#filmmaker🎥

[dogma85]

"I need to have faith in the idea that I had originally"

[savage-kult-of-gorthaur]

QUIET ON THE SET -- HELMING ONE OF THE GREAT ANTI-WAR FILMS OF THE 20TH CENTURY.

PIC INFO: Spotlight on a production phoGlo of film director Stanley Kubrick (at right, seated) on the set of the 1957 American anti-war/drama film "Paths of Glory," directed & co-written by Stanley Kubrick. © United Artists Corporation.

KUBRICKIAN FACT: Stanley notably kept his film crews small, with a number of key members working with him across many of his films.

Source: https://academic-accelerator.com/encyclopedia/paths-of-glory.

[pangarina-angelin-a]

[rolandojherrera]

Coffee chat with the writing partner and good friend. Finally! Lets gooooo! #screenwritingsquad #goals ☕️☕️🤗🤗👍🏽👍🏽 #christmas #christmastree #comedy #onset #moviemaking #filmproduction #bts #onlocation #videography #setlife🎥 #filmmakers #filmmaking #christmas #santa #producer #behindthescene #filmcrewlife #actorslife #happy #screenwriter #shortfilms #funny #short https://www.instagram.com/p/Clm56DxLdgX/?igshid=NGJjMDIxMWI=

[cyrilthroughthelens]

Written Feb 18, 2020 - Reaction Paper "How did cinematography create the persona of Citizen Kane?" Cinematography's Influence on the Persona of Citizen Kane

"Citizen Kane," a 1941 film written and directed by Orson Welles, holds a special place in my heart. Having watched it for the first time in 2019, between April and July, I found myself perplexed by its early exploration of unconventional endings. The unexpected nature of the conclusion, or perhaps my own conflicting expectations, left me with a profound emotional response.

Upon revisiting the film later that year, just before December, I discovered a deep sense of sadness for the challenges Charles Kane endured throughout his life. The ending resonated with me, as I initially anticipated Charles calmly accepting Susan's departure, only to witness his outburst, which included the destruction of his surroundings, despite his advanced age. I also experienced a touch of anger towards Susan for her constant shouting, complaints, and ultimate abandonment of Charles. My heart went out to his character, who repeatedly faced failure in love, even until the film's conclusion.

The cinematographer, Gregg Toland, made a significant contribution to the film's impact. I noticed how Toland skillfully manipulated light in every shot, effectively creating a visual separation between the foreground and background, resulting in captivating and dramatic imagery. Through cinematography, the film employed various perspectives and metaphors to surprise the audience. Additionally, the camera movements and set tricks greatly enhanced the overall quality of the movie. For instance, the inclusion of ceilings in low-angle shots, a departure from the usual practice of placing microphones and equipment above the actors' heads, added an unusual but striking visual element.

The character of Charles Kane has left an indelible mark on me. Despite his negative traits, he is a hardworking, kind-hearted individual with strong principles. His indifference towards wealth, despite becoming a billionaire through his association with the bank owners, distinguishes him. While he often makes imprudent decisions, it is perhaps his flawed nature that draws me closer to his character.

Throughout the film, Charles continually mentions the mysterious word "rosebud," even until his death. To me, this represents his longing for the life he had with his parents and the memories associated with the sleigh.

Overall, "Citizen Kane" remains an enduring masterpiece, made even more impactful by the skillful cinematography of Gregg Toland. Through his techniques, the film effectively captures the multifaceted persona of Charles Kane, leaving a lasting impression on the audience.

[robfinancialtip]

🎬🎥 Katrina Chiovon talks about her life and career in the entertainment industry. "The Glitch," a comedic science fiction short that Katrina produced and directed, was shown at the Chelsea Film Festival. She's a very talented person. Problems with sound quality and a sound guy contracting COVID during production weren't the only obstacles Katrina overcame; she showed remarkable perseverance and resolve to finish the project.

