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raayllum · 2 months ago

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Cube Hostage Exchange Theory, for Real This Time

Intro

A few days after Through the Moon came out in September 2020, I made a throwaway theory post about a potential Rayllum reconciliation scenario in which Rayla would be taken captive / threatened by the antagonists, and Callum would hand over the Key of Aaravos in order to save her life.

In the almost four years since then, the theory has blossomed into much more than it started as, largely due to people's amazing art and fic inspired by it, and by the enthusiasm it's been received with, and for those things I will always be eternally, deeply grateful for.

The theory (henceforth CHET, an acronym coined by @jelzorz) has likewise gone through many metas (some of which will be referenced and linked to here when applicable), 20+ pages alone on my blog, with surprising leaps in popularity and plausibility, and multiple variations, both within the theorizing space and within canon itself (5x08, you will always be famous).

There's also been many moments of doubt.

As much as everything seemed to make sense even as Rayllum's post-TTM reunion went on, there was still so much left that was perpetually speculative. We didn't even know if Aaravos would want his cube back, which was one of the theories' many lynchpins, and TDP loves to be subversive (within reason) and throw curveballs I never saw coming, like Terry's wonderful existence or Sol Regem's swerve to attacking Katolis. I've speculated alternative uses for the Key to high heaven (as Aaravos' missing heart piece, a key to the Star Nexus or realm, the key to his prison, and sometimes all three simultaneously as a power up he needs to free himself and wreck celestial havoc). The closest I got to was it being a literal key and related to something Aaravos would want/need back, and indeed a power up, and that he did need a quasar diamond to get out of his prison and that one was in the staff and not also in the Key. Not bad, but definitely missing some marks.

That is to say that there could still be curve balls or swerves, and a theory isn't set in stone as happening until it happens. After all, I've been fully prepared to pack the theory up and for it to not happen three times now (going into S4, particularly S5, and S6). When the S4 finale did indeed have a hostage exchange involving Rayla and Claudia and a boyfriend, I chuckled and figured we might not repeat a plot beat like that again; when 5x08 did it twice, I was overjoyed at getting the exact irony of "Callum literally frees Rayla while chaining himself further to Aaravos' will" that I'd always wanted. 5x08 was, and is, enough for me; if S7 never takes it further, I'll still be pleased as punch.

However, after four years of hemming and hawing and going into seasons preparing for curveballs... I'm pleased to say I finally don't have any doubt.

And here's why.

Sections:

Background

The Cube and the Game Motif

Neon Lights, Narrative Set Up and Pay Off (6x03, S6)

The Knowledge Motif Thread Detour

Tests of Love (Leola, Chaos, and Love)

Alternatives (no possession, third path, Rayla handing over the cube, etc)

Conclusion

Background

First, a little background. Any relevant information in the metas listed below will be summarized / explained / alluded to accordingly for your benefit, but it is a good luck at 1) how the theory has evolved over time and 2) will be drawing in relevant aspects from said metas when discussing season 6.

Previous proper CHET metas include (in chronological order):

The Original Theory Post / Meta (Oct 2020, post-TTM)

Rayllum and Rayla's Weird Consistency with the Key (March 2022, pre-S4)

Rayla's Duality as Callum's Salvation and Destruction (Aug 2022, pre-S4)

CHET: End of Days (Nov 2022, pre-S4)

Opposing Cube Symbolism in 2x08 (Dec 2022, post-S4)

Here's How It Can Still Win (Dec 2022, post-S4)

Aaravos and Rayla as Callum's Two Paths (May 2023, pre-S5)

Shorter post-S6 meta

Things that are useful to our meta here ultimately, however, with a couple of S6 updates in later sections are

THE GAME MOTIF

This refers to a repeated visual and verbal literal and metaphorical motif running throughout the series. Although not exclusive to him, 90% of the time the Game Motif is in relation to Aaravos. It is most prominent when discussing the Key of Aaravos in arc 1 ("This is the game room. Cube should be in there" / "It's a glow toy" literally / "Are you practicing magic or are you losing to Bait at a game of rolly-cubes?") with one 'throwaway' line from Viren to Aaravos in 2x08: "What game are you playing at?"

This then took on a much more prominent focus in arc 2 thanks to the pawn intros and lines from various characters, such as Zubeia's assessment that "We had to beat Aaravos at his own game," Viren's reservations that "I believe Aaravos may be toying with us," Ezran's "His pawns are working to free him even as we speak."

Much of this has been rather set in stone for a while now (one of the TDP's shorts did, though, excitingly link Aaravos' test of love to the game motif, with the line "They aren’t games. They’re tests") but S6 did add some very exciting overlap with Aaravos' game and dark magic, which is fitting given that the two are deeply intertwined: "Because you're too good for dark magic, now? You had a lifetime to play with your toys, and now you decide to hide them away and destroy them?" (Viren to Kpp'Ar about the staff, 6x06.)

We also see occasional overlap with this motif and the stage motif ("You've played your part well" in 6x08 to Sol Regem / "Aaravos chose as his instruments..." + "You will perform acts of love so unforgivable..." in 4x04) as you can play a game, and play your role in a theatrical performance. Or in Callum's case, as a puppet who is "destined to play right into" Aaravos' hands.

PRIMAL STONE FORESHADOWING

As Callum discusses in 2x02 directly, he broke Claudia's stolen primal stone on purpose (not by accident) because he had "a good reason". The comparison later on in the same season, then, that the whole world is like a giant primal stone, and Callum's tendency towards breaking things (specifically magical objects) we well as the emphasis on "breaking the cycle" therefore felt like setup. It also felt particularly apt given Aaravos' wish expressed in Patience that:

I have not seen the stars in centuries. But when I see them again—when the stars are forced to look upon me, their dark brother—they will know how I have waited. And when everything they have built lies shattered, I will savor their fall from the sky.

S6 also affirmed this by associating the primal magic that Leola 'gave' to humans the "first step in a long spiral towards Callum," and what that might mean for Callum, someone who is uniquely a primal mage and has used dark magic. The fact that Aaravos and his key (remember that game motif) are associated with the book of / primal magic as well as dark magic reinforces this duality further.

Who better to shatter the Cosmic Order and known world for the worst better than the boy who is already shattering it for the best?

LIGHT AND DARKNESS

The cube and Aaravos are associated with both light and dark, not only in design, but in magic systems. Aaravos and dark magic are routinely related to darkness ("because I have followed a dark path" / "the darkness and corruption will overwhelm you" / "and my favourite, the human mage, already tainted by darkness" / "in darkness, gaze upon a fallen star"). This is fairly straightforward, as Rayla represents literal light (which we'll get to in S6 in a moment) that heals Callum's broken spirit and rescinds Aaravos' control over him. Note, for example, the way she's shrouded in light in clear opposition to Aaravos' mirror right next to her, with Callum facing ahead towards both of them.

However, it's not that simple, because light can also be seen as a bad thing, such as the possession eyes, Karim's desire to "return the light/sun" to his people, the cube-moon opal's light on the Bridge of Darkness in 4x07 leading to danger, dark magic turning your hair white, and most notably, the way the pawn becomes a literal glow toy in the 4x04 / 5x08 pawn intro.

The light of the cube — perhaps the light in general — is not going to be exclusive in playing into Aaravos' hands. In the mirror-Rayla screenshot, for example, the path towards Rayla is embodied by the shadow she casts on the floor (similar to how regularly Claudia is portrayed in Viren's shadow in S6).

And, speaking of light...

RAYLA AS CALLUM'S PATH, SINGULAR

As speculated pre-S4, Rayla represents light, truth, and love in Callum's life. This was then canonized in 6x06. Post-S4, it seemed overtly evident that Rayla was being set up further to represent a path in opposition to Aaravos. She would save Callum from being Aaravos' prey, she was the Light and reminder of agency to Aaravos' Darkness and stripping of agency. "What if I'm on a path of darkness?" "Then take another path, dummy." This was, of course, all in line with the previous light-darkness and game motif described above. Rayla couldn't, and won't, kill Callum permanently after all if at all, so she has to save him instead.

However, it was also pretty clear following S4 and especially S5 that the razor's edge between salvation and destruction, as embodied by Rayla being the reason he was in Aaravos' clutches in the first place (getting him the cube, being his motivation behind doing dark magic), would eventually merge. Her love would ultimately save him, but it would destroy him first.

This has, of course, been their pattern throughout the series: Rayla comes into his life, causing him to turn/destroy his relationship with Claudia and put him in danger, but she's also what pushes him to do magic for the first time; he follows her off the Pinnacle at great risk to himself, but his love for her helps centre him enough that he can save them both; she is the reason he does dark magic (twice), but is also what fixes his broken spirit during the star-light trial ritual.

Because she's not just the other path in opposition to Aaravos. She is his path, singular.

If you're interested in more of this, I'd recommend my one about the layers of Rayla being Callum's One Truth in greater detail, as well as general speculation of their arc in S7, some of which will be referenced/summarized here as well.

With all that out of the way, let's get into it

The Cube and the Game Motif

Anyone who knows me knows that the Game Motif is my favourite motif in TDP (which is saying something) and that said motif has been a long standing cornerstone of CHET. This is mostly because, as noted, in arc 1 the Game Motif existed almost exclusively with the cube down to its introduction.

CALLUM: This is the game room. Cube should be in there. (1x04)

CALLUM: Last night you thought the cube was just a worthless toy. But now we know— RAYLA: It's a glow toy. (1x05)

The Game Motif was also associated with Aaravos sparsely in arc 1 ("What game are you playing?" Viren demands in 2x08, and never receives the answer / "Well played. She will be a valuable asset") and magic itself ("Is this a guessing game? Just do it!") although to a lesser degree. There were also nods to the imbalance of power in Xadia, with Harrow noting, "Entire armies have crumbled and fallen like toys before [Avizandum]. How can we hope to kill such a godly creature?"

Then, as noted in arc 2, the game motif went from being associated just with the cube to being associated with Aaravos outright, both verbally through dialogue and literally in the pawn intros. This is what I call a motif expansion, where something moves from subtext to text. It is somewhat similar to a merger, where two previously separate associations are brought into being one in the same. This is initially how the cube operates, since the game motif is ongoing whereas Callum's statement of "You wait here, however long it takes, I'll go find a key" in 1x04 is only made foreshadowing in 2x06 when he learns it's called the Key of Aaravos.

2x07 takes this further, though, with this dialogue exchange:

CALLUM: [Holding the cube] What do you think this thing is, anyway? He said it was a key, but a key to what? RAYLA: Are you practicing magic, or are you losing to Bait at a game of rolly-cubes?

For example, here we see the Key analogue/association and the game motif be linked together. TDP does this a few more times with Aaravos' key becoming associated with light (4x04/5x08), destiny dark magic (2x08, 4x04), secrets/mysteries (2x07, 2x06) and more. A lot of this is, of course, because Aaravos is likewise associated with all these things, and the Key is tethered to him and his plot line / motifs and associations.

The game motif does exist outside of the cube's associations — Ezran's pattern of hide and seek represents his childhood innocence, his tendency to run and hide when things get hard, and him shedding both these patterns as they attempt to find

The most interesting thing that S6 did on this note, then, was make the game motif associated not just with magic, but very specifically with dark magic:

VIREN: Because you're too good for dark magic now? You had a lifetime to play with your toys, and now you decide to hide them all away or destroy them? (6x06)

Why am I screaming about this, you may ask? Well, the Staff of Ziard is about as synonymous with dark magic as a thing can get in TDP. It too belonged originally to Aaravos, and became a cornerstone in his grand plan, at least of getting out of the prison.

HARROW: It belonged to an elven wizard in Xadia, the Archmage Aaravos, a master of all six primal sources. (2x06) IBIS: If you seek to return that staff to its true owner, you pose a greater danger to the world than I can allow. (4x03)

So the Staff is a toy, and dark magic, and belonged to Aaravos, and used in his plans, brought directly to him by Viren (indirectly) and Claudia (directly). And the Key is also referred to as a toy, is also in the possession of another pawn, and has also been hidden and/or 'should' be destroyed. A knowledge of primal magic, at least in terms of how it manifests in creatures/locations, is also required in order to be a successful dark mage.

So not only is Aaravos and the key tied directly to the game motif, but through Viren's exchange with Kpp'Ar, so is dark magic. In many ways, this takes what was subtext — dark magic is what allows Aaravos to puppet and manipulate people such as his pawns, and keep the Cycle (his game) going, even if he's not what directly started it (that was the Cosmic Order/Council) — and makes it text. Aaravos' toys are toys ultimately because of their tethers to magic, typically dark magic as well, and his objects of choice, such as the Staff or the Key or how he puppets his pawns, are not exceptions. (There's potential for primal magic as well, of course, but it's currently not as direct).

We also know, thanks to Arc 2, that the Key and Staff are more similar to one another than we might've thought in terms of their purposes in Aaravos' plan. I'd speculated in the past that the Staff and/or the Key held quasar diamonds that Aaravos needed for some power-up purpose; the Staff had the diamond needed for his body contingency plan, and the Key is needed for his primal book to operate and presumably be found, so that he can be at full power.

Furthermore, we have a pattern of dialogue about the Key / game motif eventually becoming literal. The cube is called a glow toy, and then in the pawn intro is revealed to be a literal glow toy; Callum says "what if it's magic?" in 1x04 and we discover that it opens up a book of all primal magic; it's foreshadowed loosely as a key, and it is a key; Rayla asks if Callum is losing a game, and he's embroiled in Aaravos' game as a pawn. Callum will win eventually, of course, as will everyone else... but he has to lose, really lose, first.

After all, every other line regarding the cube has come to fruition other than three:

"This is the game room. The cube should be in there" and "I'll go find a key" from 1x04 have both come back around. "It's a glow toy" from 1x05 ended up being true as well, with the cube flashing a bright light in Callum's pawn intro (and even the cube being included in the pawn intro). The Key's secrets are things Callum is currently investigating (6x02) and will likely fully discover in S7, possibly leading him to Aaravos' book or something else near Elarion and the thematic culmination of the Mystery of Aaravos. Callum's notice that the key seems to be glowing differently in 1x09 is revealed to be true because of the Moon Nexus. Rayla's line in 2x07 about losing the game to Bait is true in 5x08 as he practices magic (both dark and primal) in order to save her from being literal bait, even if that means taking a step closer to Aaravos and 'losing' the game. I expect Callum's assessment of "No good can come from it" (4x07) will ultimately be untrue if it helps him study primal magic ("What if it's magic? [...] I just have a feeling this cube thing can help me"), and Rayla's decision of "Let's go get your cube" is likely going to be true by the end of S7, with Callum reclaiming ownership completely this time.

So let's talk about the three lines that haven't come to fruition yet, because they paint a pretty apt picture:

So in the biggest notion of currently untapped set up, Rayla after being the first to declaring the damn cube a toy says "I hope it was worth it to you putting everyone's lives in danger." The thing is that this it's not like this line doesn't work in context, it very well does; someone could've gotten hurt and Rayla was nearly killed. This is also a sort spot for her because she'd just done the same thing in 1x01, putting her troupe in danger, so of course she's extra (somewhat fairly, somewhat unfairly) miffed at new mage boy repeating her mistakes as well.

Games (and chess) are all about patience, exchange, and sacrifice. We know now that the cube is something powerful, why it is, what it unlocks, and why Aaravos has the incentive to want it back (which as stated was an assumption before).

But the fact remains that the game motif has been tied to the cube to the start and continues to be. Callum's test of either playing into Aaravos' hands and coming back from it (the option that I lean towards) or outright rejecting it again cannot be fulfilled until the cube pawn intro has come full circle.

So let's talk about

Neon Lights, Narrative Set Up and Pay Off (6x03, S6)

As you can garner from this meta and any of my previous ones that have touched on this theory, there were a lot of assumptions that had to go into it. I had to assume, prior to season six, that Aaravos would even want the cue back. I had to assume, prior to season four, that the Rayla-Aaravos Callum-Viren foils thing was happening on purpose and that Rayla would be put in opposition to Aaravos as the light to his darkness. I had to assume, prior to season five, that S4's emphasis on people doing terrible/misguided things for love through characters like Rayla, Terry, Viren, and Claudia would eventually become a mainstay in Callum's arc 2 character arc.

I had to assume, prior to season six, that the story would eventually be inclined to put Callum in a scenario where he'd have to choose between Rayla and the greater good so directly. After all, while I was confident post-season 2 onwards that, if put in a situation with Rayla and/or Ezran's life on the line, Callum would always do dark magic, that was ultimately a characterization basis. Yeah, I could think that he would go there, but the story was under no condition to go there from a Plot standpoint, ie. assembling the story and plot line so that Callum would be faced with that kind of choice again. They could choose to not explore that aspect of a potential character arc, leaving it technically unknown. My characterization predictions in these scenarios, then, have been routinely consistent, but whether the plot itself would cooperate was entirely up in the air, with some plot evidence existing due to TDP's love of exchanges, trolley problems, and hard choices.

Then 6x03 happened:

To say that I cried/cheered would be an understatement.

This, of course, doesn't necessarily mean that Callum will do what I think he'll do, or that it'll play out in the manner I'm imagining. It does seem blatantly obvious, however, that S7 with the season's synopsis emphasis on sacrifice that both Callum and Rayla will face the choice of whether to sacrifice the other, one after each other: Callum first — as he must do dark magic again in order to be possessed — and then Rayla, tested and finally choosing not to sacrifice something to her, saving him back as a result.

But furthermore, I lost my fucking mind explicitly because it's not just a question of "will you sacrifice me or yourself" (which we know isn't a real question for either of them) but "will you sacrifice me or the world (greater good)" which is exactly what I've wanted for both of them all along. For Callum to put Rayla first the way that he always has, and for Rayla to (subsequently) put Callum first as a sign of growth/character development. (This also ties into Rayla's whole thing in s6 of taking the lessons Callum's taught her about how to love and implementing them with him in turn or with others, but that's a meta for another day.)

Now, there are alternatives that there could be / ways to get around the 'greater good' slice of the pie, which I'll talk about later under the Alternatives subheading.

For now, I just want to assert the narrative set up and potential we have so far in a plainer way:

The Knowledge Detour

We know that Aaravos wants the cube (6x09) and we know he knows that Callum has it (4x04, 5x08).

The game motif and key motif have been directly related to dark magic (2x07, 2x08, 4x04 "play right into my hands," 5x08, 6x06, etc).

The Key itself is also related to secrets (2x06), the secrets of primal magic (2x01), and thereby knowledge / answers to the 'Mystery' of Aaravos.

This is also related to the idea of knowing too much or having too much knowledge being dangerous (which you can read more about here, although it's pre-S6 so it doesn't touch on everything presently that it could have).

After speaking with Rayla, Callum tries and fails to give up the cube to assert his own destiny / that 'destiny is a book you write yourself' (4x07)

Callum, like Rayla, will be forced to make a choice between the greater good and his loved one. He will choose her even if that means sacrificing himself on top of the world, and she will save him (symbolically refusing to sacrifice herself).

[Gestures to the rest of the cube / key foreshadowing]

I also want to talk a little bit more about mystery. I touched on it here in a previous meta (Rayllum's potential S7 arc through the lens of S6), but there's an emphasis in S6 on mysteries versus love, with love winning.

I would tell you that the vast mystery I travelled the world to find was contained in you all along. (6x03)

Those few short years with Leola were the most meaningful. Pondering the deepest mysteries of the universe could not hold a candle. (6x09)

Both of these sentiments are similar and apply to Rayla and Aaravos directly: she wanted the security of knowing Viren was dead only to return home to the one thing she wanted ("the best thing I ever had: you"). Likewise, Aaravos had the best and most meaningful years of his eternally long existence when he was with his daughter, where his study and pursuit of magic / universal mysteries ultimately paled in comparison. While it is ordinary parent behaviour as well, Aaravos being away from Leola because of his key and book upon the moment she's taken has layers, as well as how he torments Sol Regem specifically with a mystery concerning love:

We see 4x01 establish two mysteries for Callum that run throughout the rest of the arc thus far. The first is the mirror ("What secrets are you hiding?") which is a stand-in for Aaravos, and then Rayla, even once she returns ("I don't know how to feel about Rayla, either").

