#felix seems to have no hard feelings about bruno
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usagirln12003 · 2 months ago
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Felix Madrigal: Hogwarts AU
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Felix Madrigal is a Pureblood wizard that was born on the 11th of November 1934 and started attending Hogwarts on the 1st of September 1946, being sorted into Gryffindor House.
He has a Dogwood wand with a Phoenix Feather core.
His Patronus is Non-Corporeal.
His favorite subject is Care of Magical Creatures and his least favorite subject is Defense Against the Dark Arts.
He was a Beater for the Gryffindor Quidditch team from his fifth year onward.
Contrast to Pepa's sensitive and shaky personality, Félix is a laid-back and positive-spirited man, balancing his often nervous wife. He is a humorous and comedic man who easily puts on a smile to those around him, especially when it comes to cheering up his wife. The two are always in harmony as Félix understands Pepa's struggle to keep her emotions in check and so helps her to keep them at bay. The two are constantly together at meals and are affectionate with each other.
His carefree nature also enables him to get along well with other family members. Félix is funny and kind to the whole family, even Mirabel who is not very popular among the Madrigals due to her being a Squib. With his incredible cheerfulness he has a specialty of making not only his wife, but anyone around him smile. Félix is close to even the quieter members of his family, calling his brother-in-law Bruno "bro" and getting along very well with the strict Abuela Alma and even gets her to dance happily with him. Like Agustín, Félix is also humble and selfless, as he never complains when his wife loses control of her magic.
While he goes along with his family (especially his wife) and towns people's refrains from talking about Bruno as his name is considered a taboo, Félix himself is not against bringing up his name when Mirabel inquired to learn more about her maternal uncle, only stopping when Pepa shushed him. Adding to that, Félix does not seem to hold any hard feelings against Bruno, even when he seemingly ruined his and Pepa's wedding day by adding distress to Pepa, and indirectly causing a hurricane, as Félix still remembers his wedding day as wonderful. When Bruno reunited with the Madrigals and cleared up the misunderstanding, Félix appears to have a hunch beforehand that Bruno is not malicious by heart and simply wanted to help his sister and supports his brother-in-law.
While Félix respects Abuela as the matriarch of the family, he is often annoyed by her reprimands to Pepa to keep control of her emotions to prevent constant magical explosions, with Félix backing up and supporting his wife. Félix is a good father and can be very affectionate. He gets along very well with his nieces, calling Isabela "our angel," and he insists on telling Mirabel about Bruno when she is concerned about being in one of his visions, in spite of Pepa's protests. He can also be protective of the younger members of the family, as seen when the house was collapsing, quickly saving Antonio from the falling debris and carrying him in his arms even after leaving the house. After the fall of the house, Félix carefully checks on Camilo's head to make sure he is not hurt (considering he tried to save Mirabel earlier and almost suffered a hard fall) and then looks for Mirabel when she disappears.
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achitka · 2 years ago
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Doors (Chapter 28) Camilo's Ride
Chapter 27: on AO3
Summary: Adventure time! and I managed to make it through another day. go me
Camilo's Ride
Pepa watched as Camilo rode off on Parce into the hallway. She was feeling a mixture of angst and pride for her boy. When she heard her own thunder she forced herself to adjust her thinking. No, Camilo wasn’t a boy anymore. Félix had said as much when telling her about what he’d done, without hesitation, to help the children trapped in that house. Such a fine young man. Another one of her kiddos was all but grown, Pepa sighed, that was gonna take some getting used to. Félix came up next to her just as her gentle rain started to fall, opening an umbrella.
It was probably a good thing that Camilo felt comfortable enough to do as he did. Mamá had asked them all to not interfere when she turned to meeting over to Mirabel. It wasn’t that she didn’t want their opinions, she did, but she also wanted to see how Mira would handle things between herself and the younger generation. Bruno agreed, saying she’d been so long on the outer edge of the family that now that she was at the center of it, he was just as concerned it could be a problem. So, when Camilo spoke up for his little brother, it was hard to just watch and wait. But Camilo, thankfully was past his ‘jerk’ phase. That had ended when Casita fell, and he lost his Gift. A lot of his who he thought he was, was wrapped up in that. He was still hyper energetic but now he was setting goals and priorities for his future beyond irritating his family.
Still, he had always been an extraordinary big brother. He’d do whatever it took to protect Antonio, even if that perceived threat was his favorite prima and honorary hermanita. The cousins were as close as siblings, being born so close together, they’d spent the first four years of their lives with each other every day and neither ever held back once a disagreement started, their fights were almost legendary. It was when they worked together that things would get weird, poor Isabela being their favorite target.
Though Casita had never directly interfered on Mira’s behalf before, Mirabel seemed just as surprised as Camilo that it had happened at all. She’d have to ask Juli what Casita said when Mira asked the house to stop. That eye roll wasn’t for nothing. Pepa was actually surprised that Mirabel did, it was something that would have never happened under her Abuela’s watch. Casita had always been an extension of their mother’s authority over the family. Second only to that candle.
It seemed like yesterday Camilo was five-year-old, excited, and happy to get his Gift. Since he had just entered a growth spurt, it took a little time afterward to figure out why he was eating so much more than the average little kid. You would have thought there was a hole in his foot but rearranging his body used up a lot of his energy very quickly, so the more shifting he did, the more he would need to eat. In the beginning, not knowing why he was eating so much she’d tried to restrict it. That is until the day he shifted his little self until he literally passed out. Just a regular day, he was playing in the nursery with his prima when Mirabel screamed for her and Pepa had never moved so quickly. She flew up the stairs to find him passed out on the floor half stuck in the shape of the last person he copied. Mirabel said she’d tried to get him to stop and go eat but he just wouldn’t listen to her.
Still her misshapen son, lying on the floor terrified her enough that she scolded Mirabel. Insisting that him eating would not have solved this problem. The child had done nothing but seeing her sobrina shrink back from her as she now did with her Abuela made Pepa quickly apologize. She instantly knew that should have never come out of her mouth. She found out later from Felix that her sobrina had crawled under her bed, refusing to come out, for food or anything. Even her sisters couldn’t convince her that primo was fine and that her Tía wasn’t mad at her. Camilo must have overheard because he snuck out of his room after everyone was asleep and went into the nursery. And that’s where she found them both the next morning. Asleep under Mira’s bed.
Once Pepa had scooped Camilo up, she carried him to Julieta in town. Her ever-calm sister told her he was definitely dehydrated. She had cups with special lids for smaller kids and was able to get at least a small amount of juice in his mouth. He woke suddenly reverting back to himself and just cried saying he was so hungry. Pepa’s heart was breaking as she sat on a stool. Mirabel had been right, she seemed to understand before any of the adults that he needed more food since getting his Gift and would often sneak snacks to him before and after dinner, oftentimes saving him seconds. She always seemed to know when he was truly hungry and not just vying for additional treats.
Now Pepa was forcing herself to breathe through her nose and think happy thoughts so she would not rain on her baby. Julieta offered him several buñuelos, which he ate, and he finally stopped crying. Julieta noticed him looking longingly at the arepas on her table and smiled as she told him he could have more but made him drink a full cup of water before she picked up that basket and gave it to Pepa. “Take him home, keep him out of the sun and let him eat his fill, but make sure he drinks a lot more water. We’ll need to watch him since it looks like he may have overused his Gift.”
Word always traveled too quickly in the tiny town and before long her mother appeared with Isabela in tow as Julieta was telling her what she should do. Pepa held Camilo just a little closer, afraid of what her mother would say. There were times she thought her mother would try to take Camilo away from her. That she couldn’t handle her own children. When their mother found out it was Mirabel he was with, she took it as an opportunity to insinuate that Mirabel had done something to make it happen. It was ridiculous, but lately her mother had begun blaming Mirabel for any misfortune that came along. This included the disappearance of their brother six months prior.
Julieta, already tired from a full day of ‘helping’ the community, asked their mother quite pointedly if she was actually blaming her nieta. Julieta did not mince words with their mother. She was always respectful but since Mirabel didn’t get a Gift she’d become hyper aware of their mother’s bias against Mirabel. Their mother, never one to back down, tried to revise what she said by adding that perhaps they were spending too much time together and Camilo wanting to cheer up his prima was overdoing it to an extreme after doing ‘chores’ in the village. The expression on Julieta’s face said it all. It was clear their mother was trying to find a way to make this Mirabel’s fault.
Later that evening Dolores came to her, she looked nervous as she told her about the gossip in town, how they were saying that Mirabel was the one that caused Camilo to pass out. Something she did to him. Pepa realized later what she did not then. She’d unconsciously taken what her mother said to heart and began limiting their playtime in a way she’d not done previously. When Julieta noticed and asked her why, she did not have a good answer, but she also did not stop doing it. With Bruno gone, there was no one to mediate her and Julieta’s nonsensical arguments. He would have told her to stop being so dramatic, Camilo was fine, no one was dead. He always ended with no one was dead. So, the sisters had to work it out on their own. Meaning they did nothing. Just went on about their days pretending everything was fine as the gap slowly widened between their families.
It was times like these that she missed Bruno the most and Pepa grew angry every time someone even mentioned his name. Their mother had just stopped talking about him all together. No one in town wanted to be nailed to a wall with her glare. So, he became a ghost, a painful memory that she did not want to revisit so she did not. Julieta, however, refused to pretend that Bruno did not exist and would talk about Bruno, regardless of the glares and looks given by herself and Mamá but only if the children asked.
In the end Pepa discovered her machinations were for nothing because Camilo already had ideas on how that should be handled. He was much like his father in that regard, and she learned later the two were in cahoots. Felix was genuinely fond of Bruno and did not agree with her that they should pretend he didn’t exist. It was just wrong. When Camilo figured out that she was keeping his prima away from him, he changed tactics asking his father’s advice. His father told him, “You’re both the same age. You go to school together, spend the day in class together, come home together…Whose to know?” Once home though they would be divided when their Abuela decided Camilo needed to do ‘chores’. She never failed to separate the pair whenever she saw them together and Camilo began finding even more ways to make himself scarce.
Now their mother was sitting at the table with concern clearly written on her face. She was watching Bruno but not with impatience as she would have in the past, but with compassion. The use of these ‘Gifts’ they’d been given had always come at a cost. Since the magic returned, it was obvious that the guilt she’d bottled up since the breaking was starting to bubble up. Pepa understood that feeling, her own children’s Gifts had always seemed more of a burden than an actual blessing. Watching them struggle with them and not being strong enough to do more than encourage them to accept their fate as she had.
She looked back over at her brother, he was sitting with his hood up, hands on the table in front of him, tapping his fingers raw. Sometimes it was hard to tell if he was tired or enduring another vision. There had been too many and most of Bruno’s nervous tics were becoming more and more evident. Bruno even suffered a sponty just prior to everyone coming up here. He said it told him that they would need some food, but not why. Pepa knew better than to ask too many questions. She didn’t push since it was clear that Bruno expected her to do something about it and if she did nothing, she would end up doing something about it anyway so went to the kitchen and got the basket of sweet buns. Julieta realized he was out of drafts and went to get the fresh ones she’d set aside for their brother.
When Camilo began rapidly shifting, and she realized he was trying to make fur, the reason for the food was confirmed. Since the magic returned, and with no expectation to use it in the Encanto, he was himself more often than not. Without proper care he’d overdo it for sure. Still, what he’d achieved tonight was quite remarkable. Of course, now he was likely to start trying to imitate other types of animals. Copying people had become somewhat boring for him. He could do it with barely any information, sometimes just a glance was all it took.