🛠️🔊Technical difficulties with the sound and the complete loss of all film progress because of an accident in the sound studio were among the many obstacles that the production of "The Glitch" had to overcome. Katrina had an unwavering commitment to her endeavor even though she had periods of frustration and wanted to quit. She stresses the significance of perseverance and creative problem-solving in hardship.

🏠💔As a young girl, Katrina dealt with a lot of upheaval and difficulty at home. Katrina was eventually placed in a foster home due to her family's situation. She loved her mother deeply, but their connection was strained because she couldn't understand her decisions in light of her life.

🎭🌆Katrina always felt a strong pull toward the arts, especially dancing and acting, even as a little girl. When Katrina recalls her love of acting from childhood, she remembers trying out for a role in a Brady Bunch movie. She arrived in New York City at seventeen and a half, seeking opportunities such as modeling for Ralph Lauren and Glamour magazine. Katrina overcame the dangers and difficulties of growing up street-smart and alone in the city.

🌟👼Despite Katrina’s many hardships and disturbing incidents while residing in Bed-Stuy, Brooklyn, she persevered and found solutions. Even though she was aware of the threats she faced, she attributes her survival to gut feelings and, maybe, a guardian angel. She exemplifies the strength and determination to follow one's passions despite challenges. Katrina also sought acting roles, landing parts in films including Vendetta Wounds and The City on the Edge. Her film debut was in Christopher Corulla's Old Secrets No Lies (2010). The picture had its world premiere that year at the Tribeca Film Festival, and it featured the late Vinnie Vella.

💪🙏 Katrina demonstrates the significance of self-belief and resilience in the face of adversity. Her unwavering dedication to filmmaking and the arts propelled her through challenges, culminating in a successful debut at the Chelsea Film Festival. Her inspiring message resonates with aspiring artists and entrepreneurs, urging them to embrace challenges as pathways to growth. Let your determination turn obstacles into stepping stones to realizing your dreams.

[silvyysthings]

🎥❤️🐶

After reading and listening to more interviews with Luca, I think I want to spend a weekend with him. I love the fact his puppy was in full puppy mode not wanting to listen and sit for a photo. 😂

This is a pre-‘Challengers’ interview but has another interesting insight into Luca. Google Translate was my friend with this.

https://elpais.com/icon/2024-05-04/luca-guadagnino-nada-es-mas-fascinante-que-el-poder-devastador-de-la-represion-especialmente-la-masculina.html

😍 thank you anon

Jonathan is one of the most intelligent people I know,” says the filmmaker. “He is a man of infinite wisdom and with an incredible sense of humor. He is a great artist, a great creative director and one of the most important people the world of fashion has produced in the last fifty years. And he is also my soul mate.

[d-fergi]

Dear Friends, 👋🥹

My name is Motasem Bashir, a Palestinian citizen from Gaza. 🇵🇸 For 25 years, I worked tirelessly as a photographer and screenwriter, striving to build a future after tragically losing my parents and elder brother during the first war on Gaza when I was just nine years old.😭💔

Before October 7th, I was on the verge of achieving stability and pursuing my dreams. Now, I find myself trapped in Gaza amidst constant bombardment and a severe lack of basic human rights.

I've launched this campaign to evacuate from Gaza and rebuild my shattered life. The funds raised will cover transportation costs, temporary housing, and replacing essential work equipment lost in the bombings. Additionally, I need support for clothes and temporary residence in Egypt during this transition.🇵🇸💔💔

Introduction

I fled my home in Al-Karama neighborhood amidst phosphorus bombs that left my neighborhood in ruins. Miraculously surviving, I sheltered with a friend, only to find my sister and her children trapped under debris from a bombing. Risking everything, I helped them escape amid flames.😭

The next day, the house I stayed in was bombed, forcing me to relocate multiple times across northern Gaza. On October 13, amid escalating violence, I joined thousands in a perilous journey southward. Enduring unimaginable suffering, I lived in countless precarious shelters, surviving multiple bombings, including one that destroyed my neighborhood.

