#figured this meme fit the situation

[dutyworn]

@rubiesintherough said: send ⛓️ to find my muse bloody, bruised and restrained ( mahia )

an old meme    /    PROBABLY ACCEPTING ↷

She’s not sure if she’s simply been  left here  to slowly waste away, or if they are trying to play mindgames with her, making her think she’s in isolation, but actually monitoring her, waiting for the right moment to interrogate her by slowly torturing her first. Trying to make her more pliable? Wren doesn’t even know what they want from her, that’s the tricky part; she has no indication on what to expect.

That, alone, has her psychologically on edge, and tensing up further when she hears someone approach. Not that she can do much but be tense, the way she’s forced on her tiptoes in the middle of the room. Heavy-duty metal cuffs secure her wrists together, the bands too tight and large to slip, extending from the smallest part of her wrist several inches along her arms; even if she could try to dislocate a thumb or break her own wrist, it doesn’t seem likely that’d help her. The cuffs are secured high above her head, likely deliberately making it so that she has to keep balancing on her tiptoes in a constant effort to try to alleviate the strain on her shoulders, arms and back. Slow torture is what it really fucking feels like; it’s hard to think with the physical strain, and Wren is barely even aware of the other injuries she’s sustained, of the dried blood down her forehead, or the bruising on her half-naked form (they had stripped her down to her underwear).

More dazed from exhaustion than the relatively minor head injury, Wren is having difficulty knowing how to react when she recognises the woman, from the glimpses she manages, craning her neck to look at the doorway behind her.

❝ It’s you, ❞    she says, feeling a little stupid about the comment, but too tired to truly care. It’s that woman, the woman collapsed at her doorstep on her Citadel apartment a month or so ago. The woman with the wings. Wren had tried to help her, done her best to erase any evidence of... well, her unusual physique, from any security footage that might’ve caught her, afterwards; mystery or not, Mahia hadn’t appeared like a threat, and Wren hadn’t been keen on being the reason someone, a person, from some unknown humanoid species ended up enduring gods-knew-what...

But to come across her again, here?

Has she misjudged her? Is this her captor, or her saviour, returning the favour...?

[kittycat-92]

[moltengoldveins]

ok but I have Thoughts about the way Minecraft usernames translate to actual names, both irl and in fanfic. They’re definitely ‘obsessed with structure and grumpy at inconsistency flavor autism’ thoughts but still. I find it weird how we cut and paste the media we’re given to fit what we view as functional worldbuilding, and how that gets screwy when translating online names.

like, you’re working with several categories here. The person’s actual real name, their irl nickname, their gamer tag, a name possibly contained by or possibly the entirety of that gamer tag, and any extra pieces or symbols in the gamer tag. And you have the weird situation where those categories might not easily translate to a ‘First Name Last Name’ structure. For an example, we’ve got Phil Watson, who’s gamer tag is ‘Ph1LzA,’ and is called Philza Minecraft or Philza. The ‘Minecraft last name’ is a…. Bit? A joke? A reference to a bit of lore? It’s unclear. The ‘Za’ bit was put there for flair and is now an integral part of his name. Sometimes it’s his last name. Sometimes his real last name is chucked in there. the 1 in his actual username is literally never referenced in nicknames or fic it’s like it’s not even there. But that’s a simple one. What about Tubbo_? because we call him Tubbo Underscore. Like. We say the ‘_’ aloud. Why do we do that. What has possessed us to make that decision? What about FitMC? I’ve usually heard it said ‘Fit Emsee.’ Why say that, and not say ‘Minecraft? That’s not even really a last name, it’s just like…. His full first name. Fit is used more like a shortened nickname. BadBoyHalo. Like. ‘Bad boy’ is a slang term, not a name. It would make the most sense to call him Halo, that’s the distinct noun in the name, the term the ‘bad boy’ bit is referring to. Like ‘GoodTimesWithScar’ but noooo. Bad. Halo is usually a last name, if it’s there at all. Skeppy on the other hand is… just his name. No last name ever. Technoblade is also weird. Technoblade is his full name. We call him that. We ALSO call him ‘Techno,’ and use Blade as a last name. We also use Blade as a title. What the heck. GeminiTay. We call her Gem. We use Tay as a last name sometimes. Her name is a Zodiac constellation. Literally nowhere I’m have I seen that affect her naming conventions. IJevin. We just… remove the I. For everything. This wouldn’t bother me except we don’t do it with everyone and I’m starting to get annoyed by the inconsistency. GoodTimesWithScar. Ok. This one also bugs me. Like, most fics call him Scar Goodtimes when they need a name. I’m not gonna dig into it but that’s…. Why? Why that? Grian never gets a last name. Ranboo sometimes gets chopped into Ran and Boo but usually he’s an Underscore or he’s last nameless. Wilbur Soot functions wonderfully (until the get involved shhhh) but it’s too close to his real name it gets very confusing.

anyway, all of this sucks, I hate it all, we’re a terrible fandom /hj

all that nonsense aside, yknow who has a functional Firstname Lastname username? It’s even got a space, and proper capitals: Mumbo Jumbo. That’s who. Look at that. It’s perfect. Everyone should be more like Mumbo Jumbo. Thank you and good night.

.

Edit: I know about Ranboo Beloved and Grian Dreamslayer and the various other characters whose names I didn’t mention perfectly in this post. This was no piece of journalism, this was an old man shouts at cloud meme personified. I was very overstimulated and this was what happened to catch my autistic ire. I’m not upset, just figured I’d clarify, a lot of people seem distressed at my not mentioning Beloved. Hope y’all are having a lovely day 💜

[icedbeverageenjoyer]

🪽❤️‍🔥Angel Mario❤️‍🔥🪽

🪽❤️‍🔥Rubrum Chao❤️‍🔥🪽

Ok let me ramble for a bit about Mario's place in SMG4's version of the angel hierarchy (once I'm done catching up with the lore I'm gonna make a chart, but for now have this). ↓↓↓

In the episode, the angel desighn they give Mario is very 'biblically accurate' and very blurry, but it looks like a white Seraphim. I'll count his desighn as surface-level aesthetics though, since I know damn well no one is refreshing their SMG4 theology notes for a gag episode.

Plus, it's hard to put Mario in the first triad since he CAN physically interact with the universe. He COULD be a Seraphim, but this freak answers to no god, and him being a Cherubim wouldn't add up with his powers/lore.

He also can't really be God since Luke is canonically the absolute creator, but he is definitely above SMG4 & 3, who are a mix between Principalities/Powers (if you replace 'mankind' with 'memes').

Conclusion: Mario is an unusually high Virtue. It fits with his lore, since if he dies the universe will cease as well. And while he isn't particularly hardworking or orderly, his unusual powers could make up for it to the point that simply existing brings balance to the world.

Also, I don't think there even is a first triad in the SMG4 universe, since from the few times the crew have seen Luke, they don't seem to recognize him as a deity, nor are there any other characters/signs to point that he is. On top of that, he doesn't use messangers. Whenever he wants to intervene, he usually does it through SMG4, the character that looks a whole suspicious lot like him, allowing him to break the 4th wall or outright possessing him depending on the situation.

SMG4 is a christ-like figure.

AND IF SMG4 IS A CHRIST-LIKE FIGURE, THAT MEANS SMG3 IS JUDAS!!!

I can't breathe omlll

EGGDOG IS ABLE AND BEEG IS CANE!!!

Eggdog is the kind and innocent one while Beeg is bossier and often bullies him.

MARIO IS MARY MAGDAL-- ok, I'll stop.

[blackynsupremacy]

BIG MAN ON CAMPUS

pairing: cooper koch x black!fem!reader

summary: you’re in with the frat brother who’s living his best life and it’s not so bad.

contains: fluff, reader is a bit shy at first, fratboy!cooper, partying, alcohol consumption, mention of hookups, platonic relationship, cooper being a green flag, mention of nicholas, hurt/comfort, friendly banter, use of nicknames/pet names .

a/n: i saw these pictures on pinterest and yep! its been a minute since i made a cooper fic. the next chapter for the nick 80’s au is in the works!

tags: @sabrinasopposite @oscarisaackissmykitty @greengoblinswifey @supaprettyg @hnch33rios @sheydnni @venic-bxtch @xoxoglittergossip @austeenbootler @titsout4nicholas @hoffmansgirl @niteskysx @thabiddie23 @jkr820 @simply-the-best23 @elitesanjisimp @gxuxhdjdu @motherismotheringggg @babyseolar

fratboy!cooper who attends your college on a full-ride tennis scholarship. he’s an athletic prodigy, but he also is a theater major with a focus on acting.

fratboy!cooper who is the most popular within the brotherhood. he’s handsome, fit, intelligent, studious, charismatic, easygoing, and sociable. people like him because he’s so down to earth.

fratboy!cooper that represents his house and letters with excellence. he leads most of the community service and fundraising events.

fratboy!cooper who is against hazing by any means. he will shut that shit down immediately because the pledges are already going through it as it is. why put them through more hurdles?

fratboy!cooper who has a preppy, old money attire. he likes the finer things and enjoys taking care of his appearance. his signature brands would be brands like aeropostale, hollister, american eagle, calvin klein, ralph lauren, and a&f. skin care, hair maintenance, and hygiene are a must for him!

fratboy!cooper whose proud of who he is. he does not give a fuck about what anyone may say concerning his lifestyle. he can still talk that talk and back it up if you try that shit when it comes down to it.

fratboy!cooper whose had a few steamy hookups in the frat house here and there. he plays it safe though!

fratboy!cooper who pulls attention from the guys and girls. even though his main attraction is towards the guys, he loves and cherishes the ladies alike. he sees them as radiant creatures! he’s the type to not tolerate any type of harm towards women in his house. if he sees that, he’ll make sure people like that will be removed immediately.

fratboy!cooper who you meet at a party that your friend dragged you to after your breakup with a guy from another frat. you sat there pissed just trying to enjoy your drink and get the night over with.

fratboy!cooper who sees your sulking figure and goes over to check in on you. “are you not having fun?” he questioned. you look towards the male about to tell him to piss off, but you stop yourself in his genuine, benevolent hazel gaze. you tell him it’s the opposite and briefly explain your situation.

fratboy!cooper whose empathetic and lets you know that it’s your ex’s loss and that your friend was kind of shitty for bringing you here. “talk about not reading the room.” his sarcastic response made you giggle in which he beams at the sight of your smile.

fratboy!cooper who makes you his own specialty of the drink “liquid marijuana” to which you sing your praises at the concoction. he makes sure to watch over you, so that you’re not too intoxicated.

