#feel good tv

[thekylemeredith]

Carole King's iconic song "Where You Lead" became the heartwarming anthem for Gilmore Girls, but did you know she re-recorded it specifically for the show? Teaming up with her daughter Louise Goffin, they created a duet, symbolizing the close mother-daughter bond of Lorelai and Rory and giving it a fresh, emotional depth perfect for Stars Hollow.

💖🎶 Who’s your favorite Gilmore? Tell us below and tune into Kyle Meredith With 's TV In The Radio weeknight at 7:20 on WFPK.

#GilmoreGirls #CaroleKing #WhereYouLead #TVThemeSongs #ClassicTV #FeelGoodTV

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.

[angelofdumpsterfires]

how i feel about all the changes in s3

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[allysketches]

organizing my art folder I found this one drawing sitting there for months bc I didn't like how it turned out and meant to come back to it later but never did lol

but on second thought I guess it looks fine so I might as well post it now 😅

also I've been pretty much MIA these past few months bc life (good and bad) and tbh it was nice, so I'll mostly stay that way, I think... pop back now and then, whenever I finish more drawings lol

[oatmealdoodles]

One-sided RadioStatic my beloved

[buppkizz]

these 2 dragging sniper out of isolation to come hang

[botlabyrinth]

sally’s “i want him to know who he is, before your family tries to tell him who they want him to be.” and poseidon saying “he will be stronger for it on the other side. his mother raised him well.” and he is. percy is stronger on the other side. we’ve seen it so clearly through his quest. his confusion at how you have to earn the gods’ love, earn their respect. his conversation with annabeth on the train about it. his unwillingness to accept the ways of the gods. him realizing his mother wanted to keep him away from this world, and annabeth being the one to tell him that maybe it was for the better that sally did that. so that he wouldn’t be like them. annabeth’s “he isn’t that way. he’s better than that. maybe i was that way once. but i don’t want to be that way anymore.” the way percy would’ve turned out with a similar worldview to annabeth’s if he had been sent to camp so early on. and annabeth’s worldview changing so quickly after meeting percy. sally jackson raised that kid right. you would think that as a demigod, the half god side of percy is what’s important. but that’s not what makes him the hero. it’s the half mortal side of him that does. his humanity, his mortality, his mother. that is why percy is the hero that he is.

[applebees4prez]

snl wishes they could be this funny prepared, let alone off the cuff. nobody has perfected the art of comedic timing like zac oyama has but also, nobody could work with other comedians well as these guys do.

[anghraine]

It's interesting (if often frustrating) to see the renewed Orc Discourse after the last few episodes of ROP. I've seen arguments that orcs have to be personifications of evil rather than people as such or else the ethics of our heroes' approach to them becomes much more fraught. Tolkien's work, as written, seems an odd choice to me for not wrangling with difficult questions, and of course, more diehard fans are going to immediately bring up Shagrat and Gorbag.

If you haven't read LOTR recently, Shagrat and Gorbag are two orcs who briefly have a conversation about how they're being screwed over by Sauron but have no other real options, about their opinions of mistakes that have been made, that they think Sauron himself has made one, but it's not safe to discuss because Sauron has spies in their own ranks. They reminisce about better times when they had more freedom and fantasize about a future when they can go elsewhere and set up a small-scale banditry operation rather than being involved in this huge-scale war. Eventually, however, they end up turning on each other.

Basically any time that someone brings up the "humanity" of this conversation, someone else will point out that they're still bad people. They're not at all guilty about what they're part of. They just resent the dangers to themselves, the pressure from above, failures of competence, the surveillance they're under, and their lack of realistic alternative options. The dream of another life mentioned in the conversation is still one of preying on innocent people, just on a much smaller and more immediate scale, etc.

I think this misses the reason it keeps getting brought up, though. The point is not that Shagrat and Gorbag are good people. The point is that they are people.

There's something very normal and recognizable about their resentment of their superiors, their fears of reprisal and betrayal that ultimately are realized, their dislike of this kind of industrial war machine that erases their individual work and contributions, the tinge of wistfulness in their hope of escape into a different kind of life. Their dialect is deliberately "common"—and there's a lot more to say about that and the fact that it's another commoner, Sam, who outwits them—but one of the main effects is to make them sound familiar and ordinary. And it's interesting that one of the points they specifically raise is that they're not going to get better treatment from "the good guys" so they can't defect, either.

This is self-interested, yes, but it's not the self-interest of some mystical being or spirit or whatnot, but of people.

Tolkien's later remarks tend to back this up. He said that female orcs do exist, but are rarely seen in the story because the characters only interact with the all-male warrior class of orcs. Whatever female orcs "do," it isn't going to war. Maybe they do a lot of the agricultural work that is apparently happening in distant parts of Mordor, maybe they are chiefly responsible for young orcs, maybe both and/or something else, we don't know. But we know they're out there and we know that they reproduce sexually and we know that they're not part of the orcish warrior class.

Regardless of all the problems with this, the idea that orcs have a gender-restricted warrior class at all and we're just not seeing any of their other classes because of where the story is set doesn't sound like automatons of evil. It sounds like an actual culture of people that we only see along the fringes.

And this whole matter of "but if they're people, we have to think about ethics, so they can't be people" is a weird circular argument that cannot account for what's in LOTR or for much of what Tolkien said afterwards. Yes, he struggled with The Problem of Orcs and how to reconcile it with his world building and his ethical system, but "maybe they're not people" is ultimately not a workable solution as far as LOTR goes and can't even account for much of the later evolution of his ideas, including explicit statements in his letters.

And in the end, the real response that comes to mind to that circular argument is "maybe you should think about ethics more."

[ohrackham]

[junewild]

Watching Sam & Brennan talk about the beauty of frivolity, of adults playing silly games just as seriously as they fight to survive, and... yeah. There are some things that keep us alive, and there are some things that make life worth living, and I think games are one of those things that fall into both categories. Games make our lives better and they make us better at being alive. I think that's pretty cool.

[shesnake]

good omens 2.06 (2023) // fleabag 2.06 (2019)

[proselles]

What I don't get is why news outlets and Netflix are trying to convince us that arcane was expensive to make. 250 million usd for both seasons they said, and obviously that's a lot of money, but they make the mistake of comparing it to big budget movies like Tangled. So you're telling me that I got an animated masterpiece that combines multiple different art styles fantastic voice acting and creative and passionate writing, that's 6-7 hours LONGER than major animated movies, and its the same fucking price?? And you're expecting me to agree with the corporations outlook, that it's too expensive? Yes, tangled is considered one of the most expensive animated movies, but arcane is like FOUR Tangleds. Many other 3D animated movies fall within the 160 million mark, but again, they're hours shorter than arcane was. I think the prices are comparable. I believe in saw someone (on reddit maybe?) divide the cost down to minutes of screen time for each show or movie and it becomes really obvious. I'm also pretty sure that many of these movie budgets do not include marketing in their overall expenses; arcane does.

This isnt even bringing live action tv shows into the equation; i dont think arcane even touches like the top thirty of those. And yet it's framed as such an expense!! Bitch its an incredibly successful tv show!! Ik Netflix is cheap as shit and has its own reputation to grapple with, but is the disdain for animation so much? Is it disdain for female lead action, for poc representation, for LGBT rep on screen? For the animation medium as a whole? I know the answer of course. But it's still very upsetting to acknowledge and think about.

Separately, arcane is absolutely crushing it. Ik act three is going to knock it out of the ballpark. Keep crushing corporate execs expectations please.

[tenshiangle]

I am going to pass away next week

[momomallowart]

He misses his dad.. 🥺