I've faced displacement, moving homes eighteen times across Gaza, battling financial hardship and discrimination. Now, I seek your support in rebuilding shattered lives and providing hope amidst Gaza's turmoil. Together, we can make a difference.

Loss of My Home 🏠 💣

I was fortunate to have left for the south because a few days later, the army began its military operation in the Al-Karama neighborhood. Violent clashes ensued, resulting in the destruction of my house and those around it. It took a month before anyone could return to take photos. I was heartbroken to learn that I had lost the place that had sheltered me, even if it was cold and without my family. To make matters worse, the rest of my property had been stolen . 😭

Life in the South

My daily life has become unbearable due to severe financial difficulties, constant fear of bombings, and the monopolization of essential goods pushing prices beyond reach. I also face hostility, airborne illnesses, and a dire lack of resources like electricity, clean water, and hygiene supplies. Malnutrition is a constant struggle, and I often rely on canned food as fresh produce and proteins are rarely available. Despite these hardships, I find solace in brief, safe walks and connecting with others who understand my situation.

Who Was I Before October 7th? 🎥

I was financially independent, collaborating with international companies, and ready to embark on a freelance filmmaking career. I had recently invested in new equipment, including a camera and a laptop, to further my creative pursuits. Sadly, all my plans were shattered by the relentless bombings that not only destroyed my home but also the banks where I kept my savings.

Final Thoughts 🥹🙏

Your support, whether big or small, will make an immense difference in my journey to rebuild. With your help, I can escape the horrors of war and create a new life for myself in a safer environment. Thank you from the bottom of my heart for being my beacon of hope.

With heartfelt appreciation,

Motasem Bashir 😞

Because helping financially helped me morally and physically 💔.

https://www.gofundme.com/f/help-motasem-bashir-rebuild-his-life

Shared.

[starsalot]

Dear Friends, 👋🥹

My name is Motasem Bashir, a Palestinian citizen from Gaza. 🇵🇸 For 25 years, I worked tirelessly as a photographer and screenwriter, striving to build a future after tragically losing my parents and elder brother during the first war on Gaza when I was just nine years old.😭💔

Before October 7th, I was on the verge of achieving stability and pursuing my dreams. Now, I find myself trapped in Gaza amidst constant bombardment and a severe lack of basic human rights.

I've launched this campaign to evacuate from Gaza and rebuild my shattered life. The funds raised will cover transportation costs, temporary housing, and replacing essential work equipment lost in the bombings. Additionally, I need support for clothes and temporary residence in Egypt during this transition.🇵🇸💔💔

Introduction

I fled my home in Al-Karama neighborhood amidst phosphorus bombs that left my neighborhood in ruins. Miraculously surviving, I sheltered with a friend, only to find my sister and her children trapped under debris from a bombing. Risking everything, I helped them escape amid flames.😭

The next day, the house I stayed in was bombed, forcing me to relocate multiple times across northern Gaza. On October 13, amid escalating violence, I joined thousands in a perilous journey southward. Enduring unimaginable suffering, I lived in countless precarious shelters, surviving multiple bombings, including one that destroyed my neighborhood.

I've faced displacement, moving homes eighteen times across Gaza, battling financial hardship and discrimination. Now, I seek your support in rebuilding shattered lives and providing hope amidst Gaza's turmoil. Together, we can make a difference.