fratboy!cooper who digs your vibe and gets to know you by sticking by your side. you partake in drinks, gossip, dance, and just talk about each other. by the end of the night, he puts his number in your phone, ensures that you’re hydrated and guided safely back to your dorm.

fratboy!cooper that sends you a text to check in the morning after the party. you tell him you’re hungover and he sends you all types of remedies that helped him in the past.

fratboy!cooper who has you dying laughing at all the memes you exchange within your private chat. you two share the same humor which is a relief.

fratboy!cooper who you happen to realize is in your literature class. study sessions with him are never dull and he’s super helpful.

fratboy!cooper who helps to bring you out of your shell. when you’re comfortable enough, he’ll invite you out to his tennis matches, plays, improv nights, the beach, the gym, or clubbing. he even takes you horseback riding.

fratboy!cooper who loves your beauty and style. he’s down to go with you to the beauty store and asks questions what products you use to make your hair look so healthy. you even put him on to some curling cream for his hair. he LOVES the smell! he likes to help you take down your braids.

fratboy!cooper that’s mesmerized by your talents. no matter if it’s singing, cooking, poetry, gaming, designing, drawing, etc. he loves to see you in your element.

fratboy!cooper who likes to give you advice on dating. he knows men are trash sometimes too. as his friend, he’s gonna make sure you don’t fall in the same trap. “listen to me. you need to block him!” he can’t stress that enough. “i’ll block mine when you block yours.” you retort. “touché.”

fratboy!cooper who loves to teach you the basics of tennis, so he can play/practice with you.

fratboy!cooper who makes you feel safe at every frat event.

fratboy!cooper who doesn’t mind ordering you an uber or being the d.d. (don’t drink and drive!)

fratboy!cooper who hypes you up to talk to your crushes. especially his cast-mate, nicholas chavez.

fratboy!cooper who gets a little jealous when you give another guy a little more attention. he’d never tell you that though.

fratboy!cooper who loves to see your confident, wild side. he was getting a drink when you came through the door at a party, so he didn’t see what all the commotion was about when he heard the hooping and hollering from his brothers.

fratboy!cooper who is absolutely shook at your beauty in that freakum dress you got on, but he’s protective of you when the guys push up on you too hard.

fratboy!cooper who would dance with you all night. he likes the way you move. he likes the way your body is.

fratboy!cooper who you would ask to watch over your drink while you go to the restroom. he’s hella vigilant and he does not play that shit.

fratboy!cooper who you do skin care with when he wants to spend the night at your place. korean face masks for the win.

fratboy!cooper who would pretend to be your boyfriend when a guy tries to push up on you and he won’t take a hint. he’s a hell of an actor, so he has those guys convinced.

fratboy!cooper whose gives you sweet nicknames like “queen”, “babes”, “sweetheart”, “gorgeous”, or “love”.

fratboy!cooper who loves you like a true friend would. you’re there for each other, thick and thin. he shows you that not all frat boys are self-absorbed assholes that only have partying and sex on the brain.

[goinggoingghone]

dp x dc au but danny is bruce's biological kid and he knows it. his parents straight up told him as soon as he was old enough to know, and he loves his adopted parents all the same.

of course, it was a bit rocky with all that ghost business, but eventually Jack and Maddie came around to their halfa son and liminal daughter. Danny just thought it was funny they took longer to accept he was alive and dead than accepting he was in a relationship with Sam and Tucker.

So there's some ghost conference in Gotham being held by the GIW in order to get more occultists/people interested in ghosts to work for them. The Fentons go there, as published ghost scientists, to expose the GIW and prevent people from buying into their beliefs.

But while they're out, one of the Bats mistakes Danny for a younger Bruce. Of course there are some differences, but the Bat (I'm thinking Tim, who's running on like -16 hours of sleep and several cups of coffee) is convinced he's a clone or something. So he takes a DNA sample and the results come out: he's Bruce's kid.

Bruce is devastated that he couldn't be there for one of his kids, and so he tries to get more info in order to possibly get custody back. Tucker, who accidentally found the network the Batcomputer used three weeks ago while looking for the GIW's, is immediately aware they're looking into Danny.

The Fentons have a collective moment of "oh for fuck's sake" and try to come up with a plan to get Bruce Wayne, who definitely is Batman at this point, to get off their case.

While on a walk to get his thoughts in order, Danny runs into Red Hood in Crime Alley. Both of them are immediately aware of the other for vastly different reasons. Jason, for "Batman wants to adopt this kid who already has a family" and Danny, for "oh shit this guy has a fucked up core what the hell is wrong with this guy" they have a Spiderman meme moment and Red Hood, always on the lookout for an opportunity to spite Bruce, offers his help. Danny accepts, with the caveat that he takes Jason to the Realms to figure out what the fuck is up with him.

Jason is extraordinarily confused but for some reason the Pit is really quiet around this guy and he feels safe around some dumb teenager so he's like "okay?? Sure??"

Danny takes him back to the hotel the Fentons are staying in and explains the situation a bit. Jack and Maddie hook up their temporary portal (blowing the electricity of the hotel in the meantime) and get Jason to the ghost doctor, Frostbite.

He gets diagnosed with "bro your ectoplasm is fucked up" disease and his ectoplasm is cleaned. He's like a diet halfa, with a few ghost powers but no ghost form. A liminal on steroids.

Anyway, Bruce sends a Batkid to the Fentons hotel (because of course he found it) in civilian garb to explain the situation. The Fentons Are Not Having It.

So, of course, with parents Bruce believes are mad scientists, he takes it upon himself to get that child out of a home of mad ghost hunters. By kidnapping him.

Danny's just pissed off because he finally got Vlad off his case and now he's here dealing with ANOTHER billionaire with a bat-themed super persona wanting to forcefully adopt him. The irony would be funny if it weren't so infuriating.

The Batkids are so happy to have a "new brother" in the house, even if said brother really doesn't want to be there. Jason just has no fucks left to give anymore and re-kidnaps Danny.

This of course sparks a game of Who Can Kidnap Danny and it's getting to the point where Danny just hates the BatFamily more and more because he was SUPPOSED to have a date with Sam and Tucker today and now he's holed up in the Batcave getting fitted for a vigilante costume by Nightwing. Alfred and Jason are the only sane people in the mansion.

So Danny "Bad Decisions" Fenton just says "fuck it" and goes ghost in private, leaving the manor and flying back to Amity. The convention has ended by this point, so they're all back home.

Cue BatFamily freaking out.

Eventually Bruce serves the Fentons legal papers (once he finds their address). The Fentons show up to court and verbally and respectfully ream Bruce for trying to re-adopt their son who they love so much. As the evidence of Bruce being wrong adds up, he realizes what he's done and feels like shit. Jason gives him a hearty "I told you so" for his efforts.

The Fentons live happily ever after, and Danny gets a cool secondary family that he doesn't really like until they all apologize.

Heheh. Just wait until they meet Dani, he thinks.

[yermes]

For when you’re DOWN BAD

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Pick a meme

123

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Disclaimer: please take what I say with a grain of salt and not as the gospel. I just want to share some ideas of practicing and giving advice using the medium as often as I can with school, work, and my own personal studies and practice. But I am working on sharing my notes soon so that will be exciting! Liking and sharing does a lot ����

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Socials: My Socials **☾**

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The cards

Carbon C 6

Well, we all have a need to feel emotional connection of some kind, love in many ways a huge, a kiss, any kind of touch which your touch starved horny ass craves. Touching grass I must remind you is free. So get connections but do not pull them in too fast, get to know people slowly, let the emotional chemistry grow, let your natural pull attract people who would actually love and care for you. Do not chase after people who do not care for your personality or who avoid your being. Get connected with people who care, do the most for those who will match your frequency. Be creative, live and love lots but don’t give the gift of love upon someone who will not appreciate it. Its sacred

Technetium Tc 43

You just need to figure out what to do and who you are if you don’t know yourself how can you go for someone, do you even like them? Do you even like yourself? Do you even know who you are as a person you at this point in your life is constantly changing, constantly shifting, trying to reach a stable moment. But babes pookie, let go of the delusion that is stability you may never be stable, stability may look different for you than it does everyone else which doesn’t mean you can’t find yourself or find your person you just haven’t yet learned how to let go of the false concept of being alright embrace the chaos, yourself and someone who appreciates you shall follow.

Scandium Sc 21

So you want to hide and change in front of other people? Why? There is nothing wrong with being soft and unique, there is nothing wrong with feeling accepted for your being without swiftly being changed by outside influences. Its COOL to have unique thoughts ideas and hobbies, its okay to not quite fit the mold of everyone else. But unfortunately if you are hiding when will you ever find someone who likes you for you, who will ever give you as you are a chance when you are always wearing a facade, how can you give yourself a chance when you don’t accept or trust yourself in situations where you can appear as yourself but don’t. Babes, if you want a relationship a good crush even, be your weird ass self bc nothing is crush fuel like being accepted for the freak you are.

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Extras:

Story/vent:

The molecular bio lab is going to be LIT

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[highseas-swede]

Aziraphale and Trauma

[Just a note that I initially wrote this in response to this post: https://www.tumblr.com/theangelyouknew/732357015604756480?source=share&ref=_tumblr which is full of insightful info. I'm reposting my response here with some minor edits so it's easier to find in tags.]

This is something I actually find interesting within the fandom, because there seems to be this weird divide in fandom when it comes to Aziraphale.

See, I love Aziraphale. I think he's an amazing and well nuanced character, but a lot of the time fandom boils him down into this really simple version of himself. This happens both with people who dislike him and claim he's a bad person as well as with those who want to soften him up and make him more palatable. Aziraphale isn't the only one who has trouble with black and white thinking here!

Things like Coffee Theory remove Aziraphale's agency because the thought of Aziraphale doing something to hurt Crowley deliberately is something they can't stomach. If Aziraphale is acting under some kind of major magical influence, it means that it's possible to brush over the fact that he can - and has - hurt Crowley in the past and it certainly hasn't always been accidental.

There's a lot of Psychology I could touch on here, but it's honestly such a complicated topic that I don't really feel I can do it justice attached to a completely different topic.

But one thing I do want to touch on a bit is how Aziraphale asserts control in his own life via his connection with Crowley, and that touches on something equally complicated, which is something that's probably hard to understand.

Abuse victims are often manipulative.

I don't mean this at all as some kind of slight or insult. I've been an abuse victim myself and it's one reason I know it's true.

