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kamaluhkhan · 4 months ago

Text

TIME TO PRETEND

pairing: luke castellan x gn!poseidon!reader word count: 5k chapter summary: you're the eldest child of poseidon and the hero of the last great prophecy. you left your demigod life behind after defeating kronos. now, years later, you find yourself back at camp half blood for the summer.....which means dealing with luke castellan, and all that history (tension?) left unresolved between you. warnings: some nicknames for reader are based on female characters (mermista, sailor neptune) but they're still written as gender neutral. reader has tattoos. mention of alcohol + death (post-titan war). spoilers for the entire pjo (book) series, mostly references to the last olympian. timeline is all over the place but set in the early 2000s for vibes. no betrayal (au where chris was the one who sided w kronos and led the titan army) so slightly ooc luke <3 author's note: welcome to another product of my pjo hyperfixation !!! i wanted to finish the nemesis!reader series first but it's summer and i felt like reworking my tsitp series in a camp half-blood setting with bb luke. so prepare for childhood friends to lovers drama! summertime vibes! nostalgia! angst! would love to know what y'all think about this and if you want a part 2 so feel free to scream at me in the comments. otherwise, enjoy and thanks 4 reading 💙

♪: time to pretend by mgmt

YOU’VE GOT MAIL!

1 new message

from: LukeNotSkywalker

to: Mermista86

subject: you are GETTING that record deal

Hey,

Your demo CD just came in the mail — and, Connor as my witness, I’ve already listened to it five times!!!

It’s amazing. You’re amazing. The label would totally lose out if they didn’t sign you.

Things have been pretty chaotic around here, with the summer term happening soon. Speaking of which: are you coming back? Chiron gave me the list of returning campers and counsellors this morning and said he hadn’t heard from you, so I thought I’d ask. I know you’ll be busy with the band, but if you get the chance, it’d be really great to see you.

Anyways, I’m leading the next Shield & Sword session, so I’d better go. Talk soon ;)

- L

FOUR YEARS LATER

TURBULENT WATERS? ALT-ROCK BAND MIDNIGHT SIRENS HIT ROUGH PATCH AFTER LEAD GUITARIST GETS INTO VIOLENT ALTERCATION

the cover is the nail in the coffin: a blurry picture of you, an electric blue guitar forgotten at your feet, lunging forward into a crowd, with your bandmates on stage behind you in shock.

you’d gone all this time without any major incidents, and one stupid chimera managed to burn down everything you worked for in one fell swoop.

“that’d be $8.50,” the cashier informs.

you tear your attention away from the magazine, instead fishing through your pocket for some change. meanwhile, the cashier furrows their brow, leans down slightly to get a better look at you underneath your sunglasses and baseball cap.

“hey, do i know you?”

“nope,” you say instantly, slapping a $10 bill onto the counter. “keep the change.” you gather your pile of necessary roadtrip supplies (slushies, m&m’s, and goldfish) before rushing out the door, your half-brother trailing behind you.

you slide into the driver’s seat, set each slushie in a cup holder, and hand the rest to percy once he’s slipped into the passenger side.

“seatbelt,” you remind him. you shake your hair out after removing your baseball cap disguise. “i promised your mom i’d be responsible.”

percy does as he’s told, though not without mumbling about how he’s practically an adult and a demigod who’s been in much more dangerous situations than a car ride up to long island. you just tell him to put on some music, even though he has a point. he’ll be 18 in august and you’re only five years older, but the fact is that you gave sally jackson your word.

plus — you’re his older sibling, so gods forbid you let him get hurt. a seatbelt seems like a band-aid solution for one of the most powerful demigods out there, but still.

percy flips through a few radio stations while he sips his blue raspberry slushie. when he doesn’t find anything good, he opens the glove compartment and surveys your music collection before sliding a cd into the stereo.

instantly, the familiar sound of david bowie’s voice eases the tension in your shoulders.

“good choice?”

you nod and percy smiles triumphantly. you reach over to steal a few goldfish from the bag he just opened and ruffle his hair playfully, for good measure.

you’re perfectly happy, driving along a long island highway while getting lost in the glam rock world of ziggy stardust, but it isn’t long until percy interrupts:

“are you finally gonna tell me what happened, or do i have to read it from some trashy gossip magazine like everyone else?”

“well, your dyslexic ass can barely read so….”

you look over at him briefly, and laugh when you see him stick his slightly-blue tongue out to you.

“at least my dyslexic ass is actually decent at ancient greek. luke told me you failed the reading test, like, a million times.”

your heart twinges at the mention of your old friend.

friend.

if you could still call him that.

thankfully, percy doesn’t give you much room to dwell on the past, too focused on your drama-filled present.

“so, what is it? you got kicked out of the band? lost everything? have nowhere else to go?”

you roll your eyes at his dramatics. “i did not get kicked out.”

“then, what happened?”

“just the usual.” you shrug. “monster attack, mortals who can’t see through the mist. i tried to explain it away after — something about how i saw someone in the crowd attack another person and i stepped in to help. most people bought it, but the media loves drama and the label’s worried i’m a flight risk now. apparently, everything will blow over if i just keep a low profile for the next few months. so….no. i didn’t lose everything.” you take a deep, like when anyone other than children of poseidon are about to go underwater and they’re not quite sure when they can come up for air.

“i just don’t really have anywhere else to go,” you finish.

“damn.” percy offers you a blue shark gummy (or whale - you and percy had already debated the shape of the candy that sally packed for the trip, and the jury’s still out). you gratefully accept. “well, i know it’s not the best reason, but i’m excited to spend the summer together.”

despite everything, you find yourself smiling.

“me too, kid.”

“it’d give me a chance to kick your ass in sword-fighting.”

“you wish!” you nudge his shoulder, both of you giggling. once the laughter’s died down, you glance at percy once more. “hey – did you tell anyone i was coming?”

percy shakes his head. “why?”

you take a long swig of your drink until you’re on the brink of brain freeze.

“no reason.”

it’s just after lunch when you arrive at camp half-blood.

you weren’t sure what you were expecting — maybe not some futuristic technological developments that had been discovered within the years you were gone, but definitely not for camp to look pretty much exactly the same as when you left.

instantly, you find comfort in the familiar scenes: a dragon, peleus, guarding the magical borders; dryads and satyrs picking strawberries in the fields next to the forest; chiron standing near the central guidepost, greeting and guiding every camper in the right direction.

chiron smiles down at percy and practically does a double take when his eyes land on you.

“mx. l/n! it has been a while. are you here to drop off your brother, or do you plan on staying for the summer?”

before you can answer, someone appears behind him.

“perce! hey!”

“hey, luke.”

luke gives him a side hug, and percy shoves him away with a laugh when he ruffles his hair. it’s then that luke acknowledges you, though he looks like that’s the last thing he wants to do.

“i thought i’d never see you again. what are you doing here? ”

chiron turns to you expectedly. “i believe you have yet to answer that question of mine as well.”

“staying for the summer…” you adjust the shoulder strap of your backpack, uneased by luke’s cold demeanor. “i hope that’s okay.”

“of course!” chiron’s smile grows wide, eyes crinkling. “you’ll resume your position as head counsellor of cabin 3.”

“so i’m dethroned? just like that?” percy guffaws.

you nudge percy’s shoulder. “fulfill the next great prophecy, and then we’ll talk.”

percy rolls his eyes playfully. luke, on the other hand, doesn’t seem to appreciate your tongue-in-cheek remark. his jaw tightens, and he suddenly finds a deep interest in the clipboard he’s holding.

chiron clears his throat, likely sensing the tension. “yes, well, i’m sure you remember how things work around here. if not, mr. castellan has been keeping this ship afloat. he's always here to help.”

“always.” luke smiles, but it’s elastic, threatening to snap at any moment. someone calls his name, and he walks away to deal with whatever chaos is waiting for him.

summer — age 15

you weren’t exactly conscious when you first arrived at camp half-blood.

apparently, coach hedge, a satyr and protector, found you just in time and had to practically drag you up half-blood hill after a particularly gruesome fury attack.

when you woke up and saw luke sleeping next to you in a chair, his curls overgrown and falling onto his eyes, you thought you had died and gone to elysium.

you took in your unfamiliar surroundings. some sort of infirmary, with only your best friend next to you, the one you hadn’t seen in almost a year since you’d parted ways.

then, you remembered what was happening before you passed out; it was more likely that you were being tricked into a false sense of security by that fury, who definitely planned on devouring you later.

with a newfound sense of urgency, you decided it was time to get out of there before it was too late. you were reaching for your knife when you felt a hand grab your shoulder. without losing a second, you twisted your body around, weapon at the ready.

whoever it was watching over you sure looked like luke. he was wearing a bright orange shirt and leather cord necklace with one clay bead. another point of difference was the jagged scar that cut across his left cheek.

“it’s just me,” he said, gently. “you’re fine here. you’re safe.”

you weren’t convinced, kept your knife in front of you to keep distance. “prove it.” you narrowed your eyes. “tell me something only luke would know.”

“you’re left-handed.”

“that’s a great observation,” you scoff.

“storm is your favourite x-men character.”

“that’s a very popular opinion.”

“your aunt would make us mango lassi after swim camp when she got home from work,” luke tries for the third time. “and, my mom - she used to call you ‘starfish.’”

your heart skipped a beat.

that was the confirmation you needed.

the knife dropped from your hand, clattered on the wooden floor, as you pulled luke in for a hug. you were greeted by a familiar scent, that pear shampoo luke loved because it made his hair so soft, mixed with the smell of fresh pine trees.

“it’s really you,” you mumbled into his shoulder.

despite sleeping for gods know how long, you were exhausted. you rested your weight into luke, but he didn’t seem to care.

“it’s really you. i thought i’d never see you again.”

“where are we?” you asked, breaking away to face luke. you ignored the wooziness you felt throughout your body; luke seemed to sense it, his grip around you tightening. “are annabeth and thalia here, too? how’d you get here?” your thumb traced the unfamiliar scar on his face. “what happened? are you okay —”

“i-i’ll answer all your questions, but you lost a lot of blood.” luke guided you to lay back down in bed. “we’ll explain everything. just get some rest.”

a third scenario entered your mind: this was all a dream. you’d close your eyes and when you opened them again, luke would be gone. you’d be alone again.

you couldn’t let go of luke’s hand, even as he tucked you back into bed. you tugged his wrist, silently urging him to join you.

“will you stay with me?” you finally croaked when he continued standing.

luke looked at you, and you nodded once as final confirmation. then, he removed his shoes and slipped into the bed next to you. it was luke, all sweet pear and soft curls and strong heartbeat, and you held on to him in fear that he might slip away.

“always,” he whispered.

during the orientation video you were later shown, you learned that camp half-blood’s motto is keeping young heroes safe (mostly) for over three millennia!

luke had used that word, too. safe.

chiron told you this was to be your new home as he walked you to the poseidon cabin. he told you that you were safe now, though you noticed how the word almost got caught in his throat. he gave you a sad smile you didn’t quite understand.

you did wonder, at first, if those words were true: this place, a home for you and other children of gods. somewhere safe.

and, well.

you came to understand chiron’s general melancholy a few weeks later, and every week after that. he was used to training and sending heroes off to their potential death, and you would be no different. stolen lightning bolts, deadly quests, cryptic prophecies. a pending war between divine forces you had been entangled with long before you knew. heartache and betrayal and loss beyond measure.

but, there were other things, too.

annabeth, fitting in perfectly at the athena cabin, continued being her genius self, leading her team to victory every capture the flag game. she was extra patient in helping you with ancient greek, especially after chiron had given up.

chris rodriguez, luke’s half-brother, would tell you jokes from across the dining pavilion, knowing that you hated sitting alone at the poseidon table. michael yew, son of apollo, taught you how to play guitar at the bonfire one week; you’d ask for more and more lessons until you could start playing on your own. charles beckendorf made you a celestial bronze sword that shone like that burst of light when the sun hits the ocean at sunset. it transformed into a ring that you would never take off, unless in battle. you might not have gotten along with mr. d, but you spent free time picking fresh strawberries with his son, castor. you made matching friendship bracelets with silena beauregard, who was really the only person you confided in, about how you maybe possibly felt something other than friendship when it came to luke. she told you about her crush on clarisse larue, the daughter of ares whom you would always partner with during sparring practice. you taught ethan nakamura, who didn’t have his own cabin as the child of nemesis, how to properly hold a sword. thalia’s tree stood tall at the top of the hill where you almost bled to death, protecting you and everyone inside the magical borders. you, annabeth, and luke would share a picnic there every thursday.

you had been on the run for so long, always looking over your shoulder for monsters, sleeping with one eye open to be one step ahead of death, jumping from one place to the next so quickly to avoid danger.

so, yes.

it was nice to stay in one place, where you knew you were as safe as demigods could be. it was nice to spend your time learning and training and laughing instead of just surviving.

it was nice to have a place to call home. and people to call it home with.

now

the first week passes in the blink of an eye, and it’s like you never left.

tie-dye, volleyball, strawberry picking, kitchen duty, and cabin inspection.

luke has everyone on a tight schedule — one, you notice, conveniently places the two of you at opposite ends of camp at all times.

still, you catch up with clarisse and the stoll brothers, spend time with annabeth and percy, say hi to pollux and katie gardner and others you vaguely recognize as five years older than what you remember. there are also a lot of faces you don’t recognize at all.

of course, you try not to think about the faces you wished you could see: friends you grew up with and would never have a laugh with again, younger campers you had trained who would never grow up. all lost because of the gods and the titans and a prophecy you never asked to be a part of.

it’s a side effect of being back here; their ghosts are harder to ignore.

again — trying not to think about it.

anyways.

climbing wall, armory, sword-fighting practice, archery field, and free time on the beach.

to conclude: capture-the-flag, a friday night camp-half blood tradition.

you’re praising annabeth for her latest strategy that led to blue team victory when you notice luke. he was also on the blue team, but instead of celebrating with the rest of you, he’s speaking to someone who’s wearing a red helmet. they seem to be in a heated discussion, one that luke is not wanting to continue. his tells are the same, after all these years: the impatient tapping of his foot, his eyes searching for an out.

you give it to him.

“sorry, i need to borrow this guy.” you say, grabbing luke’s wrist. “camp emergency.”

if the person said anything, you didn’t hear it, because you were already dragging luke away from the crowd, towards the armory shed.