These threads run in parallel throughout S5 and S6 (Rayla specific one only here). In season 5, Rayla kicks off both Callum's desire to discover how to kill Aaravos (5x01-5x05) and his new understanding of himself in the Ocean arcanum through their relationship (5x01, 5x04, 5x08). In many ways, S5 is him realizing that he will always be there for her, no matter what the cost — even if that means taking a step closer and making himself more vulnerable to Aaravos.

In season 6, Callum is grappling over the Starscraper / Nova Blade as well as worries of how Rayla will respond to his dark magic use. He worries that Aaravos will use him: "I don't know how, but I'm afraid he... he's gonna use me." The mystery he does solve within the season, then, is suitably what is his one truth — what does he know, without a shadow of a doubt, beyond and above anything else? If S5 is Callum realizing he will always be there for her regardless of anything that's happened or could happen, then S6 is him realizing that Rayla will always be with him (regardless of whether she's physically there or not) and will come back to him.

The reason I'm tangentially emphasizing this is because Callum is a knowledge seeker, inherently — he wants to learn magic and he wants to use magic, and that has always been one of his greatest strengths and weaknesses (ie. going out into the Storm, being unable to throw the Key away). The Mystery of Aaravos through figuring out the Key's secrets will be just about undeniably important, and while Callum might not get obsessive about solving it, the Key still represents that curiosity and desire to Know—the mystery he's chasing and has continued to chase about the world. Knowledge or love (giving up magic to save Zym and Rayla by proxy), and on occasion ("How did you—?" "Cause I love you, Rayla" / "To love is simply to know this") both at the same time, just as Rayla's arc has routinely centred on the push and pull and occasional reconciliation of love and duty.

Rayla's advice in 4x07 made him nearly throw the Cube away, or give up that Knowledge seeking quest. This doesn't mean that Callum should give it up entirely (I've said this in many places, but I think by the end of S7 Callum will likely have the Key and Book as his own rather than Aaravos', paralleling his reclamation of himself and his identity) but the current framing of 4x07 begs the question of "What would you give it up for?" What would you sacrifice this knowledge or curiosity for? Because we know, typically, curiosity and the pursuit of knowledge isn't enough for Callum; he won't "risk his life for magic" (2x04) and views that as being an idiot, but he'll launch himself off the Pinnacle. He'll do things for love that he won't do for magic; he'll be motivated to find knowledge and walk down those paths because of love. Just curiosity, typically, hasn't been enough.

Speaking of which, let's talk about

Tests of Love (Leola, Chaos, and Love)

The game motif and its connection to other aspects of the series—the stage motif (Aaravos and Callum's bowing / "destined to play right into my hands"), dark magic ("You had a lifetime to play with your toys and now you hide them all away or destroy them" / "I'm afraid Aaravos is toying with us")—and indeed the concept of tests ("We all want peace and we all want love, but violence tests us" / "They aren't games, they're tests") had always felt conducive to Aaravos' character, thanks to his statement in 2x09:

You tried to win over the other humans with loyalty and friendship, but they ignored you. Those who fail tests of love are simple animals. They deserve to be motivated by fear.

Even before S6 aired, this statement already made sense—while Viren was motivated by his quest for power and importance, and that was what Aaravos seemingly preyed on, when at the core of it was Viren's desire to be loved and to matter:

I am having some trouble getting people to listen to me. To hear the importance of what I am saying. [Who are these people?] They are kings and queens, the other leaders of the Pentarchy. (2x09)

[To Harrow] What? No, that's not what I'm saying. Please, listen— (1x03)

It is everything to me, to know that I mean something to you. To know that I matter. It's all I ever wanted. (5x02)

Aaravos was able to give them something they wanted very badly. (4x04) / Search your heart. There is something you want very badly. (2x09)

Aaravos' entire manipulation of Claudia has also been based around love—encouraging Viren to lie to her so she wouldn't break away from him and subsequently preying on her desire to keep her family together, dangling Viren's life like a carrot in front of her for two years, pushing her relentlessly on a 30 day limit, and then telling the tale of his daughter to help her perform a spell (the same spell that Callum is doing miles away) literally out of love by letting her connect it to her father.

We see where this mindset came from, of course, in S6, with Aaravos bargaining for Leola's life on the basis of love/compassion, and then to die in her place, both of which being refused. The Cosmic Council failed his test of love, and now he's out for revenge no matter the cost, as Terry says:

Maybe this started out as a story of love, but along the way, it got twisted. He isn't doing anything out of love. He's doing it for revenge.

We also know that the parallels Rayla already has to Leola are just going to be continued into S6 further.

We also know thanks to S6 that the Cosmic Council considered humans having primal magic to be "the first step in the long, slow spiral to chaos." Callum then having multiple arcanums and presumably one day going to continue to spread primal magic to more humans is definitely something they're going to be apprehensive about. Callum reclaiming the Key and Aaravos' book alongside his own identity/agency would make a lot of sense, but that reclamation is only really possible if those things were stripped away to begin with... and it's likely only one thing could strip away those things from him: the lengths he's willing to go through for love, and how love can also bring him back (much the same way Claudia's love for her family doomed her, and will ultimately likely save her).

Callum, you're the 'Destiny is a book you write yourself' guy. No one can control you or make your choices for you. (4x07)

See? So long as we protect each other, so long as we love each other, you can never control us. (5x08)

To love is simply to know this: the tides are true as the ocean is deep. (5x01, 5x08)

Love can save and destroy us, much like how Rayla is the reason Callum took (and may take again) a path of darkness and also lead him back to light (hopefully with help from Ezran). No matter how corrupted or broken, no matter what you've done before, you can be saved and can fix things and at the very least make amends.

Furthermore, if killing Leola for her mercy was what broke Xadia, saving Rayla (and her mercy) will be thematically what helps fix/save it—and also means she can save Callum afterwards, too, since he's the Hope of Xadia and changing the magical scales.

With this basis in mind, let's look at:

Alternatives

For the sake of posterity, the exact events I'm laying out in the above theory is something that looks a little like this:

Rayla is injured and/or dead / on the verge of death somehow

Aaravos (or Claudia) promises Callum can save her if he hands over the Cube

Callum does so and in turn receives the dark magic knowledge he needs to save her

He does the dark magic, and Rayla is saved

Callum is corrupted / possessed and leaves with Aaravos

This lets Ezran and Rayla come together to get him back and resolve any loose ends from their Big Different Feelings about Runaan from earlier in the season

Although Callum did play into Aaravos' hands, he will break free and live beyond Aaravos' perceived use for him, and help defeat him

Now let's talk about alternatives:

Callum doesn't get possessed

This is the only one I'm gonna rule out directly, as I don't think it's likely given the amount of set up and that S7 is Book 7: Dark. You wouldn't have Callum bring up the promise either in 4x07 or again in 6x03 if you didn't want Rayla to be faced with that choice, so he has to get possessed. That at least means a major risk of playing into Aaravos' hands, even if those plans aren't taken to fruition.

Callum gets possessed but not through dark magic use

I've seen positing that Callum could get tainted by dark magic again if he was exposed to the Lux Aurea corruption from a creature or something. I'll also toss one in, which is that perhaps you could be hit with a spell of dark magic of some kind, and have it seep into you—if not from Claudia then maybe Aaravos. Both of these options would fit to me if Callum was pushing someone (Ezran, Rayla) out of the way as that still provides an active choice. It just being happenstance because the characters were randomly attacked in a dangerous area doesn't sit right with me and the show's emphasis on choices and agency even when it would be possible and easier for characters to be more blameless, so I think there will be something along a choice rather than it just being entirely random / Callum's agency being entirely removed. Otherwise, we'd be back entirely to where we were in S4/S5 where he was tainted and open to possession no matter what through no real fault of his own (prior to 5x08); S6 giving him a clean slate also gives him agency about whether he's corrupted or not, and I think it'd be less effective if that agency wasn't utilized.

Aaravos doesn't get the cube

While nothing but canon itself (as it could pleasantly surprise me, and I'd reassess) could change my mind regarding "if Ez or Rayla were on the line, Callum would give Aaravos the key/whatever he wanted to save them" from a characterization basis, that doesn't necessarily mean the plot is going there. For example, I could see Callum just taking the dark magic deal, and then the race is on for Rayla to try and stop a corrupted Callum from delivering the cube to Aaravos. It'd have high stakes, he'd still have some faith that he could make his choice without dooming everyone because she's there to be his safety net, and it'd bring the "I hope it was worth it to you putting everyone's lives in danger" about the cube back but on Rayla's end, as she was the speaker and Callum is worth it.

Rayla gives Aaravos the Cube

I'll admit a set up scenario for this leaves me scratching my head a bit—would Callum be possessed, but Rayla had the cube for safekeeping, and she hands it over so Aaravos would release him? which isn't too dissimilar from some of the central scenario of what I've proposed—as well as it taking away from 1) Callum's agency in breaking free from possession, ironically, and 2) the Cube being his item, not hers. That said, I do expect Rayla to choose Callum over just about everything this season (including possibly the surefire safety of the world) and for the season to do the legwork to get her there from a character development standpoint, so it's not out of the question. It just currently seems unlikely.

Callum doesn't pick between Rayla or the greater good, and has a third path instead

This one is interesting to me, mostly because I'm not sure how it'd fit into the season pacing wise. As stated, I think Callum has to get possessed in the season, as that plotline has too much buildup to get dropped. I suppose that could mean something like 1) he's corrupted through other means (see bullet point number two), 2) Rayla + Ezran saves him from possession, and 3) afterwards, he's presented with a choice between her and the greater good? That could take us to the finale where he's able to find a way through Aaravos' machinations to avoid making that choice, but it does mean until that moment Callum has had little to no agency (and therefore little to no character development) in our final season of the arc. That could reflect the possession plotline's lack of agency, even if it doesn't feel quite congruent with S6 handing Callum back his full agency, but... shrug emoji?

To me, the clearest third path between not sacrificing Rayla or the greater good would be "Callum sacrifices himself in order to take down Aaravos" which could mean unlocking a super dangerous arcanum he might not come back from (Stars would probably fit best there, but Sun or Moon too?) OR doing dark magic to defeat Aaravos; the latter in particular would be a strong Viren parallel to 6x08. We would get the self sacrifice and corruption slant, but it would be without the actual possession part, even if his corrupted form would be undeniably dangerous. It would mean that Rayla is saving him without risking much else, though, which lessens the impact of her arc. This first arcanum avenue would work for a finale, with the dark magic avenue being reserved for mid season (7x04 to 7x07) as a possibility.

If there any alternative theories or ideas you've seen or have that I haven't addressed here, feel free to send them in or leave them in reblogs/replies (I definitely could've missed one, or misrepresented one)—so long as you're earnestly presenting one, and not just wanting to see it debunked because you think it's stupid and/or that people who like it are silly or foolish.

Conclusion

So, in conclusion, CHET as fully and currently posited:

Explains hy the cube is in Callum's pawn intro

Furthers set up with the cube and game motif (+ others) throughout the show

Explains he'll be corrupted and how the possession plotline will come into play

Deepens the series' theme of exchange (i.e. bringing Zym home in return for peace) and transaction (dark magic)

Culminates the setup from 4x07, 5x08, 6x03, and 6x06 in particular

Reaffirms Callum's struggle with losing his sense of self amid dark magic use and Aaravos' hold on him with literally losing himself

Allows Callum to reclaim the cube alongside his own identity once he has broken free

Develops his relationship with Rayla, as well as Rayla and Ezran's dynamic

Culminates Callum's arc in exploring Arc 2 (and the series') main theme of "love can destroy you, yes, but it can also save you" / arc 2's focus on reconciling dualities, as discussed

And I think that's about it!

If you made it through all of this—or indeed have enjoyed this pet theory for any of the 4+ years it's existed—thank you for reading and engaging with it! It was crazy to me after S5 and especially S6 that it was still on the table rather than being decidedly demolished, and I'm excited to see parts / pieces likely come to fruition in S7!

#rayllum #cube hostage exchange theory #tdp meta #tdp #the dragon prince #analysis series #analysis #aka yes i am clearing out / cleaning up my drafts rn

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gudsouplady · 3 months ago

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Watching Sherlock (S1,E3) The Great Game (Spoilers) (Tw: This show has a lot of showing and mentioning of guns,Dead bodies,Drugs,War etc.If you don’t like that stuff then I advise you to not read this post)

• Minsk,Belarus in a jail

• Sherlock grammatically correcting him

• That wasn’t an accident

• Death penalty ????

• I Love the intro (as always)

• Why is Sherlock shooting a gun at the wall ????????????

• John arrived at the perfect time

• He’s that bored

• the head in the fridge

• Sherlock hates the blog

• The whole rant about the solar system is just so funny

• Sherlock would hate tumblr

• John just couldn’t take it and left

• Mrs Hudson !!!!!!!!!!!!!

• Sherlock watching John leave

• “What have you done to my Bl00DY wall ????? ”

• Baker Street exploded 💥

• John stayed at Sarah’s house 🏠

• John made it to Baker Street

• Sherlock and Mycroft

• Person found dead on train tracks

• Mycroft is kinda creepy

• Sherlock just played Mycroft the door 🎻

• Sherlock has been summoned

• “I’d be lost without my blogger”

• Who wrote the letter ✉️ ?????

• The pink phone has returned

• idk what the Greenwich pips are ?????

• A picture of an empty room

• They all blanked Mrs Hudson :(

• A pair of trainers in the middle of the room 👟👟

• Of course it’s a blocked number

• Is the woman ok

• A bomb vest on her body 💣 !!!!

• why does someone want her dead

• Investigating the trainers 👟

• The way John reached in the Sherlock’s coat whilst Sherlock is wearing it

• Text from Mycroft is obviously going be deleted

• The search was completed

• IT’S ANDREW SCOTT !!!!!!!!!!!!!!!!!!!!!!!!!!!!

• Molly has a boyfriend called Jim

• Jim is causing havoc

• No wonder Molly ran away after your deduction

• The tension between John and Sherlock Istg

• John only wants to help

• John is sherlock’s best man

• John has been notified about the Westie case

• Sherlock finally figured out Carl Powers

• Back at Scotland Yard

• 4 pips and a picture of a car

• Another mysterious phone call from a different person

• They found the car drenched in blood

• Talking to his wife went unsuccessful

• The car is from Janus cars

• The car Dealer was a liar

• The red Laser on the forehead

• Janus cars help Ian disappear to Columba

• Why are there so many running police officers

• A picture of a woman and 3 pips

• An elderly blind woman :(

• “Sudden death” of Connie prince

• John has been set to go to the Prince family

• I don’t like Connie’s brother

• John doesn’t like the cat

• Mrs Hudson has some wise words

• John is on to something !!!!

• Sherlock taking terrible photos

• They figured it out

• The old woman….Nooooooooooooo

• Someone got arrested

• A picture of the Thames

• A dead body on the Thames

• Why is the mouth bruised

• A missing portrait

• Link to a serial killer

• He used to be a security guard

• What did the note say and why did he give it to that woman ????

• John is at Alex’s flat

• The gallery managers necklace is ugly

• “Have a nice day”

• John is just interviewing everyone

• I don’t like Joe

• “Vauxhall Arches”

• Sherlock has a homeless network

• why is Alex there ??????

• Is that the professor from the voicemail

• JOHN ALMOST SAVED SHERLOCK

• Golem got away

• Another victim but it’s a child :(

• 10 seconds…

• He figured it out

• Is the gallery manager a part of the calls ???

• It’s been Moriatry all along

• The body was moved

• Joe killed westie

• Joe tried to hurt John but John was prepared

• Why did Westie not put the memory stick somewhere safe and off his person

• He shoved Westie down the stairs and killed him

• “Look at the turn ups on his jeans”

• Sherlock will get the food shopping 🛒

• Who’s going to meet Sherlock at the pool

• John has the vest on !!!!!!!

• Who wants to hurt John !!!!

• It’s Jim Moriarty !!!!!

• He’s a consulting criminal

• “Daddy’s had enough now”

• “THAT’S WHAT PEOPLE DO”

• John is trying to sacrifice himself for Sherlock

• Lasers on the forehead

• Is he really just going to walk out

• *Moriarty’s surprised face*

• “No you won’t”

• He came back

• is he going to shoot The vest ???????

I rate this episode 10/10 because it was surprising and I loved the reveal of Moriarty as he has been spoken about throughout the series and I’m excited to watch season two

#bbc sherlock #benedict cumberbatch #mark gatiss #martin freeman #andrew scott #johnlock #Sherlock

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endogenicredstararchive · 8 months ago

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Welcome!

Hello, everyone, and welcome to our little patch of heaven! I know I made an intro post before, but I feel that it’s become outdated already. So, after this post has been submitted, the old one will be unpinned, and possibly deleted, along with the original system intro post. Because all of our info will be in this one submission! Before we begin, please keep in mind that this page is a secondary blog! As a result, we won't be able to follow back! Now, without any further delays, let’s get started!

About the Host

My name is Shane, but you can also call me Sylum! I’m 29 years old. I’m physically disabled, chronically ill, and I’ve been diagnosed with anxiety, depression, and inattentive type ADHD. I’m part of the Alterhuman community, meaning that I don’t psychologically identify as a human (This can also include spiritually for some people, but not me.). More specifically, I’m primarily fictionkin. I identify as an individual member of a fictional species known as the Buma from Final Fantasy VII– even more specifically, a subspecies that I developed, called the Icicle Variant. If you’d like to know more, please feel free to message me.

My secondary kintype is shapeshifter. A paleo shapeshifter to be more precise, meaning that I can mentally shift to any extinct species at any given time. So you may wind up talking to a living, breathing dinosaur at some point.

Important Info: Due to my anxiety, I may not reach out to anyone outside the system. If you’d like to talk, please send a DM. Please be patient with me, as it may take a bit for me to respond. If anyone’s up front aside from myself, they may answer in my stead. Please be aware that some system mates aren’t social. So I apologize in advance if they come off as rude.

Now, it’s time for the fun part! Let’s meet the system!

Note: I’ve decided to use an almost sci-fi space marine/military naming theme in regards to their roles. (I’m a nerd. Shush./j) Please be aware that the guys aren’t all like their source materials.

The Red Star System

Let’s get one, very important detail out of the way: We are an Endogenic System, meaning that we don’t stem from trauma of any sort. If you would like to know about non-traumagenic plurality, please check out the ICD-11, as it’s a tad more in date than the DSM-5. Now that that’s out of the way, let’s get on with member introductions!

Good afternoon! I’m Knockout, the Chief Medical Officer of the Red Star System. My job is to make sure that the host’s body is well taken care of. Everything from reminding Shane to eat, to administering medication, to checking blood sugar is my responsibility. I’m often at the front whenever Shane experiences some form of medical issue. Or, when he goes to see a human doctor. I often help him cope with medical anxiety whenever it rears its ugly head. Please note that, due to my job as a medic back home, that I may not respond to questions or comments right away. And please don’t ask me for medical advice. I may be the Chief Medical Officer here, but that doesn’t mean I know everything about human biology.

Heyya! I’m Breakdown! I’m kinda like a nurse, which is also what I am back home! I help Knockout with medical stuff in the field, and I help take care of Shane! I also double as a Security Officer. Ya know, making sure that our little guy’s safe and sound! I usually come out whenever there’s a physical problem that needs solving; like figuring out the safest place to park his chair. It doesn’t sound like much, but I promise you that it’s important work! Like Knockout, I might be busy with other things, so I might not answer right away.

Greetings. I am Starscream, the Commander– though Shane insists that rank and duty are two separate things here. Regardless, my job is to ensure our host’s physical safety, as well as maintain his psychological security. I am often at the front whenever he is under extreme stress, and needs to be removed from the situation. I am a boundary enforcer; I make sure that certain lines are not crossed. I suggest you tread carefully, unless you wish to face my wrath.

