#feeling dead folks

[lassieposting]

Concept:

Post-tadpole, Tav offers to help Astarion find a way to walk in the sun again, and she starts by going to different libraries and repositories and archives around the city to look for books that might be relevant. Astarion, obviously, has to stay in the rental room with the shutters closed during the daytime, so he can't come with her.

At some point, this takes her up to the posh part of the city, where the fancy ✨ scholarly ✨ archive is. She remembers most of the walk - it's not too far from the graveyard Astarion took her to, in the neighbourhood where he once used to live.

And like, it's never actually occurred to her that he could still have Actual Blood Relatives still living? It's not a topic she's ever thought to raise with him. But she has to sign in and out of the archive, and she just happens to notice the name three or four lines above hers: an initial and a surname she recognises.

Ancunín.

The same name from Astarion's gravestone.

A parent? A sibling?

A niece or nephew Astarion has never even met?

Thus begins a secondary quest of trying to reunite a broken family. Astarion is willing enough to talk about the few memories he still has of the thirty-nine years he had with his family before turning - a drop in the ocean compared to the 200 years spent suffering under Cazador - but he shuts down when she nudges him towards the likelihood that Mr & Mrs Ancunín are still alive. He retreats back behind the selfish, catty survivalist he was when she first met him and claims he has no interest in ever reconnecting. The pain in every clipped syllable says drop it, so she does.

But then he asks her, very quietly, several days later, what the initial was. He doesn't really react when she tells him - there's no obvious recognition, and he doesn't ask any follow-up questions or try to discuss it further. He just goes back to his book. She watches him out of the corner of her eye though, as she skim-reads her own giant tome of magical artifacts. A very long time goes by before she sees him turn a page.

For a good long while, the family issue gets put firmly on the back burner. They have other shit going on. Sometimes, it's following promising leads on a possible workaround for Astarion's sunlight allergy. Other times, it's the kind of ugly, ragged-edged breakdown that so often follows a period of relative safety and stability after a major trauma. He's been running in survival mode for two centuries, and now he's finally starting to feel secure enough for the rest of his mind to come back online, and all the trauma he couldn't handle at the time, all the pain and fear and tangled emotions survival mode was protecting him from, is catching up to him. During those sporadic episodes, trying to keep him from falling apart is her top priority and, well, time gets away from them and by the time he brings up his parents again, months or more have gone by, and they have a fairly good idea of what artifact of daywalking they need to find.

By the time it comes to actually meeting with them, still more months have passed, and they have already found it.

It's horrible, and heartwarming, and heartbreaking, and healing, and hurting, and so many other conflicting things that for a while - a long while - Tav doesn't know whether she actually did the right thing encouraging him to reach out to long-lost loved ones. It's a mess of moments that makes her heart ache for a dozen reasons. She finds out that Astarion looks most like his mother, but has his father's nose. She holds him for hours while he shakes and sobs into her shoulder because they never even left the city, they were here the whole time, and they never found him - and he's so angry and full of grief he doesn't know what to do with himself. She accompanies him to the home he was raised in, and the once-familiar surroundings jog memories he thought lost for good - he's glassy-eyed, recounting them to her, but she's fairly sure it's the good kind of glassy-eyed, so she doesn't mention it. She tries to make conversation at family dinner while he stares at his hands in his lap, dissociated, looking even more uncomfortable than she feels, utterly lost in a world that once fit him like a glove. There are a lot of feelings to try and mediate. They are all hurt, all damaged, all afraid, all looking for the ghost of a loved one in the face of a stranger.

But, eventually, there is a day where she overhears Astarion having a conversation with his father, and he sounds like himself - not the persona he puts on in public - and his father laughs at something he says in a way that's entertained rather than awkward. There is a day where his mother reaches out and he doesn't shake his head or step away - he lets her hug him goodbye. They have not slipped back into the graves they crawled out of in each other's lives - they are all very different people now - but they are learning new ways to fit together, and he seems to be pleased about it.

So she thinks, yeah, it was worth it.

[chirpsythismorning]

[dont-offend-the-bees]

Hi there! I have a UK specific question for Dead Boy Detectives. Something I see a lot in fic is the hc that Charles is working class and Edwin is rich. Do their different accents (like in the post you just reblogged) support this hc or is there other cultural context that I’m missing? I thought their differences in presentation were just down to era, but I’d be interested to hear what you think!

Yes! Charles' accent is far more commonly associated with working classes and Edwin's is much more common in the upper/middle classes (and Edwin's accent is more the type of accent you're taught to emulate if you have a regional/working class accent and want to be taken seriously in your career etc.). It's not the only indicator, Charles' involvement in the ska/rudeboy/skinhead subcultures would also make more sense for a working class lad, but it's a very strong indicator.

I'm afraid I'm personally not an accent buff (I just live here etc) so I couldn't tell you *exactly* what variation of working class London accent Charles has but yes, it's quite a major hint. Not to say someone middle/upper class COULDN'T have that accent but it's definitely not the norm — and any working class kid who talks like Edwin is liable to get picked on in school for being posh (speaking from experience — I wasn't posh but my parents sure talked like they were and I absorbed it like a sponge lmao. My mum actually ditched her working class Manchester accent when she moved to London and became an opera critic among other things, to this day she talks more like a posh southerner, sounds Completely different to her brothers who never left Manc).