“what’s the emergency?” luke wonders, brows furrowed in concern. he has deep shadows under his eyes, too. keeping the ship that is camp half-blood afloat has clearly taken a toll on him.

“you wanting to get out of that conversation. you’re welcome.” you wink at him; luke flushes, and you’re not sure if it’s because he’s annoyed, or if he's just flustered. “so, are you gonna keep ignoring me the whole summer?”

you put your helmet on one of the shelves and turn back to luke. you expected him to start removing his armor as well, but he doesn’t. he just glares at you, arms crossed over his chest.

so, he’s annoyed, then.

“what do you expect?” luke hisses. “you can’t come back here and pretend that everything can be like it was when we were kids. things are different now, especially between us.”

you decide to take him up on his challenge.

“oh? tell me, luke, what exactly is different between us?”

luke shakes his head in disbelief. you remove your chest plate, and that’s when the tattoo on your waist becomes visible. it’s a magnolia, like one of the flowers that bloomed on the tree outside may castellan’s house.

something in luke softens, then. he sighs.

“you could have at least given me a warning.”

he storms off, and you’re left half-armored, wondering what he meant by that.

you figure it out once a few of you settle down for a late-night, underground poker game, and you’re trying not to stare at luke’s hands.

it starts with you telling yourself that you’re just trying to predict what cards he’s holding, figure out if he’s bluffing, and if he’s about to lose everything he’d so confidently bet on.

but then you notice the silver thumb ring that thalia got him for his 17th birthday. you notice an array of hair ties and elastic bands he keeps just in case a camper needs them, and woven bracelets given to him by his admirers. you notice how the tattoo on his wrist is covered. (it’s hidden well, but you know it’s there — you’d gotten one of a wing, the kind that might be found on a pair of magical red converse, at the same time)

you also notice the forest green painted on luke’s nails, the same shade worn by the person beside him.

van, the new head counsellor of the hephaestus cabin. you’d seen them at staff meetings, but you somehow did not notice that they were dating luke.

he moved on — is that why luke needed a warning? is that what's changed between you?

it’s fine. whatever. so what if luke has a new partner? it’s not like the two of you were anything, officially.

luke has a new partner. they’re wearing matching nail polish. they’re one of those couples.

well, van is also wearing a nickleback shirt and luke hates nickleback, unless that fundamental part of his personality changed, too.

“yo, sailor neptune. you in or not?” travis brings you out of your daze, by using a nickname luke once called you.

back before becoming heroes, when you and luke were just kids, you’d watch cartoons in his living room on saturday mornings — x-men, she-ra: princess of power, teenage mutant ninja turtles, sailor moon. a lifetime ago.

you look around the table and see that everyone has been waiting for you to take your turn. even luke raises an eyebrow at you.

“yeah.” you clear your throat and throw some chips into the centre. “i’m in.”

you have decent enough cards to keep you in the game, and you’re comfortable that you can play the odds in your favor. the stoll brothers are good liars, you know that, and so is luke. malcolm pace is good at strategy, but thankfully not as good as his half-sister annabeth. pollux, who had invited you to the game, already folded along with butch, the son of iris who has a rainbow tattoo on his bicep to prove it. beside you, lou ellen, daughter of the hecate, contemplates her next move. clovis has fallen asleep, true to their title as head counsellor of the hypnos cabin. you can’t get a read on van, but they keep raising the stakes so confidently, and you’ve always liked a good challenge.

soon enough, it’s only you and van in the bet. when it comes time to reveal your cards, you curse yourself for overplaying your hand.

“good game,” van says to you as they collect their winnings. “you really had me going there.”

“yeah.” your smile is strained, but it’s there nonetheless. “tried my best.”

“guess the curse of achilles doesn’t help as much in poker as it does in capture the flag.”

“excuse me?” you raise an eyebrow.

luke, who had one arm casually draped around van’s chair the entire game, pulls away. “van, maybe don’t —”

“it’s not like it’s a secret, luke. they’re the prophecy kid, everyone knows they bathed in the river styx to be able to fight kronos. it’s camp legend.”

other than you, luke, and van, everyone else is occupied with something else. connor busies himself shuffling the cards, while lou ellen, malcolm, and pollux get up for more drinks. it seems like butch and travis have their own bet going to see who can balance the most chips on clovis’ forehead without waking him up.

van waits for an answer. you’re a little queasy, and it’s not from the wine pollux managed to snag from his dad’s office. you’re suddenly faced with the reality that your life is reduced to a legend. you try your best to swallow that feeling, of being made into a greek tragic hero while your heart is still beating, and your life is still a mess.

“that’s relevant, why?”

“just that some people might consider the invulnerability thing an unfair advantage in physical competitions like capture the flag,” van explains. “increased strength and all that.”

“that would mean nothing without a good strategy,” you counter.

“that’s what i said,” luke grumbles.

you recognize van now as the person luke was arguing with earlier. it must have been about this.

about you.

“okay, y’all were best friends, so luke is obviously going to take your side.”

you’re not sure what stings more: friends or were.

“although, he never really talks about you, which is weird because you’re, like, famous in and outside camp.”

ouch. that definitely stings the most. luke winces slightly, almost like he feels it, too.

“alright, alright,” connor interjects, shuffling the cards in his hands. “another round?”

you’re the only one who decides to call it a night. everyone says goodbye; even van, who’s blissfully unaware of the effect their words had on you. luke avoids your gaze. the game continues without you.

percy’s snoring provides enough cover as you sneak into your shared cabin. you try to sleep, but it doesn’t come easy.

you feel the spot underneath your rib, the one spot you’re truly vulnerable, ache.

summer — age 17

for the first time in your life, you couldn’t breathe underwater. you were swimming in acid, and your skin was melting away.

at least, that’s what it felt like to bathe in the river styx. achilles could have mentioned that, but all he gave was a cryptic warning about anchoring yourself to what makes you mortal.

you really tried at first. you thought about your friends at camp. you thought about percy, about your aunt back when she was still around. you even thought about may castellan, burnt cookies and saturday mornings.

the pain was too much, though.

you were forgetting where you were, who you were. with every passing second, you were dissolving into nothing.

“if you wanted to go for a swim, you should have told me. i would have worn my swimsuit.”

luke’s voice echoed across the waves. you tilted your head up to see him sitting on the dock above you, his feet dangling into the water. he had rolled up his jeans to just above his ankles so they didn’t get wet, but his shoes were still on, which was a bit strange. the sun made his eyes look like burnt amber, his teeth sparkling as he smiled at you.

okay. cool.

you were at camp. it was mid-afternoon, free period. the two of you had been at the edge of the lake, until you became impatient and jumped in, fully clothed. behind him, you could see that annabeth, thalia, and percy were waiting for you on the shore. they were each wearing orange camp shirts, which was also strange; you couldn’t remember a time when you were all there together, as campers.

“we better go, sailor,” luke said, amusement laced throughout his words. “come on. those cabins aren’t gonna inspect themselves.”

luke extended his hand to you. when you hesitated, he added:

“i can’t do this without you. will you stay with me?”

you reached up and grabbed luke’s hand.

always.

you emerged from the water, catching your breath as you collapsed on the sand.

“oh gods. are you okay?”

your cousin, nico diangelo, son of hades, knelt down next to you. he tried to check your pulse, but you waved him away. your eyes searched for luke, but he wasn’t there, despite feeling the ghost of his hand in your own.

oh.

you weren’t at camp; you were in the underworld. it was nico’s idea for you to take on the curse of achilles so that you’d be strong enough to face kronos.

“did it work?”

you got up, a bit uneasy on your feet at first. nico helped steady you, his hands cold on your skin.

you felt….stronger wasn’t the right word. you felt adrenaline coursing through your veins, like you could swim across the biggest ocean without pausing once. like you could defeat an entire army and not break a sweat. maybe even take down a titan or two while you're at it.

you needed to see luke again, to meet him and the others in manhattan before it was too late.

“let’s hope so.”

now

you always loved mornings at camp half-blood. the beach was particularly beautiful at sunrise, the water peaceful.

the morning after that impromptu poker game, you need that peacefulness to wash over you. you’re awake after a rather sleepless night, deciding to go for a quick run before breakfast. you get dressed and grab your mp3 player, as quietly as you can to avoid waking up percy (who, truthfully, could probably sleep through a hurricane anyways).

you jog from one end of the beach to the other. you set a steady rhythm, somewhere between the beat of your music and the sound of waves gently washing over the shore. when you make your way back down to where you started, you notice someone sitting nearby.

luke doesn’t say anything when you first sit next to him. he’s wearing a dark blue hoodie over his usual orange shirt, a cigarette tucked behind his ear. you imagine that he confiscated it from a camper on the way here.

“morning,” he finally whispers, eyes fixed towards the ocean.

you shiver, and not just from the cool morning air. you’re reminded of the last time luke spoke to you so softly, the last time you’d caught an early morning sunrise together. such a contrast to where you are now.

“morning,” you finally reply.

as the sound of waves fills the silence between you, luke surprises you by taking a lighter out of his pocket. he lights the cigarette and takes a puff. then, he hands it to you.

it’s such an odd, though not unwelcomed, gesture. a peace offering, you figure, but it’s just so not luke that you can’t help yourself.

“is golden boy luke castellan, offering me contraband? what planet am i on?”

the hint of a smile creeps onto his face. “like i said: things are different now,” he echoes his words from the night before, but this time you don’t sense any hostility.

you take a drag of the cigarette. your fingers brush against his when you return it to him.

you decide to offer a peace offering as well, and present to him one of your earbuds — he accepts. you have to slide across the sand to move closer to him, but he doesn’t seem to mind.

i’m feelin’ rough, i’m feeling raw / i’m in the prime of my life….

as the song plays, you glance to see luke nodding along, tapping a finger on his knee to the beat. he lets the cigarette smoulder in his other hand.

we’re fated to pretend / to pretend / yeah, yeah, yeah….

when the song is over, luke turns to you.

“new group?” he brings the cigarette to his lips, then gives it back to you.

“kinda.” you inhale, letting the smoke warm your lungs before explaining. “this is considered they’re breakthrough album. they’re from connecticut, actually.”

“oh, yeah? guess that’s where all the talent is from.”

luke bumps his shoulder against yours knowingly. you feel your cheeks heat up at his praise, his witty sincerity.

this is familiar — you and luke, at the beach, sharing music. it’s familiar, and for a few moments, you can act like there isn’t a wall between you, of unresolved feelings and harsh words. you can pretend that nothing has changed.

“you know, nickleback are from connecticut, too. which means you just called them talented.”

luke coughs on some smoke as he exhales with a laugh. “what? no i didn’t!”

“in a roundabout way. i always knew you were an undercover fan,” you tease.

“i have better taste than that.”

“do you?”

“you’re fucking with me,” luke deadpans.

you crack a smile. “yeah, i’m fucking with you.”

“gods, you scared me for a second,” he laughs, and you can’t help but follow. luke glances at you and the sunshine highlights his smile, his dark brown curls, the ever-changing color of his eyes. golden, radiant.

you shiver again, looking away. before you know it, you feel something draped across your shoulders.

“i’m not sure van would like it if i was wearing your hoodie.” you joke, but your words are laced with a bitterness you hope luke doesn’t catch. unlucky for you, luke still knows you too well, whether he likes it or not.

“you don’t get to do that.”

“do what?”

luke scoffs. “be jealous.”

“well, you don’t get to tell me how to feel.”

“so, you are jealous?”

you exhale sharply; you can practically feel the wall between you two reappear.

“it’s too early, lu. and i’m too hungover to deal with this.”

there’s nothing more left to say. you get up, throw his hoodie on the sand, and walk back towards your cabin, the beach and luke further away with every step you take.

it makes sense that way: you were always the one to leave first.

#feel free to comment + reblog <3 #saf writes #luke castellan imagine #luke castellan x reader #luke castellan pjo #luke castellan fanfic #luke castellan #luke castellan x you #percy jackson #percy jackson and the olympians #pjo x reader #pjo fanfic #pjo series #luke castellan angst #tsitp #the summer i turned pretty

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mrsdarkandyandere7 · 9 months ago

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oooh ok so i think something really fitting for dark luke would be him manipulating reader into joining kronos’ army and then reader realises that it’s wrong and tries to leave but he won’t let them (he perhaps might kidnap them just to keep them with him)🤭🤭🤭

Pairing: Dark Luke Castellan x (female) Reader

▶ This is a yandere/dark work and it may contain triggering content so please READ THE WARNINGS before. Do not read if minor.

More at Masterlist

Female reader

WARNINGS: Toxic Relationship; Minor Violence.

Took me a long time to write it but here it is finally, so enjoy 😊

“Y/N, c’mon. We gotta hurry up.”

You remain silent, feet fixed on the floor, bothered by the troublesome tentacles of doubt and uneasiness that have started to round you up.

You had always agreed with Luke’s perspective on the Gods. Comforted him when Luke’s anger and anguish got the best out of him. Supported him when he rambled about the imperative need to act, to defy the Gods.

You understood him.

You had your fair share of bitterness and hatred dedicated to your own mother, something that often led to crying yourself to sleep.

You even helped him design the plan that made sure that Zeus’ Lightning Bolt was stolen without the fault falling on Luke.

But now… now things feel different. It feels wrong. Very wrong.

You’re not sure what changed, but as you passively observe Luke hastily stuffing some of your clothes into a small bag, you realize you can't do this.

Because it means to betray the only place that ever felt like home. To turn your back on the people you called friends.

“I can’t go with you.”

Your words come out in a low tone, barely above a whisper and Luke stops for a moment, hands dangerously clenching around a few shirts of yours.

You think he’s going to say something, but as quick as the moment comes, it also goes away and your boyfriend resorts to ignoring you.

“The rest of your shirts won’t fit here.” he says, with a strained voice. “But it’s fine. We can get you more clothes when we get there.”

A shaky sigh comes from you before you can stop it.

“Luke, I’m not going with you.”

Luke tenses up and you nervously gulp when he twists his neck to glare at you with a mix of impatience, anger and exasperation and shakes his head before returning his attention to the bag, zipping it close.

“Luke-”

“You’re not ditching me. Now right now.” he snaps at you, turning to fully face you. “You promised me you were on my side. Hell, you even helped me begin this. And now you’re abandoning me, seriously?”

You shake your head, reaching for his hand. He lets you hold it, despite the angry frown he has.

“This isn’t right, Luke. We can’t just-”

“But you get it, right? You get why I’m - we - are doing this, right?” he tugs you closer by the hand, his other hand wrapping itself around your other hand’s wrist.

