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cloned-eyes · 12 days ago

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Big info drop under the cut

Ghoul

CC-1313 I Formerly Commander Jenot of Battalion 331st (destroyed)

Currently leading Special Cloneforce Hellhounds

Backstory

Upbringing

CC-1313 was raised and trained to eventually become a Clone Comander for the GAR. The majority of his childhood years were spend with his batch brothers and fellow soon to be Commanders Fox and Wolffe to which he remained a close bond of brotherhood even after the tragedy of Toydaria and his fall into absolute disloyalty of the GAR and the Republic. During this time he still used the name Jenot.

Tragedy of Toydaria

Jenot and the 331st served under Pong Krell for the first few months of the war. Even though the 331st was a very skilled and sturdy battillion it suffered great loses under the reckless and uncaring lead of the Jedi General. Shrinking it down to half it's size in the span of only three months.

While still unshaken in his loyality to the GAR and the Republic Jenot couldn't help to develop doubts and distrust in his supiriours. Struggeling a lot to keep his ranks together and his men motivated.

Eventually the separatist launched a grand attack on Toydaria and even though Pong Krell was well aware that he hadn't the capacity to stand against it he still gave the order to engage - although not leading his men himself but calling in the Jedi Knight Uros Io who at this point just recently rejoined the Jedi Order and lacked any practical expirience on the battlefield. Even though General Io was an extremly skilled Jedi, she was of no use as a General in a dire situation like this. And even though she realised her short comings and let Jenot take charge it was apparent that with lacking men and gear this battle was one that couldn't be won.

They managed to hold the line for three weeks before the overpowering seperatist forces started to push them back. Jenot watched his men die like flies and was aware that it would be a shared fate. Being pushed back to the capital the last remaining men of the 331st were killed by an airstrike. A fate Jenot almost shared but escaped due to General Io keeping him alive long enough for the arriving reinforcements to evacuate them.

Recovery on Kamino

For his recovery Ghoul and a handful severly damaged other clones of his battilion were shipped to Kamino while General Io - who suffered from great injuries herself - was treated back at the Jedi Temple. Due to a missunderstanding only Jenot was actually treated on Kamino. His recovery the only one prioritised while the rest of his men were utilised as test subjects for kaminoan expiriments - all of them lethal.

Unable to move or talk or respond in any way Jenot had to wittness the rest of his loyal battilion perish and listening to the staff in charge festered an untamable rage and hatred for the GAR, the Jedi and the Republic. His trust and loyalty shattering for ever, turning him into the man he soon would become. Even though his life was spared due to General Io, he began to nurse a life long hatred of her. Blaming her orders for the inhumane deaths of his men.

During his time in recovery Jenot developed a habit of sneaking out of the medical wing in which he was treated. Seeking silent corners for himself where he could watch the see outside rage. It was in one of those fateful nights he found himself in the company of three clone cadets who had caught rumor about "dead clone walking" - a ghoul risen from the battlefield.

Jenot, unable to overcome his anger and pain- decided to show those unsuspecting kids the reality of war and the reality of what it meant to be a clone: being property and being exploited.

Little did he know that those three exact cadets would become his new squad only two years later.

Embracing the crude name whisperd behind his back, he decided to let Jenot die and embraced the man he had been beaten into - Ghoul.

A Dead Clone Walking

Even with the loss of his arm, fingers, hearing and lower face Ghoul recoverd exeptionally swift. Making no secret out of his newfound hatred for the GAR supiriors in charge intended to get him decommissioned. Plans that fell short due to General Io convincing the Jedi Order to extent protection over the clone commander.

And while Ghoul proved himself to be difficult to work with he was also exceptionally skilled. The decision was made that he would operate solo, taking on special tasks that where considered suicide missions. Whether he failed or not was relativley not important. If he succeeded the Republic had intel, if not they had one pesky clone less to worry about. While getting accostumed to his new prosthetics and regaining back his former strength Ghoul was shortly tasked with overseeing the training of Cloneforce 99. His battlefield expirience deemed highly valuable and wanted to be taught to the expirimental unit to better their chances of success later.

After Kamino

Ghoul spend his time with achiving the impossible. Retrieving whatever was asked off him. He was well aware that the missions picked out for him were exclusively lethal ones. Yet he returned every single time to spite the GAR. To make a point. He was avidence of what the war was actually. The ugly shadow of the Republic. And he wasn't to be silenced. During this time his mind spiraled deeper and deeper into rage. His opinions became borderline traiterous and he walked a very fine line of getting caught for them. It was also the time he dettached himself from the idea of clone brotherhood. Getting rejected in the truth he had lived by fellow soldiers and shuned out, being nothing but a ghost story for them Ghoul grew resentful. Usual loyalty and empathy clones reserved for eachothers died out in Ghoul. Isolating himself even further from others, going as far as questioning if the men he called his actual brothers saw him still as an equal - Saw Ghoul as an equal - or if they only tolerated him because of what they once had.

