#feel free to argue in the comments

[dartheritis]

Is this anything?

[risetherivermoon]

am i the only one who thinks that Anya wouldn't actually be mad with Curly about what he did. Like I think some part of her deep down is angry about it, that he didn't help her like he said he would, but i also don't think she's actively blaming him for it.

I personally believe Curly was at fault for not taking responsibility and doing something about what Jimmy did to her. But i feel like characterization wise she wouldn't uphold him to such a standard, that she'd lose trust in him to an extent, but not enough that she'd hate him. I don't know if I'm explaining this right,

basically I just always feel strange whenever i see people depicting Anya as being resentful towards Curly after the crash, i believe she holds the blame on Jimmy alone, and once Curly has become bedridden and disabled, she focuses on helping him and doing her job. She and him were close friends, enough that she did trust him with the information that Jimmy assaulted her, she still cares.

something about the line: (which she says specifically about Curly) "I have to believe our worst moments don't make us monsters" flying over peoples heads when it comes to her characterization

i do think it's hard to figure out a way to characterize Anya in a light that is justifying, especially since in canon we aren't exactly given a good perspective on her. Curly is the closest we get to that, but he isn't that reliable of a source either when it comes to her (thats a whole other post tho)

but I don't think she'd be hateful, even to someone who has wronged her. I don't think she's weak or small, don't get me wrong, but with the way we are shown how much empathy she has for Curly (with her being unable to give him meds because it makes her nauseous with how it hurts him, and with the quote about Curly's worst moments)...i just dont see it

i can see the appeal of having victims resent and be able to stand up for themselves when it comes to their abusers (in Jimmy's case) and people who supported them, (as in Curly) but I just personally don't see that with Anya. And just because you aren't angry or outwardly standing up to the abuse you go through, doesn't mean that you are weak.

Anya isn't weak, but she's empathetic and in a situation that could only end badly for her. She's also a kind person, and a nurse. I don't think violence or anger are her go-tos

[dreadark]

so why is Luka obsessed with Hyuna anyway?

(mostly just trying to get my thoughts on Luka down before blink gone rewires my brain)

every pet human is extremely limited in freedom, but Luka's case is definitely the worst literally even his birth was by Heperu's design... he can't control any aspect of his own life, from his participation of ALNST (twice!) to what he eats on a daily basis

*translations all by whatafruit

humans have no power over segyein, and Luka doesn't even have any power over own his own body so what can he have power over, then?

other humans, of course

most obvious in round 5: Luka would've had an easy win even if he barely tried, but he goes out of his way to provoke Mizi anyway until she finally snaps... and he smiles as he's beaten

because this is his "power." he successfully manipulated Mizi into reacting, proving he has some control over the situation no matter how pointless it is in the grand scheme of things, this is all he can influence, so he makes the absolute most of it and this control is so important to him he doesn't care about his own physical injuries

it's Hyuna talking in this comic, but clearly reflecting Luka's own mentality

while for Hyuna it's likely just her love for singing and performing (whatever happens, they can't take this away from her) for Luka I imagine it's the ability to influence others from the stage (crushing his opponents, but also shaping his fanbase?)

...so back to Luka -> Hyuna

it’s mentioned more than a few times that Hyuna’s a really talented performer, but seeing their respective stat pages really drives it in

(think the “superiority test” Hyuna was put through relates to this also)

Hyuna doesn't seem to have been created in any special way like Luka was… she just has a natural affinity to performing. and that's enough that she’s considered a real rival to Luka—Luka, who was literally made for this, and put through constant hellish training on top (the pain of having your heart stopped...) to mold him into the perfect idol

to Luka… if he can’t dominate Hyuna, he can't even take pride in his own ability (that everything he's forced to go through amounts to something?). and power over other humans is all he has, so he needs to overpower Hyuna (also he likely admires Hyuna’s talents at the same time, which just adds to his twisted feelings)

so since his ability isn't enough... by making someone think of you, only you… that’s another way of having power over someone, isn’t it

“your life is mine” “I told you I only wanted one thing”

whatever exactly happened with Hyunwoo… well that certainly worked. both removing Hyuna's most important person and making Luka someone she can't not think of (oh and he doesn't seem particularly interested in Hyunwoo despite how similar the siblings are in personality? Hyunwoo was even the first to approach Luka, not Hyuna so it's likely because he doesn't have his sister's talents)

but you know how his intimacy(?) value for her is only 70% I figure that's because she escaped, so they could never actually face off onstage... maybe he's disappointed in her "wasting" her ability

what all this amounts to is that she did end up escaping his control, and he never even got to compete against her. so until he can somehow completely overpower her, he'll be obsessed with her

I wonder if this represents his final effort to that... ultimately, he values control over his own well-being, so if he can goad Hyuna into killing him, then doesn't that cement his power over her?

and maybe "saves" him from this hellish life too

kind of a tangent, but I really like how their designs contrast this dynamic Luka looks really angelic and androgynous, so from appearance he seems fragile and like someone to be protected (which even Hyuna seemed to be tricked by when they were younger) and Hyuna obviously looks the stronger one in comparison (very #girlboss (lol...))

but their relationship is one where Luka's trying to control her and Hyuna's trying to escape it... that "beautiful lady" line of ruler of my heart always felt somewhat uncomfortable, and then learning it's actually pitiful (가련한) instead of beautiful is... ...it's a very gendered dynamic, if you get what I mean. despite their surface-level appearances going against what's considered typical

[fromtheseventhhell]

I have a question for people who fervently argue that Arya has no potential for politics but think that Sansa will be one of the main political characters, and I'm asking this seriously.