Hi there! I’m Nanaki, and I’m one of the system’s Councilors! My job is to help Shane through some psychological issues. I don’t counsel him in regards to severe problems, like his depression spikes, but I can help him with his anxiety. I can also be a listening ear if he needs to vent. Please remember that I’m considered a minor in human culture, so please don’t mention anything adult whenever I’m at the front, okay?

Name’s Cloud. I’m a Security Officer– which means that I protect Shane from anything, or anyone, that might hurt him. I’m always on the clock, so if anyone tries anything, you’ll have to deal with me.

Hola! My name is Miguel O’Hara, and I’m the system’s head Security Officer. I usually front whenever Shane feels threatened by someone/something. Or, if he’s experiencing acute distress. If anyone gets particularly outta line, it’s my job to make sure they get back in line. Because I’m my universe’s Spider-Man, and a protector of the multiverse, I might not be around all that much. However, I’ll try to respond, or post, whenever I have the time.

Sup? I'm Hawks, better known as Keigo in some circles on here. My job is to protect Shane from any perceived danger-- a Security Officer, if you will. As long as you're chill, I'm chill. Kay? I might be unavailable at times due to hero work, but rest assured: I'll post and answer any asks you send as soon as I get the chance!

Hey. My name is Kai Chisaki, also known as Overhaul. I don't really go by that anymore; it leaves a bad taste in my mouth whenever I hear it. I'm a Medical Officer I guess-- that's still up for debate though. I'm not always busy, so I'll be around more than most of the people here.

DNI IF YOU ARE:

Anti-Endo

A transphobe, TERF, Homophobe, etc.

A Pedophile/MAP.

A Zoophile.

An ableist.

Anti-Otherkin.

Anti-Fictionkin.

We hope to see you folks around some time soon! Thank you for taking the time to read all of this! We appreciate it!

#Intro post #introductory post #introduction #fictionkin #otherkin #bumakin #endogenic system #endo safe #pro endo #pinned intro #pinned post

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solsticevanfleet · 2 years ago

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strawberry vines; s.f.k.

chapter one

Pairing: Sam & female!Reader

Word Count: 2.2k

Summary: You had always been passionate about music and marketing, so when your final capstone university project is to create an exhibit with a specific muse, your chance encounter with a small local band leads you to an epiphany for the showcase. You never meant to mix work with play.

WARNINGS: Mild swearing, alcohol mention.

Notes: Hi guys! This is my first time posting fanfic for this fandom and I’m kinda nervous lol. This is an intro chapter to what will become a series. I hope y’all enjoy this plot layout, please let me know what you think! My asks are always open to comments, concerns, and suggestions!

It had always been cold in Clark, but never like it was today. You always brought an extra sweatshirt (sometimes a blanket) in the winter, but today it was nice outside, so you didn’t think too hard about it when you showed up in a flannel. The wind outside was warm, a nice 76 degrees that felt like a Californian beach-side haven compared to the 59-degree library. Courses had begun a week ago and being a senior, graduation could not come faster, though you were pleasantly surprised when the senior advisor offered a new capstone course. Opting for what felt like the ‘easier’ option, you decided to capstone in “American Magazines” rather than write a 25-page paper in some nondescript writing seminar. All magazines are is journalism of some sort… and it fits almost too perfectly considering your little hobby blog kickstarted pretty well this concert season.

It started as a way to get your writing out, a way to combine your love of music with your dream of working in music management and social media. Snippets of concert reviews and novice photos taken on your cheap Nikon camera were littered throughout the blog, as well as album reviews and interviews with amateur bands and musicians. A blog is basically an online magazine, right? You sat down in the surprisingly comfy library chair and skimmed the class’ syllabus, “END OF YEAR EXHIBIT” was displayed in bold caps and seemed to be the assignment of the year: an exhibit dedicated to the subject of your choice, paired with a homemade zine to be handed out to spectators at the show.

Subject of your choice… you wracked your mind, flipping through the mental trading card binders of the musicians you’d worked with in the past, you were sure one of them would be up to the idea of being this semester’s muse.

•

Lecture hall never got better, no matter the course or the people around you. But why would it? It was a lecture hall, but at least your professor seemed nice. Dr. Richards was an older eccentric man who wore his gray hair in a slicked back ponytail. He looked as if he was meant to teach in the fashion department and not in communications, but it made sense as he explained his requirements for the class. After going over the bulk of the syllabus, he went over the end-of-year exhibit in finer detail. It was meant to be a multimedia project where students needed to tie in their overall career goals with, something that reflected what the student had learned in the course as well as their own personality and aspirations. You smiled slightly to yourself, excited about the creative liberties you were being given for the project, and the prospect of being able to design your own exhibit for the public. You hadn’t realized that class ended, and you quickly gathered your things as you rushed to get out, not noticing the tall figure gazing toward you. You looked up and came face to face with your TA for the class.

“Hey, I’m Danny, I noticed you were kinda zoned out for a moment there and wanted to check in,” he chuckled lightheartedly. His hair was done up in what looked like a turquoise claw clip, his curly bangs and front pieces tousled and frizzy. He radiated what could only be described as pure joy, as if he wanted to help in whatever way he could.

“Oh my god, sorry, I do that sometimes, you know, lost in the mind of an artist or whatever, I’m just wracking my brain trying to think about what to do my exhibit on…” You cringed at yourself, “You know what, just ignore me. I’ve seen you around before, actually.” Danny looked surprised, and you could see the wheels in his head turning until his eyes lit up.

“Wait, yeah! I think we have a few mutual friends, small world UMich is. About your exhibit, do you have any ideas so far?”

“Well, I review local musicians and write about their gigs, usually free ones at bars or restaurants. I was thinking about possibly setting something up with maybe a band of students but I don’t really know where to search for one.” You saw Danny’s eyes light up for the second time.

“It’s funny you say that, I have a band and we perform quite a few times a week at The Garage Bar on Church Street, you know the one right?” You nodded as he spoke, a silent yes to his question. “We’re called ‘Greta Van Fleet’. I don’t think my bandmates would mind you coming in for a few practices or gigs, to be honest, I think Josh would love that. Why don’t I give you my number and we can talk about it more later, I’m running late for practice, actually.”

Danny scribbled his number down on a piece of paper and ripped it out of his notebook, handing it to you with a smile and a nod as he rushed out of the hall. You were alone as you gazed down at his hurried scrawl, who the hell is Josh?

•

Thursday night rolled around and you found yourself staring at the mirror, for the millionth time it seemed, deliberating over your outfit. You didn’t care what you wore, really, but you couldn’t help but feel self-conscious all of a sudden, they wouldn’t scrutinize you, right? They’re just a group of young guys- possibly young? Who were you to know if it wasn’t just your TA and a bunch of grandpas? Or maybe dilfs? Who knows, though you semi-wished for dilfs.

You finally settled on a black mini skirt and a plain orange tee with a jacket thrown on top, something safe but still giving the illusion that you might have gave a fuck about your appearance. As you walked out into the brisk autumn air, you shivered and pulled the jacket closer to you, berating yourself for not dressing warmer. It wasn’t too long before you showed up at the address Danny had sent to you a couple of hours prior, accompanied by a few dancing emojis – he was a frequent user of emojis, you had discovered, with the few texts you two had exchanged. You weren’t expecting google maps to take you to a house, maybe a bar or a practice hall of some sort, but it looked like your typical college-aged boys home. Fairy lights which were strung haphazardly over the porch, lawn chairs on the patio, and a turned-over welcome mat greeted you as you rang the doorbell. You could hear the plucking of off-key guitar strings and chatter coming from behind the door, which only heightened your anxiety about this whole evening. You brought along your laptop and camera, hoping maybe to get some off-the-clock practice shots if the band agreed to work with you on the project.

The door suddenly opened and jarred you from your thoughts, a flash of warm light came from inside the house and a curly mop now stood in front of you. Attached to the mess of curls was a bright white smile belonging to a handsome young guy; he couldn’t have been much older than you, 3 years at most.

“Welcome, welcome! You don’t have to stand outside, come in and make yourself at home. We have beer and seltzer in the fridge if you want, or apple juice,” The guy blabbed, ushering you inside the foyer leading into the kitchen and living room.

“Don’t be a dick, she doesn’t want apple juice.” The voice came from beyond the door frame, yelling almost as it berated the man in front of you. As you opened your mouth to speak, almost the exact same motherfucker walked out of the kitchen, “Sorry about Josh, he can be a bit overbearing.”

They had the same look, though this one had long wavy locks and his presence was not as bold, yet he shined as he entered the room. “I’m Jake, and this one is Josh, obviously, I assume youre the girl Danny’s mentioned.” You instantly felt at home, with the yin and yang nature of their contrasting personalities, and you nodded as you looked between the twins.

Josh knocked the back of his hand into Jake’s shoulder, “Lighten up, will ya?”, he turned back to face you. “Let’s go, Danny and Sam are downstairs tuning. Did you need a drink or anything ‘fore we go?”

“Honestly I’m okay, thank you for asking though. Do you have anywhere I could plug in my charger, though?”

“Yeah, just follow me.”

You made your way down the narrow staircase into what felt like a make-shift man cave of sorts, traffic signs, and rock ‘n’ roll memorabilia coated the walls as you entered the dimly lit basement. It smelled of incense, alcohol, and a hint of cologne as the boys ahead of you went straight for their bandmates. There sat Danny, and who you could only assume was Sam. He was hunched over what you thought was a guitar, only it was a light blue, almost green color, something you didn’t usually see. He had long brown hair, brushing his shoulders and wrapped like a halo around his face as his eyes were focused on the strings and his plush lips were mumbling something quietly, too quiet to hear. He seemed to be closest to your age, maybe a bit older, but nothing too crazy. Jake gestured you to the couch, where the outlet was sat directly next to, and you took a seat next to him.

“Nice guitar, I love the color,” you uttered loudly, loud enough to get his attention. He was the only one who hadn’t immediately perked up at your presence, even Danny had greeted you so welcomingly, now occupied with the brothers. This one was seemingly too entranced by the sounds coming out of his instrument as he tuned the strings. At the sound of your voice, he slowly looked up, and you could see he had large, downturned chocolate-colored eyes. He smirked gently, one side of his mouth lifting as he scoffed.

“Thanks, but this is a bass. I understand the confusion though, especially since it is customized. Though, it does look almost brown to me... You don’t get much of those out in the wild.” His eyes quickly scanned your appearance, looking for a comment of his own. “Nice… leaves?”

You glanced down confused by his comment on the color but noticed your tattoo peeking out from under your skirt, “Oh, thank you, they’re berry vines, strawberries actually. You don’t get much of those out in the wild, either.” He chuckled as you smiled to yourself, pleased with your quick wit.

“Well, Berry, it’s nice to meet you. Daniel over here has been talking about you coming over for a week now and I think we’re all a little interested in hearing about this little project of yours.”

“Nicknames already?” Danny chimed in, Sam’s head turning to meet the sound of his voice. “We can talk about logistics later, I have class in the morning so let’s get this shit started.”

The boys all made sounds of agreement and got into position as you looked around and decided to sit on a large purple bean bag chair on the floor, near where Jake was messing around with the pedals next to his feet. It was then that Danny counted them in and Josh’s vocals came in, loud, raw, and powerful, something you didn’t expect to come out of such a small man. The combination of Jake’s electric riffs, Danny’s pounding beat, the smooth and sexy bass lines, and Josh’s voice, you were quite frankly surprised and pleased. When Danny had mentioned a band, you had expected an amateur bunch of musicians trying to mesh their different sounds together, but this band was amazing, sounding as if they had been practicing for years and years together; their chemistry was addicting. As they finished off the song, Josh looked over at you for approval, grinning widely with a sparkle in his eyes really only seen in people who were truly passionate and into their craft. Your only reaction was a dropped jaw.

“That was… insane. Like, I’m blown away to be quite honest, you all work so harmoniously together- how? I mean, you’re all so cohesive.”

“I mean, we’ve been playing together since high school, we got a small following back home because of it but there’s always room to practice.” Jake was so genuine with his responses, probably the most level-headed out of the bunch. You nodded, urging them to tell more. He continued, “It’s been a rollercoaster but we’re looking to reach outside of just local bars and lounges.”

Sam chimed in, “Yeah, I’m kind of sick of college.” he flashed you a smirk, which made your cheeks heat, but you ignored the urge to keep eye contact with him. “Well, I would love to work with you guys this semester… I’ve got good social media skills too if you’d like this to branch outside of academics…,” Even asking the question felt embarrassing to ask, but something inside told you to stick around.

The boys looked around at each other, communicating with their eyes, silently agreeing with nods of approval and shrugs before Josh spoke up, “I think we could swing that.”

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galaxyhanart · 3 years ago

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HEY HEY HEY so for the past few months @rottedsoulx and i have been vague posting about an AU we call the Tragedy AU. There’s way more that goes into it than put into this post BUT figured it was high time for a bit of an intro

In this AU, the cast of Danganronpa V3 attend Hope’s Peak Academy as Class 79. They spend the first few months at the main campus until Hope’s Peak hurriedly shoves them into a more secluded, almost hidden campus in the middle of nowhere. With a huge dome over it. Weird, right?

Well as the students would come to learn, this was a move made to keep them safe as the world delved into the chaos and destruction known as the Tragedy. After the hidden campus gets attacked by Monokumas, class 79 is scattered.

More information under the cut! Feel free to ask either of us about the AU

The gang gets split into several different groups

- Kaede and Kokichi, who meet up with DICE

- Shuichi, Kaito, and Maki, who spend time at Maki’s orphanage before being taken in by Future Foundation

- Kiibo and Miu, who try and stay away from the general population and stay oblivious about quite a few things for a while. Kiibo is later captured by Kazuichi, who takes an interest in him and tries to plunge him into despair

- Tsumugi, who was brainwashed by Junko before the class even relocated (everyone thought she had just gone home)

- Rantaro, Kiyo, and Gonta, who stay close enough to cities to observe and get supplies but generally avoid people. This group separates after Gonta kills Kiyo in an attempt to protect the female members of his class, but the act plunges him into Despair and he’s found by Gundham, who takes him in - Himiko, Tenko, and Angie, who stay close to the school for a while to strip some supplies from it before booking it

- Ryoma and Kirumi, who find Tenko’s group fairly soon after the split

There is an overall story that we have but for now it’s a lot of random stuff!! I wanna try and post more frequently about it. Feel free to ask about stuff!!

AU stuff on my blog

AU stuff on Rotted’s blog

Rotted’s Gonta-centric Tragedy fic

#danganronpa #danganronpa v3 #tragedy au #drv3 #kokichi ouma #kokichi oma #kaede akamatsu #shuichi saihara #k1-b0 #kiibo #keebo #au #galaxyhanart

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bullfroganarchy · 3 years ago

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rating my past and current hyperfixations

(these are all media ones, bc my only non media one is fashion history)

Honorable mentions:

Less is Morgue(podcast): 10/10 not enough fan content for me to form a full on hyperfixation but its only a matter of time. its funny, well written and has good rep, plus i dont need a wiki to keep track of every single character.

Mnemosyne(podcast): 8/10 same reason as less is morgue, also it just has less eps out, but the potential is there., something about the audio doesnt mesh really well with me, and i have hard time figuring out whats going on because of it. thats just a me thing though, listen to it if you like space and questions about morality!

The Penumbra Podcast: 6/10 the concept didnt appeal to me as much as a thought it would. the kissing noises are the reason i can only listen to a episode a month. writings good though.

Past Hyperfixations:

Warrior Cats(book): 5/10 this was my first hyperfixation, and baby i clung on to this shitty series for waay too long. it was my first intro to fanfic(thank you quotev) and fanfiction(though this was of my ocs). it got me into writing and art, so thank you Erin Hunter. . the books were ok, i wasnt neck deep into the fandom so i cant say much on that but it made me wish i could roleplay online. that is a transgression i can never forgive.

FNAF(game):1/10 honestly not that bad all things considered. it did cause my deep dive into horror, which almost landed me into creepypasta, but i didnt. i was around when phone guy was drawn with a actual phone as a head and purple guy was dubbed vincent. do with that what you will. im still mad about my fav fnaf fic(also on quotev) that updated last in 2017 on a cliff hanger. it gets a low score because of scott cawthon. shout out to matpat for carrying this one till its death. the songs still are bangers.

DDLC(game): 8/10, nothing much to say, this one was short and sweet. the game was good, the fan songs were good, and i really liked my time with it.

Voltron(show): 4/10. i was fresh queer preteen when this show came out. i binged all but the final season, and thank god for that, however, this show made a worse person. i got bullied off of amino a mere twenty minutes after making a account thanks to voltron(thats when i learned self inserts stay to yourself, even if you post about it on your own account). i got queerbaited and i will die mad. good fanfics though.

Undertale(game): 7/10. i mostly stuck to wattpad and ao3 at this point in time, never really engaging with the fan base besides from that. all i can say is thank god. the game was good and memorable. however this hyperfixation introduced me to, and desensitized me to, s3lfc3st, inc3st, really scary sex practices, and general fucked up things. thank you toby fox, no thanks to whoever made learn that tags are Really Important

Current Hyperfixation:

The Magnus Archives(podcast):8/10. my first ever fiction podcast. i genuinely like it, but i cant think about it for too long or else certain issues i have make in near unejoyable. the fan content is Fantastic, i realized i was ace because of one of the fics, and it made me want to write horror again. downsides are i had to check the wiki alot when listening, and some of the writing choices made me go ‘oh were doing that? huh. that isnt as good as what i thought was going to happen’. also i didnt cry for any of the deaths, granted i stop listening after season five. i still know the entire plot however.

Undertale; part two electric boogaloo: 10/10. this is only for the three blogs i follow on here ( @theninjamouse @popatochisssp @skelezbian if you must know) all their fics are wonderful and sustaining me through my lingering undertale hyperfixation. i have nothing but good words to share.

#less is morgue #mnemosyne #fnaf #warrior cats #undertale #doki doki literature club #the penumbra podcast #voltron #the magnus archives #hyperfixations #yes i was the coolest and worst kid ever #i got the curse of multiple hyperfixations at once #they fight for dominance and the winner gets control over my personality #am i ballsy for tagging my favorite fanfic writers? absoultely #at least im not tagging less is morgue.#i know those guys got a blog and everything

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hetalia-nordic-trash · 4 years ago

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The Heart Gambit (Dennor): 5-Too Clever by Half

Word Count: 1,460

Description:

Lukas and Mathias agreed to go to the park together, but are bogged down thinking about personal issues.

Author’s Note:

Yessss more Dennor. I’m having so much fun writing so I hope you guys like it. I’m so excited to write more this summer so let me know what you want me to write more about! Notes, asks, and comments mean so much!

Also check out my new writing blog @thechosenburrito where I post all my writing both Hetalia related and original writing!

Previous: 4-Treat me like a Fool

The sun peeked between the curtains in Lukas's room. He stirred a bit, regretting the promise he made to Mathias. He pulled himself out of bed and started heating some water for coffee. It was, unfortunately, instant coffee but it was the best thing he could do considering the circumstances. He threw open the curtains to let the light fill the room and was met with complaints from Emil.

"You know, just because you get up at the ass crack of dawn, doesn't mean the rest of the world does." Emil groaned as he rolled over in bed.

"I'm making coffee."

Emil set up and started pulling on some day clothes.

"I hate you."

Lukas poured two cups of instant coffee and left one on the nightstand next to Emil.

"I hate you less now."

Lukas sat at the edge of his bed and looked out the window. He sipped his coffee and began thumbuming through the book at the foot of his bed.

"I take it you're up this early because you're going to the park with Mathias," Emil said, blowing on his coffee?

"You heard that?"

"I had my ear pressed to the door of course I did."

Lukas closed the book.

"Well, I did promise to go. That doesn't mean I wanna go," Lukas replied in a bit of a huff.

Emil stood up and pulled on a shirt.

"Yeah but you can still say no."

"I know that."

Emil sat back on the bed and started trying his shoes.

"Well, then if you don't wanna go, call him and cancel."

"I'm not gonna do that."

"Why not?"

"Because..."

"Because you wanna go."