In the comic I *think* the school basically takes in the kids of people in active military service, so Charles or anyone being there isn't necessarily a sign of being rich, idk if show Paul Rowland is meant to be military but if not it seems likely to me that Charles' family lived in the school's catchment area so he got in as a day boy (non-boarder) by virtue of it being his closest school.

[inkblot22]

Truss

Woohoo Malleus woohoo! I'm making the trigger list a bit bigger because I keep thinking about how people will totally skip reading it if it's too small and then blame the writer for their own mistake. That shit is clown behavior but I don't want to be held responsible for someone else's case of stupid, so sorry to those of you who think this looks clunky. Line divider found here: @/cafekitsune. This is also a fic that is wildly self-indulgent, in that I mean that while writing I visualized my own physical form and quirks.

That being said, this fic is written with afab (assigned female at birth) readers in mind. No pronouns other than you are used for the reader, but the reader does possess a womb. Reader's chest is not described in the least, just the lower bits, and even then it's not at length. Malleus also refers to the reader as "beauty," but masculine people can be beautiful too so idk but here's a warning anyways.

This fic is DEAD DOVE, DO NOT EAT. TW for noncon, fae interaction rules used for said noncon, slight bullying if you squint, one (1) mention of blood (I'm beginning to think I have a problem.) Stay safe while reading. Possible OOC Malleus, I haven't read any of book 7 and if you spoil it I'll block you temporarily.

This is absolutely not your fault, and you don’t know what the fuck you’re doing. It’s awful. Crewel was for sure his namesake, because this whole thing was a steaming pile of-

Alright, from the top, just to organize your thoughts: you are the only non-magic student in a school of mages. The teachers are mages. Your best friend/roommate/monster friend is a mage. The plants here can do magic, but you? No. Thanks homeworld. Love the gift of nothing.

Thus, the faculty have seemingly created a game of “how to piss off and challenge the magicless student,” in which they give you various tasks to just make you lose sleep. Vargas had you running laps until your legs felt like jelly, doing pushups until your shoulders started sounding like glowsticks. Trein had you learning completely off the wall trivia, such as what type of fabric the Queen of Heart’s favorite bathrobe was made of and why it made her more powerful. That’s nothing, it’s easy because you apparently have so much free time in their eyes. But Crewel? Fuck that man. 

When you got the assignment, it sounded fun and exciting. He gave you seeds for a fast-growing rose thing. Honestly you weren’t paying attention to the name of it, but you retained what you needed to know. The plant only grew in moonlight, so you needed to cover it before you went inside at night. It needed a minimum of two hours of moonlight to grow per night. If the basket was overturned and it was exposed to the sun, then the plants would die. Moderate watering, no fertilizer, the usual.

Once the plants bloomed, you were supposed to take the flowers and make some kind of glamour potion, so here you are, failing at doing so. You only had four flowers, and you’re down to the last one. You wasted three tries and you still have no idea what the hell you’re doing wrong and it’s due next alchemy class and you’re breaking curfew on top of all of it. You glare into your cauldron with your latest failed attempt and hunker down to shoulder against the side so you can dump it out and try again. 

“Oh, it’s you.”

The voice makes you jump out of your skin. You turn around and you almost want to cry tears of joy, because if anyone can help you, it’s him.

“When I saw a little head duck down, I thought that something strange was happening. A crime, perhaps.” Malleus smiles, and it’s not a kind smile, but you’ll take anything remotely positive at this point, “What are you doing on the floor, child of man?”

“Oh, I have to empty the cauldron.” You puff out, still trying to throw your weight to push the cauldron. You did it twice earlier, so this must be the effects of mental and physical fatigue.

“Oh, that’s right. Allow me.” Rather than waving a hand or anything, Malleus strolls on over and uncrosses his arms, taking one hand and pressing his fingertips against the lip of the cauldron. The whole damn thing tips, the failed mixture pouring out into the nearby drain. With the same ease, he tilts it back and turns to you.

When he looks at you, it’s… weird. You know he’s lizard-like, as dragons evidently are, but even Sebek’s eyes aren’t this jarring. They aren’t soulless or cold or unfeeling, but it feels like he is looking through you. His emotions don’t reflect in his eyes properly. That’s what it feels like. They reflect, but it’s wrong. Fractured. His lips quirk into a smile and you blink.

“Uh… wait, what are you doing out here, Tsunotaro?” You ask, turning to gather more materials, following the transcript of your recording from class.

His smile grows, “Just on a walk. Will you tell me what you’re trying to make?”

“Uh, yeah. This glamour potion? I don’t know. Remember how I was growing those flowers?”

“Of course. And what happened to the rest?”

“I… uh… I messed up the other potions. I don’t know what I’m doing wrong here.”

“No?”