Becoming Human again

Being pressured by Wolffe to join him for a drink at the 79's Ghoul met Odessa, a Twilek bartender and refugee from Ryloth. Having no interest in making "friends" Ghoul didn't spare Odessa much mind, just as everybody else. But fate brought both of them back together over and over again, causing a presumed dead side of Ghoul to seek out connection again. Slowly falling in love with the gentle, bubbly Twilek back on Coruscant. Giving him an actual reason to come back. A newfound motivation to keep fighting. Not for the GAR, not for the Republic but for her. Falling helplessly in love with her.

Asking her for her hand only a year after only to almost die on a mission and going mission for months afterwards. Leaving a pregnat Odessa behind, unbeknown to him. Though luckily being offered the chance to return due to the unyielding loyalty of his new unit. His Hellhounds - Wizard, 2020 and Fang - who had accompinied him during the mission and kept searching for him after being seperated and eventually succeeding in tracking him down and bringing him back. Greatly injured but alive.

Order 66 and the aftermath

During Order 66 Ghoul was still recovering from his injuries. Allowing himself to spend some time with his wife and newborn child. It didn't take him long that with the fall of the Republic the time of clones was also limted. While during the Republic he had imunity granted due to the Jedi he was defenseless under this new Imperium. Determined to keep his family save Ghoul deserted and escaped the Imperiums graps just in time.

Settling on a small, unimportant planet in the outer rim where he and Odessa build a live for themselves. Around two years after the fall of the Republic, awaiting a second a child Ghoul was visited by Rex, Echo and an old friend Howzer. The three seeked support in their cause to save clones. Ghoul, while initially unwilling to help feeling resentful over the treatment he had reviced over telling the truth even before Order 66 still, eventually agreed to help after Howzer explained that his Hellhounds had fallen victim to the Imperium aswell and were held captive.

Though never fully part of Rex's and Echos clone rebellion, Ghoul often found himself helping out.

With the years passing Ghoul and Odessa had another two kids - teh youngest seemingly sensitive to the Force. Doing what he was best at, Ghoul spend his time building a Guild for Bounty Hunters. Most of them other clones but also his oldest son and daughter. Though the latter eventual leaving the family business to travel the universe alone.

Trivia

Jenot is the polish word for Raccon dog.

Ghoul is deaf and requires hearing aids. Odessa taught him Ryl sign language. He's fluent in basic sign language and Ryl sign language

Ghoul due to his lack of a real tongue can't taste regular food. Odessa makes him super spicy protein bars that he can take onto mission with him.

The tattoo on his right arm is Odessas Lekku pattern. He got it before he asked her to marry him.

Ghoul killed a stalker of Odessa without ever telling her. It also sparked his friendship with Halo - who was an accidental wittness and helped him dispose of the body.

Ghoul is the middle brother of the Vulpus Trio- Fox, Ghoul, Wolffe

His favorite colour is azure blue. It reminds him of Odessas eyes

The order of his children is Vahan, Tarkona, Reyk and Rha

Ghoul can understand Ryl but is very rocky when it comes to speaking it. His kids love to tease him with it.

His favorite drink is Oryxxian Catsblood. An alcoholic beverage that leaves a nice warm burn in his throat despite his prostethics

Ghoul was very proud of his beard and its one of the things he misses dearly since his injury.

Vahan and Tarkona are characterwise carbon copies of Ghoul, while Reyk and Rha resemble Odessa

Odessa is @therisingdarkness character. Their kids as well as the Hellhounds are our shared effort

If you want to know more about Ghoul and Odessa check out these amazing fic of her

Five times (Ghoul x Odessa story)

#the bad batch #star wars #star wars oc #sw oc #clone trooper oc #twilek oc #tcw #sw tcw #star wars fanart #the bad batch fanart #bad batch oc #eyes draws #oc lore #my ocs #if you have any other questions feel free to ask #imma try do the same for my other babies as well #also therisingdarkness feel free to add info about odie if u got time

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superfam · 2 years ago

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THE SUPERMAN STARTER READING LIST

SO – you want to read Superman comics, but you’re intimidated by the near-century of history this character has. Or, you’ve read a few comics with him, but you want to go back to the basics to understand his character and the mythology surrounding him. There are so many continuities, origin stories, and standalones – where do you start? Well…

[Image ID: a cropped edit of the Superman ‘78 #3 variant cover by Lee Weeks, showing Lois Lane sitting on the letters of the Daily Planet globe, and Clark flying above her in his Superman costume, reaching out to take her hand. Hand-written next to them is: "THE SUPERMAN STARTER READING LIST", and hand-written in the bottom right corner is: "by MYTHIC / superfam.tumblr.com". End ID.]