"I didn't say that-"

"Admit you wanna go with him!" Emil almost screamed, pulling on a jacket.

"Why are you like this!?...and where are you going?" Lukas said, looking up from his book to see that Emil was fully dressed and heading towards the door.

"You need to admit that you have feelings for 'that asshole' because you keep repressing it and messing with your brain! It's just gonna make your life worse to ignore it." Emil said opening the door.

"And I'm going sightseeing. We're in Italy, and I'm probably never coming back here again so I'm gonna enjoy it."

"Have fun on your little park date or whatever."

Emil stepped out and closed the door behind him.

Lukas stood up from the table and threw himself back on the bed, burying his face in his hands.

"What's wrong with me?" he muttered under his breath.

Was this a date? No, right? Definitely not a date. It was just two people going to a park to hang out. Two people who just so happened to be competing in the biggest Chess competition in the world. Two people who also happened to share an oddly intimate moment yesterday. Wait that sounded wrong. Not like that. He rolled over in the bed. It's fine, they're just friends. What's the worst that could happen? If Mathias didn't have feelings for him then everything would be fine. Lukas would just keep living his life and after the competition, he would never have to see Mathias again. But if Mathias did have feelings...things would be much more complicated. As much as spending his life with Mathias, maybe getting a house somewhere, or traveling the world, it just wouldn't work out. The media would be all over it. Not to mention what would happen to Emil. But most of all, when Lukas really thought about it, he just had too many flaws to be in a relationship. Maybe but Mathias did like him, but not really him, some kind of strange idealized version of him. Maybe that's what happening, Lukas didn't love Mathias, did he? Was it even real? If it wasn't real, would he think about him this much when the literal biggest match of his life was only days away?

Lukas let out a long sigh and rolled out of bed. He pulled on his clothes and made his way to the door. He wasn't getting Mathias out of his head by sitting around in his room.

- - -

Mathias rolled over in bed to snooze his alarm. He'd already done this 3 times and regretted telling Lukas to meet him so early in the morning. But he figured that Lukas was probably more a morning person and would think he's weird for getting up at noon.

Mathias groaned and dragged himself out of bed. He hissed, half-jokingly, as he drew open the curtains to see that the sun had just barely risen completely. He made his way to the bathroom, catching a glance at a notepad he had been writing on the night before. Last night's phone call with Alfred came back all at once.

"So you're telling me you DIDN'T talk to him yesterday."

"I...no I didn't get to. His brother showed up, but Lukas never did."

"*sigh* ...you're killing me here Mathias."

"Hey, I tried! It's not my fault he didn't show!"

Mathias started brushing his teeth.

"I know I know...look you just need something on him!"

"I thought this was about getting in his head and figuring out his strategies. You know, so I can actually win?"

"Look there's been a change of plans."

He started styling his hair.

"What kind of change?"

"Well...I've been thinking about it, and you don't have to win the match on Sunday."

"What are you talking about?"

"Look, if you win on Sunday, everything will be great! You'll have the title, maybe you do a few commercials, a couple of brand deals, the whole shebang! ...but if you lose... it doesn't have to be a deal-breaker anymore! If you can dig up something on the other guy we can maybe... um... make it so that... you know..."

"You want to frame him for cheating?"

"Woah Woah Woah! That's your idea, not mine haha... Of course, we wouldn't frame him for cheat... but we could sure take the wind of his win you know... make you look like you were against the odds..."

Mathias started pulling on his clothes and putting on his shoes.

"Look I don't need that, man. I'm a good player."

"No yeah no I know that. I'm not talking about that. I'm talking about finances., deals, the money!"

"And I'm talking about me winning the match."

"Since when did you care about winning?"

"I don't!"

"Well, you don't care about winning, and it's sounding like you don't care about money, so what do you care about then!?"

Mathias checked his reflection and headed to the park.

- - -

Lukas was huffing and puffing. He hadn't realized how much walking with going to the park would involve. He looked around and came to the realization that he was so far into the park that he had no idea where he was. He just kept wandering around until he eventually saw a small lake. There was a bench at the edge of the lake with someone sitting on it. Lukas didn't care who it was, at that point, he knew his knees were about to buckle. He made his way over to the bench and sat down on it.

"Sorry... if I bothered you... I just really... needed a break," Lukas said, trying to catch his breath.

Lukas turned to see that it was, in fact, Mathias. He was digging in a paper bag for a slice of bread.

"I mean, you're not bothering me! Considering I asked you to come!" Mathias beamed, passing him a slice of bread. "I was getting a little worried 'cause I realized that I forgot to tell you where to meet me. But hey! You made it!"

Lukas smiled a bit. He looked at the slice of bread Mathias handed to him. It was a bit stale, but he wanted to be polite. He took a bite of the bread.

"Woah what are you doing!"

"...eating..."

Mathias laughed.

"No silly! That's for the ducks!"

Lukas swallowed.

"Oh."

Mathias started tearing pieces of bread and tossing them into the water. Ducks and their ducklings paddled their way over to the edge of the small lake and started picking at the pieces of bread. Lukas did the same, occasionally holding his hand out to Mathias for another piece of bread.

Lukas yawned, remembering that he only had one sip of coffee. Was he really sleeping that badly all the time? He rested his head on Mathias's shoulder and felt himself blush.

"Heh... uh... you know I think I heard somewhere that you're supposed to feed them seeds and not bread. I think bread is bad for them or something..."

Mathias's voice faded out as Lukas drifted off on Mathias's shoulders.

Next Chapter: 6-Someone else’s Parasite (Coming Soon)

A/N:

This is technically late but I had fun writing it that’s all that matters!

I’m going to take this time to plug my non-hetalia work “ Intro to Love ” (on Wattpad) about a college student who struggles to keep her superpowers a secret and while making new friends. How much of her normal life will she give up to save her friends from a mysterious villain that drains students’ brains and turns them into zombies? The complete Chapter 1 is out NOW AND so is Chapter 2.1-'The last of the Good Days’! Go read them! Right now! They’re waiting for you! Chapter 1.1 is here on my tumblr!

Thanks again for reading! Send some feedback my way! Can’t wait to continue this story!

Also, again, check out my writing blog @thechosenburrito!

Quotev link: here

#hetalia #hetalia nordics #hetalia denmark #hetalia norway #hetalia dennor #dennor #hws #hws nordics #hws denmark #hws norway #hws dennor #norway x denmark #denmark x norway #hetalia fanfiction #chess au

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daleisgreat · 4 years ago

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Shawn Michaels: The Showstopper Unreleased

WWE has release a few Shawn Michaels DVDs over the years, but continuing on the theme of my last few wrestling-centered entries, WWE Home Video stuck with their “unreleased” brand of DVDs in 2018 with the three-disc release of Shawn Michaels: The Showstopper Unreleased (intro - I could not locate a trailer for this anywhere!). In that clip Shawn quips that the producers deserve an award for finding previously unreleased matches. I believe the criteria for this release is still similar to previous “Unreleased” collections where they may have aired on television (and thus likely in the WWE Network archives) or long discontinued VHS tapes, but this DVD will mark the first time the matches are available on disc. Also included is a new interview with Michaels that they broke up in several parts and sporadically inserted throughout the collection. The first disc is something special as it essentially is a “Best of Rockers” DVD. The first two matches are from Shawn’s rookie year in 1985 for Mid-South in quick enhancement matches for Hector & Chavo Guerrero and Jake “The Snake” Roberts. Matches serve their purpose, but it is nonetheless fascinating to see how Shawn had that already apparent potential in him way back in 1985. The remaining 11 matches on the first disc are all Rockers matches, with the first three tag matches being from their Midnight Rockers AWA days with two bouts against Doug Summers & Buddy Rose and one more with Brian Knobbs & Dennis “I’m not booked” Stamp. The two Summers & Rose matches are show-stealers that had exhilarating beginning/middle/end structures, and was fun to watch the 1980s crowd go nuts for.

The first disc is almost all AWA & WWF Rockers matches!! For the eight WWF Rockers matches, they consist of almost an all-star lineup of a golden age for WWF tag teams where they square off against the likes of Demolition, Brain Busters, Hart Foundation, Natural Disasters and Legion of Doom. The sad thing about The Rockers back then is that as charismatic and agile as they were back then, they mostly made other teams look good in their WWF run and that is the case here as they lose six of those eight WWF matches. Even worse is the two matches they win is a DQ win against the Rougeaus after Jimmy Hart’s megaphone is used, and a countout win against the Orient Express. That said, a lot of the other matches are pretty damn good, with high honors going to the Brain Busters bout, two Demolition matches and surprisingly working in a lot of good stuff against Legion of Doom. Worth pointing out is another good match against the Hart Foundation where it seems noticeable the teams missed their cue to go home because the match starts to feel there is no end in sight when out of nowhere during an abdominal stretch a bunch of wrestlers run in and an awkward impromptu brawl ensues and the match is declared a draw.

Disc two has 12 matches from Shawn’s first singles WWF run from 1992-1998. Some highlights from this are an unsurprising technical showcase with Mr. Perfect, oddly having a positive dynamic with Bret Hart to team up against the Blu Brothers in 1995 and predictable-yet-high quality formula matches during his first WWF Title run against 1-2-3 Kid and Steve Austin. Disc two has a disappointing triple tag elimination match with Shawn, Diesel and Undertaker against Psycho Sid, Tatanka and Kama filled with lots of stalling and headscratching booking for the eliminations. There is also a questionable match against Vader a month after their controversial-yet-excellent Summerslam match, where in this match Shawn takes 95% of the offense and quickly squashes Vader in three minutes. There is also a fascinating bout against Yokozuna from the summer of 1996 in Kuwait, when Yoko is nearing the end of his WWF run due to him putting on excess weight, and the match kind of expectedly plods along, until something must have clicked for Shawn to motivate Yoko into a pretty watchable match in the back half, and the two show respect afterwards which was awesome to see….until Yoko suddenly darts off to the back like he really has to go to the bathroom. The third disc consists of 10 matches from Shawn’s return run to WWE from 2002-2010. All the matches here are from RAW, so that means they follow the formula that still holds true for WWE TV main events today where it is either a cobbled together tag match, or a really good one-on-one match with interference or a hokey finish. There are a couple exceptions with worthwhile clean matches against Ric Flair during a Japan 2005 tour and against Christian in 2004 when he was building momentum with Tyson Tomko by his side. HBK’s matches against Rob Van Dam, Kurt Angle and Chris Jericho are the highlights on disc three, but all three contests have varying degrees of interference to effect the finishes, and in some cases it actually benefits the match as is the case with Angle with the story they were telling. I was delighted to see a post-RAW dark match included with Shawn teaming with Batista against Triple H and Edge. WWE is notorious for usually doing a fun untelevised promo or bonus match for the fans after the cameras go off the air with some quirky moments that would never fly in a televised match. That is the case here with Triple H doing lots of exaggerated selling and fun jawing with the crowd that absolutely ate it all up for a fun time.

Shawn didn't disappoint in his 21st century run, with matches included here that don't disappoint against Ric Flair and Kurt Angle. A couple of promos are uncovered like Shawn doing an open Q&A with the fans when Sensational Sherri was managing Michaels early in his singles run. Another amusing bonus promo is Shawn and Diesel doing a Times Square workout session to hype up their upcoming WrestleMania 11 match with the one-and-only Todd Pentigill hosting. The several interview clips inserted throughout the DVDs has Shawn hitting on certain parts on where he was at that stage in his career and reflecting on the infamous Barber Shop break-up with Marty, his 2002 return, rebooting a less edgy, more goofball version of DX in 2006 and retiring in 2010 (this was filmed before his ill-fated Saudi Arabia return match). From these series of introspections, it was fascinating to hear Shawn think back on why he was not all-in for teaming with Jose Lathario in his WWE Title run, and hearing him settling on being a family man in retirement and turning down multiple

WrestleMania return matches. There are also a few sets of interviews with NXT talent commenting on how lucky they are to have Shawn as a teacher at the WWE Performance Center. Shawn comments a few times here too on being proud of passing on his knowledge, and it is obvious he is genuine on his passion for his new role building talent in NXT. WWE has once again amassed another recommended collection of un-vaulted matches. I am digging this format following the Piper and Macho Man sets where they break up the action every few matches with a set of interviews. Wort mentioning is about a quarter of the 35 matches here have no commentary because they were either dark matches, or from arena shows WWE use to film at regionally in the 80s and 90s and never recorded commentary for and/or lost the rights for the commentary. While there are some skippable matches, the good-to-bad ratio is largely in the positive here, and the not-so-good bouts usually at least have an entertaining backstory or era they emanate from. This all adds up for Shawn Michaels: The Showstopper Unreleased being another must-have installment of the Unreleased branding. Past Wrestling Blogs Best of WCW Clash of Champions Best of WCW Monday Nitro Volume 2 Best of WCW Monday Nitro Volume 3 Biggest Knuckleheads Bobby The Brain Heenan Daniel Bryan: Just Say Yes Yes Yes DDP: Positively Living Dusty Rhodes WWE Network Specials ECW Unreleased: Vol 1 ECW Unreleased: Vol 2 ECW Unreleased: Vol 3 Eric Bishoff: Wrestlings Most Controversial Figure Fight Owens Fight: The Kevin Owens Story For All Mankind Getting Rowdy: The Unreleased Matches of Roddy Piper Goldberg: The Ultimate Collection Hulk Hogans Unreleased Collectors Series Impact Wresting Presents: Best of Hulk Hogan Its Good to Be the King: The Jerry Lawler Story The Kliq Rules Ladies and Gentlemen My Name is Paul Heyman Legends of Mid South Wrestling Macho Man: The Randy Savage Story Memphis Heat NXT: From Secret to Sensation NXT Greatest Matches Vol 1 OMG Vol 2: Top 50 Incidents in WCW History OMG Vol 3: Top 50 Incidents in ECW History Owen: Hart of Gold Randy Savage Unreleased: The Unseen Matches of the Macho Man RoH Supercard of Honor 2010-Present ScoobyDoo Wrestlemania Mystery Scott Hall: Living on a Razors Edge Shawn Michaels: My Journey Sting: Into the Light Straight Outta Dudley-ville: Legacy of the Dudley Boyz Straight to the Top: Money in the Bank Anthology Superstar Collection: Zach Ryder Then Now Forever – The Evolution of WWEs Womens Division TLC 2017 TNA Lockdown 2005-2016 Top 50 Superstars of All Time Tough Enough: Million Dollar Season True Giants Ultimate Fan Pack: Roman Reigns Ultimate Warrior: Always Believe War Games: WCWs Most Notorious Matches Warrior Week on WWE Network Wrestlemania III: Championship Edition Wrestlemania 28-Present The Wrestler (2008) Wrestling Road Diaries Too Wrestling Road Diaries Three: Funny Equals Money Wrestlings Greatest Factions WWE Network Original Specials First Half 2015 WWE Network Original Specials Second Half 2015 WWE Network Original Specials First Half 2016 WWE Network Original Specials Second Half 2016 WWE Network Original Specials First Half 2017

#Wrestling #Shawn Michaels #the rockers #wwf #WWE #awa #marty jannetty #ric flair #kurt angle #Christian #Bret Hart #diesel #psycho sid #dennis stamp #jake roberts #mr. perfect

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beevean · 4 years ago

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3 years of Sonic Forces, the biggest love-hate relationship of the series

[note: this is the translation of @latin-dr-robotnik’s article]

Today is an almost special day, today it’s the anniversary of a rather peculiar game in this series.

On this day 3 years ago, the (to this day) newest game of Sonic Team was released: Sonic Forces. After waiting a year and a half since its announcement (and four years since Sonic Lost World’s release), it was finally time to see what the last chapter of the main series had in store for us, and the results were… okay.

There were so many warning signs in the months before the release: a marketing campaign that was noticeably absent until the very last month, opting to focus more on Mania (let’s not forget that we still get videos about Mania even after the game’s release, not so much about Forces), which added to the uncertainty caused by the footage already available at the time, which ended up being confirmed a few days before the release, when some people managed to get the game early and streamed a good chunk of the game. While one of the leakers was just a bad player, the quality of the game itself was put into question…

A harsh reality

I’m not going to soften up my words here: for being the latest Sonic game, in a post-Generations and post-Boom era, Sonic Forces fell short of everything it tried to do (if it tried). Anything positive comes from the roots of something negative, and in the context of this anniversary, after 3 years without knowing a thing about the next game, it only emphasizes the frustration and the disappointment it caused.

Sonic Forces promised a world devastated by Eggman, an epic battle to save the world and win against a powerful enemy. However, of so many promises, not even the first one, the most basic one, was kept: it was an empty takeover, explained poorly (because they didn’t even show it, they told it through text) and developed even worse. All the potential of such an exciting world was thrown away as soon as the game didn’t even try to explain some of its most important questions (like why Green Hill was in the process of desertification); to this day we still don’t know what the fuck does the Phantom Ruby do, in Mania it has some powers, in Forces it has different powers, and it’s not clear where does it come from or if it’s more powerful than the Chaos Emeralds. It is disappointing to not be able to discover all this untapped potential, and it is so disappointing that one of the oldest works on my blog was an attempt to rewrite the beginning of the game, give it more context and a better footing to start the adventure.

This old leak dates back to 2016, when the game was barely announced, and surprisingly it ended up being real, very very real. Even the title “Sonic Wars” is true, and if you don’t believe me you can open the game’s folder and read the names that appear. Source.

The confusion and disappointment don’t end here. If you have read the mess of opinions and emotions that is my analysis of the game [translator’s note: the link is in Spanish], you may have noticed that one of the biggest questions never answered was, what’s up with the order of the levels and why is it so confusing? Between 2016 and 2017, there were some leaks and statements going around places like Sonic Stadium that confirmed that the game went through numerous changes, not just in the plot, but in the levels as well. Right now I can’t find these old posts (I’m surprised that the fandom didn’t archive them), but it was said that the original idea for Forces, then still called Sonic Wars, was to shine the spotlight even more on the Avatar, or Buddy as it was called; the decision was unanimously rejected by SEGA of America and Europe, forcing SEGA of Japan to order that the game was modified. In fact, I remember that the leak that mentioned this meeting between the SEGA branches was rather bad, with a very tense atmosphere and lots of disagreements.

This is the closest thing to a confirmation of the scrapped plot that I could find. At least it’s proof that I’m not crazy and that Forces was indeed more focused on the Avatar. Source.

The mess that is the order of the levels, the questionable presence of characters like Classic Sonic, and some of the details of one of the leaked scrapped scripts such as that apparently they considered to reintroduce Mephiles – all of this shapes the network of a mediocre game, created under the premise of “from the creators of Sonic Colors and Sonic Generations” but taking all the wrong parts of those two games, using an engine that has been proven to be less efficient than Unleashed’s and Generations (and I’m not talking about the Hedgehog Engine, which is the graphical engine – I’m talking about the game and physics engine of Lost World), and with short levels and… polarizing bosses, to say the least.

The result is a game that shows a lot of potential, but in practice it doesn’t live up to it at all, be it for its own limitations (being rushed like hell) or for a noticeable lack of attention to details; it didn’t succeed in creating a cohesive and coherent world, with levels that could be worthy of what has been learned in these years. This is the reality of Sonic Forces.

And yet...

Despite everything I’ve just said, despite all the unacceptable errors that Forces made, and despite all the terribly wasted potential… we still talk about this game.

There are many reasons. On one hand, Forces and Mania have been the latest Sonic games for 3 years now, which is tragic in on itself (Team Sonic Racing disappeared from the face of the Earth); on the other, we still talk about Forces because there is something that still attracts us to it.

It’s not the same attraction we feel for Sonic ‘06, though. Forces is not a complete, almost-franchise-killing disaster like ‘06 was, it’s not a giant meme that spread from the fandom to popular circles and internet figures such as the Game Grumps. People have been trying to fix Forces’ mistakes, but not on the same scale as projects that tries to completely recreate ‘06 with a radically different engine, or fix each and every bug in the original version. Forces is nowhere near as infamous, and so the discussion goes in different directions.

youtube

Episode Shadow is still one of the most entertaining parts of the game, and one of the most important as well, as Shadow himself hadn’t been a playable character since… well, Sonic ‘06.