“No. Do… do you think you could maybe… help me?”

“Of course.” Malleus plucks the flower up, twirling it thoughtfully, “Why don’t you gather the other ingredients?”

That was simple enough. Petals from your tediously grown blooms, some kind of floral oil with tiny white flowers inked on the label, a ball of clay no bigger than a pea, something that really resembled a severed finger, something that was hopefully just someone’s baby tooth, a handful of crystals in a rainbow of colors, and water. Lots of water. Malleus watches as you put all your ingredients on the nearby table and hums thoughtfully before dimming the lights and turning back to you.

“And where did you hear that you needed these things?” He asks. It’s not something that he says with any indication that you’re right or wrong. The tone is bland but the words say enough. 

He has essentially told you before that he believes you inept, a babe in the woods when it comes to this sort of thing, but it doesn’t stop you from looking as hurt as you feel, “The headmage visited class and gave me some pointers?”

“You personally or the entire class? I don’t personally recall concocting anything like this when I was in your grade.” He says.

You suppose you’re grateful that he’s so blunt, but his flat tone makes the sting of your failure that much sharper. You thought he’d be nicer, since you two are sort of friends, and Lilia has told you that Malleus is fond of you, but it also makes just as much sense for him to refrain from easing up in his flatness because he supposedly thinks so much of you. He thinks you’re an idiot, but he’s not willing to treat you as such.

“The whole class. And no one else in my grade is doing this.” You mutter, staring at your assortment of items on the table.

He approaches the table and plucks up the beaker of water, twisting it in his hand, “Did you distill this?”

“What?”

“Tap water often has various minerals in it. If you haven’t been using distilled water, you’ve been adding an extra ingredient. Typically, most potions are much more forgiving and you can use tap water with little issue, but this particular potion is known to be disagreeable.” He murmurs, crossing the room with your beaker of water and setting it up to distill with a practiced ease. “That’s why it’s typically saved for fourth year students’ aptitude testing.”

The revelation hit you like a ton of bricks. You’d like to protest but it unfortunately makes sense. Malleus looks over at you, somewhat blandly, then turns around to face you, looking half concerned.

You answer his question before he can ask, “I didn’t… know that. I guess it’s my fault for being from a different world…”

His lips twitch into a smile, and for a moment you can see amusement in his eyes, fractured with the underlying coldness, “Oh, it isn’t. It may be your fault for failing to ask questions, but having someone who is unused to this type of work take on an advanced project is cruel.”

“You think so?” You ask, voice lilting with hope.

“Of course I do. Why you’re expected to make a potion of this caliber is beyond me.” Malleus states blankly.

“Uh, yeah. I- I don’t know either. But thank you for helping me!”

His expression flinches. It lasts for less than a second before it smooths into an odd grin. You’re not quite sure what that means, but you’re too happy to stop and think about it. The water finishes distilling and you carefully begin crafting, using the tips Malleus occasionally mumbles towards you. Don’t put that ingredient in yet, stir clockwise, you need to grind that up with the oil, don’t rush you have time, et cetera, et cetera, and then you have a gorgeous violet mixture, glimmering with a pearlescent golden sheen.

Your jaw drops. Somehow the few ingredients you threw together is enough to fill several bottles. Malleus is making a smug face as you rush to the shelves of empty bottles and choose several fluted bottles, quickly using a ladle to deposit the final, successful potion into the bottles. You’re so giddy with your success that you hardly notice as Malleus walks towards the door and locks it. But only hardly.

“What was that for?” You ask, not actually caring. You’re too happy to be worried.

“Oh, we’ll need privacy.” He responds.

That part confuses you enough into caring. You turn around from where you’ve safely wrapped the bottles and slipped them into your bag and shoot Malleus a frown, “Privacy? For what?”

Malleus doesn’t say anything. He walks over to the table and you feel your body stand up, void of your control, and stagger over to stand in front of him. If you were concerned before, you’re frightened now. Malleus looks down at you with his strange gaze and folds his arms.

“Wh-what’s happening?! Why can’t I move?”

“You really don’t know?” He asks. Something about his tone sounds mocking, but you’re certain he doesn’t mean it to be. It’s his version of sarcasm, he’s spoken to you like this before.

Your body hops up on the table, taking a seat, and Malleus turns to stand before you, looking down at you with a soft smile. You shift your hips- what the fuck is going on- and Malleus very gently hooks his hands in the pants of your dorm uniform.

Your dorm uniform is legit whatever the hell you want it to be, so it would change on the daily. Today it was a pair of jeans and a hooded jacket. He kneels to remove your shoes and stands back up, leaning close as he tilts your chin up. His breath fans over your lips.

“You didn’t tell me that you were so lovely beneath your clothes.” His hand on your chin shifted to your cheek, and his other hand laid flat on the table. “And… your smell is much stronger. Are you aroused?”

“You can’t just ask me that! I don’t know what you did but you’ve got to let me go.”

“I didn’t do anything. This is your doing.” He retorts, pecking your lips very chastely. 