This list isn’t intended to be a full, comprehensive guide to Superman’s decades of history, but a curated taster of Clark Kent in the comics medium. It aims to show you a variety of interpretations from different authors of different contexts, but with the broad goal of helping newcomers understand the heart of the character. Not every comic is able to sum up all aspects of Superman, and some could be argued to miss certain points, but each one has been selected for this list for the goal of conveying the history and breadth of his interpretations.

It’s intended to be accessible to both long-dedicated comics fans and people who are new to the DC universe, or even the medium as a whole. As such, new fans are welcome to enjoy each story as a standalone interpretation.

Please understand that this list is built from my own experience with the character, and I don’t claim it to be better or worse than any other – it’s just one way to approach his history. Essentially, I’m attempting to create the sort of list I wish I had access to when first reading Superman comics. I highly encourage the reader to form their own interpretations of each work.

With all that out of the way, please enjoy!

[Image ID: An edit of Gary Frank's artwork from Superman: Secret Origin. A slightly battered Clark in his Superman outfit embraces Jimmy with his right arm and Lois with his left. All three are smiling. The background, which depicts a disaster scene and a defeated Lex Luthor chained to a building, is covered in a translucent blue overlay. Hand-written next to Clark is: "ORIGINS". End ID.]

SUPERMAN: SECRET ORIGIN #1-6 (2009-2010) Geoff Johns & Gary Frank

Just a couple years before the 2011 reboot of the DC Universe, a new definitive origin story was created for a Superman post-Infinite Crisis (a major event which had changed the status quo of the multiverse).

Secret Origin is only six issues long, and a great, efficient introduction to Clark Kent and Superman. It focuses on telling Clark’s origins from his own perspective, as a hero but also simply as a person. It also does a good job of setting up important supporting characters including Lois, Jimmy, Perry, and Lex.

SUPERMAN: BIRTHRIGHT #1-12 (2003-2004) Mark Waid, Leinil Francis Yu & Gerry Alanguilan

Though replaced by Secret Origin only a few years later, Birthright was written as the definitive origin story to overwrite Byrne’s 1986 reboot of the character. It was intended to bring Superman into the new century, and be more consistent with his modern interpretations. It is also influenced by the popularity of the TV series Smallville.

Birthright is longer and covers aspects of the Superman mythos in further depth, including dynamics between Clark, Lex, and the city of Metropolis, kryptonite, and Krypton in general. Due to its extended length, it also covers more on Clark’s relationship with his powers and heritage.

I highly recommend reading both modern preboot origins to experience different interpretations with different influences and intentions, even only a few years apart.

[Image ID: An edit of Tim Sale's artwork from Superman: For All Seasons. On the right, Clark lies on his bed, looking to the left with a wistful expression and with a hand on his dog curled up next to him. The background, which is his cluttered bedroom in Smallville, is overlaid with translucent grey. Hand-written to the left of Clark is: "INTROSPECTION". End ID.]

SUPERMAN SMASHES THE KLAN #1-3 (2019) Gene Luen Yang & Gurihiru

This standalone story is set in 1946, and primarily draws upon the Golden and Silver Ages as inspiration. It’s an adaptation of an episode of The Adventures of Superman radio series, “The Clan of the Fiery Cross”, which famously dealt a major hit to the KKK’s operations in America by influencing public perceptions.

The story follows Clark as well as siblings Roberta and Tommy, two Chinese-American kids who have recently moved to the Metropolis suburbs, as they uncover and fight a local chapter of the KKK. The story explores themes of immigrant identity and self-acceptance in Clark and the kids’ narratives – it presents important concepts from Superman’s history, straight from the heart of his character, in a really effective way.

SUPERMAN: FOR ALL SEASONS #1-4 (1998) Jeph Loeb & Tim Sale

This miniseries has four issues, each corresponding to a season and narrated by an important person in Clark’s life (in order: Jonathan ‘Pa’ Kent, Lois Lane, Lex Luthor, Lana Lang). Tim Sale’s beautifully detailed and expressive art captures the complex emotions drawn out by having your life touched by Clark Kent, which works really well with the personal, confessional style of the narration. It’s a very intimate work.

It’s a great insight into both the triumphs and very personal struggles of Clark through the inner voices of some of the most important people in his life, and captures what makes his character work really well.

FOR THE MAN WHO HAS EVERYTHING (SUPERMAN (1939) ANNUAL #11) (1985) Alan Moore & Dave Gibbons

This is a single-issue annual from right before the DC universe was rebooted, and (unsurprisingly for Moore) explores some philosophical and ideological questions regarding the Man of Steel. On his ‘birthday’, Superman falls prey to an alien organism called The Black Mercy, which feeds on its victims while keeping them complacent with vivid hallucinations of their greatest desires. Clark hallucinates a still-living Krypton, which he is a part of – but perhaps not everything is perfect.