On one hand, there is a cult surrounding Infinite, one that I personally don’t agree with, and I don’t know if it’s bigger than Mephiles’ 15 years ago, but I do know that it exists and it’s still present. One of the ways Sonic Team tried to “go back to its roots” was to introduce a character like Infinite in a plot that was supposed to be “more serious”. Final results notwithstanding, Infinite managed to win the heart of a sizeable portion of the fandom, which still wishes for his return and development.

On the other hand, there is the Avatar, our personal OC with an impressive customization system, which allows us complete freedom, to the point that we could recreate characters introduced in Sonic IDW like Whisper the Wolf. What at first looked like a questionable idea, nothing more than a source of memes, ended up becoming the smartest idea Forces had, with a gameplay style that, in my opinion, retains a little of the old Adventure spirit, and even had some of the most fun levels in the game. While Classic Sonic ruined one third of the game, and Sonic was somewhat mediocre compared to his past feats, the Avatar’s gameplay style manages to keep its quality throughout the game, despite the fact that the plot keeps revolving around their presence instead of focusing on the other aspects of saving the world, which is... well, a little unfortunate.

Even I, who I’m not really into Sonic OCs, had a lot of fun recreating some of the characters.

And finally we get to the best part of the entire game: the music.

Even after three years my opinions haven’t changed much. Forces’ music isn’t perfect, it has its low moments (I feel like I’m the only one who doesn’t like Light of Hope) and some disasters (F*ded H*lls lol), but overall it has good intentions and it has some pretty good highlights.

The use of synths, as overdone and criticized as it is, was an honest attempt to follow a trend present in older games, like Sonic Unleashed, where this instrument symbolized Eggman’s influence. An interesting touch that, while wasn’t completely successful, is appreciated.

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I still say that Fighting Onward is one of the best themes of the entire game, and Spaceport as the level benefits from having it.

Then there’s the best part of the entire soundtrack: the return of vocal themes, such as the main theme, the villain theme, and some of the level themes. I cannot explain with enough words how much fans were waiting for this, and it was brilliantly handled by the advertising campaign: a preview of the instrumental version of Fist Bump, a short peek of the Avatar themes, and finally the reveal of some of the major themes. It’s not surprising that it became one of the most appreciated parts by the fans. From the iconic intro of Fading World to the subtle nod to Green Hill in Set In Motion, every theme has something that makes it stand out from the rest of the game.

But even so, the rest of the music in the game has redeemable points as well. Forces in general distances itself from the music styles previously used in the series, especially from the variety of incredible sounds of Unleashed or even Lost World; but from time to time it still recognizably Sonic, like in the half-Megaman, half-Runners Network Terminal, in the extremely epic and underrated Last Judgement, or in the always-mentioned Ghost Town (not the only “good” Classic theme in my opinion, but the first one that comes to mind). Even the remixed Zavok theme sound better in Forces than in its original version.

A love-hate relationship

At the end of the day, the only thing left I could say is that Forces is still one of the most polarizing games in the series. 3 years aren’t enough to heal some of the wounds left by the 4-year hiatus, plus the disappointment of the time, but at the same time these 3 years kept alive the memory of its best moment, the discussions about the music and the uncountable groups of fans reunited to share OCs like the fandom has always done.

In this anniversary, I thought it would be interesting to revisit a bit the peculiar relationship I have with this game, as we wait for a new hype cycle for the next game. And maybe, just maybe, that will be the moment Forces will fade from our collective memory, at least for a decade, until new fans will look back to the good and bad this game has done. And I hope that, in the future, the situation of the franchise will also be different from what it has been these last years, in a good way of course.

This is all we have left of Forces today, a game that did not manage to capitalize on its opportunities, and a game that shames the legacy of the Unleashed-Colors-Generations era; but also a game that had some genuine, interesting ideas, and a different musical direction, one that (with some exceptions) was what the fans wanted. It’s a polarizing game, it’s a love-hate relationship.

#sonic the hedgehog #sonic forces #translation #happy birthday forces #i've translated this article because it sums up my thoughts pretty well #i don't hate it and there are things i unironically like about it #but overall it was a big disappointment

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nmoroder · 4 years ago

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L4D(2) Actor AU

This is a (not complete) list of headcanons for the Actor AU me and my bro came up with during our Expert runs and running extremely low on morale. We created this as a sort of ‘happy’ AU which would also give some room to our own ideas, so some of this stuff below may only slightly be related to original. We understand.

This post won’t be updated but instead followed by other ones if something else arises, so check ‘l4d actor au’ tag on my blog for more!

Overall setting

The Left 4 Dead universe itself is a series of 90-min movies divided into first and second season, L4D1 and L4D2 respectively. This list will further refer to them as S1 and S2;

L4D is a series about, of course, zombie apocalypse, but teamwork and forming bonds between people are brought to spotlight. Both seasons consist of episodes where four Survivors try to find a solid ground and safety with every episode ending on a cheerful note but every next one starting with the cheerfulness destroyed. The episodes share their names and events with Campaigns;

Originally, L4D was created by a team of enthusiasts, consisting of friends, families and family friends, so they are all very immersed in process and really giving their best. Their collective is also the reason their funding isn’t very high and they’re mostly using their own equipment and props; this makes the series look less expensive and polished but retains the atmosphere and the main goal: to show people growing warmer to each other and learning to stick together;

The actors’ names are mostly created by combining the face model’s first name and the voice actor’s last name, though some other versions do take place (see S1 and S2);

The safehouse graffitis are inspired by the fans’ responses from forums and contests, so it’s some sort of communicating with audience through screenplay;

The Third Strike, more commonly known as Black and White Mode which occures after second incapacitation, was firstly discovered as a camera malfunction but then the team liked it so much that they decided to leave it as a feature and add the heartbeat effect and stuff;

Main plot line consists solely of canon Campaigns (that means it doesn’t include Last Stand and Cold Stream) but there were also suggestions to shot additional episodes - the Mutations. After S1 success, the authors posted their ideas on different ‘modes’ and fans added theirs as well and thus during S2 some more episodes were made using, for example, a male synchronized swimming team to create the Hunting Party mutation. The original Hunter actor also participated and the swimmers required to copy his behavior; they did it so well that sometimes the whole Survivor team was being overwhelmed once they began the take;

There are no stuntmen on board so every fighting scene is shot with original actors. When it requires to shove someone off with a weapon (e.g. Zoey shoving a Hunter off Louis in the L4D1 intro), after the take actors always ask each other whether they hit too hard, should they improve the movements etc. Different actors have different range so it’s a tricky thing to cooperate but they still manage (I’ll come back to this topic in L4D2 section);

Most Infected, especially Special Infected encounters are improvised, bringing more life and realism to the Survivors’ response. The Hunter is responsible for a fair share of their shock as they noticed him stuck at a saferoom ceiling only after a while (this is a reference to the glitches that allow the Hunter to get stuck under the roof in Versus);

There was a suggestion to run a Kickstarter campaign to gather money for a fanservice episode especially for shippers. While it was most likely a joke from actors who didn’t mind shipping, it’s still a suggestion and not in work.

L4D (Season 1)

Zoey shares the zombie movie obsession with her actress; Sonja was the most familiar with the topic among original team and provided a lot of help with setting up the scene, behaviour writing etc. Along with Louis and Boomer actors, she was the creator of original idea and can consider herself a founder of the series. She is also older than Zoey as a character, being already in her 25s while Zoey is a college student;

The original Boomer actor was a CGI specialist and offered his skills for post-processing while also playing an Infected role. He came up with the idea of a Boomer Infected himself and suggested his large physique to do the role with a little touch of computer graphics and makeup;

While discussing the major characters and personalities worth including, Zoey’s actress instantly remembered her neighbor, the big buffy tattooed guy who was her childhood friend, worked as a driver and spent his weekends with his favorite bike. She figured that it’s a nice image to have in a zombie apocalypse setting, and thus Francis’ actor made it to the set;

When it came to the image of a war veteran refusing to give in to monsters, Zoey’s actress was also the one to suggest another person to fill up the space: her father. He was younger than Bill was written to be but did the impersonating well. He’s got an overall friendly but bickering attitude towards Francis’ actor so most of lines written for Bill and Francis interaction were the ones actors remembered from their own conversations, slightly exaggerated;

Zoey’s actress and Louis’ actor were co-workers for several years and bonded over their mutual interest to zombie theme and shooting. She foud out that Sean attended a shooting range in his spare time and asked him to take her out too; thus she both found out he aces in ambidextrous shooting and got him to teach her how to wield a hunting rifle. The weapon preferences were carried over to respective characters;

Hunter’s actor became a surprise for the team as Francis’ actor brought him over saying that the guy’s got a fantastic voice (and a music band) and physique to make some badass new Infected for them. They got him to voice the crowd extras of common Infected but also came up with an idea of shrieking hooded parkour bastard to rip someone’s guts out, thus creating the Hunter as another Special Infected;

As the next Special Infected concept came out of the shadows - a lanky coughing tongue-twisting zombie who would grab the Survivors and restrict them, Hunter’s actor brought another person to the set. It was his music band co-participant who did drums and back vocals and also had an ability to eject the most horrible coughing sound out of his throat while being (seemingly) healthy. He took over the role of a Smoker;

Hunter’s actor is named Mike after Mike Patton, the voice actor for Infected and SI like Hunter and Smoker. Smoker’s actor is named Mike too but the fact that he plays drums and does back vocals is actually a reference to Faith No More, the band where Patton actually does vocals and Mike Bordin does what Smoker’s actor does. It sounds complicated but originally the idea of Hunter and Smoker actors sharing a name came from Patton voicing them both, and then I found out about the band and two Mikes present so... that was a weird but happy coincidence;

The fact stated above was the reason the team came up with nicknames just for two Mikes on the set - Hoodie and Tongue respectively. The tradition was carried over to S2 where the new Hunter actor would receive a patronizing nickname Kid from Survivors (see S2)

Of all Infected actors, Hunter’s actor was the least level-headed and even Francis’ actor sometimes doubted his past decision to bring him in. Nevertheless, Hoodie’s cheerful attitude and energy helped the collective stay positive and fuelled during especially hard days. It also brought out the less lethargic and melancholic part of Tongue and made him more lively about things;

Despite Hoodie being the Endless Energy Core which people tended to adore, he was still in a lousy relationship with Witch’s actress (her name, by the way, is different from the voice actress - it’s Rose). He kept a charmer’s attitude towards her even though she was a married woman; Rose tended to be neutral or mostly positive towards most colleagues but this behavior pissed her off big time, leading to Hoodie being injured by her stage costume claws after she punched him in the face for a really bad dating joke. Hoodie toned it down afterwards but their relationship didn’t improve much up until the end;

Witch’s actress is keen on baking and sometimes brings some to the filming set;

Since the budget was comparatively low, the team couldn’t afford a lot of crowd extras so they hired a group of people to then create an image of a Horde attacking by using CGI. That’s why there’s so much repeating common Infected on-screen;

The first season included all L4D1 original Campaigns, leaving The Sacrifice out as it was added later in a DLC. As S2 came into development stage, the team wanted to add an episode with the old Survivors team but Bill’s actor was unavailable at the time and was overall not hot with the idea of shooting movies anymore; so eventually they plotted the episode (The Passing campaign) to feature Bill being dead. The fans were shocked to find it out and demanded to know what exactly happened, thus leading to actually shooting The Sacrifice as a bonus episode to S1 (and requiring Bill’s actor to come back despite his attitude).

L4D2 (Season 2)

The collective decided to take a sharp turn on the new Survivors and create them being unacquainted and sort of separated at the start but growing closer as time passes by. The idea of S1 Survivors being almost a family to each other sounded great and played along just right but the team wanted to delve deeper into relationship problems and also have a change of scenery - and so they did;

The Infected team for S2 still consisted of some old faces (Boomer, Tank and Witch) but some had to leave the set for the time being and were unable to rehearse the roles, this being Hunter and Smoker actors. They got into music harder than zombie movies and planned to go on a tour so they could only leave their old Infected sounds as a legacy;

The new Smoker actor was a treasure Coach’s actor brought to the set. Since Coach was in fact a college coach, he kept a close eye on some problematic students under his wing and picked out the one he’d considered perfect and at the same time worth looking after. The guy was recovering from compulsory drug treatment and had some ugly scars all over his arms, making him an easier candidate for makeup;

Hoodie, on his part, brought a replacement on his own, and it was his brother - four years younger, even more insanely into parkour and a huge fan of L4D series, he made a perfect new Hunter. Despite being only a few years younger than Hoodie, he instantly became treated like a restless constant-questioner child, a literal piece of sunshine on the set, so the team came to call him just Kid. He adjusted to the nickname after a couple of weeks, though being seriously surprised at it at the start;

The actors of Ellis, Jockey and Charger all come from one family, being two sons and a father. Coach suggested the family as well, being their close friend for many years and pointing out Ellis’ actor appearance being something close to the laid-back mechanic they wanted for the new Survivors team;

Although fluently speaking in a Southern accent, Ellis’ actor isn’t very fond of it as he tried to get rid of it and move to a different state; the role obliged him to use the accent again though and it wasn’t hard to recreate, but he still didn’t take pride in it and was mostly annoyed with it and Nick’s jokes written in script;

Ellis’ actor is also the one more frequently complaining about amount of money the actors receive for their work on set. Their funding increased a bit since S1′s popularity strike but still;

Most of Ellis’ stories were written based on actual on-set incidents, usually featuring Nick’s actor (see below);

Nick’s actor, Taymour, is married to Witch’s actress and is a big fan of her performance in S1. When she heard the idea of having a snarky self-centered ladies’ man in the new Survivors team, she immediately knew who’d handle the role at his best. She also rehearsed the role of Witch just to make sure nothing bad happens to her husband on-set (also see below);

Nick’s actor suffers from constant bad luck incidents. He can accidentally break or twist something without serious effort; he’s also allergic to artificial blood and he is the reason the filming set actually features painkillers and functioning adrenaline shots. Despite all that, he’s got a positive attitude about bad luck and got used to being in a state of constant non-obvious danger, unlike others who geniunely worry about his well-being and fear that one day an accidental injury might end him once and for all;

This trait is also the reason Nick’s line “Can’t you see I’m limping here?” made it into the script - it was improvised after Nick’s actor badly hit his leg and was the last to make it to a saferoom during a take. The team liked it and decided to leave it in;

Nick’s actor treats his role with all respect and doesn’t consider it a small one despite the not so large fee. He’s also a complete opposite to the character, being a very friendly and kind-hearted guy to everyone on set; he can however switch back to his script personality with startling speed and it scared some of the new actors at first. Despite playing an asshole which is very different from real him, Nick’s actor enjoys it a lot and overall finds great joy in working with the team and bringing them together;

Bringing back the topic of being gentle to each other, Nick’s actor takes great care when it’s required to hit or shove someone in the take, keeping it mildest possible, unlike for example Ellis’ actor who can smash you in the face without a second thought;

Nick’s actor and Witch’s actress keep their loving attitude on set as well, sometimes making it hard to shoot scenes featuring a Witch killing; as they were shooting the Witch Bride scene where the same actress took place but had a different outfit and makeup, they ruined several takes by driving the dialogue in unwanted directions, e.g. “Ellis, go kiss the bride! No wait, I’ll do that myself” or “N: Sounds like my ex-wife... W: I still AM your wife, darling! >:C”;

With her husband on stage, Witch’s actress is probably closest to her role - she will tear apart anyone who dares to hit on Nick’s actor or mean any harm to him (as if his own harming isn’t enough...). The only one she’d go loose is Ellis’ actor, being an old close friend;

Ellis’ actor was the one who introduced Nick’s actor to his future wife. They’ve actually been close friends since the university and Ellis’ actor was among those who obviously saw Nick’s actor and Rose being in love but completely oblivious to it. Ellis’ actor is still kinda jealous that she took his best friend away and they can’t hang out anymore like they used to, but they get quite a lot of time on set so he’s less irritated about that;

Nick’s actor is especially supportive towards Rochelle’s actress, Shanola. She feels self-conscious because of her character’s rating being lower than expected and blames it on her performance, but Taymour keeps reassuring her that she’s doing amazing. Rochelle’s actress is also the one least accustomed to shooting a weapon and handling violence of any kind so it was hard for her to get her head into action. With the team fully supporting her, the progress sped up tremendously;

Ellis’ actor’s name is Jesy and he gets salty about people misspelling it or mistaking it for a female name. It was the inspiration to include the “El kinda sounds like a girl’s name” part of Ellis’ dialogue;

The team is overall friendly towards shipping dynamics in the series’ fandom, with the only one explicitly stating otherwise being Ellis’ actor. He’s espeicially upset with Nellis ship as people started shipping actors over it too; he stated multiple times that he and Nick’s actor have been best friends for so long that it’s simply wrong to imply any romantic and/or sexual relationship between them. He once stated in an interview that he’d rather believe an Ellis/Hunter ship and the fandom exploded with it on the next day, much to the actor’s chagrin. The Hunter’s actor, or Kid, however, wasn’t that upset and supported the idea. The team made no confirmation to any ships yet;

Nick’s actor is neutral to most ships including Nellis and doesn’t see why his friend is so angry about it. His personal favorites are Nick/Witch for obvious reasons and Nick/Hunter for less obvious reasons that he doesn’t state. He jokingly suggests Jesy from time to time to start a Kickstarter campaign for a Nellis-centered episode; it’s still unknown whether they’ll take it serious one day.

#left 4 dead #left 4 dead 2 #l4d #l4d2 #actor au #au #l4d actor au #longpost #morodertalks

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taehyung-rambles · 4 years ago

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My Top 3 BTS Members from Each Era: Who Owned Each Era (Up to Permission to Dance)

Disclaimer: My Taehyung bias runs deep, so y’all may get mad at some of my choices--especially with the more recent stuff--unless you are fellow Taehyung trash. In which case, let’s talk.

Disclaimer #2: I’m not into any type of hip hop outside of BTS, so the rap verses usually have to stick out a lot for me to think it’s one of the best elements of the song. Though, I adore the rap line in BTS very much.

Disclaimer #3: Do not take a shot every time I say vocal tone/color because you will die.

So, I just made a BTS blog, and I wanted to start it off by talking about this. I realized while I was making this list that I tend to gravitate toward specific vocals and rap verses (from the maknae line and Yoongi, namely), so I’m sorry in advance if you don’t see your favorite person mentioned beneath a specific era, but these are just my opinions on who grabs my attention the most in each era; in other words, I’m not only ranking these based on who were the central members for that song, but also who jumped out the most to me. I mostly talk about these in terms of the vocal takes first and the total performance second with little consideration for how the music video was structured, though I may mention when a member’s concept is especially good for that era. K-pop does have a lot to do with total performance (vocal, choreo, wardrobe, etc.), but as I consume BTS’s music on its own more than I do their live performances, it was important to me to focus on the vocal before focusing on who killed the choreo.

As such, you might see rankings in here that you don’t agree with because I thought a member may have dominated the MV but didn’t stick out to me as much vocally. This post is going to be very biased, though I did rank all of these with my honest interests in mind, so it’s biased for a reason. At the end of the day, BTS wouldn’t be BTS without all seven members, so even if I didn’t rank a certain member enough times in your opinion, I still love them so much and the music they produce. There is no “worst” member in each era. They’re all amazing all the time. So, just keep that in mind, and share your opinions with me in the replies!

P.S.: I tried to grab all the major MVs for the BTS singles that weren’t animated. Hopefully I didn’t forget anything, but there should be a mention of every MV that BTS specifically shot for that song and maybe a couple extras. I think the only exception is probably Make It Right since that MV was just a stage mix, but since there were multiple versions of it, I counted it in here. Same with EPILOGUE: Young Forever since it was almost entirely a compilation of old footage, but since it felt like a major MV, I included it. Also, I didn’t do various MV versions, obviously, since I’m focusing on the vocal before anything else.

