#film's director

[fashionbooksmilano]

Tinto Brass Uno sguardo libero

Gangemi Editore Int.Publ, Roma 2016, 128 pagine, 22x24cm, ISBN 978 28 492 3211 0

euro 20,00

email if you want to buy booksinprogressmilano@yahoo.it

Il volume è il catalogo della mostra di Roma (Complesso del Vittoriano, 24 febbraio - 23 marzo 2016). La mostra ripercorre la vita artistica del regista italiano, dagli esordi fino alle opere degli anni recenti.

07/04/24

[artfilmfan]

Israelism (Erin Axelman & Sam Eilertsen, 2023)

[starbuck]

i say i like tragedies and everyone’s all like ‘why do you like sad stories? are you depressed?’ and never ‘how was the catharsis? was the catharsis fun?’

[nyctosaurid]

don bluth films occupy a weird space because he's both inarguably an auteur who directs very strange, earnest, often "ugly" films but also a guy who near exclusively made movies for 8 year olds in the home video era. so basically everything he's ever done is a grimy, dreamy rumination on death and spirituality and has a direct to video sequel called something like secret of nimh 2: mrs. brisby's holiday adventure

[shesnake]

Filmmaking advice from John Waters

[marenyearlyyy]

APARTMENT 7A (2024) dir. Natalie Erika James

[huiracha]

[shattereddteacup]

Past Lives (2023)

Dir. Celine Song

Language: Korean, English

[389]

Isabelle Adjani in Nosferatu The Vampyre (1979), Werner Herzog

[lascitasdelashoras]

Wim Wenders on the set of Wings of Desire

[artfilmfan]

Lakota Nation vs. United States (Jesse Short Bull & Laura Tomaselli, 2022)

[lesbiancolumbo]

did you guys know that for fourteen years miu miu has been basically giving women directors a carte blanche to make whatever short films they want and that there are almost 30 films in the collection that you can watch right now

[atomic-chronoscaph]

On the set of Dune (1983)

[chimiye]

Matthew Broome as less toxic Nick Leister My Fault: London (2025) Dir. Charlotte Fassler & Dani Girdwood

[shesnake]

All of Us Strangers (2023) dir. Andrew Haigh

[limeshade]

An inscrutable, nightmarish, surreal dreamscape set to Modest Mussorgsky's famous composition of the same name, "A Night on Bald Mountain" is one of only a handful of short films ever created using pinscreen animation, a method in which shadows cast by miniscule steel pins positioned against a sidelit screen are manipulated to produce images of unique texture and dimension unparalleled in the field of traditional animation. Co-directors Alexandre Alexeieff (1901–1982) and his partner Claire Parker (1906–1981) built their first pinscreen device in 1931 with the assistance of Alexandre's then-wife, fellow artist Alexandra Grinevsky (1899–1976). Alexeieff and Parker then spent nearly two years animating this 8-minute film, which preceded the better-known cel-animated short "Night on Bald Mountain" from Disney's Fantasia (1940) by seven years. "A Night on Bald Mountain" represented the public debut of Alexeieff and Parker's pinscreen method.

A NIGHT ON BALD MOUNTAIN (1933) "Une nuit sur le mont chauve" Directed and animated by Alexandre Alexeieff, Claire Parker