Fandom talks a lot about Crowley's trauma and he's got loads, to be sure. I think of that meme about "this bad boy can fit a lot of trauma" and it's very true. I've even seen people mention that Aziraphale has a different kind of Trauma than Crowley, which is also true.

What I haven't seen is someone addressing that the type of religious trauma is a form of CPTSD. CPTSD or "Complex PTSD" is a very specific form of PTSD. PTSD is characterized as being the result of a traumatic event - Crowley's fall, for example, is a good example of PTSD and I can go into that at some point. CPTSD is different because it's not a singular event, it's the result of being in a constant high stress situation. A lot of abuse victims - especially those abused by parental figures or significant others - have this form of PTSD.

A good way to see the difference is in comparing how they relate to their trauma. When Crowley thinks he's lost Aziraphale in S1, it sends him into a spiral. But importantly we see that this traumatic event is causing Crowley to go back to another traumatic event in time, triggering his memories of his fall. This emphasizes how much Crowley's fall defines his trauma. We rarely see him experiencing trauma at the hands of Hell, as he's mostly allowed freedom to handle his job on earth the way he wants.

https://cptsdfoundation.org/ defines CPTSD as "the results of ongoing, inescapable, relational trauma. Unlike Post-Traumatic Stress Disorder (PTSD), Complex PTSD typically involves being hurt by another person. These hurts are ongoing, repeated, and often involving a betrayal and loss of safety."

In humans, this is caused by having no sense of safety in key moments of development. It strips away sense of self, sense of worth and really any agency. We even see the angels using direct gaslighting tactics on Aziraphale in S2, which I'm surprised doesn't get mentioned more often: When they come to the bookshop looking for Gabriel, they mention Gabriel and then almost immediately when Aziraphale asks "you were looking for Gabriel", Uriel outright says a line that goes something like "Did we say we were looking for Gabriel?", leading Aziraphale to fumble and try to remember if they did, in fact, say that at some point (they did).

So, one big thing to know about CPTSD and this kind of abuse related trauma is that learning to lie and be manipulative is often what people have to do to survive. Children with abusive parents will learn how to be manipulative in order to get what they need or avoid losing things they need.

We see this with Aziraphale, time and time again. He could just ASK Crowley for things he wants. A lot of people point out that he could ask and that Crowley would probably give in to him most of the time anyway. But that's not how it works in an abusive home. Instead, Aziraphale maneuvers Crowley into situations where Crowley is forced to give him what he needs or wants.

His lack of agency, as a result of his CPTSD, is also why he needs to be worked into making decisions that he already knows - or at least suspects - are right. That's why they have their little dance every time Crowley has to talk Aziraphale into something by finding the right way to frame it so it makes sense with Aziraphale's strict rule structure. These rules exist as a defensive mechanism too. Having rules makes it easier to figure out how to avoid being hurt and Aziraphale cannot simply step outside the rules because it's Not Safe. Not even with someone he trusts as much as Crowley.

The entire apology dance scene stands out for a few reasons. Everything Aziraphale does in the entire scene is an act that allows him to take control of the situation. He's already won, so to speak, because Crowley is back and Crowley is going to do what he wants. The apology is unnecessary on every level.

This post talks about how uncomfortable Crowley has to be sharing a space with Gabriel. Gabriel is with the abusive team, whether or not he was directly involved with Crowley's fall. Crowley also harbors a severe distress and mistrust of Gabriel because of Gabriel's attempts to destroy Aziraphale, the most important person to Crowley. But it's worth noting that Aziraphale is uncomfortable too.

Another good indicator of how stressed Aziraphale is with all this is that he doesn't eat ANYTHING when Gabriel is in the shop. The only food he consumes in modern era is when he's in the Bentley which is a "safe" space. Gabriel constantly hounded Aziraphale over eating and despite offering Gabriel hot chocolate, we don't see him partaking himself. He does briefly drink to demonstrate how "drinking tea" works for Muriel, but he doesn't seem to drink from his cup at all after demonstrating.

The bookshop is also Aziraphale's safe space, his ONLY safe space - Crowley still technically has the Bentley, and honestly I feel like Aziraphale wanting to borrow the Bentley is actually partially because he needs to get away from Gabriel and the Bentley is the only place that feels safe for him at the moment. Shax ruins any illusion of safety for him, but Aziraphale is much more enthused for his trip in ep3 and a fair amount of it is because he's not trapped with Gabriel.

A small note here, as a thought occurs to me. Aziraphale asserting that the Bentley is "our car" is probably mostly for himself. He's trying to realign his thinking to make the Bentley an acceptable "safe space" for himself prior to the trip.

There is a very different relationship dynamic when it comes to Gabriel and Aziraphale because Gabriel is the constant source of Aziraphale's trauma. He's Aziraphale's superior, the one he has to report to, the one who passes down his missions and his punishments. When Aziraphale takes Gabriel in, he's just invited his former abuser of over 6000 years into his safe haven. This is a hugely uncomfortable thing for an abuse survivor.

Worst of all, because Jim is, for all intents and purposes, NOT Gabriel, Aziraphale can't bring himself to lash out at his former abuser the way he wants to.

That brings us back to this apology scene.

There are two major things going on here and both of them are bad and hurtful toward Crowley. They're also both intensely unfair. I love Aziraphale but this was definitely a dick move.

Firstly: Aziraphale is using Crowley to reassert a sense of control over the situation because he is spiraling. He can't assert control over his life and his shop, which is one thing that he falls back on heavily, and that leaves him scrambling to find somewhere where he can control his situation. He makes Crowley go through this whole unnecessary apology and dance routine because it makes him feel like he has control over SOMETHING in his life right now.

Secondly: Aziraphale is also enacting his own trauma on Crowley. He's treating Crowley the way Heaven treats him. This is a direct parallel to the way Crowley terrorizes his house plants because he can't do anything to the people who actually caused his trauma. This is, obviously, wildly unfair of Aziraphale to do - and I'm fairly sure there are other small moments where Aziraphale does this in a mild way, I'd have to rewatch again.

These are both behaviors common in CPTSD caused by environments that apply this constant state of stress.

I'm not going to say it's right, or that Aziraphale isn't being a bit of a bastard in this moment - he absolutely is - but this behavior does have some obvious triggers that might be easy to overlook. It's just important to understand that Aziraphale is falling into self-preservation habits that are actively detrimental to his relationship with Crowley. It's not just the manipulation, he's also hiding things and lying to Crowley when he really shouldn't be - both things often necessary in abusive environments - but he's doing it because that's the method that he's created that works with his abusive relationship in Heaven and he's falling back on it because he feels unsafe. The trouble is, this survival tactic does not work with Crowley and actively makes things worse because it shuts down open communication entirely.

[itsclydebitches]

RWBY Recaps: Vol3E1 "Round One"

Hello, everyone, and welcome to a new collection of RWBY Recaps!!

This is a unique project in that instead of writing purely for my own entertainment, these recaps are part of the Fandom Trumps Hate auction (you can check them out here if you're interested in learning more). Specifically, these recaps are a gift for the lovely Kae who requested some meta on the earlier Volumes, or work that focused on Ozpin and/or Ironwood. I figured that Volume Three would touch on all those requests and, frankly, it's an era of RWBY that I was already interested in covering. Volume 3 was a turning point for RWBY's tone and overall mythology and I'm eager to see what I think of it in 2024, after six additional seasons and a rather chaotic overhaul.

(If anyone is reading this from the future, one of the reasons why it took me so damn long to get the first recap out is because finding official streams of RWBY has become a fool's errand as it changes ownership. Fun!)

Anyway, the game plan is simple: cover all of Volume Three at an undetermined, though hopefully steady-ish pace from here on out. Technically, the deadline for our FTH fandowrks is at the end of 2024, however, I absolutely plan to continue this series past my 5k promise. As always, this will be a RWDE-focused meta (though I'm eager to see how much nostalgia carries me through the season), so if you Don't Like; Don't Read.

Everyone got that? Great!

Now, indulge me for a moment and cast your mind back. It's October of 2015. Pizza Rat is a tumblr icon, Left Shark still reigns, and everyone is arguing over whether a dress is gold and white, or blue and black (it's the former FYI ;). Amidst such quality memes RWBY begins airing again on the 24th, presumably bringing with it another season of stellar choreography and simple, if entertaining conflict. Team RWBY has just helped contain a massive breach courtesy of Cinder's machinations, Torchewick is in Ironwood's custody, the White Fang is falling under Salem's puppeteering, Penny has revealed her android identity as well as her supposed fate to save the world, the girls are beginning to acknowledge the responsibility of their chosen career path, and the mysterious Raven has been identified as Yang's birth mother. All in all, RWBY has a lot to play with going into its third season.

It's notable then that we open peacefully. The viewer is treated to a number of environmental shots to set the scene, including one of the forest with its iconic falling Fall leaves. Ruby is positioned at the edge of a cliff with her signature rose petals drifting behind her. Stylistically it fits the scene, though from a literal standpoint it also implies that she used her semblance speed to get here. Given the momentary reveal that she's speaking to her mom, that's a rather heartwarming detail.

Sidenote: has anyone given any thought to cliffs in this series? It only occurred to me recently how often they show up, often during character milestones. Here we have Ruby talking to Summer for the first time, her (bodiless) grave situated at the end of a cliff. The Beacon initiation involves chucking the kids off a cliff and seeing how they fare, an action that is the catalyst for the group's introductions/growing dynamics. Shooting Oscar off the edge of Atlas solidifies Ironwood's turn from anti-hero to outright villain. Though I'm far from a fan of this scene, Ruby's (ridiculous) near-fall off the cliff during the fight with Cordovin preludes her (supposed) growth in leadership as she stands up to Qrow. Penny lets herself fall from Amity after sacrificing herself to get it up into the air. Then, of course, we've got the girls falling off of Ambrosius' bridge, taking them to a world where - execution aside - the intention was for them all to go through major developments: Ruby is literally reborn, Jaune experiences a lifetime of struggle, Yang and Blake finally admit their feelings, and Weiss... gets over her whole country being destroyed?

Idk, we'll have to come back to that one.

I clearly don't have a big takeaway here, just the acknowledgement that this is a visual RWBY gravitates towards. Might do a whole side meta on it some day...