“What are you talking about?” When he didn’t respond, instead pressing the tips of his hand that was on the table against your exposed sex, your heart jumps but your body doesn’t move. You can’t, “Don’t do that!”

“Lilia informed me that making someone climax is similar to binding someone to you.” He mumbles, kissing you again as his fingers slowly slip inside. “It makes them fall in love with you. Isn’t that the most binding contract of all?”

You don’t know why he isn’t listening, but even less than that, you don’t know why he thought you could handle two fingers, much larger than your own, penetrating you. You squeal, but your body is incapable of tensing. Malleus pulls back, looking at you in a soft confusion.

“What’s the matter with you?”

“With me? What’s wrong with you? That’s too many- it’s uncomfortable!”

He blinks at you and withdraws a finger, which feels much better. You sigh. If you’re going to be forced to do this, you may as well not get hurt in the process. You close your eyes and Malleus hums.

“Is this better? You’ll have to forgive me. I haven’t had a dalliance with a human before.”

“I- I don’t think I’ll be able to… to forgive you for this.”

“No?” You can hear his smirk and the squelching noise as he pumps his finger gets louder. He slips the second finger in again and the burn isn’t so bad as last time, “Well, maybe you can decide that for certain after the wedding.”

“The wedd-” You have to bite your tongue to keep from moaning. Your body leans back, laying on the table, and your gentle assailant curls his fingers, leaning forward to mouth at your neck, “There’s not gonna be a motherfucking wedding. You’re-”

You can hear his horn scraping against the table, “Hmm. I didn’t think you were so entitled. You’re squeezing around my fingers. Are you close?”

“No!” You’re a liar. A ragged gasp leaves your throat and you feel the drop in the pit of your stomach, the burst of euphoria traveling up your spine as his thumb presses against your clit.

Malleus laughs, then leans up off of you. The sound of clothing hitting the ground is the first and only warning you get, but you can’t move, so it might as well have been silent. You feel something on your stomach, coming up about a half inch below your belly button. It’s… almost cool to the touch. You would think it would be warmer, but it’s not. Your eyes round as you stare at the ceiling, and Malleus’s face leans into view, his eyes boring into yours as though he’s reading your thoughts.

“You’re very warm. I’ve always thought this. You must be boiling inside.”

“I- what?”

He doesn’t respond, leaning back up. You feel the velvety head of his cock press against your entrance and as much as you want to jolt away, you can’t move your body. You can’t even look down to see what he’s doing. Your lashes flutter as the stretch sets in, the pressure worse than his two fingers. It burns, especially along the bottom, where his weight lays heavy thanks to gravity. You’re capable of wincing and letting out a whine, but nothing else.

“H-hey, that- that hurts.” You babble.

“Does it? You are squeezing me like a vice. I’ll stay still for a moment so you can relax some. Let me know when it stops hurting.” It’s very peculiar. Although he speaks with an animated tone, his voice is often detached. You would think he’d have more emotion since he’s inside of you.

You blink rapidly and decide that now is as good a time as any to ask, “What the hell is happening?”

“Must you tease me so?” He responds, his voice tense.

“What? I’m not teasing you. I can’t move!”

“Of course you can’t. You only just bound yourself to my will.”

“I what?” You shout.

“What, did you think I enslaved you? I could have, when we first met. You’re too free, giving people your name, thanking them, taking gifts freely… it drives me mad.” You feel a flash of heat, something warm rolling against your skin, like standing too close to a gas stove, “And now I find that you didn’t even know? I didn’t think you were such a fool.”

“That’s just called being polite!” You protest. “Oh my god-”

“I suppose I can’t blame you, really. Relax, lest I harm you.” He murmurs, rolling his hips further as though he can slide in deeper. 

You squeak, “N-no, that’s-”

“Too much, yes. Tell me, in your world, do faefolk exist?”

“I- I mean, if they do, most people don’t believe in them.” The oddity of the situation felt like a blanket. Having a semi-conversation while your friend- not after this- used you as a dick holster. It was almost comforting. “I don’t- I don’t understand.”

His voice was deeper than normal, an underlying rasp to his voice, as though it was coming from somewhere deep in his throat, “I will explain. I’ll tell you anything you’d like to know. But after I explain, I will begin to move.”

“H-hey, no-”

His voice sounded choked, half strangled as he stifled a groan, “I apologize for not being clear earlier. Among the fae, verbal contracts are common and binding. You do not give someone your name. You wonder why I never directly gave you mine? It is a way to bind someone to your will. You do not accept gifts. Invitations are fine, but a gift is a sign that you owe someone something. My help- a boon- is a gift. Typically it is repaid with another kind turn. And, most importantly, you do not thank someone without the sufficient power to break their hold.” 

You felt him draw back, that wave of heat rolling over you again, and then he slammed forward. The slick noise and dull smack were muffled by your squeal, his cockhead punching your cervix like it stole from him.

“Foolish little thing. I suppose it makes you cute.” He sneers, and your body sits up, arms wrapping around his shoulders.

The angle makes his motion a bit less painful. He’s no longer bumping against your cervix, thank the Seven, but the stretch remains. Your eyes flinch shut and Malleus tilts your chin up to kiss you again.