Pulling you so close that you can practically see the rageful emotions exploding in his eyes.

“It’s for a good cause. All of this! We’re doing this to stop the Gods, stop them from always getting away with every shitty action of theirs.”

You look at him, pure confliction itching your heart and mind and Luke seems to notice that.

“We’re in this together, okay?” his eyes beg you to accept it, to accept him. To be his partner in crime. “You and me against the world. Having each other’s backs.”

But as much as you want to, it’s not something you can do.

Luke’s face falls at the tears shining in your eyes - a clear synonym of your decision.

“I’m sorry, Luke. I really am.”

For a moment, his jaw tenses up and you think Luke is gonna shout at you. That you’re no better than the Gods. That you too have betrayed him when he needs you the most.

But he doesn’t.

“So am I.” your brows squirm in confusion at his apologetic words and the only warning you get is a light squeeze of his palms on your hands.

It happens so fast that you barely have time to react.

He shoves you hard with one of his hands grabbing the back of your head, smashing your skull against the hard wall.

The pain is excruciating, stars exploding in your vision and you feel a strange numbness disseminating through your body. Your knees give up and you’d almost fall if Luke’s arms weren’t there to grab you, softly rocking you till your back meets the floor.

“I didn’t want to hurt you,” his voice sounds distant, your brain slowly disconnecting as you lean towards the darkness,

“...but I can’t let you walk away from me.”

#@mrsdarkandyandere7 #yandere x reader #luke castellan x reader #luke castellan x you #luke castellan imagine #dark luke castellan #dark luke castellan x reader #yandere luke castellan #yandere luke castellan x reader #tw: toxic relationships

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menolly5600 · 10 months ago

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New official hero Danny Phantom meeting the Justice League for the first time with an excited smile and face that just screams baby: "hi!"

Billy batson AKA captain Marvel wondering why all the gods in his head started screaming at the sight of his new co-worker; "hi?"

#dpxdc #dp x dc #danny phantom #Clockwork Kronos' species are sort of like a marsupial or seahorse #where its common for males to 'eat' their newly born children so they can incubate further by absorbing energy directly from their father #its why Zeus's siblings are so much stronger than later cousins or most of Zeus's children birthed only by females #All of Billy Batson's payrons recognized new JL hero Phantom as a related baby god

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genericpuff · 3 months ago

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This might be kind of a stupid question, but in total, how many times did Rachel retconned LO? I clearly remember Hypnos being trapped for 10 years and then it getting retconned to "a few days"

Also, Hera, Demeter, Hestia going from friends to sisters

Did something else get retconned…?

UHHHHHHHHHHHHHH-

this question got me thinking so hard i consulted the UnpopularLO crew, here's what we were able to come up with but there are almost definitely more examples:

Melinoe claims she's only been trapped for a few days but this contradicts what Hypnos told us about Kronos using a child deity to overthrow the Underworld in the first place. Unless this just means Persephone showed up just a day or two after everyone fell into a deep sleep, but considering the state of the Underworld when she arrives and other things we're told after the S2 finale, there's no way this is the case.

Speaking of Melinoe, the whole concept of "the interloper" was clearly something Rachel came up with on the fly and didn't have an actual solution to because when we're first told about them, they look nothing like Melinoe:

The weird replacement of Hades' imagined childhood self with Melinoe as a dream child who was actually "always present" throughout the first two seasons. Like, why is Hades so familiar with the ghost child 'checking in on him' if this was some random thing that started happening due to Kronos messing around with the timeline?

The sudden 'reveal' that Ouranos was the one pulling the strings and manipulating Apollo since the very beginning even though that makes zero sense and was completely unnecessary to explaining Apollo's motivations. Apollo himself even constantly flip flops between being some evil mastermind out to get Persephone for a very specific purpose (overthrowing Zeus) and being just a completely oblivious obsessed asshole who doesn't understand consent and actually believes Persephone is in love with him. After all, why would Apollo go on a date with Daphne and then ask her if she'd be willing to cut her hair to look like Persephone's if the goal was to get his hands on Persephone specifically for the purpose of using her powers to overthrow Zeus? How in the world does Daphne factor into that?

Throughout S1 and 2, the gods claim that the mortals are largely disposable and easily replaceable, but then when Persephone causes the plague, suddenly mortals need to be protected because their beliefs and rituals are necessary to sustaining the gods (funny how Hermes bounces between the mortals being necessary to save at all costs but also just inconvenient to live without, like which is it lmao):

The whole "plan" to overthrow Kronos bouncing between being Hera's idea and being Zeus' idea. Rachel just couldn't seem to decide if she wanted a strong female character like Hera to be a victim manipulated into abuse or willingly choosing to put herself in harm's way for the "greater good". IIRC it's written out in the end that Hera and Zeus couldn't even remember who came up with the plan first (but don't quote me on that, I need to find the panels, they do stick out in my mind but I don't know which episode they're specifically from)

The reveal that Hera was the missing fertility goddess depicted on the mural when the original reveal of the mural looks nothing like how it looks later in the flashback sequences. This is the same as the Interloper problem where Rachel was clearly grasping at setting up some kind of mystery box that she didn't know the contents of.

The reveal that Zeus and Metis had a relationship which is what allowed him to use her powers in the first place (because within that same episode Rachel revealed that a bond of love was necessary to using them, but then clearly realized that meant Zeus and Metis had to be in love)

Zeus consuming Metis was changed into some plan to "protect Hera" from being used as a fertility goddess power battery, but then Zeus just went ahead and slowly drained Hera of her powers anyways.

Metis becoming a star after being eaten by Zeus because reasons.

The text messages from Leuce and Hades were retroactively changed into a "manifestation board", probably to absolve Hades of "fooling around" while Persephone was trapped in the Mortal Realm, but all at the expense of a woman who was now retconned into being delusional just for the sake of strengthening the main ship and giving Persephone someone to bully.

The reveal during the trial that Eris was the cause of Persephone's wrath when there was literally zero reason for that to be the case.

The reveal during the trial that Thanatos was actually Hades' adopted son, which really doesn't look good on Hades considering how much of a dick he was to Thanatos throughout the entirety of the first two seasons without any impression given that they might have a canon father-son dynamic.

Apollo and Artemis WEREN'T originally going to be children of Zeus in LO, as Rachel didn't want to create any possibilities for incest within the messy family tree of the Greek gods, but then she decided to make them the children of Zeus anyways as a "plot twist" which is really silly considering 1.) most people would assume they're Zeus' children anyways due to being his children in the myths, and 2.) she still designed them to look just like Zeus.

The subtle but very present SA retcon. This one's so egregious and in-depth I wrote an entire essay about it.

Minthe was originally written with BPD which Rachel decided to "move away from", probably because she realized how shitty it made her look to give BPD to the one character she was pitting the audience against as the "mean other girl" who we all knew was eventually going to be turned into a plant.

Edited panels and changes in the physical books. This is unfortunately not something that I can fully document here, I'm planning on making an actual dedicated post for it, but people have caught changes both in the webtoon version of the comic AND the physical prints that point to Rachel trying to quietly retcon things in the wake of her own bad writing, one of which is present in that aforementioned SA erasure essay in which a scene was added to make Persephone seem more sympathetic towards Apollo. That said, there's also a scene in the trial arc that was changed in the webtoon version, in which Rachel retconned Eris' dialogue from revealing that Hades was the reason Demeter wasn't queen of the mortal realm to reminding her that Hades was the reason (because obv later on we'd get a flashback sequence showing us what happened between Demeter and Hades, which implied that Demeter knew all along what Hades did because he did it right in front of her):

(isn't it funny-weird how Persephone never asks about this despite being in the courtroom when Eris mentions this?)

There are almost DEFINITELY more examples of Rachel absentmindedly and/or intentionally retconning things throughout LO, but that's what we were all able to come up with and should at least get the gears moving in our heads when thinking about other instances of it throughout the comic. Granted, some of these are arguably less 'retcons' and more so just logical inconsistencies / plotholes / etc. but they all still point towards Rachel doing a very bad job at keeping track of her own comic's narrative, its characters, and its twists, even in spite of having multiple other people working for her who all seem to enjoy LO (including heyitsjaki, who is also a webcomic creator), an editor with a background in television writing, and a massive and dedicated fanbase that actively keeps track of her story and its themes arguably more than she does. At that point it feels less "oopsie daisy!" and more just deadass not giving a shit. I don't want to accuse her of intentionally doing this, but it's like she knows her fanbase will just go with whatever she tells them even when it doesn't align with other things she's told them or make sense within the overall narrative - and she'll still be rewarded with Eisner awards regardless - so she doesn't bother to actually try when it comes to the writing, it's just about meeting that panel quota and giving people more H x P fluff.

The simpler answer though, even outside LO, is that Rachel just can't write.

#ask me anything #ama #anon ama #anon ask me anything #lore olympus critical #lo critical #anti lore olympus

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the-newlymadeweeb · 11 months ago

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Sacrifice

Luke Castellan x female!reader

Percy Jackson & female!reader

Description: Set after Titan's Curse before BoL, you rendezvous to meet Percy before heading back to Luke and he contemplates the intensity of your love and sacrifice.

A/N: I read the books like 7 years ago so I'm not super duper canon compliant

Percy notices the grey in your hair first and a phantom pain rushes through him. It's more discolouration than either he, Annabeth or Luke has and it's striking.

It aged you so much and he wonders how long did you hold up the sky? Why did you hold up the sky?

But your fatal flaw had been self-sacrifice. You'd given yourself up before anything, before Luke would be forced to take Atlas' place.

And the sky lay on your shoulders for days before Luke realised that the plan was going slower than expected and he needed to give you some respite.

That's why he thought of Annabeth, that's why he took on the sky as a trap. And the only reason you didn't push her out of the way and take the burden was because you spent much of those days unconscious, drained.

Percy thought he should hate you.

But his own flaw was loyalty and for so long you were running interference, a buffer, to slow down Kronos' ambitions. And you were too devoted to Luke to leave him behind just yet.

Anyway, your decision to play double agent was riskier still and here you were. Sacrificing. Again. The other side could find out, and the consequences would be gory and painful but you came to meet Percy, to prepare him.

And all he could look at was how grey your hair was.

A vainer person would've coloured their hair.

Your eyes are tired, entire body tense as if preparing for sudden attack. But you smile bravely at him, and Percy gets whiplash with how weirdly similar you resemble his mother back when she was alone and suffering bravely for him.

"You don't have to go back, you know," He suggests.

It's a bad idea and you both know it. But

"We could keep you safe."

"You've gotten quite the growth spurt recently," you say instead, "thank you Percy, but I'm meant to be at his side in battle. I promised him that much."

Is it worth it though? He thinks bitterly.

You love him so much, it's going to kill you.

But Percy has yet to realise that you're counting on that. That you will die at his hand, and Luke who'd burn the world and destroy all souls for you might finally see the destructive nature of his ways– see clarity through grief.

It's horrible plan.

Or maybe he does realise it but hasn't truly understood.

Regardless, he moves forward and pulls you into a hug. His first sister, his crazy friend and foe. Gods, he's as tall as you now.

Your hand brushes the grey locks on his head and you slowly back away.

"See you around Percy. Take care."

*****************************************************************************

#luke castellan #luke castellan x reader #percy jackon and the olympians #percy jackson #pjo fanfic #pjo fandom #pjo x reader #percy jackson x reader

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emacrow · 3 months ago

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Kronos, Agent A, and bites marks

Kronos looked a bit skittish and dejected after the sixth Doctor nearly got iced by her baby after he made an unfortunate choice of mumbling words which lead to Batman calling in a favor from the Wayne's to bring in a good doctor that actually can get near both the ancient beings long enough to give a diagnosis.

Incoming Agent A, who was calmly explained the situation as he walked slowly into the containment. Kronos look at him for a moment before a bit of realization flickered in his eyes, as she murmur something.

Batman and the other heroes watches behind the hidden camera screen office, watching as Alfred check Kronos's temperature, painless blood drawn, checking her heart and breathing and gave a clear full body examination to a couple heroes were shocked to see a long horrifyingly yet old looking scar on her stomach area that look like someone dragged something sharp and was stretched a bit wide.

That gave one point to Diana theory of Kronos story being warped dramatically, but the fact of that Zeus did cut opened Kronos's stomach to pull out his siblings pin true.

A couple of more minutes past with alfred carefully examination the baby boy who was a bit squirmish while alfred did a couple of comments obviously praising Kronos whom face flushed a rather colorful red blush turning her head a bit. Alfred did asked and provides Kronos and Her baby much better comfortable Maternal and baby clothes then what they were currently wearing.

By the time alfred came out of the containment cell, alfred's soft gentleman look shifted a bit, before speaking after handing the vials of swirling golden glowing blood.

"Both madam and the child are well, a bit underweight, Ms. Kronos will need headache relief medicine, both her and the child is in need of a very light seasoned meal and drinks to not overwhelmed their senses in which I'll be providing." Alfred told then after handing the written documents forms of the examination. Batman could only grunt a bit, considering he trying not to look back at Alfred's glance considering his armored wrist had a tiny bite marks that actually dented the armor with indents.

"Ms. Kronos did asked what and where is this place as I asked what was the last thing she recalled was falling from Olympic while trying to hide her child but as she spoke, it seem to cause her abdominal pain that seem to be PTSD related." Alfred said to which batman nod knowing that Alfred would never lied to him.

Part 3 << >> Part 5

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demigods-posts · 6 months ago

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Idk if I’m thinking about this wrong… but was it even possible for Thalia to be the Hero of the Great Prophecy?

I know that by the end of The Last Olympian, we know that the prophecy could be interpreted differently, but we also know that until the prophecy came to pass, it was taken to be about one child of the Big Three who would die because of the line ‘a single choice shall end his days’. Annabeth, Chiron, and most people generally interpret this as Percy, as the hero, dying.

But obviously the key word there is his. And since Thalia identifies as female, and going based on the presumed interpretation that the prophecy foretold the death of a child of the Big Three - the him whose days will end - then in no world could Thalia have been the hero of the prophecy, and neither could Bianca.

Spoiler:

Throughout the books, it is drilled into our heads that deciphering a prophecy before it is complete is nearly impossible because the lines could mean anything. As you've said, The Great Prophecy centered around a half-blood of the eldest gods with a line saying 'a single choice shall end his days', making it seem like a child of the big three gods is a boy who is destined to die. However, once the books reaches it's end and the prophecy comes to pass, we realize that:

• 'A half-blood of the eldest gods' lacked the mention of a specific gender, but was indeed referring to Percy since Bianca died, Nico was too young, and Thalia opted out last minute.

