#fgo fan event

[kiwikipedia]

Now I’m Not Saying That I Should Be Allowed To Design Servants For Fate, But....

Summer Unit, Caster Chiron has Arrived! As the immortal Caretaker and Teacher of Mount Pelion, there’s little doubt that he knows all the tips and tricks to survive a coastal month in the sun. What’s that? The Constellation is wrong? Sagittarius? Don’t be silly, Chiron’s always embodied the Constellation Centaurus. Always.

Costume Dress(es), Individual Stills for the new Sprites (Asc 3), Notes, and Taglist below the cut :)

That "Always" bit is meant to be somewhat ominous which hints at the whole "rewriting and creating heroes" idea in my last post about this Eternal Summer Stage event.

And if i am to be 100% honest, I don't quite like the final result still in terms of the toga, however, I know that if I keep working on it it will never get done and that's just the way that artists are lol. The effects and everything else though? Beyond what I was even expecting for it to turn out as.

Anywho.

In terms of design, I was mostly just going for the "Dad who has the Cooler" with a casual look for the first two designs and the costume dress really isn't a drastic change either just being called Hatless. The final ascension was a more divine feel where you get that connection with the stars and space that Chiron has due to his constellations. The Costume change there is just "Divine Blessing". I honestly couldn't pick between the two colors so. Costume Dress.

So. Anyways. Each of the stars in the final ascension design are the major "Centauri" stars within Centaurus, the Constellation that Chiron/his NP is embodying here rather than Sagittarius.

The large star that Chiron has in hand is Theta Centauri, also called Menkent, and then the ones on the staff are Alpha-Gamma Centauri.

The top three stars are Alpha Centauri or Rigil Kentaurus and Toliman, and Proxima Centauri. The three make up the full Alpha Centauri as the two blue stars are a binary system that Proxima orbits

The middle two are Beta Centauri or Hadar and Agena, another binary star pair

The lower two are Gamma Centauri which is another binary star group but are unnamed

Actually, the myth of Centaurus is a little wonky because certain texts refer to Centaurus as the Father of all Centaurs and the constellation is because he put an image of himself in the sky where others point to it being the other constellation that Zeus turned Chiron into instead of Sagittarius. Honestly, I'm more inclined to the latter due to conflicting texts about mount Pelion and the Centaurs themselves as it's implied that Chiron was already on Pelion before the other Centaurs arrived in some texts

("The Kentauroi were spawned by the cloud-nymph Nephele after she was violated by the impious Lapith king Ixion. She deposited her double-formed brood on Mount Pelion where they were nursed by the daughters of the immortal kentauros Kheiron (Chiron).")

So at least in this/my version of Myth/Fate, Centaurus is Chiron as a Caster and Healer but no less a teacher, rather than the more combat-ready and "war-like" Sagittarius.

I don't have everything mapped out, but I do have skills and NP sorta created, if I actually ever get to the full thing, who is to say lmao.

1st Skill: Seaside Planning

Buffs Healing Skill (self), Attack up (all units)

2nd Skill: Teacher's Guiding Hand

Target Focus (1 turn), Invincibility (1 turn), Defense up for all units, Battlefield change to Forest

3rd Skill: Blessing of Artemis / Blessing of Apollo (costume change)

Applies "Blessings of the Moon" or “Blessings of the Sun” to all units ( Defense Up, Heal Per Turn, NP gain Up, Crit Up)

Noble Phantasm: Hunt of Lupus: Protector of Mount Pelion | Quick

Rank: A NP Type: Anti-Personnel Range: 5-99 Maximum Targets: 1

A single target Noble Phantasm much like Antares Snipe, however, while Sagittarius uses a bow, Centaurus uses his staff to sweep through and pierce the body of Lupus. This is the story of Chiron. However, here, his job is not finished. The slaying of "Lupis" ends, and thus the Teacher and protector of Pelion returns to those he protects and tends to them.

At its base, one could call it the Single Target version of Geronimo's Tsago Degi Naleya in which it deals damage and heals the party after.

"Entrust to me the stars and my Guiding hand shall lead you, o watchmen of the night. I encircle myself twice with the seven heavenly bodies so that I may continue my role among the stars. You who has woken me, fall. Hunt of Lupus."