Loss of My Home 🏠 💣

I was fortunate to have left for the south because a few days later, the army began its military operation in the Al-Karama neighborhood. Violent clashes ensued, resulting in the destruction of my house and those around it. It took a month before anyone could return to take photos. I was heartbroken to learn that I had lost the place that had sheltered me, even if it was cold and without my family. To make matters worse, the rest of my property had been stolen . 😭

Life in the South

My daily life has become unbearable due to severe financial difficulties, constant fear of bombings, and the monopolization of essential goods pushing prices beyond reach. I also face hostility, airborne illnesses, and a dire lack of resources like electricity, clean water, and hygiene supplies. Malnutrition is a constant struggle, and I often rely on canned food as fresh produce and proteins are rarely available. Despite these hardships, I find solace in brief, safe walks and connecting with others who understand my situation.

Who Was I Before October 7th? 🎥

I was financially independent, collaborating with international companies, and ready to embark on a freelance filmmaking career. I had recently invested in new equipment, including a camera and a laptop, to further my creative pursuits. Sadly, all my plans were shattered by the relentless bombings that not only destroyed my home but also the banks where I kept my savings.

Final Thoughts 🥹🙏

Your support, whether big or small, will make an immense difference in my journey to rebuild. With your help, I can escape the horrors of war and create a new life for myself in a safer environment. Thank you from the bottom of my heart for being my beacon of hope.

With heartfelt appreciation,

Motasem Bashir 😞

Because helping financially helped me morally and physically 💔.

https://www.gofundme.com/f/help-motasem-bashir-rebuild-his-life

.

[lau219]

So, my catastrophe at work today was that a very prominent documentary filmmaker based out of L.A. was in town for a few engagements and he had a dental emergency. He’s acquaintances with a retired colleague of my boss, and she reached out to us to see if we could urgently see him to fix his tooth today. So, I spent my morning speaking with this filmmaker and his friend who was with him and rearranging our schedule to accommodate for him. They were very nice and appreciative.

Unfortunately, he didn’t “discover” me and take me back to L.A. with him to start my movie star career as I had hoped, but at least I can say with pretty fair certainty that I now have less than six degrees of separation between myself and all of Hollywood. 🎬🤩🎥😎

[tentative-wanderer]

Recently read these manga and manhwa with gay relationships:

☀️ The Summer Hikaru Died: liked it lots, wish it were complete. The creepy art style took some getting used to, I didn’t like how unnerving even normal people looked at first but I ended up loving how the art fits its genre. Mystery + horror + a sort of love I like, occupying the twilight zone between platonic, romantic and goodness knows what*. The theme of grief is executed well, very moving, and thumbs up for the other complicated feelings the characters wrestle with. From the Chinese words/kanji, I can tell that the title is “The Summer the Light Died”, which makes me go ahhhhh. I’d like to have the reassurance that there will be a happy ending, because I feel like there could be a melancholy one.

* I like amorphous kinds of love. Qijiu from the danmei book SVSSS has that too (don’t look this pair up if you haven’t read SVSSS, it’s spoilery). The phrase that comes to mind is 犹抱琵琶半遮面, ie, (a musician) “covering half their face with the pipa in their arms”. The beauty of things only semi-revealed.

🎥 Twilight Out of Focus and its sister series: enjoyed them. My favourite character is the film director with semi-long hair who’s capable, strong-willed, outspoken, and competitive, tempered by a softer side (the thing he’s loud and passionate about besides filmmaking is BL, of all things. But I didn’t know he swung that way until he got his own manga series. Should have seen that coming). That tends to be a winning combination of physical and personality attributes in my book, I always fall for this type of character, but I’d be on edge if I had to deal with such people in real life because their cut-throat attitude would be, well, cutting.

🧼 Ten Count: can relate to the mysophobia. Interesting premise! Enjoyed it. But I feel like it was dragged down a little by the smut. I have mixed feelings about saying that, because on one hand, smut is always welcome, but on the other hand, I wish there was a greater focus on the process of overcoming the ten mysophobic points beyond the romance and smut. Another downside is pretty-boy same-face syndrome.

🪞 The Black Mirror: there are a number of imperfections but I was hooked because I like mystery.

If anyone has recommendations, I’m all ears! BL manga is new to me (previously, I think I’ve only read the comedy about the guy who realised he’s stuck in a BL world, haha).