Pepa was pleased she was able to come up with a way to help him with what he was struggling with. The fact that he didn’t push her away when she attempted to help, as he had often done in the past, showed her that the breaking had brought them closer. Bruno showed them that Parce was going to find the people they were looking for. He just didn’t know how that would come about. They knew it was Parce and not a wild jaguar because there was someone on his back that was difficult to see. Knowing now that it was Camilo in jaguar clothes and not Antonio made her feel somewhat better about it, but that was still one of her babies. Félix gave her a squeeze and pulled her closer when it rained a little harder and said, “He can do this, mi vida. He looked very determined.”
Pepa nodded. Both Dolores and Camilo appeared to be adjusting to the return and change to the magic, primarily because Mirabel was very supportive of them and believed that they were capable of altering how they used their Gifts. Also, she realized all of her children had never worked as a team before. She included Antonio in this because without him, they’d still be sitting around trying to figure out how to approach this problem. Before the break Pepa herself believed they’d learned all they could about using them. Even she found she could be more deliberate in the weather she manifested simply because she was the one who decided it should be so. That Mirabel prioritized that they should have lives that did not revolve around the use of them made her very happy indeed.
Pepa watched Julieta and Gus go by with Bruno, walking with him back to his room she supposed. They were walking on either side ready to support his slightly wobbly self as he carried the tablet and sketches. They’d all noticed he was moving in that very deliberate fashion since leaving his room earlier. Dragging himself about. Now that things were in motion she hoped he could go deal with the vision that was probably giving him a raging headache. All the signs were there, and she was impressed with how long Bruno managed to hold himself together. While in the past Bruno had been able to push them down for far longer, he’d been having almost non-stop spontys given the number of sketches he’d made. That also made her wonder what sort of vision he’d had in the city.
Mirabel was looking out the window in the direction Camilo would have taken, she was clearly on edge because she started when Abuela got up and asked if they were coming to Mirabel’s room to see how Camilo was doing. This broke the tension and Pepa’s realization that she could in fact check up on his progress caused her cloud to instantly vanish. As they were passing Bruno’s door Mirabel stopped for a moment and looked at it. There was confusion there, but she continued toward her room when Abuela touched her arm pulling her out of her thoughts. Julieta and Gus came out of their room, and they came over and joined them.
“Is Tío Bruno alright?” Mirabel asked her mother.
Julieta looked back at Bruno’s door and said, “As well as he can be, I think.”
Mirabel nodded and they continued toward her room. Once inside Abuela went into her room but left the door open. Everyone else joined Dolores, Isabela, and Luisa. They had spread some blankets and pillows on the floor, quietly chatting, while watching a cluster of lights that had two tiny heads floating amongst them. Dolores was so much more animated, though she was back to speaking in quieter tones. Luisa nudged Isabela and Isa looked over at Abuela’s door and shook Isa head. Luisa sighed as the pair returned their attention to the floor. Isa pointed at something in the picture of Casita and Luisa leaned in to get a better look.
Dolores held up her hand and Isa and Luisa fell silent as she touched the tiny jaguar head and said, “No you are headed in the right direction, but they are more to the northwest – I’d say more north than west.” Dolores paused as she listened to his response and then said “Hmmm, okay try this. Go forward a few meters…ah, okay, keep going straight for a few more minutes I’ll signal you when you should head to your right. If you veer off I’ll let you know.” The little jaguar then continued on in the direction she indicated. Mirabel went over and knelt down to watch with her sisters, complimenting Casita on the adorableness of the floating head. She looked over to the door then as it opened to show Antonio.
He had a rat on one shoulder and a small bat hanging from the other. He moved over to where his sister was. She saw the animals but gave her brother a hug anyway. Antonio pointed at the little jaguar face that Casita had made for Camilo and said, “Is that Parce?”
“It’s Milo, disguised as a jaguar,” Isabela said in dramatic fashion.
“But they are together,” Dolores added.
Antonio nodded. He got down on his hands and knees, face close to the floor watching the little head move.
Isabela then asked, “Why do you have a bat?”
Antonio sat back and the animals rearranged themselves so they wouldn’t fall off and said, “Tina sent her to tell me she found the camp.”
“The owl sent a bat?” Isabela asked.
“Yeah, she promised not to eat them if they helped.”
“Oh,” Isabela said and chuckled, “Well that sounds perfectly logical to me, primo. Good job.”
Antonio smiled and pointed to the bat, “This is Juana,” he said as the tiny bat climbed from his shoulder to his hand and squeaked inquiringly. “No, I don’t think Tina would do that.” Another squeak and Antonio got up.
Mirabel got up as well and said to the bat, “Thank you for your help today, Juana.”
The bat squeaked a reply and tugged on Antonio’s cuff.
“She needs to get back home.” Antonio said. He went to the window then as Casita opened the shutters and the bat leapt from his hand and flew out into the night. Antonio waved before turning back and said to Mirabel, “Tina said she’s going to stay until morning and watch them. She can’t count but said there were a bunch of people there, mostly big ones.”
“Mostly? Are there children, mi vida?” Pepa asked.
“She called them chicks so maybe,” Antonio said with a shrug.
He said this so matter of factly that Pepa smiled. Félix picked him up and was not put off by the rat still with him as he said, “That is good information, Toni, but it is getting pretty late.”
“I know, I’m just a little worried about Camilo, he’s never ridden a jaguar before.”
“True,” Félix said.
“Please Pá, is it okay if I stay up. Just for a little bit?” Antonio asked this, eyes wide and full of hope.
Félix looked at their youngest and then to her. Pepa sighed, she could tell Antonio was tired, but she knew he’d keep popping up without Parce there. She came over and put a hand on her husband’s shoulder and said, “Alright, mi pequeño, for just a little bit.”
Antonio smiled as his father put him down and he rejoined his sister who pulled him into her lap and began telling him about his big brother’s adventures.
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Camilo held on to the bounding jaguar, leaning close to his back as Parce made his way up the mountain. Antonio made this look so easy or maybe it was because Toni trusted Parce implicitly. Toni told him to pay attention to the animals, in other words, trust the jaguar, he knows what he’s doing out here. Camilo knew this area, it was directly north of Casita and the path most taken by the residents to reach the outlying farms. The path started to the north then veered westward following the curves of the farms. He was surprised how quickly they were able to make it to the very end of that road and Camilo asked Parce to stop to get an idea of where he was headed. He sat up and asked, “Dolores?”
(Yes, Milo.)
“I’m at the furthest edge of the western farms, where to next?”
(I can see you.)
“You can?”
(Well, I can see where you are. I was able to have Casita label your light while you were still here.)
“Oh,” he said and decided he needed to get a good look at that map in Mira’s room. Probably would have been better if he’d looked before he left but the thought hadn’t occurred to him. “So, any guesses on how far we need to go and which direction?”
(Westerly to start. I’m not sure what the distances are…maybe ten kilometers from where you are now?)
“Got it,” he said and pointed in that direction and said to Parce. “Dolores says we need to go this way.”
The jaguar chuffed and started off again at a more reasonable pace. Camilo still leaned close to the jaguar’s back not wanting to be hit by a random branch as the big cat made his way deeper into the woods. The moon hadn’t risen yet and Camilo was taken aback by just how dark it was and how silently the jaguar moved. Another half hour of walk running and they stopped in the next clearing “Dol? I feel like we’re getting off course.”
(No, you are headed in the right direction, but they are more to the northwest – I’d say more north than west.)
“Only one problem with that, Sis. I got no moon, and the stars are hidden by trees and clouds.”
(Hmmm, okay try this. Go forward a few meters)
“Parce, can you walk a few meters that way?,” he asked pointing. The jaguar did and Dolores said, (Ah, okay, keep going straight for a few more minutes I’ll signal you when you should head to your right. If you veer off I’ll let you know.)
“Got it.” Sounded as reasonable as anything else he’d heard tonight so Camilo pointed, and Parce again moved forward. The trees got even thicker making progress slow. After a while Dolores indicated they should head to the right. Camilo was not at all sure how to communicate that to Parce when they were not stopped. In the end he decided to pat the right side of the jaguar’s neck, get his attention and point. This seemed to work as Parce turned and moved in that direction. Twenty more minutes of walking and he heard Dolores say, (You’re close, but it looks like someone’s broken off from the group, headed your way. Be careful – it’s not labeled but from the sounds of it, it is probably one on the kids…not Fernando.)
He had almost forgotten about the old man and Camilo nearly lost his purchase when Parce veered left and off of the game trail. The jaguar stopped not far into the forest and dropped into a low crouch. Camilo looked around but the trees were pretty dense here. Pay attention, his brother had admonished so Camilo tried to listen to the sounds of the forest. After another tense ten minutes he heard a dog bark then go silent. The night air was cool, but Camilo’s fur outfit was almost too warm as he could feel his sweat going cold on his face. Dolores’s soft voice came, and he nearly shifted out of his fur, (Milo, whoever it is, sounds frightened, their breathing is very rapid.) Camilo got off of Parce and edged closer to the trail and waited. He continued watching the trail as there was another short burst of barking.
“Dol, can you guess how far?”
(Maybe half a kilometer away, I can hear the dog. I’m assuming Doris is near it, but she’s stopped moving.)
“She’s not following?”
(Not yet.)
He climbed back up on Parce and said to the jaguar, “Let’s get as close as we can and see if we can find the kid.”
Parce let out a low growl and moved up the trail. After a few minutes, the jaguar stopped and looked back at him. Camilo got down from the jaguar and moved to the edge of the trees. Parce moved past him across the trail into the trees and Camilo lost sight of him pretty quickly. He remained very still, and Dolores said, (They’ll be right in front of you very soon.)
“Got it.”
Camilo stepped out onto the trail just as a small child rounded a bend. There was no avoiding the collision and Camilo increased his size enough to keep from being knocked down. The dog barked again, it was closer now and Dolores said, (Doris is moving toward you.) The child was at first struggling mightily, but then they looked up at Camilo, squeaked and fainted. Camilo almost dropped the dead weight and remembered he looked like a jaguar. After a moment of uncertainty, he decided to hang on to them and step off the trail. He backed into the forest, not wanting to turn away and was doing his best to not trip. Once out of sight of the trail, he propped the kid up against a tree and Camilo shifted back to himself and pulled off his ruana. He wrapped it around the kid who was to his mind too cold. He waited and watched nervously as Parce came out of the forest and stood blocking the trail waiting for the dog to come around the bend. When it did, it skidded to a halt to keep from running into the jaguar that was at least four times its size. The dog growled but Parce let out an impressive sound as he took two steps toward the dog that made it yip in fright and turn back to run the way it had come.
Parce then proceeded to ‘mark’ the area where the child had run into Camilo. Then rolled about destroying any footprints in the area. (What’s happening? Doris is running toward you now.)
“Can’t talk now…” Camilo whispered.
(Okay, be safe.)
Parce leapt off the trail, climbed into a nearby tree with branches that overhung the trail and just sat. He let out a low growl when Doris came around the bend with her dog. The dog whined and Doris immediately stopped, and Camilo saw the angry face he’d seen in the vision, there were no kids with her, and Camilo wondered why. More questions for his Tío or maybe she was always angry. Doris backed away slowly, keeping her eyes locked on the jaguar. Parce had not moved at all but instead was watching the woman the way a cat watches a bird.
(Doris is moving away now…tell me what’s happening)
“I have one of the kids. He’s or maybe she? Anyway, they're out cold. Accidentally scared them with my disguise. So, what now?” There was an unusually long pause and Camilo asked, “Dol?”
Dolores said, (Hang on, Milo)
Not being able to hear what they were saying was making him even jumpier than he was before.
(Milo?)
“Yeah?”
(Mirabel wants you to start down and have Parce listen for Antonio.)
“Why?” he asked, failing to keep the irritation out of his voice. Wasn’t the whole point of him being out here to keep Toni out of it?
(Just do it Milo,) Dolores said impatiently, almost angrily as she continued, (Doris is on her way back toward you and we don’t know if they have weapons.)
His irritation vanished. He hadn’t considered that and responded, “Right, sorry Dol, getting a bit tired.”
