#fic: museum

[kaaaaaaarf]

Hey, go fuck yourself.

[tarvek-sturmvoraus]

bats: tim are you going to tell us anything you did while searching for bruce tim: not unless everyone gets real cool about a bunch of stuff really quickly

[fictionadventurer]

I love libraries.

I'm browsing the WWI shelves (as you do) and notice a very old book about the war. I glance at the first pages that talk about how one day the war will be over and we'll look at this place and not see any signs of the battlefield.

Then it hits me. And I check the publishing date.

This book was printed before the war's end. Not written. Printed. The physical object was created in 1918, while the war in question was raging and the end was as yet uncertain.

Now I'm standing on the other side of the apocalypse, with this physical link to that era in my hands. I'm living proof that the war did end and life did go on and we can all look at the end of the world as a long-ago memory.

Reading old books is cool enough, connecting our minds and hearts through the ideas of people who lived long ago, but there's something extra profound about holding a copy of the book that comes from the time that it was written. It's a physical link between the past and the present connecting me to those long-ago people. A piece of the past come into the future that gives me the chance to almost take the hand of some long-ago reader, to hold something they could have held, connecting not just mentally but physically to their era, a moment of connection across more than a century.

Excuse me while I go weep.

[thosewickedlovelies]

A guide to writing fics set in museums / with a museum worker character

Hey hi hello it’s your local museum worker here, offering you some insight and tips to writing museum-related fics! This is primarily organized as a list of different jobs you could have in a museum and what their duties entail. This post might also be useful to you if you’re considering working in museums and want to know What Goes On In There. Let’s go!

For simplicity/fic-writing purposes, I would divide museums into 2 very rough groups: large national or city museums that Have Money (think the Smithsonian or British Museums, or the Chicago Field Museum or the Royal Armouries Museum in Leeds); and smaller local museums. These could be local industry and culture/history-of-our town museums, historic houses, or  really niche subject museums run by One Person With A Passion.

Big national museums have a fuckton of staff and money (museums can never have enough money. But these places are very well-off compared to somewhere small that might always be hustling and writing grant applications). If you work here you’re likely to have a specific role in a particular department, and you probably won’t do much outside this role (ex., if you work in collections management, you probably won’t also design exhibits)

The smaller the museum, the more varied your workload will be/the more likely you are to be doing a little bit of everything. You’re probably organizing collections storage, manning the front desk, and desperately running fundraising efforts, all at once. 

To this end, smaller museums are more likely to be closed one or two days a week- you’ll be there, probably cleaning displays or managing storage, but visitors won’t be.

A lot of (most?) universities also have museums, so a college town setting is also doable. But the same big vs small museum disparity is still possible! At Penn State University, for example, the Palmer Art Museum is its own (recently redone iirc) building in the center of campus with a lovely plaza out front, while the Matson Museum of Anthropology is uhhhhh a couple classrooms in the Anthropology Department (which they’re currently rebuilding tbf, so we’ll see what they’ve done with it in 2025).

Types of Jobs

Curator

The one museum job that everyone can name. Nominally the person in charge. Probably laments that their job is way more admin than fun hands-on stuff now.

Actually this is the role I have the least knowledge of, but I think that’s partially because this job might vary the most from place to place? Structural organization can vary a lot between institutions, but I think the higher up you get in any field, the more your job tends to consist of meetings/overseeing, designating, and ~liaising~

A list of things a curator might do:

Planning or approving events and fundraisers, schmoozing with donors and members at said events, approving or designing a schedule of exhibits, publish outreach/advertising or research materials, oversee hiring, approve new object acquisitions (or de-acquisitions), generally make sure that the museum is working within the scope of its mission and if necessary, change or refine their mission

The curator might not necessarily control a museum’s funds; in this case they’ll liaise with the people who do, likely a Board of Executives or Board of Trustees. Once they get the money from these people, though, they could potentially redistribute it as they see fit.

 If you work in a fuckoff museum like the BM, you could also be the curator of a specific department, arranged by overarching subject, geographic area, time period, or even object type (eg Curator of Archaeobotany, Curator of Korean Collections, curator of coins from the medieval period). These categories can be more or less specific depending on what kind of holdings your museum has. I think these types of curators would still be able to do interesting things, as they aren’t the ones who Oversee The Whole Place.

You can also be an assistant or associate curator, like being an assistant manager.

Education/Engagement

These are the people who design fun extra activities (esp for kids) in the galleries or relevant events/workshops/lectures the public can attend. They might be called Engagement/Education Officer or Events Manager or anything similar

Again, the bigger the museum you work at, the more specific your role is likely to be. You might focus on web content/outreach and social media, manage the ‘friends/members of the museum’ program, or engage with shareholders, etc

Or you might do things like develop content and events to engage adult audiences. Workshops or lectures connected to new exhibits, after-hours visits. These people are also probably the ones with an eye on accessibility- you’ve probably seen advertisements for museums’ early or late hours for older visitors, or ‘quiet hours’ for people who might be overstimulated by normal museum hubbub, or tactile workshops designed for visually impaired folks.

I think most places would try to have someone specific for kids activities at the very least. They’ll be designing little activities or dress-up stations for the galleries, kiddie mascots or scavenger hunt trail kind of things, as well as, potentially, activities for any digital elements in the museum. They probably also coordinate school visits and act as a tour guide for classes, and will lead the kids in specific workshops or lessons in classrooms attached to the museum.

As a note on technology- some people would probably say that integrating digital elements into exhibits is the ~next big thing~, that museums have to get with the times in this regard, but opinions vary. Big science and technology museums are the most likely to have the most digital and techy elements in their exhibits, so if this is your setting, your character could also be a generic “tech person”. I would go so far as to say the smaller/more local the museum, the less technology you’re likely to have, but smaller museums are able to get grants, some of them potentially for specifically this type of thing, so it’s totally possibly that they have a few tablets with integrated activities, or some other Digital/Screen Thing.

Engagement Officers are probably the most likely people to be drafted for out-of-hours events, so that’s a potentially fun thing for your character to do. Some museums, particularly bigger ones, have event spaces attached that anybody can rent out, for weddings, galas, markets, etc, so they might also take care of these bookings as well.

Exhibit Design

This role has a lot of nebulous terms: exhibit coordinator, design constructor, exhibit programmer- but these are the people who design the exhibits. They’ll come up with a theme or narrative, a design scheme, choose the objects, write the text. They’ll probably come up with some marketing material as well, that matches the design scheme, or they’ll liaise with the marketing people who will.

These people might not be as familiar with the collections as the collections management folk (below), depending on how strictly divided your roles are, so they’ll likely consult with the collections people on choosing objects for a particular exhibit or theme (they say that good exhibit design builds an exhibit from the objects up, but I digress).

These people will also direct and participate in the install and deinstall (the actual terms) of exhibits- putting the objects on the right plinths/stands and arranging everything just so in the cases. Genuinely there’s a lot of psychology behind exhibit design- colors, lighting, the way you might design an exhibit to be navigated vs the path people will actually take through the gallery, people’s sight lines and where their eyes go first, how the display of any given object affects people’s perception of the importance of that object. Fascinating stuff, many books on the subject. 

There are also a lot of accessibility concerns to be considered here- how bright is the gallery, how large is your display text, at what height is the central eyeline of your cases?

Museums often loan objects to and from each other’s collections, so if you’re building an exhibit and you’d really like to include X type of object but your museum doesn’t have any, you can borrow some from another museum (this isn’t necessarily a guarantee- museums are allowed to say no to these requests, but I think manners would dictate that they should have a good reason)

Museums sometimes tour whole exhibitions as well- the objects, the text placards, maybe even the stands for super special or fragile items- and exhibit coordinator people are the ones who would handle those arrangements.

Potentially good opportunities for angst stories here- wow things come to life at your museum, you fall in love with a statue but oh no it’s only at your museum for three months

Collections Care

People who work in Collections Management have the most direct contact with the museum objects themselves. You probably work here if you prefer objects to people. When a museum gets new material, these are the people involved. They might not always initiate acquisitions, and the final approval is probably down to the relevant curator, but 98% of the time they’d be consulted (I hope).