***

(Not BL)

Read a number of chapters of Liar Game. I don’t know why the author is drawing manga instead of messing with the stock market or committing fraud or financial world domination. Big-brained stuff. I tend to read comics fast/skim-read so I found it challenging to think deeply about the strategies; even following along is tough. (Edited to add: the ending was really, really bad.)

Caught up with the more recent chapters of Spy x Family and Life Lessons with Uramichi Oniisan. Loved both. Regarding Spy x Family, I thought I couldn’t love it more but it turns out I could; the recent arc about the old female soldier is wonderful, overturns some gender norms to an extent hardly seen in media. Also, I really like Yuri and Fiona; they’re both capable, good-looking, and—importantly—very funny. Fiona is amazing in the anime, her voice actress adds a special spark of life to the duality of her character.

[spatialwave]

film school limoreau. 🎥🎞️

- marie and jordan would start in the same year together, but come from different levels of background knowledge. jordan would have gone to a secondary school where they had film programs and money to develop their own projects. marie would have all of her knowledge self-taught, from watching youtube videos and spending every night analyzing her favourite films — never really able to successfully film a solid project.

- they would have their differences, with jordan being a bit snobbier than marie would like. she’s a fan of b-roll films and cult classics, whereas jordan is a fan of big names and big pictures.

- they come together because of their obsession over one movie: everything everywhere all at once. it’s mentioned in class once and the two of them both interrupt the discussion at the same time, eyes locking — realizing that maybe they weren’t so annoying as they thought.

- marie is abundant in creativity, enjoying scribbling down story plots on random pieces of paper and sketching storyboards for hours. jordan is more meticulous with their planning, but still able to see the big picture of things and prefers to solidify scripts.

- marie likes to set up shots, light them and make them look pleasing to the eye. jordan likes to direct, get the actors into their headspace and nitpick when editing.

- they both fucking hate audio capture, but it’s where they bond. they realize it’s a weakness they both have and they partner up on certain assignments, finding themselves growing closer with each breakdown about how to compress audio or how to creatively capture foley.

- jordan realizes they’ve fallen hard for marie when she acts in a short film for them. they’re behind the camera, setting up a shot where marie’s character is sitting under a spotlight — a dramatic piece that’s set for an inner monologue. as she stares in the camera, popping her lips together and asking jordan how the framing looks… they’re rendered speechless.

- jordan spent a lot of time editing that project because they’d get lost staring at marie on screen.

- one of their classmates (emma) would ask marie and jordan to act in her short romance film. they’d have a kiss scene that they both act like they don’t care about, but the kiss looked so real and passionate that emma ‘forgot’ to record so they could do it a couple more times.

- the two of them would be dating by the end of their degree. they’d share a passion of making major production films together, starting with indie films they’d submit to festivals as a director (jordan) and cinematographer (marie).

- the two of them would become a powerhouse couple, eventually, making names for themselves as the unstoppable force behind filmmaking.

[rolandojherrera]

“Jinger Claus.” A Christmas comedy. The talented Noelle, Teresa, and Kona! 😁😁♥️♥️👏👏👏 Great job today cast and crew! #christmas #christmastree #comedy #onset #moviemaking #filmproduction #bts #onlocation #videography #setlife🎥 #filmmakers #filmmaking #christmas #santa #producer #behindthescene #filmcrewlife #actorslife #happy #screenwriter #shortfilms #funny #short https://www.instagram.com/p/ClcwLMQrhFx/?igshid=NGJjMDIxMWI=

[oswincoleman]

A new video from the Q&A session for The Jetty!

In it, Jenna Coleman talked about the mother-daughter relationship between her character of Ember Manning, and her on-screen daughter, played by Ruby Stokes.