Truth be told, still workshopping the Noble Phantasm, but it's fine, it's out there as a concept. It's a lot like Antares Snipe though, I guess? Because I did want to lean into the Greek and Constellation side of things and just. Oh well. Originally, though, I was going to make Chiron and Chariclo one Servant, and then have their Noble Phantasm be Chariclo's ("Lifeblood of Mount Pelion") but then split them up because idk I enjoy hell. They're both casters though, because I refuse to put more Rulers into the already bloated Ruler cast.

I do not have voice lines at the moment despite the fact that I have all of Chariclo and all of Agravain's finished lol

Taglist Form or feel free to ask me to get tagged (just DM!):

@jedifisto​​ @spaceydragons​​ @purgetrooperfox​​ @spacerocksarethebestrocks​ @insanelytomato @babygirljoelmiller @certified-anakinfucker @d3epfriedanger @thecodyagenda @babygirl-leon-kennedy​ @txtalnyx​ @jawajawas​ @ge-ge-ge-ge-genifer

Please tell me if you want to be taken off of the list as this is no longer just Star Wars art

Additional Tags for those who have been interested in Summer Chiron previously (i hope you dont mind):

@300iqprower @bitterrosebrokenspear

[empty-dream]

KADOC-SENPAI IS CANON!!!

I can't believe they really put the "Kadoc doesn't have driving license" plot from Riyo gag manga, complete with the glasses too. (Riyo manga Google-translated above)

"Zemlupus Stick."

He's now a funny dumb guy in an apron. Successfully got Chaldea-nized. Best character development.

ANASTASIA WAKE UP KADOC HAS SWIMSUIT!! (Ok sauna suit but u get the point) AND HE HAS MOLES!!!! GOD BLESS ARAYA-SENSEI.

[hakusins]

hakudean mini event! first rq: cu alter by freak anon!

[chaldeamage-neo]

Redesigned my Dumuzid I had in the works for a while but recent events... made me want to finish him.

His 1st ascension is just the sheep, 2nd is human, and 3rd is literally bc I've seen so many say he has suit vibes lmaoo

[coffeecakecatt]

A Takasugi I drew for my partner. He was incredibly fun in the GudaGuda event.

[madocactus]

i guess i hold the opinion that nero’s portrayal is perfectly fine in fgo and that any poor impressions of her are largely bc her cameos are in either: comedy events or early-written chapters like septem. >w>;;

(and even in those events she’s still like. philosophizing like she does in extra. like i think a lot about her interactions with boudicca in the second summer event, or her 3rd interlude in fgo, or even some of the stuff in septem itself - early writing issues aside.)

i think a large part of why her portrayal might feel jarring is because... ccc isn’t localized fully in english. from what i know, ccc is like - the big transition point between her serious self and her silly self? 

she acts REALLY cutesy and goofy there so i think it was a big turning point for how type-moon wanted to handle her character. (whereas base extra was like... a proof of concept - and not everything had been set in stone. like - tamamo’s characterization wasn’t even finalized in base extra). i think extra record will probably determine how they’re gonna handle her now... 

i dunno. i am a firm believer of “nero is a woman of multitudes” and she can be goofy AND ALSO very intelligent and tragic. that’s why i find her fun to draw and write. 

i love seeing her be funny and a big positive force in fgo because she’s incredibly charismatic, and i also love it when she’s more quiet and contemplative and people realize how... sad she actually is as a character.

[benetnvsch]

Look at him,,, he’s such a loser - literally me

[lanliingwang]

thinking again about how the one reason I look forward to fgo tunguska's release is bc of jiang ziya also being added to the game

like genuinely I know fgo doesn't necessarily do enough with his character (which is a surprise I'm sure /s), but there's so much they could do with what they did give (his "too clever by half" moments while genuinely being smart in various ways, his various moments of genuine compassion and capability of immediately making up for mistakes while expressing genuine remorse...), and even if they don't embark on digging into that, I definitely will (when I can find the muse to write proper fics)

[rotomicity]

JP fgo’s valentine story event this year,,,

[sunmaylight]

I started Traum in FGO

My gosh things went down fast. Going to try not to spoil. But in case, going to ramble in undercut

Mysterious Servant in the beginning, give me your name or face! Cause you could be a potentially important character later in Traum!