SUPERMAN: BRAINIAC (ACTION COMICS #866-870) (2008) Geoff Johns & Gary Frank

Before retelling Superman’s beginnings in Secret Origin, Johns and Frank collaborated on this story arc which massively changes the status quo, partially by reintroducing a variety of pre-Crisis concepts including the original Brainiac and the bottled city Kandor. If you liked Secret Origin, you’ll probably like this one.

As this is our first story arc rather than self-contained story, it has more references to the ongoing continuity but is still easy enough to understand without that context. This story also prominently features Kara Zor-El as Supergirl and expands on some cosmic lore and Krypton in general.

SUPERMAN: UP IN THE SKY #1-6 (2019-2020) Tom King & Andy Kubert

This is an accessible, self-contained exploration of the extent of Superman’s moral fibre, following Clark as he attempts to save a single girl who was abducted from Earth and taken into space. It’s quite abstract at points with the questions it asks about themes of compassion and commitment, which I think is conveyed particularly well in the panelling and artwork.

[Image ID: An edit of Frank Quitely's artwork from All Star Superman. Clark in his Superman outfit is flying with his arms outstretched. The top half of his face is cut off. The background is an abstract depiction of the heart of the sun, and has been overlaid with a translucent orange. Handwritten beneath Clark is: "INTERPRETING AND RE-INTERPRETING". End ID.]

THE K-METAL FROM KRYPTON (drafted 1940, restored 2004-2011) Jerry Siegel & Joe Shuster Studio

The K-Metal from Krypton is an unpublished and unfinished comic from 1940, written by Superman creator Jerry Siegel, and drafted by the studio of the other Superman creator, Joe Shuster. After being lost for decades, the story has slowly been recovered and restored by Superman fans.

Though this one is much more unconventional than the other items on the list, I think it’s extremely important to Superman’s history and generally understanding him as a character. It comes from a time when creative control of their character was being taken from Siegel and Shuster, and though it is unknown why this story was unpublished, that’s a major point of context to keep in mind.

This draft sets up the predecessor to kryptonite in the Superman comics – “K-Metal” – and also contains a scene where Clark reveals his identity to Lois, and they agree to be partners in helping others. This is a major departure from the status quo of Clark keeping his secret from Lois as she tries to uncover it, which would continue for the rest of the Golden and Silver Ages.

The restoration effort can be read online: http://theages.superman.nu/k-metal/splash.php

THE MAN OF STEEL #1-6 (1986) John Byrne & Dick Giordano

This limited series is the immediate post-Crisis origin story and reinvention of Superman. It wasn’t put in the Origins section because I think from a modern perspective it shouldn’t be an introduction to Clark, but rather something you read to understand the history of his character.

It originated major changes in the Superman mythology, some of which have become instilled in it (such as Lex Luthor and Lois Lane’s modern characterisations), and others which have been forgotten or discarded.

One major thing is the great effort this origin made to make Clark American over being Kryptonian… Byrne has expressed great distaste of portrayals of Superman which emphasise his immigrant identity, and that should be kept in mind while critically reading this work.

ALL-STAR SUPERMAN #1-12 (2005-2008) Grant Morrison & Frank Quitely

Arguably the most critically acclaimed Superman comic, this has been saved for late in the list as I believe it’s enhanced with more context of and experience with Clark. This is a series which explores the nature of storytelling and legacy, which was created with the aim of creating a timeless Superman story.

When Superman learns he will soon die, what does he reflect on? What does he change? This is heavily inspired by, and is a love letter to, Silver Age Superman.

WHATEVER HAPPENED TO THE MAN OF TOMORROW? (SUPERMAN #423 & ACTION COMICS #583) (1986) Alan Moore, Curt Swan & George Pérez

Written in the wake of Crisis on Infinite Earths, this is another story about Superman ‘dying’, and is essentially a great mediation on and send-off to the Silver Age incarnation of the character. It refers to itself as an “imaginary” story, and can be seen as one concrete ending for this version of Clark Kent and the rest of the Superman characters, in a medium with few.

It can be found in a collection with For the Man Who Has Everything.

SUPERMAN: RED AND BLUE #1-6 (2021) Various

To finish off our starter reading list, let’s move from Superman’s end to his future. This is an anthology of short stories from various authors and artists, exploring a spread of visions of the Man of Tomorrow.

I think it’s an appropriate end for this starter exploration of Clark Kent’s many interpretations! As with all anthologies, it has its ups and downs in quality, but as a whole I truly believe it captures the heart of this character.

Thank you for reading all this way. I really hope this reading list helps you delve into the character of Superman and inspires you to read further beyond what I’ve suggested here.

Most of all, I hope it helps at least some people grow to love Clark Kent as much as I have.

A PDF version of this reading list is available here.