A mind-boggling statistic is that most museums only have like 10% of their collections on display at any given time. Yeah. Forreal lol. But collections folk will know where the other 90% is and what’s in it (particularly the longer they’ve been there). 

There’s usually a head Collections Manager. Other workers might be a Collection Assistant/Associate, Collections Officer (we like calling people Officers for some reason), Registrar, or some variant of these depending on the specific flavor of your duties. 

Main job duties can be divided amongst documentation and database work, organization and storage of objects, and lite conservation. Just how much/how technical the conservation work depends on your own training, but also on the size/funding of your museum. The more money, the more likely your museum is to have its own lab with people specifically trained as conservators. More on them later. 

Here’s what happens when a museum gets new stuff!:

Ideally, it goes to a ‘quarantine zone’ first. This is a separate space or room where the objects can relax for a few weeks to a few months (ultimate best practice is actually a year, but, you know. that’s a long time) to ensure that they’re not harboring anything icky (bugs, mold, etc) that will infect the rest of the collections. It’s ideally super-sealed and climate-controlled, but the primary feature should be that it’s away from the main collections store.

Collections folk do the paperwork. They’ll give each individual object a unique number (following their preexisting system that will allow it to be identified distinct from all the other objects in the collection). They’ll create a ‘collections record’ for the object- documentation containing any and all information about the object. This includes the accession paperwork (everything that says ‘we legally own this now’); provenance info (all previous owners and everywhere else the object has been in its life); measurements and description (in painful detail); and conservation history and concerns (ie ‘there’s a crack in the side so pick up with care’, ‘this was repaired in the 70s so that glue is gonna fall apart any day now’).

(I'll say as a fic writer that this would be an great time to wax poetic over a beautiful statue or painting; you can’t write “This golden crown deserved to be worn by a great king, or maybe by that broody Roman general in the painting in Gallery B” in the collections paperwork, but you can think it.)

For fiction’s sake, your collections records could be either paper or digital, but in an ideal world a museum would have both setups, for security’s sake. So you’d fill out some long forms and/or input all the information to the digital collections management system (‘the CMS’, or referred to by your specific software’s name, as there are many out there). The CMS is not a static archive, but rather a living register that’s updated every time an object is interacted with. The object records also include where an object is at any given time (‘normally in Case E in the Fancypants Gallery, currently in Conservation Lab A for repairs’).

Once the objects are done in quarantine, they’ll go to storage. If they’re being displayed immediately, they’ll probably go to some interim storage space/shelf with other objects for the same exhibit and in that case only get a temporary setting. Every object will get labeled with their object number (directly on them, with a special pen that’s safe for this. Or if it’s really tiny, like a coin or jewelry, then their own tiny box will get the label). Small or fragile items, or items grouped together, will go in their own boxes (made of acid- and lignin-free cardboard or polyethylene plastic, like Rubbermaid totes; lined with polyethylene foam and then acid-free tissue paper). Stable ceramic vessels might sit directly on lined shelving, particularly if they’re very large or heavy, like many stone objects.

Listen, every type of object has a particular way(s) of storing that’s best for them, you’re gonna have to look that up yourself or consult someone if you need that level of detail

Ideally, before being stored away, objects are also photographed. This could be part of the Collection Officer’s duty, and/or your museum could have a photographer on staff. (say it with me:) This is more likely if your museum is really huge and/or has a backlog of unphotographed collections and has hired someone specifically, even if temporarily, to improve its collections documentation.

I would say a collections person, or anyone with a museum studies degree, should have some minimum amount of conservation knowledge that includes basic storage standards for different object materials, how to spot potential preservation problems (like if your bronze axe head is actively oxidizing or if that green spot looks the same as it always has since starting and pausing decaying), and maybe how to give objects a basic clean or deal with certain types of problems. But the nitty-gritty science is more the realm of Conservators, someone with a degree that ends in -Sci or who’s done some other certification course.

The general collections store should always be dark, slightly too cool for prolonged human comfort, and labeled to high heaven. Objects will most likely be grouped by material- ceramics/pottery, metals, precious metals and stones (jewelry or beads), stone, glass, wood, bone/ivory/other organic material like feathers or teeth or anything that can be decorative, textiles, paintings. A museum often has some paper material/documents, usually part of or related to a group of objects they acquired, but generally paper and photographic material is the realm of archives and archivists. Yet again, the bigger/more well-funded the museum, the more likely it to have a separate archive department, so your character could also work as an archivist in a museum.

Another thing the collections care folk probably do is ship objects. Remember how I said that  museums loan objects and exhibitions to each other? The stuff’s gotta travel somehow! If things are being shipped internationally, they’ll go in big wooden crates, with specifically dimensioned partitions inside. Then it will be lined with our favorite foam and tissue paper, cut so the objects sit snugly inside. I haven’t personally worked anywhere with a possibility of local shipments, so I can’t say where the threshold might be as to when a museum would just pay an employee to drive the objects over vs ship them with a shipping company. But the preparations would be similar, minus the big wooden crate but with extra-careful packing (and paperwork and insurance etc)

Conservation

Conservators are the people who work in labs with fancy equipment. Not every museum will have a formal conservator or a lab of any kind; sometimes the collections care person fills this role, or if something urgently needs care beyond the abilities of the museum’s equipment, they might send it away to a lab elsewhere, the same way you can send your old VHS home videos to a professional archive to be digitized.

If an object is actively deteriorating in a way that could harm itself or other objects (as opposed to like, at risk of fading bc the lighting is wrong, which is a straightforward fix related to the environment), that’s when a conservator would intervene.

Some methods/machinery by which you can analyze objects:

Ultraviolet (UV) and infrared (IR) light - Different materials absorb and react to light differently, which you can use to identify them. Useful for seeing things like the different layers of paintings

Stereo-microscopy (microscopes, of varying strengths)

At magnifications of x5-x100 you can see things like tool marks from an object’s manufacture, traces from wear, deposits, and coatings

At x50-x500, with a thin sliver of a sample, you can see (and hopefully identify) fibers, layers, particles, metallographic structures 

You can get information from objects without taking samples, but samples are usually worth the information. 

energy dispersive x-ray fluorescence spectrometry (EDXRF) - EDXRF allows you to identify the elemental composition of the surface layer of an object. So it might tell you what a tool is made of, and also the composition of the objects it was used on, if they left traces

scanning electron microscopy (SEM) - an SEM uses a focused beam of electrons to produce a magnified, high-resolution image of the surface of an object

X-radiography, both film and digital - X-rayy are beneficial for objects that might be covered by dirt or corrosion and can show you details of an object’s construction or hidden structural weaknesses

I’m not a conservator, so if you want more hard science-based info, ask one of them lol

Listen to me. If you take nothing else away from this post, let it be this:

 Once an object is in a museum, it is never seeing natural daylight again. Sunlight is the ultimate enemy of every object’s lifespan. If you need to see an object in the sun or moon light for ~magical spell reasons~, you will straight up be stealing that object to smuggle it outside.

Okay. That being said, you do hear (and could probably google) stories about museum employees stealing things from their museums on purpose to prove a point about security or insurance to their higher-ups, so like. Depending on your type of museum, it might not be impossible to steal from lmao. (Don’t tell anyone I said that.)

Possibly the most useful advice for you to keep in mind when writing your conservator or collections care characters would be that touching objects hurts them. It might not hurt them now, it might not even hurt them in ten years, but every time you handle an object, there’s a risk that you’ll damage it. Not on purpose, obviously, but to err is human. The simplest, most effective advice my conservation professor ever gave us was “don’t handle an object if you don’t have to.” That means don’t move an object without a plan and a place to put it, first examination should always be visual, not tactile, etc. Unfortunately, that means that your character cannot walk around lovingly handling and caressing their favorite objects (unless this is a Night at the Museum situation where the objects are caressing them back, ykwim)

Museum Technician

These people probably have a lot of different names, but basically, technicians are the background muscle of the museum. They do the technical construction of bigger pieces of exhibition material, up to and including the exhibition cases themselves. 

