#filmes online

[megafilmeshdoficial]

Mega Filmes HD

Fãs de filmes e séries de TV podem assistir às suas produções favoritas online a qualquer hora e gratuitamente no Mega Filmes HD. Com um catálogo vasto e constantemente atualizado, o serviço oferece rapidez e praticidade ao usuário .

O que é Mega Filmes HD?

Criado em 2011, o Mega Filmes HD foi um site brasileiro que transmitia e distribuía filmes, documentários, séries de televisão, minisséries, telenovelas, shows, animes e desenhos animados sem pagar os devidos impostos ou direitos autorais.

Ativo na web de 2011 a 2015, esse portal teve aproximadamente 160 mil arquivos de produtos internacionais e nacionais. Por conta disso, o Mega Filmes HD 50 foi um dos maiores sites piratas da América Latina.

Em 2015, durante a operação Barba Negra, a Polícia Federal de Sorocaba cumpriu 14 mandados judiciais e o site saiu do ar.

Como assistir a filmes no Mega Filmes HD

Normalmente, esses sites funcionam da seguinte maneira: primeiramente, você pode simplesmente acessar o site e clicar no filme ou série que gostaria de assistir. Normalmente, esse método mais simples funciona para os desktops.

A segunda forma é baixar o app desse site e assistir aos conteúdos pelo celular. Nesse caso, precisa acessar o Google Play pelo smartphone e procurar pelo app do Mega HD Filmes. Após fazer a instalação, basta entrar no app e assistir ao conteúdo que você procura.

Por fim, caso se sua smart TV não seja sistema android, para assistir ao Mega HD Filmes 50 na Smart TV,  precisa usar um aplicativo externo chamado LocalCast. Atuando como intermediário entre a TV e o aplicativo do Mega HD Filmes, o LocalCast permite que o usuário assista aos conteúdos desse site pela Smart TV.

Para fazer isso, basta baixar o LocalCast no Android e utilizá-lo para enviar um link externo de algum conteúdo do Mega HD Filmes para o televisor.

Local de rede na internet: https://megafilmehd50.com

[smartflixhd]

Descubra um Mundo de Histórias com SmartFlixHD.tv

Imagine ter acesso ilimitado a um vasto universo de filmes e séries, todos disponíveis na ponta dos seus dedos. Isso é o que oferecemos no SmartFlixHD.tv. De emocionantes blockbusters a obras-primas indie, nossa coleção é feita para satisfazer até mesmo os cinéfilos mais exigentes.

Mas não paramos por aí! No SmartFlixHD, acreditamos que cada história tem o poder de nos transportar para mundos incríveis. Por isso, nos dedicamos a criar uma experiência de streaming inigualável. Com qualidade de imagem HD e uma interface de usuário intuitiva, nunca foi tão fácil se perder na magia do cinema.

Por que amamos filmes? Porque eles nos fazem rir, chorar, pensar e sonhar. No SmartFlixHD.tv, cada título é uma janela para uma nova aventura. Seja para uma noite de filme solo ou para compartilhar momentos especiais com amigos e família, temos tudo o que você precisa.

Visite SmartFlixHD.tv e comece sua jornada cinematográfica hoje mesmo. 🍿✨

#SmartFlixHD #CinemaLovers #FilmMagic #StreamingNow

[qephyr]

Playing and, dare I say, having fun

[champion-of-love]

if the mirrorblog went down like this in eah you'd find blondie outside snow's offices with a molotov cocktail in hand

[swordofmoonl1ght]

Akihiko Hirata as Dr. Daisuke Serizawa in ゴジラ (GOJIRA, 1954) dir. Ishiro Honda

[yeonjune]

Yeonjun about the strain he felt while preparing for his debut solo project ✙ "GGUM" MAKING FILM

[spacesheeeeeep]

Actually so tired that people mainly focus on the bdsm when they talk about La Pianiste when we literally have this dynamic right here. Like, that's insane.

What if you were a little girl in her 40's who couldn't grow up because of your mother-wife who made you sleep in her bed and forced you to repress every sexual desires and thoughts of becoming your own person just to keep you close to her ? What if you fought back and yearned for dangerous things out of her reach ? But also, what if you let her because it's all you've ever known and been taught to want ?

[mochiajclayne]

Ever since watching One Piece Film Red, I kept on hyperfixating about the red spots on Law's outfit--like just looking at it for no reason whatsoever--until Luffy was on the same frame with him and something in my idle brain suddenly clicked: their outfits were a mix of red and yellow, which is their respective colors.

[widowshill]

lowkey after like a week and a half of doing mild research into media archives I believe that most old tv should be public domain by default, considering studio execs were basically wiping their asses with the tapes but now want to posture about their copyright when it's a miracle from heaven any of the footage from that era exists

[shuubah]

Posting this here for other aros and aces as well as for myself, so that it doesn't slip my mind.