• 'A single choice shall end his days' was referring to Luke, who made the choice to stab himself in his Achilles Spot, ending his life and thereby stopping Kronos from rising.

In other words, had any of the remaining big three kids been of age and made different choice, it very well could have been any one of them. Everyone was just fixated on Percy because he is a half-blood of the eldest gods and is a boy, so he seemed like the perfect candidate. It's a clever misdirect by Rick, so I don't blame you for being confused lol

#thank you for submitting !!#i've been thinking about this for a while #pjo asks #pjo answers #percy jackon and the olympians #pjo text post #pjo #the last olympian #the great prophecy #percy jackson #thalia grace #nico di angelo #bianca di angelo #luke castellan #rick riordan

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beautyofaphrodite · 2 months ago

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Homeric Hymn to Aphrodite

Translated by Gregory Nagy

Muse, tell me the things done by golden Aphrodite,

the one from Cyprus, who arouses sweet desire for gods

and who subdues the races of mortal humans,

and birds as well, who fly in the sky, as well as all beasts

5 —all those that grow on both dry land and the sea [pontos].

They all know the things done by the one with the beautiful garlands, the one from Kythera.

But there are three whose phrenes she cannot win over or deceive.

The first is the daughter of aegis-bearing Zeus, bright-eyed Athena.

For she takes no pleasure in the things done by golden Aphrodite.

10 What does please her is wars and what is done by Ares,

battles and fighting, as well as the preparation of splendid pieces of craftsmanship.

For she was the first to teach mortal humans to be craftsmen

in making war-chariots and other things on wheels, decorated with bronze.

And she it is who teaches maidens, tender of skin, inside the palaces,

15 the skill of making splendid pieces of craftsmanship, putting it

firmly into each one’s mind [phrên].

The second is the renowned Artemis, she of the golden shafts: never

has she been subdued in lovemaking [philotês] by Aphrodite, lover of smiles [to whom smiles are phila].

For she takes pleasure in the bow and arrows, and the killing of wild beasts in the mountains,

as well as lyres, groups of singing dancers, and high-pitched shouts of celebration.

20 Also shaded groves and the city of dikaioi men.

The third one not to take pleasure in the things done by Aphrodite is that young Maiden full of aidôs,

Hestia, who was the first-born child of Kronos, the one with the crooked mêtis,

as well as the last and youngest, through the Will [boulê] of Zeus, holder of the aegis.

She was the Lady who was wooed by Poseidon and Apollo.

25 But she was quite unwilling, and she firmly refused.

She had sworn a great oath, and what she said became what really happened.

She swore, as she touched the head of her father Zeus, the aegis-bearer,

that she would be a virgin for all days to come, that illustrious goddess.

And to her Father Zeus gave a beautiful honor, as a compensating substitute for marriage.

30 She is seated in the middle of the house, getting the richest portion.

And in all the temples of the gods she has a share in the tîmê.

Among all the mortals, she is the senior goddess.

These are the three [goddesses] that she [Aphrodite] could not persuade in their phrenes.

As for all the rest, there is nothing that has escaped Aphrodite:

35 none of the blessed gods nor any of mortal humans.

She even led astray the noos of Zeus, the one who delights in the thunder,

the one who is the very greatest and the one who has the very greatest tîmê as his share.

But even his well-formed phrenes are deceived by her, whenever she wants,

as she mates him with mortal women with the greatest of ease,

40 unbeknownst to Hera, his sister and wife,

who is the best among all the immortal goddesses in her great beauty.

She was the most glorious [kudos-filled] female to be born to Kronos, the one with the crooked mêtis,

and to her mother, Rhea. And Zeus, the one whose resources are inexhaustible [a-phthi-ta],

made her his honorable wife, one who knows the ways of affection.

45 But even upon her [Aphrodite] Zeus put sweet desire in her thûmos

—desire to make love to a mortal man, so that

not even she may go without mortal lovemaking

and get a chance to gloat at all the other gods,

with her sweet laughter, Aphrodite, lover of smiles,

50 boasting that she can make the gods sleep with mortal women,

who then bear mortal sons to immortal fathers,

and how she can make the goddesses sleep with mortal men.

And so he [Zeus] put sweet desire in her thûmos—desire for Anchises.

At that time, he [Anchises] was herding cattle at the steep peaks of Mount Ida, famous for its many springs.

55 To look at him and the way he was shaped was like looking at the immortals.

When Aphrodite, lover of smiles, saw him,

she fell in love with him. A terrible desire seized her in her phrenes.

She went to Cyprus, entering her temple fragrant with incense,

to Paphos. That is where her sacred precinct is, and her altar, fragrant with incense.

60 She went in and closed the shining doors.

Then the Kharites [‘Graces’] bathed her and anointed her with oil

—the kind that gives immortality, glistening on the complexion of the gods, who last for all time.

Immortal it was, giver of pleasures, and it had the fragrance of incense.

Then she wrapped all her beautiful clothes around her skin.

65 She was decked out in gold, Aphrodite, lover of smiles.

She rushed toward Troy, leaving behind fragrant Cyprus.

Making her way with the greatest of ease, high up among the clouds.

She arrived at Mount Ida, famous for its many springs, nurturing mother of beasts.

She went straight for the herdsmen’s homestead, up over the mountain. Following her came

70 gray wolves and lions with fierce looks, fawning on her;

bears too, and nimble leopards, who cannot have their fill of devouring deer,

came along. Seeing them, she was delighted in her thûmos, inside her phrenes,

and she put desire where their hearts were. So they all

went off in pairs and slept together in shaded nooks.

75 She in the meantime came to the well-built shelters

and found him [Anchises] left all alone at the herdsmen’s homestead,

that hero [hêrôs] Anchises, who had the beauty of the gods.

All the others [the other herdsmen] went after the herds, along the grassy pastures,

while he was left all alone at the herdsmen’s homestead,

80 pacing back and forth, playing tunes on his lyre that pierce the inside.

She stood before him, the daughter of Zeus, Aphrodite,

looking like an unwed maiden in size of length and appearance.

She did not want him to notice [verb of noos] her with his eyes and be frightened of her.

When Anchises saw her he was filled with wonder as he took note

85 of her appearance and size of length and splendid clothes.

For she wore a robe that was more resplendent than the brightness of fire.

She had twisted brooches, and shiny earrings in the shape of flowers.

Around her tender throat were the most beautiful necklaces.

It [her robe] was a thing of beauty, golden, decorated with every sort of design. Like the moon

90 it glowed all around her tender breasts, a marvel to behold.

Seized with love, Anchises said to her:

“Hail, my Lady, you who come here to this home, whichever of the blessed ones you are,

Artemis or Leto or golden Aphrodite

or Themis of noble birth or bright-eyed Athena.

95 Or perhaps you are one of the Kharites, you who have come here. They are the ones

who keep company with all the gods and are called immortal.

Or you are one of those Nymphs who range over beautiful groves,

or one of those Nymphs who inhabit this beautiful mountain,

and the fountainheads of rivers and grassy meadows.

100 For you, on some high peak, in a spot with a view going all round,

I will set up an altar, and I will perform for you beautiful sacrifices

every year as the season [hôrâ] comes round. And I wish that you in turn may have a kindly-disposed thûmos towards me.

Grant that I become a man who is distinguished among the Trojans.

Make the genealogy that comes after me become a flourishing one. And make me

105 live a very long life and see the light of the sun,

blessed [olbios] in the midst of the people. And let me arrive at the threshold of old age.”

Then Aphrodite, daughter of Zeus, answered him:

“Anchises, most glorious of earth-born men!

I am no goddess. Why do you liken me to the female immortals?

110 No, I am a mortal. The mother that bore me was a woman.

My father is Otreus, famed for his name. Maybe you have heard of him.

He rules over all of Phrygia, with its strong-walled fortresses.

But I know your language as well as my own.

The nursemaid who brought me up in the palace was a Trojan. Ever since I was a small child,

115 she brought me up, having taken me from my philê mother.

That is why I know your language as well as my own.

But then, the one with the golden wand, the Argos-killer [Hermes], abducted me,

taking me from a festival of song and dance in honor of Artemis, the one with the golden arrows.

There were many of us nymphs there, maidens worth many cattle as bride-price.

120 We were having a good time, and a crowd so large that you couldn’t count them was standing around us in a circle.

Then it was that the one with the golden wand, the Argos-killer, abducted me.

He carried me over many fields of mortal humans

and over vast stretches of land unclaimed and unsettled, where wild beasts,

eaters of raw flesh, roam about, in and out of their shaded lairs.

125 I thought that my feet would never again touch the earth, grower of grain.

And he [Hermes] said that I, in your bed, the bed of Anchises, would be called your

lawfully-wedded wife, and that I would give you splendid children.

But once he [Hermes] pointed this out and made note of it, straightaway

he went back, that powerful Argos-killer, to that separate group, the immortals.

130 I in the meantime reached you here, and there is an overpowering compulsion that I have in me.

In the name of Zeus, in the name of your parents, I appeal to you as I touch your knees.

Your parents must be noble, for base ones could never have conceived such a one as you.[12]

Take me, virgin that I am, inexperienced in making love [philotês ],

and show me to your father and to your caring mother

135 and to your brothers, those born from the same parents.

I will not be an unseemly in-law for them, but a seemly one indeed.

And send a messenger quickly to the Phrygians, trainers of swift horses,

to tell my father and my mother, however much she grieves.

They will send you plenty of gold, and woven clothing as well.

140 Take these abundant and splendid things as dowry.

After you have done so, prepare a lovely wedding-feast

that gives tîmê to both humans and immortals.”

After she said these things, she put sweet desire in his thûmos,

and Anchises was seized with love. He said these words, calling out to her:

145 “If you are mortal, and if a woman was the mother who gave birth to you,

and if Otreus is your father, famed for his name, as you say he is,

and if you have come here because of the Immortal Conductor [of psûkhai],

Hermes, and if you are to be called my wife for all days to come,

then it is impossible for any god or any mortal human

150 to hold me back, right here, from joining with you in making love [philotês],

right now, on the spot—not even if the one who shoots from afar, Apollo himself,

takes aim from his silver bow and shoots his arrows that bring misery.

Then, O lady who looks like the gods, I would willingly,

once I have been in your bed, go down into the palace of Hades below.”

155 So saying, he took her by the hand. And Aphrodite, lover of smiles,

went along, with her face turned away and her eyes downcast,

towards the bed, all nicely made, which had already been arranged for the lord,[13]

all nicely made with soft covers.[14] And on top lay skins of

bears and lions, who roar with their deep voices,

160 which he himself had killed on the lofty mountainsides.

And when they went up into the sturdy bed,

he first took off the jewelry shining on the surface of her body

—the twisted brooches and the shiny earrings in the shape of flowers.

Then he undid her girdle and her resplendent garments.

165 He stripped them off and put them on a silver-studded stool,

Anchises did. And then, by the will of the gods and by fate [aisa],

he lay next to the immortal female, mortal male that he was. He did not know what he was really doing.

But when the time comes for herdsmen to drive back to the fold

their cattle and sturdy sheep, back from the flowery pastures,

170 then it was that she [Aphrodite] poured sweet sleep over Anchises,

sweet and pleasurable. She in the meantime put back on her beautiful clothes, which covered again the surface of her body.

Now that her skin was again beautifully covered over, the resplendent goddess

stood by the bed, and the well-built roof-beam

—her head reached that high up.[15] And beauty shone forth from her cheeks

175 —an immortal beauty, the kind that marks the one with the beautiful garlands, the goddess from Kythera.

Then she woke him from his sleep and called out to him, saying:

“Rise up, son of Dardanos! Why do you sleep such a sleep without awakening?

See if I look like

what you noticed [verb of noos] when you first saw me with your eyes.”

180 So she spoke, and he, fresh out of his sleep, straightaway heeded her word.

As soon as he saw the neck and the beautiful eyes of Aphrodite,

he was filled with fright and he turned his eyes away, in another direction.

Then he hid his beautiful face with a cloak [khlaina],

and, praying to her, addressed her with winged words:

185 “The first time I ever laid eyes on you, goddess,

I knew you were a god. But you did not speak to me accurately.

Now I appeal to you by touching your knees, in the name of Zeus the holder of the aegis,

don’t let me become disabled [without menos],[16] don’t let me live on like that among humans!

Please, take pity! I know that no man is full of life, able,[17]

190 if he sleeps with immortal goddesses.”

He was answered by the daughter of Zeus, Aphrodite:

“Anchises, most glorious of mortal humans!

Take heart, and do not be too afraid in your phrenes.

You should have no fear of that I would do any kind of bad thing to you,

195 or that any of the the other blessed ones would. For you are philos indeed to the gods.

And you will have a philos son, who will be king among the Trojans.

And following him will be generations after generations for all time to come.

His name will be Aineias [Aeneas], since it was an unspeakable [ainos][18] akhos that took hold of me—grief that I had fallen into the bed of a mortal man.

200 And yet, of all mortal humans, the closest to the gods by far

are those who come from your family line,[19] both in looks and in constitution.[20]

Why, there was blond Ganymede, whom Zeus the master of mêtis

abducted on account of his beauty, so that he may be together with the immortal ones,

as wine-pourer for the gods in the palace of Zeus,[21]

205 a wonder to behold, given his share of tîmê by all the immortals,

pouring red nectar from a golden mixing-bowl.

Tros [Ganymede’s father] was gripped in his phrenes by a penthos that is beyond forgetting. He did not know

where the miraculous gust of wind took his philos son, abducting him.

He [Tros] mourned him [Ganymede] without pause, for all days,

210 and Zeus took pity on him: he gave him a compensation for his son,

a set of high-stepping horses whom the gods use for their travels.

These horses he [Zeus] gave him [Tros] as a gift to keep. And he [Tros] was told all the details of what happened,

at the behest of Zeus, by the Argos-killer, the Conductor [of psûkhai].

He was told that he [Ganymede] would be immortal and ageless, just like the gods.

215 And when he [Tros] heard the message of Zeus,

he no longer lamented but was happy within his phrenes,

and merrily did he ride around, in a chariot drawn by horses with feet swift as a gust of wind,

In much the same way was Tithonos abducted by Eos [the Dawn Goddess], she of the golden embroidery.