If Arya learning multiple languages, how to tell + detect lies, how to rule her face so she doesn't reveal her emotions, being able to blend into different situations, thinking quick on her feet, knowing the importance of gathering information, being someone who makes friends wherever she goes, convincing a FM to help free Northern prisoners and participating in a coup, etc. don't make Arya capable of participating in politics...what exactly is it that you think Sansa will be doing as a political figure?

[anneapocalypse]

At the end of the day you can use "Varric is an unreliable narrator" to overwrite literally any part of DA2 that you don't like. Like you can say, "Oh of COURSE Varric isn't actually against mage freedom! He just said that he objected to Hawke freeing the mages because Cassandra was interrogating him." And sure, I can't prove to you that he isn't lying about that. I can't prove to you that Varric isn't lying about anything. I can't prove to you that the entirety of Inquisition isn't also Varric making things up because he did also write a book about that and we hear Cassandra reading it in the end credits. At the end of the day if you want to you can basically wipe out Varric's entire character as presented to us and say, "Actually he was lying! He's really this."

But at a certain point you do also have to acknowledge that the frame narrative is a storytelling device that's meant to enhance the story, not like... erase it. Or at least I prefer to acknowledge that, because going too far the other way basically guts the story of all meaning. If Varric is a character we are meant to engage with on any level--and I think it's clear from his prominence in the franchise that he is!--then at least some of what we see him say and do needs to be able to meaningfully interpreted, even if we second-guess him, even if we can pick out half-truths here and there, even if we cross-check our interpretations against how he behaves in other parts of canon.

Like at least some of what we're given about Varric has to be meaningful to his character, or why even bother, I guess is what I'm saying.

[gwyns]

look... i love dunking on e/riels as much as anyone else, and i'm not saying i'll stop completely but maybe on fandom posts for fun just ignore them, yeah?

by this i mean, when someone makes a post that isn't about the shipwar at all and e/riels decide to be annoying as usual, maybe just ignore their claims. you don't always have to try and debunk them because they're not going to change their minds. all it does is ruin the op's fandom experience

[nightwingcouldyounot]

(Red Hood Outlaws 010)

[bonezaw]

Everyone. Look at my Thoschei playlist

https://open.spotify.com/playlist/5Xbq340T5ruWPBuntUZuGB?si=Z29eNVMpSKCg8ZqC3PWREg&pi=u-cTXWaLfFRjqj

(Feel free to comment if you have any other songs that fit them, or disagree with any of my choices!! I am so so bored and would love to scream about the idiots again if possible.)

[monbear38]

I need to stop posting bout the crash but I gotta say this. I've seen alot of different arguments about who's fault it was and I know I'm an ollie fan but I've also watched the sport for 10 years. Ollie was OFF the racing line. He did get told that Albon was coming so yes he could of moved over more but williams should of told Alex about where Ollie was. Alex lost control because he saw him there. It is Alex's fault but also blame it on the teams for bad communication. But for Alex to full on blame ollie is stupid. Like he's in an Fp1 session calm down. But also as much as I hated it it's kinda good for ollie to have a bad session after hes really good results.

[mikakuna]

batman really just be saying shit. "killing the joker will make you the same as him"

like oh yes of course. you're definitely on par with a man who's killed thousands of innocents because you killed one person. bitch please. you're telling me bruce being a pussy enabler is why thousands of people die at the hands of one person? he should just go to therapy after killing the joker if it's that big of a deal. if you're gonna take on a role as serious and God-like as Batman/hero, you need to accept that you have to do immoral and messed up things. there's no reason to really make batman so strictly Moral if the supervillains he fights really show no shame in mass murdering and torturing innocents- innocents in a city that he swears is his and his to protect.

in a universe like dc where supervillains (+people who work with chemicals that aren't usable in the real world) exist and absolutely cannot be tied down in prison, killing is likely one of the only ways to keep cities safe. like sorry but batman has to kill the joker, a mass murderer, if he wants gotham to become a safer place. it's that or create an indestructible prison that no villains can escape from no matter what. which surprisingly hasn't been made yet, from what i know, despite all the amazing tech bruce has and can afford

[dol-dee]

I'm nosy and I like polls tell me your opinion on this

[elegyofthemoon]

I'm getting the feeling that I'll be seeing a lot of Zionists' comments on my posts unfortunately, but I'll inform everyone about them if you want to block and move on

This was off my strike posts earlier

If you missed the last one I had posted

Let's not forget that Israel refused HAMAS's deal to release hostages, by the way.