JFF Theater will be screening the Japanese film "I am what I am" (そばかす/Sobakasu) online for free from 1st February to 1st May 2025. Judging from the description they provided, it very much sounds like something that'll be right up our alley.

Taken from JFF Theater's official Twitter:

Kasumi is 30 years old and has given up on her dream of becoming a professional cellist. She is back to living with her parents and her grandmother, while working a boring job at a call center. Kasumi’s mother is desperate to marry off Kasumi but Kasumi has no interest in romance or marriage. Very few people seem to understand that Kasumi doesn’t feel lonely. One day, when she reencounters an old friend, she is given the strength to face the truths about how she wants to live her life. A humanistic drama that doesn't take conservative views on romance and values as granted and deals with a contemporary theme of trying to live a life with more freedom and less prejudices.

Just want to get the words out because it's so rare to come by media that discuss the topic of amatonormativity. And you can watch the film at any time during that 4 month time period for free after opening an account on JFF Theater's website. No, they don't ask for your credit card information or anything of the sort. Yes, they have English and other languages for subtitles. So don't miss this chance!

I'm quite looking forward to it.

[quincywillows]

like i remember the vitriol that came out when the mere PREMISE for ballad of songbirds and snakes came out bc it was “about the villain” and wasn’t instead a novella of one of the many cute likeable faves of the masses. i remember how fast people were to tear down the book before it even came out (and still do now). and it’s like look, i get it, suzanne created so many interesting characters that it would be incredible to learn more about and get more content for. but her choosing to write about snow for a prequel isn’t like Romanticizing The Villain or whatever bullshit y’all are claiming as hot takes on twitter -- ballad fits right into the common themes and tone of the series in that its not a romanticization but a reflection on how snow became what we know him as in the original series. both in how he already had some less than charming or healthy traits (just like katniss does -- suzanne is always clear that people are not inherently good nor evil and parallels were drawn between how snow and katniss view the world and think strategically, etc, from the second book), but also in how society and the choices of the greater community in panem created snow. like ballad is a really interesting piece of lore and history and worldbuilding for an already rich and elaborate setting that suzanne created, allowing us to see how that world even came to be and the kind of toxic impact it had on the people surviving in it while still pointing out that those people are human and that everyone has humanity and yet can still cause unfathomable harm to one another based on circumstance and need to survive and pressures of all kinds and like i have lost the plot here now but suzanne is one of the best authors of our time who actually gives a shit about creating layered, nuanced characters and worlds rather than black and white good and evil and unfortunately the hyperpolarization of our hot takes social media culture nowadays just can’t handle her anymore. suzanne im so sorry we don’t deserve your storytelling. anyway i’ll be seated for this movie y’all can skip and keep giving lukewarm takes on twitter to make urself seem so smart for hating a book you probably didnt even actually read

[moutheyes]

gelboys cinematography go brrr

I don't have a way (or time tbh) to do this coherently but I did want to point out some of the visual aspects of gelboys that have invigorated my brain so far.

1. depth of field and visual texture

I loved how long the mall scene was and how it was shot to take maximum advantage of the space. in the first screencap below, the dialogue action is taking place all the way at the back, but because everything is more or less in the same field of focus (blah blah phone camera depth of field but i'm not getting into the technical nitty-gritty) the viewer can take in everything all at once, while also following the spots of color—baa's pink guitar case, bua's green sweater—that tell the eye exactly where to look. compare that to the second shot, which maintains a very similar framing: now the action has moved to the front, so the camera's focal point does naturally focus on fourmod and baa, but chia and bua are still in the same spot they were earlier, in the center of the frame, inescapable for both the viewer and fourmod. you get so much information from every single shot, and the way the action moves forward and backward in these spaces to create visual texture in this show is so pleasing to me.

2. ambient + diagetic nighttime lighting

I was SO happy about this. we always complain about how people in QL are always sleeping with the lights on but the gelboys team is out here showing us you can have it all! you can have a realistically dark room that utilizes natural sources of ambient lighting! in this scene, there's the various LED computer lights, the phone screen, the lava lamp, and the street lights coming in through the window. that overhead shot with the phone screen illuminating fourmod's face through the glass table is one of my favorites from the show so far.

3. montage of decorative elements

serves a few purposes: scene transitioning and shorthand exposition (fourmod suggested they all get gel nails for the performance so the implication is that these are the designs they chose), reinforcing the visual motif, and revealing the individuality of the characters. the bassist seems to be more minimalist compared to baa and fourmod, but even they have different decoration styles, with baa repping his favorite girl group, while fourmod goes for cute and hodgepodge (and changes his mind quite a bit—stickers and nails are good for the fickle-minded because nails grow out and stickers are generally easily removable).