He too belonged to your family line, looking like the immortal ones.

220 Then she went with a request to the Son of Kronos [Zeus], him of the dark clouds,

asking that he [Tithonos] become immortal and live for all days to come.

Zeus nodded yes to her and brought to fulfillment the words of her wish.

Too bad that her thinking was disconnected! The Lady Eos did not notice [verb of noos] in her phrenes

that she should have asked for adolescence [hêbê] and a stripping away of baneful old age.

225 Well, for a while he [Tithonos] held on to adolescence [hêbê] ,

enjoying Eos, the one with the gold embroidery, the one early-born.

He lived at the streams of the Okeanos, and the ends of the earth.

But when the first strands of gray hair started growing

from his beautiful head and his noble chin,

230 then the Lady Eos stopped coming to his bed.

But she nourished him, keeping him in her palace,

with grain and ambrosia. And she gave him beautiful clothes.

But when hateful old age was pressing hard on him, with all its might,

and he couldn’t move his limbs, much less lift them up,

235 then in her thûmos she thought up this plan, a very good one indeed:

she put him in her chamber, and she closed the shining doors over him.

From there his voice pours out—it seems never to end—and he has no strength at all,

the kind he used to have in his limbs when they could still bend.

I would not choose that you [Anchises] be that way, amongst the immortal ones,

240 immortal and living for all days to come.[25]

If you could only stay the way you are, in looks and constitution,

staying alive as my lawfully-wedded husband,

then akhos would not have to envelop me and my sturdy phrenes.

But now wretched old age will envelop you,

245 pitilessly, just as it catches up with every man.

It is baneful, it wears you down, and even the gods shrink back from it.

As for me, I will have a great disgrace [oneidos], in the eyes of the immortal ones,

a disgrace that will last for all days to come, without end, all on account of you.

My trysts and stratagems [mêtis pl.] with which I used to get all

250 the immortal gods mated with mortal women,

used to be feared by them [the gods]. For my power of noos used to subdue all of them.

But now my mouth can never again boast

about this among the immortals. I have gone very far off the track,

in a wretched and inexcusable way. I have strayed from my noos.

255 I got myself a child beneath my girdle, having slept with a male mortal.

As for him [the child], the moment he sees the light of the sun,

Nymphs, living in the mountains and wearing low-slung girdles, will raise him

—Nymphs that live on this great and fertile mountain.

They associate neither with mortals nor with immortals,

260 they live for a long time, and they eat immortal food.

They put on a beautiful song and dance, even by the standards of the immortals.

They mate with Seilênoi or with the sharp-sighted Argos-killer,

making love [philotês] in the recesses of lovely caves.

When they are born, firs and oaks with lofty boughs

265 spring out of the earth, that nurturer of men.

Beautiful trees, flourishing on high mountains,

they stand there pointing to the sky, and people call them the sacred places

of the immortal ones. Mortals may not cut them down with iron.

But when the fate [moira] of death is at hand for them,

270 these beautiful trees become dry, to start with,

and then their bark wastes away, and then the branches drop off,

and, at the same time, the psûkhê goes out of them, as it leaves the light of the sun.

These [the Nymphs] will raise my son, keeping him in their company.

And when adolescence [hêbê], full of loveliness, first takes hold of him,

275 the goddesses [the Nymphs] will take him here to you and show you your child.

As for you, in order that I may tell you in the proper order everything that I have in my phrenes,

I too will come back to you as the fifth anniversary approaches, bringing you your son.

And the moment you see this young seedling [Aineias/Aeneas] with your eyes,

you will be happy to look at him. For he will be very godlike.

280 And straightaway you shall take him to windy Ilion.

And if any mortal human asks you

what mother got your philos son beneath her girdle,

keep in mind [root mnê-] to tell him as I command you.

Say that he is the offspring of one of the flower-faced Nymphs

285 who live on this beautiful mountain, shaded over by forests.

But if you say out loud and boast, with a thûmos bereft of phrenes,

that you made love [philotês] to the Lady of Kythera, the one with the beautiful garlands,

then Zeus in his anger will smite you with a smoking thunderbolt.

Now then, everything has been said to you. You take note [verb of noos] in your phrenes.

290 And refrain from naming me. Avoid the mênis of the gods.”

So saying, she bolted away towards the windy sky.

I wish you kharis [‘I wish you pleasure and happiness from our relationship, starting now’], goddess, you who rule over beautifully-colonized Cyprus.

Having started with you, I will now go on to the rest of my performance.

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beauty-and-passion · 10 months ago

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Lore Olympus: a golden mine of bad writing

As I said, one post wasn’t enough.

There is still a lot to say about this webcomic and in this post I would like to talk about how Zeus, Apollo and Kronos have been treated. Here I will focus on the first two acts only, because the third act is not over, as well as the story. And yes, that means I will write another post when this whole thing is over.

I wanted to focus on these three gods in particular because are treated in a way that baffles me and makes me question what did they ever do to Mrs. Smythe. Tell me, Rachel: was it something personal? Did they do something to your family? What happened?

But maybe you don’t understand my point, especially if you haven’t read the Greek myths at all and you think that these three are just “Unfaithful Guy”, “Rapist” and “Evil Villain Har Har Who Also Wants To Rape”. Seriously, what’s with this weird obsession with raping everyone and with sex? Did Mrs. Smythe ever see anything else in myths, besides sex?

So please, allow me to explain why their characterizations are wrong and boring - and no, not just from a mythological point of view.

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Zeus: the walking clichè

Making Zeus an asshole is understandable, even if utterly boring and clichè. Oh wow, he's an unfaithful husband and he's vain. Very original. Groundbreaking, I'd say. I’ve never read about him being unfaithful to his wife, not even once in all the 200 million retellings made during the history of mankind.

It's a shame because Zeus is much more than that. He's a mighty ruler with a strong sense of justice: in several myths, he punished the assholes for their wrongdoings. He's very clever and strong. He's also associated with xenia, the custom of offering protection to strangers, which means Zeus is also a protector of foreigners.

I mean, this information alone offers so many new perspectives about him! Just imagine if, instead of hanging around and doing nothing useful aside from being everyone’s favorite punching bag, Zeus fought against every corrupt system of the mortal realm, in order to protect the foreigners and the innocents. It would’ve been so cool to see a different side of him, instead of the same thing over and over again!

But nope, Zeus = unfaithful husband only. Let’s ignore all the other aspects of him, to focus on the one everyone focuses on. Let’s make him the umpteenth version of the same guy, instead of offering a new vision. This will surely make the story worth everyone’s time!

Rachel, this could’ve worked if I was 12 and had never read a retelling in my entire life. But since I’m more than twice that age, seeing Zeus as an unfaithful husband again doesn’t get my interest. And I’m sure this doesn’t only apply to me, but to everyone who already saw at least two retellings of him. Isn’t this story supposed to be new and original? Then why are we still picking from the same old clichè visions of these gods? Where is the writer’s personality and ability?

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Apollo: king of wasted potentials

I am absolutely, completely, 100% baffled at how Apollo has been treated in this story.

It's insulting to see the most beloved Greek god treated as a bidimensional piece of shit. Not only because he doesn't make any sense in the story (why is he here in the first place? Did Persephone and Apollo even interact in any myth?), but also because there are so many different possibilities for him, that seeing him being this is the biggest waste of potential I’ve ever seen.

A brief recap of who Apollo really is: Apollo is the embodiment of the sun. He is the god of arts and crafts. He's the most beautiful god, he embodies the concept of perfect Greek beauty. And he is associated with a lot of cool stuff, like medicine, truth and oracles. Also, like most of the other Greek gods, Apollo had many male and female lovers.

Now, look me in the eye and tell me that, with all of this, your first idea about him is "yeah, let's make him a stupid rapist, so stupid to not realize that hey, maybe forcing a girl to sleep with you will not make her fall in love with you". Oh and let's not forget he randomly decided he wanted Zeus' throne just after the fertility plot point had been introduced Because Yes. And he’s running for president of Whatever-Land Because Yes. Also, he’s currently involved again in another evil plot Because… yeah, you got it.

It’s just so frustrating to see him being the biggest loser of all time, considering how much cooler he could’ve been. Just think about it: we could've had a bisexual musician, who does concerts with his band (the Muses) and has a shit ton of lovers. We could’ve had a heartbroken doctor, who does his best to save everyone because he has not been able to save his own son from death (Asclepius). We could've had a mysterious advisor who can see the future because of his foresight powers.

What did we get instead? A fucking rapist.

Apollo is nothing but wasted potential. He’s an insult to himself, the story, common sense, and the Greek culture. Of all the incredible things he could've been, he became the most insulting of them all. I really cannot bear to see this fucking idiot and his punching-bag face, pretending to be Apollo. He’s not Apollo.

But if there is a guy I can see less than him, then let me introduce you to…

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Kronos: Supreme Master of Wasted Potential

First of all: why is Kronos here? Why does this love story need Persephone to defeat a big bad guy? Just to show how cool and badass she is? Considering that their fight was a joke, it didn't work very well.

But okay, let's say we need a villain Because Yes. Kronos is still a huge waste of potential, probably the biggest waste of potential of the whole series until now. He could’ve been an interesting, multifaceted character, but he became a cartoonish supervillain har-har I want power.

Sigh.

But let’s take a step back and talk about the real, mythological Kronos. His story starts with his parents, Uranus and Gaia. The two had a lot of sons, including Titans (like Kronos) and Hecatonchires (monsters with fifty heads and one hundred arms). Disgusted by their monstrous nature or maybe just out of fear of being overthrown, Uranus chained his sons away into Gaia's womb (aka the Tartarus) so that they could never come out again.

Gaia suffered from this decision, so she devised a plan: she made a stone sickle, gathered her sons and tried to persuade them to castrate Uranus.

All of her sons were afraid of Uranus, Kronos was the only one brave enough to do it. And he was successful: he overthrew his father and became the new ruler of the universe, along with his wife/sister Rhea.

However, after becoming king, he didn't free all of his brothers as his mother wanted, but locked Hecatonchires and Cyclopes away once again. And so, Gaia told him that, one day, he would meet his father’s same fate and be overthrown by one of his own children.

Scared by these words, Kronos devised a plan: every time he had a new child, he took the baby from Rhea and swallowed them. Rhea was desperate and, in order to save her last son Zeus, she sought Gaia's help.

So Rhea gave birth to Zeus in a secret place, then handed Kronos a stone wrapped in clothes: he swallowed it, thinking that it was his son. This way, Zeus managed to escape the same fate as his siblings and was raised in secret, away from his father, until he was old enough to come back and fulfill his destiny.

And now, you may think Zeus overthrew his father with a sword and killed him and nah nah nah, myths are not that stupid and predictable. Zeus didn’t use violence to overthrow his father, but intelligence. He disguised himself to reach Kronos' court and, at the right time, he gave him a drink. That drink was an emetic (given by Gaia), that forced Kronos to throw up everything he swallowed, in reverse order: first the stone he thought was his last son, then Zeus' brothers and sisters.

After freeing his siblings, Zeus did what his father would've never done: he released the Hecatoncheires and the Cyclops to help him in the following battle against Kronos and the other Titans, a battle known as Titanomachy.

The war ended with the victory of the Olympians (i.e. Zeus and his siblings). Many Titans were confined in Tartarus, under the Hecatonchires' control, others were not imprisoned and kept appearing in other myths.

And Kronos? His fate differs depending on the myths. In some versions, he was imprisoned in Tartarus. But according to other, more interesting versions, Zeus forgave him after years, freed him and Kronos became king of the Elysian Fields: the famous earthly paradise reserved for the greatest Greek heroes.

Now. Just look at all of this beautiful, beautiful potential.

We have Gaia, a powerful goddess who overthrew two rulers of the universe, without moving a finger. A goddess strong and clever, but also a mother who wanted all of her children to be free - even the most hideous ones. She could’ve been a tragic figure, a master manipulator, or an evil schemer. Or all these things!

We have the Hecatonchires: fighters so powerful, to turn the tide of any battle. They could’ve been scary and intimidating, but also tragic monsters who just wanted to be accepted. They could’ve taught a beautiful lesson about the importance of accepting the ugly and giving everyone a chance to prove themselves.

Then we have Kronos. And Kronos had everything to be the greatest character.

Think about this concept: Kronos has always been afraid of Uranus, just like his brothers. He was just better at hiding his feelings. And that visceral fear is still inside him, it still haunts him after centuries, just like the memory of how he overthrew his father. And that fear takes the shape of paranoid thoughts about his father coming back to take the throne.

Kronos could’ve seen his father haunting him, but he could’ve also dissociated and seen himself as his father. In his altered state of mind, he could’ve been both the king and the one who overthrows him.

That could’ve made him a truly dangerous, unhinged character. A god who can’t see what’s real anymore, obsessed with the ghosts of his past. A god with nothing to lose and everything to gain. After all, if he kills his children again, the throne would be his once more. And, since he sees himself as himself and as his father at the same time, he would think that he is the "true king" coming back to take his throne.

That could’ve been awesome. Kronos could've been complex, desperate and multifaceted, a villain to pity and to be afraid of. A truly new, interesting version to know and love.

And do you have any idea how incredible Zeus could’ve been in this version? We could see him facing Kronos again, still as strong and determined as when he was young. And while everyone would expect him to kill Kronos, he would use his intelligence once again. He would prove to Kronos (and to everyone else) how intelligence is always superior to violence and how he's a good leader, despite his thousands of flaws.

Also, we could've seen Zeus talking to the defeated Kronos and making him the ruler of the Elysian Fields. We could've had a meaningful ending, in which Zeus understands Kronos' fears and shares his own.

I would’ve adored this, because according to the myth, Zeus was also supposed to be overthrown by a son! Hence why he swallowed Metis (his first wife) while she was pregnant.

The myth never truly clarifies who this supposed "son" is, but according to the different versions, Metis was pregnant not with a son, but with a daughter. A daughter who, one day, would be born, full grown, from Zeus' head. A daughter who would become Zeus' favorite child: Athena.

Honestly? I ADORE the idea that there was never a son to overthrow Zeus, but a daughter. And she would not overthrow his father by violence like her grandfather or by intelligence like her father, but by love. Athena doesn't need to take the throne from her father physically, she doesn't even need to sit on that throne: not when her father loves her more than anything else.