Person who is “weaker than a Caster currently,” are you Charlie? That is one Servant I do not know when he shows up and I will laugh if the EX luck of Guda actually made this happen right away

[kiwikipedia]

I decided that I better post the first and second ascensions before I went insane and did the third fully. Circe’s staff is a placeholder, but once I have all three I’ll post this again lol

Anyways, did you know that there’s almost zero muscular guys with their legs showing fully? I worked with Caligula but it was still a bit of a trial. There’s a lot more of guys who wear armor and leg coverings than you’d think!

I used and edited assets from Summer Robin Hood, Summer Blackbeard, and Waver (shirt), Rider Da Vinci (ponytail... hair not uh, horse tail), Summer Marie, Kiara, and Kiyohime (hat and flowers) , Caligula (as stated above), Summer Costume and Alter Emiya (Torso and cooler), and Lancer Arturia Alter (horse ears). Saddle bag and towel were hand done and everything else was taken and edited from Chiron’s own assets.

Not including the Draft Layers, Two Ascensions end up close to 400 Layers which seems like a lot but when you factor in the combination of color, lineart, shading and the shirt’s texturing, its a lot. Fate’s sprites are all cut up so you gotta make sure it all fits, yeah?

Anyways (again), I have a general plot line for the Summer Event with Caster Summer Chiron (tentatively called Eternal Summer Stage / Lost Summer Stage) and also the individual sets below the cut as well as the taglist

In general, I’m thinking that kinda like the Hawai’i event, this one takes place in Greece, but things are really different — either the nation’s been condensed or it’s impossible to tell where you are in Greece, even for the Greeks.

The premise is that something or someone is creating an influx of energy there, causing an unbalance or some shit but while the threat level is low, allowing for you to take your time (as all Summer events do), it still needs to be dealt with.

Chiron is your main companion Servant though he’s not the welfare one. He, alongside of a rather enthusiastic Li Shuwen and unmasked Berserker Lancelot— both of which are also Summer Servants for the first half wave (Li being either Saber or Berserker) and Lancelot being a Lancer but still Berserker’s more mellowed and gloomy character.

(Costume dress Servants are still up in the air but I’m weighing more on Hans Christian Biggerson and Geronimo, with the long overdue Hawai’i Cu, and Medusa)

Upon arrival, there’s all sorts of plays and performances going on up and down the coast and further inland where there’s a large village up against a Mountain. Both myth and man are mingling, to which Medusa and Chiron both note to be something much out of an ancient sort of tale (hence why Chiron can take his true form and no one cares).

The first half of the event is mostly solving the mystery of what this influx of energy even is— which is where you meet the second Summer Servants for the first half. Technically not Summer in terms of Class change, Ching Shih is the first you meet, dressed in that event’s other Costume Dress for her summer look. She’s happy to help, though there seems to be something a bit off about how easily things start to pop up after that. Plays pertaining to [    ] and other tales, along with even more heroic legends being spun and told. At night, you often run into an unknown woman who sits and chats with you about things as well.

All the while, Chiron seems to become more and more troubled as time goes on.

One night, however, you wander outside the inn because you can’t sleep only to get attacked by rouge Servants. This is when the second meeting happens— and it’s the “Dark fellow” that Ching Shih has been talking about. None other than Sir Agravain of Iron is here.

Though he recognizes you, he doesn’t say much on the matter, simply defeating the rouge Servants and sending them back to the Throne mercilessly. Post fight, Chiron arrives with Ching Shih and Li Shuwen and Agravain is formally introduced.

(There’s an entire thing about him wearing black armor and then you get his costume dress for free)

After that, the reveal that there’s all sorts of half-phantom-half-servants or rouge servants hiding about is finally confirmed though you’ve been fighting shadows and monsters before, the real task is at hand.

In general throughout the farming periods, the Servants will state that they are splitting up to investigate the area, kinda like the very first summer event where each location is a little bit of a sub story (Lancer-lot and Cu are at the shore investigating traces of magical energy with Geronimo, Li Shuwen and Medusa are investigating the plays and performances with Ching Shih, Biggerson and Agravain are in the town investigating there) so that’s there to get the rest of the costume dresses in the shop (Ching Shih, Cu, Medusa, Biggerson, Gero, etc)

The second half has much more to do with Chiron than the first, though he’s your companion for the first half.