(Me too, hermanito.) she said but the anger was gone from her voice.
Camilo only paused long enough to listen to be sure no one was near and picked up the kid. They were surprisingly light given their size. Parce was waiting patiently nearby, and Camilo carefully placed the child in front of him. He made everything about himself thinner, except his arms, those he let remain their normal size to steady the child and said to Parce, “We’re heading back but Mirabel wants you to listen for Antonio.”
Parce chuffed and started forward, head occasionally turning and ears swiveling. The jaguar chuffed again and turned abruptly left, loping but not running toward a light that popped up in the darkness in front of them. While worrisome, Camilo doubted he would be able to get the jaguar to stop so he could look around and did his best to hold on and not be unseated. The jaguar leapt forward into that light and Camilo closed his eyes against its brightness. Parce skidded to a halt and Camilo fell off, managing to shift back to himself and keep the kid on top of him as he hit the floor. He blinked and realized he was home, probably in the upper tower of Casita. His parents, Antonio, Isa, and Luisa were there. Toni already had his arms around the jaguar’s neck. Parce lowered himself and nudged him. Camilo let his head drop back on the floor. His father carefully lifted the still unconscious child off of him and Camilo rolled on his side and let out a groan.
“You did very well, Camilo. Very well,” his father said. He handed the child off to Luisa and she headed to a nearby door that was open. After a moment, his Tía Julieta popped through and pulled it shut. He sat up and craned his neck to take in everything. Just so many doors. There was only one that was red, so Camilo assumed that was the one that Tío Bruno used to go to Bogota. His mother appeared in front of him and helped him off the floor, then wrapped him up in a fierce hug as if he’d been gone years instead of a few hours.
She released him when the door his Tía had closed earlier opened and Abuela was there with Dolores and Mirabel. His sister sighed with relief but she looked almost as tired as he felt hungry. He’d never considered that her Gift could be so taxing, but there was no reason to think it wouldn’t be. They were both using their Gifts in ways not previously considered, so it would take some time to gauge their limits. He decided Dolores was just better at hiding them than he was. The whole we are the Madrigals and we’re all fine mentality he’d been born into was a hard habit to break.
Speaking of; his stomach picked that moment to protest loudly. Damn, he was hungry. With everything that had been happening, he’d been shifting and holding shapes longer than he’d had to since before the breaking. His mother was now holding a covered basket and he could tell by the smell they were cheesy buñuelos, which were his one of his favorites. She handed him the basket saying, “Made them myself, Corazón, now eat before you pass out.” She then turned and knelt in front of Toni saying, “You did so well, Toni. I am so proud of you, mi vida, but it’s time for bed, no more excuses.”
“Okay, Mamí,” Antonio said.
Camilo had already popped a few buñuelos in his mouth and went over to his brother. He handed the basket to Mirabel and knelt down giving Toni a squeeze and said, “Thanks for letting Parce work with me, Toni. Couldn’t have done it without him.” The jaguar chuffed as if that should have been obvious. Dolores was next to him then and she cleared her throat, arms crossed. “You too, Sis. That’s an impressive new skill you’ve got. Definitely kept me out of trouble.” Camilo got up to hug her as well when Antonio shouted, “Jaguar pounce!”
Dolores smiled through her wince and Camilo caught his little brother midair. He was surprised Toni could even jump that high. Antonio pulled his sister in because he enjoyed nothing more than a good group hug. Camilo’s stomach again protested his lack of sustenance, and his mother came over and lifted Antonio onto Parce and said with some accompanying thunder, “Eat, boy.”
Mirabel immediately stepped forward with the basket, handing it off, then turned to ruffle Antonio’s hair. “Good night Toni, see you in the morning,” she said as Parce headed toward the stairs.
“Night!” Toni shouted as he disappeared down the steps.
“Well, I’m off to bed,” his mother said, “Once I make sure Antonio is down for the night. Good night everyone.” And she too went down the stairs. Camilo popped another buñuelo into his mouth as the plain door opened again and Tío Agustín was there. He waved to them and everyone still in the tower went into what turned out to be Abuela’s room. Camilo was mildly weirded out, he’d never actually been ‘in’ his Abuela’s room before. Only ever seeing it from the hallway. A small cot had been set up in the corner. The kid was in the deep sleep of exhaustion and Abuela moved next to him and said quietly. “Nieto, thank you for helping this child. So many new things you are learning,” She paused and asked hesitantly, “I never got to ask, did your interview go well?”
Camilo smiled. That had completely slipped out of his head. He’d already told his parents and he remembered the box of books he was supposed to be reading and said, “Yes, I’ve been accepted as an apprentice at the school.”
“That’s wonderful news, Camilo,” his Abuela said smiling and it struck Camilo that she looked like his Mamí when she did.
“Yes, that’s my boy,” his father said and put an arm around his shoulders. “Good man.”
“Yeah, congratulations, primo.” Isabela and Luisa said.
Tía Julieta was up from the chair near the bed and said, “That is wonderful, Camilo, but you all need to leave, or you’ll wake this child.” As she passed him , she handed him his ruana. She then went to the door and Camilo was amazed it was not the tower, but Mirabel’s room. Dolores moved past them into Mira’s room and stopped her prima as she went by and whispered something that only she could hear and Mirabel responded with an embarrassed smile and said, “Thanks Dolores, but all I did was rely on all of you. I really appreciate everything you did tonight, but are you really alright?”
Dolores seemed taken aback by that question. As far as Camilo knew no one ever asked his sister if she was alright. Dolores undid the knot that were Mirabel’s hands from in front of her and said, “I’m tired so right now everything is just a little too loud. That can happen when I’ve overdo it sometimes. In fact, I think I’m going to my room.”
Mirabel nodded and said very quietly, “Good night.”
Dolores plucked a buñuelo from his basket and popped it in her mouth as she went by, “Good night, Milo.”
“Night, Sis,” Camilo said softly.
Next to go were Mirabel’s sisters. Isa patted Mirabel’s head telling her she’d totally nailed it. Mirabel pushed her hand away as Luisa patted her back and winked. Isabela said she couldn’t wait to find out how this would all end and how wonderful it was going to be to go to Bogotá. They said good night and left followed shortly by his and Mira’s dads with an admonition to get some sleep. Camilo reached into the basket to discover he’d only a few buñuelos left. He offered one to Mira which she declined, telling him he really needed to eat as much as possible.
“Guess I’ll go to bed too,” Camilo said, popping the last buñuelo into his mouth and handing her the empty basket.
“Yeah, it is pretty late,” Mirabel said, hugging the basket to herself.
He started toward the door and turned back and said, “We really are better together.” Camilo felt strangely embarrassed by that statement and said, “Wow, there must have been extra cheese in those,” he said looking at the floor. “G’night Mira,” he said as he waved while heading out the door.
“G’night Cam.”
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Mirabel watched the door close behind Camilo and said softly, “Sleep well big brother.” Her mother came out of Abuela’s room and put an arm around her shoulders, pulling her a little closer.
“You should get some sleep, Corazón. You have a busy day ahead of you tomorrow and Casita will let us know when the child wakes,” her mother said as she turned her to face her.
“Okay Mamá.”
Her mother smiled and squished her cheeks as she covered her face with kisses. She pulled a mildly resistant Mirabel into a fierce hug and said, “I am so very proud of you Corazón. And not just for this, but for the young woman you are becoming.”
Mirabel smiled and thought this was just the safest place in the world as the tenseness in her shoulders eased and she finally released the yawn she’d been stifling. She leaned into her mother and returned the hug saying, “I learned from the best, Mamá.”
Next Chapter:
Previous Chapter:
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You can read the rest here if you are so inclined.
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teawizard · 6 months ago
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Ooh Leandra is a hell of a politician, that's for sure. And she's so lucky to have Alma respect her, although how could she not? Rosalie's case is very interesting, honestly. What could her life have been like if not for Cicero, how much has what had happened changed her..? Would her being more trusting result in similar incident, or would she just live happily with Felipe or Leandra? (I feel like I've already asked that, right..?)
Daniela, Dioselina and Bruno are childhood friends, that's true (along with Felix, I think?). God, I wish I could dump all of their lore, but it's not important now lol
Dioselina doesn't respect people who have no agenda, who just go with the flow. She had to work hard to earn respect and she just views anyone who doesn't have a job and/or other responsibilities as children.
Daniela's pretty easygoing and can get along with people if they're fun to talk/spend time with, despite their seeming red flags. Nit-pickers and arrogant people annoy her to death though. That's why I thought that unfortunately she wouldn't (initially?) get along with Leandra. Daniela's easy to fool - she is very curious about the world around her and not that interested to check the information she's told. So, she's an amazing target for gossip, which Leandra's not that fond of in people. It changes though when people start gossiping about Bruno and they're just all wrong, so she starts questioning what people tell her.
By the time the movie happens, Dioselina doesn't change much. She probably lets herself rest more and spend time with people she loves instead of working. She becomes more judgemental though, similarly to Leandra and Daniela - because of how people treat Bruno.
Daniela's change is more apparent. She becomes truly confident and more collected. Especially when the family business becomes her responsibility. She basically acts as a matriarch, as her mother gets weaker, and gets very protective of her family, mostly - her husband and children. Sometimes, too protective. Her main goal is to glow up to not become like either her mother or mother-in-law, and she tries very hard to make sure her children feel loved unconditionally.
(lore dump? why not)
It's probably worth mentioning that yes, she loves her and her husband's families dearly, but the relationship with the Madrigals is somewhat strained. They can sometimes fall into that arrogant behavior she doesn't stand, and Alma clearly doesn't enjoy Daniela as her son's wife because of her recklessness and stubbornness (although she appreciates the courage she gave Bruno). They clash and it becomes difficult living in Casita, so she and Bruno move out. It's a strange plot point, I don't know if it's realistic enough (like, would they have kids by the time they move out?) and how would Bruno act. Bruno's character actually might be the second hardest thing I experience when coming up with the lore.
Honestly, I would greatly appreciate if you shared your thoughts on that matter, if you have them :)
updated: oh and by 'that matter' I mean Bruno's character and the family dynamics he has. Do you headcannon some specific relationships between him, Pepa and Julieta, what's his relationship with Alma in your movie AU, how much attached to his family he is, etc. I'm not asking for something specific, just anything you are willing to share!
8 and 15 (+ optional 16) for the last oc ask!
8. What would break them?
We’ll do a different OC for every question, cuz I got a whole ass family of them to work with. So! Amada would absolutely fall apart if she found out both her birth parents were alive, looking for her, and absolutely heartbroken she doesn’t want to live with them. In her mind it’s a problem that has a Selfish Answer (she stays with her real parents) and a Selfless Answer (she goes with her birth parents) and zero compromises.
15. In what scenario would they feel most uncomfortable?
Octavia is immune to most uncomfortable situations, but she is not immune to the Madrigal People Pleasing tendencies. So she will bend over backwards to avoid being in a situation where somebody might ask her for a favor she doesn’t want to do. When she’s in a situation where she absolutely has to say no, can’t get around it, she goes from being her usual cheerful self to apologizing a hundred times over.
16. How do they take criticism?
On a sliding scale, Gabriel takes criticism the hardest but shows it the least, Amada gets annoyed and defensive by it but eventually gets over it, and since Octavia spends most of her time trying to get better at a skill she has the most practice dealing with constructive criticism. Leandra being an adult now handles criticism very well, but as a kid her confidence bordered on arrogance and it took a few really big mistakes for her to learn to chill out and listen to the advice embedded in the criticism.
And! Since I got you here, I know you’ve been working on your own OC’s lately, so I’m curious. Whichever one you prefer, or even both, what are their red flags? What character traits have you been tinkering with the most?
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twilight-zoned-out · 3 years ago
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Just want to talk about Agustín and Bruno because they probably had an epic bro relationship before Bruno left.