And I love the idea that Zeus is aware of that. He knows his daughter is his weakness. He knows that, if she asks, he will willingly give her that throne, because he loves her too much. And I would've loved to see him sharing these thoughts with the defeated Kronos. It could've been a beautiful moment, to see Zeus talking with the fatherly figure he always missed from his life. It could've led to a beautiful, meaningful ending for a dramatic story.

But can you see the problem here? This concept works for a story about Zeus, not about Hades and Persephone! These two have nothing to do with Kronos! Heck, even Rachel Smythe knows it, considering she had to pull a stupid plot point out of thin air, to explain why Kronos would give a damn about Persephone!

In case you were wondering: yes, the fertility-magical-power-battery-thing is bullshit. Gods don’t need a magical battery to be powerful. And no, fertility goddesses are not rare either: Aphrodite, Demeter, Hera, even Artemis are just a few of the fertility goddesses in Greek mythology. Kronos could’ve picked his favorite from a large pool, instead of becoming an absolute creep with Persephone in the stupidest fight of all time.

And speaking of that, two words on the supposed “fight”. First of all, apologies to all fights for being associated with this thing, because this was anything but a fight: it was a cartoonish conversation accompanied by the umpteenth sexualization of Persephone, who first appeared fully naked, then with a dress so stupid to defy the laws of physics and perspective.

And if you don’t believe me, please see it by yourself: this is how the dress was supposed to be, according to episode 75

This is how it ended up. Apparently, the Fates didn’t predict how huge Persephone’s boobs would be and the neckline didn’t grow accordingly: I feared to see one of them slipping out from it anytime during the “fight”

Also, please appreciate how Persephone is turned to the side, but the dress’ stupidly huge neckline is shown from the front, otherwise we would’ve seen her full naked boobs.

And that stupid neckline kept bothering me throughout the whole “fight”, because it kept changing size. Check the episodes and see it by yourself: sometimes it’s smaller, other times it’s wider and it keeps moving in impossible ways. It drove me insane.

But since we’re talking about drawings, please allow me a very brief parenthesis about them too.

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The drawings are a joke

I am not an artist. I can barely draw a straight line by hand. But I studied art history, perspective, proportions and colors, so I’m not completely clueless.

But you don’t need to be clueless, to notice how bad the drawings became. If you have two eyes and saw another human being in your life before, then you can notice by yourself how bad they are.

It’s not a secret that Lore Olympus’ art style changed over time. In the beginning, this comic was characterized by a lot of straight lines and geometric shapes, alternating and mixing with gentle curves. There were blur effects, colored outlines, a lot of details that gave an overall dreamy, ethereal vibe to every chapter (like the soft glow that accompanied the gods).

But as the story progressed, these elements disappeared. The geometric shapes gave way to an overall “softness” and roundness. The dreamy vibes and blur effects were replaced by sharper, clearer drawings. A distinct black outline now marks every character.

And speaking of characters, they were the ones who changed more. Lore Olympus always had funny, silly faces but the characters were also able to be serious and look natural. Now all we have are grotesque faces: the characters are a collection of caricatures and no one has a normal expression anymore. Check by yourself, by confronting a random episode of the third act with the first one: they’re two different worlds.

The disproportions were common too, since episode one. But at least they were somehow plausible, while now they’re completely absurd. It’s as if Mrs Smythe completely forgot what a human being looks like.

And this is pretty evident in how all characters became a rough draft of the two protagonists: all women got Persephone’s face, all men become buff and huge, with wide-ass shoulders and teeny tiny heads. This is particularly obvious at the end of season 2 / start of season 3, when we see some of the funniest images ever, like Hades with a tiny head and shoulders as wide as the entire USA

Or this hilariously bad image of Zeus with clown shoes and a head as big as his deformed hand.

No excuse can justify these drawings: no one is running after Mrs Smythe, nor forcing her to draw, and people are paying her real money to work on this webcomic. The least she can do is draw something that doesn’t look like a bad distortion of a human being.

Unless this isn’t her drawing, but her staff’s work. In that case, they are still paid to do their job, right? Or do they think this story is a joke and decide to show how much of a joke it is, by turning everyone into a grotesque caricature?

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In conclusion

Lore Olympus is hilarious because of how bad the writing is. It’s a manual example of how not to write a climax for your story. It’s a perfect demonstration of how you can still fail, even with great characters with endless possibilities. It’s a list of all the mistakes you can make as an artist.

If you’re a writer or an artist in general, please check Lore Olympus and study it. Here you will find everything you should never do and all the mistakes you should never make.

As a writer myself, I appreciate Lore Olympus, because I need works that teach me what I shouldn’t do. Good teachers are useful, but bad ones are even more useful, because it’s thanks to them that I can learn and grow and make better stories. Lore Olympus might be a failure from an artistic and writing point of view, but it might also serve as a foundation, from which other people can develop better ideas.

Actually, it already did it! Do you want to read a better story, rose from the disappointing ashes of Lore Olympus? Then check Lore Rekindled and @genericpuff: you will find their work here on Tumblr. They planned everything ahead and it’s pretty clear by reading it. The characters make more sense, the events have a more logical explanation. And the art style is much, much better than the last Lore Olympus.

We will meet again for the third and (for now) final post about this series, a much-needed post about the protagonists of this story: Hades, Persephone and Demeter.

<- Previous post - Next post ->

(How about a coffee? ☕)

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swordoffrivolousthings · 3 months ago

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Thoughts about Heroes of Olympus and how it could have been better.

Sometimes I think about what would have made HOO a better series. And I'm not talking about the obvious 'too much focus on romantic relationships' and the lack of usage of certain characters or the dumb ending.

I mean the little things that would change so much (mainly character dynamics but also worldbuilding i.e. Camp Jupiter and Gaia's reasoning)

Some of the points are inspired by @crisisreading and their posts. They are the first I saw raise some of my own points so! part 2

Make the ages vary more in the main cast, trust me

Let Percy, Annabeth and Grover get older by 4-5 years. Let them become adults and find themselves outside the godly war. Let them even finish college, I wouldn't get mad. Let them do anything beside being teenagers.

I promise this would make the dynamics more interesting. Percy and Annabeth will be more mentor figures, than fellow comrades. This would create some distance between some of the them, but ultimately create something fun. Piper would come to see some aspiring female figure in Annabeth (I think this would ether be positive or negative, depending how Annabeth changed as a character over the years, but I tend towards negative). Leo would potentially have someone older to exchange ideas with. Jason would possibly feel intimidated by Percy's vastly superior age, prowess and experience, instead of being able to clash heads with him.

Hazel would have not one, but two that people that would play parent to the others' reckless behavior. (go snort your harmful stereotypes up your ass, Riordan.) Frank, when telling Percy and Hazel about his stick, would possibly find in Percy a kind hand (not that he wasn't kind already, let me explain) and Percy would probably share with him this feeling of vulnerability - not dump it on Frank - about having your life tied to a specific thing. I mean his Achilles heel, with which he would have lived for far longer.

And a whole lot more.

2. Add Grover into the series as a perspective character

You have a new trio dynamic introduced in the first book of the series. Let the original trio interact as main characters and let us see how their relationship has changed.

Grover's opinion on the conflict between the gods and Gaia would be important. He is the Lord of the Wild, and Gaia is the literal personification of the Earth. Let us see his struggle between the loyalty he has to the gods and his friends and his powerful feelings towards protecting nature.

Also, he would act as a protector for the demigods. Because while I enjoy Hedge, he is not enough to keep them safe.

3. Throw the bullshit about Gaia getting revenge for Kronos' defeat out of the way

Gaia, as mentioned before, if the personification of the Earth. One of the first gods to emerge from Chaos.

Gaia can, of course, keep her resentment for the gods defeating the son that freed her from her pain (caused by Ouranos initially). But she is a mother goddess. She should want obliterate humanity because humans are slowly killing her. Painfully. She wants to survive and the only way she sees how if by killing all the humans. She wants to save her children, aka animals, insects, nature, and the only way she sees is bloodshed. Gods are not rational in their anger, no one is. So let her be angry and vengeful and out for human blood.

DO NOT MAKE HER A FUCKING VILLAIN, MAN! Make her an antagonist, but someone's whose ideals are worth taking in and adapting. Kinda like Luke about the demigod and minor god recognition. Where have the themes of the original series gone? Remember, an important theme in BOTL was protecting the environment. It was one of the most important moments when Pan faded. Do not let that go to fucking waste. Especially not now, in the world we live in.

4. Show the effects the war had on Camp Half-Blood. Hint it at Camp Jupiter, when Percy does not have the memories to corelate it with

We've had years since the end of the Second Titan War. How did the gods change the course of events ? (the victors write the histories) How much of Luke's reasoning for starting the war was erased. (hint, all of it.) Show us how much the perspectives were shifted and how much the people that fought in it were made into martyrs and villain, basically becoming caricatures.

Let us feel how much this hurts Percy, Grover and Annabeth. How it had impacted and impacts their trauma, grief and utter horror. The younger, newer campers see them as wonderful, all-just and loyal heroes of the gods. The way they hate it.

Good moment to implement the new cabins for the gods and let the new ones forget that it wasn't always this way. Let Percy's demand to the gods be forgotten, shoved under the rug. The tragedy unfolds, use it.

Since in Camp Jupiter none of the main characters have fought, let us see the subtility. Let the older legionnaires be ragged, scarred. Older and weary, with eyes glassy and suspicious. Have younger recruits have this heavy air around them. They know what happened, what killed most of the older people in the legion.

Have Jason, Hazel and Frank see these things in Annabeth, Grover and Percy too. They realise that oh. oh. these three have fought in the war, of course they would. Show them gain respect for the trio. The same kind of respect they have for the veterans back home.

5. Cut one of the Seven from the prophecy.

I know this seems radical, but it is a symbolism thing, which I think would be more interesting in a world based on Greek mythology.

It is established in PJO that three (3) is an important number: 3 Olympian sisters (Hera, Demeter, Hestia), 3 Olympian brothers (Hades, Poseidon, Zeus), 3 Fates, 3 quest members, 3 Furies, 3 godly realms (the Underworld, Olympus + the sky, the seas). Use this.

Give us six (6) prophesized heroes. It is, after all, the second most used number in the series and a multiple of 3.

I suggest Annabeth. Why? because she has her quest from Athena. Let that be her top priority, while hanging out on the Argo II to get to Rome. Let her bond with the younger demigods and have her possible death be always on her mind. Bring her hubris into play and she would think herself the chosen one, the one demigod child of Athena to survive. This would make her falling into Tartarus with Percy not letting her go more taxing on her psyche.

Show us how she hates herself because she took one of the principal quest members to certain death. She feels like she'd jeopardized the whole saving the world thing.

Cut the Seven to Six and let Annabeth die in Tartarus. Show us why a single-man quest is a death sentence. Why three (3) is such a valuable number.

6. CONSEQUENCES!!!

Jumping straight off the last point.

Change why Annabeth would end up in Tartarus. Make her ignore the string around her ankle because she thing that nothing bad can happen to her now. After all, Arachne is gone, right.

Let this be her undoing. I do not care how she dies, but make her choices, her hubris, be her undoing. Do not let her death up to a chance, a mistake or miscalculation. Show how toxic Tartarus is, because we do not see it enough, but make it Annabeth's idea, the plan by which she dies.

Do not make it Percy's fault. Let him try to do everything to keep her alive, but still failing. Attack his sense of loyalty, his self-esteem. Show how the experiences and her death affect him.

Bring the trauma from the last war back in those chapters, in a place where demigods leave something behind.

To less drastic things - let the others get hurt. Permanently. Show how this life affects and damages people physically, too.

Have one lose an eye, another get horrific scars. Lose a limb, a part of themselves. Do not make it seem like any other could have gotten the same wound.

Tailor them to their character, their pride and their skill. Hit them where it hurts most and let us see how it changes them.

Also, about Leo. Kill him too. The fact that he ended up alive is a deux ex machina. He should have suffered the consequences.

Also also, bring back the fatal flaws. They are missing from the series. Play with them, show why they are important parts of their characters. Bring back ancient Greek fatal flaws, and new ones that make sense in a modern world.

Hurt them because what hurts them is part of who they are. Show us why the Greeks invented tragedy.

7. Age up the target age. Go more young/new adult

I understand that PJO was made for middle schoolers. But the target audience had grown up alongside the characters, and as such they have matured.

This is why I said to age Percy, Grover and Annabeth up further. Leave some distance for the old and new readers to get up and personal with the new main characters. Have them find common ground with the new demigods but have their anchor in the old ones.

Make the readers work to understand and refamiliarize themselves wit the older demigods. Because they've changed.

Targeting a more mature audience allows exploring n. 6. The realistic consequences of living with the fear that something will come and eat you. How just a little mishap could change you for life. (or what has been left of it)

Please do not go grim dark. Show that despite this all, their purpose has not stopped existing. A life exists outside of your appearance or disability still exist, and while it would be hard, do not lose hope.

8. Hope, or lack of its importance in the Heroes of Olympus series

Alongside other callbacks and reinforcements of PJO's lore, where is Elpis (hope)? Why doesn't she appear as a larger theme in the books? I don't know.

Elpis is still in the jar, having been used as a threat of defeat. But now Kronos is gone. Have Gaia use it as s symbol for her own cause.

Make hope Gaia's argument. The most important part of why her cause stands. Gaia is waking now because there is no hope for the betterment of the planet while in human - and therefore godly - grasp. She wants to save the planet, but they, the destroyers, are opposing her.

Hope is what she wants to bring back. The hope that death will not be the end of life, but further evolvement and betterment of all species.

This argument is what the counterargument should unravel. All species? Why are humans considered irredeemable, unworthy of becoming something greater?

Why can't they not coexist and why can't humans learn how to care about the world surrounding them.

Make hope for humanity and for the environment not a question of if they are capable to coexist, but how we can manage that. Humanity and nature are not mutually exclusive, but two halves of the same whole that need each other to sustain their longevity. Yes, nature can exist without humans, but humans can't.

This does not mean that the best way forward is to kill all humans.

There is no need for hope in HOO because there are no greater questions being asked about topics that require hope, because otherwise we would descend into nihilism and fatalism.

9. Give the gods reason to act the way they act, or a look at a greater narrative problem in the series

I may be generalizing, but the gods act erratically and make choices convenient for the plot, as it is, to happen.

Hera: how, specifically, does she know that Gaia is rising and what her plans are. Why is she against Gaia, when the older goddess has a track record of helping the Olympians on different occasions in the myths. Why does she decide to act when she does, how she knows that the king of the giants (whatever his name may be) is coming after her right then.