Achilles joins the group, though like Ching Shih, he seems a bit odd, but he arrives and arrives with startling news which kicks off the second half of the event— the mountain against the town is Mount Pelion, the Birthplace of Greek Heroes.

This, of Course, has Chiron absolutely of kilter because suddenly he’s home. Ching Shih admits that she feels like a majority of the Singularity’s power is coming from the Mountain but didn’t want to risk going there because it’s crawling with phantom-servants— which only spurs Chiron to restate that he should still go to investigate there.

Everyone decides to go after that, because Chiron clearly isnt about to just up and let it go.

As you go through the mountain you learn a bit more about it from Chiron and Achilles, and Medusa inputs some that she knows. Agravain and Lancelot get into a minor fight, but it’s settled by Hans mostly, the usually in-between stuff.

Oh and did I mention that during this time there’s also cutscenes and non battle story from an unknown person’s POV within another space? Because there is.

In general, I’m still working out the middle chunks, but the ending is pretty much the arrival at Chiron’s Cave, only to be met by the mysterious woman who you’ve been talking to at night. It turns out that she’s Chariclo and she admits— or seems to admit— that she’s been summoning Servants from between the lines of history and Servants that normally have been gotten overlooked for some reason or another due to either being seen as not heroic enough, prejudiced factors, or they’ve simply been forgotten.

Some other stuff happens, and right when she’s about to say something pretty important you’re interrupted... by you.

Another version of you has arrived and it turns out that while Chariclo has been summoning and maintaining Servants, it wasn’t her choice. The other You has been having her do so in order to find [     ] and you know who that is— how could you not?

An argument breaks out, the other You is convinced that Chariclo has already summoned That Man, and while she doesn’t deny it, she states she can’t let the Other You into the Cave because it’ll ruin things. the Other You is determined, and perhaps a bit irrational with obsession to see That Man again and orders the Shadows to attack.

While almost every Servant is there for support, Achilles is not, and when the battles are done you realize why as Achilles stands by the Other You.

Chariclo is firm, continuing to refuse entry into the cave, and the Other You has had enough. Achilles is revealed to have not been Chaldea’s Achilles and apologizes before he’s ordered to kill Chariclo. Obviously, Chiron’s not about that, and takes the blow, severely wounding him.

Of course, this causes a chain reaction, as Li Shuwen and Agravain immoderately go for the kill on Achilles— the Other You makes a move for the Cave, you intercept Yourself because even though Chariclo might not have been a full alley, she had protected the Cave vehemently, Medusa and the others hold off the others are still fighting the shadows, before the mountain shakes.

While not dead, Chiron’s blood on Chariclo’s hands is enough to pull her from her passive state and forge a temporary contract with you. In combination, you and Chariclo stop the Other You and there’s a long conversation about grief and letting go before You and the shadows leave— either fading away or just leaving.

Once gone, Chariclo immediately has you bring Chiron into the cave so she can start healing him.

This is where you meet your welfare— none other than Romani Archaman himself. He’s weak, of course, but there and its a big reunion moment only to be interrupted by the Singularity destabilizing now that the Other You is gone.

There’s conflict, of course. Chariclo wasn’t lying when she said that Romani was too unstable to bring back. Similarly, the only reason she was able to appear, that she knows of, is because they are at Mount Pelion meaning she too is too unstable to follow a Rayshift. Unless a Holy Grail is used.

A choice is presented that you have to make, but all your choices are Romani, no matter how much you or Chiron want to bring Chariclo back as well. When you make your choice, Chariclo will present you a Grail and admit she didn’t use it on Romani at first because she was terrified what the Other You would do when Romani was stable.

With Romani Stabilized, everyone moves to head back down the Mountain for a rayshift back, but Chiron lingers. There’s grief, of course, but the two must say goodbye once more.

... Only, upon arriving in Chaldea, it turns out to not be the case.