So they wouldn’t deal with the small mount that the object rests on, but they might build the big plinth that the mount sits on. They’ll help move things around the building, particularly big heavy things, hang big framed works, assist with exhibit installs, and generally do most things which might involve power tools/equipment or heavy lifting

I worked in a big museum that hired a third party company to supply their technicians; I interviewed at another place that hired their own. If you’re a small museum, you might just have a freelance person that comes in once or twice a week to help move things.

Other

Other miscellaneous roles one could have in a museum: researcher (for exhibits and/or collections), gift shop or cafe worker, security guard, room attendant, translator, archaeologist, consultant

Honestly, TL;DR? Just have your character be a consultant of some kind. “Oh no, I don’t work here, I’m Y’s friend. They called me in to provide some expertise on X subject that they’re doing an exhibit on.” This could work for literally any subject- history/archaeology/anthropology, art, transportation, science and technology, anything you might find pictures of in an archive, idk. This could get you into an office or meeting room of some kind in the ‘employee only’ space of the museum, or potentially all the way into the collections store if you’re giving them information they were missing about some objects. Otherwise you’d probably (hopefully) need a key or some other kind of security clearance to get into the collections store.

Whew, that was a ride, huh? I hope this guide was useful to someone! I’m always open to answering questions if you think I forgot something or if anyone wants more details <3

[arttsuka]

have Jedidiah and Octavius watch brokeback mountain on Larry’s phone

Sorry anon, but my headcanon is that Jedediah watches it alone for some reason (maybe Octavius was busy that night with something else) and he starts questioning his whole existence.

Internalized homophobia am I right? (Also Jed is definitely the kind of person who thinks like 'this isn't all that bad except from when I'm doing it, then it's the worst thing ever). Anyway, I think it's way more difficult to actually think about your feelings than just have them. It can be scary too, putting a proper name on a situation.

Then he just kinda dissappears for a few weeks, no one knows where he is. He doesn't say anything to anyone but even when he gets back he kinda avoids everyone.

He vents to Larry without giving him any context.

Octavius just blames Larry. It was something on the phone that made Jedediah upset, so naturally it must be Larry's fault.

They make up in the end but I don't know if they talk about what actually happened. Maybe Octavius watches brokeback mountain too and he understands idk

A little sequel to this here

[justaz]

merlin owns an arthurian museum with authentic items from the third/fourth century as well as statues, busts, and portraits from different artists over the years of king arthur (and the others). who better to ensure everything is real rather than someone who was there? eventually, people are pushing for him to find more artifacts bc its been a few years and bc history nerds are bloodthirsty beasts. people also want to find excalibur but whatever. merlin caves and is like “might as well see what else fell into lake avalon” so they dredge it up. merlin is relaxing at home when he gets a call. he’s expecting them to say they found something small like perhaps a link or armor or a rare, old jewel. then he hears

“we found a body”

[theresamouseinmyhouse]

every day i think about tim drake being an international art thief wanted by interpol in the rr comics and i think about the sheer volume of comedy that could potentially have

[libraryofgage]

Life in Miniature (One)

Part of: Steve Deserves Good Parents, Actually Debbie and Fester Addams One | Two | Three Rick and Evelyn O'Connell One | Two Harley Quinn One 10th Doctor and Rose One | Two (on the way!) Scooby Gang (there are plans for this one lmao, so plz be patient with me orz) Jedediah and Octavius (from Night at the Museum) One (you're here!)

There will be more Jedtavius in the next parts I promise, I just thought this would be a funner introduction to the AU lmao

I just love those little guy dudes from the museum so much hfjdks and now we get two pairs of them

Also, fun fact, I took Steve's Roman name from, like, an actual king of Rome. The actual sixth king. He seemed like a chill dude.

Anyway, there's a meme at the end and as always, if you see any typos, no you didn't ;)

---------

When Robin took this job as a night guard, she didn't think the previous guard's words about history coming to life at night was, you know, real. She thought it was a joke, a predictable and corny joke, but a joke nonetheless.

But now, after being chased by a T-Rex, getting saved by Theodore Roosevelt, and almost being taken captive by fucking Attila the Hun, Robin thinks this job definitely isn't worth $16.50 an hour. Then again, this is the best paying job she's had in a while, and she was living a nocturnal life anyway.

Robin groans, leaning against a wall in the diorama exhibit, and slides down to the floor. She lets her head fall back against the wall, her eyes slipping shut as she slides. "This is crazy. This is insane. I need to find a fucking weapon or something," she mutters.

"Pardon me," comes a voice close to her head, "but might you be the goddess Diana?"

As pick-up lines go, it's not the worst one she's heard. And, based on what she knows of Greek and Roman deities, it wouldn't be too far off. Still, she does not want to be hit on by whatever weird historical thing is trying to flirt with her.

Robin takes a deep breath, opens her eyes, and says, "Do I look like a goddess to you?"

She looks to her left where the voice came from, blinking when her gaze falls on a figurine that would barely reach her ankle. He's dressed in a toga with a chest plate, wrist guards, a sword on his waist, and a deep purple cape over his shoulders. His hair is, honestly, the most impressive thing Robin has ever seen, made only more impressive by the golden laurels resting perfectly against his temples.

He's looking at her with wide eyes, more awed than anything else. "Yes," he says. "I have heard the gods are larger than life."

Okay. Fair.

"Why Diana, man?" Robin asks.

He tilts his head, studying her for a moment, looking her up and down. "You give me the same feeling as statues of Noble Diana with her Huntresses," he explains, pausing for a moment before adding, "A feeling of kinship, perhaps?"

Oh. This...this is like ancient Roman gaydar, right? Robin snorts and turns, resting her elbow on her knee. "I'm definitely not Diana. My name is Robin. I'm the new night guard."

His eyes brighten some, his smile growing wider and certainly charming enough to make the hearts of a few girls and guys flutter. "I am Servius Tullius, Sixth King of Rome, son of Vulcan, weapons master of the gods, and adopted son of Jedediah, Cowboy King of the Wild West, and Octavius, general of the Roman army."

Robin nods, letting all of the those words process in her head before saying, "Mind if I call you Steve? You look like a Steve."

The Sixth King of Rome blinks, looking slightly confused before his eyes light up with understanding. "Ah! A nickname! Yes, I am familiar with this concept. You may call me Steve, Lady Robin, as a show of our newfound friendship."

"Yeah, don't call me Lady Robin. Just Robin is fine," she says, hesitating before offering her hand to Steve.

"As you wish, Just Robin," he says, stepping carefully onto her hand and remaining steady as she raises him higher.

Robin blinks, frowning slightly and about to correct him again when she sees his smile and realizes it's a joke. "Okay, very funny, dingus," she says, carefully poking his side.

"Is dingus another nickname? It sounds like an insult."

"It usually is, but it's affectionate when I say it."

"Oh! Yes, like when Ockie calls Jed a philistine."

"Uh, sure," Robin says, nodding once as she lets Steve move to stand on her shoulder. He quickly sits, holding onto the collar of her jacket as she carefully stands up. "Hey, you know what I'm supposed to do about the dinosaur bones?"

"Rexy? Yes, he enjoys a game of fetch."

"Fetch. Of course."

----------

"What's going on in that head of yours, little man?"

Steve blinks, looks over at Jedediah, and raises an eyebrow at him. "I'm taller than you," he says, gesturing to the good inch he has on Jedediah.

"As long as you're my son, you're a little man."

Doing his best to not laugh, Steve nods once and points to the new diorama set up in the middle of the room. It's a circular diorama, centered on an equally circular stage divided into sections. A cacophony of noise echoes from it, clashing as each slice of the stage fights for dominance. "I'm trying to figure out what in Jupiter's name they're doing over there," he says.

"Well, most of it sounds like music," Jedediah says, "I think."

"It's not any music I've heard before," Octavius says, coming to a stop next to Jedediah and frowning at the diorama. "I would have assumed it the unholy shrieking of the damned."

"Perhaps it would be nicer if they weren't all playing at once," Steve suggests, hands on his hips as he tilts his head.