We don't know.

Athena: we understand why she wants the Athena Parthenos back. Why not force the Romans to give it back. After all, she is a goddess, even if the Romans don't respect her as the Greeks did, she has power and sway over them. Why send her children, a supposedly important part of what brings her glory, to a near-certain death. Is it misguided vengeance, an obsession to get the statue back at all cost, or simple cruelty. These reasons could apply very well to sending the Romans, yet she doesn't.

Zeus: why lock down Olympus? Paranoia, which fair, but you are a King, why wouldn't you look after your subjects? (bc Riordan chose to ignore part of his characterization in the myths and part of his godly domain) (I know kings aren't perfect, but after the last war, one would think he would do everything in his power to stop another one before it begins) Why not seek justice for Octavian's lies, that affect their ability to win the war, and kill/imprison him? Justice is part of his domain, as Zeus Nomius.

I know that we wouldn't necessarily need these answers, but without some of them, some choices left hanging seem to be there only to add to the drama and danger of it all.

All in all, I have many problems with the 'Heroes of Olympus' series. Some of them are nitpicks and personal preference as a high fantasy reader in my free time. Some of them would really add to the story and continue the themes of PJO.

Please ask me if something wasn't clear to you. I'll happily explain further.

If you find something you don't agree with, let's discuss. I'm open to changing my opinions.

#percy jackson #jason grace #hoo #annabeth chase #pjo #percy jackon and the olympians #hazel levesque #piper mclean #percy and annabeth #frank zhang #leo valdez #grover underwood #pjo thought experiment #fic ideas #percabeth #cezy's insanities #I don't think that Percy & Annabeth would reach HOO as a couple in this version #might be my wishful thinking #but I really think that they would break up 1-2 years after PJO ended bc trauma bonds are toxic and I don't think any of them need that too #but mainly for Percy's sake bc I like him and relate to him more tan Annabeth - I think she's pretty toxic in PJO and HOO but that's my ...#... opinion and I'm not up to changing my mind about that #also didn't chose Annabeth to die bc I hate her. just thinking that it would explore her relationship with her fatal flaw more and where ..#... it leads her to bc she has the make up of a tragic figure that's destiny is made by their own choices. also dramatic irony #her hubris was barely explored in PJO except for the sphinx scene in BOLT #i may continue this. yk as a threat to everyone that reads this

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iouinotes · 10 months ago

Text

Heroic Betrayal | Luke Castellan (part 1)

SPOILER FOR THE PERCY JACKSON AND THE OLYMPIANS SERIES AND THE BOOKS

pairing: Luke Castellan x female!reader

show: Percy Jackson and the Olympians

warnings: dark!character, betrayal, implied sexual content, heavy angst, kidnapping

word count: 5,8k

summary: When Luke switches to the dark side, he tries everything possible to win you for him.

a/n: so as the show comes to an end (dont cry dont cry dont cry), I thought I would finally post this :)))

read part 2 here

"I'll find you!" his voice echoes through the forest, my laughter much louder than I intend to. But that´s just how it always goes. It's our own little tradition.

Every year when the camp starts again and we meet after the holidays passed, we play hide and seek in the dangerous forest of the half-blood camp. The creatures usually don't come across our path, in recent years it has rarely happened, that we actually had to defend ourselves against them.

Once it was an angry dryad, who threw branches at me (she had a crush on Luke and wanted revenge, but since I could understand her feelings and felt sad for her, we sorted it out).

Another time we were spotted by some camp members, who made fun of us, but Luke must have said something to them later, because we haven't been bothered by these troublemakers since.

It is always the same pattern, but each time there is still something special about it. We have grown, became more mature (I think), and have more and more experience about the struggles in life.

So being able to just let go for a few moments and being completely alone with him is probably the best thing to keep myself sane (even if he drives me a little bit crazy with the love I hold for him).

But a lot has changed recently.

It all started when rumors spread, that Zeus' lightning bolt had been stolen by Poseidon's son. And then the most supportive, bravest, sassy kid in the world showed up here. Percy Jackson. Ever since I met him, even though it's not his fault, there's been war going on. The gods are angry, the monster attacks became worse and again, rumors about the oldest, most powerful titan Kronos reached the camp.

It scared and frightened many people, including me. That's why we've been training harder and stay awake, even when the stars are shining, so that we can prepare for any catastrophe. To be able to fight.

My mother is the goddess Demeter, my father a simple man. I adore them both, even though my mother isn't one of my closest contacts. But I never really held that against her, because at least she decided to acknowledge me as her daughter. After all, it's a privilege that not everyone gets. My siblings and friends at camp are important to me, but the world is changing and so is everything around it.

The only stability I have left is my boyfriend Luke.

If I had to rely on one person in the whole world (and by that I also mean the underworld), it would be him.

He's been my best friend since I arrived at this camp. We've been together through ups and downs, I know every side of him and he knows everything about me too. Many of the people here are like blank pages to me, but not him. He is like my favorite book, that lays open to me and allows me to read each letter individually. Just as I know every of his dreams, every secret, every truth and every lie. He is my protector, my hero in every dark night and every bright day. Without him, I don't even know who I am. He is a part of me and my heart wouldn't be whole without him.

I watched him grow up. From the small, thin boy whose eyes hid so much pain and sadness to the strong, soulful leader he is today.

His beauty cannot be influenced by anything, he is like my very own sun, without him I could not survive.

I wouldn't want it any other way though.

Now, I'm hiding behind a tree with my back pressed against the bark and I am able to hear the cracking and swinging of the branches.

I smile so wide, that my cheeks start to hurt, when I hear his voice calling. My heart is beating in my throat, but it's not just the adrenaline of not getting caught. It's because of my love for him, which is so strong that sometimes I'm afraid of it. But only in the moments when I realize that nothing, but him is my biggest flaw. I think I would do anything for him.

Then I concentrate again and listen to the sounds around me. But his voice has fallen silent and I don't hear his footsteps anymore.

My eyebrows furrow, confused I try to look around the tree and search for an orange t-shirt. Likely together with his slim body, biceps, beautiful face and wonderful personality.

But when I want to withdraw again, it's already too late. A branch breaks behind me and before I can move I'm pushed against the tree from behind.

I immediately feel his body against mine, hear the laughter in his voice and listen to his strained breathing. His hands wrap around my body and turn me towards him, so that we are now face to face.

He's taller than me and as I look up, I feel the familiar fluttering feeling in my chest. I am so in love with him.

He grins triumphantly at me and I lean against the tree, smiling kindly.

"Found you, princess." The light reflects in his brown eyes and some of his curls are laying wildly on his head. He looks like an angel.

"I made it easy for you." My voice teases him and when he leans in so close to me, that our lips almost touch, I forget how to think properly. A habit I can't change. He's just so captivating.

"Yeah? You think I wouldn't have found you otherwise? Funny. I remember that in the last few years, I always was the winner of our little game." His lips brush mine, I want nothing more than to kiss him. But he knows that, which is why he slowly pulls back, when I start to lean forward.

When I want to complain, he puts his hand around my waist and pulls me into his chest. My knees almost give out, I feel so intoxicated by his presence.

"I-I wanted you to find me." My voice whispers quietly.

His eyebrows rise in mock surprise.

"Then I guess, I can claim my prize without feeling bad." In the next second, his lips are on mine and I'm unable to do anything, other than kissing him back. I wrap my arms around his neck and enjoy the warmth that radiates from him. He sets my heart on fire.

While pushing me against the tree, I've completely forgotten about, he lets his hands wrap possessively around my waist. Digging his nails into my hips, to keep me grounded. Otherwise, I would probably get lost in those sensations.

Luke kisses in a way, like it's the last time he'll have the chance. (As if I would ever want to keep him from doing that).

He's passionate, my body feels like it's on fire and the heat inside me feels so good, that I want more. I can never get enough of him and he knows it. He grins against my lips, but he doesn't break the kiss. I think he secretely loves knowing how much he can mess with me, with just a few kisses.

My hands find his hair and pull him closer to me, our chests touch and his breathing mingles with mine.

It is wonderful and so precious, I would refuse any gift from the gods just to be close to him.

When he pulls away from me, our bodies are still close. My eyes open and look dreamily into his, our gazes reflect a familiarity and love that is like nothing I have ever experienced.

He smiles at me, pushes a stray strand of hair behind my ear and leans himself against me. His fingers stroke the exposed skin of my pulled-up shirt.

"I've missed you." If my heart hasn't melted before, it has now. I give him a kiss on the cheek and hug him, we stand in our embrace for a moment. Enjoying each other's closeness, the calm feeling until the next chaotic situation happens.

"Now we are together again. Only that matters." It's quiet around us and when I close my eyes for the second time, I hear his fast heartbeat. I have to supress a smile.

The wind is the only thing I hear until his voice breaks the silence.

"Something will happen soon. Something big." The peaceful atmosphere is threatened by his words and when I look at his face again, I see his worried eyes.

I sigh, but then nod to agree with him. "I thought about that too, it feels different. Like something is coming our way, that we can't control."

His fingers stroke my cheek and for a moment, his face holds an expression, that I can't understand. It resembles regret.

But before I can ask him about it, he smiles tenderly at me again.

"Nothing will separate us. The world is just a game. It's a matter of time and making the right moves." That is his motto. But I'm not always convinced of this. Even though I trust him to do the right thing.

"I'm just worried we'll get seperated, you know? Evil can be sneaky and traitors always exist. You never know who you can trust." Something I said must have really bothered him, because he looks like I just stabbed him.

This time I ask him about it.

"What's on your mind? You can tell me. Two people who worry about something are better, than one who is alone with it." I take his hand and stroke his skin, it feels cold even though we have summer.

"Nothing, just- I don't want to lose you. I couldn't be here without you. I need you. I mean...I-I love you. You know that I would do anything to keep us together, right?"

His words surprise me. I know he loves me. I can sense that, everyone probably does. But he has never worn his heart on his sleeve and the three magical words only come out of his mouth on special occasions. The fact that he's telling me now surprises me.

"Of course. I trust you. We will survive together, I know that. Are you worried because of the rumors about the Titan King?" This topic is always very critical and he usually doesn't like to talk about it, but this time I decide to address it directly.

"He will come. I just want you to be safe, when it happens." He sounds so confident it gives me goosebumps.

"Perhaps. His followers will definitely try. But love is stronger than anything else. Especially our love. We will get through it." He doesn't look convinced, so I turn his face towards mine and kiss him.

My voice sounds soft, when I speak again.

"Luke, I love you. I could never leave you. Not even the King of the Underworld will be able to keep us apart. I promised to be by your side in every moment of our lives. You are my soul and without it I am damned."

This seems to reassure him, but I feel like he's not telling me something of great importance. But I don't want to push him, I know he will tell me when the time comes.

He always does.

⚔️⚔️⚔️⚔️

As the day comes to an end, I say goodnight to my siblings and report for my night watch duty. The situation has been a lot more worse the recent weeks. Kronos exists, my worst fear was confirmed. And he is building an army, that is so strong that it will be difficult to fight against it. But what I'm really worried about are the rumors about our people, who have also joined his cause.

Nobody knows who, the spies have been hiding ever since. I've never felt like I was paying more attention to my words than I am now. The only person I don't have to hold back to is Luke.

But even with him I notice the effects of the bad news. The circles under his eyes are darker than ever and his nerves are so frayed, that every little thing makes him want to explode. His temper is hanging by a thread, that is increasingly threatening to break. And I'm trying everything to prevent this.

No matter if I try it by making him laugh (which has become difficult), massaging his tense shoulders, trying to kiss him to the point of forgetfulness (usually it's the other way around) or when he takes out his frustration by burying himself deep inside me. With every thrust of his hips, I feel him relax, his hand so tight around my body as if I would run away, if he didn't hold me close enough.

He's changing and I'm trying my best to maintain his good sides. That he doesn't completely lose himself in his responsibilities and the pressure, that he has, because he is a member of the camp council.

Besides, I can't complain, when he fucks me until I can't breathe aynmore and I block out everything around me. When he comes, he whispers the sweetest things in my ear. Even if sometimes they sound so protective, that I could almost come from his voice alone.

When he whispers to me how good I am for him or how much he loves being able to have such a power over me like that - maybe it should scare me, but I trust him like no one else.

My mind concentrated his best for my shift, but when I finally go to bed after quiet some time, my eyes quickly close.

Looking back, I wish I had never let myself sleep that night.

Because, when I close my eyes I see waves. Hear the seagulls screaming in the sky, the fish swimming in the water and the distant cries of strangers.

It's all unusual and the bright light would blind me, if I didn't avert my gaze. And as soon as I do it, I see a ship. It's huge, rust shimmers in the sunrays, the anchor shows that it's been in the same place for a while now.

I feel something pulling me towards it, pushing and burning in my chest, leaving me with a tremor that I can feel, even in my deep sleep.

As I flit through the window like a ghost, I feel paralyzed. My blood freezes, I want to disappear immediately and in my mind I scream at myself to wake up.

But it's no use, whatever is here, someone decided that I have to see it. Only then, my wish will be fulfilled and I can wake up. So, I hide in a corner, there are scratched picture frames above me and broken glass is scattered on the floor. The monsters that loudly crush the glass ahead of me seem unstoppable.

I tremble as I look at at least seven dracaenae, several shaggy hellhounds and set my eyes on gigantes, that take up almost the entire room.

But that is nothing compared to the terror, that grips me when I see my classmates. My friends. People I trusted, who I fought alongside, for who I cared about. People I would have sacrificed myself for. They all betrayed me. And I feel close to tears. When I want to turn away, I hear a voice that almost brings me to my knees.

It's Luke.

My faithful and caring protector, my heroic love. Someone, to which I had dedicated everything. He was my life, with every single breath I took. The motivation behind my every action. The reason I wanted to survive in this cruel world. He was everything I had and everything I will ever have and in that moment it was abruptly taken from me.

I didn't have the strength to concentrate, it was as if every fiber of my body was on fire, triggered by the torment of my suffering heart. Seeing him like that, in black armor, Kronos' silver mark glittering around his neck, instead of his colorful necklace. A stoic, hostile expression on his face, his hands gripping his sword, it all hurt too much to watch.

And as I sank to the floor and covered my eyes with my hands, I was still forced to listen. I couldn't understand why he was saying such things.