Upon Chiron’s injury, Chariclo’s Noble Phantasm, “Lifeblood of Pelion”, quite literally used Chiron’s blood as fuel upon it being soaked into the ground. While they’re not the same as Ryoma and Oryou, as they’re separate Servants, Chiron and Chariclo’s origins linked and allowed for her to exist in Chaldea as another Caster. it’s a bittersweet ending, as Ching Shih and Agravain did not follow— but it’s no worry. Ching Shih stated that she’d see you again, and Agravain, while he didn’t say so, simply nodded in response.

( * Basically Ching Shih and Agravain are added to the permanent summon pool with Ching Shih being a 5* Rider and Agravain a 3* Assassin )

Chaldea Achilles remains extremely put out that he had been the one to harm Chariclo in the Singularity— and also annoyed he couldn’t go because he was busy making sure that Herc didn’t go off the rails.

Post event, the usual collection of the other 4 copies for the np5 welfare are unlocked along with a costume dress for Romani. Who is a Shielder class Servant.

So yeah. That’s basically the bare-bones of the idea. I don’t quite remember where the Shielder Romani idea came from but I saw a post on it and filed it away in my brain forever. The only reason Medusa, Cu, and Gero aren’t full servants is because I really couldn’t think of good classes for them. The only ones I can really think of for Gero is Avenger, and Medusa has alts for lancer and avenger, and Cu has alts for saber caster and berseker... also there’s the Servant pool of Ching Shih, Agravain, Chariclo, Chiron, and Li Shuwen, which is a hefty number even if the first two are perma summon.

If Third Asc Chiron doesn’t obliterate my soul then I’m probably going to work on Summer Li Shuwen next, or the Costume Dress trio of Gero, Medusa, and Cu. Then we’ll see about making those sprites where there’s no character base to use at all.. I might die (jk)

But when I do post the third ascension I’m going to include hatless Chiron because he’s got a lil bow hair tie and the horse ears are CUTE as hell

Anyways, Tag list below. Good god if you made it this far congratulations I know I ramble and make zero sense half the time

Taglist Form or feel free to ask me to get tagged (just DM!):

@jedifisto​​ @spaceydragons​​ @purgetrooperfox​​ @spacerocksarethebestrocks​ @insanelytomato @babygirljoelmiller​ @certified-anakinfucker​ @d3epfriedanger​ @genifer-championofpaldea​​ @thecodyagenda​ @babygirl-leon-kennedy​ @txtalnyx​ @jawajawas​

Please tell me if you want to be taken off of the list as this is no longer just Star Wars art

Additional Tags for those who have been interested in Summer Chiron the past few days (i hope you dont mind):

@300iqprower​ @bitterrosebrokenspear​ @random-senpai​

[noonslullabies]

gbf has a My Hero Academia event happening, so I am now going to play the game as intended.

I usually just go play bingo at the casino with my pile of chips to eat time.

Also, I need Bakugo's Bracers for my weaponry hoard.

[300iqprower]

Well I'm gonna salute Summer Ibuki since Summer Castoria is a Berserker. Ofc they want Castoria to maintain arts... By being the arts supporter and the dps.

she'a a fucking what

wow. THat. Could not be more boring if they tried.

What a cruel joke that everything i learn about ServantFES 2 makes me further think it's basically the death knell of FGO.

[luckythereviewer]

I mean, it's good but it does feel slightly disappointing in that this romantic relationship that is about Hakuno and Nero, we have to shove Ritsuka into it and make it about them and Chaldea. Like, the biggest issue I have with all of this is how Hakuno just decides not to go there themselves to save Nero, instead relying on Ritsuka to do so and the only excuses we get are that Draco likes the journey undertaken by Ritsuka and Chaldea and that Ritsuka has dealt with more Evils of Humanity than she has thus making him better qualified. And even if Ritsuka has to be includes, it doesn't mean Hakuno can't go there herself to at least help Ritsuka come to understand who Nero is as a person as they wouldn't have the understand of Nero to the extent that Hakuno does. It's bad enough that Hakuno didn't even get a cameo in the SERAPHIX Epic of Remnant Chapter and remains the only master to have a collab event and not get put into the game (seriously every other collab event has had their series protag be put into the game), but in this story where Hakuno appearing in person to help save Draco like Nero has done for them several time and the best we get a last minute cameo. And I'm just left wondering why? We got two pseudo-servant Rins in Arc 1 with Ishtar joining with Babylonia and Eresh coming during Christmas 3, we got Sakura-pseudo servants with Parvati in EoR, Kama during the prelude for LB4, and Durga and Kali with Ordeal Call 1, we got Shirou with Muramasa being an NPC for Shimosa and LB5 before becoming a summonable servant for new years, same with Kirei and Rasputin, Luvia and Astrea, Taiga and Jaguar-Man, Caren and Amor, Reines and Waver as Sima Yi and Zhuge Liang, and so on. We even got Jinako with Ganesha and Kiara as herself and yet Hakuno gets nothing but a cameo where we don't even get to see her full face.