P.S. #2: Sorry if these are out of order in some way; I tried to do them by when the MV was released. Also, sorry that some of the group photos don’t include everyone. The format I was using for the edits didn’t leave space to show all the members if the members were spread out.

Alright, so if I was being totally objective here and were to say who the top three members were based on the song structure and MV, it’d probably be Namjoon, Jungkook, and Jimin. However, being opinionated got me to these three.

Taehyung: If you’re thinking, “How can Taehyung be in the top 3 when he had no lines,” don’t worry. I was just as surprised as you are to have Taehyung in my top 3. I think it’s just that Taehyung’s (one) line was so heavy and had so much texture to it that it felt like bigger part than it was. I mean, I think it also has to do with me not knowing who my number 3 would be for this song, and I decided that I would go with who’s vocal color fit this song the best, and that was Taehyung.

Yoongi: I mean, how could Yoongi not make the list? His first rap verse is iconic, and his second slaps. His voice has so much presence in this song that I can’t listen to it without looking forward to Yoongi’s part primarily. Also, you know those yips Yoongi does when he raps? That’s my favorite thing in the world, and No More Dream had a good amount of them.

Jungkook: We’re all aware that rapper Jungkook was an icon, and this song makes no exception to that rule. His verse is fire. Like Yoongi, Jungkook’s voice had a lot of character, as well. Legit, “see me, see me, yeah�� gets stuck in head on a loop more often than is probably necessary. Ergo, Jungkook killed this era.

Full disclosure: I don’t really like this song. I did my best, though, to figure out which members interested me the most despite the fact that I don’t listen this song regularly like I do with most of the others. I would assume that the majority of people would probably list Namjoon and Jungkook along with Jimin in their top 3, but hey.

Taehyung: This is probably another confusing placement for Taehyung, but the pre-chorus he sang fit his voice nicely, or at least, his voice as it sounded back then. I don’t really think anyone stood out vocally in this song besides Jimin, but Taehyung put a little umph in his vocal, so it was nice since the pre-chorus is the catchiest part of this song for me.

Yoongi: Yoongi had the most interesting rap verse in this song, in my opinion. Like I said, I’m still not crazy about this song, but I thought Yoongi’s delivery of his verse was pretty engaging to listen to.

Jimin: Jimin almost feels like the only person in this song because his vocal sticks out so much. Not that I think the other members sound bad, because I think they all kill every song they do; it’s just the way this song sounds fit really well with Jimin’s vocal tone. Jimin ended up owned this era for me because he was so central to the sound this song was trying to produce.

I’m actually not sure what people’s top 3 would be for this song if we were talking about the majority of people. I’d guess probably Jungkook, Suga, and Namjoon? This song came down to the rap verses a lot more than I thought it would, but I guess that’s because a lot of BTS’s pre-2016 upbeat singles had diversity in the rap line while the vocalists had repetitive hooks and choruses.

Taehyung: I told y’all my bias was strong. I’m not putting Taehyung down for the sake of putting Taehyung down, though. I’ll be honest: besides the people in my top 3, I thought everyone did equally well with this song. Taehyung’s vocal stuck out just a little bit more for me than the other vocalists’. Just a bit. When Taehyung flips into his falsetto, it’s always really interesting to listen to. This is the first of many songs where, since the vocalists’ parts are repetitive and they all share the same parts, it really comes down to personal preference for vocal color; I just happen to like Taehyung’s.

Jungkook: I know Jungkook sings in this song, but his rap verse was lit as fuck. I don’t know how to talk about it in a way that makes sense, but listening to it is satisfying, you know? It’s an absolutely kickass way to open the song after the intro. I do think the parts where Jungkook sang fit his vocal tone particularly well. It’s not always the case with BTS songs that every member has a part that is made for their vocal tone--that’d be impossible to do--but they always sound good regardless. Sometimes, though, you get a piece of a song that fits the person singing it so well that it can’t be any other way, and that’s how I felt about Jungkook in this song.

Yoongi: As much as I love Jungkook’s rap verse, Yoongi murdered this song. Every time I listen to this song, my attention is snatched by Yoongi, full stop. I could be listening to this in the background, spacing out any type of detail from the song, but when Yoongi spits fire, I pay attention. I will say this again about other members in other eras, but Yoongi’s verse makes this song, which is why he owns this era.

This song has staying power, y’all. The rest of BTS’s older music sounds really nostalgic, but Boy in Luv just sounds like the kickass song that it is. I think most people’s rating of this era would be fairly similar to mine except for Yoongi. I imagine most people would gravitate toward Jin or Jimin. Honestly, picking the second and third members was really difficult because this song gave everyone parts that were perfect for them.

Yoongi: I don’t know if I should apologize for being so linear in my choices, but Yoongi is badass in this song. His rap verse said “listen boy,” and I’m still not over it. I usually don’t vibe with every rap verse like I did in this song, but even though all the rap verses were interesting, I landed on Yoongi because he caught my attention a bit more.

Jungkook: I think one of my favorite things ever in any BTS song is Jungkook’s rap verse in Boy In Luv. The percussiveness of it and the staccato way he delivers it are just so interesting to listen to. It’s also a really fun rap verse, but it’s dynamic, too. I want to acknowledge that if Jungkook had just been on the chorus, I would probably have stuck Jimin in my top 3 because his vocals have just a touch more texture in them during the chorus, but Jungkook also killed the chorus and the rap, so Jungkook it is.

Taehyung: I mean. From what I’ve seen of other people’s opinions of Boy In Luv, most of them agree that Taehyung had hella presence in this song. The distortion he puts on his voice, the growling, the parts of the song he ended up singing--it all contributed to him owning this era because it’s one of those moments where he fit the concept so well. Every member has a song or two like this under their belts where they embody the song, and this is one of Taehyung’s.

This is another song that I don’t really like, so don’t @ me for my opinions about this one. I did my best, fam. I think nearly everyone thinks Jungkook owned this era, and I imagine they would also include Jin and Jimin.

Taehyung: Not to be rude to the other members--including Taehyung--but since I didn’t find this song all that interesting, it made it hard to pick the second and third members. I don’t really think anybody but Jungkook stuck out. Taehyung’s verse was melodic and nice, though. Even though the “party party” part was dumb. Since, again, it’s a repetitive song, it came down to who’s vocal tone I liked the best. Taehyung’s vocal color is the most unique vocal color I’ve heard from any male artist, so slot number 3 he goes.

Yoongi: Again, this was mostly about whose rap verse I preferred because I’d already made my decisions about the vocalists. This isn’t a song where the rap verses stuck out at all for me, but Yoongi’s was percussive, so it was an interesting addition to the flow of the song.

Jungkook: I mean, this is a Jungkook song, you know? There are Namjoon songs and Hobi songs and Jin songs, and this one was Jungkook song. I don’t think he did anything spectacular with his vocals--which isn’t about him as a vocalist; it’s about the song itself not being dynamic enough to allow him to show off his vocals--but the way he used his voice in this song fit the tone of the song exactly. Taehyung usually has the monopoly on really gentle vocals for me, but Jungkook did really well with it in this song.

This one may get me some flack. Listen, there are parts of this song that I don’t really like--I will not say which parts--but most of it is fire as fuck, and I listen to this all the time. I know most people love Jungkook, Jimin, and Jin in this song. I get that. If I was being objective, I would agree with you. However, that’s the joy of opinions.

Jungkook: I know I said I’m not considering the choreo/MV as much, but Jungkook’s shoulders are loud, you know? Anyway, Jungkook fit this song really well. Actually, I think this is another song that everyone got a part that was meant for them. Jungkook did sound fire on the chorus, no doubt about it, but his rap verse was really dynamic, and Jungkook performed it really well. I have nothing bad to say about Jungkook in this song because it wouldn’t sound as good without his vocal tone.

Jimin: Look, I love Jimin’s sweet vocal tone that he’s used for most of BTS’s career; I even prefer it over his old vocal tone. However, sometimes you hear a song with Jimin’s deeper vocal tone where he puts distortion on his voice, and it slaps you in the face. This is one of those times. I mean, the part they gave him was perfect for what he was doing with his voice at this time. I think, in terms of uniqueness, Jimin would win every time in a debate about the Danger era’s top 3 members.

Taehyung: I barely ever see Taehyung mentioned when it comes to Danger, so this is probably an unpopular opinion, but his parts in Danger make the song. I’m not talking about the chorus--though I’m happy he actually sang in a good chunk of this song since he hadn’t been previously. In fact, I’m pretty sure Jungkook’s vocals were mixed louder than Taehyung’s vocals on the second half of the chorus--which was Taehyung’s part--during the production process. You can hear Taehyung, but Jungkook also sounds really clear on top of Taehyung’s voice. Anyway, what I’m talking about is the hook of the song. The money piece. This has happened more than once with Taehyung, and he always kills it. I vibe with the chorus, but the hook sticks in my head more than anything. So, for me, Taehyung owns this era.

I don’t understand what it is about this song that makes it so good, but it’s a bop. I still think, if I was thinking objectively, that my ranking would close to the same. Some people might choose Hobi over Namjoon or something like that, but ya know.

Jungkook: He’s so cute in this song, isn’t he? I know he’s supposed to come off as a bad boy, but he’s adorable. His parts in this song are really good though, and not just his rap verse. He’s used opposite Taehyung in this song, which was a really good choice. Jimin and Taehyung have the most opposite vocal tones in BTS, so they’re often played off of one another, but sometimes Jungkook’s vocals contrast really beautifully with Taehyung’s. Going from Taehyung’s richness to Jungkook’s clean and smooth vocals is really nice, so I appreciate Jungkook a lot in this song.

Namjoon: The way Namjoon opens this song is rad. It’s so distinct, and it’s the exact right tone to set the song off properly. It’s so damn catchy. Everyone in the rap line has really animated styles of rapping, but Namjoon is usually the most animated, and it really lent itself nicely to War of Hormone. Having him open this song was the best choice ever.

Taehyung: This is a Taehyung song, 1,000%. It was obviously supposed to be a Taehyung song, probably because of his vocal tone, though I’m sure his visual had a lot to do with it, too. Something happened to Taehyung with this single. It was like, all of a sudden, he found his charisma, and he’s been killing us all ever since. I don’t mean this in a negative way for the other members, but all the umph in this song comes from Taehyung. I think that’s how it should be because, if everyone had a vocal that sounded like Taehyung’s, it’d be too much--that’s why I like the way Jungkook’s voice compliments Taehyung’s. The parts of this song Taehyung had embellished the song perfectly, and it did wonders to show off Taehyung’s talent. The tone of this song just works with Taehyung at the center. Growling, attitude, stage presence, and all; Taehyung definitely owned the War of Hormone era.

I’ve got to say, BTS songs like this are catchy, but not something I pay attention to when I listen to them. I Need U, RUN, and Save ME are all like that. On top of that, they’re all pretty repetitive songs, and it’s hard to find each member individually in them--at least for me--so choosing the top 3 was difficult. I know a lot of people agree that Jimin owned this era, same with Yoongi. I imagine the third one, if I wasn’t being too opinionated about it, would probably be Jungkook.

Taehyung: So, Taehyung doesn’t have a lot going on in this song unless you consider the MV--which I’m trying not to do too much. I think, for this song though, the MV did come into play a bit more since it was basically a short film. Still, if I was only talking about the MV, Taehyung would be number 1. However, vocally, there wasn’t a whole heck of a lot to go on. The reason he made my list, though, is that his vocals still stuck out to me despite the amount of lines he had. Taehyung’s got soul; we all know this. Any time he sings in this song, my mind goes, “Oh?” because, even though it doesn’t happen a lot, it lends a lot to the tone of the song.

Yoongi: For someone who doesn’t really love this song, I have to say that Yoongi’s part is really the only part that hits me. His vocal color and the way he decided to use his voice for his verse was gorgeous. It’s one of those vocal takes where the vocal jumps out above the mix, and it almost doesn’t matter what’s happening with the instrumental because the vocal is so nice. Again, this is something that happens with all the members, and I try to acknowledge them when I think it’s happened. So, here’s to Yoongi for killing it.

Jimin: When I think of I Need U, the only thing I think about is Jimin. I know you’ve got Jungkook on the chorus, as well, but Jimin’s vocal tone is the thing that sticks in my head. It’s so perfectly matched with the song and the production that it’s easier to find Jimin in this song than it is to find really stark evidence of the other members--again, that’s more to do with the song than with the members. This song just happened to fit Jimin’s voice in a special way, which is why he owned the era.

So, I’m gonna do the Japanese singles, too, because they have MVs and all that. However, fair warning, these singles usually end up coming down to whose vocal tone I prefer since they’re usually softer songs that lean more on the vocalists than the rappers. Jungkook is the center of MV, so I think he’d be most people’s number 1. After that, I’d think people would choose Jin and Yoongi, but that’s just a guess.

Jin: For You basically has Jungkook, Jin, and Taehyung each sing the chorus, so that’s why it comes down to vocal tone, especially since I think the vocalists stuck out more than the rappers in this song. I loved Jin’s light tone on the chorus of For You. His falsettos can sound different in different songs, but in For You, it was so delicate, and I loved it a lot. Jin usually fits really well in softer songs that still have a bit of pop to them, so he did well in this song.

Jungkook: I know this was probably meant to be a Jungkook song, so don’t @ me. It’s a song that’s set up for a very Jungkook vocal, if that makes sense. As in, it was made for Jungkook. He has a really nice, clean, smooth tone to his vocal in For You, and it’s pleasant to listen to. I think he went a bit softer with his vocal takes in this song to fit the tone, so it took some of the natural character out of his voice, but it was perfect for the tone of the song. Jungkook’s voice blended really nicely into the mix, so I like hearing him in For You a lot.

Taehyung: I don’t know if people out there prefer cleaner vocals in a song like this, but I really loved how Taehyung’s vocal sounded like it was changing the tone of the song. I do think that Jungkook and Jin’s vocals are probably best for the majority of the song, but the diversity that comes out of giving Taehyung a chorus is awesome. It saves the song from being flat. Taehyung’s deep vocal tone always sounds gorgeous, especially in softer songs, but he didn’t decide to use a gentle voice in this song like Jin and Jungkook did; his voice was a lot fuller and more forward, and I liked what it did in For You quite a bit.

This is the beginning of the “beat fetish” era of music--i.e., songs that are heavily dependent on the drop, which becomes almost a chorus on its own. Dope is a beat fetish song, and BTS has a few of them; thankfully, when BTS makes songs that are dependent on the instrumental to add character, it always sounds bomb. I know most people agree that Jungkook and Jimin kill in this era, so objectively, I think I’m on the same track, but I think I differ when it comes to Yoongi because I imagine most people would prefer Namjoon.

Yoongi: I just love his sections of this song. That’s it. I don’t really have a reason for liking his rap verses more than Hobi’s or Namjoon’s; I just find myself vibing more to Yoongi’s. I mean, Yoongi’s verse has a lot more bass to it than the other verses, and for a song that depends on the beat, it was nice to get some instrumentality out of Yoongi’s voice on top of the music itself. Plus, he’s got the “enemy enemy enemy; energy energy energy” part, which I freakin’ love.

Jimin: Jimin really sticks out in this song. There are very few BTS songs where it feels like Jimin has a lot of time in the spotlight as a support for Jungkook, but it did feel like that in Dope, and it was kind of cool. I don’t know that Dope needs a bunch of different vocal tones to make it work, and Jimin and Jungkook can sound very similar in songs of this genre. It worked really well to switch between Jungkook and Jimin with just a slight difference in vocal color coming through. That little bit of variation was interesting, and Jimin’s specific vocal tone shone nicely.

Jungkook: If ever there were a Jungkook song, my friends, this is it. It’s similar to Jimin in We Are Bulletproof Pt.2--that is to say, it’s almost like Jungkook is the only one in this song. Obviously, that isn’t true, and the other members stick out more in this song than in We Are Bulletproof Pt.2, but Jungkook is so clearly the face of this song. His voice is exactly what this song needs because the beat is so intense and Jungkook’s vocals are clean but with just enough grit added to complement the instrumental. Jungkook made this era his bitch, y’all.

As I’ve said, this is one of those background songs for me, and it really comes down to whose vocal tone I personally prefer. It’s not even about whose vocal tone blends in the best; it’s just about what sounds interesting to me. I think, objectively, the top three of this era would be Jungkook, Jimin, and maybe Namjoon. This is another one where, for everyone, the MV did touch my opinions on the rankings a bit. But I actually think the coolest parts of the MV align with what I have ranked already--except for the fact that Yoongi isn’t on my list despite having an amazing scene in the MV--so it worked out.

Taehyung: Taehyung’s voice just kills in songs like this. I know I keep harping on his vocal tone--and that’s not stopping any time soon--but his voice adds emotion to this song. It’s not a gentle vocal exactly, but it’s breathy; because his voice is also deep, it combined nicely to push the song into the chorus and then kick off the bridge. Actually, I adore Taehyung’s voice in the bridge because he puts a lot of character into it with his vibrato and the bends in his voice.

Jungkook: Like Jimin in I Need U, Jungkook permeates this song. The vocals for RUN scream Jungkook, to me, because he’s consistently lending his smooth vocal tone to the entire song. It’s a song that needs consistency since it’s quite repetitive. Again, it’s hard to find individuality with this song, though not as hard as it is with I Need U; rather than individuality, you have Jungkook’s clear vocal consistency that provides a nice foundation for the song to sit on, and that’s what makes it work.

J-Hope: Hobi’s verse in RUN was something else. Melodically, I think it was the most interesting part of this song. It sounds so different when compared to the rest of the RUN; I mean, it still sounds like part of the song, but it almost sounds like they wrote his verse for something else and put it in this song instead, and doing that made the sickest section of RUN come to life. I absolutely love Hobi in this song; I vibe so hard. I’m giving the era to J-Hope.

Is this, like, a weird song to include on this list as an era? They filmed stuff specifically for this MV, right? That’s why I’m here. Whatever, we’re gonna talk about it. I don’t love this song, if I’m honest, but I wanted to be thorough, so I’ve got some opinions. I think, objectively, Taehyung would still be on the list, and probably Jin, too. I’m sure other people may choose Jimin or Jungkook, but it’s a short song, so who knows?

Jin: Jin’s vocal tone has so much texture to it in this song. He uses, like, intentional vocal cracks to add character into the vocal, and it really works. Vocal cracks can add a lot of emotion to a vocal take if they’re used correctly, and Jin is a master at it. Again, there isn’t much to say since this is a short song, but Jin sang beautifully.

J-Hope: So good, his rap verse is. He has the same melody as Yoongi in the beginning of his verse--and both of them sound great--but then Hobi’s melody changes and, all of a sudden, the music stops and Hobi continues rapping, and it’s so impactful. It’s hard to explain, but it’s a moment that gets your heart beating a little bit faster. I don’t love much of this song, but the end of Hobi’s verse is really special.

Taehyung: This is one of the few songs from before 2018 where Taehyung’s voice shoots through the entire song. He just has the “forever, we are young” lyric, but it’s sung so often, and it’s basically the center of the song. That notion is going to come up again in a minute, but anyway. Plus, Taehyung’s vocal color works well with the grandiose tone of this track. So, Taehyung owned the era for me since I feel like his vocal was central to the song’s overall sound.

We’re here with another repetitive, beat fetish song, but y’all, this is one of the most iconic songs of all time. Most, if not all, people say Yoongi owned this era. Then people would probably choose Jin and Jungkook. As this song is so repetitive for the vocalists--like, legit, three out of the four of them basically had one melody to sing over and over--I think it really comes down to which parts they gave the members and which parts I personally thought were more important to the song’s iconic reputation.

Jimin: No joke--even though this sounds like a joke--Jimin’s “la la la la la” part is one of the things that makes this song amazing. He killed it because he switched out the sweetness in his voice for something with a little more bass, and it came out perfectly. Don’t get me wrong; Jungkook’s “eh eh oh eh oh” is iconic, too; I just thought Jimin’s build into the chorus was so badass that I couldn’t leave him off the top 3 list.