“St-stop- stop!” You whimper, “You’re hurting me!”

“If you would relax, beauty, that would not be a problem.” His chuckle is dark, the squelching from your coupling making a wicked duet that makes you feel dizzy, “And you said it to me so easily as well. Thank me again.”

“Wh-” One of his hands slipped under your hips, holding your bottom just under the split in your cheeks, and nipped your neck as a flat thumping echoed from where your bodies met, your legs bouncing with the motion. His member had gone back to bullying your cervix, and you wailed in the hopes that he would stop, “Thank you!”

“Heh… it escapes your lips so freely. Tell me, beauty-” He cut himself off with a grunt, panting against the column of your throat. “Tell me, what is it that you’d like? I would give you the world on a platter, should you want it.”

“I- ow! Y-you’re hurting me!”

There was a possibility that he was getting off on the pain he was causing you, just as much as there was a possibility of him not understanding that he was hurting you. With every motion of his hips against yours, despite the wicked pain, you felt that ever evil tug in your gut, like a stone growing heavier and heavier. 

You tried again, because if this had to happen, if you were under his control now, you may as well not get injured. You would not be pissing blood if you could help it, “It’s too deep!”

He listened. It was odd, but he listened, his voice warming as he slid back a bit and continued ramming into you, but no longer beating the hell out of your internal organs.

“I didn’t realize. Is that better?” His voice sounded warmer, echoey against your shoulder. His teeth grazed over your skin again when you didn’t respond. He choked out your name and you sort of came back to yourself.

“U-uh- I guess?”

“Wonderful.” He mumbled, his free hand reaching between your bodies and slicked with your sweat, to tweak your clit.

It should be embarrassing, how quickly you reached your height. Whoever he had been with in the past couldn’t have been so sensitive, since you felt his body jerk against you, an uncontrolled undercurrent to his motions. You let out a quiet, squealing moan and barely even felt the break when Malleus bit you to muffle his own groan. You didn’t feel him climaxing inside of you. You felt the control return to your body and flopped backward onto the table, your hoodie damp with sweat. Malleus took a step back, then carefully redressed you, then himself. You looked up at him and saw nothing but adoration in his eyes, not the fractured appearance of such. It was like he was actually looking at you.

When he spoke to you, leaning forward to cup your cheek, his voice was warm, warmer than ever, “Now, let’s start planning for the wedding, my beauty.”

[highlynerdy]

When there's nothing left to burn, you have to set yourself on fire. x

[vaguely-concerned]

I don't know what I love more, the fact that as rook you can make a statement in NO uncertain terms that you are NOT responsible one way or the other for the theological implications of the shit you're discovering in the 'regrets of the dread wolf' memories. not my jurisdiction. quite simply none of my business. not my chantry circus not my chantry monkeys. irrelevant to the matter at hand here we'll kill that god if we get to him he can get in line. or if the best thing about it is seeing the lone little 'lucanis approves' that pops up right after choosing it. corvid with a knife about to commit deicide keeping it real and sensibly, pragmatically, wilfully agnostic with me here in this magical lighthouse today

[merge-conflict]

I was embarrassingly cringe fist-pumping and laughing with superiority to hear these lines, even though they aren't exactly rocket science concepts that I reverse-engineered here, y'know?

It’s how it’s supposed to go. Some gonk kid dies in Nicaragua and Johnny Silverhand wakes up in NUSA. Built– just like the tower. An entire fucking spectacle, for the world to see. For the world to wake up.

Just... it's good to confirm that that's how Johnny sees it too. The person he used to be died, and then he became someone else. But then he died again, so I wonder sometimes... how does he see himself now? How many resurrections is he going to live through?

[front-facing-pokemon]

[iamfuckingsorry]

"Do you know where we are going next?" I asked ART.

Y'know what, I think maybe I don't need any more Murderbot books. I think maybe ending things here is fucking perfect and as much as I love Wells's writing I'm genuinely not sure it can get better for me.

Like, so much of the books are about MB learning how to be a person, about becoming okay with being a complete individual with everything it entails. The first thing it does once it's actually allowed to decide on its own is it runs away from it all (admittedly to go on a mission to confirm some things about its past, because it genuinely just wants to be *good*). It shoves all its emotions away as much as it's able to. Then shit happens, and it makes its first friends, makes decisions based on these friendships, goes through a lot of emotionally intense situations...

And we get to this point here. MB having zero doubts about going with ART says a lot about its relationship with ART, but it also says a lot about its relationship with its humans - it knows that wherever it goes, when it comes back, the humans will still be there. Its humans actively acknowledge its struggles with being a now-free SecUnit and MB is willing to entertain the discussions to an extent and share information about its deeply personal experiences. Hell, System Collapse ends with MB admitting it might be somewhat broken, but that's okay as long as it can keep doing its job, and agreeing to basically do counselling - this is the guy what would rewatch its favourite TV show again and again in order to avoid acknowledging it even had Emotions a couple books back.