"Oh, boy, there it is," Jedediah says, his grin audible in his tone. "He's got the King Face."

"What are your intentions, my boy?" Octavius asks.

Before Steve can answer, Robin strolls into the room, grinning when she sees the raving diorama in the middle. She walks over to Steve, Jedediah, and Octavius, crouches down, and says, "Hey, guys. I see you're checking out the History of Rock display."

"History of Rock?" Steve asks.

"What in the sweet hell do rocks have to do with that mess?" Jedediah asks, gesturing to the noisy stage.

Robin rolls her eyes. "No, like, rock music. It's a genre. Anyway, it was sponsored by some musician, so it's a permanent display now."

"And they will be...playing every night?" Octavius asks.

"Probably."

Steve frowns a little more and nods, rolling his shoulders back. "If they are a permanent fixture in our hallowed hall, they must be welcomed. As Sixth King of Rome, this duty falls upon my shoulders. Fathers, I shall return shortly."

"Woah, woah, hold your horses there, little man," Jedediah says, moving to stand in front of Steve. "You're not going anywhere near that snake pit without some back up."

"A few centurions, at least," Octavius agrees.

"I will have Robin. What better protection is there?"

Jedediah and Octavius glance at each other before looking at Robin. She grins and offers them a two finger salute. "I'll guard him with my life," she says, "It's literally my job."

With that reassurance, Jedediah and Octavius move out of the way. Steve steps onto Robin's hand and settles on her shoulder with practiced ease, ignoring the nervous flutter in his stomach at greeting the new museum residents. He hopes they'll get along, but he also knows the might of his Roman army and the railroad workers can crush any who stand in their way.

Robin stops next to the diorama, tilting her head as she studies it. This close, Steve can see the bands playing on each slice of stage, the instruments and fashion shifting as his gaze travels around it. "Uh, excuse me," Robin says, raising her voice.

The raucous noise from the diorama screeches to a halt, the feedback making Robin and Steve grimace slightly. "Uh, hi. We're the official welcome crew for the Hall of Miniatures here. So, I'll need someone to represent your, like, whole display," Robin says, glancing over the bands until she finds one she recognizes. "Okay, I know you guys, so I'll be designating you the spokesband. Now, could the lead singer step forward?"

Steve watches as someone on the "Corroded Coffin" (what an odd name for a band) slice of the stage steps forward. Robin offers her hand to them, carefully lifting it away once they step on. "Great, uh, carry on, I guess. But, like, maybe play some of your quieter stuff for a bit," she says, her words barely out before the music starts up and the crowds start screaming once more.

She sighs and just walks over to the bench, letting off the person on her hand before letting Steve slide down her arm in a move they spent nearly three weeks practicing if only because they knew it would look cool.

When he hops onto the bench, Steve walks up to the other miniature, a man his age with long hair and odd clothes with tears that Robin once said were fashionable. His instrument is still slung over his shoulders, resting casually against his hips much like Steve's sword. Steve suddenly finds himself thinking that the man looks a little like a warrior. An odd one, to be sure, but a handsome one nonetheless.

He flashes his most charming smile, lets his shoulders relax, and says, "My friend here is Robin, Guardian of Brooklyn. I am Servius Tullius, Sixth King of Rome, son of Vulcan, weapons master of the gods, and adopted son of Jedediah, Cowboy King of the Wild West, and Octavius, general of the Roman army. You, however, may call me Steve."

-----

As far as Eddie was concerned, nothing mattered so long as Corroded Coffin got to keep rocking in an endless concert. The energy never waned, the set list never grew boring, and the music never stopped. He was ready to inform this welcoming crew of just that and promise Hell on Earth if they tried to disrupt the music (angry concert goers are a force of nature), when the words just died in his throat.

Because the most gorgeous man he's ever seen slides down that giant lady's arm, easily and smoothly landing on the bench. Somehow, his hair is perfectly windswept, the golden laurels glinting in the lights above them. His purple cape flutters softly as he walks closer, his toned thighs on full display with the toga hem that falls to the middle of them. There's a sword on the guy's hip, a chest plate that Eddie wants to pull off, a smile he wants to taste, and a pair of freckles right next to each other on the guy's cheek he wants to drag his tongue across.

He misses most of the introduction because he's too busy staring. He gets the important bits, though: Robin, a king, son of a god, adopted son of two dads. Eddie licks his lips nervously, a grin of his own tugging at his lips as he steps forward and playfully bows. "It's an honor to meet you, Your Majesty," he says.

It's supposed to come out joking, a little poke at the guy's authority to see if he can be riled up. It actually comes out way too genuine, and Eddie has a sudden realization that he meant it. He absolutely will accept this guy as his king, actually. He'll fall to his knees before him right now if asked, and not just because it might give him a little peek under the dude's toga.

"Please, just call me Steve. There's no need to be so formal."

Eddie bites the inside of his cheek, hoping Steve doesn't realize that the things Eddie is thinking about (the things he wants to do to and with Steve) are just about the least formal things on this earth. "Good to know," he says, relieved his voice sounds normal as he stands up straight and offers his hand. "Name's Eddie Munson, uh, lead singer of Corroded Coffin."

Steve blinks, and his smile becomes a bit more genuine as he steps closer and clasps Eddie's forearm. "A fellow leader," he says, squeezing Eddie's arm. "Welcome to our museum."

"Y-yeah," Eddie says, his arm still tingling when Steve lets go. He clears his throat, idly tugging on a few strands of hair. "So, uh, what's the deal around here? I mean, giant women...Roman kings...cowboys, it looks like."

"Our noble museum is home to Pharoah Ahkmenrah and his tablet, which brings the exhibits to life each night," Steve explains.

"There's a few rules, though," Robin says, sitting down on the bench behind Steve. "One, no getting into fights. Two, be back in your display by sunrise. Three, no leaving the museum at night."

"What? Why not?"

"We have lost good exhibits to Sol Invictus's morning rays," Steve says, frowning slightly. "So, be careful."

Eddie stares at Steve with wide eyes as he nods, amazed at the fact that Steve seems to talk like that so genuinely. And the fact that Eddie is...kinda into it. Holy shit, that's not helping with Eddie's whole "fall to his knees" thing. He wouldn't mind some good old-fashioned worship if Steve would just smile at him again.

Maybe his prayers are heard, because Steve smiles at him again. "Wonderful," he says. "Now, Eddie, could I interest you in a tour of the museum tonight?"

"Oh, you could interest me in a lot of things, sweetheart," Eddie blurts out, his mouth running faster than his brain.

He snaps his jaw shut, relieved and horrified at Steve's slightly confused expression and Robin's "I know what you are" thousand-yard stare from over his shoulder. Before he can try to backtrack, Steve snaps, understanding in his eyes. "Ah! Sweetheart is a nickname, yes? I accept your offer of friendship."

Eddie clenches his jaw, stopping himself from saying that it's more than friendships he's offering, and smiles. "Yeah. A nickname. That's all. I'm just...a nickname kinda guy. I'll probably think of more, too, Stevie. Like that."

Steve practically beams, and Eddie feels his knees go weak. "I look forward to it," he says, turning on his heel to look at Robin, who thankfully schools her expression. "Robin, this is where we leave you for the night. You have my word that Eddie will be back in place before sunrise."

"Well, you two kids have fun," she says, grinning in a way that immediately puts Eddie on edge. "I'd better not hear about any funny business, though. Absolutely no bases should be reached tonight, and you'd better not do any conquering or pillaging."

She definitely looks at Eddie when she says that last bit. Eddie stiffens, doing his best to hold back a blush when Steve glances over at his, the confusion clear on his face. "Conquering requires more planning than this, Robin. I've told you before."

"Don't worry about it, dingus. Just have fun. Here, I'll even call a ride for you," she says, winking at them before turning, holding her fingers to her mouth, and whistling sharply.

Steve walks over to Eddie right as the ground starts to shake, easily catching him around the waist before he can lose his balance. "The shaking does take some getting used to," he says, his tone full of sympathy and obliviousness to the crisis Eddie is experiencing.