Taehyung: Look, if Yoongi’s verse was different, Taehyung would number 1 in the FIRE era. I know he sings the same line over and over, but it’s the hook. It’s literally the part of the song that even people who don’t know K-pop is a thing know. I know this because I heard Taehyung’s part in this song everywhere when it came out, and I didn’t even know it was a BTS song. If you’re not counting the first line of the song, I really think Taehyung has the most iconic and memorable part in FIRE. Plus, the way he delivers it is absolutely perfect, and it’s legit all the song is for the last minute. No shade to the other members because they all have things that only they can do, but no one could pull of Taehyung’s line like Taehyung did. It’s such an important piece to this song, so I feel like Taehyung has to rank in the top 3.

Yoongi: After saying all that, even I can’t deny that this was Yoongi’s era to shine. As iconic as his opening line was, if that was all he had in this song, Yoongi wouldn’t have been able to own FIRE. It’s his rap verse that sticks out. He growls in his verse, did you know that? Holy shit, it sounds so cool. The entire verse a full ass mood, and I love it to bits. It’s got to be one of my favorite Yoongi verses in a BTS song. He was in his element in this era. Absolute legend.

This is another song that really comes down to how much I love the vocal takes since it’s really repetitive. I didn’t vibe with rap verses in this song, but that could just be because I don’t vibe with this song in general. Objectively, this is Jungkook, Jimin, and either Taehyung or Jin’s era. The reason I didn’t include Jimin isn’t because I don’t like his vocal tone in this song; I just went with the vocal characteristics that jumped out to me.

Jin: I’ve said this already, but Jin’s vocal texture is really nice in songs like this. I feel like, if I try and describe his voice, people are going to take it the wrong way, but his vocals are a bit more nasal and thin than the other members’, and it allowed him to sound really unique in Save ME. It added a lot of flavor to the song.

Jungkook: I know Jungkook is usually listed as number 1 for this era, and I don’t think that’s wrong. This is another song where Jungkook’s voice blends. It’s like the song was made for him, which is probably why he seems to permeate the whole song. The clear quality of his voice is really nice for Save ME.

Taehyung: My bias has decided that Taehyung’s vocal color is gorgeous in this song. No, honestly, even if I’m being objective, there’s still something to be said for how Taehyung contributes to Save ME. This is song that needs a little bit of soul, you know? And Taehyung’s falsetto is bit raspy in Save ME, which I think lends a lot to the emotion this song is trying to convey. Who owned this era will probably have very different answers depending on who you talk to; for me, though, it goes to Taehyung.

Objectively, Hobi and Jimin are always going to top this era, and I think most people would add Jin into the list. This is one of those songs where I disagree with the popular opinion just a bit--though there will be songs later where I almost entirely disagree with the popular opinion. Keep in mind, I’m focusing on vocal first and performance second. So, yes, if I’m talking about the MV, Jin absolutely sticks out. It’s just that my interests were drawn to other members vocally.

J-Hope: It really came down to the hook of the song, for me. I like Yoongi’s rap verse a little bit better, but Hobi is so freaking iconic on the hook of this song. That’s not to say that his rap verse was bad, though, because the rhythm it has is addicting. It’s a really good, intense vocal take that leads into the sharp decline of the chorus since the chorus is softer in the first half. The hook is where it’s at, though. Honestly, what a legendary part of this song Hobi has. And his voice pulls it off like no one else could--though Jungkook does do a wonderful job, too.

Taehyung: His voice just sounds so interesting in this song. I know some people may prefer Jungkook on the chorus because his voice is clearer while Taehyung’s is more delicate, but that’s why I like it so much. It sounds fragile, and Jimin and Jungkook chose a really forward sound for the chorus, so Taehyung stuck out a lot to me. At the end of the vocal run in the chorus, too, he puts a bit of static into his vocal to come down into his chest voice from his falsetto, and it sounds stunning.

Jimin: This is a Jimin song through and through. I love the diversity you get with Taehyung’s voice, but I also think Jimin’s sweet vocal color is a necessity for this song to sound amazing. Of course, Jimin sticks out in the MV, as well, but his vocals really made Blood Sweat & Tears special. Jimin also alternates between breathiness and full voice in a really masterful way, and it gives a lot of character to his vocal takes. Jimin owns this era, hands down.

This song deserves a Grammy, for real. I’m gonna make a post about that later, so I won’t get into it now, but damn, this song is phenomenal. I’m gonna get flack for my choices on this one, and I’ve accepted it. It’s such a gorgeous song that it’s hard to pick who stuck out, even if I’m being opinionated. Objectively, Jin, Jimin, and maybe Jungkook would probably be in the top 3, but there’s character in everybody’s voice in Spring Day.

Jin: Jin has this uncanny ability to sound ethereal when he sings, and it really showed in Spring Day. Jin was the perfect person to use to end this song; the uniqueness in his voice was a really impactful way to bookend Spring Day because it made it feel like a journey that had just ended. So much story was told through Jin’s voice in this song.

Namjoon: Namjoon sounds so fucking beautiful in Spring Day. If Jin was the perfect member to close out this song, Namjoon was the perfect one to begin it. He sounds gorgeous. I’m not gonna be over it for a long time, my friends. He should sing more, honestly; Namjoon’s voice is so smooth and relaxing. I adore him in Spring Day like nobody’s business.

Taehyung: I don’t know if this an unpopular opinion? So, Taehyung sounds phenomenal when he has to go up into the higher part of his range--which is a lot since most of the BTS songs are made for tenors, and he’s the only baritone. His vocal color is remarkably consistent, in a way that I haven’t heard with any other artist, all the way up his range, and it allows him to maintain the soulfulness in his voice regardless of what register he’s in. The way that manifested in Spring Day resulted in some of the most beautiful vocal takes I’ve ever heard. The vocal cracks, Taehyung’s deep tone, the breathiness snapping into heavy chest voice; it’s all so beautiful. His vocal at the beginning of the bridge is honestly one of my favorite vocal takes from any BTS song. I love it. This song is already emotional, but the way Taehyung’s vocals hit me in Spring Day is why I think he owned this era.

Most people agree that the rap line killed this song, right? That’s probably the top 3 for most fans. I don’t know if I’m gonna convey this properly, but this song is borderline dirty hip hop, right? It’s got really grungy beats, raps, and vocals, so that’s why I say that. The only other song like that in BTS’s discography--that’s a single, obviously, because there’s a good chunk of dirty hip hop B-side tracks--is MIC Drop. This is a preface for what I’m about to talk about, so bear with me.

Namjoon: I had a hard time picking between Namjoon and Hobi for my number 3, but both of Namjoon’s verses were animated in really contrasting ways, and that interested me a lot. The first one was brighter, and the second one had a lot more bass to it. I don’t know if this is the right way to explain it, but Namjoon’s pronunciation in his second verse was so satisfying. It isn’t exactly percussive, but it’s something close--like onomatopoeia--and I enjoy listening to it a lot.

Taehyung: Okay, I’m going to die on this hill--and I’ll bring it up again later--but when it comes to dirty hip hop, if you’re gonna have a vocal on it, Taehyung is always gonna sound bomb. This song isn’t quite the best representation of that because Taehyung doesn’t have that many parts, but you still get the idea. The natural bass in his voice plus the growl and distortion he uses in songs like this stands out in a big way. It’s the perfect accompaniment to a rap-heavy song like Not Today, which is a big compliment considering the vocals in songs like this aren’t usually meant to stand out as much as the rap verses are.

Yoongi: I don’t think I need to explain, but I will anyway. You get the intro with Namjoon, and then you come straight into Yoongi’s verse, and it’s such a satisfying way to start this track. Yoongi’s verse is definitely percussive and it works with the instrumental underneath so well. It’s somehow calm and exciting to listen to, and it gets you really hyped up right away. Yoongi does great things with his voice, too, because it sits really low before snapping up and then going back down; it’s so dynamic. What an icon, honestly. Yoongi kills the Not Today era.

What a pretty MV, you know? Not to throw shade, but whoever said Jungkook and Taehyung should have weird green accents in their hair was wack--even if it was the two of them that said it. Of course, I mean that in the best way possible because they look awesome; everyone looks fine as hell in the DNA MV. Anyway, so I think my top 3 is pretty common besides the fact that I don’t have Hobi. I know this is the “J-Hooooooooooooope” era, and I apologize. If I was just considering the MV and the choreo, Hobi would be number 1. Just know I freakin’ stan Hobi in DNA, okay?

Yoongi: Yoongi’s verse in this song has always stuck out to me a lot. It’s got a lot of pop to it, you know? Plus, after his first little verse, he sings opposite Jungkook, and it’s one of my favorite parts of DNA. Between the sweet vocals of Jimin and Jungkook that dominate the last half of the song and Namjoon’s verse that had a lot of bass, it was nice to have Yoongi pull the two halves of the song together with lower vocal that still sounded bright.

Jungkook: Y’all, Jungkook was absolute perfection in this song. I don’t know what it is, but the parts Jungkook had were tailor made for him. I’d say this is one of the few BTS songs post-2015 where Jungkook’s voice has a sweeter tone to it than Jimin’s, and it really works. It absolutely supports DNA the entire way through. Even though Jungkook’s voice blends into the mix seamlessly, he doesn’t get lost in it, and that’s why he stood out to me.

Taehyung: You would be hard-pressed to find someone who doesn’t think this was Taehyung’s era. Obviously, some people don’t think that, but so many people agree that Taehyung is the face of DNA, and that’s so funny to me because he almost disappears after the beginning of the song. He’s got the intro, the first pre-chorus with Jungkook, and a couple lines in the bridge, but that’s it, and somehow most people ardently agree that Taehyung owns this era. Obviously, I am one of them. I mean, he barely ever gets to use his voice like he does in DNA; the depth is extraordinary. It sounds absolutely stunning. It’s 100% the key vocal in DNA, and it makes total sense as to why. Taehyung dominates this era, for real.

I know, I know; most people’s top 3 would be the rap line, but sue me, okay? This song is the real power of BTS, to me, because I love it even though I do not vibe with the rap genre in any type of way. This song is hella rap-heavy, and I think it’s bomb. Iconic, even.

Taehyung: Listen, I have things to say. You know what I said about Taehyung and rap-heavy songs. This song makes me a want a rap line B-side song with Taehyung as the vocalist so badly. Give me an album with Jin, Jungkook, and Jimin killing the vocal game on one song and Taehyung plus the rap line killing a dirty hip hop song like this, please. It would be absolutely epic. Taehyung’s distortion, growls, vocal color, all of it, lend themselves so well to this era. He’s got the same lines and melodies as the rest of the vocalists, but because he’s got grit, it sounds like this song was meant for him. The rest of the vocalists do amazingly, too, but Taehyung sticks way the fuck out to me.

J-Hope: Alright, I know Hobi is number 1 on most people’s list, and I apologize. I agree that Hobi killed this song. His vocal at the beginning is fabulous. He intentionally makes it sound more whiny and nasal, and it’s perfect. Hobi is such a vibe in this song.

Yoongi: It was very difficult deciding who to put down as the one who owned this era, but I had to give it to Yoongi because of his delivery. He also made his voice thinner like Hobi, and it lent itself nicely to his rap verse, especially since the vocal was really animated. Yoongi puts distortion on the end of his lines, too, and it sounds amazing. I could listen to Yoongi spit fire on this song for days.

I have opinions about this song. I’m fully aware that, objectively, the top 3 would be Jungkook, Jin, and Jimin, but like I said--opinions. This is another iconic BTS song--at least, in my opinion. Just like with FIRE, I remember hearing this song everywhere before I started listening to BTS. I’m gonna say some things now that you may not agree with, and that’s fine because this is a fun post to make, and I’m excited to see what everyone thinks; just know every BTS member is an icon in my eyes.

Jin: Yo, Jin sounds so fire in this song. In the MV, I’d say he sticks out a touch more than he does if you only consider the vocal, but the vocal is still astounding. It’s not really the range I’m impressed with because Jin is a countertenor, so the C5s he’s hitting are well within his comfort range, but the tone he has when he hits them is remarkable. They’re so clear, but they still have character to them. I stan.

Jungkook: So, Jungkook mostly has the same melodies as Taehyung in this song, which makes sense because Jungkook’s comfort range is slightly below Jimin and Jin’s--though above Taehyung’s. I think the way Jungkook sounds on the chorus is gorgeous. It’s similar to War of Hormone, where his clean vocals bounce off of Taehyung’s--which, in FAKE LOVE, happens in the first chorus--and it sounds so nice. Jungkook goes for narrower vowels, and it makes his vocal takes sound slightly thinner, so it adds an interesting dimension to the song since Taehyung goes wider on the same parts.

Taehyung: Here are my opinions; are you ready? For the life of me, I don’t understand why people stan Taehyung’s deep vocals in DNA and then don’t think the same thing about FAKE LOVE. The way Taehyung sounds opening up this song is just as impactful, to me, as his intro in DNA was. Plus, him singing the melody while Jimin sang the harmony at the end of this song sounded beautiful. The real shit, though, is the chorus. Taehyung’s vocal texture on the chorus is it, fam. I’m not going to say anything about anybody else because people can absolutely love different members as much as I love Taehyung, but to me, Taehyung’s vocal on the chorus was the stand out piece in FAKE LOVE by far. The emotion he conveys and the texture in his voice make him, undoubtedly, the top in this era, for me.

Is this another song where people stan the rap line? It’s more of a beat fetish song than a rap-heavy song, but still. Actually, I guess the top 3 would objectively include Jimin and Jin along with Namjoon, right? Anyway. I didn’t like this song at first, but it grew on me. It was definitely hard to rank, though.

Yoongi: Another fire Yoongi verse lives within this song. He’s so aggressive, you know? He uses that distortion that I love coming from Yoongi, and he does those yips that I stan. It’s a good verse in the first place, but Yoongi really brings it to life and adds a lot of grit to it, so I love it a lot.

Taehyung: I feel largely the same about Taehyung in this song as I do about Taehyung in Not Today and MIC Drop. First of all, Taehyung growls in this song, so that’s iconic and nostalgic at the same time. Second of all, how about that pre-chorus, huh? Again, I don’t want to directly compare him to the other members because everyone is bomb in this song, but Taehyung’s deep voice really brought out the best in the pre-chorus. Besides that, the vocalists kind of just went “oh oh ooh oh,” so my analysis ends here.

Namjoon: I really think Namjoon’s first, opening line in this song is one of the most iconic parts of BTS’s career. If I’m being totally honest, I vibe with Yoongi’s verse more, but Namjoon’s presence in IDOL is so strong that I can’t deny him the title of owning this era. He’s definitely the face of IDOL, and he deserves it because he’s a king.

Alright, so this is one of the most unique songs I’ve heard BTS produce, but it’s not one of my favorites. As such, I ended up being a bit more objective than usual because I don’t have the experience with this song to develop hardcore opinions on who should be in the top 3. I imagine most people would say Jimin, and then maybe Jin and Hobi, as well.

Jin: Jin is not on this list because of “el mariajin,” but that meme is iconic. Jin’s nasally tone really made this song sound special during his parts. It was interesting to listen to him sing because it sounded like it really fit his voice and didn’t at the same time. I absolutely mean that in the best way because I think that kind of disconnect between a song’s tone and the singer can be really fun if it isn’t the case because the singer is a bad match. So, I think Jin’s vocal was awesome and engaging in this track.

Taehyung: This song is another one where Taehyung gets to flex his lower register, and it sounds really pretty. I don’t feel like a lot goes on in this song, so it was hard to rank people, but I really liked Taehyung’s voice against the instrumental. This is a unique genre for BTS, and I think Taehyung’s voice found an interesting place in it that I liked a lot.

Jimin: I’d say this is pretty close to being a Jimin song. His vocal stands out so much on the chorus. This song needs Jimin’s sweet tone for it to pull of what it wants to, so the fact that Jimin got a good chunk of the key vocal in this track helped it a lot. I’m not sure what else to say about it, but Jimin’s voice really fit this genre.

This song is a vibe and a half. Weirdly, I thought it was too generic the first time I listened to it, but now I adore it. Objectively, I think my ranking would still be the same as my opinionated ranking. Well, Jimin and Yoongi might trade places or Jin might replace Yoongi, but whatever.

Jimin: Y’all I was so convinced this was supposed to be a Jimin song when I was first exposed to it. He’s got the sweet tone that matches exactly with the genre of this song, and his voice compliments Halsey’s so well. Jimin really milked his vocal color for all it was worth in this song, and it shows. He did amazingly.

Yoongi: Yoongi’s verse is a bop, guys. It almost sounds lazy the way Yoongi delivers it, and it adds so much character to the song. It’s also pretty animated considering that this song is quite mellow, and it offered a nice contrast between everybody else and Yoongi. I kind of want to bounce up and down every time I hear his verse. Don’t know if that helps convey my feelings about it or not.

Taehyung: Taehyung’s voice in this song is flirting if flirting was a sound. Like I said, I thought Jimin was meant to be the center for this song, but I’ve seen a lot of “Who Owned Each BTS Era” videos, and not a one of them has failed to put Taehyung in the number 1 spot for the Boy With Luv era. I, like, totally get it, though. The way Taehyung presents his voice in this song is somehow gentle and light, but it still has a bottom to it, if that makes sense. And his falsettos on the second pre-chorus? Shut up. This is one of those songs where Taehyung’s specific accent and pronunciation make the song so much better. I absolutely agree with people that this was Taehyung’s era.

This is one of my absolute favorite BTS songs. First of all, it’s relaxing as fuck to listen to, and second of all, the vocalists really did that, you know? This song is hard for Jungkook, who isn’t a countertenor, and it’s hard for a baritone like Taehyung, and they still slapped in Lights. I don’t know what I would say objectively about this song. I mean, objectively, looking at the members’ vocal ranges, Taehyung would still top the list because he had the hardest job. Then I’d probably say Jungkook and Jin.

Yoongi: I know I just said a bunch of shit about the vocalists, but Yoongi’s verse is so pretty. Relaxation is guaranteed upon listening to his verse. It’s kind of a rap, but it’s also kind of singing, and Yoongi’s voice is so lovely to listen to. I want to give a shout-out to Hobi, though, because I almost gave this spot to him. I just thought the melodies in Yoongi’s verse were a touch more pleasing.

Jungkook: Again, Jungkook used narrower vowels in Lights because that’s how he sings comfortably when he’s a bit higher into his range, and it pulled a beautiful tone out of him. His vocals were really gorgeous in this song. Once again, he had a nice contrast singing opposite Taehyung, so it made me appreciate his vocals even more.

Taehyung: Y’all Taehyung being able to sing this high up into his range for the whole song is already impressive, but also having to hit two Bb4s and a C5 on top of that is hella impressive for a baritone. Not only that, but his vocal color sounds stunning when he’s up that high. I said this earlier, but his vocal tone is consistent regardless of the register he’s in, and the way he mixes on the high notes is gorgeous for that reason. It still sounded intense and full and deep despite it being close to the top of his range. This song is a banger regardless, but Taehyung’s vocals are what make me listen to it so often because they’re so special to listen to. He definitely owned this era.

So, I stuck Make It Right on this list because, even though it didn’t have a MV filmed for it, it was still a song which got two MV versions--even though they were almost exactly the same--so I figured it read as more of a single than the songs that were called singles but didn’t get an MV, like Don’t Leave Me. I have no clue who would be the top 3 if you think about it objectively, but I think it’d probably be the either the maknae line or two of the maknae line and Jin.

Jimin: So, this is a repetitive song; it’s a really calming song, so the repetition isn’t bad, but repetitive it still is. Therefore, I was paying attention to vocal color more than anything, and Jimin’s light tone sounded so beautiful in Make It Right. First of all, he does sing a bit deeper in the beginning of this song, and that’s really nice because Jimin’s voice has a lot of character when he’s either lower in his range or belting. Secondly, Jimin’s falsetto in this song is so pretty. There are a few songs where his falsetto can sound much the same as Jin’s or Jungkook’s, but I thought Jimin’s falsetto jumped out a lot in Make It Right.