The biggest implication for this is the scene when Agustín finds Mirabel with the jade square. The way Agustín reacts implies that he’s also clearly familiar with Bruno’s bad reputation and knows how the rest of the family, especially Abuela, will react to the square. But there’s no evidence that he ever treated or viewed Bruno according to that bad reputation - instead, when Agustín shows up to help set the table in We Don’t Talk About Bruno, he’s the only one who doesn’t join in on the singing. He was probably one of the few people who recognized that Bruno didn’t cause bad things to happen; Bruno just happened to see a lot of bad things.
Bruno and Agustín also share a lot of similar traits. They’re both somewhat clumsy/uncoordinated, have bad things consistently happen to them (Agustín, physically; Bruno, reputation-wise), and are very caring and protective about those they love.
He felt close enough to Bruno to include himself in the triplet hug when Bruno returns. It’s possible that Bruno and Agustín spent a lot of time together, especially if Bruno hung around Julieta when he wasn’t hidden away in his vision cave and when Julieta was home.
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zafirosreverie · 3 years ago
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When is it my turn? (Pepa x Fem!Reader)
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"Pepa!"
The redhead cringed at her mother's annoyed voice. Damnit! She hadn't wanted to do it! Really! It hadn't been her intention for her cloud to burst right on top of you and her brother. She just wanted Bruno to stop trying to tell you another one of his stories. It was her turn to be with you!
"I'm sorry mami" she said, pulling on her braid and staring at the ground.
"Look what you did, your brother and Y/N are soaked" Alma frowned.
"Y/N doesn't seem to mind" Julieta chimed in.
"Y/N doesn't mind anything" Bruno growled, approaching his mother
Pepa tried not to blush when she saw you take off your blouse and skirt, leaving you in your underwear. You had been friends with the triplets since they were children and from the beginning, it had been clear that you were not ashamed of anything. At first, it was a shock, but after so many years of friendship, even Alma had gotten used to it and accepted this fact.
For the triplets and their mother, it wasn't uncommon to see you in your underpants or covered in dirt or with your clothes plastered to your sodden body. It was just your nature. The problem was that the middle sister had started having feelings for you a while ago. Feelings that a simple friend shouldn't have.
It started when you approached her and asked her to dance. You were one of the few people besides her siblings and that Felix boy that didn't mind her clouds and sudden changes. In fact, you had fun being with her when it rained or snowed, and that in turn made her calm down faster.
That time, she had been very, very upset and nothing Bruno and Julieta said seemed to help, much less her mother's scolding. But you had confidently approached and made her dance in her own rain. She had felt your warmth filling her own body and when her cheeks flushed at the sight of your soaked, semi-sheer blouse against your skin, she knew she was lost. You were no longer just a friend to her.
It was hard to admit it to herself because she was convinced you would never feel the same way. And she had reason to think so! Mainly the fact that you treated her siblings the same way or that you actually seemed to be spending more time with them lately.
"Ohh second round is coming!" you said happily noticing the clouds return
"Pepa!" Alma crossed her arms
"Sorry! Clear skies, clear skies"
Your laugh, while you jumped in the puddles that had been created, helped her a little...until you took Julieta's hand and brought her closer to you so that she could play with you. That made the thunder return.
"PEPA!!!"
__________________________
"Where is Pepa? She could help us"
The redhead stopped in her tracks when she heard your voice from Casita's living room. She didn't know you were here and...you were asking for her? A light fog enveloped her as she blushed, but she quickly regained her composure and walked into the room with a huge smile.
"Help you with what?" she asked, making you and Bruno jump
"Oh hi Peanut!" you smiled "Butter and I are making the three-cornered hat! But we are missing one person" you explained
Bruno looked at his sister fearfully, knowing that she would probably find this absurd. Pepa however had to restrain herself from blushing at the stupidly adorable nickname.
"Do you want to be our governor?" you asked
"Th-the governor?" the redhead asked "doesn't he die?"
"Yup. Bruno will be the peasant and I will be his wife" you explained.
Bruno was the only one to notice that the temperature in the room dropped almost immediately and Pepa's smile faded before she crossed her arms and frowned.
"You're 20 years old, both of you grow up!" she said and stormed out of there with a cloud shooting lightning bolts.
Her stupid little brother and his stupid plays. Why would you offer her a role in which she would clearly die? Why couldn't Bruno do it and she would be your wife? It was unfair!
__________________________
"Jelly, stop moving!"
"You tickle me Y/N" Julieta giggled "And don't call me that"
"Pepa and Bruno don't complain about me calling them Peanut and Butter, so you can't tell me to stop calling you Jelly" you scolded softly
Pepa knew that she shouldn't go into the kitchen. She knew deep inside that whatever she saw would only make her feel bad…but she just couldn't help it. She wanted to see you even for a moment. So against her better judgment, the redhead took a look at the kitchen.
There you were, precious, perfect, beautiful, laughing with her older sister while both of you had your faces covered in flour. So you helped the brunette cook again, huh? It was already becoming usual for you to come looking for Julieta in the afternoons and Pepa didn't like it.
However, her train of thought stopped when she saw you approach her sister again and start massaging her shoulders. Julieta squirmed a bit from the tickles but she managed to stay still enough to let you work.
Pepa felt her heart break and she quickly walked away with a black cloud over her head. She couldn't be mad at her sister really, she loved her siblings more than anything, but it hurt a lot that you weren't as close to her as you were to them, especially when out of the three of them, she was the one who needed you the most.
But when had life been fair to her?
________________________
"Hello Peanut!" you smiled when you saw your friend approaching you
However, Pepa didn't say anything to you, she simply grabbed your arm strongly and dragged you away from Julieta's stand, leaving her siblings surprised and you confused. There were no clouds, but the air around the two of you was hot.
When she was sure you were far enough away, she turned to you and crossed her arms.
"When is it my turn?" she asked dryly
"What?" you blinked "what are you talking about?"
"When is my turn with you, Y/N?" she repeated, a little blushed "you've been spending too much time with Bruno and Julieta. Have you already forgotten that I'm also your friend?"
You looked at her for a moment. Her face was almost the same color as her hair and she had an adorable pout as her green eyes bored into yours. She looked so cute. And you couldn't help but laugh softly.
"Peps, I tried to invite you to the play with me and Bruno and Julieta asked if you wanted to make cookies with us, but you said no both times. I thought you were the one who didn't want to spend time with me, so I gave you your space." you shrugged
"That...is not true" Pepa said weakly.
She quickly remembered both things and realized that it was, in fact, true. She had been upset with Bruno for playing your husband and she had been jealous of Julieta because you had come looking for her to teach you how to make cookies and she had just left. She hadn't stopped to think about the fact that you had tried to include her as well.
You laughed again at her expression and walked over to poke her cheeks, making her jump and look at you in confusion.
"But, if you really want to know" you whispered conspiratorially "your turn will be when you stop being jealous and ask me out"
You winked at her and gave her lips a quick peck before quickly backing away, leaving her completely red and Encanto covered in mist.
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acewithapaintbrush · 3 years ago
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I read about a tradition in Spain that was just perfect for a small "Encanto Easter Story" because I could finally use my headcanon that Bruno is the godfather of every single grandchild. 
Please enjoy some wholesome good Tio Bruno content:
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Easter mass is finally over. The church had been packed, like it always is on Domingo de Pascua, and for Bruno the service had been peaceful and nerve-wrecking in equal measures. He had spent the entire time gripping the cross hanging around his neck to keep from knocking on the wooden bench and disrupting the sermon. 
Nerves shot or not: Bruno had missed this. The singing and the praying and the stillness in between. 
He had not missed the side eyes and the occasional whisper directed his way. But that's just the way things have always been. No matter how much more decent the villagers have been treating him these past couple of months, he will always be an oddity, the unknown and mysterious and sometimes scary seer of the Madrigals. 
Bruno can deal with that, especially with his family by his side. Mirabel holding his hand and Dolores leaning against his shoulder, Camilo occasionally leaning forward to make funny faces at a bored Antonio until Felix scolds him and tells him to pay attention to the Padre. 
Yes. He can deal with anything.
But mass is over and they have returned to Casita. Bruno feels a silver of apprehension and fidgets with his ruana (a nice one, the one he only wears to church). Julieta seems to have picked up on his nervousness, because she bumps his shoulder and smiles at him. It always surprises him how much those little affirmations can boost his confidence. With a deep breath he nods at her and hurries into the kitchen to gather the surprise he has prepared for the children. 
The Mona de Pascua, the traditional Easter cake that is passed from the godfather to his godchildren to be shared, sits just as wobbly and misshapen on its plate as it did last night. Bruno had insisted on making it himself, without Julieta's help. Seeing it now, he kinda wishes that he'd accepted her offer. It is not round at all and the chicken he'd tried to form out of chocolate to be placed on top looks more like a chicken that has been run over. 
The kids will probably hate it. 
"Ay hermanito. It doesn't look so bad." 
Bruno gives Pepa, who has followed him into the kitchen, the stink eye. "The fact that you need to tell me that tells me everything I need to know." 
Pepa snorts and ruffles his hair. He hates when she does that (no he doesn't) and ducks away from her. 
"Well it looks… unique?" 
Bruno scowls at the cake. It's the first one he's made since his disappearance so of course he is out of practice. But that's exactly why he had wanted it to be extra special. 
Sometimes he still can't believe that his sisters have made him the godfather for all of their children. Hard to believe that everything had started because of an innocent promise in their teens, either. When a nervous Bruno had sat his sisters down to tell them that he doubts that he will ever want children of his own. 
He had been worried and scared, unsure of how his sisters, who were already discussing baby names at the tender age of 16, would react. But he shouldn't have worried. They had simply declared that, in that case, he would make the perfect godparent for their own children. They had promised him that the first born grandchild would be his to spoil rotten. As is the job of every godparent, apparently. 
When Julieta had given birth to Isa first, Pepa had been so distraught that Bruno had offered to be her child's godfather as well. One more wouldn't make such a big difference. 
By the time Luisa had been born, the villagers had started to call him "Bad Luck Bruno", had started to curse his name and had insisted that he was bringing nothing but misfortune to everyone and everything he touched. 
Julieta had placed baby Luisa into his arms and had said "None of that is true. Don't believe a single word they say. I trust you with my second child as well, Brunito. Always remember that when it gets too much." 
When Camilo had been born, Pepa had followed her sister's example and Mirabel a few months later had just felt like the next logical step. 
Godfather to four beautiful sobrinas and a sobrino. Bruno had been so happy. Every time he'd felt like the words of the villagers were getting to him, he had just remembered his sister's words instead and had gathered them all close for a tight hug. 
Looking at Pepa now, smirking at his sorry cake, he just regrets that he wasn't around for Antonio's birth as well. 
"Listen, Pepa. I know I'm not Tonito's godfather, but I would like to include him as well. I don't want him to feel left out and I kinda consider him mine as well, you know, so I just thought that-" 
"What are you talking about?" Pepa interrupts his rambling. "Of course you are Antonio's godfather."
"Wait. I am?" 
"Yeah. Well, not 'officially' with the church. We had to make Julieta the godmother to get the baptism done but we left the space for the godfather blank and later put you down as his godfather in our will. Hey, maybe we could ask the Padre to repeat the ceremony or whatever you do when you want to add a godfather later on."
"I'm not sure that's even possible." 
"Oh well. No matter. Like I said, we put it down in our testament and it's not like Juli would challenge you about this."
Bruno can only stare at his older sister. "But why? I was… gone."
Pepa grimaces. She doesn't like to be reminded of that time. None of them particularly do. "You are the godfather for all of our children. I wasn't going to change that just because you weren't… around." Suddenly she turns away and her shoulders start to shake. Just the tiniest bit. "Not making you the godfather would have felt like giving up. And no matter what you might think, I never gave up hope that you would come back one day. One day my little brother would return and he would be the most wonderful godfather to my youngest, just like he'd been to all of them. I just had to believe that, or I would have… I would have-"
Bruno wraps his arms around his sister from behind and buries his face between her shoulder blades. Pepa exhales shakily, grips his arms and lowers her head. 