And just the other day, I found out that Israel's always had a plan for ethnic cleansing and recommend everyone to look into what's known as Plan Dalet created back in 1948.

Peace was never in Israel's plans -- genocide was.

Reminder: Bisan has called for marches for Ceasefire between today to the 20th, and there is an ongoing strike that started today extending to the 25th.

[sodabottlehfjone]

[goodhickey]

I don't want to sound like I'm jumping down anyone's throat for having their own headcanons so don't take this the wrong way but. I just don't think any of the papas are cig smokers I'm sorry.... like, at least not casually. and even if they do, it's definitely got to be a secret from sister. I mean, putting the voices of their gospel singers at risk??? she'd have a fit!!! and also, I just think that (for the most part) they take themselves and their craft too seriously to want to jeopardize it like that (though idk. secondo might lol. he got fired after all).

and fwiw, this isn't some holier than thou preaching lol, I'm a cig smoker so these are just My thoughts. do whatever you want forever

[icekirbys]

ice ice baby

[girderednerve]

has anyone written about truck memorials, those custom vinyl decals that people put on the back windows of their trucks (or, less commonly, other vehicles) in honor of deceased friends & relatives? seems like a bizarre cultural practice to me. why a car, of all places? what's going on there? are you just like, acknowledging how you managed to get a nice truck without the traditionally exorbitant car payment which generally accompanies them?? (probably not, right?)

it occurs to me that it could also be a consequence of the ubiquity of lee brice's critically acclaimed (&, imo, deeply cringe) 'i drive your truck,' a song which i have just learned was inspired by the real dad of a medal of honor recipient who drove his dead son's truck & for some reason did interviews about this specific practice. 'i drive your truck' is a fascinating cultural object: it's about how you're sad about your dead friend, who would probably punch you in the arm for crying about it, so you drive his truck with his dog tags & his go army shirt in it, even though the truck has terrible gas mileage, to go 'tear up' back roads & a field [goin muddin, one surmises, but also it feels very pointed that driving & grief are presented as destructive]. i just find this complex like, hilariously on the nose: oh did your kid die in an imperialist war intended to, among other things, secure american access to oil? and you're so sad about it you go literally waste gas? bro. come on here bro. experience a scruple, or at least like, a moment of self-reflection here, bro

this song also feels like it's in continuity with another popular country song, david ball's 'riding with private malone,' which came out in august 2001 & reached its popular height in the wake of 9/11. it's about buying a vintage corvette from the mother of a guy who went off to die in vietnam (a note left in the car reads "if you're reading this then i didn't make it home / but for every dream that's shattered another one comes true / this car was once a dream of mine now it belongs to you"); the singer nearly dies in a car crash, but is saved by the ghost of the titular private malone. hilariously, wikipedia informs me that this song received critical acclaim for its 'subtlety' in expressing the american psyche after 9/11. the mind boggles, but then i suppose the bar was low

neither of these songs are the same flavor of vile, unabashed patriotism typified by, e.g., toby keith, but they're still making the same 'freedom isn't free' argument, centered on iconic cars: both vehicles are haunted by an american soldier, either with the ephemera of his life (brice lists dog tags, a dirty baseball cap, and a shirt, along with a radio station preset and a half-drunk bottle of gatorade, which one must assume is by now swollen with the noxious fumes of incidental fermentation) or more literally (ball notes that the radio picks up an oldies station, but also the speaker sees 'a soldier riding shotgun'). i'm fascinated by the way that cars are emotionally central, in these songs & in the memorial decal tradition. they're making a claim about what american soldiers are dying for (our ability to drive cars) & operating from the assumption that we all agree that this is a tragic but noble exchange, because cars are just like, so great. there's a sort of self-serving maneuver in both of the country songs in which they acknowledge the radio; as a person who spent a ton of time stuck in the back of other people's trucks listening against my will to the local country station, i can confirm that these songs both got a ton of play (chart data reflects this observation too). fascinating in a sick way, i think. there's some obvious stuff going on here about the narrow straits of country-star masculinity; trucks & vintage corvettes (especially ones which you fix up yourself, of course) are suitably cool & tough to cover for unmanly emotions like 'being sad.'

i know it's sort of popular currently to valorize some idea of american rural culture that is left-leaning or radical, and to imply if not insist that this culture is neatly separate from the toby keith of it all (consider, e.g., the popular 'ghost of dale earnhardt' page, which emphasizes the anti-police origins of NASCAR; needless to say, if you live in the deep south & know NASCAR fans, they are not a group of obvious commies. i picked this example because dale earnhardt jr. claimed that the ghost of senior saved him in a crash once & it felt thematically related, but others abound). the claim that there is a leftist rural history needs no defense because it is flatly true, but the idea that this legacy can be neatly disentangled from racist, reactionary, & imperialist tendencies is much more tenuous, in my opinion. american pickup truck culture (& to some extent other vehicles, which are treated metonymously with rural life; e.g. kenny chesney's deeply annoying tune 'she thinks my tractor's sexy') is so fuckin wild y'all