[leonardcohenofficial]

tagged by @herbaklava @timrothencrantz and @wutheringdyke to post my top nine new-to-me watches of the year—thank you all! in no particular order (l-r, top row to bottom row):

skinamarink (kyle edward ball, 2023) great freedom (sebastian meise, 2021) earth mama (savanah leaf, 2023) nineteen eighty-four (michael radford, 1984) enys men (mark jenkin, 2022) marina abramović & ulay: no predicted end (kasper bech dyg, 2022) paris 5:59: théo & hugo (olivier ducastel and jacques martineau, 2016) nationtime (william greaves, 1972) giants and toys (yasuzo masumura, 1958)

while i hit my continual goal of half of the films by women and nonbinary filmmakers, i still definitely need to keep up with deliberately seeking out films by directors of color! tell me your faves if you’ve seen any of these; do we think i can hit 150 titles in 2024? 👀🎬🍿🎥

i'll tag @sightofsea / @lesbiancolumbo / @nelson-riddle-me-this / @draftdodgerag / @edwardalbee / @majorbaby / @radioprune / @glennmillerorchestra / @deadpanwalking and anyone else who'd like to do this!

my full watchlist is included under the cut, favorites of the year are bolded in red:

The Final Exit of the Disciples of Ascensia (Jonni Phillips, 2019)

Nothing Bad Can Happen (Katrin Gebbe, 2013)

Dive (Lucía Puenzo, 2022)

The Menu (Mark Mylod, 2022)

The Wonder (Sebastián Lelio, 2022)

The Whale (Darren Aronofsky, 2022)

Shapeless (Samantha Aldana, 2021)

Skinamarink (Kyle Edward Ball, 2023)

Avatar: The Way of Water (James Cameron, 2022)

Actual People (Kit Zauhar, 2021)

Honeycomb (Avalon Fast 2022)

Warrendale (Allan King, 1967)

Women Talking (Sarah Polley, 2022)

This Place Rules (Andrew Callaghan, 2022)

Nationtime (William Greaves, 1972)

Deep End (Jerzy Skolimowski, 1970)

Incident in a Ghostland (Pascal Laugier, 2018)

Keane (Lodge Kerrigan, 2004)

I Start Counting (David Greene, 1970)

Bones and All (Luca Guadagnino, 2022)

Tár (Todd Field, 2022)

The Most Dangerous Game (Ernest B. Schoedsack and Irving Pichel, 1932)

These Three (William Wyler, 1936)

Dead End (William Wyler, 1937)

The Sport Parade (Dudley Murphy, 1932)

We're All Going to the World's Fair (Jane Schoenbrun, 2021)

Ratcatcher (Lynne Ramsay, 1995)

Smile (Parker Finn, 2022)

Holiday (Isabella Eklöf, 2018)

When Women Kill (Lee Grant, 1983)

Softie (Samuel Theis, 2021)

My Old School (Jono McLeod, 2022)

Beyond The Black Rainbow (Panos Cosmatos, 2010)

The Diary of a Teenage Girl (Marielle Heller, 2015)

Infinity Pool (Brandon Cronenberg, 2023)

Murina (Antoneta Alamat Kusijanovic, 2021)

The Banshees of Inisherin (Martin McDonagh, 2022)

Doubt (John Patrick Shanley, 2007)

Enys Men (Mark Jenkin, 2022)

Bully (Larry Clark, 2001)

My King (Maïwenn, 2015)

Festen (Thomas Vinterberg, 1998)

Marina Abramovic & Ulay: No Predicted End (Kasper Bech Dyg, 2022)

Elles (Małgośka Szumowska, 2011)

Poison Ivy (Katt Shea, 1992)

ear for eye (debbie tucker green, 2021)

Spring Blossom (Suzanne Lindon, 2020)

God's Creatures (Saela Davis and Anna Rose Holmer, 2023)

I Blame Society (Gillian Wallace Horvat, 2020)

Bama Rush (Rachel Fleit, 2023)