#it is finally here #my stupid 1600 word reading list #if you requested suggestions then this is your fault lmao #i put all my love of clark into this #i hope its useful #and feel free to send asks with any questions i will be happy to expand #took a long time to edit my ramblings down to this stage lmao #original #reading list #supers #kal #my writing #clark kent #superman #dc #dc reading list #superman reading list #the superman starter reading list

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grape-souffle · 4 months ago

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A gentle reminder that Stoli was once a much taller and more formidable demon

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unvexes · 1 year ago

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SPANKOFFSKI MERCH PRE-ORDERS!

do you want to channel your inner t'noy karaxis and put the spankoffski's in a box to shake them around a bit? or maybe you want stickers to put on your favorite time cube of choice.. well! pre-orders are now open for both shaker charms and stickers of these boys!

these pre-orders will close on november 30, 2023, and it will take around 3 weeks for the products to get to me. i will ship them out as soon as they are in my hands! (hopefully before the end of december)

interest check tags beneath the cut :]

@cowboycomics , @definitelynotahunter , @spigosaur , @ruthflemwad , @tiny-tyrant-taryn , @hotchocolateboy , @spookysplatt , @elyse110 , @sentry-nest , @booigi-boi , @toasted-buguette , @octo-senpai , @fvckmegentlywithachainsaw , @sidus-bella , @archiesweirdparody , @vendingmachineoflove , @beetlbag , @glitter50000 , @astrolotte , @adotham-adotburrd (if you filled out the form and i did not tag you, your @ didn’t work </3)

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automatonknight · 1 year ago

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here's the prick i was talking about^ i have so many thoughts and notes about him but they're mostly incomprehensible so when i organize maybe them i'll post them who knows

#art #oc #id in alt #um ummm #idk. if you have any questions as always feel free to ask #ANYWAYS. geez making him has been so fun i love this asshole so much i'm going to put him through the horrors #salute to you Kordian if you see this if you hadn't shown me stalker i probably wouldn't be running in circles about patches now #more notes. i actually have no idea how magic works in-universe i just thought it would be cool. he's not good at using it he sucks. he's #shocked himself so many times probably. will that stop him? no #he practiced fencing for a few years so he actually like. knows how the fight flows or whatever. i think he definitely picks out targets wh #don't get their bearings quite as well and dances around them and shit like that he just likes to be mean i guess #idk idk. also he joins the lovelies at one point. that's like. semi-canon. it's sorta like with triumphant and normal walenty to me. like #they both exist but the. so to speak. evil one kind of doesn't in a way if you get me. i mostly thought it would be a fun thing to think #about. and also patches would do that and then he'd freak out like what the fuck am i doing and leave #another random thing about his pronouns. well i mostly use he/him for him. that 'any' is more in a way that if you referred to patches as #she or they or it or anything else he wouldn't care #but he usually doesn't mention it and stuff

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dinahdoeeyes · 5 months ago

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My ideal production of Starlight Express.

I suppose I'll just get right into it. First the list of characters, then the songs (excluding little bits/non-songs like Taunting Rusty and the races), then the rest.

Cast:

Rusty

Pearl

Greaseball

Dinah

Electra

Ashley

Buffy

Poppa

Belle, the Sleeping Car (called Memphis Belle)

Dustin

Flat-Top

The Rockies

Volta, Joule, Wrench, Purse, and Krupp

The original National Engines

Duvay and the Sleepers

Control

Setlist (* = will be addressed below):

Entry Of National Trains

Rolling Stock

Call Me Rusty

A Lotta Locomotion ('83 Workship version, but with Buffy added)

He Whistled At Me (Minus the Rusty/Pearl conversation)

*Dinah/Greaseball duet

Freight (With the girls bullying the boys)

AC/DC

Pumping Iron ("Trying to build my body, trying to lose my mind" and "Stretching my bullworker, heaving on my weights" switch spots because I just feel that it'd sound better that way.)

Sleepers moment

*Dinah solo

Hitching and Switching (probably original)

Crazy

*That was Unfair (extended)

That's Me/There's Me (duet)

Poppa's Blues

Belle's Song (Combo of OG & Broadway — especially "sniffing the coke")

Starlight Express

The Rap: Hey You

*Make Up My Heart

Pearl Twirl

U.N.C.O.U.P.L.E.D.

Girls' Rolling Stock

Wide Smile (Mostly the Broadway version, except he says the OG "...C.B." in the chorus instead of Broadway's "...the Red Caboose," until the ending after Electra & co leave.)

I Was Robbed

Right Place, Right Time

I Am The Starlight

Rusty and Dustin

*Dinah's Disco (extended)

No Comeback

One Rock & Roll Too Many

I Do and/or Only You (I really want "I Do," and it feels redundant to do both in a row, but I feel like "Only You" is important?)