Anyway, as said we realize quickly this is Summer's grave with her name carved into the headstone along with "Thus kindly I scatter." Notably, she also has her rose motif there and it's likewise prominent on Ruby's belt in this scene. Looking back, we can see how RWBY did a better job at the start of sprinkling in these significant character details before, you know, dropping them completely and then attempting a rapid-fire resurrection. Meaning, I would have bought into the emotion of Ruby giving her pendant up in Volume 9 if we'd gotten these moments consistently throughout the story's run. It wouldn't take much, just a reminder every couple of episodes to maintain the momentum. Give Ruby a scene where she explains that this rose was left by Summer before she disappeared and she's treasured it ever since. Show a flashback where we learn that it was really left behind for both girls and Yang handed it down to Ruby when she was old enough to keep track of it. Give us a minor conflict where it's lost during battle and Ruby unnecessarily endangers herself in an attempt to retrieve it (perhaps in Volume 8, setting up that the object itself is not as important as the intangible love it represents). Hell, keep it lighthearted where Yang gets Ruby something rose related at the gift shop, Nora tucks a Rose into her hair while wandering the wilderness, Qrow gives the pendant a cheeky flick while talking about how Ruby's as stubborn as her mom. My point is there are a million ways the show could have built towards that scene in Volume 9 - ways like showing us that rose on Summer's gravestone - but the show dropped the ball halfway through.

Here and now though, Ruby begins catching Summer up on everything that's happened to her since she started Beacon, which serves as a useful way to catch the viewer up too - both those who, for whatever reason, may have started RWBY with Volume 3, and those who just need a hiatus refresher.

Ruby is delightfully awkward here, a personality trait that I think becomes more forced as the series goes on. She jokes that she hasn't gotten kicked out of Beacon yet - while doing that cute little rock on her heels thing - and says that she's able to "keep [Yang] in line" by being on the same team. She follows that up with, "...that was a joke" which is just quintessential Ruby to me. Love it.

She recaps that Yang has grown a lot as a fighter since Summer left, the rest of their team is made up of Blake and Weiss, together they form Team RWBY and yes, that's as confusing as it sounds. She's stopped bad guys and met some "odd" teachers, including Ozpin.

(THAT'S MY BOY!!!)

Looking back, this is actually a fascinating couple of lines. At least, I think they have the potential to be fascinating if RT had followed a clear writing path. Ruby wonders again why Ozpin let her into Beacon early, but shrugs it off under the assumption that he'll tell her one day. "You know how he is."

Yeah, I do, Ruby. Do you?

We already knew from their initial interaction that Ruby knew who Ozpin was - she recognizes him on sight - though him posing the question implies that he never visited Patch post-her birth. At least, not recently enough for Ruby to have formed a memory of them meeting. I can only assume then that she's heard enough about him from Tai and Qrow to a) be sure of his identity (any promotional material/news about Beacon would have helped with that too) and b) believes strongly that her impression of him formed since entering Beacon aligns with what her parents presumably said about him: "You know how he is." The fact that this is in reference to Ozpin's secret keeping makes me wonder how often that came up around the dinner table. Did Tai ever express frustration, a la Ironwood, that they're clearly being kept in the dark about things? Did Qrow ever dodge the girls' questions about where he's been because he can't be honest about his spy activities, aligning Ozpin's reputation with secrecy by virtue of working for him? The casualness with which Ruby shrugs off Ozpin's secrets to Summer heavily implies that Ozpin's cagey history is both well known to the family and accepted.

Honestly, I would have loved to see this woven into Ruby's core characterization, perhaps even an extension of her "simple soul." Give me a girl who is intrinsically accepting of people, including their need to keep certain things close to the chest. Teammate deliberately kept her faunus identity under wraps? Friend hides the fact that she's an android from the whole world? Ruby accepts them. Ruby gets it. The fact that Ruby does, canonically, accept their duplicity without so much as a blink is, I think, one of the reasons why I expected her of all people to be more sympathetic towards Ozpin's hidden identity. We can argue about the girls' right to the truth via participating in this war till the cows come home, but at the end of the day Ozpin's secrets are intrinsically tied up in his family, his history, and the trauma surrounding both. Let the others get mad, prioritizing information over personal motivations (that does fit their characterizations well, with Blake perhaps being an exception), but Ruby? The show has never been willing to commit to the kind of dark story that would result in a 180 character growth - endlessly forgiving protagonist becomes jaded and cynical as she experiences The Horrors - and little moments like this one further emphasize to me that Ruby, specifically Ruby, is uniquely suited to helping Ozpin not just fight, but finally finish this war. It should never have been (just) about her talent with a scythe, or even the rarity of Silver Eyes. The Gods wanted Ozpin to unite humanity and here's a young woman who unabashedly loves everyone that the world tends to despise: secret keepers and drunk uncles and faunus and Schnees and scary androids. Ruby should have been the emotional bridge!!

Okay, I swear I'm not going to make this series a rehash of my issues with the later Volumes lol. Inevitably some things are going to crop up though.

Moving on, Ruby mentions that Tai is here too and the viewer gets to see his avatar for the first time, albeit from a distance. In keeping Summer updated on her... husband? Wait, were they married? Well, in keeping her updated on her partner, Ruby says that, "He's, you know... Dad," which, unlike the Ozpin line, is just plain funny. Sure, most of her talk is very exposition-y and absolutely functions as a soft lead-in to new content, but that's not to say a story should ever put absurd dialogue in a character's mouth simply for the sake of the viewer. That is, Ruby should never say, 'Oh, Tai is here! You know, my Dad?' because the person she's talking to, Summer, knows damn well who Tai is. Television has actually gotten better about this as a whole. Once upon a time a medical drama would have the doctor yelling, 'Her skin is turning yellow - she's jaundiced! Her liver is failing!' to ensure that the viewer understood precisely what 'jaundiced' meant, never mind how absurd it was for a professional to be shouting that among their peers. (Granted, medical dramas as a whole are absurd. I say that with love.) Despite RT's general inexperience, RWBY belongs to an era of televised storytelling where leaving certain things unsaid is par for the course.

Here, the unspoken information is what it means for Tai to be, you know, Tai. We don't really know who Tai is yet- personality-wise, I mean - so Ruby's comment functions more as a way to set up our expectations rather than to connect with us in agreement. We now expect Tai to be the kind of guy who does things to make his teenage daughter sigh and go, 'That's Dad...' and we, presumably, look forward to seeing that.

Granted, the three things we do know about Tai at this point in the story consist of:

He's a fellow Huntsmen (which is an insane job)

He let his daughter join Beacon two years early to also become a Huntress (also kinda insane but I support him)

He maintains a relationship with said daughter and daughter Sr by sending them their dog in the mail (do I really need to say it?)

Based on that I suppose we can guess as to what Tai is like lol.

He calls Ruby away so they're not late for the match and she sends a last message to Summer over her shoulder: "It was good to talk." As we transition, a murder of crows flies across the sky. Or is it an unkindness of ravens? I can barely tell in real life, let alone when they're animated blobs, but either option works well enough given the upcoming revelation about the Branwen twins.

Cutting to the arena a little time in the future, the viewer is treated to some establishing shots that, while simple, are honestly pretty cool. I believe this is our first introduction to Atlas' floating environments and showing a bit of Beacon Academy in the background helps give us a sense of scale.

This event is clearly popular, with the stadium absolutely packed with people (even more are trickling in from ferrying ships) and, to RT's credit, they did a bit of work to convey diversity in this world. We see a decent variety of skin tones as well as faunus characteristics, to say nothing of the cool designs many of the competitors will get. Beyond the main cast still being overwhelmingly white, I'd say the biggest issue here is the lack of body diversity, what with everyone having the same, stick-thin figure. Yeah, RT is clearly using the same base model copied a hundred times and I'm very aware of their previous status as a small, independent company, but such visuals nevertheless stand out in a series that's been pushing a minority plotline for three seasons.

The camera swoops down to follow Team RWBY in the midst of a battle which, again, is staged in a way that's clearly meant to catch up/invite in new viewers. It's very trailer-esque as each shot lingers on Weiss, Blake, and Yang for a moment before finishing with Ruby, complete with a twirl of Crescent Rose. This is the show visually reminding you of what it's really about. Sure, we might have started with Ruby speaking peacefully by a grave, but at the end of the day RWBY is the story of a team engaging in combat situations.

Oobleck and Port are announcing the event and Oobleck throws out his standard "Doctor" when his title goes unacknowledged.

You know, I started RWBY nearly a decade ago. Four years ago I secured a PhD, so I feel that now.

Port provides another handy info dump for those "just now joining us." AKA the viewer who has no idea what a Vytal Festival is, but this is as good an excuse as any given that people are still entering the stadium. Simply put, all the Kingdoms' huntsmen schools are competing as teams first, then as duos, then as individuals to determine the final winner who will have achieved "victory for their kingdom!" Age and year are irrelevant, which makes perfect sense given the nature of RWBY's combat. You've got young prodigies like Ruby and people who sneak into Beacon like Jaune, and though the other schools/years probably don't have as much drama going on, the variety of semblances, weapons, dust use, and personal experience really makes this anyone's game. A first year might easily beat a fourth year if they won the genetic lottery with their semblance, or a student from School A might trounce someone their age from School B, depending on how much their school has sent them into real combat situations.

Given all that, I kinda wish the Festival had developed the other Kingdoms more, given that it's the perfect opportunity for the cultures to learn from one another and/or butt heads. In a perfect world, one where RT had some sense of where their story was going, I would have loved to see:

Strong development of Vacuo's citizens, especially given that it will be the focal point of Volume 10 and possibly the end of the series (if we ever get that...).

Though the gag that Weiss excepts strict, militaristic fighters from Atlas only to get Neon is funny, that 'Don't judge a book by its cover' lesson really doesn't align well with what Volume 7 and 8 try to push. Better, perhaps, to set up Atlas' dictatorship tendencies before swinging hard in that direction (and I'll get into how what we do see doesn't make the cut).

How Remnant's racism gets displayed in a highly public competition. Do Blake and the other faunus face more discrimination now that they're in the public eye? Do asshole citizens challenge wins because no way did a faunus beat that human?

How different schools approach training their huntsmen. Specifically, everyone seems to abide by the four-person team structure, so why would this competition eventually highlight duos and individuals? It seems counter to what Beacon, and by extension all the other schools, are trying to promote. This setup would make more sense if we were shown that different schools have radically different curriculum. Maybe it's eventually 1v1 because Vacuo's individualist, survival-based culture teaches huntsmen to fend for themselves; teammates are just another liability. Maybe Atlas, being militaristic, prizes safety in numbers and has students train in groups of six rather than four. Maybe Mistral is incredibly semblance-focused (a way to develop Neptune's phobia rather than just making it a gag; a fighter who can't or won't use their semblance is considered effectively useless) and if you can negate that aspect of their style somehow, you find they're lacking severely in weapon-based combat.