Is This Fate? (Helga Reidemeister, 1979)

Paris 5:59: Théo & Hugo (Olivier Ducastel and Jacques Martineau, 2016)

Madeline's Madeline (Josephine Decker, 2018)

The Strays (Nathaniel Martello-White, 2023)

Here Is Always Somewhere Else (René Daalder, 2007)

The Weather Underground (Sam Green and Bill Siegel, 2002)

American Revolution 2 (Mike Gray, 1969)

Judas and the Black Messiah (Shaka King, 2021)

Underground (Emile de Antonio, Mary Lampson, and Haskell Wexler, 1976)

Saint Omer (Alice Diop, 2022)

Baby Ruby (Bess Wohl, 2022)

Welcome to Me (Shira Piven, 2014)

Clock (Alexis Jacknow, 2023)

Knock at the Cabin (M. Night Shyamalan, 2023)

Blue Jean (Georgia Oakley, 2022)

Soft & Quiet (Beth de Araújo, 2022)

Jesus' Son (Alison Maclean, 1999)

The Rehearsal (Alison Maclean, 2016)

Violent Playground (Basil Dearden, 1958)

Grizzly Man (Werner Herzog, 2005)

A Banquet (Ruth Paxton, 2021)

Jagged Mind (Kelley Kali, 2023)

The Night Porter (Liliana Cavani, 1974)

Good Boy (Viljar Bøe, 2023)

Sanctuary (Zachary Wigon, 2022)

Little Girl (Sébastien Lifshitz, 2020)

Séance on a Wet Afternoon (Bryan Forbes, 1964)

Massacre at Central High (Rene Daalder, 1976)

Summer of Soul (Amir "Questlove" Thompson, 2021)

Bad Things (Stewart Thorndike, 2023)

Still (Takashi Doscher , 2018)

Lake Mungo (Joel Anderson, 2008)

The Vanishing (George Sluizer, 1988)

The Ringleader: The Case of the Bling Ring (Erin Lee Carr, 2023)

Giants and Toys (Yasuzo Masumura, 1958)

Spoonful of Sugar (Mercedes Bryce Morgan, 2022)

Double Lover (François Ozon , 2017)

Hereditary (Ari Aster, 2018)

Bodies Bodies Bodies (Halina Reijn, 2022)

Don't Call Me Son (Anna Muylaert, 2016)

Great Freedom (Sebastian Meise, 2021)

Mother! (Darren Aronofsky, 2017)

The Mind of Mr. Soames (Alan Cooke, 1970)

The Bloody Child (Nina Menkes, 1996)

Bunker (Jenny Perlin, 2021)

Polytechnique (Denis Villeneuve, 2009)

Scouts Honor: The Secret Files of the Boy Scouts of America (Brian Knappenberger, 2023)

The Woodsman (Nicole Kassell, 2004)

Giant Little Ones (Keith Behrman, 2018)

The Killing of a Sacred Deer(Yorgos Lanthimos, 2017)

Nineteen Eighty-Four (Michael Radford, 1984)

Saltburn (Emerald Fennell, 2023)

Renaissance: A Film by Beyoncé (Beyoncé Knowles-Carter, 2023)

May December (Todd Haynes, 2023)

Free Chol Soo Lee (Julie Ha and Eugene Yi, 2022)

Girl (Lukas Dhont, 2018)

Queen of Hearts (May el-Toukhy, 2019)

Streetwise (Martin Bell, 1984)

System Crasher (Nora Fingscheidt, 2019)

Burden (Richard Dewey and Timothy Marrinan, 2016)

As Above, So Below (Larry Clark, 1973)

The Captive (Chantal Akerman, 2000)

Run Rabbit Run (Daina Reid, 2023)

Subject  (Jennifer Tiexiera and Camilla Hall, 2022)

Earth Mama (Savanah Leaf, 2023)

Woodshock (Kate Mulleavy and Laura Mulleavy, 2017)