When his brain finally catches up enough to ask what he's talking about, a dinosaur skeleton slides into the room, its body wiggling excitedly as it growls. Eddie jerks back, the arm around his waist tightening some. "What the fuck?!" he shouts.

"Worry not," Steve says, leaning closer. His voice is a little softer now, his breath fanning over Eddie's ear. "This is Rexy, our steed for the evening. He's very friendly."

"Friendly," Eddie mumbles, letting himself be dragged over to Rexy and placed on the dinosaur's head by Robin. "The dinosaur is friendly."

"Many of the exhibits are," Steve tells him, grinning brightly as Rexy begins moving after a pet on the snout from Robin.

Eddie looks at him, feeling blinded by Steve's smile once more, and completely forgets about the living dinosaur skeleton.

--------

Lemme know if you'd like to be added to the tag list!

(Also I know there are like one or two upcoming parent AUs that people have asked to be tagged in and I tried to see if this was one of them but couldn't find anyone for the life of me hfjdks so I'm sorry if you asked on another post and I missed you orz)

And, finally, a meme for you

[whiskeyghoul]

Pt.4 || She blinded me with science || [Spencer Reid x Goth!reader]

first chapter, previous chapter, next chapter

A/N: We are back again with another part! This one is a first, real, date with Spencer. I know the timeline of the museum doesn’t check out but let’s pretend it does. I think museum dates are the cutest and would love a Spencer who can info dump while walking around a museum. Also please enjoy this setup to some more conflict hehe. Please reblog when you do enjoy to help spread the fic, it is greatly appreciated.

WC: 2,8K

Tags: Fluff, goth reader, alt reader, pure fluff, first date, museum date, spencer reid, two idiots in love.

Warnings: None.

Your pov

“Do you want to go to a museum with me this weekend?” Spencer asked while he sat in the desk chair in your lab. You looked up from the stereo microscope, a little surprised by the question. Spencer had been taking his breaks there the entirety of the week, keeping you company as you worked or having lunch together. He’d brought you coffee about 3 out of the 4 times he had joined you. A very welcome gift during the long shifts you worked. You would have lunch together sometimes too. Eating, talking, getting to know each other a little better.

“What museum?” You asked with a smile, it would be a real date, outside of the confines of Quantico. “The national museum of natural history has opened a new hall about ocean life and conservation… I was hoping to go see it this weekend. If you want to come along.” He was looking hopeful, although a little nervous. Like he had been wanting to ask this for a while and had a certain fear of your answer. As if you could say no to him. 

“Yeah, I’d love that.” You answered, watching as Spencer’s lips curved up into a smile. The focus on his lips jolted you back to the memory of a few days ago. When he had crowded you, looking like he was going to kiss you. Something in his expression changed to a certain level of possession. So close you couldn’t look away from him. The way his fingertips had brushed your skin so gently, it had been on your mind for the entire rest of the day. A little disappointed he hadn’t tried again. Then again there hadn’t been a similar moment. “Great, should I pick you up?” Spencer’s voice shook you out of your thoughts. He seemed excited now, you could see him biting the inside of his lip, keeping from fully grinning. “If you wouldn’t mind that. I could send you my address.” You spoke and he nodded his head in return, “I don’t mind at all.” He spoke a little softer than before. You smiled in turn and went back to your work.

It was Saturday morning when Spencer picked you up from your apartment. You had thought about changing your outfit about 6 times but finally decided it wasn’t worth it to change that many times. You had put on one of your better dresses, just a casual black with a nice flowy thigh length skirt with layers of black, ripped tights. Creating some flair with a multitude of accessories. Because it could be a long day you decided comfort was necessary. When you opened the door you saw his bright smile, watching as his eyes scanned down to take in the outfit. “Hey.” His voice was a little breathy.  “Hey.” You returned with a smile. “My uh-” He swallowed looking a little nervous which was adorable to you. “My car is out front. Want to go?” He asked and you nodded your head.

His car, a cream volvo, was a little worn down but somehow you had expected that. Spencer seemed like the kind of person who would hold on to something until it falls apart. He walked around, opening the door for you and helping you in. There were two cups in the center console. The car smelled of coffee and a little like vanilla. “Thank you.” You said as you buckled yourself into your seat. Spencer smiled and closed the door, you watched him awkwardly walk around the car quickly to get into the driver's seat. “You ready?” He asked while turning the key, the engine coming to live with a little bit of a sputter. “Yep, ready. You brought coffee?” You spoke as Spencer looked around for him to pull out of the apartment complex parking lot. “Yeah, thought you might want some. It might be a long day.” He said before fixing his eyes on the road. “Thank you.” Your voice sounded soft as you looked at him, taking the coffee cup closest to you and taking a sip. 

There was soft music playing over the car radio. Turned low enough for you to have a conversation but loud enough to fill any silences with comfortable sweet tones. It was mostly instrumental, which given Spencer’s history teacher-esque appearance was to be expected. His focus on the road gave you ample opportunity to let your eyes roam over his face. His profile was somewhat striking, he really was handsome. His hair curling at the back of his neck, not being able to stay slicked down by whatever products he used. You wondered what it would look like if he just let it curl naturally.

“What do you want to see most?” You asked and it caused Spencer to perk up slightly, he quickly looked over to you before returning his gaze to the road. “Well, there is a lot. I heard they have quite a large coral reef tank that is supposed to be modeled after an indo pacific reef ecosystem. I think that or the ocean systems exhibit. They have a massive 360 display with narration and it shows the complex aspects of the ocean and how it interacts with the atmosphere.” You thought you could possibly listen to him explaining everything in the museum if he wanted to. Hours on end to listen to his voice. “But there is also the first ever display of an adult coelacanth and a pup. They are considered living fossils by some, it will be so exciting to see the differences between adults and young ones.” He sounded so enthralled with the idea of everything he was going to see. His excitement only works to fan your own excitement. “I can’t wait to see them with you.” You said and Spencer once again turned to flash you his wonderful smile.

When you entered the museum you walked past the elephant in the entrance hall ready to head to the ocean hall. It was crowded, yet so incredibly beautiful. With the whale model hanging from the ceiling. Along with jellyfish that seemed a little whimsical. Through the middle ran a display with different sea creatures and their descriptions. Along the sides were similar displays. You felt a hand slide into yours, gently holding it and you looked up at Spencer. “Is this okay? I don’t want to lose you in the crowds.” He said as you watched the flush blossom on his cheeks. You interlaced your fingers with his, the size of his hand perfectly encapsulating yours, it was warm and so soft. “Perfectly fine.” You said and stood just a little closer to him. Together you traversed the displays, walking past different deep sea creatures, Spencer sometimes stopping to tell you something exciting he knew about the animal. You in turn try to surprise him with facts you knew, which he would smile at. 

Once you saw the coelacanth and the giant squid you moved to the reef aquarium. Watching as fish would lazily swim by, or some of the corals moved with the current inside of the tank. You stood there, watching it together, so incredibly close that you rested your head on his shoulder. Feeling the warmth that radiated from him. Listening to him read out the information next to the tank was a wonderful experience. “Do you want to move on to the ocean system exhibit? It is supposed to restart every few minutes.” Spencer eventually asked. You tilted up your head to look at him. Catching him looking at you and your eye contact felt just a little electric. Those deep, soft, brown eyes. “Lead the way, pretty boy.” You smiled and saw something in his eyes change for just a second. His cheeks flushing once again. 

Squeezing your hand a little tighter he pulled you along to the room containing the ocean system exhibit. The room was dimmed, there were seats lined up in a circle around the big globe that hung from the ceiling. It seemed to have already started as you came in, lights projected on it to show the earth and its oceans. Spencer pulled you along to one of the curved couches. There wasn’t a lot of space but he managed to find somewhere to sit. You squeezed in next to him, your thigh touching his, your hips close to him. His cologne was overwhelming like this, being so close in the dimly lit space felt intimate. Even with all the other people around. You felt his thumb rub over the back of your hand gently. A voice rang out over the speakers, starting to explain the ways of the ocean accompanied by music. You listened intently while watching the globe and the moving images projected onto it. 