Again, I know that RWBY, particularly early RWBY, only had so much time per episode, but looking back it feels like there are a lot of missed opportunities in this world-watched event. None of this is even taking into account Cinder sneaking into the school, or Penny being outed as an android. If any RWBY rewriters are reading this, the Festival is a potential goldmine of characterization and cultural development. If you're going to write random RWBY books, write some about that!

One moment of cultural significance that is shown though is the Atlas security hovering around the arena. They mostly keep to the background, without any single appearance being obtrusive (yet). This is one of those moments where (some) fans look back and say, "See? Ironwood was always a controlling, military-obsessed bastard," but the reality is that this is incredibly tame by real world standards, to say nothing of the realities of RWBY's fantasy world. Regardless of how you feel about the, uh... motivations behind the security in your country (because that's a whole other conversation), you expect there to be some level of professional oversight when that many people are meeting in one place. That's a reality we have to work with, which includes all the potential pitfalls, biases, manipulations, and accidents that come with any large-scale endeavor. Toss in the fact that RWBY's security is designed to defend against man-eating monsters and I'm honestly surprised it isn't presented as dystopian here. Meaning, we easily could have been given a story where people are comparatively safe from grimm in modern day Remnant and the security functions primarily as outside control and/or a fear-mongering tactic. It's not that security is inherently unnecessary, but those walls have done a damn good job for the last generation or so, so why is James so insistent on populating this festival with his probably not-needed robots? Seems sus 🤔.

As it stands, grimm DO attack people on the regular (that was kind of a big part of last Volume's finale), security IS necessary (according to many other council professionals once James raises the issue), and it's arguably MORE necessary now - during the festival - because there are so many potentially negative emotions just waiting to crop up. Instead of "Seems sus," the reaction to having defensive robots around is more, "No duh." At the very least RWBY might have had the characters react to the security with suspicion/fear, even if that doesn't totally track with the rest of the worldbuilding, or better yet, demonstrate that there are major issues with AI leading the charge (robot mistakes kid in grimm mask for real grimm and fires a shot!). Granted, we get that through the hacking at the very end of the Volume, but here and now the Atlas ships seem to be used primarily for transporting viewers, the crowd is fully at ease with these guys, and — as we'll see later — the prospect of additional security in the form of AI is greeted with enthusiasm, not wariness, simply because it will keep real, breathing people off the front lines. Those are all important things to keep in mind when you consider whether a) The show took a very sharp turn in Volumes 7-8 or b) The show capitalized on a long established, slow burn plotline.

(Psst the answer is 'B')

ANYWAY, Oobleck is yelling about the "Spectacular spectacles on which to speculate on!" and I love him all the more. While he and Port narrate we get some non-animated shots of people viewing the Festival from around the world, though frankly it doesn't do much to help RWBY's worldbuilding. Some people watch the fights from a camper outside, others are in a minimalist apartment, still others are in what's basically a bar... if you're looking for intriguing backgrounds to drum up interest in the world outside of Beacon, you're not going to find it here. The presence of various faunus individuals is really the only thing that distinguishes these settings from a show based in the real world.

Onto the fighting! (It's about time :p) The girls are facing off against Team ABRN (pronounced "Auburn") from Haven and they're decent for a couple of one-off characters. I like the design of the girl with the skateboard - Reese - and how her weapon, the board itself, gives her a lot of flexibility in battle. Since it functions as a hoverboard she has a lot of maneuverability, she can use the board as a shield, a projectile, adapt its abilities via Dust, and - of course - she can pull both sides apart to duel wield the guns. Looking at all that flexibility, it is a little lame that she 'loses' that particular encounter with Blake by slipping on the ice, but then we're not really supposed to care about these characters. They exist solely to get us hyped for the battles to come and give a quick primer on how those battles will work. AKA, now we've learned that the battlefield itself has hazards the girls must circumvent.

Blake is cute here though. She's so concerned and I'm like yeah, girl, that looked like it hurt 😬

This whole exchange has that same vibe: one of casual playfulness, which makes perfect sense given that this is supposed to be a fun competition. They're exhibition matches, not real attempts to take the other team out (which is why Yang's supposed act later in the tournament will be seen as so heinous). The guy with the pink hair (Nadir) full on pouts when Ruby successfully traps him in a block of ice and, of course, we have the classic "Got your back!"/"My BFF!" lines in response. The girls are enjoying themselves and that's so damn wholesome to see after all the tragedies - plot and writing-wise - of the later Volumes.

Team ABRN are able to make a bit of a comeback and - *gasp* - the girls have to actually think creatively/combine techniques in order to get the upper-hand. Blake successfully tricks Reese with a clone and catches her in the midriff with a quickly timed ribbon, cleanly knocking her out of the ring. It's here that we learn a team member can be eliminated via leaving the bounds, or having their aura dip too low (remember when that was a thing?) I know I just said there's teamwork, and there absolutely is here, but it did stand out to me how Blake just like... disappears after this moment? I mean she comes back, but it's clear RT wanted each girl to have her moment in this battle, despite the fact that any member who successfully defeated their opponent would be rushing off to help the others. That should be a near defining win condition - defeat one opponent and suddenly it's a 2 vs 1 situation for someone else - but that expectation falls by the wayside until the fight's final moments.

It's a good fight though. Not the greatest by RWBY standards, but it was no hardship to rewatch for this recap either. Weiss pulls out an epic ice hand that ensnares two of the members, now rolling chaotically across the arena, and clearly she thinks this is the end of the fight. However, Arslan — the monk-type who favors hand-to-hand combat (or the one with the "Eastern martial arts influence" according to the RWBY wiki...)— simply rolls her eyes, plants her feet, and shatters the ball with a single hit. Gotta admit, it's pretty cool.

Of course, Team RWBY still comes out victorious in the end. With all of Team ABRN now in one place, the girls have one of those lovely mind-reading moments and pull off a coordinated attack, allowing Yang to sucker-punch them all out of the ring. Again, it's nice to see that kind of teamwork, as well as the adorable way they all stand there, mildly shocked that they won.

I'll take that over the brazen, cocky confidence they've gained any day.

The only thing I'm kinda iffy about regarding this fight is how Team ABRN feels a little less like a full-fledged team to me, and more like a faint Team RWBY echo. It's most noticeable in the Yang vs. Arslan sections where you've got two yellow-coded, hand-to-hand snarkers facing off. Blake and Reese both feel like the cool, alternative style members of their teams, and then you've got the Weiss-Ruby duo trying to overtake the Bolin-Nadir duo. It's admittedly a subtle familiarity that lessens with each example, but it stood out to me in the re-watch; like Team ABRN only exists to give Team RWBY someone vaguely similar to overcome. Which, granted, they do. These are not characters we're going to follow as the series progresses, so in most respects they've done precisely what they needed to do and in a way that looks cool and feels entertaining. So this isn't a criticism, really. More an acknowledgment that RWBY is a series with limits and if we want to know more about these characters/flesh them out beyond their paralleling characteristics, we'll have to do that ourselves in the fanfic.

As Ruby jumps into the air in a victory celebration, we PowerPoint slide cut to the festival later that day where she nearly collapses, asking if anyone else is starving.

Yeah, child. You just made it through a physically intensive battle in front of an audience while existing as a teenager. Of course you're hungry. Blake's stomach gives a giant, embarrassing growl in response and Weiss sarcastically bemoans the fact that there's nowhere to eat at the food-focused festival. Good times, good times.

Ruby: "It's okay, Weiss. I forget about the fair grounds too."

Before they can grab lunch though Weiss declines a call from her father and an old 'acquaintance' suddenly shows up.

Emerald.

You know, kudos to Katie here because Emerald's laugh and, "Good to see you, Ruby" sounds so fake to me now. It just oozes, 'I secretly hate you but am pulling out all my acting skills to convince you otherwise' energy. Obviously RWBY has a host of villains/antagonists that have done a plethora of heinous things, but there's something particularly skin-crawling to me about seeing Emerald in retrospect. Part of it is the deception. I don't know about anyone else, but I personally would prefer a villain who's upfront about their nature from the get-go, rather than one who pretends to be my friend before stabbing me in the back. The first scenario just lacks the same emotional punch, you know? Though the other part of it is, of course, knowing where everyone ends up. Beacon will fall. Ozpin will "die." Pyrrha will actually die, and our heroes will be sent out into a war they're in no way ready for. Yes, Salem is our ultimate Big Bad, yes Emerald has her sympathetic moments and does a heel-turn into "good guy" territory four Volumes from now... but I think the fandom often forgets that she willingly and actively participated in this horror show. This isn't someone just along for the ride because their crush manipulated them, this is someone with a working brain between their ears who has PLENTY of time to consider the ramifications of this and still went, "Yeah, I'll lie my way into orchestrating a massacre."

All this hindsight angst is interrupted by the joke (and I use that term with great reservation) that Ruby must have dropped her wallet because "Girl pockets are the worst!" Sorry, but that has such cis-guy-trying-to-relate-to-women-and-failing-miserably energy to me. Like yeah, I also hate the super small/outright fake pockets that they often sew into women's clothing and I too have smiled at women promoting pockets as part of their independent brands... but somehow hearing the RWBY writers reference it just doesn't land. It's not #problematic, just cringy.

Emerald butters them up a bit by complimenting their fighting and Weiss notes that they haven't seen Emerald's teammates in action yet. We cut to their battle where they dominate the other team, complete with a disguised Neo showing her real eye color before she knocks the competitor out. "[They did] really well," says Emerald in the fakest humble tone ever heard.

Ruby invites them all to lunch and Emerald - clearly horrified by the prospect - dodges by claiming that her teammates are too socially awkward for a meetup. In her defense, Mercury is in the process of randomly sniffing a boot, so although this is absolutely just an excuse, she's also not wrong. Like, at all lol.

Fishing for more info, Emerald asks who's moving onto the doubles round and it turns out that Team RWBY voted for Weiss and Yang. There are three things that I love about this moment:

They voted. Yes, Ruby cheekily tries to make it sound like this is all coming from her genius as team leader, but at the end of the day they decided as a team who would represent them. It's a small detail, but those stand out so much more now that we have Ruby vocally and angrily calling the shots.

(This is a ridiculous side-note I'm 99.9% sure I've mentioned before, but every time I talk about Ruby's intense form of "leadership" in the latter Volumes, I'm reminded of Rick's, "This is not a democracy!" in The Walking Dead. If you know, you know.)

