan. 
Page 12
Panel 1 - Wide shot as Alvin trudges down the streets of Hometown, alone. His head his bowed, and he’s still clutching the articles he took with him. It’s almost nighttime, and the sky is dark. “I cannot bear this kind of burden,” he says to himself.
Panel 2 - Shot from behind Alvin as he approaches the school building. It’s dark, and no students or teachers should be there. “Maybe you belong where you always have…”
Panel 3 - Now indoors, Alvin continues down the empty hallway towards a particular destination. “With the youth.”
Panel 4 - Alvin opens the door to the storage closet at the end of the hall. It opens with a soft creak. “Teaching. Telling stories,” Alvin continues to say to himself.
Panel 5 - Alvin places the fountain pen and inkwell on a small shelf in the storage closet. The closet is almost completely black. 
Panel 6 - The inkwell and pen are left on the shelf as Alvin closes the door behind him. His expression is mournful as he locks these reminders of his father away. “Inspiring someone better suited,” he says, hoping this is a suitable escape of his responsibility.
Page 13
Panel 1 - But in the storage closet, the objects are subject to something else already there: the grand Dark Fountain. The pen, ink and papers all fall into the darkness of the fountain–
Panel 2 - And start to change, the pen seemingly turning into liquid itself–
Panel 3 - As the pen falls deeper and deeper into the dark, the liquid begins to reshape into something new, something resembling a person–
Panel 4 - Until it lands on empty ground, now a person in knight’s armor, knelt over and holding his head in his hands.
Panel 5 - The Knight comes to, and starts to become more aware. He’s dressed in armor resembling the dark metallic sheen of the fountain pen, his mask resembling the pen tip. A bright deep red cape flows from his shoulders, and a single red-orange feather tops the helmet. “Where…am I?”
Panel 6 - The Knight again touches his helmet with both hands, as if not sure exactly what he is.
Panel 7 - Interior shot of the helmet, which reveals a figure much like Gerson…but much younger, more idealized-looking, with colors not matching his actual self. A Dark World interpretation. “WHY am I…?”
Panel 8 - A closeup of the Knight’s hand, slightly trembling.
Panel 9 - The Knight stares down at his own hands as realization begins to flood him, or at least something that looks like realization. “Wait. I see why. I KNOW.” he says.
 Page 14
Panel 1 - The Knight holds up his hand, and a sword appears in it in a flash of lights. The sword resembles the tip of a fountain pen, almost split neatly in two. “I serve the Lightners! That is my purpose!” Says the Knight. 
Panel 2 - The Knight draws the sword back with great fervor and determination. His thoughts echo around him in strong letters: “A purpose so bright, so clear…”
Panel 3 - In the final panel, the Knight drives the sword into the ground, causing an eruption of black ink-like material to spew from the ground…the creation of a new Dark Fountain. In the fountain itself, words reflect his purpose: “I EXIST TO GIVE THEM STORIES FOREVER.”
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chloesimaginationthings · 9 months ago
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Jeremiah and Mike’s first conversation in FNAF 2
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yellowvixen · 8 months ago
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week 18: still... you?
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liketolaugh-writes · 2 months ago
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hey can we talk about how fucking insane it is that the whole 'evil future self' debacle got pinned on danny cheating on a test
can we talk about how danny came away from that genuinely believing that it was cheating on a test that had made him evil, as if it were any more than just. the reason they were all at the nasty burger that day
can we talk about how sam and tucker also seemed to think that and how we, the viewers, also were apparently supposed to believe it
because uhhhh
the whole idea is. ridiculous. and someone needs to gently tell danny so pleaseandthankyou
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livsmessydoodles · 8 months ago
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ready to cause some chaos...?
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reloaderror · 7 months ago
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on track to deliver on the biweekly thistle
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dotted-clouds · 24 days ago
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it's a soriku angst night 🙂‍↕️
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heyhanibee · 9 months ago
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boy meets world💫
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undoing-daughters-blog · 2 months ago
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I'm going to explain the theory that Jinx is not actually dead
(I know this is long, I promise it's worth it)
This starts in chapter 8 of season two.
We see Jinx in the prision, she's devastated, lost, defeated, and wants things to end. And we see the first interaction she has with the voice of Silco. In this interaction Silco tells Jinx that "killing is a cycle" and that it would continue. But Jinx says she's "done running in circles", meaning: she wants to stop this cycle. To which Silco says:
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And later, when Vi goes to visit Jinx, and Jinx tricks Vi and escapes the prison. Vi then asks her what she will do, Jinx answers:
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And now Jinx knows the way to break the cycle, is by leaving.
Next time we see Jinx is in episode 9. She is still in the same mood as before, and now she cuts most of her hair off and burns The Last Drop
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Burning down The Last Drop and letting go of her hair shows this closure. Later, she tries to kill herself, which is her way of "walking away" to "break the cycle".
But then Ekko shows up, saves her, and they go to save Vi and the others together.
At this point, Jinx wants to stop the killing and wants to leave, but she will always want to save Vi ("I'm always with you. Even when we are worlds apart").
But she still wants to break the cycle. She still needs to let go.
So, as she saves Vi from Warwick with the monkey bomb explosion, she escapes and leaves Piltover.
And we get a hint of that in the final scenes of the show when Caitlyn is going through her mother's database. She finds a blueprint of the hexgate tower and finds secret air ducts in the place where the explosion happened.
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We also see her holding a part of Jinx's bomb.
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And after seeing the blueprint she has this look. Like she's thinking "is it possible she survived?"
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And in the very last scene we see one of these things that is flying away from Piltover.
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Which reminds me of Season 1 Episode 1:
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She has always wanted to ride one of them.
Maybe, this is her new way of walking away, instead of dying.
And the two frames are almost exactly the same, it couldn't not be a reference to that s1 moment.
And I know this theory may sound dumb but, why would they show us Caitlyn looking at those blueprints then? Every scene, every frame in Arcane is carefully designed. The team is very good, they wouldn't just show it for no reason. It wouldn't make sense. Especially because they have only 9 episodes of 40 minutes each (except 9 which has 50) to develop everything that happens in season two. And there are A LOT of things going on, they don't have time to spare. If they chose to show us that, it had a very important meaning.
Also I think it's kinda bad If Jinx just dies, I wouldn't like that ending, at least not like this.
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posalis · 2 months ago
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Acts 2:23: "This man was handed over to you by God’s deliberate plan and foreknowledge [...]"
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hinamie · 8 months ago
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i loved the colours in this scene too much not to do a redraw
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strawlessandbraless · 5 months ago
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Everything on the internet is real
Source
**Update August 17th**
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Source
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