Spencer shifted besides you and you suddenly felt his breath fanning next to your face, his lips close to your ear. It made your cheeks flush, your heart rate picked up along with it. Waiting in anticipation for what he was going to say. “Did you know there is enough salt in the ocean to cover the entirety of the earth. It would be 500 feet thick if it would cover it in one layer.” He whispered the fact and it made you hold back a soft giggle. The moment had felt so intimate all for him to whisper one of his crazy knowledge facts. You turned your head to look him in the eyes, those brown puppy eyes looking at you with a hint of confusion. “Here I thought you were going to say something romantic.” You whispered, tone light and teasing. You watched Spencer flush, a hint of embarrassment as his eyes looked away from yours for a moment. “Sorry.” He apologized, you could see from his movement, the way his thumb stopped massaging the back of your hand, that he felt a sudden regret. “Don’t be. I still liked it anyway.” You whispered, the tip of your nose bumping against his. You felt him exhale in a short burst, like it had been a short gasp he tried to hide, or a certain surprise at the contact. A little rush of electricity ran through your body. A little voice in the back of your head urging you to kiss him.

“You did?” Spencer asked. You softly hummed your answer, tilting your head a little to angle your nose away from his. “Is this okay?” you asked and now it was his turn to hum a soft “mh-hm” which sounded so delicate, almost inaudible over the sound of the projection. Still, all your senses were attuned to him in that moment. You wanted to say something before closing the short distance between you but Spencer was one step ahead. He gently pressed his lips against yours, moving his free hand quickly to hold you in place. The size of his hand easily cupping your neck, keeping you close to him. The feeling made you melt into him, eyes fluttering closed as a soft sigh escaping through your nose. You finally got the kiss you have been craving for days. His lips still had the lingering taste of coffee, but with that sugary sweetness to it. It was a wonderful feeling that ended all too soon in your mind. When his lips left yours you tried to chase them. Not wanting to lose the feeling.

His chuckle made you open your eyes, realizing the lights had turned on and the once dimmed room had become substantially brighter. “That was nice.” Spencer voiced it softly but no longer in a hushed whisper. He had your lipstick on his lips which made your heart flutter ever so slightly. You raised your free hand, slowly wiping at the dark red stain to get it off. “Yeah, it was.” You said while touching his lips. His hand left your nape, taking your wrist gently and holding your hand still. He pressed a soft kiss to your thumb as he held eye contact. Breath hitching you didn’t know what to do. “Ehm… do you want to grab something to eat? At the cafe?” You stumbled over your words. “I would love a cinnamonroll.” Spencer said, a cheeky smirk playing on his lips. Yet you could tell there was a hint of giddiness there for him. 

When he let go of your wrist it was like your body remembered how to move again. You stood up, glad the platforms under your shoes were solid, giving some stability to your slightly weakened knees. If you told your 17 year old self a guy who wore cardigans would have you weak in the knees you would have laughed. Spencer held out his hand which you gladly took. He led you to the café where you settled with a drink and something to eat before heading back into the museum. Wandering around past the different exhibits. Hand in hand.

When Spencer dropped you off back home later in the evening than expected you were absolutely giddy. He'd stopped on the way home to grab a bite to eat and you had been engrossed in conversation with each other. After that he asked you to put on the music you enjoyed, stating that ‘you've put up with his music, and I've quite liked what you played at the lab.’ which was a sweet sentiment. You were lucky to have memorized the only station that played the bands you loved. So the last half of the ride was spent with the cure, bauhaus, Depeche mode and many others as the background noise to your conversations. When Spencer parked in front of the apartment building you felt a little reluctant to leave. This had been the best date in years, well… the best and realest date you've had. “Thank you, for today, I loved it.” You spoke up as Spencer looked at you. He smiled that same smile again, the shy one, where he looked like he wanted to bite his lip to stop from saying something he normally wouldn't. “I enjoyed it too. I'm glad I asked you to come along.” His brown eyes lingered on yours. Keeping eye contact made the car feel incredibly small for a moment. 

You unbuckled your seatbelt before turning, leaning over the center console and pressing your lips to his in a soft kiss. This time it was your turn to initiate it. His hands quickly managed to find their way to your nape again. Sliding up and into your hair. You moved so your left knee was perched on your seat. Your right hand softly cupping his cheek, the light scratch of a day old shave beneath your fingers. Parting your lips slightly, an invitation for him to take it further. When his lips moved with yours, a delicate dance that made goosebumps erupt on your skin. You wanted to be closer, to push your body against his but the damn center console was in the way.

When you pulled away from Spencer you watched his tongue dart out to taste his lips with a small breath. Smiling slightly, you bit the inside of your cheek, “I’ll see you on Monday at work.” you said and gave him a peck on the lips. He nodded his head yes, letting go of you, “I will text you tomorrow.” He said. You smiled at that. Remembering how Penelope mentioned his distaste for texting. You reached for the car door. “Wait.” Spencer spoke up which surprised you. You looked back to be faced with his pleading eyes. “One more?” he asked, “Please?” he added with a small smile. You rolled your eyes gently, before leaning back and giving just another small kiss. 

This time when you opened the passenger door he didn’t stop you. Once you stepped out you gave another little wave before closing the door. You rushed up the steps to the complex door and turned back to wave at Spencer as you walked in, watching as he pulled out of the parking lot. When you reached your apartment floor you were still on cloud nine. Dreamily walking down the hallway to your front door. When you did turn the corner and your eyes landed on your front door. A little bag sat on the floor beneath your door clink. A wave of unease washed over you. A nauseous feeling settling in your stomach. You knew exactly who it was from. How they got into the building, no clue, but this definitely was the work of the one person you confidently could say you hate. Your ex.

Tag list: @luvkatryna @emma-e-a @littlemadamred @cultish-corner @styleiconsize0 @sarai-ibn-la-ahad @depressedbutartsy @mikariell95

[technically-human]

You feel like reading 10k of these two idiots pining for each other? Memento Mori might be for you!

I wrote a fic so of course I had to draw something for it.

[sugugasm]

SLUT CERTIFIED — eren yaeger

꒱ ➛ SYNOPSIS : ❝ i mean…i can teach you, if you want. ❞

˚◞♡ who ?? : eren yaeger x black fem! reader

— ˚◞♡ before you read : minors DO NOT interact, a lil friends to lovers action goin on, this story is written with a black-coded fem! reader, switch! eren, submissive! reader, bimbo??? reader, college au, mentions of a bitchy sorority, tattoed reader, tattooed eren, i present eren the shy gangsta, loss of virginity, body worship, mentions of unresolved feelings, included kinks such as [ choking/ corruption/ breeding/ size kink/ overstim ] positions such as [ missionary/ mating press/ doggystyle/ cowgirl ] eren gives reader head ofc, reader do be squirtin a lil :o, reader and eren are both horrible at communicating their feelings bye.

— ˚◞♡ author’s note : me when i see the header photo on pinterest and get inspired. oh em gee this is my first fic that isn’t a oneshot hello ??? very excited to share this with you guysss. i’ve wanted to write a mini story like this for a while now but i hadn’t been able to get in the funk— BUT LADIES AND GENTLEMEN WE MADE ITTTTT !!!! the first chapter is in the works and should be posted later this month. [ hopefully ]

CHAPTER INDEX

I: THE HUMAN BODY IS A TEMPLE.

II : TESTING THE WATERS.

III : FLIPPING THE SCRIPT.

IV : WAIT, YOU FUCKED WHO?

V : THE NOT-SO AWKWARD ‘I LOVE YOU’ MOMENT.

©️ SATORUBI 2023 please do not copy, or repost as your own <33

[kaaaaaaarf]

KARFY. i just read back when we were dinosaurs. did you know you're the bestest ever? I LOVE THEM WHEN ARE THEY GETTING MARRIED??

Awww anon! 🥰 I am kicking the ground and blushing rn. I'm so glad you loved my museum boys!!!