They chose Weiss and Yang. From both an in-world and meta perspective, it's actually a little surprising that Ruby isn't representing them. As established, she's team leader. The team is named after her. She's the protagonist of the show. She's also, canonically, a prodigy wielding an insanely deadly weapon. Yet it's refreshing as a viewer to have a new duo taking the spotlight and within the story-world this choice reinforces Point #1: They're a team and no matter how individually talented any one member may be - or even what titles they hold - they are, at the end of the day, all on equal footing. Why shouldn't Yang and Weiss represent?

The way they both respond to this reveal is dang cute. Weiss' "I will happily represent Team RWBY" while curtseying to Emerald vs. Yang's "Yeah! We're gonna kick some butt!" while slamming her fists together. It's a great contrast and shows why these two might have been chosen. Though powerful on their own, their styles and personality are different enough to compensate for any flaws.

With all that out of the way Emerald rejoins Mercury and her smile immediately drops. She's disgusted at having to get all buddy-buddy with them, but "Orders are orders." She has this classic villain moment where she expresses shock over how they're just so happy all the time and I'm like oh, honey. Darling. Morally misaligned baby girl. Just give it a few Volumes.

We cut to Team RWBY at lunch and aRE THE BOWLS SUPPOSED TO BE THAT BIG?

I recalled that they were big as a visual gag, but not half the girls' size. Honestly? Great choice. I too want to live in a world where you can get insanely giant noodles a millisecond after you order them.

Deviating from the others, Blake nods at the seller dude and receives an equally giant bowl filled with fish. You know, I really wish RWBY had done something with the faunus' animal traits rather than turning them into an endless joke. The concept of a god merging humans with literal animals and then, generations down the line, cat-people being influenced by cat instincts as well as human instincts (because remember, we're animals too) is actually really interesting to me... but navigating the racial implications of that takes a level of nuance that RWBY was never interested in exploring. So we're just left with a Blake who is fish obsessed and chases laser pointers and hates dogs and we're supposed to laugh at all that, rather than buying into her teachings that many people use these traits to dehumanize the faunus.

Anyway, Weiss shows off a bit and pays for all their food. At least, she tries to. Turns out her card has been declined, which is more than a little confusing to her given that she was "barely into [her] monthly allowance." Hmm, could that possibly have anything to do with her ignoring her father's phone calls? Surely no one knows.

Luckily, Pyrrha shows up and offers to pay instead (it's nice having a famous BFF, huh?), but like... what were the girls' initial plans? None of them were expecting Weiss to pay, yet they act like Pyrrha is saving the day by showing up, implying that they don't have the money to cover their meal. The shop guy even takes Blake's fish away, leaving her despondent. So what? Were they planning to eat and just worry about the bill later? Actually, that sounds exactly like something these chaotic preteens would do lol. Yang especially. She was introduced while "buying" a drink before destroying the whole dang bar.

Speaking of teenagers, they all finish their bowls with the kind of appetite only seen in 14-71yos. Although, it was a near thing for Jaune. He's very close to barfing (callback!) and Nora encourages him to "aim it at the enemy!"

She continues ragging on him for a bit, failing to come up with any compliments while hyping up her team. Pyrrha is a world-renowned fighter, Ren is basically a ninja, she can bench five of herself, and Jaune is... Jaune. Nora also doesn't include him in her secondary list which implies that Jaune a) hasn't trained as much (or, more realistically, hasn't gotten as much out of it) as the others, b) doesn't possess an "awesome" weapon, and c) is still frequently yelled at by Glynda.

Poor Jaune. I don't say that very often anymore, but he's going through it here lol.

All of this leads to Nora spiraling at the possibility of them losing. This includes the oh-so-causal drop that she and Ren "have no parents and no home left to go to" which is a HELL of a thing to throw out in a comedically framed breakdown. I mean, being orphans is sad enough, but "no home left to go to" won't be explained until we learn that their town was basically wiped off the map, so damn.

Team RWBY reassures them that a fight with actual rules is nothing compared to what they've already been through. You know, the murderers, extremists, and sociopaths. "Oh," gushes Ruby, "imagine what it'll be like when we graduate!"

As Port and Oobleck call Team JNPR to the arena for their match we cut to Emerald and Mercury settling in to enjoy the festivities. In retrospect, this right here is a really nicely composed shot:

It tells us that Emerald is serious about going through with this destruction (again, she's no manipulated damsel), but she's not getting the same personal enjoyment out of it like Mercury is, as showcased by the smirk. The focus remains on them with Team RWBY framed in between. This is the villains' Volume. They're going to win. Our eyes follow the soon-to-be champions not of the festival, but the battle, while our heroes are literally and metaphorically trapped between them. Finally, Yang is the only one who looks back. We won't know this for several episodes, but she's at the heart of their plan and has every reason to cast the almost-but-not-quite-worried glance over her shoulder. Subtle foreshadowing, how I love thee.

It's shit like this that makes my brain go, "It used to be good! RWBY used to be fun AND occasionally insightful! Those overworked animators were uplifting a mediocre story and the result was good!!!"

As they take their seats who should show up but Cinder, casually using her semblance to pop a kernel of popcorn (power move). "Even if you know how a story ends," she says, "that doesn't make it any less fun to watch." True that! I mean, she's talking about knowing that Team JNPR will be moving on because they need Pyrrha to murder Penny, but I agree with the sentiment outside of that context.

Actually, do they ever explain how they manipulated the fights? I mean, they obviously entered and are winning their own battles and we know that Mercury will be staging his injury with Yang... but here Cinder makes it sound like she's pulling strings in every match. Toss that onto the list of development I would have liked for this Volume: what precisely are they doing behind the scenes? I'll have to pay careful attention going forward to make sure I don't miss anything because right now all I can recall is them looking at Penny's blueprints (presumably obtained via Watts).

Team JNPR's area is randomized into a forest and mountainous land before the battle commences. We end on that cliffhanger, complete with the superhero-esque freeze shot.

And that concludes the first episode of Volume 3! As well as my first recap in a long while. If you've followed me at all you'll know that work has been my personal Big Bad the last two-ish years. Given the scope of my responsibilities and the energy they extract, I simply don't have the time or means to write the way I used to. However, I feel like if I can muster up the willpower to finish this on tonight of all nights (people reading from the future: check the posting date and you'll understand), then I must be getting a little better at carving out writing time in my hectic schedule. All hail self-improvement!

On that positive note, everyone have a wonderful night. Or at least try to. Seriously. Text a loved one, treat yourself to a favored snack, do something that feels fulfilling. Take some deep breaths and I'll see you for the next one.

~Clyde❤️

[undeadcannibal]

Hii can I request something for 141 + König and Keegan when their S/O is raging at their game? That’s currently me right now LMAO

Summary: How Task Force 141, König, and Keegan are with a gaming S/O who rages

Genre: Headcanons, request(s) Characters featured: Price, Gaz, Soap, Ghost, König, and Keegan P. Russ

Warnings: none!

A/N: I feel ya. I’m replaying Horizon: Forbidden West on the hardest difficulty for my second playthrough, and needless to say sometimes my ass just gets handed to me. OTL Thank you for the request though, I hope you enjoy! (Also, sorry Keegan’s bit is short, I’m slowly getting into writing more for him because it’s been YEARS since I’ve played/seen COD: Ghosts) ( Gif credit: xxx )

Price―

Doesn't game because he doesn't really enjoy them much, but doesn't mind if you game 

If you're raging at something, he doesn't really get it, but also doesn't judge you for it 

If anything, much like Ghost and Keegan, he finds amusement in your rage 

Can't take you too seriously when he thinks you're cute for getting so upset at the game 

Does tease you occasionally, but not to the point you're feeling worse 

Ohhh, will be that one person that watches something and can't help but comment on how it wouldn't work or something of the like

OMG WAIT-- 

"Are ya' winning, son?" meme fits him perfectly 

Totally the type to ask if you're winning no matter what you're playing, or if you're raging

Gaz―

Like Soap, Kyle is a good support system/partner to have when gaming 

Doesn't game nowhere near as seriously, but does have his own moments here and there 

So, whenever something gets to you and you can't help but react, he's laughing and doing his best to reassure you 

Sometimes can't help but be a tease and joke with you, but for the most part, he doesn't mind the raging. Is probably used to it because of Soap, imo 

Ooh, unrelated but kinda cute headcanon for him is he's absolutely the type to help you past a part you can't quite get. Loves helping you with games, he thinks those moments are sweet~

Ghost―

Soap has tried getting him to get into gaming with y'all, but it's just not really for him 

He does, however, like watching you though. Even more so when you've your moments of intense rage 

Like Keegan, he finds those rare outbursts endearing to him in an odd way he can't quite explain 

Won't really join you, but will watch you and even gets into it when you're playing a particularly interesting title

Will be commenting on situations and characters right along with you, and even nod along at those heated moments of raging 

So long as you're not physically destructive or too loud, he doesn't care one bit about those moments 

He thinks he'd probably be the same way if he were in your shoes

Soap―

Oh, this man is right there with you, he's your best gaming partner. Don't tell Gaz that though 

If the two of you aren't hyping one another up, you're raging together during those heated moments 

Doesn't matter what types of games you enjoy, he'll gladly watch or play with you when he can 

Even though he loves to share the moment with you, he isn't the type to be a backseat gamer 

Much prefers to let you figure it out on your own, especially when it comes to difficult puzzles and bosses 

Will also rightfully be yelling and cursing right along with you cause sometimes he can't help himself

König―

Being on the quieter side, I see him as the type to be have a silent and internal anger reaction 

When he sees you raging for the first time, it catches him completely off guard 

At first, he's worried something's wrong only to realize you were just frustrated at something that happened within the game 

He'll understand the frustration you feel and tries to help cheer you up 

He might not get raging at the game - since I personally headcanon that he either doesn't play them, or simply doesn't have the time for them - he won't mind it. Finds it a little humorous when you get worked up over something he thinks is trivial 

Catch him cheering you on and/or encouraging you during a difficult part or boss 

Absolutely hams it up when you're doing well too 

Keegan―

He finds your raging at the game very amusing

Count on him to tease you during the worst moments just to rile you up even more

I can see Keegan enjoying seeing the fiestier side of you regardless of the frustration and anger you're feeling

Still, he'll sit there right with you, and depending on whether or not he's been paying attention, sometimes he'll even join you in said raging

If you were closing to defeating a boss or other player and died before beating them, he'll understand the raging wholeheartedly

Isn't a backseat gamer type, but will offer some tips to try and help you, if he can

[envyq00]

“I’m sorry I was gone but look, I made you some content~”

FINALLY MADE MY CONTRIBUTION TO THIS MEME. During pride month no less. 👀👀 Still trying to figure out out new art style technique stuff. Overall, really like how this came out.