Swept Away (Lina Wertmüller, 1974)

Meadowland (Reed Morano, 2015)

Brainwashed: Sex-Camera-Power (Nina Menkes, 2022)

La Ciénaga (Lucrecia Martel, 2001)

Zola (Janicza Bravo, 2021)

The Starling Girl (Laurel Parmet, 2023)

Night Comes On (Jordana Spiro, 2018)

Dance, Girl, Dance (Dorothy Arzner, 1940)

[smilepilled]

Dear Friends, 👋🥹

My name is Motasem Bashir, a Palestinian citizen from Gaza. 🇵🇸 For 25 years, I worked tirelessly as a photographer and screenwriter, striving to build a future after tragically losing my parents and elder brother during the first war on Gaza when I was just nine years old.😭💔

Before October 7th, I was on the verge of achieving stability and pursuing my dreams. Now, I find myself trapped in Gaza amidst constant bombardment and a severe lack of basic human rights.

I've launched this campaign to evacuate from Gaza and rebuild my shattered life. The funds raised will cover transportation costs, temporary housing, and replacing essential work equipment lost in the bombings. Additionally, I need support for clothes and temporary residence in Egypt during this transition.🇵🇸💔💔

Introduction

I fled my home in Al-Karama neighborhood amidst phosphorus bombs that left my neighborhood in ruins. Miraculously surviving, I sheltered with a friend, only to find my sister and her children trapped under debris from a bombing. Risking everything, I helped them escape amid flames.😭

The next day, the house I stayed in was bombed, forcing me to relocate multiple times across northern Gaza. On October 13, amid escalating violence, I joined thousands in a perilous journey southward. Enduring unimaginable suffering, I lived in countless precarious shelters, surviving multiple bombings, including one that destroyed my neighborhood.

I've faced displacement, moving homes eighteen times across Gaza, battling financial hardship and discrimination. Now, I seek your support in rebuilding shattered lives and providing hope amidst Gaza's turmoil. Together, we can make a difference.

Loss of My Home 🏠 💣

I was fortunate to have left for the south because a few days later, the army began its military operation in the Al-Karama neighborhood. Violent clashes ensued, resulting in the destruction of my house and those around it. It took a month before anyone could return to take photos. I was heartbroken to learn that I had lost the place that had sheltered me, even if it was cold and without my family. To make matters worse, the rest of my property had been stolen . 😭

Life in the South

My daily life has become unbearable due to severe financial difficulties, constant fear of bombings, and the monopolization of essential goods pushing prices beyond reach. I also face hostility, airborne illnesses, and a dire lack of resources like electricity, clean water, and hygiene supplies. Malnutrition is a constant struggle, and I often rely on canned food as fresh produce and proteins are rarely available. Despite these hardships, I find solace in brief, safe walks and connecting with others who understand my situation.

Who Was I Before October 7th? 🎥

I was financially independent, collaborating with international companies, and ready to embark on a freelance filmmaking career. I had recently invested in new equipment, including a camera and a laptop, to further my creative pursuits. Sadly, all my plans were shattered by the relentless bombings that not only destroyed my home but also the banks where I kept my savings.

Final Thoughts 🥹🙏

Your support, whether big or small, will make an immense difference in my journey to rebuild. With your help, I can escape the horrors of war and create a new life for myself in a safer environment. Thank you from the bottom of my heart for being my beacon of hope.

With heartfelt appreciation,

Motasem Bashir 😞

Because helping financially helped me morally and physically 💔.

https://www.gofundme.com/f/help-motasem-bashir-rebuild-his-life

LINK TO THIS CAMPAIGN HERE (LINK) !!!

[Plain Text: The red, white and green bold-font text reads "LINK TO THIS CAMPAIGN HERE (LINK) !!!" — the parts where it says "HERE (LINK)" are hyperlinks, redirecting to this person's campaign.]