4. dirty framing (with additional layers)

semi-related to the first point, but the use of dirty framing to show both context and conflict is so effective. back to the mall scene—fourmod seething while creeping on chian and bua via spotify playlist was a pretty classic use of this, but when he comes back a third time (these are unprecedented levels of downbadness, I'm afraid), the crowd action has surged to the front and grown even more chaotic. now, not only are there more people between fourmod and the object of his obsession, but this time he's behind the glass, and thus smaller in the frame—an even more isolated position.

also want to shout out my favorite dirty shot from ep 1; the scene is populated with students but the framing of bua and chian's faces in the foreground keeps the viewer grounded, and I especially love the second frame, where you can only see fourmod's eye.

oh! and these; the amount of contextual information the viewer gets here is so pleasing. the intense flirting is the centerpiece, but the framing and body movement also shows you baa's annoyance/displeasure one moment, followed by fourmod's other friends playing documentarian. the social aspect of how this is all unfolding—not only the use of social media, but the monitoring of said social media as well as real-life interactions—adds additional textual layers on top of all the visual layers in this show. it's so good I wanna cry.

[lets-steal-an-archive]

The screenplays (so far):

Frankenstein (1931)

The Invisible Man (1933)

Bride of Frankenstein (1935)

Dracula's Daughter (1936)

Bringing Up Baby (1938)

The Wizard of Oz (1939)

Rebecca (1940)

The Maltese Falcoln (1940)

Laura (1944)

Mildred Pierce (1945)

Rope (1948)

All About Eve (1950)

Sunset Boulevard (1950)

Strangers on a Train (1951)

Rebel Without a Cause (1955)

North by Northwest (1959)

Some Like it Hoit (1959)

The Haunting (1963)

Midnight Cowboy (1969)

The Vampire Lovers (1970)

Harold and Maude (1971)

Sunday Bloody Sunday (1971)

Cabaret (1972)

Pink Flamingos (1972)

Phantom of the Paradise (1974)

Dog Day Afternoon (1975)

The Rocky Horror Picture Show (1975)

American Giglo (1980)

Cruising (1980)

Personal Best (1982)

The Hunger (1983)

Silkwood (1983)

The Color Purple (1983)

Desert Hearts (1985)

Kiss of the Spider Woman (1985)

My Beautiful Laundrette (1985)

A Nightmare on Elm Street 2: Freddy's Revenge (1985)

The Fly (1986)

Fried Green Tomatoes (1991)

My Own Private Idaho (1991) - treatment only

Thelma and Louise (1991)

The Living End (1992)

Go Fish (1994)

Heavenly Creatures (1995)

The Doom Generation (1995)

Safe (1995)

Showgirls (1995)

To Wong Foo, Thanks for Everything, Julie Newmar (1995)

The Birdcage (1996)

Bound (1996)

Crash (1996)

Set it Off (1996)

The Watermelon Woman (1996)

Nowhere (1997)

Gia (1998)

Gods and Monsters (1998)

Wild Things (1998)

Being John Malkovich (1999)

But I'm a Cheerleader (1999)

The Matrix (1999)

Mulholland Drive (2001)

Y tu Mamá También (2001)

Far From Heaven (2002)

The Hours (2002)

Brother to Brother (2004)

D.E.B.S. (2004)

Mysterious Skin (2004)

Rent (2005)

V for Vendetta (2005)

Milk (2008)

Jennifer's Body (2009)

A Single Man (2009)

Black Swan (2010)

The Kids are All Right (2010)

The Runaways (2010)

Pariah (2011)

Under the Skin (2013)

Pride (2014)

Bessie (2015)

Carol (2015)

Dope (2015)

Grandma (2015)

Tangerine (2015)

Moonlight (2016)

A Fantastic Woman [Una Mujer Fantástica] (2017)

Blockers (2018)

Disobedience (2018)

The Favourite (2018)

Love, Simon (2018)

The Miseducation of Cameron Post (2018)

A Simple Favor (2018)

Booksmart (2019)

Happiest Season (2020)

The Half of It (2020)

Kajillionaire (2020)

I Carry You With Me [Te Llevo Conmigo] (2020)

Ma Rainey's Black Bottom (2020)

The Old Guard (2020)

The Prom (2020)

Zola (2020)

The Mitchells vs. the Machines (2021)

Parallel Mothers (2021)

Passing (2021)

The Power of the Dog (2021)

Aftersun (2022)

Anything's Possible (2022)

Blue Jean (2022)

Bodies Bodies Bodies (2022)

Bros (2022)

Everything Everywhere All at Once (2022)

Nope (2022)

Rustin (2022)

TÁR (2022)

All of Us Strangers (2023)

Bottoms (2023)

The Color Purple (2023)

Nimona (2023)

Red, White, & Royal Blue (2023)

Challengers (2024)

I Saw the TV Glow (2024)

My Old Ass (2024)

Queer (2024)

[stanlinnm]

THE SUBSTANCE

[honoraryravenwatch]

They Jar Jar Binxified him

[leafie-draws]

it's genuinely so frustrating being a paranormal nerd because everything is so oversaturated with fake videos and ai slop is this how special agent fox mulder feels