(Actually Charlie’s Inferno really fits this situation much more dhjsjsj)

[pomrania]

Could They Survive Investigating Kira?

To clarify, this is about the Kira murders from Death Note, not the other manga/anime which has a serial murderer named Kira who kills via supernatural means. Insert "two nickels" meme here.

@couldtheycatchkira asks if a given character could catch Kira, and would they survive. Here, I'm focusing on the second part, and how to consider it. I've broken it down into four major questions:

Are they capable of dying (and staying dead)?

Are they capable of being killed by the Death Note?

Would Kira be able to kill them?

Would Kira choose to kill them?

1. Are they capable of dying (and staying dead)?

If a character cannot die, cannot be killed by any method whatsoever, won't even die from old age, then they survive investigating Kira; they survive ANY circumstance. You don't need to look at any further question, in order to get your answer (although you might choose to, just for enjoyment purposes).

Under this category, I'd also include characters with explicit good luck and/or uncanny ability to survive situations that should have killed them, where they're theoretically capable of dying, but circumstances arrange themselves such that it never actually happens. Not to be confused with "protagonist immortality", where a character survives because if they died the story would be over; this is a character who basically has indirect immortality as a superpower. Or they could fall under the category of "God's favourite chew-toy", where some higher (or lower) power simply won't let them die or stay dead.

Conversely, is the character capable of SURVIVING? In other words, how inherently doomed are they? If they were in a story where "character death" is a possibility, are they a character who's guaranteed to die? Note that this is distinct from being "doomed by the narrative", because that's doomed by ONE PARTICULAR narrative, and "getting Kira-murdered while investigating" might or might not fit their narrative doom.

This is also where I raise the issue of resurrection, and limited immortality. If a character dies but comes back to life, then they count as "surviving"; they need to STAY dead, in order to count as "does not survive". And if they're generally immortal (or at least unkillable), but can be killed under certain specific circumstances, then the question moves to "would Kira be able to figure out, and create, those circumstances".

2. Are they capable of being killed by the Death Note?

If they're immune to Kira's only real weapon, then they won't be killed by Kira; and unless they're otherwise doomed (see above), they'd survive.

Some characters, while capable of dying, outrank shinigami, or have connections that equate to such. The Death Note wouldn't work on them, for similar reasons as how an employee can't fire the head of their company.

Then there's non-human characters. This can be tricky, because in the world of Death Note, there's humans and there's shinigami, and the Note explicitly works on humans but not shinigami. To keep things fun and interesting, I'd say that any type of sapient mortal counts as a potential Death Note victim in the same way "human" does, because otherwise it gets boring; blanket immunity should be reserved for characters who specifically have it.

As for non-sapient and/or non-mortal characters… I don't have any overarching advice for them, except maybe see if you get a definitive answer in the next questions, and if not then you can use "might or might not be able to be killed by the Death Note" as a tie-breaker.

I think this is also the level to look at "characters who couldn't die from a heart attack". The Death Note CAN kill via other methods, but "heart attack" is the default. For this, you need to consider if Kira would REALIZE that simply writing the character's name down (to give them a heart attack) wouldn't suffice, and if he'd be able to figure out a method that WOULD work; but that shades into the next question.

3. Would Kira be able to kill them?

There's two major categories to this question; the issues Kira ran into in his story, and issues we get from characters who aren't "baseline human". I'll start with the second category.

Some characters have unorthodox death requirements, like non-human biology (or equivalent processes if non-biological), or limited immortality. Would Kira be able to figure out that he needs to do something different to kill them, and would he be able to figure out WHAT he needs to do?

Then, the "standard" issues, and what people first think of when they consider "would this character survive investigating Kira". In order for Kira to be able to kill someone, he first needs to know that they exist; then, their full name and how to spell it, and what their face looks like. If he doesn't have all three of those, then that character is safe from being Kira-murdered (but might still die in other ways).

4. Would Kira choose to kill them?

This factor seems to get neglected a lot, judging from the amount of times I've seen "lol they're a public figure, they'll die immediately". But Kira doesn't kill everyone whose identity he knows, because otherwise he'd be easy to locate, as the epicentre of mass death.

First, does the character fit his normal victim profile? If so, then he tries to kill them (which might or might not succeed, as detailed in the previous three questions), even if he doesn't know that they're investigating him.

Next, does he consider them a potential threat? If he doesn't know the character is even INVESTIGATING him, or if he thinks they're incompetent as an investigator, or if he believes he's sufficiently outsmarted them, then they're not a threat, and he has no reason to kill them.

Finally, does he have a reason NOT to kill them? Does he believe they should be left alive, on their own merits; or, more commonly, does he feel that they'd pose more of a threat to him dead than alive? For example, this could be them having information that would get sent out automatically upon their death, or being in a situation where suspicion would fall on him specifically if they die in an unnatural manner.

[watchingblsnowandforever]

Hello!!!! =D

So. We Are ep 13. I don't how they do this, but they keep making every episode better than the last. At this rate, I'll not be able to survive episode 16.

Warning: long post 😊😅 (there will be a smol part 2 because 30 screenshots are definitely not enough.)

We have the Best Parents in BL, but now I present to you: The Best Aunt in BL.

Subtle, Aunt Pui, real subtle. 😭

I get her. She just wants a nice, handsome boyfriend for her nephew. 😌

First of all, the symbolism is hitting me right in the face, but it's also so subtle because no one else knows the whole story, so they wouldn't be able to figure it out.

Secondly. Yes, the red and blue do clash a bit, and it's not the prettiest little painting. But. Not every painting has to be "pretty" or perfect. Just like feelings or emotions in real life. Peem didn't willingly draw over his precious painting because he thought it'd look better; he did it because he wanted it to express his feelings. This also ties into Peem's insecurity at having (apparently) failed at being Phum's comfort zone because see, in the painting it looks like the sea is embracing the roses, or protecting them.

What I'm trying to say, is that what makes art beautiful is not just what you directly see on the canvas/right in front of you. And this applies even to the "pretty" ones. The David is not just famous because it looks very good, but also because of the amount of skill and talent Michelangelo had to be able to create such a thing from a block of marble. (I'm sorry I'm not good at examples or analogies 😭)

Sir. What business do you have, making an expression like that and giving me a heart attack.

If I haven't said this before: find a man who looks at you like Phum (Pond) looks at Peem (Phuwin).

Two sides of the same coin.

Phum still feels guilty (which is very clear from his reaction to what Peem says) about ruining Peem's painting, so he wants to do something to make sure nothing like that ever happens to Peem again.

Peem is long over it (you don't ever forget shit like that, but he has definitely forgiven Phum). He met Phum because of that Incident™, and he has a new, upgraded painting, so this is just a light joke for him. But the moment he sees it's too soon for Phum, he immediately goes to reassure him he's just kidding, and he absolutely does not hold it over Phum.

A simple pinky promise, but how much does it mean to Phum?

He's never had someone to make a pinky promise with; Fang was in a similar situation as him, and Beer knew better to make a promise and have it broken by forces outside his control.

So this, this small, childish gesture means quite a bit to him. (Which is also probably why having broken it hurt him so much.)

And yet Peem, you're smiling so wide while saying that. Almost like *le gasp* you actually like it!

Let's be real here, Peem. You don't mind at all. In fact, you sounded unbearably fond saying this. You were quite literally giggling and kicking your feet. (Which fits my headcanon of him pretty well actually.)

This shot. Just >>>> (actually thinking of making it my header-)

Ma boy never misses a chance 😭👍🏼

And if he doen't get a chance, he makes one and nails that too. <3

SO CUTEE 🥺🫶🏼

Oh the teasing is on.

Pun: I did that 😌

Beer: Idiots in love. Again. *exasperated sigh*

[From this point on, I am extremely sleep deprived, so most comments made will probably (definitely) be forgotten by the time I wake up (I'm going right to sleep after posting this.]

Well, Chain, I'm sorry to be the one telling you this, but Phum moved into Peem's heart like 6 episodes ago.

Well, yeah, but Peem has to act at least a little bit like the tsundere he is, right?

Chain: "Well, can a cupid shoot an arrow at himself?"

Toey: *very telling side-eye*

Q: You really think one flirty line will trigger his half braincell to understand what he didn't in the past however many years? ...go on, I wanna see how this turns out

Pun: *pikachu meme face*

Beer: Oh damn here goes another one, we must be nearing the last episode

Phum: ????

Peem: Don't say anything don't say anything DON'T SAY ANYTHING DON'T YOU DARE FUCKING SAY A SINGLE WORD- (internally: Idiots. They're idiots.)

Ah, I love the sibling energy here. Also, initially I was like nah you're more like Tan. But then I gave it some thought. And had a Realization: he really is the Fang in their relationship, and Q really is the Tan. (I do not have the brainpower to explain rn, but tell me if you want me too, I'll include it in Part 2.)

Phum can't wait. (And neither can Peem, because I didn't see ya denying anything, babe. Instead, you gave him the softest shoulder bump in the history of soft shoulder bumps and that bigass (smitten) smile.

Oh boy this scene.

Right before this, when Peem called Phum immediately after the last brushstroke, I was smiling so hard and giggling like yesss do boyfriend-y things with each other!

Him waiting on the porch: still big smile. Here comes Phum! Ooh are they gonna flirt in the car??

My smile started dimming as the seconds ticked by and no Phum appeared on screen.

Until I finally realized what was happening.

I almost stopped breathing.

And as the scene went on my heart broke a little more with every text and every call, and I was watching that mall scene again. Except it was much much worse this time.

So long story short, I was heartbroken for both of them. Especially when Peem showed up alone with the saddest lost-kitten face ever.

But, at this point I knew Phum must have had something really urgent/unaviodable to miss his meeting with Peem because 1. He really really loves that boy and 2. He was very much looking forward to doing this with Peem.

Unfortunately, I will have to end Part 1 here (please don't kill me), and I'm loathe to end on a sad note, but I promise the next part will be much happier. It will hopefully be posted a little later today.

If you got this far, thank you so much for reading! 😊

Here, have a pudding 🍮

My previous We Are posts.

[desultory-novice]

Noir's Field Trip - "Starting Out"

"...Thanks, you two."