Reading this, I know that MB will be okay. It has hopes and goals and genuinely believes in itself and it has an amazing support system that its willing to lean on for the first time in its life. I'm convinced it'll go on to do great things with ART. And that's really the only thing I need to know.

[flamboyant-king]

I like Tumblr, it feels more like a community on here than the other sites. I love y'all.

[angeart]

hhau rescue rambles - part II

>> part I here // hhau masterpost here <<

The hermits are here to take Scar home but Grian is gone and Scar can’t leave without him, even if the others would promise to look for him. (They won’t find him, they won’t, they won’t. Scar knows how vast these forests are. He knows how many hiding spots there are tucked away if one knows where to look.) (They don’t know where to look.)

They’re not listening to him. He’s half-feral and panicked and desperate, barely making any sense. He keeps saying he needs to find Grian, but he looks half-crazed, clothes stained by a huge amount of blood and—

If it looks, a little bit, like he’s just in frenzied denial of some grief? That maybe something happened and Grian isn’t here anymore? The world is permadeath, after all. The rescue party isn’t sure what to think.

Of course they promise to look for Grian. Of course they’ll try. But first, let’s get you somewhere safe, Scar.

Scar panics and backs away and says he isn’t going anywhere until they find Grian. He’s so so afraid they’ll take him away and he’ll never find him. (He keeps imagining that wretched scream he heard that very first day he found Grian, a year ago. How close of a call that was.) (He thinks of finding him after the mimic incident, barely surviving. Wounded and bloodied and ready to collapse.) (He thinks of Grian sobbing as he begs Scar to never leave him again.)

He can’t leave him behind. He can’t.

He won’t.

He’s done everything he can up to this point and if this is his last fight? Then damn it, he’s going to go out swinging. He is going to find Grian. Even if he has to fight his saviours. (They’re enemies if they’re trying to separate him and Grian—) 

He growls and lashes out and his vex magic comes through. The hermits are stunned and a little bit afraid and a whole lot confused. They’ve never seen him like this, hair white and claws ready to tear. (Cub, especially, is terrified of this development. Knowing that if Scar pushes himself too far in his vex form, he could die.) 

They try to placate him, calm him down, reassure him. They try to get the damn teleportation bracelet on him. They keep telling him they can take him home, it’s okay, Scar, it’s okay.

It’s not okay.

He isn’t leaving without Grian, and he isn’t trusting anyone else with this.

So he runs.

He runs from his friends—from people he loves with all his heart; people he thought he’ll never see again. Runs from the promise of home and safety and this hell being finally over. 

He runs, because he can’t take the salvation if he can’t share it with Grian.

Everything’s a bit of a blur as he rushes through the forest, looking for something to tell him where Grian is. He’s fully in his vex form, senses sharp and heart panicked, calling out, desperate for Grian to reply. 

There’s no answer.

Scar sees it, then: a handful of ripped-out feathers and blood.

His heart jumps into his throat, but he laser-focuses and starts following the trail. The world feels askew around him, his steps urgent, his breaths hovering near growls that want to threaten the whole forest if anything dares to hurt Grian more. (He hopes Grian’s still out there.) (He has to be. He has to be—) (Why is he not replying to Scar’s calls, then?)

Scar’s aware that if he can follow the trail of blood, so can others. He needs to be better than them. Faster. (He needs to be a better hunter than them.) He knows that if he’s following the trail now, maybe someone already followed it. (He tries not to let that thought in. That he might be too late.) 

He’s trailed by the hermit rescue party. They scramble in his wake, trying not to lose him. They lag behind, losing sight of him, but Cub staggers to follow his vex bond with Scar, like a tether, trying to hold down the swell of warning anxiety at the fact that Scar is in his vex form. Scar looks feral, he lashed out and ran from them, clothes stained by blood and hair white—

Them following just makes Scar feel hunted. His instincts go haywire and put him more on edge. 

He keeps going.

He keeps calling out, too. Uncaring that he’s attracting every hunter in the vicinity. He can take them. He will happily attract them to himself if that means they won’t go after Grian instead. (The fact that he’s searching for Grian gets a bit tangled up in him. The fact that if he succeeds, he’ll just be bringing the hunters to Grian fails to quite register. He’s not thinking very straight.)

Hermits hear those wails, echoing through the forest. He sounds like a wandering spirit. 

Inhuman. 

Lost.

 --

Grian is hurt. Hand pressed against the spot on his side that bleeds, he sits curled up, pressing himself into some bushes for a moment of reprieve—just a moment, just a little bit, please, please.

He hears Scar’s calls from far away. He hears them, and his heart tears itself to pieces.

He is terrified and hurting, and it feels dangerously close to a despair-filled memory.

 He tries to shield himself from it. There’s a reason he ran. There’s a reason why Scar should stay away from him. He can’t— He shouldn’t— He—

Scar draws closer. Grian can hear his sobbing and heaving. His pleading, so heartrendingly desperate. “Grian please. Grian answer me.”

Grian finds himself cautiously standing up, every muscle taut. His heart is rabbity fast, fear clogging his throat. 