"I will Pepi! I won't ever disappoint you again. I will take good care of Antonio and the others." 
"I know you will."
They stand like that for a long time until the children all stumble into the kitchen. Bruno and Pepa break apart and he can see her inconspicuously wipe away some tears. Before the kids can notice and question her, he takes the plate and holds it up with a flourish. As if it doesn't hold the most sad looking cake anyone has ever seen. 
"Felices Pascuas!" 
None of the children laugh when they see their special cake. In fact, they are all delighted and every one of them demands the biggest piece. In the end Bruno gives it to Antonio, since it is his first one. There is some grumbling but they are good kids and congratulate their smallest on his big serving. 
And as Bruno finds himself surrounded by all six of his godchildren and sharing the Mona de Pascua with them, he can't help but smile. 
It tastes a lot better than it looks. 
XxxxxxxxxxxxxxxxxxX
Please accept some artistic freedom when it comes to how baptism and godparents work. Let's just say that the Encanto is a closed community and it got its own rules.
Happy Easter!
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gamerbearmira · 2 years ago
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Housebroken idea what duh⁉️⁉️
Ok????? been thinking about this for hours, based on SA’s most recent Housebroken idea⁉️
Ok so ceremony timeeeee. Was thinking about how it formed. The candle was Pedro’s sacrifice, it was the magic. Hence why Casita and Pedro were essentially connected to the house and sort of each other?? I digress. If Pedro left, he took the magic with him. And it looks like the magic takes on whatever tf Pedro wants it to.
Since Julieta, Pepa and Bruno’s doors kind formed when their new home did, they didn’t go through the ceremony again. Maybe Pedro did it himself? Maybe?? He is the magic, essentially, at least in this AU. He has the ability to give and take away magic it seems. I mean. He moved Casita sentience so there’s that. I imagine when his grandkids (not Alma’s, his) came along, he kind of gave the magic to them directly.
Like. Lemme explain. Or at least try. So, they do have a ‘nursery’ of sorts in this home as well. Didn’t come to be til Julieta found out she was having a baby. After the nursery came to be, that’s just where the kids stay. It’s clear either Pedro or Casita created that room. Now here’s where my idea comes into play 😼😼
Basically, Pedro would hold the child’s hand, and give them the magic directly. Except he doesn’t go in a long winded speech about how he died and the child has to serve the community, obviously. He just gives the child their magic. How does he know which gift to give? He observes them. He doesn’t immediately give them a room because one, they’re too young, and two, he uses the 5 years as a way to observe the children and thus give them a gift they’ll like.
So he hold’s both, or rather all, in the case of Mirabel, child’s hand and gives them magic. Then they have it. But what about the room? Well, Casita just creates one. Carves their name above and creates a blank room. Child touches the wall beside the threshold and boom there’s their room. And no, the children aren’t pressured to immediately move into their room. Usually they stay in the nursery for a bit longer, usually a week or two and ease their way into sleeping there. After all, it is a new place.
Anyway Mirabel’s gift. She basically is the candleholder in this AU; Pedro essentially gives her his ability, and she can actively go around and help her family with their gifts, just by touching them. She also does Antonio’s ceremony too, she’s the one who holds his hands.
TL;DR; Pedro gives gifts directly by holding the child’s hand. Child gets room by touch the threshold and Casita creates it accordingly.
Once again, I am thinking way too hard and putting in way too much effort.
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I
I fixed it, no more mean Alma, she’s been replaced by Pedro (and Bruno)
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Wondering how Alma feels rn 💀💀 mf is alone in a giant empty non sentient house. Conflict could be she finds it that her daughters’s children have gifts, probably through Felix’s/Agustín’s parents, villagers who trekked far enough to see for themselves. Alma knows she has grandchildren but refuses to interact with anybody from the family, claiming them all to be wild animals. Weirdo. Anyway she. Sees how useful some of the gist are and tries to, quote unquote “take them back.” Talking about how much she missed them and how she didn’t mean what she said and did all those years ago.
Like the desperate freakin loser she is
Anyway how we feeling bout his, do we like or dislike 😩
IM OFF TO BED ITS 2 A.M
More asks, more specifically the art request ones, tomorrow ❤️
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obsidianstrawberrymilk · 3 years ago
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Mmk so what I really wanna know more of is how the Madrigal Parents contributed to the Generational Trauma. Bc ofc Alma may have been the main one putting pressure on everyone to be perfect and useful constantly, but it’s not just grandparents who contribute - generational trauma is passed on to our parents as well and I wanna see how the parents hurt their kids as well. Even if they love them (like they obviously do).
Like, Julieta is caring and amazing, but she’s also probably the OG golden child, and I want to see how that pressure hurt her relationships with her kids. Like, imagine her using Luisa as a crutch, because she’s the strong, dependable one, and she’s really got no one else. She’s Julieta - of course she can handle cooking constantly with no breaks, no mistakes, no pressure. Why would she need someone to just talk to sometimes? And ofc Agustin tries, but he’s clumsy and Alma never liked him so he’s got his own duties, and there are times he hurts more than helps. But then there’s Luisa. Sweet, eager to help Luisa, with a gift that means there’s no limit to what she can carry and a smile on her face. She never seems to mind helping her mother, and well... it’s just a small task here and there. She doesn’t ask for much, and she could really use the help. Luisa has other tasks, of course, but she’s always going to help her mother, who never seems to see when it’s too much... because how could she? No one ever told her what too much was.
And she loves her youngest, sweet Mirabel, but she never seems to understand how she feels. In the movie itself, her reaction to Mirabel’s insecurities is sort of just a fake platitude that, over time, grows to mean nothing, and then a joke - a quick, easy bandaid so she doesn’t have to actually deal with it. She knows her daughter is hurting, but she doesn’t know what to do... but she can’t say that, she can’t ask her husband, who may understand better than her. She can’t ask for help. So she smiles and dismisses and hopes it does something. It doesn’t.
Or Isabela - the second gen golden child, with a gift much prettier than hers but as useful. Maybe Julieta told her, one day, sitting together in the kitchen, that her grandmother is a wonderful lady, but can be a bit... harsh. Usually, it’s just best to do what she says than try and argue or disobey. They’ve already got so much to worry about, with Bruno’s disappearance and Mirabel’s lack of a gift, that it’s just simpler, and less heartache, for her to do what she’s told. It’s what she’s always done, after all. Maybe she’s a part of the reason Isabela was willing to have five babies with a man she didn’t love to appease her grandmother - after all, it’s easier, for everyone, if she just does as she’s told.
And I’m sure Agustin tries. He’s kind and goofy - he’s close to Luisa and cares for Mirabel and Isabela, but it’s not his place to interfere, he supposes. Alma has never liked him and never will, and he supposes that insecurity has bled into his relationship with his daughters - for all they love each other, he sometimes feels like another set of problems Luisa finds herself having to carry, and Isabela doesn’t know how to talk to him, because she’s the perfect Madrigal Golden Girl, and that’s a pressure her father could never understand. And he understands Mirabel’s feelings of inferiority at times, but could not understand how it is to be so isolated in your own family. Between all that, and his own learned passivity... him finally snapping at Alma “I was thinking of my daughter,” was a long time needed.
And Pepa - even when she tries, her emotions will get the best of her, with rain or hail coming down, and it’s up to everyone else around her to manage her emotions so they aren’t literally hit with a storm. The second they hear “clear skies, clear skies”, do her kids prepare themselves to take comforting and mature roles? Felix loves his wife, and he does whatever he can to calm her, but well - it’s a hard job at times, and he finds himself forgetting about his kids sometimes. Pepa’s emotions are obvious in the weather that day, so the whole family finds themselves centered around them, including Felix.
What about Dolores’s super hearing, and her learning quick she can’t talk about most of what she hears because it can upset her mother? What about her learning how to be quiet, not just for her gift but so she doesn’t make her volatile mother even worse or hurt her? Her using it to steer her away from things that might upset her, being quiet about her own desires, thoughts fears, because there are more important things to worry about, and she’s not really anyone’s priority, anyway.
Camilo’s a shapeshifter - he adapts himself into whoever is needed at the moment. He takes care to keep everyone, to keep his mother, laughing and smiling as much as possible, to keep them all happy - and if he has to copy his uncle, his father, his grandmother, someone else’s mother, to make sure everyone stays smiling, so be it. He learned how to calm his mother down and how to adapt himself to fit her needs, even if he gets literally burned in the process. He’s forgotten who Camilo is, as he tries to make sure Pepa’s clouds stay as small as possible.
Or Antonio - five years old and already feeling the pressure of an entire family to get a gift, lest he be another Mirabel, a family outcast. Does he see his mother’s winds and shouts and wonder how bad it will be if he doesn’t get a gift if she’s acting this way? Does her anxiety rub off on him, making it all worse? Does he seek comfort in Mirabel instead, because he knows his mother has already been stressed, and he doesn’t want to make her worse?
Idk, I just want to see how the Madrigal parents might have hurt their kids as well. Because generational trauma doesn’t just start and end with Alma.
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one-pissed-off-child · 3 years ago
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My impression/expectations of the Madrigals based on the first trailer vs what I think of them now
Mirabel
Then
- didn't really pay attention to her tbh
-seemed a little dull compared to the others
-viewed her as a narrative device than an actual character
Now
-Anna and Hiccup fused into Mirabel
-her sarcasm is immaculate
-most relatable character out of everyone
-fantastic dancer
-prolly very into arts and crafts
-very cute face
Isabela
Then
-hnngh pretty flower lady
-disney princess vibes
-probably gonna be my fav
-I feel like she sings to birds in the morning
-prolly gives food to the homeless or smth
Now
-went for Cady Heron got Regina George
-I judged this book by its cover so hard
-she's?? so?? hot? help???
-serving femme domme realness
-golden child syndrome sucks
-wouldn't be opposed to her taking over the world actually
-supervillain au when?
-thinks she deserves everything and she's absolutely right
Luisa
Then
-hnngh big hot lady
-seems like a no-nonsense type character
-another candidate for favorite
-man crusher
-notice me senpai
Now
-a lot sillier than I imagined and I love it
-Scorpia kinnie
-emotional baby
-daddy's girl
-I could strangle disney for not giving her a colorful dress like the others
-#LetLuisaHaveFrills2k22
-gives the best hugs
Dolores
Then
-didn't appear much in the trailer so
-didn't really have an opinion
Now
-she's!! so!! cute!!!