-

Ahem! Following in the footsteps of several other Kirby OC contest peeps, you may send in asks for [Noir]!!

(...But I'm SUPER busy so it may take until May to respond! ^^;;)

[Notes/Rules About Asks:]

-I'm iffy on back-and-forth style dialogue-based RP, due to the complex interplay of pseudo-linearity in an amorphous situation plus my autistic-self often being unable to figure out what my RP partner is actually trying to say tone-wise or what they are thinking and then-I-answer-them-wrong-and-embarrass-myself...!!

NVMD SEND WHATEVER YOU WOULD LIKE XD

That and long post-chains make me a little nervous. ^^; Asks in the form of questions Noir can answer in-character are preferred.

(You may also ask me generic "What does your OC think/do when...?" style questions, such as those from THIS detailed OC ask meme!)

-You can also send an ask for Noir from your OC, if you'd like to find out how the troubled teenage boy would react to meeting them! (These may or may NOT(!!) come with art, depending on mood, time, and a variety of circumstances. Tourney OCs will generally get preference. If I AM inspired to draw said meeting, I may request additional information/clarification before going through with it.)

Again, I'm pretty autistic, so if you are going to go this route, it'll help if I have something more than "Hiya, Noir!" to work off of - else he'll just react to you the same way he does to Marx.

(Not that you can't go places from there! XD)

-You can also prod Noir about his traumas if you like! XD Note that asking for details about certain things (the "murders" on Shiver Star or his hatred of physical contact) may result in responses with TRIGGER WARNINGS, if I decide to answer them.

-Tournament!Noir is currently in his own similar but separate timeline from Mainline Apologies Noir. However, events during this contest MAY influence his fate and the fates of those he holds dearest!

-Noir's latent cross-dimension sight means that you can ask him about his various other timelines or Kirby games he was not alive for and probably get some pretty unique/funny/strange answers.

-I almost assuredly won't be able to get to every ask/comment. Some I may avoid answering due to complexity, uncomfortableness, them not fitting tournament!Noir's narrative, or me just not having any good ideas. Please don't take this personally.

-Lastly, please leave space between sending multiple asks. ^^

omg I'm so nervous about this. I want to draw lots, for me and for others (!) too if I can but I want to follow the flow of the tournament and not JUST go off on my own crazy thing, except that I'm not even completely familiar with what the rounds will be like?!

[Non-Ask Notes:]

-The flowers in the BG are the forget-me-nots that Adeleine drew for him on his birthday and that he received in this post. That post was also the inspiration for Tournament!Noir. (Although he retains the corruption + the collar here.)

PS: In addition the song that post is, you know, named for, Noir + the forget-me-nots also makes me think of the lyrics: "Since the day I met you, there's never ceased to be music in this hell of mine" from the opening to Sousei no Aquarion.

-This, and the tag name, was inspired by @Graycoin's comment "Noir gets to go on a field trip. I hope he has a good time : D " (then I saw Starflung had the same idea to send her OC off with a backpack! Haha! XD)

-The fish bone is a gift from Gooey. He's doing his best. Adeleine is also doing HER best. ("...A comb? Really?" "It's unbreakable!")

-As to the bento box, I'm not sure if I mentioned this before (?) but the Fontaine children are French-Japanese...on their mother's side.

-Why yes, that IS a cellphone in his backpack! I wonder who might call him...?

[exyrpf]

Exyblr Dashboard Simulator based on what I personally see on sportsblr:

9/?

🙊 princesskevinday

RED ALERT 🚨 ⚠️ 📢 I'M GAY AND ITS KEVIN DAYS FAULT for anyone asking

💃fox-me-up follow

No one is asking and everyone already knows

🙊 princesskevinday

'm not saying I would. Chew her nipples off but like

💃fox-me-up follow

Babe you are totally saying that

🙊 princesskevinday

HAVE YOU SEEN HER NIPPLES

💃fox-me-up follow

*Pats your back* ok honey i believe you

#the things you say about kevin day never cease to amaze me

260 notes

👸🏻 kevindazed follow

trying to watch this psu game but all I can think is "GAG AND CHOKE ME WITH YOUR BANDANA NEIL" so im getting distracted

🧜‍♀️ sapphicexy

why would u make me read this

#babe 😭 and you put it in the lb WHY #psu lb

45 notes

🦚 dilf-wymack

DAVID 👏 WYMACK 👏 IS 👏 MY 👏 DADDY 👏

👁 jean-mor-uhoh

- kevin day to the press right before he announced he's never been skiing

🦚 dilf-wymack

😭

#let me be horny FOR ONCE

204 notes

🫡 exyisntreal follow

UM JUST HEARD JEAN MOREAU DO PRESS FOR THE FIRST TIME? AND HIS,,,,ACCENT 😳

🙈 ittybittyminny follow

you've known he was french for 3 years bud

🫡 exyisntreal follow

🙈 ittybittyminny follow

For a frenchman????? 🤢

75 notes

🐦‍🔥 kevinknox follow

reasons u should stan aaron minyard:

small

killed a dude

do you need another reason?

🐋 sexyexy

fr like!!!!!

1)

2) don't have a meme about killing someone but i'm sure u can figure it out

🐦‍🔥 kevinknox follow

Only meme I have about killing that would fit the situation, does this work for you

🐋 sexyexy

Perfect

305 notes

✍️ exy-fic-rec

so i shall not touch by sternlyshewatches

Fandom: Exy RPF

Pairing: Kevin Day/Jeremy Knox

Rating: E

Tags: Friends to Lovers, Mutual Pining, Angst, Hurt/Comfort

Word count: 67k

Summary: There are two things Kevin has always known: one, his hands will never be clean. Two, Jeremy is made of gold.

He will not tarnish such brilliance with his dirty hands.

#kevin day #jeremy knox #jkkd #kdjk #0211 #psu #usc #usc trojans #palmetto #psu foxes #explicit #exy rpf #fic rec

98 notes

[moistvonlipwig]

reverse unpopular opinion: xander harris

lol i literally sent someone else this very question today!! great minds think alike...

first of all i must remark upon this boy's fashion sense. it is unparalleled. i unironically love his fits. my 2 faves are his "earshot" fit with the christmas-colored shirt and his "i <3 dirt" shirt which is simply excellent beyond measure.

secondly i will say that, while xander can certainly be a jerk, he also does demonstrate growth and the ability to recognize his behavior and try to do better and make up for his mistakes. in "prophecy girl" he reaches out to angel for help to save buffy even though he's still in the midst of a jealous snit about buffy liking angel more. in "amends" he shows up to help buffy and giles figure out what's wrong with angel because he acknowledges he's been unfair to buffy about angel. in "the prom" he buys cordelia's dress for her (which is not a minor thing given his financial situation) without expectation that she will dance with him or go to prom with him because he is able to overcome his bitterness about her not forgiving him to see that she's a human person who has been hurting for some time. in "seeing red" he acknowledges that buffy had good reasons to not come to him about spike and says that he wants to be a better friend to her. and in s7 he is actually very non-judgmental about spike & her relationship with him, and in general is very supportive. granted in s7 he does not get much screentime lol. but still.

thirdly, although the theme of this ask meme is 'reverse unpopular opinions', i am going to take an unpopular stance and defend the Lie. i certainly understand why people take umbrage with xander, a boy who has repeatedly made sexist comments and shown jealousy over buffy preferring angel to him, deciding that buffy cannot be trusted with the knowledge that willow is trying to return angel's soul to him and telling her that willow simply told her to kick his ass instead. i don't think it's the best or most selfless or most morally correct decision ever, and there is an undertone of sexism and possessiveness in the decision to withhold this information from her.

HOWEVER. if buffy DOES falter in her fight against angel. and i cannot stress this enough. literally the entire world goes to hell. and honestly, as much as we the audience sympathize with buffy's emotional struggle to kill angel, the reality is that she has not yet demonstrated that she can. for all that xander's Lie comes across to many as paternalistic and condescending in its assumption that she would hold back and endanger the world if she knew willow was trying to save him, the truth is that xander has good reasons, based in experience and buffy's past actions, to make this assumption. i also just frankly think that the Lie did not change the outcome of the buffy/angel fight for the worse; it either did not change the outcome at all, or xander was right and it helped buffy cement her decision to fight angel as hard as she could.

now that said i do think the Lie made it much harder for buffy emotionally to kill angel since she was not prepared for his soul to return, and i do think it probably contributed to her leaving town because she felt like her friends were all pro-killing angel and wouldn't sympathize with her. and also just in general it's not super kosher to lie to your friends about what your other friends said! so i'm not saying it was a good or heroic thing. but i do think it's not nearly as bad as people make it out to be. and the writers bringing it up in 7x05 (a full 4 years later) to make xander look worse in an argument where he is 100% correct was pure ridiculous nonsense.

fourthly i think his struggle with his abusive father, and particularly his fear of becoming his abusive father, is very sad and poignant. his dream in "restless" is maybe my favorite; the way he keeps ending up back in his parents' basement no matter where he turns, with his father at the top of the stairs looming threateningly over him, is so. raaaagh. can we get him out of there!!! and i think of all his missteps, his choice in "hell's bells" is by far the most sympathetic, because they do a really fantastic job of showing us just how deep-seated his fear of turning into his father is. (and unfortunately, "entropy" demonstrates that this fear is not entirely baseless.) the fact that he ends up hurting anya so profoundly anyway in his quest to not hurt her is also deeply sad and speaks to the cycle he's trapped in and how difficult it is for him to get out of it.

fifthly he is extremely brave. he challenges angel to his face in "killed by death." he plays a game of chicken with a zombie who wants to blow up the school in "the zeppo" and he wins. he stands in between willow and the statue she needs to destroy the world and fully invites her to kill him, just to show her he's there for her. xander claims in s1 that he "laugh[s] in the face of danger" and then "hide[s] until it goes away" but in actuality he is one of the consistently bravest characters in the buffyverse.

sixthly he did NOT mooch off buffy in s6. that man was EMPLOYED and he did his best to help her, with getting discounts for her through his connections to plumbers, etc. the same cannot be said for everyone that season !

lastly i admire his commitment to being a hater. like in that one episode where he's at the bronze complaining about angel like "angel, angel, angel! why is everyone always talking about that FREAK who i HATE" and then angel shows up behind his shoulder and clearly heard him and xander says, completely confidently, "hey man :)" with absolutely no shame. i love angel but one must respect a committed hater and xander's haterism is unparalleled. just like his love of dirt <3