#favourite Sparks music video

[sparks-polls]

Congratulations, When Do I Get To Sing "My Way"! You are officially tumblr's favourite Sparks music video!

Some additional well-deserved special mentions:

(I Predict was named our people's princess by @crystalblast. Puppet boy was coined by @carcarrot.)

[seaofreverie]

Ron remembered that he also had a bugsona in the year 2000.

(I'm sorry for this.)

[huhmiya]

THE WEEKND | matt sturniolo

pairing: bf!matt x f!reader

summary: you gamed while listening to the weeknd while matt was away shooting a youtube video with his brothers, he later drives them back to his place before coming over to your house. it becomes evident that both of you share similar music tastes, sparking a heated connection between you.

warning: smut, sub!matt, swearing, nipple playing, p in v, unprotected sex, edging (matt), blow job, pet names (babe, love, baby, darling), rough sex, ass grabbing, whimpering matt.

a/n: not my photos, on pinterest. what’s y’all favourite weeknd song?

WORDS: 2.1k

huhmiya on wattpad

you - pink | matt - blue

-

You were in your room, alone, listening to music on your phone. Matt was over at your place earlier in the morning after spending the night, but he had to leave to hang out with his brothers and make a YouTube video.

He had texted you a few times, but you only noticed a couple of messages since you were preoccupied scrolling through social media or playing games while listening to The Weeknd.

You had The Weeknd songs on shuffle, as you had quite a few favorites. You didn't pay much attention to the music now and again, as you were focused on gaming and used it as background noise.

Although you were home alone, you didn't hear the front door open. Matt had keys to your place, but you were engrossed in gaming and The Weeknd playing quite loudly in your room.

Matt seemed to notice the music coming from your room, so he locked the door and took off his shoes before heading up to your bedroom. He was familiar with your place, as your home was like a second home to him.

You were quietly singing along to the lyrics, your voice barely audible as you knew the words by heart. Your eyes widened when you saw your bedroom door open, and for a moment, your breath caught in your throat before you realized it was Matt.

"Did I scare you?" he chuckled softly, his voice cutting through the music. "Maybe," you replied with a smile.

He playfully teased you before sitting down next to you, pulling you into a hug. He noticed you were gaming, but he didn't let go because he missed you, especially after being interrupted many times during the YouTube video he was filming with Chris and Nick.

"You never told me you listened to The Weeknd," he whispered, planting a kiss on your neck and resting his head on your shoulder.

"It just never came up in a conversation," you shrugged, setting aside your game and turning it off to hug him back and spend time.

"Hmm, I guess we do have similar music tastes," he whispered, looking at you before turning up the volume a bit.

As the music volume increased, he leaned his head back on your shoulder, gazing off into space. He had something on his mind, but he didn’t do anything yet.

After a moment, he turned to look at you, noticing how relaxed you appeared while listening to The Weeknd. He let out a slight chuckle before gently kissing your lips, catching you off guard with the sudden gesture. You responded by returning the kiss.

The exchange was brief and nothing more, but for Matt, it felt like a tantalizing tease. He found you captivating, like a drug he couldn't resist.

"Can I be honest with you?" he asked, prompting you to hum in response. He brushed his hair away from his face, noting that it needed a trim as it was getting close to his eyes. "I'm really turned on," he confessed.

You were taken aback by his candidness, and he chuckled softly, planting a kiss on your neck before pressing his body closer to yours to make his arousal evident.

You grabbed his hips to pick him up without hesitation, pulling him onto your lap as you shared a passionate kiss. His hands wandered over your hips, matching your intensity as he let out a soft moan.

“Touch me... pleasure me with your mouth, love,” he whispered, breaking away slightly but keeping your lips close. As he gazed into your eyes, he guided your hand to his arousal, eliciting soft whimpers as you stroked him. His hips moved gently against your hand, his lip caught between his teeth.

When you withdrew, he let out a small whine, his blue eyes flickering between yours and your chest before returning to meet your gaze. After exchanging one final kiss, you used a hairband from your wrist to tie your hair back.

His skin was covered in goosebumps, not from fear but from desire. He longed for you, his desire evident as he fantasized about taking control and experiencing your intimate connection further.

He acted without hesitation, releasing his grip on you and swiftly removing his shorts and boxers. His desire for you was palpable, his member yearning to be touched, craving you like oxygen.

Your hands enveloped his erection, gently stroking to heighten the intensity before teasingly licking the tip in circles and giving it kitten-like licks.

He groaned, leaning his head back in response to your skilled techniques before grasping your up-swept hair.

"Do you like that?" you inquired, to which he nodded with a soft whimper, struggling to speak as he was overwhelmed. "I love it... but please, don't tease me," he managed to say, his tone rougher than intended.

Without warning, you took his entire length into your mouth and began moving your head, your tongue tracing the veins as you set a deliberate pace, turning him into a whimpering mess.