*GreaseDinah reunion (extended)

Light At The End Of The Tunnel

Starlight Express Megamix (of course)

Notes:

We are leaning hard into the 80's here! None of that trying to modernize StEx they've been doing since the 90's. It doesn't work, and the hyper-80's...ness is one of the best things about StEx!

This is about 60% the 1984 original, so keep that in mind.

Dinah & Greaseball look most like the original Dinah and Greaseball. (Though Dinah's hair looks like this. I'll get to her costumes below.) Greaseball looks completely like Jeff Shankley's GB.

Most of the costumes look like the Broadway versions.

However, Pearl gets 3 costumes; her pants outfit from the '84 previews (but with white pants), followed by her sleek Broadway dress outfit (w/ Electra), and then the fluffy dress outfit (w/ GB).

Dinah has 2 costumes; the first one being more Broadway (but I dislike the leggings, so different ones), and then, when she pairs with Electra, she changes to an outfit that is similar to her OG outfit.

C.B.'s look is very similar to the original, except his pants are black, and he has his later hat.

I want some of the choreography from the '83 workshop. ( x x x x )

Dinah & Greaseball banter a bit because "Incapable of feeding yourself, Greaseball?" Ohhh *chef's kiss* 2017 London Workshop did something right!

*Dinah & Greaseball get a couple's duet. It's a fun, cute, rock/80's pop mix song that touches on their love for each other and how they don't care about others' bullshit. ("Our Lips Are Sealed" kind of vibes, I suppose.)

Ashley and Duvay are sisters.

Greaseball pulls the girls during "Freight," like he originally did.

*Dinah gets a solo after "Pumping Iron" after the Sleepers talk their bullshit. It'd be about 3½ minutes long. If you've read my Dinah rants, you can get an idea of what it's about.

Greaseball, Bobo, and Espresso are part of the choreography during "Crazy" toward the end, racing around with Dinah, Ashley, and Buffy. (I promise this is FIRE in my head. Have faith. 🥺)

*Grease & Dinah have a longer argument before their breakup.

Dinah and C.B. have a duet. It's the Broadway version of There's Me combined with That's Me. (Dinah singing her solo part first.)

*Pearl sings "Make Up My Heart" about Rusty, Electra, and Greaseball. (Explanation here.)

*"U.N.C.O.U.P.L.E.D." is slower, sadder, and has more lyrics, like it was in the '83 workshop.

Buffy & Ashley are finally canon. It's Complicated™️, but they get it together by the end.

*"Dinah's Disco" is a bit longer, as is *Dinah & Greaseball's reunion/makeup.

Pearl is absolutely like original Pearl in this: A selfish bitch (who learns and gets better by the end); she is not "naive." ("Further from my vision" over "Sadder but no wiser.")

We actually acknowledge that Pearl is an asshole. But, like Greaseball, she learns and is working on herself by the end! 🙌🏽

Pearl apologizes to Dinah at the end. FINALLY. (During a break in LATEOTT.)

Control loves the engines/coaches/freight, and they love him. He's just a bossy little kid, but they're also actin' up. (I'm open to Control being a girl.)

Electra and the Components do come back.

I... think that's it. I hope didn't forget anything.

CHOO CHOO! 💋

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kevindavidday · 5 days ago

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aftg wild geese au

@aftgscenes as requested, but it might not be what you're expecting :D

i have been successfully thinking about this idea for the past two or three years and it is so wonderfully fleshed out in my head i'm honestly scared to write it. it's title is from mary oliver's "wild geese" and it has three parts (yes, i have thought about it in HEAVY detail)

it's a perfect court artist au that you may have seen me go on and on about before too, but only recently did i write out a chapter for this properly. i tried before to post it but it didn't fit so i changed shit about it again. and now that we have an outline...who knows what will happen. i'll elaborate:

1. the moriyama front isn't sports, it's several businesses including art - any and every form of it. it caters to an exclusive, elitist crowd with clients who would pay a fortune for anything that's sold to them with conviction.

2. kayleigh used to be one of the more successful artists from edgar allen university - a place known to graduate few but extremely talented students.

3. tetsuji decides to create a group called the ravens who learn exclusively from his preferred techniques. kevin and riko have the privilege of learning since they were kids so they're meant to be tetsuji's most successful investment.

4. there's various forms of art: fine arts goes to the strikers, music goes to the backliners, sculpting to the goalkeepers etc etc

5. multiple povs from childhood to adulthood because i wanted to create a silly little nest of my own.

6. nathaniel is sold into the family once his mother dies and tetsuji oversees his training as well. as a musician. his presence changes a lot for kevin and jean.

7. when they're in their second year, kevin's probing into his father's life subtly and finds andrew's work as a sculptor at PSU and decides to reach out

8. andrew agrees (for reasons i don't want to spoil)

9. raven artists perfect court completed.

10. chaos.