He doesn’t mean to answer. He really, really doesn’t mean to. (He needs to keep Scar away.) Yet a distressed chirp slips through anyway, like a terrified call, begging for Scar.

The sound of it pitches something in Scar. His sobbing changes to panic and dwindling hopefulness. “Grian…?”

There’s a tinier chirp then. Scared. Still involuntary.

Grian is so so afraid and he should know better, but a part of him is desperate for Scar.

The moment he sees Scar, though, the futility rips through him. No. He isn’t meant to— Scar shouldn’t be near him. Because Grian’s been gone so shortly and yet the hunters have already found him. He’s already gotten hurt. He is a beacon.

He can’t stay near Scar. It’ll get Scar hurt. 

It’ll get Scar killed.

(Everything good that stays near Grian dies—)

He needs to get away from him.

He backs away. Tells Scar, in a wobbly voice, not to approach.

Scar doesn’t care. He needs to get to Grian. He needs to get to him, they can go home, this can all be over. 

Running on some faulty reasoning, Grian tries to get away. It’s useless, he is in no state to outrun Scar—he can’t bring himself to fly and he’s bleeding, dizzy on panic—but he feels like he needs to try, anyway. 

His feet feel heavy beneath him, the world unsteady. Scar is behind him and Grian’s heart begs him to stop, turn around, and burrow into his arms. (He can’t he can’t he can’t—)

It takes only a couple of steps for Grian to trip over some roots, the world as cruel to him as ever, sending him plummeting harshly down in a rough tumble of leaves and limbs and feathers. A pained, fearful yelp gets punched out of him on impact.

Scar’s next to him in an instant, kneeling down and gathering him in his arms. Crying as he buries Grian in a hug, terrified he might try to run again. Frantically telling him, “Grian, it’s over, it’s over, we can go home— Please—”

Grian’s sobbing against him, held in place, unable to understand what Scar is saying. He just wants Scar to get away from him and stay safe. (Grian can’t be safe. He’s been doomed from the start. He’s been doomed this whole time.) (He’ll end up like that bird. Dead, with wings ripped off—)

The words “it’s over” mean nothing to him. All he manages to choke out is, “There is no— There’s no home anymore.” They’ve had their safety ripped away from them over and over again. They’ve been showed that they can’t have a home anymore; this world will not allow it. Nowhere is safe. Nowhere is safe, as long as Grian’s wings are bright violet and attached to his spine. 

Scar insists, a series of reassurances, words tripping over each other as he tries to keep his hold on his voice. He says they’ll be okay. He says they don’t have to run anymore. Please, Grian, we can go home.

But it’s not a concept that exists anymore for Grian; it refuses to register in his mind, words sliding right off him, incoherent.

What he knows is this: he failed to protect Scar, and they don’t have a home to go back to, and Grian is sure the hunters are about to show up, any second. He’s so tired and terrified, and he needs Scar to be shielded from this fate. He needs him to be safe.

Scar isn’t letting go of him. His grip is firm as he continues to plead with Grian. He doesn’t want to be rough, he’s never been forceful with Grian, but he can’t let go now. Even as Grian paws at him and tries to push him away. 

Grian’s crying so hard; his efforts to get free are all frantic and urgent, yet half-hearted. (He wants to give in and bury himself in the protectiveness of Scar’s arms.) (He wants all of Scar’s promises to be true.)

And yet something tips askew.

Because Scar’s never been forceful with Grian.

He was always so gentle. He’d never grab him like this, with so much force. So much insistence.

Grian is hit with a dizzying, nauseating thought. Is this a trap? Is this a mimic?

Grian starts chirping. More of those distressed, scared noises as he can't get free of Scar's grip.

It’s the first time ever that Scar won’t heed Grian’s requests to be let go. Not even if Grian says it hurts. He won’t let go he won’t he won’t. He’ll drag him home if he has to.

Grian’s scared and confused, all his thoughts are jumbled, running on rampant trauma responses and unadulterated panic. He can’t deal with any of this. He keeps trying to wrangle free and push Scar away (is it even Scar???), begging him to let go, but it’s so horribly weak. It’s almost nothing. He just chokes on sobs and hyperventilates. (He feels caught.) (He feels like Scar will get killed because of him.) (He doesn’t know what’s happening.)

It’s awful. It’s wrong. It’s— It’s not what it’s meant to be. 

This should be easy. This should be the best day ever! They can go home! 

Instead, it’s like a panicked final showdown and Scar feels like it’s him against everyone. The hermits weren’t listening to him (Grian needs him, he needs him, he needs him), and now Grian isn’t listening to him either. (He can’t comprehend what Scar’s saying at all, and isn’t that so heartbreaking?) (Scar is desperate to get through to him. To calm him down enough so that this could be anything more than Scar forcefully holding him as Grian chokes on panic.) (The kind of panic he should never feel in Scar’s arms—)

Voice breaking, Scar pleads, over and over again. Please, Grian. Please. It’s okay. It’s okay, we can go home, we’ll be alright. It’s me. It’s me, I got you, we’re gonna be safe.