-town's biggest gossip
-her squeaks give me life
-better rapper than Eminem
-can't keep a secret
-very unflappable like nothing surprises her
-tells her mother everything
-can destroy you in five words or less
-I feel like she likes fluffy things
-won't start a fight but will finish one
-10/10 quality girl I want to kiss her nose
Camilo
Then
-thought his shapeshifting power was pretty cool
-immediately pegged him as the comic relief
Now
-very pretty boy
-everyone's favorite cousin
-mama's boy
-doesn't care what anyone thinks
-his smirk sustains me
-also tells his mother everything
-master prankster
Antonio
Then
-adorable baby boy
-want to give lots of snacks and snuggles
-deserves love
Now
-and pretty much yeah
Bruno
Then
-I had no idea this man existed lmao
-didn't see him in the trailer
Now
-someone get this man some depression meds
-really needs a hug
-probably listens to Simple Plan
-terrible decision-making skills
-mans really decided to hide in the walls for a decade rather than talk to his mom
-i mean same tbh
-could y’all stop infantilizing this 50 year old neurodivergent man thanks
-is LOVED by his family and anyone that says otherwise is wrong
Pepa
Then
-I liked her hair
-also didn't appear much in the trailer so no opinion
-didn't watch We don't talk about Bruno before seeing the movie so I didn't have the same stigma against her that most do
Now
-introducing the actual fav character
-I LOVE HER SO MUCH
-someone get this woman some anxiety meds
-second biggest gossip in town
-another fantastic dancer
-probably enjoys peppermint tea
-needs to stay away from coffee
-is a loving mother and wife
-couple goals
-literally just see the way she looks at her husband and kids
-very dramatic
-would def be a broadway star
-definitely either the youngest or the oldest
-LOVES her brother
-stop saying she hates Bruno
Julieta
Then
-seemed like a very good mother
-very sweet
-I like her eyes idk why
-she has the most mom power ever lmao
Now
-an EXCELLENT mother
-stop saying Bruno should adopt Mirabel when she has Julieta
-so kind so caring I need her in my life
-should have gotten more singing lines
-prolly very sassy when she wants to be
-mom friend
-doesn't get mad easily but fear her when she does
-probably the oldest
Felix + Agustin
Then
-ALSO didn't appear much in the trailer
-thought Felix was a side character tbh
Now
-disney is ill for setting the bar this high
-how do the Madrigals keep picking up quality men
-what is the secret
-Felix has Gomez vibes
-probably bond over how much they love their wives
-fantastic fathers
-"I was protecting my daughter"
-Julieta and Pepa are winning
Alma
Then
-seemed like a sweet old lady
-kind of reminded me of my grandmother
Now
-needs a therapist asap
-if ya'll don't leave this poor ptsd ridden old lady alone
-did what she thought was best for her family
-STOP SAYING SHE HATES BRUNO
-LOVES all of her kids and grandkids but has a hard time expressing it
-was a single mother to three and the impromptu leader of an entire town of people in her twenties
-she handled what needed to be handled
-probably sings the best lullabies
-acknowledged that she was wrong and went to fix it
-all that being said I did very nearly throw hands with her for a second
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dancevidaniya · 3 years ago
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Encanto needs to be a stage musical and here’s why
Someone’s probably already talked about this, but I feel the need to dump all my ideas here. 
General premise: there’s a lot going on in Encanto that could have used more screentime, and it’s a great story with lots of beautiful visuals and themes. 
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Further elaboration (with spoilers obviously):
There’s so many characters! And you know what that means: we need more solos. 
What about a song or songs detailing what Dolores, Camilo, and Antonio are going through? Dolores living with a power that she can’t really shut off (presumably), Camilo trying to find himself while presenting himself as a careless goofball, Antonio’s fears before and after he discovers his powers. He admires Mirabel SO MUCH, but he’s also scared of sharing her fate.
Also, weave in a little more about Dolores’s unrequited love. Make it the tiniest, cutest little subplot. Maurino and Dolores have the smallest exchange where he’s delivering something for the party and she stutters out a little, “Thanks.” And then she makes that little “eep” sound before pattering off. He glances over his shoulder at her, shrugs and smiles.
I think a huge missed opportunity was that we didn’t get to really address the fact that Abuela Alma doesn’t have magic powers herself? Maybe that’s another reason why she’s so hard on Mirabel, she can see her own perceived inadequacies in her. After all, after going through such chaos in fleeing her home and losing her husband, having magical kids was her way of taking back control. The only way she thought she could fix the world around her was through them.
Felix and Agustin having a more lighthearted song about how they married into this crazy, magical family and sometimes they don’t even know how to raise their own kids. Sprinkle in some details about how they met their wives. It doesn’t even have to be a song of its own, it could lead into the aforementioned Abuela song where the tune tapers off into something more somber.
That scene where Julieta is telling Mirabel that’s she just as special as the rest of the family? Song. Make it a song.
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Bruno!! Let’s talk about Bruno! This could have fit into the last category, but it’s just that important.
“We Don’t Talk About Bruno” is a straight up banger, I’ve listened to it a thousand times already, don’t change a thing.
Bruno himself needs more to sing though. We need a song from his perspective about what was going through his head when he ran away and the life he’s been living in the walls.
In the same song perhaps, talk about what it was like to grow up with a power that people progressively began to distrust and even revile. Mirabel and Bruno both grew up under a stigma, both feeling unwanted if for different reasons. And now Mirabel herself seems to be an instrument of doom, just like him.
Bruno and Mirabel could have an awesome musical number for the whole vision sequence. Build it up with discussion about their anxieties. Mirabel insisting on the vision because she has to know how she can fix the situation, Bruno flinching and trying to get out of it because he knows what happens when people hear his prophecies. The vision begins and the music builds and builds and the green lighting is going crazy until - “ISABELA?”
(Sidenote: later in the musical, make it more apparent that the Isabela thing is only the beginning of the healing-the-whole-family process).
Finally, Bruno needs more time to reconcile with the family and for them to apologize and promise to do better by him. That was one of my few complaints about the movie. They really ran out of time to organically welcome Bruno back, and a stage musical would have so much more time to do that in a satisfying way.
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And speaking of things that needed more screentime...
One of my other big complaints about the movie was that Isabela and Mirabel’s reconciliation feels really fast and in my opinion, pretty forced. Isabela was pretty harsh on Mirabel, and her song seems to still be tilted towards, “I’m pretty amazing. Oh yeah, thanks Mirabel.” And Mirabel herself has two seconds to change her mind about her sister. 
So what I would change is: the cactus can still appear in a fit of passion, but it needs to be Mirabel’s idea that Isabela make more. Isabela takes notice for the first time that Mirabel’s unique outlook on life expresses itself through compassion, even towards her. Make Mirabel forget about the hug, and make her suddenly interested in her own sister’s development. She wants to see what else Isabela can do, and Isabela wants more of Mirabel’s perspective. They come to really believe each other when they hear the message, “I’m struggling.” Then it leads into them having a blast like they were at the end of the song.
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On to visuals: Casita!! Magic house!!
Is there anything that screams "theater” like a story that revolves around a single location? And houses are right at the top. And a magic house that shifts and emotes and has magic rooms? That’s a theater dream come true!
You ever check out some of the behind scenes footage clips of the Beetlejuice musical? It’s ridiculous what they managed to do with the lighting of that house, using all the latest technologies. A Disney budget could really run with that.
Through animatronics and the unsung heroes of theater, the techie, you have all the power you need to have cabinets opening and closing, banners sagging and then lifting, cups vibrating on dancing tile counters, floors bouncing and moving people around the stage, flowers sprouting all over the place.
Turning the house set around and you got yourself Bruno’s hideout in the walls. Turn it again and hey look, it’s more of the family members’ rooms! Break the house apart to reveal Bruno’s crazy cavernous tower, and then break it again during the catastrophic climax. Sidenote: explain why the hell the family couldn’t build Mirabel a bigger room or let her share one of theirs. Like, Jesus lol
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Anyway, there’s just a lot to say. I’ll just go ahead and leave you with a final suggestion: everyone’s gotta apologize to Mirabel more than they did. HARD. Especially Abuela Alma.
Thank you for your time!
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vaguelyominouscoconuts · 3 years ago
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Let's talk about how adults other than Abuela Alma contributed to the generational trauma.
So it's pretty common knowledge at this point that the only "villain" in Encanto is generational trauma, but people only seem to recognize Abuela Alma as perpetrating it. Yeah, maybe she's the biggest culprit, but she's not the *only* culprit. With that in mind, let's talk about the triplets.
Pepa
Pepa is volatile, highly emotional. And while that can be difficult on the best of days, it's made even worse by the fact that her being upset could cause a literal hurricane. Her children have probably learned that they need to tiptoe around her. They wouldn't want to risk upsetting her in case they cause a hurricane. And when she *is* upset, it falls on them to calm her down (as we see Camilo doing). I do think that Felix has done a great job trying to take that burden off their shoulders, but he can't do it completely. He's the only adult that listens to Pepa and tries to help her instead of telling her to bottle up her emotions. He's only one man, there's only so much he can do by himself.
Pepa has also unwittingly taught her kids to bottle up their emotions. They've grown up seeing that getting upset not only causes bad weather, but also incites the displeasure of Abuela. So they learned that "for the sake of the family," they need to keep it to themselves. This doesn't seem to affect Antonio so much as it does Dolores and Camilo. I mean, they don't even get songs about their problems like the other kids do. With Dolores especially, we see that she's kept quiet about how she's in love with Mariano, and how seeing him court Isabela really hurts her. And for someone who tells everyone everything and can barely keep a secret, keeping something like this to herself is a big deal.
Julieta
I wouldn't be surprised if Julieta feels like she's under a mountain of pressure. I mean, she is single-handedly responsible for the health of an entire community. Imagine how much food she has to cook, and how long that takes. Now, we never really see Abuela scolding Julieta like she does the others, so I think that Julieta is sort of the Isabela of her generation. She's perfect, her gift is useful, she lives up to Abuela's expectations. I think that she's unknowingly passed this pressure onto her daughters. She doesn't want them to end up being treated like Bruno or Pepa, so she's probably pushed them towards doing everything they can to meet Abuela's expectations. And this has obviously taken its toll on them. Isabela feels like she has to be perfect like her mother, Louisa feels like she has to do everything like her mother, Mirabel is trying so hard to meet Abuela's expectations like her mother and sisters.
And when Mirabel talks to her mother about her problems, confesses how unspecial she feels, Julieta sort of brushes her off (I mean not exactly brushes her off, but you get it. "You have depression? Here, let me tell you a joke. Are you happy yet?" vibes). She obviously wants to help Mirabel and make her feel better, but she's not going about it the right way. When Mirabel says "I'm not special," Julieta just says "Yes you are" and basically leaves it at that. That's not what Mirabel needs nor wants to hear. She doesn't want to be told pretty lies and placations. I don't know how to put it to words, but it's like she's trying to get Mirabel to not think about her problems or something. If anything, this probably makes Mirabel feel even *more* unspecial, like her problems don't matter. I think Julieta just doesn't understand what Mirabel is going through, no matter how hard she tries.
We don't talk about Bruno
Bruno disappeared without a word. While it would have been hard for his mother and siblings, imagine how traumatizing it would have been for Isabela, Dolores, and Louisa (especially the first two, since they are the oldest and remember him the best). Imagine you're a child who has spent your *entire* life with someone, only for them to disappear without a trace. It would have been earth-shattering, confusing, unbearably upsetting.
Bruno showed them that if they weren't good enough, if they didn't live up to Abuela Alma's expectations, if they weren't useful to the family, they'd be *shunned* from the family. They'd be treated as if they never existed. Bruno confirmed for them that there were *real* consequences for not being perfect, which put more pressure on them to not make the same mistakes as him. Of course, Dolores could hear him in the walls. Knowing he was still there, that he hadn't just gotten eaten by a leopard or something, probably taught her that running away from your problems is an option. We don't see her doing that in the movie (we barely see her at *all* in the movie, which I will forever be upset about), but I think it's a possibility. And it definitely served as further confirmation that she needs to keep her issues to herself or risk having to run away.
So, yeah. The triplets aren't perfectly innocent either. But like Abuela, that doesn't make them villains. It just makes them deeply damaged people who need a chance to heal.
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tresmadrigalsibs · 3 years ago
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“Our own Casita” Au
Aka AU where Felix and Agustin discuss and decide with Pepa and Julieta after Mirabel’s ceremony to move out of Casita.
While Alma is so focused on the gifts and protecting the miracle, a year after Bruno went missing and Mirabel didn’t get her gift, Agustin started to really notice how the concern about these gifts really got to the family. Even after almost fourteen years (I like to think they didn’t rush to have the babies after marriage) of living as a Madrigal, he’s starting to really notice the strain that the gifts actually seem to put on the gifted members of the family.
How Julieta was always the only one to do the cooking, having to get up very early in the morning to prepare so much food for not only the family, but the entire village because her gift seemed to be needed every single day, which he felt a bit guilty that he was someone who needed that gift.