#i feel that art can be so bloody painful at times #it does mean they're famous only in certain circles but those circles are rich and thats what matters #to ichirou at least #i cannot explain this au any further because of what happens #its aggressive and violent and chaotic but also one of the most beautiful aus in my head #i wish i could just post it so i wouldn't have to hold back explanations #feel free to ask more questions tho? ig???#thank you for prompting me to talk about it hehe #aftg #kevin day #neil josten #andrew minyard #jean moreau #riko moriyama #perfect court #andreil #aftg wild geese au

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lorablackmane · 9 months ago

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It's time for ghosts y'all!! I wanted to make this post once I finished a chapter or 2 of my AU's fic, but I've talked about these lil fuckers so much w/ Teal in the past month I figured it might be best to make a post b4 that so ppl aren't confused in the future.

The premise of this AU is after the night after the King is defeated, everyone is celebrating! ...Until odd things start to appear in the House. A giant bloodsplatter in the Death Corridor and a trail of blood leading from it to the King's room. A shattered shelf and knocked over pot missing it's contents in the kitchen. A frozen body near the storage room.

One by one, ghosts created from the breaking points of Siffrin's wish start to appear, and they're here to stay! For better... or for worse.

Below is how each ghost was made, their wishcraft's scent (I put too much thought into this info so I'm adding it), and a bit about them!

(Cw for the ghost's stories below: death, suicide, allergy attack)

The Stoned - Created in Act 1 - Smells like Copper and Sugar

(This one will get a proper ref later bc this doesn't fully capture him)

Despite their looks, The Stoned is the calmest out of all of them, even though their death was one of the most painful. It happened so quickly and also messed up enough that the Wishcraft couldn't fix most of their body after the boulder disappears... so he can't feel pain anymore. He can't really feel much honestly there's... there isn't many nerves to feel with anymore. The additional lack of bones is a detriment to their ability to move, making them have to crawl around and continuously shift so they won't lose their balance until they get items like crutches and a wheelchair to help.

The Stoned doesn't know the horrors of the House and so are innocent in a way even Bonnie isn't. They never even it made it to the second half of the first floor! So a lot of the things the others talk about fly over their head. The others don't leave them out of talks about the House though! ...Not that the Stoned... really speaks - but it's the thought that counts!! They have their buddy to speak for them, anyway.

Just like how Loop's Wishcraft made their body unique, each ghost has their own lil quirk due to the Wishcraft that powers their bodies. The Stoned has the oddest one: due to their lack of most their bones their body is almost completely powered by Wishcraft that is activated by the air he breathes in. Because of this, he can actually almost flatten himself by releasing all the air inside themself, and will stay that way until he breathes back in. He can't move like that, but it does sometimes come in handy - by releasing some instead of all the air they can make themself slightly more compact to get into tight places!

The Silent - Created in Act 2 - Smells like Saltwater Taffy

The Silent is a fearful one, they remember the pain the House offers but cannot feel it. They only truly remember up to Bonnie accidentally pushing them, however they know so much more. Each time Siffrin touched a tear he gave them the memories of that run, but to the Silent it was less like a memory and more like watching a play. Detached from themself... yet the fear is there. They aren't like Stone who only remembers his death, they know the blessing was a curse wrapped in a pretty bow and the thought that what they see is only a fragment of the loops Siffrin went through... it makes them retreat into themself, especially bc they see their existence as unneeded bc well... Siffrin already exists. They don't need another to bother them.

It's much easier to stay put, to let them become one with the House as the tears intended. They don't need to breathe, to eat, or anything really so it's quite easy for them to do so! For them to just... exist. Hiding in plain sight, like the books hidden on shelves of the House written in their mother tongue. So this is where they stay, until one day maybe people can hear them speak once more. They do occasionally move, mostly when they hear that the Housemaiden's need the area they're in, but only when they're certain no one is looking.

When it comes to fight, flight, or freeze they choose freeze every time... which isn't helped by the quirk of their body's Wishcraft. The Silent can freeze anything up to the size of a medium bowl if they hold it for long enough. The Unseen will sometimes use this to pull pranks on people who upset them, stealing their umbrellas and placing them in The Silent's hold. They find this very petty... but they don't like moving bc a Housemaiden might see them and it is funny so they don't stop the two from doing so.

The Unseen(Left) - Created in Act 3 - Smells like Candied Pineapples

The left one is similar in personality to the Stoned as when they were created Siffrin knews that something was wrong, but still had hope that things were okay. They are an odd one: they see their accidental death as nothing in the grand scheme of things considering how many deaths already happened before them. If anything, he sees his death as a vital piece of showing their love to their family oddly enough! His memory is spotty, but the answer to Bonnie's question is forever engraved upon their skin so none of them will ever forget (even if most cannot see them anymore except outta the corner of their eye). There is a great sorrow in them though, after meeting their counterpart and discovering that there was so much pain afterwards - that like them this fact is engraved into their counterpart... but they'll stay with them, and maybe... they can bring some joy back to the right.