If I ever feel the spirit move through me and am compelled to finish the little bonus epilogue I have in my drafts, you may find out!!! 🤭

[elleras]

1048 jedtavius fics on ao3 but not a single gnomeo & juliet au. for shame that movie is right up their alley

[pnchinbeez]

I think one of the funniest things about the natm community is that people argue over jeds hair color. Some are like "HES BLONDE IN THE LIVE ACTION, ITS STUPID THEY CHANGED IT!!", others are fine with the ginger hair, but, guys, historically he's a brunette.

(While looking through a few documents on him I also found out that HE WAS FUCKING FRIENDS WITH CLARK, LIKE LEWIS AND CLARK CLARK)

But anyway he's got brown hair , styled like a emo from trying to cover it up after being mauled by a grizzly bear and he's not actually southern, he's from New York and was raised in Pennsylvania after his father got found out for counterfeit money.

[demonslayedher]

I finished posting the unabashedly educational Sword Fic.

It includes a detailed (but hopefully beginner-friendly) explanation of all the steps of making a Nichirin blade from a sunny mountain like Mt. Youkou, a touch of swordsmith and metalworker folk lore (including demons), meta about what must make Kimetsu no Yaiba's swordsmithing methods different from real life methods, some character exploration for Haganezuka and his polishing method, vocabulary and additional resources in the chapter notes, and hopefully, an endearing, silly POV character to learn this all through.

[allmyocsarebritish]

A passion for exploration

(Known in my notes as ahkaeology)

Pairing: Ahkmenrah X reader

Warnings(?): Grave robbing

A/N: okay okay I know it's really odd that a wednesday blog is now posting for natm but I went down a rabbit hole and I'm afraid I lost the entrance. History nerd has shown through well and truly :')

Also my first multi part fic :D

Title is courtesy of my mate Abi using AI

Ch 1

Grave robbing

Was desecrating the tombs of these once honoured, omnipotent kings of Egypt really something you were willing to do? Had the circumstances preceding the grave robbery been less bleak, the answer would have undoubtedly been an definitive no. These rulers commanded the uptmost respect in life, and here you were, excavating the only memory that remained. There wasn't a day that went by during your expedition in which guilt did not infiltrate your mind, suffocating your conscience and depriving you of any sleep, even before you came close to finding an ancient tomb. But it wasn't like you had any other choice.

Pushing down your gnawing feelings of dread, you trekked on through the Egyptian desert. Rough sand brushed against your lower legs beneath your simple, calf-length skirt, chafing at the skin. You were the only one of the troupe resigned to walking, as the youngest and the lowest class. Astride camels, the two men had a better view of the surrounding plains, though the blank, barren flats stretched on long beyond the horizon.

"The valley of the kings shan't be too far from this place" called Lord Carnarvon, map still in hand.

You held back a scoff, rolling your eyes as you knew he wasn't looking at you. If only he would admit none of you knew where you were going. The only clue you were given was that the gold rich landmark was announced by a grand pyramid at the end of a hollowed valley consisting of a multitude of others. What a shame that this was the Egyptian desert.

Filled with pyramids.

Days and days stretched on of travel, and eventually, you stopped counting the sunrises, resigning to the fact that this would only stop when the valley was found, however long that took.

As with most great things, the discovery of the valley occurred at a time when you least expected. You had taken advantage of a small oasis, resting for a few hours and permitting the camels an indulgent drink. Howard Carter dozed beside you, hat pulled low over his face, in order to shield his resting eyes from the blazing fire of the sun. Carnarvon had taken his liberty and ran off, or so you had hoped. No, in fact he was continuing the investigation alone and on foot, clutching a worn, shoddy map, which was twinged a grimey brown with years of filth accumulated around the edges of the paper. He never strayed far, though attempted to work out his bearings, using the wind or some pretentious bullshit you never bothered listening to. No, you were perfectly content drawing in the sand with a stick you had found and claimed an hour or so prior.

You were more than unimpressed when the sketches you had so tediously etched into the sand were scattered by Carnarvon sprinting back to the small camp. Jolted awake, Carter sat up sharply, alarm etched across his features.

"Blimey, good sir! You gave me quite the fright!" He exclaimed as you nodded in agreement.

"Are you alright?" You asked, though your eyes may have given away your disinterest (had either man been paying an ounce of attention).

"Shh!" Carnarvon interrupted your pleasant concern, to which you rolled your eyes and began attempting to recover your drawings. "Carter, good sir! I dare say I've found it. I've discovered the pyramid!"

A bold statement, and not the first time either. No, twice prior you had been dragged into the colossal ancient skyscrapers, only to find they were far from your true destination. Empty of any treasure or historical worth beyond the buildings themselves, you continued on, fruitless. Grand structures were quite an obvious goldmine, and previous grave robbers had left the tombs void of, well, anything.

Though of course, it was more than worth it to explore this fresh discovery, not taking any chances.

Time was of the essence, or so you were told. Camels saddled up in record time, you were hoisted up from your seat on the floor by Carter, borderline dragged up.

"Come, young Y/N, you heard his lordship. We may have found the Valley. Hurry on, now" his words were gentle, still treating you as he had done in your childhood, despite the fact you were now 19. It was something that you both appreciated and hated simultaneously. Howard was kind to you, much more so than Lord Carnarvon, who cared as little for you as you did for him. The mutual disinterested made for some long, awkward silences, and many threats to leave you in an unknown grave.

Still dragging you by the arm, Carter began to untie his camel, before finally letting go of you. The rush was honestly needless, you had been expeditioning for months at the least, what harm would a few mere minutes cause? But the men were adamant, and there was no arguing, especially not from a useless child as yourself.

"Can I at least keep my stick?"

Recieving no reply from Carnarvon and an incredulous stare from Carter, you concluded the answer was yes.

The journey from the oasis to the pyramid was shorter than anticipated, though still rather long. Another day passed, spent entirely wandering through the desert. Exhaustion washed over your entire body, and it was a war every minute to keep your eyes open. But, alas, you must continue, and eventually your trek drew to a close as with further examination, it became clear this pyramid was not what you were searching for.

Disappointment and rage filled Carnarvon upon the realisation that this was, in fact, not the Valley of the Gates of the Kings, but rather a singular, sandy pyramid. "Why, there must be some mistake!" He complained impetuantly, always one to shift blame elsewhere. You exchanged a look with Carter, who for once was willing to admit the incompetence of the troupe's leader. After all, what were the chances that a random pyramid would mark the infamous, esteemed valley?

From a distance it appeared mighty, though in fact that was more than likely a mirage caused by the monochromatic nature if the desert. Upon further examination, however, the pyramid was far from the grandeur anticipated by Carnarvon and Carter. Huge gashes and rifts in the brickwork jumped out from metres away. Crumbling brickwork was cratered, resembling a sponge with many holes, as dusty gravel avalanched down the sides of the architecture at every other interval. Overall it was worn and aged, therefore more likely to be looted and barren.

"I do say it's worth taking a look around, my lord." You spoke, addressing him clearly. Carnarvon waved his hand dismissively, wishing you out of his presence.

"Yes, yes. Go ahead child." Did you expect that? No. Did you need to be told twice? Also no. A small grin gracing your features, you took off into the pyramid.

Racing across the gravely surface of the desert, the sand provided a slight level of resistance. Nevertheless, you persevered onwards, stride refusing to falter. Basking in the glorious heat of the warm Egyptian sun's rays casting down on your face, you closed your eyes as you ran, chin tilted upwards. Naturally, this obscured your vision, rendering you blind, and therefore leading you to miss the gaping hole in the ground.

A short squeala of surprise passed your lips as you suddenly found yourself unexpectedly falling through the earth. The drop was rather long, and you landed in a heap on the floor of the dugout with a large thud. You weren't aware of how long you were unconscious, but judging by the severe lack of any source of light, sunset had passed. Pain shot through your body, coarsing through your veins and ricocheting off each of your bones in turn. Head pounding, you groaned slightly, trying to work out what in the hell just happened to you.

Darkness continued to fill the room, prompting you to fish within one of your pockets, pulling out a match and striking it aflame. The hidden chamber was large, that much you could tell even despite the dim lighting. Blinking twice as you began to, very slightly, register your surroundings, you noticed the sheer obscurity of this interior. You'd heard of the saying 'paintings that seemed to follow you around the room', but this gave a new meaning to those words.