"With every day he becomes stronger, with every participation in our army, we become stronger. Everything is planned, the camp is weak. Just like all of its residents. The surprise is on our side, because we will show no mercy. We will kill anyone, who does not confess to us. Do you hear me? No hostages will be taken. Only Hades population will be expanded."

The screams around me are so loud, so angry and horrific that I feel tears running down my cheeks.

I don't want to see any of that. The person infront of me is not my Luke.

A kind of fog creeps around me and I feel cold, it seems too late to forget it now. When I notice the golden coffin and Lukes hunched posture, the scar on the side of his face, I realize he is praying to him.

To the fall of Olympus. Kronos.

I want to cry, to scream, to be angry - but I just feel like every part of my heart is breaking and will never be whole again. Luke will never again be the one to heal it.

My consciousness leaves the ship until I finally wake up, but I can't move at first. I feel lost, my muscles are stiff and after a few seconds I notice that I'm shaking. But it's not because I'm cold, the summer air is wafting in the air.

Such dreams are rare, but are like the own scary predictions of the future.

And then it comes all back so me, the memories, that have just turned my whole life upside down. Traitor. The word appears in my mind, I feel like I almost can't breathe. And then there is a finger on my cheek, gently stroking the skin and my chest immediately becomes warm.

I know this gesture.

When I open my eyes, I see his loving eyes and the smile that covers his mouth makes my heart clench in sorrow.

It was just a nightmare. Luke would never betray me.

But the whispers in my head say otherwise.

As we continue to look at each other in silent, I notice his furrowed eyebrows.

"What's wrong, my love? Did you have a nightmare? You look scared. Don't be afraid, I'm here. I will always protect you." His voice is so calm, so usual loving and it makes the butterflies in my stomach fly around like crazy.

He is so beautiful.

As he briefly turns his head to tighten the blanket around me, I see his side profile and the scar. Reminders of my dream crash onto me like a lightning strike from Zeus himself.

I sat up abruptly. Luke is a servant of our enemy. How could I ignore that? I feel like I'm almost starting to hyperventilate. The thought, this nightmare, Luke's appearance, this evil feeling - it makes me sick. And I'm suddenly so afraid, more than I have ever been in my life. But I can't tell if it's the fact that I just found out he joined Cronos' army or that he broke my heart doing so.

I see him tense, my panic seems to be affecting him too.

My thoughts are so confusing, I don't know what to do, I have to tell someone. I have to-

His hands find their way to my cheeks, cupping them gently to direct his gaze towards himself. I would have preferred not to look at him, but I have no choice. His eyes search mine.

Then, as if the weight of Atlas punishment was put on his shoulders, he lowers them. His lips tremble slightly and his eyes look at me, as if I am the most valuable thing in the world and he is about to lose it.

"You know it." He doesn't have to say what he means by that. We both know.

I want to break away from him, but he won't let me. He's always been much stronger.

But everything still feels so different, light surrounds us and I can't really feel my body.

"Listen to me, please. I can explain it. Please-" The world goes silent, before he can finish his sentence.

It is too much.

I stifle a scream. I want to jump out of bed, but his hands hold me close. I only manage to fall to the ground, breathing heavily, but his arms are much stronger and I'm still weakened by my dream. He trys to hold me in a position, so that his back hugs me. His hands grab mine and one of them covers my mouth to silence me, when I want to scream for help.

With any other person, I would have known what to do. With anyone but him, I could have defended myself without any problems. But it wasn't just anyone and what he had done to me, the betrayal he had committed, was nothing I could handle.

I tried to wriggle out of his grip, to kick him, but the more I cried and the more hysterical I became, the easier it was for him to have control over me.

And for the first time, it scared me.

"Please calm down, I have to explain it to you- you have to know, that I never wanted to deceive you, please-" I notice how his voice is failing and he has to pull himself together, to not to lose his composure.

When I shake his hand away and want to yell again, he grabs my neck with such a warning force, that no sound escapes me.

I tremble in his hold. Tears stream down my cheeks and I literally feel my heart breaking.

Then he starts whispering in my ear and his grip feels like a tragic prison.

"Nobody can know. I never wanted you to find out. Not until I convinced you, that it is the right thing to join him. Because he will win, sweetheart. I want us to win by his side." His voice sounds so confident and at the same time, as if he was a completely different person.

Tears continue running down my face and he slightly let's go of me, so he can comfort me.

"If you would just listen to me, you will understand my actions. Please, just listen to me-" but the world blurs infront of my eyes and I am only able to whisper three words, before darkness surrounds me.

"You betrayed me."

⚔️⚔️⚔️⚔️

When I wake up, my head hurts so much, that it takes me several minutes to open my eyes. When I finally do it, I almost have a heart attack.

I recognize the similarity of this room from my dream. When I stand up, I run to the round window and look out, being only able to see the blue sea. Feeling empty and alone.

When I want to step out the door, I expect it to be locked. But instead the handle turns and I step out of the room. I'm so surprised about that, that I'm acting without thinking twice.

As I walk around the next corner, the deck creaks and I see an ugly creature in front of me, that makes every instinct to escape kick in.

I run in the other direction, but every turn makes me more desperate and, without any consideration, I run into the hall, I was so afraid of.

It is filled with all kinds of ciders, and I also see the figures of my classmates, wounded and unhappy.

It's all so overwhelming, that I dont even see him standing on the podium, in the first place.

But as the monsters try to grab me, his voice echoes through the room with an affable authority.

"Nobody touches her. You hear me? Nobody. She is under my protection." I almost freeze into a stature, as he comes towards me and I have no way of avoiding him. No weapon is within my reach, his eyes notice my growing panic.

"Everyone leaves the room. Now." Nobody discusses it, even if some roll their eyes or quietly protest. His authority is unquestioned, it sends a cold shiver down my spine.

When the last doors slam shut, we stand a few meters opposite each other.

"The doors are guarded." It's the first thing he says.

When he tries to approach me, I lose my nerves and run to the corner with the broken glass, that I saw in my dream. I take them in my hands.

I see his eyes widen and he stops in his tracks.

"You- you want to fight me?" He actually sounds surprised and sad. Like I was the one who betrayed him and not the other way around.

"Don't come any closer. I may not have been able to do anything last time, but if you take one step closer then-" I don't know what to say. In no scenario did I ever think, I would have to threaten him.

But despite my warning, he comes towards me with his hands raised, the panic within me so palpable, that I can feel every muscle in my body.

I dodge, when he is only a few meters in front of me. Right into the next corner. As far away from him as possible.

"Princess, you can't keep me away forever. I've always loved that about you. You need me as much as you need to breathe."

It's supposed to sound sweet, but his words make me feel sick

"I'd rather suffocate." He didn't expect that. My words hit him so unexpectedly that he is almost speechless. Almost.

"I won't hurt you. You just have to let me get to you and I'll show you everything. You will understand, believe me." He really thinks, I'll just stay by his side and let him explain.

"Are you crazy? You're a traitor, Luke. You- you betrayed everyone. You betrayed me. How could you do this?" I suppress my tears, because that's exactly what he's waiting for. That my defense becomes weaker. I can't allow this.

"You dont understand. I always told you I would protect you. And I can only do that, if I'm on the winning side. And I am now. We are." His eyes flash with a craziness that makes me tremble. I don't recognize him.

"Why are you acting this way? You are doing the wrong thing - you give up everything. You're giving up on us." Tears leave my eyes and I see him take a few steps in my direction.

"I'm doing the right thing for us. You'll see. You just have to trust me, please. You know I always win. With the power he gives me, I will be invincible. You don't have to worry about one of us dying in this war anymore." I can't move, even if I wanted to, I wouldn't have a way out now. He's too close.

"You are wrong. I would rather die in this war than join this monster and his deceitful army." The shards in my hand hurt, but I don't let them go. They're the only thing I can use to defend myself.

"You would leave me?" His eyes are staring into my soul.

"Would you fight me?" Every word is more intimidating.

"Would you stop loving me?" His words are like his own shards, leaving deep wounds in my heart.

He's standing right in front of me now, looking at me like I'm fragile.

Then he whispers "Would you kill me?"

In the next second, he suddenly has my hands in his, making me drop the glass. Be is only a few centimeters away from me now, his eyes are looking into my own.

"Would you, princess? Then show me." Suddenly he does something, I would have never expected. He takes out his sword and puts it in my hands.

His own hands go behind his back, his eyes tempting me. I feel all the blood in my body drain.

"Do it. I can't live in a world, where you don't love me anymore. In which you are no longer by my side. I am yours. That will never change, just like my love for you."

I can barely hold the sword, it's so wobbly in my hands. He stands in front of me and gives me every chance to defeat him. But I can't move.

It's quiet for a moment, then I see new hope in his eyes and when he speaks again, the tone of his voice melts my heart.

"What did you say a few months ago, you would always let me win? Let's win together this time. Please, just listen to me." His hand strokes my cheek. Wipes away the tears.

Then he drops his hand and grasps his sword, letting it fall to the ground.

He takes my hand instead.

"Follow me." He pulls me behind him, closer and closer to the golden coffin, it's like I'm in a trance, but when I finally feel the cold aura of something cruel, I'm able to think clearly again.

"No-" I don't want to be one step closer to this thing.

He turns around so quickly, that I can only slap his cheek, before he grabs me again.

"That was for kidnapping me. Let me go now!" I want to avoid his grasp. But again he does something I don't expect.

He holds me still, catches my gaze and then, kisses me so gently that the feeling alone makes me almost completely defenseless. His hands cup my cheeks, grip my hair, hold my body.

This is probably his worst trick. I've never been able to resist one of his kisses. And he knows that. He uses it against me.

Then he murmurs words against my lips, that barely reach my ears.

My heart is pounding in my throat.

"You feel this? We belong together. It is not written anywhere on which side we need to be. As long as we are together." His fingers stroke my lower lip, his figure towers over me and for a moment my surroundings fade. It's almost like always.

But he's not wearing his orange t-shirt, his expression isn't relaxed, and I don't hear any insults from the camp members in the distance.

"You're manipulating me." I am powerless against him. I thought we were on the same team, that no one had more power over the other one. But I was so wrong.

His eyebrows furrow again, and when his hands try to pull me against him, I hit his chest, without thinking, with the only piece of glass I hid in my pocket. But unlike I expected, nothing happens. The shard bounces off his skin and falls loudly to the ground. I can only stare at him in disbelief.

"How-" He just looks at me worried, no anger is visible in his eyes.

"You can't hurt me. I have the curse of Achilles upon me." I suddenly become aware of the effect the lake Styx in the underworld hast and I almost fall to the ground at the realization, my knees weaken.

"That was a test earlier. You wanted to see if I would kill you-" my voice fails.

He just looks at me sadly and smiles in regret. My heart becomes heavy.

"And I knew you wouldn't hurt me on purpose. You would never hurt someone you love. Not if you'd kill me in the process." What can I do? He knows me better than anyone, he can see right through my every thought.

"I can't do this, Luke. I-I can't be together with you, if you are like this." I'm serious, but he doesn't believe me.

"That's what you think, but it's a lie. The sooner you admit it to yourself, the more pain you avoid. Our souls are linked together, without me you are not able to live. I know, that you will continue to love me, no matter what I decide to do. That's how much you love me. You would rather die than not loving me."

I can't listen to him. I can't.

But his eyes are like all the promises in the world. He is my world. How could I ever forget that?

"Please come back with me, Luke. I-I won't tell anyone, but please. Let's go, let's forget everything, please-" I cant deal with this anymore. It's like he's draining all the energy out of me. More with every word, that leaves his lips.

"I can not do that. It will stay the way it is now. Don't fight against me, fight with me. You are so smart and loyal, you will be convinced. He will show you." His eyes now flash with something that frightens me. I see his hunger for power, something that has always been dormant within him.

"Luke, the only thing I ever really wanted was you. No power, no war, no prosperity. Only you. But I'm about to lose you. Don´t do this to me, I beg you." My hands find his face, stroke the skin and I look into his eyes. But they are no longer the same ones I fell in love with.

I never thought he would love having power more than he loves me. It breaks my heart.

"I have decided. Nothing will change about that. Not even your pleadings. I'm sorry." His eyes reflect my desperation.

"What's holding you back? All you need is me." He says it so confident, that I almost wonder, why I don´t agree with him.

But my conscience has always been my greatest strength.

"I won't betray them. I couldn't live with myself, if I did." He takes a step back.

"But you could live without me? You would rather be by Jackson's side than mine?" His words hurt me. But he speaks the truth.

"I love you Luke, more than I ever thought was possible. But just as you put power before me, I put loyalty first. And I'm not sorry about that."

Frustration finally seeps through his perfect facade. I wonder how long he's been playing with me. The thought of it makes everything inside me tighten.

"I am not letting you go. Our fate is set. You will recognize it too and when that happens, you will be on my side."

His conviction frightens me, but this time it doesn't freeze me into a statue. Now, I'm running away.

And luckely, he didn't expect that.

For a few minutes now I've noticed one of the windows, that doesn't look very stable. I just have to jump against it to open it.

"NO!" Luke's voice echoes across the room, loud and warning, but it doesn't stop me. Before he can catch up with me, I jump towards the window, my shoulder hurts, but I was right, it breaks.

But I didn't think about the height difference and I realize it might be too late to do something about it now.

As I try to hold on to the wall outside, two thoughts repeat in my mind.

Either I die or I'm trapped.

Then I hear Luke's voice. He sounds desperate and at the same time angry, like I have never heard him before.

The wall is slippery and it takes every bit of strength in me not to fall, I know it would be my death. I hold on to the broken wall.

"She is outside. Get her back, NOW!" My muscles hurt and I don't know what to do. Then I hear the loud beating of wings. Before I can see who it is, I hear Percy's quiet voice. I feel like crying.

"Drop down, I've got you." I have to trust him. So, I let myself fall without thinking.

Then I feel myself landing on something soft, I hold on to it and my knuckles turn white.

The screams and shouts of the monsters make me tremble, I just want to get out of here. Even if it means, that I perhaps will never see Luke again.

"Come on, now. They'll be here soon." As the wings of the Pegasus move towards the sky, towards freedom, I let the tears fall. The wind is beating around my ears and I can only see in the corner of my eyes that we are getting closer to the clouds.

"I'll find you!"

Luke's threatening voice is the last thing I remember as I close my eyes from the grief of leaving him.

#percy jackon and the olympians #luke castellan #x reader #greek gods #love #betrayal #angst #percy pjo #percy series #annabeth chase #percy jackson

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