It’s the kiss he presses to Grian’s hair that tips the scales a little, just enough for Grian’s chirps to mute, his sobbing drifting off into softer cries. He goes limp under the affection, still terrified, still trembling and choking on air, but now he’s pressing himself against Scar instead of trying to get free. 

“G, do you understand what I’m saying?” Scar begs in a wavering voice, unbecoming of his feral appearance. He holds onto the magic prickling along his skin, alert for any sort of danger, anything that so much as tries to approach and hurt Grian. His hands are still clawed. His hair is still white. His veins are still stuffed with unending desperation. 

Nothing is over yet. 

It should be. It should be, but it isn’t.

Not yet, not yet.

 The hunters find them before the hermits do.

-- part III here

[deathsbestgirl]

Being soulmates takes away their choice though

okay sorry i have to answer this one because i was thinking about this the other day and i want to talk about it. and no!! it doesn't. in the field where i died, scully tells mulder, "even i knew for certain, i wouldn't change a day." that was scully saying it doesn't matter what the truth of it is, whether they're soul mates or not, she would choose the same thing. scully repeats this sentiment several times through the series. recently, i was specifically thinking about all things. this episode is a culmination for scully. for moving beyond just accepting her desires & choices, it's about affirming & embracing them. she "talks to god" and he talks back. the woman she kept seeing was an echo of mulder, leads her right to him in the end. they sit on his couch and talk about her journey. she says "i once considered spending my whole life with this man. what i would have missed...what if there was only one choice, and all the other ones were wrong, and there were signs along the way to pay attention to?"

to me, fate & choice are actually the same thing. scully, the person she is, she was always going to choose mulder. she chose mulder in the pilot, and she continued choosing him. it's a choice she made over & over, and she would do it all again. in the truth, sitting in another motel room, just like in the pilot, scully tells mulder: "why would i accept defeat? why would i accept if you won't? mulder, you say that you've failed, but you only fail if you give up. and i know you — you can't give up. it's what i saw in you when we first met. it's what made me follow you...why i'd do it all over again."

scully could have changed it any time, but she didn't. she could have transferred or quit in fight the future, but instead she goes to tell mulder in person, knowing he wouldn't let her just walk away. much like when mulder goes to see her in redux because she would change his mind if he was wrong. or in one son, she told him she couldn't help him anymore and ten minutes later, she's calling him.

i also may have literally just posted all of these thoughts recently but ya know. they're doing laps in my brain. so much of this show is about the concepts of fate vs choice. but really, it doesn't matter because they're the same. clyde bruckman's final repose is all about it. scully & melissa talk about it in the christmas carol dream/memory. mulder is always giving people opportunities, choices — not accepting anyone's fate before the end. fate & choice, like mulder & scully, are two sides of the same coin.

[inchidentally]

https://x.com/PiastriNews/status/1747604474900673006?s=20 Damn, he looks so good in a suit <3

PiastriNews on twit

oh I love that he went with a color and not just black or gray, he's too pale for monochrome! it also breaks my heart the way his cheeks are pink and his flop of boarding school hair bc it's so his Dead Poets look

[doomdoomofdoom]

god fucking damn you mike flanagan and your profound horror series making me feel things about life and love

[thedrunkenreadersreviews]

A Remembrance for the Subtle, yet Hysterical Moments in The Folk of the Air trilogy by Holly Black: Cardan's Coronation Gifts Edition

A small appreciation post as I reread the trilogy, place my ornaments from my "Folk of the Air Winter Solstice" calendar onto my tree, and drink a delicious glass of---no, sadly, not faerie wine, but still fantastic---coquito.

*Sip, sip*

Cardan easily got the best coronation presents ever. And each time I read about them, because they are only ever mentioned once in the whole series, I laugh to the point of tears and kick my legs all giddy-like. But even more than that, it's the fact that he keeps them AND uses them! Like he doesn't just put them in a box or store them away but actively enjoys them and that is the cutest thing ever! My poor heart.

*Sip, sip*

Kaye, the OG, gets him a coffee mug that says "I Rule" and he drinks wine out of said mug immediately after opening it and smiles when he sees it for the first time, even when he doesn't want to be High King.

And then Vivi ... man (holds in laughter)... Vivi gets him a snowglobe that says "Congratulations On Your Promotion" ... and he keeps it on his desk. ON HIS DESK!

*Bursts out laughing*

I can't! I'm weak! Holly, you're a genius!

HAHAHAHA!

*Sip, sip*

[delawaredetroit]

Yes, I have read the latest chapter. I am withholding any judgment or conclusions based on it until there is further elaboration on what just happened. Horikoshi likes deceptive cliffhangers far too much to read too much into this chapter in isolation

It might be what it looks like on its face, but there's a bit too much hanging in the air. Especially Decay/Overhaul. Shigaraki is the only only of the three villains without a quirk awakening (for the quirk that he viewed as his own) in this arc. It also lacks any of emotional depth of the other two hero/villain pairs.

So I'm just going to continue my reread as normal