Or How Luisa, his second born daughter, she was only ten years old but she was already doing so manny chores that he was sure would make anyone tired let alone a girl her age. She’d been doing almost double the work for a year under Alma’s insistence to help around even more than she had before.
There was Isabela who seemed to always be sitting still like she was being painted in a portrait, but he could swear that her smiled was a little strained every time she agreed with something Alma asked of her.
Of course there was also how his youngest was effected. He saw how hard she tried to be as ‘amazing’ as her sisters and cousins. He’d noticed that Camilo hadn’t been able to play with her as much as they used to. He’d also noticed that Alma had started to distance herself from the little girl. Before the ceremony, Mirabel loved to hug and be hugged by Alma. Nowadays, he hadn’t seen the matron even give her a little pat on the head.
When he voiced his concerns to Felix, his best friend and hermano admitted he noticed the strain with Pepa too. That he didn’t like that if someone wanted their crops waters they’d have to make his beautiful wife feel unhappy or that she’d have to force herself to be happy or stay in her room if someone wanted a sunny afternoon. She should be allowed to feel her emotions without having to worry about how convenient it was for other people.
He worried for Dolores, his sweet quiet daughter who couldn’t make many friends because there were still kids who believed that someone with her gift could only be nosy and a snitch. Who knew what would happen with Camilo and his gift as he was still learning and getting used to the chores of being other people.
Their gifts were amazing but how reliant everyone seemed and the fact that using their gifts seemed to be the most important thing to some people.
After further discussion, they decided to speak about the matters with Pepa and Julieta. There was some reluctance. This had been the way things had always been, why change things after all? But at their age, it was understandable. After another night, they decided to first prepare by finding a plot of land in Encanto that was not occupied.
They built a two houses that connected to each other. They made sure to make rooms for each of the children plus a nursery in case of any future children or grandchildren. It would be best for the family to be able to still be close with one another, especially after losing Bruno the year before, but they needed to see and learn how it was to be without the stress of others expectations.
They decided to leave one last step for Mirabel, adding the doorknob to the front door. After the house was completed, which had taken nearly another year, it would be time to sit down and tell the kids
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futurstic-divineawakened · 2 years ago
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Encanto: A male friend of Mirabel help saves the Miracle 5
* Outside the of Bruno’s room Mirabel and Mateo were discussing how to put the pieces of the Miracle together without the rest of the family knowing
* They brush each other the sand off their clothes
* Mirabel saw Mateo bend down in a corner and pick up a bag
* “What’s that?”
* “Antonio’s present”
* As Mirabel was about to question what happen Abuela came Turing the corner
* “Mirabel” she said sternly and then her eyes widen as she saw she want alone
* “Mateo Lopez I presume”
* “Hola Dona Madrigal” Mateo said looking fluster
* Alma then put in a smile as her eyes look at them both together “What is the pleasure of having you in La Casa Madrigal? Something for Mirabel? The family been wanting to get to know you for a while”
* Mirabel look confused. The family has been questioning her about Mateo for the first time ever and there is no reason too
* Mateo took control of the conversation easily “Well I am about to ask Mirabel her opinion on my gift for Antonio, I know he likes animals and his gift represents that” Mateo was polite in the way he talk
* Not realizing that Alma was going over a certain checklist
* Alma then ask Mirabel if she knew what was happening to Luisa
* Mirabel seemed confuse, If she’s talking about feeling weak about her gift then yes
* But Mirabel would not say anything yet until she get the full story
* Alma then decide to let it go since it seems like Mirabel and Mateo were together the whole time
* Mirabel made sure her bag was secure as she led Mateo away
* As the rest of the family came in and saw on the second floor Alma, Mirabel and Mateo chatting
* They quiet down to hear the conversation happen
* “Abuela, my sewing supplies are in my… the nursery, I’ll be taking Mateo there”
* Alma was not happy with that, she was worry Mateo would do something unwanted to Mirabel “well he is a guest and as a guest he should come downstairs, Mirabel you can take him to the dining table with your supplies”
* “But Abuela that would ruin Antonio’s present, Mateo work so hard to keep it a secret “
* “A present!?” Antonio called out as he ran up the stairs towards the trio at the top
* Mateo look at the famil and wave while making sure to greet the meme ears he knew “Hola Señor Agustin, Señorita Julieta “
* “Hola Mateo” Julieta said as she walk towards the kitchen to prepare for the engagement dinner “I have some food for you if you want “
* While that happen Antonio was questioning Mirabel about his gift
* However Mirabel would not tell him and she turn her focus on Luisa
* She gave Luisa a look to ask if she is ok
* Luisa gave her a thumbs up and made sure she wouldn’t worry
* “Dolores you are ok right, the action probably hurted your ears” Mirabel whisper
* Dolores gave her a look of reassurance
* Mirabel then turn to see Abuela watching Mateo and Antonio
* Antonio was trying to guess his present while Mateo told him nothing that could work
* “Come on Mateo” Mirabel said as she walk to her room grabbing Mateo by the arms
* Mateo follow her giving a wave to the family before Mirabel open the door and close it to the nursery
* Outside the family was gossiping
* Pepa look so excited, she couldn’t help but swoon at how it’s almost like the romantic of books she read to Felix
* Felix told her that the books might not even happen
* Camilo asked Dolores if she heard anything suspicious while those two were together
* Luisa and Isabela were muttering to each other how to approach Mateo and ask him about Mirabel
* It was Abuela who clap her hands gaining the attention of the family to get ready for Mariano and the Guzmans
* She declare she would leave to get them, leaving Casita once again to go back in town
* While that happens Mateo took out Antonio’s present or should I say presents, it was two one a giant color page just full of animals and the other was a stuffy capybara, it was homemade and the uneven stitches were stuck out in some parts
* “That’s perfect Antonio will love it” Mirabel said
* Downstairs Pepa was interrogating Julieta about Mateo
* While the conversation about Antonio happen it shifts to Mirabel making the vision.
* Mirabel mention her Tio Bruno
* Mateo said he doesn’t remember him at all, but he did remember the color green
* Pepa bursts in with a bit of lighting
* Mirabel put her bag over the pieces of the vision while Mateo put his long sleeve shirt next to Mirabel’s bag to cover the glowing pieces
* “You know we shouldn’t talk about Bruno Mirabel” Pepa said
* Pepa then look towards Mateo and comment how he actually remembers Bruno
* “Not much, just fragments” Mateo answer her
* Pepa saw the stuff animal and ask if it was the present for Antonio
* Mateo answer yes, and show her his homemade gift
* Pepa inwardly gush at that, making sure Mateo hit all the check marks needed for him to join the Madrigals
* “You have more memories of him than me Matte” Mirabel comment reminiscing about Bruno
* “Not really” Mateo said before Pepa could speak “all I remember was that his gift was cool and I thought his gift had something to do with lights it was amazing
* Felix’s storm scene happen
* We don’t talk about Bruno no-no-no
* Mirabel was shocked to see it was her staring back
* “Mira look at me” Mateo said looking at how Mirabel’s face change to a form of panic
* “Mira” he took her face and turn her towards him, putting himself in front of the vision blocking the view with his body, his hand cups her checks as he count down with her to breath
* Mirabel slowly relax as her vision went from blurry to clear she focus on Mateo
* “Gracias Matte” She was thankful, she didn’t know how it would have been doing this by herself
* Mirabel was forever grateful to have a friend like him
* Mateo gave her a smile one that reach his eyes as he kept her close to him…
* Agustin burst threw the fire “Miraboo you have your party pants on..”
* He pause, looking at the two kids in the nursery, and then smirk
* “Well excuse me, am I interrupting something?” Agustin ask with a smug grin on his face
* They seperate, with Mirabel moving towards her papa with red checks as Mateo leans more back on the dresser
* “Papa, it’s not like that” Mirabel squeak
* But Agustin heard nothing of it and chuckle as he went back stairs
* “You better be down before the Guzmans arrive and I get you both”
* Agustin left, seeing Mirabel and Mateo together, but not seeing Bruno’s vision
* “Well that went well” Mateo said stretching looking everywhere but at Mirabel
* “Yeah, now mi familia is going to ask so many questions tomorrow”
* Mateo respond to Mirabel’s sarcasm with a joke; “yeah, now they think I purpose to you and we are already having a kid together”
* Mirabel look surprised but she saw that Mateo was joking “yep, I’m a month pregnant now” she said with a giggle
* They both laugh at the ridiculousness and how her family might actually think that.
* The joyful mood set in the room turn somer as she went towards the vision
* Uncover from Mateo’s shirt and Mirabel’s bag
* “Should I tell them?” Mirabel ask, she didn’t think telling them would do anything for her
* Mateo thought the same “No, we can tell them tomorrow, or even the day after”
* “That makes sense, Abuela wants this night to be perfect, and me telling them would just ruin it”
* “Well when you do, I’ll be with you, if you want to keep it a secret until we are farther along then we can do that too”
* “So we agree the plan is to wait and tell them later” she turns to look at him
* “This is your future Mirabel, only you can choose how to get there” he responded
* Both Mirabel and Mateo look at each other, wondering if they should say something
* Mateo then took Mirabel’s bag, and start to pick up the pieces
* “I’ll take this home, along with Antonio’s gift, I can make it better for him tomorrow”
* They heard a squeak, Mirabel look at Mateo and walk towards the door with Casita opening it wide
* Not realizing that their was a crack and Dolores heard everything
* She look at Mirabel as if she was a new person never seen before
* Mirabel was confuse but Dolores just look her up and down and gave her another squeak, quickly walking away
* Mateo came out with Mirabel’s bag, looking at her questionly
* “Time to eat” Abuela said as Mirabel and Mateo went downstairs
* Dolores look at her and mouth the words ‘I know’
* Mirabel froze as Dolores went to take her seat
* Mirabel elbow Mateo slightly and said a code “the bird hears”
* Mateo knew it meant Dolores and panic as they both thought that Dolores was in her room, not listening to them
* Mirabel walk Mateo towards the door, but before they could open it
* Abuela Alma and Señora Guzman came out
* “Mateo please stay “ Alma ask with a smile
* “Señora Guzman agree as she nod “yes Mateo, I have seen you with my Mariano before and I would love if you would stay”
* “But this is about Isabela and Mariano” said Mateo trying to politely decline
* “Yes, but it is late and your parents have already been knew that you would be coming towards Casita, I told them you would stay for dinner” Alma responded
* Mirabel was shock, if even more flabbergasted. Abuela has never done that before
* “Si, Dona Alma I would be honored” Mateo said passing the bag back to Mirabel as the elders led them to the dining room
* “Familia, we welcome Mateo to dinner” said Alma as the family look towards Mirabel and Mateo entering together
* Casita pull up two chairs next to each other with Mirabel sitting next to Isabela and Mateo sitting next to Mirabel
* Only one thing come to mind
* Miercoles…
So the story is a going off canon a bit. Agustin never saw the vision prompting Mirabel to tell him everything.
I forgot that Mirabel’s bag is call a mochila
Dolores always hearing everything, but I think her gift has limits for example, she can’t hear different tones at time and as such can’t hear the sarcastic tones people use or when they are making a joke.
Mirabel has codes for everyone, Antonio doesn’t have one since she has never hid anything from him truly. Thorns is Isabela, leon is Camilo; short of chameleon, icy hot is Pepa,Arepa is Julieta, unicorn is Luisa, etc
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fandomregina · 3 years ago
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Part 1
Part 2 - this one!
Part 3
Part ?
Extra symbolism and things I saw
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["No matter how hard I try."]