Part of me wants to hope that Nasu is cooking something big to keep Hakuno out of FGO for this long but, at this point, I feel like whatever he's cooking is burnt at this point. We are entering the final story chapters for Arc 2 and Hakuno is still nowhere to be seen while FGO goes about grabbing every other possible Fate protag, the most recent being Iori from Samurai Remnant, a game that only came out almost 5 months ago. Hakuno should have finally stepped in by now or, at the very least, a god or goddess should have take note of Sovereign Hakuno, seen their potential as a vessel, then take one look at the several instances of living Hakunos (I.e. Living Hakuno, CCC Route Hakuno, hell even School Life Hakuno) and yoink them to be a vessel but nope nothing. Is Lilim Harlot and Draco's story really good? Yes. Is what role Hakuno got better than nothing? Sure. Did the relationship between Nero and Hakuno feel important here? Absolutely. Ultimately, I can't get over 2 things that keep this event from truly being an event I love: 1) Hakuno's role being purely cameo and doing background work rather than having an upfront and personal role in the actual story and 2) This being a story in FGO and thus has to tie into Ritsuka and Chaldea because they have to be the most important people in the room, even when dealing with affairs and plot threads that ultimately have nothing to do with them.

In Fate Extra, where Hakuno can only wait for death despite how much they struggle to live, Nero comes not summoned by Hakuno, but her summoning herself to Hakuno to save them.

In Lilim Harlot where Draco can only wait for death, Hakuno saw this and pull Guda there to help Draco, just like how Nero saved Hakuno back then. Hakuno who knows Nero very well must be aware that despite what Draco said and intend to do, she still has burning desire to live as shown by her alter egos Bestia Coccinea.

The best thing about Lilim Harlot is that Draco was saved by a love story that spans through 5 series for a decade (Fate/Extra, Fate/Extra CCC, Fate/Extella, Fate/Extella Link, and Fate/Extra Last Encore). The emotional payoff is just amazing when you think about it.

[elyserie]

Fate's Refusal to Honour (or at least properly research) Depictions of Non-Japanese Figures 2: Electric Bogaloo ft. Wandjina from the Current JP Summer Event

Disclaimer: While I am an Australian, I am NOT of Aboriginal or Torres Strait Islander descent. Therefore, I am coming at this issue from an outsider's perspective. If there is an Aboriginal person, or more specifically of the Mowanjum people from the Kimberly regions, please PLEASE correct me if I am wrong on any front.

The culprit behind the events of the current Summer story in the JP servers has recently been revealed to be Wandjina, a creator Dreamtime figure from the Mowanjum people's culture.

In any other context, I would be thrilled to have an Australian figure in FGO, but the problem here is the figure they use.

Wandjina are sacred to the Mowanjum people, and therefore one needs to go through Aboriginal Law to obtain the right to use the Wandjina's image.

In Australia, this resulted in an actual conflict between a non-indigenous artist and aboriginals. You can read more here, but one quote to note is from an Aboriginal man of the Darug people, Chris Tobin: "Aboriginal law is very specific on what you can and can't do with wan[d]jinas." Another quote on this topic is made by the owner of an Aboriginal art gallery, Adrian Newstead: "Only a few Aboriginal artists ever win the right to depict wan[d]jina, and only then after years of initiations and ceremonies..."