No, wait.

Those paintings were moving, and not metaphorically. Eyes widening, you began to notice everything in the tomb writhing like a cluster of cobras. Onyx black cats prowled upon shelves, worn linen bandages slowly unfurling from being bound around each of their limbs. Animated drawings of men, deities and horses alike moved naturally, as though it were a perfectly normal occurrence. Shabti servants, the colour of oxidised copper and ranging from 5-30cm tall formed an army scattered throughout the tomb. Then, slowly, as though delaying the inevitable, your eyes trained upon it.

The sarcophagus.

Shuffling away rapidly, your back hit the decrepit wall of the hidden grave. The embodiment of terror plastered over your face, you watched in horror as the coffin began to violently shake. Your blood ran cold as bangs from the inside began to echo across the acoustic chamber. The rusted hinges were worn and flimsy, and the bolts began to unscrew from their holdings. Padlocks had become frail with ages and popped open, one almost smacking you square in the forehead, to which you responded with a short yelp. For a moment, all movement ceased, as though whatever was inside had begun to listen to the intruder in their grave. You took liberty of the fleeting moment, and began to craft a way out. The quiet was short lived, however, as, with one final, mighty heave, the final lock was broken.

The sarcophagus had been opened.

Your breath caught in your throat, the air thick and suffocating as you watched a wrapped hand emerge from the tomb. The coffin lid was ajar, though it didn't take much pushing to be removed almost entirely. Almost at once, the creatures residing in the grave marched forward, crowding their newly awoken master. Hidden in the shadows, you froze, hoping to remain unseen and ignored, and thus leaving unscathed. Soon enough Carter and Carnarvon were bound to find you?

Right?

A huge open grave couldn't be subtle, you only missed it as you eyes were closed. A stupid decision really, and you mentally cursed yourself.

You remained rooted to the spot on the freezing floor, as the reanimated corpse continued to rise from its grave. Surely this was an affect of your concussion; for all you knew this was just an unconscious dream. Besides, with all the travel in the desert, dehydration had undoubtedly left you delirious. It was at that split second of slight relaxation (if you could call it that) in which you spied the piles of treasure sloping at every corner of the tomb. What could you say - you were a grave robber. Carnarvon would be so proud - if you returned alive that was.

It began to claw at the ancient, frayed linen covering its face, causing your heart to race: it thumped so hard you swore you'd be given away. Praying you didn't go into cardiac arrest, you continued staring bug-eyed as the bandages unfurled in front of you, like the dramatic unveiling of an innovative new invention. Closing your eyes for the second time that day, you winced, raising your arms to shield your face from the horrors you were undoubtedly about to witness. Bile rose in your throat as your mouth drew dry. Images of rancid, rotting flesh peeling off bones flashed through your mind, prompting your whole body to tremble.

'I'm just delirious. Any moment now I'll open my eyes to be met with a chamber of riches.' You thought to yourself. Awoken mummies were the stuff of fairytales, and despite what Carnarvon and Carter believed, you were most certainly not a child.

Your internal monologue was cut short however, interrupted by the gentlest of touches placed on your arm. It prompted you to flinch away instantaneously, a soft whimper escaping. Eyes shooting open, you came face to face with the pharoah himself. And he was not what you had anticipated.

He wasn't the scary mummy you were expecting, he was a teenage kid.

Kind, cerulean eyes rimmed with a smoky black eyeliner stared into your own, azure oceans plagued with concern. Concern for you. Such a colour must have been pricelessly rare, sapphires amongst stones.

His golden, tanned hand had felt cold and lifeless against your arm, yet the heat it had radiated was electrifying, continuing to shoot jolts throughout your entire body. His skin was soft and smooth, betraying the fact that this royal had almost certainly never worked a day in his life.

Slightly unruly brown curls and a toned slender figure - he was actually rather cute.

"Are you alright? You seem a little... Lost?" He queried, to which you seemed unable to form a response.

"I- what.. who? What's going on?" You managed, stumbling over your words as your voice cracked slightly.

He gave a small smile, clearly sympathetic of your utter confusion, before gesturing at a golden tablet, as though that were supposed to help you in any way. Noting your expression of utter bewilderment, the undead Pharaoh elaborated.

"That's my tablet, blessed by Khonsu himself. It holds the power to awake the dead at night," he gestures to himself and the cats, who stared at you, blinking and unsure whether it would be safe for them to approach. Then, he pointed to the paintings in the walls and dragged his finger towards the mass of shabti dolls, both of which watched you with the same confusion. "Along with anything else resembling a life form that finds it's way into the presence of the tablet."

"Right." You answered, holding your head and still in shock.

"You needn't be afraid, you know. I'm not going to hurt you."

"Thank you, that is a relief." You swallowed thickly.

He hummed in response, smiling with an amused frown at the fact you feared him.

"So, who exactly are you?" You asked after a short yet not uncomfortable silence.

His lavish outfit betrayed the royal status he claimed in life, only accentuated by the Red Crown, or Deshret supporting a golden snake - the symbol of monarchy- resting atop his sarcophagus. Around his neck fastened a Usekh collar, adorned with teal and umber jewels and beads, and topped with golden accents. Sleeves of cloth draped over his arms, the fibres of the fabric woven with pure gold. The metallic shine of the element was evident in the chromatic sheen of the cape resting over the Pharoah's shoulders. At his waist there hung a Shendyt kilt, fastened with a cloth belt, also elaborately decorated. Beautiful gold jewellery decorated his figure, your eyes drawn in particular to the stunning gold bracelet cuffs he supported on either wrist, encrusted with gemstones, potentially aquamarine or topaz. Once again your attention was drawn to his face.

"I am Ahkmenrah, fourth king of the fourth king. And you are...?"

Stunned into silence for a moment by the regality of the ancient king before you, you blinked and paused briefly before answering.

"Y/N. Y/N L/N."

"So, Y/N, what are you doing in my grave?" Ahkmenrah asked you, barely trying to surpress an amused smile. Your cheeks flushed as you tried to form a lie. This ruler seemed nice, and regardless, you couldn't exactly tell him you were intent on raiding his tomb for riches.

"It was an accident. Really, it was. I was running, and, well, I wasn't exactly looking where I was going."

"Clearly." He smirked. "Why were you in the desert though? Forgive me if I'm mistaken, but you don't appear to be Egyptian."

"What? Oh, no I'm not. I'm English. I came out in an expedition with two other men; Lord Carnarvon and Carter. They're archaeologists." You winced at the manufactured truth. It wasn't entirely a lie, that was what the men claimed to be. Though all your troupe really planned to accomplish was glorified tomb-raiding, a fact that made you sick.

"And they left you here?" Ahkmenrah questioned incredulously, unable to fathom why on earth they would abandon you like this.

"Well, no. Not exactly. They allowed me to go check out the pyramid about 10 yards south, but, as o said, I fell down a hole." You blushed again, this time due to your own stupidity and clumsiness. This was not how to earn the respect of an esteemed king.

Ahkmenrah frowned. "So how long have you been down here?"

"Uh. I don't actually know, I was unconscious for a short time. Or possibly a long time, that I'm not sure of either."

Concern once again crossed the young Pharoah's face. "You poor thing! Are you alright? You're not concussed, are you?"

"Probably." You shrugged, further alarming him.

The next few hours were spent talking to Ahk, discussing everything from the legal affairs of ancient Egypt to the cats that accompanied him in his tomb. Over the course of the night, the two of you had grown closer, both in terms of friendship and literal distance. Most of the other inhabitants of the grave had deemed you safe, returning to their regular routine, and the most curious of the mummified cats, an (aptly) Egyptian mau apparently named Tivali, had become rather taken to you. Eventually, the exhaustion of the day had caught up with you, and you slumped against Ahk's shoulder. Revelling in his presence, contentment washed over you as, for the first time on your quest, you relaxed, finally at ease. Perhaps it was delirium, but in your sleepy state you swore you felt his fingertips grace against your cheek, the ghost of his lips pressing gently against your temple.

"Sleep well, my dear."