The background music "The Cracks Emerge" starts to play again here. This music was played at the beginning after Mirabel's song "Waiting On a Miracle". This is when she begins to get very, very emotional and upset. Alma loosed baffled at first but composes herself. You can slightly see it - Alma lifts her head slightly. She's defensive almost. I feel like she's trying to hold on to whatever authority she has left. Julieta is now standing behind her husband. The scene also gets noticeably darker here. Mirabel is getting angrier by the second. Isabela and Luisa both look scared, upset, embarrassed, and all about to cry. Because they understand I'm sure. They all try their hardest to please Alma. Luisa had a whole song about the pressure she's under. Isabela had her's about not being perfect (which, I just thought, is kind of like the princesses' song in Mulan 2).
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["No matter how hard any of us tries."]
Here the camera is behind Alma. She towers over Mirabel. Mirabel finally brings in the fact that everyone is under pressure from Alma and that as they try to please Alma, being the strongest or having to marry early and be perfect, no matter what, the bar will raise just as they're about to grab it. No matter what they do, they will never be enough. Before she says this, the candle in the background flickers like a strong wind almost blew it out.
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["Luisa will never be strong enough."]
Mirabel's mom is smiling here but it disappears when Mirabel starts talking about Luisa. I think she was trying to give her a smile of encouragement/support. She's proud that Mirabel is standing up to Alma. Again, this just goes back to Luisa's song about being under pressure and having to protect the family, never getting rest. When Isabela turns to her, she opens her mouth and then closes it. She wanted to say something to Luisa but thought better of it.
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["Isabela won't be perfect enough."]
We move to Isabela. She looks over at Mirabel with an open mouth. She seems surprised her sister is standing up to her after how horrible she's been to her.
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["Bruno left our family because you only saw the worst in him."]
She isn't leaving anyone out. She stands up for Bruno. She's also physically putting her food down. Here, the cracks start getting worse. Soon, you can see them go from small to big in the background. Now, we see a shift of power almost. Mirabel starts towards Alma ever so slightly. She isn't being pushed backward by her anymore.
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[Bruno didn't care about this family"
"Bruno loves this family."]
Bruno has been a taboo topic. We literally had a whole number about how we don't talk about him. This is probably the first time Abuela has really talked about him since he left. We know before this is that Bruno left to protect Mirabel. The girl was 5 and he cared/loved her enough to leave, destroy the vision, and hide in the wall for 10 years. Alma is about equal parts mad and upset here. She legitimately thinks he left because he didn't care. Mirabel gets defensive because she knows the truth and Alma's way of thinking about him is part of the reason he left in the first place. The camera is also literally shaking here.
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["He loves this family. I love this family. We all love this family."]
Mirabel is angry. Upset. Desperate for Alma to understand that they (her and Bruno) don't have it out for the family. Here we see the cracks get worse. We have cracks starting to form between Alma and the others. The lighting of the scene changes more. It gets darker. The cracks start towards Mirabel. We also see Pepa and Felix show up. Camilo and Dolores are by the front door. Now we also see Alma backing up slightly.
Also, as a side note, can I just say how many times the number three comes up? The family? all in threes. The twins. Mirabel, Luisa, and Isabela. Antonio, Camilo, Dolores. The cracks. There are 3 major ones on the floor.
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['"You're the one breaking our home."
"Don't you ever-!"]
Alma wanted to keep the family together. Protected. She never thought about how she may have been the one hurting it because that was never her intention. Alma pushes towards Mirabel but she holds her ground.
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["The Miracle is dying. Because of you."]
Aaaaaand there it is. Mirable pushes back and she's defiant and unmoving towards Alma. I love this angle especially because it looks like Alma and Mirabel are finally at a level. Not one or the other has power over the other. And Mirabel finally says it. Alma is the one breaking the family apart. Because she wanted the family to be perfect, strong, etc. so badly, she doesn't know the stress she's putting on them. She believed the miracle/perfection is more important than family because it gave them protection. Abuela either realizes this or can't believe that Mirabel has just said that to her. Mirabel recoils a little bit because she's also shocked by what she just said. They're both raw emotionally and upset and angry. However, the house starts to just absolutely shatters after this because of how brittle all of the relationships are right now and that sentence was the final cut between Alma and Mirabel's relationship. In the next GIF, the cracks in the floor separate Mirabel and Alma. All of the problems are finally brought to light and so it just breaks the family because Mirabel isn't allowing their problems to just be ignored anymore and won't stand for any more of what is currently going on.
Part 1
Part 3
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daincrediblegg · 3 years ago
Note
Okay, I bet at least one member of the family secretly celebrated Bruno's birthday while he was hiding. who do you think it was?
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YES. OH GOD DUDE I'M CRYING THO. Because Julieta and Pepa were also born on the same day (assumedly- although that would be a REALLY fun headcanon that technically Bruno was born on the next day after his two older sisters holy shit) but like... man the Triplet’s birthday must be a chaotic day in and of itself. And even though everyone is happily Celebrating for Pepa and Julieta... for the 10 years he's missing there's... definitely a small dose of melancholy with it for the absent birthday boy Bruno Madrigal. So lets get into it.
Pepa gets a little cloudy and stormy on her birthday. As much as she tries to not talk about and forget about her baby brother she just... can't forget him. Not on their birthday. So she plays the clouds that show up when they're having dinner and cake off as just... her being nervous over imperfections, but only a handful of folks (Julieta, Felix and Dolores, and probably Alma too) know the truth of it.
Julieta, ever since she was a little kid, made little treats for herself and her siblings to share on their birthday. And for Bruno, she always made him a torta de tres leches. Just for him. It would take him the whole week to finish it but he always got so excited for it he'd be talking Julieta's ear off about it for weeks before and after. She still makes it, for the whole family... but there always seems to be an extra piece that mysteriously goes missing the day after the big birthday. Accusations fly about who stole the last piece of Tres Leches every year that it's basically become a Madrigal family tradition... But Julieta has a sneaky feeling she knows the truth- call it superstition, or a "triplet" thing. But deep down... she knows, and hope her baby brother liked his cake (he did. and so did the rats- as much as he doesn't want to share a single CRUMB of his Tres Leches with them- he's too big a softie not to).
And then, of course, there's Dolores. Who literally heard him every day in the walls. Though it's really hard to get away from the chaos on her mom's and Tia Julieta's birthday... she puts on a happy face anyway. But later at night, when everyone else has gone to sleep, she sneaks down to the kitchen, grabs a glass of water, knocks on the mural in the dining room, and whispers "feliz cumpleaños, Tio". Maybe she even slides him the extra slice of Tres Leches herself. Casita never tells.
And then... there's Alma. And even she can't forget the day her little Brunito was born. The first time she held him. The first time he opened his dark hazel eyes and cooed. How tightly Pedro held his son that night and whispered all sorts of things to his one and only son that she would never hear... And she worries. As much as she's angry at him for leaving so suddenly... she always just wanted her baby boy to come home. So when she says her prayers before turning in for the night, in her room, with the candle flickering in the window... she slips in an extra one. For her Brunito. Praying that he's safe. That he'll come home. For forgiveness for how much she resents his absence but just praying that she'll see her baby boy again.
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girl-next-door-writes · 3 years ago
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You Are My Happy Place
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Characters: Bruno x reader
Summary: Love is not an easy emotion for Bruno, but there are moments where he feels like it could be.
Word Count: 1129 words
Prompt: This post
Love. An intense feeling of deep affection for someone or something. It was supposed to be a warm feeling, like a cosy blanket wrapped around your heart, keeping it safe. So why, when he thought about that word, did it feel too hot? It was like taking a coal from the fire and cupping it in his hands, placing it in his chest. The heat was too much, the searing pain too deep. That was not how it was supposed to feel, he was certain of that. Perhaps he was incapable of ‘normal’ human emotions.
From a young age, Bruno had mixed feelings about the whole ‘love’ thing. His own experience was limited. His mothers love, well, that seemed to be very conditional. It wasn’t given freely, it was tied to how useful he could be, and it turned out that his gift was a hindrance rather than a help. A curse. His sisters loved him, although that love was usually tied to frustration, leaving Bruno feeling that he was in the way more often than not, the third wheel. When Julieta and Pepa wanted ‘girl time’ and to talk about boys, Bruno was definitely not included. Then the family grew, and he finally got brothers, although he often found it difficult to fit in with them. Felix was always so vocal and expressive. Agustin was too, in a slightly quieter, clumsier way. Bruno found it hard to be useful to them, and so never felt he had earned their love because surely, if he was of no use, how could anyone really love him?
He had been useful to Mirabel, had earnt his place back in the family, and in the back of his mind he was always searching for ways to maintain that usefulness. His mother had said that he was more than his ‘gift’, and he accepted that to some extent, but the way his mind had intertwined ‘love’ and ‘use’ was twisted in ways he could not undo. Even when he met you, when he finally understood what the shape of love could be, he had the feeling that he would never be good enough.
Those early days, he had followed you around, finding little ways to make your life easier as you helped rebuild his home. If he could show you that he could be useful, then perhaps he could earn your love. He hadn’t even realised that he had given his own heart so freely with no proof required from you. Bruno also couldn’t see that you had been completely smitten with him from your very first exchange.
Things had progressed at an achingly slow pace, you giving him time to adjust to being out in the world again, letting old scars heal. For every step you took forward together, you felt Bruno pull back a little, retreating as he felt the stabbing pain that came to him with love. It took some time for him to be convinced that his feelings were reciprocated and that he didn’t need to prove anything in order to hold your heart.
It had been a long day, and Bruno found himself in his favourite place in the entire world. You had seen him from the window, trudging towards your home, his shoulders heavy with the weight of the world, and you had immediately begun to draw a bath. Now, he sank a little further into the warm water, flower petals floating on the surface as the candlelight shimmered in the ripples his movements created. Closing his eyes, he leaned back against your chest with a dopey smile on his lips, finally feeling like he was right where he was meant to be.
Your fingers made their way through his hair, tenderly untangling any knots you found there, as his fingers trailed over your thighs, tracing random patterns over your skin. He was aware that this could be considered quite an erotic situation, his naked body pressed against yours as he sat between your thighs, but there was an innocent domesticity to it that made his heart swell in his chest. Being wrapped in your loving embrace was everything he could have ever wished for, and he knew he wanted to spend his days this way.
His voice was low and a little sleepy as he began to tell you about his day. He could feel your chest rise and fall with each breath, could imagine your heart beating in time with his own. Bruno’s muscles relaxed, as if all the stress of the day was being drawn out into the water, much like the grains of sand and salt that you slowly rinsed from his skin. The tenderness of your touch drew a soft sigh from his lips as you cupped water in your hands, pouring it over his chest and trailing your fingers over his skin. He knew you were attempting to rid his chest hair of any sand that had accumulated through the day, but your actions were more than merely practical. With each touch, he felt lighter, felt that overwhelming burn of love slowly shrinking back to a comfortable warmth. The aching in his soul lessened, the heat of his love smoldering rather than an intolerable inferno.
As he got more engrossed in telling you about an interaction in the town, water splashed over the side of the bath, a candle hissing as the flame was extinguished, but Bruno didn’t notice, he was too busy enjoying the vibration of your chest as you laughed at his tale. It was so easy to talk to you, he felt heard, felt like you took each and every word and placed it into your heart, even when he was rambling almost nonsensically. He didn’t feel like he was a burden, even when you took care of him like you were doing right now. This was not about proving love, not about proving you were of service, that you deserved affection. He had come to realise that your love was nothing to do with what he could provide for you, that it did not come with strings and conditions. It wasn’t something he could ‘fail’ at.
The sunlight was dying and the water losing its warmth, but neither of you made any attempt to leave the bath. It was as if the world outside the room did not exist, as if it truly was just the two of you. Love, real love, is what Bruno felt for you in every sense. It was a very deep, very intense feeling of affection, and he could sense it returned from you. The pain he usually felt had faded, although not entirely gone, and in this moment, Bruno truly believed that the only thing that mattered was you and him.
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