I am NOT attaching an image of FGO's iteration of Wandjina due to this. Not only is her appearance only Aboriginal on a surface-level with her 'dot art' aesthetic (dot art* is only a recent addition to Aboriginal culture, created back in the 1970s), having no resemblance to an Aboriginal person (note, that while many Aboriginal people are white/pale, FGO continually chooses to depict people of colour as light skinned as possible. And yes, I know she's blue, not white. There is literally no records of her being blue skinned; is this because Wandjina's are associated with rain????) but she is also not very Wandjina looking? These figures do not have mouths, have large eyes meant to resemble the eye of a storm and are typically depicted with elaborate headdresses. That little glowing boomerang on her head is not exactly elaborate. And WHY does she have a boomerang??? Because she's Australian???? By that logic, every Japanese figure needs to have a katana. #GiveMurasakiaKatana2023.

There is also the issue of Cnoc na Riabh. While it is funny to think that she's a foreigner because of an Australian influence, Yaraan-doo is also another Aboriginal figure. And it is slapped onto a white girl for a fan service event. I'd just rather Fate leave Aboriginal culture alone and just do, like, Ned Kelly or something if they're going to continue like this.

More resources and info under the read more!

You'll have noted in the quotes that I've edited an 'n' into wanjinas. This is so I didn't confuse anyone: both can be the correct spelling! I just stuck to what I thought FGO was using for their Wandjina.

Here's an overview of what wandjinas are and their inappropriate use in art: https://www.creativespirits.info/aboriginalculture/arts/what-are-wandjinas

Here's another page about an inappropriate use of Wandjinas (note: it's only a short synopsis about a documentary that covered the incident, I'm uncertain if you would be able to get access to the documentary outside of Australia): https://www.creativespirits.info/resources/movies/who-paintin-dis-wandjina

It should also be noted that the two websites I've linked above are from the website Creative Spirits. While it is run by a non-Indigenous person, the person behind it is currently transitioning it to be an Aboriginal owned and run resource. You can read more about how this site is run in his About page.

*If you want to know about dot art's origin, here and here are some resources on them. However, this article brings up something interesting that I would like to bring back to FGO Wandjina's dot art aesthetic. It notes that "the term 'dot painting' stems from what the Western eye sees when faced with contemporary Aboriginal acrylic paintings" (emphasis mine). All three articles note that dots were used to obfuscate sacred symbols and artifacts so that those who were not initiated into their cultures could not see what these figures were. In that case, what the hell is the dot art seen on Fate's Wandjina supposed to represent? In this article, it talks about the symbolism in Indigenous art. Fate's Wandjina has none.

[tainbocuailnge]

just really sucks that fgo is not a good game. there's never anything to do in fgo. there's a pretty hard plateau on how far player power scales within the gameplay system even accounting for blatant powercreep in servants so there's a pretty hard limit on what they can do to keep fights interesting too. new chapters don't actually pose any significant new challenges or goals outside just getting to read the story because your power plateaus so hard so they need to lock events behind story completion to get people to bother at all. the only thing to do outside events is farm and the only thing to do during events is farm because there's almost no content that actually employs your full roster and even less of it is permanently available to replay.

if you put granblue down for a few months you can pick back up where you left off and there will be new goals to work towards and anything you missed will come back around sooner or later. if you put fgo down for a few months there won't really be anything new to do save perhaps a new main story chapter to do your one-time completion of but you'll have missed several event stories that you'll never get another chance to read ingame. if arknights is having downtime and you don't feel like just dumping ap to farm you can go fuck around in its multiple alternate gamemodes or you can cook funny challenge clears of various bossfights or whatever because almost every single map in the game is permanently available to replay whenever. if fgo is having downtime and you're caught up on the story all there is to do is farm. and because it's been this way for years every endgame player has piles and piles of resources already so they keep having to invent new ludicrous resource sinks to keep those players busy.

in several ways it feels like fgo is just running into the limits of its own approaching 10 years old system and that's why they're struggling to figure out how to keep a sense of progression in the game. stuff like lv120 grail cap or the OC class networks being these huge resource sinks for minimal stat gains feel like they're scared to expand player powerlevel too much because at a base level there's just so much rng involved in the combat that any stat increase has the potential to spiral immensely. but they also just keep making absolutely baffling decisions especially regarding content availability. in fgo if you start playing the game because you were enticed by the bodacious bikini babes on the summer banners you won't ever actually get to play the event they feature in because it's locked behind catching up with the entire main story and will never be available again past its initial runtime. this cannot be a good business model. fgo fans can't read but at this point you can hardly even blame them when the game won't let them read.