J-Hope: Hobi sang the same melody that Taehyung and Jimin did on the verse, but it was just a bit different, and I adore it. Hobi’s vocal color isn’t heard nearly enough, and when it gets to be front and center in a song like this, I love it. He’s usually the one in the rap line with the highest vocal tone, but when he sings, he comes out with this lovely, low tone that blows me away every time I hear it. In Make It Right, it made the melodies during Hobi’s part feel special, and there was just a touch of static on his vocal, as well, that brought the verse to life.

Taehyung: I don’t know if this was intentional, but Taehyung’s vocal in the Make It Right chorus sounded like it was mixed to be the main vocal. I don’t know if that’s because this song sounds like it was made for his vocal tone or not, but if I listen to the “oh, oh, I can make it right; alright, alright; oh, oh, I can make it right” lyric, I hear Taehyung’s voice on top and everybody else underneath. It’s gorgeous, though. That’s why I feel like this is his era because his voice runs throughout the entire song in a way that doesn’t happen often with Taehyung. The solo parts he had in this song were done beautifully, as well, because you got to hear him sing in his soft, full voice and then flip into the airy falsetto that sticks out in any song it’s in. I don’t know, I just thought Taehyung’s vocal sounded exceptional in Make It Right, which is why it reads as a Taehyung song to me, as well as a Taehyung era.

Y’all about to fight me in the replies over this one, I already know. ON and Black Swan are the two eras I’m most nervous about posting my opinions on, but it’ll be interesting to see if anyone agrees with me. I know Jungkook is most people’s number 1 for this era and that Taehyung, Jin, or Hobi fall underneath him; that’s totally fine. Jungkook killed it, and I’m not trying to convince you that my thoughts are the only correct ones in any way. If I’m being critical and not subjective, Jungkook absolutely owns this era. My ranking is as opinionated as it gets.

Jimin: So, I had a hard time deciding who to stick in this position since all the rap verses were fire, and Jin also sounded amazing, but I think it’s the fact that Jimin’s vocal sticks out throughout the entire song that made me choose him. This is gonna sound like a joke again, but the “hey na na na” part is, like, a key vocal for ON, and Jimin’s vocal color makes it into a memorable piece of the song. I don’t know if that’s weird, but Jimin felt very present in ON.

Jungkook: I’m sorry, okay? In a lot of ways, the bridge of ON makes this Jungkook’s era. It was an extremely difficult vocal to pull off, and the song basically stops to give Jungkook the spotlight in a way BTS music doesn’t ever really do. I get that the bridge is, in many ways, the center of the song. I was so close to giving the era to Jungkook, I swear, because he sounded gorgeous. Especially the rasp on his voice when he belts. The falsetto note at the top is beautiful, but when Jungkook comes back down in his chest voice and jumps back up to a belt before his solo ends? I mean, he’s an absolute icon.

Taehyung: The reason I have Taehyung down as owning this era is because his vocal sticks out more during the rest of ON. This period of BTS music, up to their 2020 releases, has been doing things for Taehyung’s voice. He sounds different from how he used to, and the tone he’s creating from the songs that BTS has been making recently is stunning. I thought it fit ON really well, and Taehyung’s voice popped out every time he sang. I adore Jungkook, and objectively, he killed this era with his vocals; it’s just that his voice popped in the bridge, and I decided to consider the entire song because the chorus and pre-chorus are my favorite parts of ON. I’m going to say a similar thing about Black Swan, but in a song where the chorus sounds largely the same, regardless of who’s singing, the fact that Taehyung’s tone stuck out despite that was big deciding factor, for me.

Hold on. I know this is a set of unpopular opinions, but remember how I said I was considering the vocal first? To me, these vocals sounded the most unique in Black Swan. Again, if this were about the MV, Jimin would annihilate everybody; if it were about the choreo, nobody could touch Jimin. It’s just not what I was considering when making these rankings. I did consider the performance for Black Swan, but Jimin didn’t have as many central parts in the stage choreo as he did in the MV; plus I thought Jungkook and Taehyung both killed the choreo, as well, so I that’s how I landed on these rankings.

J-Hope: I really love Hobi’s rap verse in Black Swan. His vocal tone is gorgeous, and it sounds really unique in this song. The melodies for his verse are really nice on top of the mix, so I think Hobi probably had the most unique-sounding vocal in this song; it made his verse stand out since the rest of Black Swan is quite dark in tone while Hobi’s verse brought a bit of pop to it.

Yoongi: That being said, Yoongi’s verses in this song slapped. Yoongi can have this deep, almost lazy-sounding vocal tone--as I’ve said already--with really relaxed pronunciation, and for a song like Black Swan, it matched it perfectly. My attention is always grabbed by Yoongi in this song because it fits the concept so well. Also, he picks up right after Hobi’s verse, which had a bit of a brighter vibe, and the way Yoongi pulled it into the darker pre-chorus was amazing.

Taehyung: Alright, so the vocals are my favorite part of Black Swan, but there’s so much processing on the vocalists that Taehyung’s vocal tone is the only one that sticks out to me, and that’s why he owns this era, in my opinion. Taehyung, even, almost sounds the same as the rest of the vocal line, but his vocal color is distinct enough that he sounds different where the rest of the vocalists sound pretty similar. Also, like Yoongi, Taehyung’s deep vocal tone complimented the song really, really well. Black Swan is another example of how the BTS music from 2020 allowed Taehyung to showcase a slightly different vocal color, so I had to give the era to him.

I think we’re in slightly less controversial territory now, so here we go. If you’re being objective, I imagine anyone would say Jungkook topped his era. After, that I don’t know who would be in the top 3 objectively, but I’d guess it’d probably be Jimin and Jin since they featured a lot in this song.

Taehyung: I’m not gonna lie: this is another song that’s pretty repetitive, and a song where the chorus sounds the same, regardless of who’s singing. It’s not a bad thing because all the vocalists have beautiful voices, but since Taehyung didn’t sing “stay gold” once in this song, he stuck out by avoiding the repetitive hook of Stay Gold. I mean, his voice works extremely well in songs like this anyway, but his lovely vocal tone was especially beautiful on the pre-chorus. I think the way he decided to deliver it was really impactful, and it’s probably my favorite part of Stay Gold.

Yoongi: I just love Yoongi in Stay Gold. Taehyung and Yoongi are a hella theme for me in this post, but what can you do? Jungkook technically starts this song by singing the intro, but Yoongi’s got the first verse, and the way he adds just a bit of animation into his otherwise relaxed voice is so nice to listen to. It’s a short part, but it still stands out.

Jungkook: This is another one of those songs that’s tailored to Jungkook’s vocal. Again, the chorus is pretty similar across the vocalists, but Jungkook’s adlibs are so pretty in this song. Jungkook usually does most of the adlibs for songs like these with Jimin backing him up, but Stay Gold had a handful of standout adlibs from Jungkook that added so much magic to the tone of the song. Plus, even though the chorus is what it is, Jungkook stands out elsewhere in the song, and his vocal color is perfectly showcased in those areas. The Stay Gold era goes to Jungkook.

I almost want to save this song for last because it’s so iconic already. Listen, it’s a basic pop song, but the way BTS does it makes it not sound basic. I don’t think it’s one of BTS’s all-time best songs, but I do think it’s been their most successful so far since it’s a basic pop song that can get popular easily, and I think it’s their most repeatable song. I could--and have--listened to this for an hour straight without getting tired of it. It’s because BTS did it, honestly. Anyway, objectively, I still think Taehyung would top this era, but I know a lot of people would say Jungkook should, which is fine; I can tell that, when they recorded this song, they wanted Jungkook to be the vocal center. Also, a lot people love Jin in this era, and they should. He’s a king, and he killed it. Adding onto that, this was a vocal track so Hobi and Yoongi didn’t get a lot of parts, but they killed what they had; I just wanted to say that.

Jimin: I had a hard time picking the third member, y’all. I was bouncing between Jimin, Jungkook, and Jin, and honestly, I think they all did equally well in this song. What made me pick Jimin is that his vocal tone in this song is so different from how he normally sounds--especially when he sings this live. I don’t know if it’s because he stays pretty low in his vocal range for Dynamite or because of the type of song it is, but Jimin’s voice sounded so full in this song. I mean, yeah, he has moments where his sweet vocal tone comes out, too, but he mostly showcases a deeper vocal tone. I love it a lot because it isn’t usual for Jimin, so I think this is a good era for him.

Namjoon: I don’t know if this is an unpopular opinion or what, but Namjoon kind of feels like the face of this song in a lot of ways. He did say he had a lot to do with the vocal in this song because he’s “in charge of English,” so maybe that’s it, but his part in the pre-chorus was a hella bop. He did it so damn well. Yoongi did, too, mind you; I just think Namjoon brought a little bit of flavor into it, you know? He had all the jams in this song, for real. I remember wanting to highlight Namjoon’s role in Dynamite when I was thinking about making this post, and now I’ve done it, so I’m satisfied.

Taehyung: Y’all. I don’t know if there’s any Taehyung era on this list that Taehyung embodies quite like he embodies the Dynamite era. This is, like, the only moment I’m going to talk about visual concepts in this post because damn. Whoever decided to put Taehyung in that green suit and give that shade of blonde hair was a genius. He was looking some type of way in this era. But that’s not the point of this post. Taehyung’s vocal tone was astoundingly well suited to this song. He sounded the most distinct from the other vocalists than I’ve heard him sound in a long time. On top of that, he got the last chorus of Dynamite, which is the money piece of the song, in my opinion. They really said, “Let’s do a key change in this already high-pitched song that’ll jump up to a C#5 right at the end and give that part to BTS’s only baritone.” I know Jin hit the same note, and he did it beautifully, as well, but a C#5 is more comfortable for Jin to hit than it is for Taehyung because of Jin’s vocal type. The fact that Taehyung nails that note in studio and live is insane to me. To go from one line in their debut song to this? Holy shit, you know? Anyway, we’ve been here forever. Taehyung owns this era because he’s a mad impressive vocalist, and he made Dynamite his bitch.

Are you still with me? I’ve seen a lot of people say this was either Taehyung or Jin’s era, but I think I’ve also seen people show love to Hobi. Honestly, this is such a lovely song that I would agree with anyone’s opinions on who owned this era. It really comes down to who’s vocals hit you in the feels in that special way, and I can understand why any of the members would do that for someone in Life Goes On.

Jin: So, it’s kind of hard to hear in the studio version because the chorus is just everyone’s vocals layered on top of one another with shifting main vocals--which is fine because it’s supposed to feel like BTS, as a whole, is singing this song to ARMY--but Jin’s falsetto is heavenly in this song. He sings lower in his register, too, but I’m really drawn to how light and pretty his harmonies were. You can really hear it when he sings live, but regardless, Jin was awesome in Life Goes On. Even his lower tone brought a lot of character to the song.

Yoongi: Yoongi hits my heart in this song, man. I know he’s kind of rapping, but it comes off as singing, and it’s so beautiful. I could fall asleep to Yoongi’s voice in Life Goes On. It reminds me a lot of Namjoon’s part in Spring Day; we get a unique, melodic vocal tone within Life Goes On that we don’t normally hear in BTS’s music because Yoongi doesn’t usually sound like this. It’s so nice to have Yoongi on a part like this. I support soft Yoongi on future BTS singles. 100%.

Taehyung: Everyone sounds beautiful in Life Goes On, okay? Let me preface with that. However, Taehyung’s vocals really do support the tone of this song. It’s one of those tracks that’s supposed to sound peaceful and emotional, and it seems like Taehyung always ends up being the go-to vocalist for supporting that kind of music. I love everyone’s part in this song; Jin is very ethereal; Jimin is light and sharp; Jungkook sounds clear and smooth; Yoongi’s relaxing vocals are gorgeous; Namjoon brought in a lot of lovely bass; and Hobi kills the delivery of his melodies. There’s just something about the soul that comes with Taehyung’s voice in Life Goes On that gets me. The fact that he was the lead vocal at the very end, too, with the “I remember” lyric was such a good choice because the flip between his breathy, low vocal and his stunning falsetto runs closed the song out perfectly. It’s kind of like this was a fun song that everyone contributed to, and then Taehyung came in and added emotion on top of the warmth you get from everybody else. In my opinion, Taehyung owned this era because he felt like a special highlight within Life Goes On.

Why do BTS’s Japanese songs always hit so hard? I think the only difference between my ranking and the majority ranking is that Jungkook would probably be in it. I understand because I, too, thought Jungkook would be in this. However, upon further inspection, Jungkook isn’t actually in this song all that much. I mean, neither is Taehyung, to be fair, but Jin, Jimin, and Taehyung dominated the last--almost--minute and a half of the song, so. Here we are.

Taehyung: When I first listened to this, I thought, “Wow Taehyung doesn’t actually have a whole lot going on in this song.” However, I think his vocals do sort of anchor Film out in a way. It’s not like he had any sort of crazy vocalization going on, but Jin and Jimin were singing in a really raw way; it was a brilliant touch to convey the tone of the song, but it was desperation, not sadness. Taehyung’s vocal is where the complete story behind the song becomes clear because he adds the missing emotion. I don’t think Film out would’ve been as impactful had Taehyung not been given the parts he was given.

Jin: I mean, Jin killed it. The MV is definitely a Jin MV, but even the vocal features him really heavily. And I loved it. Jin always shines in their Japanese singles, and I think that’s because they’re always created to be emotional. Jin absolutely pulled that off in Film out. He played along the line of calm and tension beautifully, so his vocals definitely add much of the character to the song that we got in the final product.

Jimin: Jimin’s vocals were stunning, let me tell you. He sounded gorgeous. The high notes he was hitting, the tone he chose, the emotion he conveyed; Jimin owns his era, no questions asked. The harmonies he had with Taehyung and Jin in the last two lines? Shut up. Jimin was incredible in this song. It’s not very often that Jimin’s vocals stand out like this, so I’m glad he got the opportunity to be the vocal center, even though it was only for the last half of the song. It was so impactful to listen to him, so I knew this era was going to Jimin the second I listened to Film out.

Was I hella biased about this one? Yeah. Do I know who objectively owned this era? Yeah, it was supposed to be Jungkook. He’s the center of this song, obviously. I’d say the objective view of this era would be what I have, just ordered different. Taekook would probably switch positions for most people. That being said, this song is hard, y’all. Hobi said the recording process was easier than with Dynamite, but if that’s true, then the vocalists really upped their game because there’s C5s all over this track. It’s also repetitive, though, so that’s why it ended up being about who sounded the best, to me, up in that really high range. First, shoutout to Jimin because his vocal sounded really pretty on the pre-chorus, and his part in the chorus was awesome. Also, as an aside, the flirtiness in this song and in the MV had me on the floor, for real. I’ve not recovered.

Jungkook: As I said, I’m aware that this is a Jungkook song. When appealing to the Western market--as they are with an English song like Butter--BTS usually push Jungkook as the center more than they do in their Korean-language songs. Jungkook is my number three because there was really no one else it could’ve been. Which is both about Jungkook’s presence in the song and about how incredible he sounded. Butter, unlike Dynamite, really let Jungkook’s vocal tone pop. Not that Jungkook sounded bad in Dynamite--not at all--but Butter let Jungkook really shine. He got to put a little grit in his vocal, he got to belt; I mean, he sounded bomb.

Jin: Jin featuring more in Butter than in Dynamite has me living, you don’t understand. Y’all, Jin sounded so good in Butter. I could talk about every single line he had in Butter and tell you why he sounded stunning on every one of them. Like, the pre-chorus? Jin’s falsetto was beautiful. The middle line in the chorus when he sings “talk is cheap”? It’s iconic. The way he sings his part in the second verse? I mean, please. I know this is a lot about Jin being my number two because of his vocal, but isn’t that what this post is about? He was a king, you guys.

Taehyung: I don’t think it’s that much of a biased stretch to say that Taehyung owned this era. I mean, we can talk about the center or the amount of airtime or whatever you want, but Taehyung stands out the most, vocally, in Butter, and them’s the facts. No, I do not accept criticism. Jin is a close second, but man, Taehyung sounded so special, to me. I usually don’t catch incredible vocal takes on my first listen of a song because I’m trying to process the newness of it, but Taehyung’s vocal tone took my attention right away while I was watching the MV premiere. I’m not gonna talk about him being a baritone and hitting C5s again because it’s gonna sound like nagging, at this point, but when he goes up that high, he sounds stunning. Stunning. Not to mention, the dance-pop vibe to this song suits his vocal tone so well. Taehyung got to play with his vocal so much in Butter, it seems, that he produced an amazing vocal tone just for this song--and it’s amazing. Taehyung owns the era because--well, because his voice has, once again, devastated me.

I gotta be honest with this one and say that, for the first time, I didn’t walk away from a BTS era going “that member definitely owned this era for me.” After going through the song for the second time after its release, I got a good lock on who I think is the number one, but that still left the last two slots. Number three was the one I really had trouble with, though, because Yoongi did really well with his part--especially since he doesn’t usually sing--and Jungkook’s adlibs were amazing. The problem was that all the members felt equal in this era, and that doesn’t usually happen. So, I really had to analyze what it meant for someone to own an era, and I ended up with these three members because they had the most memorable vocals. Other people would probably include Jungkook instead of Jimin or Taehyung and maybe even Yoongi--which I get because I almost did the same--but this is what I thought was true for me.

Jimin: Jimin almost got beat out by Yoongi, but that was only for a second because I really listened to all the adlibs and embellishments Jimin was doing with his vocal in Permission to Dance, and it made me think he was the obvious choice for my number three. My first listen of this song made me think Jimin was the one that stuck out the most, and obviously, that view changed, but I still think Jimin was a foundational piece of Permission to Dance. His vocal did blend with the mix really well, but his vocal tone actually shone a lot during his parts despite that.

Taehyung: He just can’t help it, you know? If we’re talking about standout vocals, Taehyung’s voice is gonna clinch it nine times out of ten. Permission to Dance is bright and fun, and I thought Taehyung’s vocal brought a lot of warmth to it that isn’t there otherwise. His vocal filled out the song every time he sang--during his verse, the choruses, and the bridge. Rather than being a foundation through his full vocals, though, his vocal actually made him stand out more as a special piece. Also--and I don’t know if this makes sense--but Taehyung’s voice made the song seem happier, in a sense? I guess that would come down to the warmth I was talking about. Anyway, the bottom line is that Taehyung, not only filled out Permission to Dance, but lifted it up and made it even brighter.

Jin: No holds barred, Jin killed this era. Jin also made Permission to Dance sound fuller, but Jin’s vocal had the added quality of making the choruses sound more impactful. Besides that, though, this song was just made for Jin. That’s really what it is. Jin’s vocal tone sounds absolutely gorgeous in Permission to Dance. I don’t know if it’s because of the key or the genre or the melody or what, but Jin sounded so powerful and resonant, and it was obvious to me that he stuck out the most. I don’t know how many others would agree, but I really think Jin shone the brightest in the Permission to Dance era, which is why I had to give to him.

Thus ends this post that took me two days to complete. I know Taehyung made it into nearly every top 3, but again, it’s just my honest opinion. I always gravitate to Taehyung’s vocal more than anything else because I find his vocal color to be so unique and special. However, BTS is special because of all seven members. I may not have put your favorite member on my list for a specific era or gave them a lower ranking than you thought they should get, but just know that I wouldn’t love BTS’s music as much as I do if any of the members were excluded. All of them kill it in different ways, and all of them have eras where they are undoubtedly the face of the song. And this post is only about the singles, mind you. We haven’t even talked about some of the best BTS songs of all time.

So, I hope you don’t find my opinions annoying, and I hope you share your opinions in the replies, whether it be because you think differently or because you agree with my unpopular choices. Even though I talked about why I think a certain member owns a certain era, I’m just explaining my thought process; I don’t want to change anyone’s mind on who they love in each era because that’s the beauty of ARMY and BTS. There’s so much to love, so I hope to see some love for all the members in response to this post. It was fun; thanks for reading.

#bts #kim taehyung #park jimin #jeon jungkook #kim namjoon #kim seokjin #min yoongi #jung hoseok

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