They help keep their counterpart's pranks in check, as unlike the right left remembers how fragile people are and doesn't see them as actors or dolls. Most of the pranks they plan are leaving lil letters with terrible puns around the House. Like you go into the bathroom, there's a letter tied to the handle of the sink. You open it and it says something like, "water you doin, handsome?" Stupid stuff like that, that makes them feel like the funnyjokespunperson they were before everything. A way to reclaim what the loops took from them both.

The Lonely - Created in Act 3 - Smells of Sugar and Moldy Cloth

This ghost is the culmination of so, so many fragments Siffrin left in between those walls. For a long time they did not remember anything besides the motions to get to the King, yet they could never defeat him. They couldn't survive his major attack, no matter what they did. It feels like at one point he could though... wasn't there a way? It isn't until the ghost event that they remember what they lost and while it felt absolute euphoria in that moment, after that the loneliness became soul crushing. The hunger for someone, anyone to be with them hurt so much! ...It made them remember why they forgot their family the first time.

The Lonely's quirk unlike most of the others isn't seared on their skin. No, the Lonely's ability is actually only really useful for dealing with The Unseen - anytime one of the others is in danger or about to do something dangerous they sense it. The Vengeful is constantly ringing this mental alarm, but it can't do anything to help due to it constantly moving so they don't even try with them. The Unseen though, it is often seen dragging them by the ears before they do something like unleash a barrel full of marbles in a hallway.

The Vengeful - Created in Act 4 - Smells of Steel, Salt, and Sugar

It is the culmination of the King's cruelty and Siffrin's agony, a beast made of anger, pain, and sorrow in equal measures. It hates the King both bc Siffrin did and bc it sees him at fault for it's creation as it doesn't know of Wishcraft as it was created right on the line between 3 and 4. That is why it tore his right hand off and stole the gauntlet upon it - a punishment for the action that created it and a trophy for it to wear as proof that, even after such a horrid deed, he didn't win. It runs away from the House and it's former family because of this memory - it cannot confront the people it feels it failed even with the knowledge they survived, that it's sin wasn't permanent. In it's eyes it will always exist. It's eye will sometimes gleam with the same shade as the one that appeared when the world was breaking!

The Vengeful is the only ghost no one is completely sure the location of due to it throwing itself out of the first available window after completing it's mission. It mostly stays in forests or caverns where it can easily hide, only going near towns if someone reminds it of the King. Once it has dealt with said person however it views it needs to, mostly by scaring them, it returns to it's current hiding spot. The Vengeful is a lonely one, but it's not ready to be near people for long periods of time. It's afraid that due to how it was created it'll bring bad luck to those it spends too much time with - how couldn't it? It was created from a person trapped in the middle of an hourglass until they drowned in the golden sands and by a man who saw his will as absolute, who caused so much agony. One day, though, it'll realize that isn't true... but it'll be quite a while.

The Unseen(Right) - Created in Act 4 - Smells like Steel and Sugar

This one is the closest in personality to Loop. It mocks even though it has no voice, they play with the people around it to remind themself they're real. Without the left the right Unseen would be much more dangerous as it is so desensitized to death they have forgotten what is actually dangerous and so some of their mischief has to be tempered by the left one to avoid killing those around them. For a very long time they view others, besides left, as merely actors in a similar vein as Loop, only referring to others via titles if it needs to interact with anyone and left doesn't control the writing pen. As time passes this trait slowly disappears, as the days show more changes like rain upon the rooftops or snow in the gardens, things it long forgot.

Together with their counterpart The Unseen are the ones who were left behind through actions seen as small, but were greater than thought. The ones who cannot be seen without drastically changing the views of ones most loved by the person they once were. And so they stay hidden from sight by their own Wishcraft... but that is a lonely way to live they discovered. The two of them alone cannot satiate their need 4 company. And so they do little things that are easily noticed so they can be seen without breaking their rule: walking around with open, stolen umbrellas or pulling little pranks.

Most Housemaiden's don't talk to them, because they never get an answer they assume they don't like talking. This isn't the case though they cannot tell them that... neither can speak. The left's throat is closed up and the right's is... well u can probably guess why theirs wouldn't work even if they had a mouth to speak with. The Lonely though does speak to them often - it has a chalkboard in the room it lives in inside the House for them to write lil questions or answers on.

#lbwriting #isat #in stars and time #isat spoilers #isat au #Echoes of Loops AU #love these critters so much #they cause so many issues u have no idea #A lot of philosophy scholars will b having a field day exploring the questions these ghosts bring to Vaugarde #Bc that ghost might b committing blasphemy but does it count if they're not in ur religion? Can ghosts even commit blasphemy?#feel free to ask about them btw! I love talking about them if this very long post wasn't any indication

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