"OH FUCK!" he exclaimed, his grip on your hair tightening as he urged you to go faster, though not forcing you beyond your own pace. "Oh, y/n... baby," he whispered with a small whimper.

You accelerated, bringing him closer, as he had been eagerly anticipating your presence all day. Fulfilling his desires felt like heaven to him.

"Your mouth was made for me, babe," he murmurs, releasing your hair and gripping the sheets tightly.

He lets out a few whimpers before moaning louder, his excitement evident as his member twitches in your mouth, signaling his imminent climax. Despite this, he cautions you with his words.

As he nears the peak of pleasure, you withdraw, preventing him from reaching orgasm just yet. He gazes at you, a smirk playing on your lips. "Y/n, are you serious right now? Please don't do this," he pleads softly, a hint of frustration in his tone.

Observing his vulnerability, you meet his gaze as he reaches out for your hand, only to have you gently pull away. He utters your name softly.

"Babe, I mean it, please don't do this—I need you," he pleads, his member glistening with your saliva.

You ignored him, sitting next to him and then lying with your feet dangling at the end of your bed, listening to The Weeknd playing in the background.

Matt looked at you with a huff, clearly upset and wondering why you were acting this way. He glanced at his boxers and shorts, perhaps considering changing, but ultimately didn't care.

"Fuck you, y/n," he said before climbing on top of you, turning your head to the side as he kissed your neck forcefully, leaving behind hickeys. "Someone's feeling feisty," you teased, which only prompted him to bite down to silence you.

He continued to mark you with harsh hickeys while on top of you, his arousal evident, though he tried to push it aside, focusing on the intensity of the moment.

Pulling back, he forced you to meet his gaze. "I want you to take me, and don't you dare tease me again, or I'll make sure you forget your own name," he threatened.

Tightening his grip on your chin, he smirked confidently, his other hand lingering on your shirt.

His eyes subtly conveyed his desire to remove your shirt, even though he already knew the answer. He simply wanted to ensure you were comfortable with it.

You nodded, prompting a smile from him as he carefully took off your shirt, placing it on the floor before removing his own.

"I want you to make love to me... You can't leave me like that and expect me not to be turned on. I need you more than anything," he whispered as he guided you on top of him, gently holding your hips.

His swift actions caught you off guard, and as you met his gaze, you ran your finger down his chest, causing him to shiver slightly.

You paused to kiss his lips tenderly, prompting a more passionate response from him. He was eager for your touch, as if he hadn't been intimate in years.

With his assistance, you removed your shorts, leaving you naked as you had been in pajamas. He gazed at your body before meeting your eyes. "Oh, darling... I am completely yours. I belong to you."

"I know you're mine," you whispered, causing him to smirk. Your naked bodies pressed against each other as he tightly squeezed your ass while you straddled him.

"Y/n, if you keep this up, I'll cum and I haven't had a chance to be inside you yet," he whispered against your lips. You chuckled softly, prompting him to lightly bite your bottom lip.

His hands explored every inch of your body but mostly your ass before guiding you to sit on his cock, ensuring a perfect fit between his length and your warmth. The only sounds filling the room were your synchronized breathing and the music from the weeknd playing in the background.

As you slowly took him in, your walls tightened around him, eliciting a deep groan from him and soft moans from you as he stretched you.

"Oh, love, y/n," he struggled to find the right words, lost in the pleasure. Grasping your hips firmly, he ensured he was completely inside you, his own arousal evident as he felt you shiver slightly.

He continued to move you, taking it slow to help you adjust to him. You were his perfect match, and with every moment, he found himself falling deeper in love with you.

Moaning his name, you caught Matt's attention, though he couldn't resist glancing at your chest. He made an effort to meet your gaze.

As you picked up the pace, Matt averted his eyes and closed them, his body arching in response. He held onto your hips, allowing you to take the lead. Suppressing a loud moan, he bit his cheek deliberately, his hands trembling on your smooth skin before moving to caress your breasts.

His thumbs circled your nipples slowly while he maintained eye contact with your boobs, intensifying his arousal. Fixated on your breasts, he eventually pinched your nipples, eliciting a louder moan from you. “Oh, Matt.”

Continuing his actions, Matt felt his orgasm building as you moved your hips, thoroughly enjoying the experience.

The way your breasts bounced caused his eyes to roll back, and the way you pleased him made him arch his back and moan. He couldn’t help but hold onto your hips.

“I’m close,” he mumbled, and even though music was playing, you heard him. You locked eyes with him, nodded, and increased your pace, which prompted him to grip your hips tightly. He wasn’t careful not to leave nail marks, as his nails were always trimmed short.

“Me too,” you whispered, feeling your orgasm building with each passing second as he twitched inside you, growing more sensitive with his own climax approaching.

For a brief moment, he moaned louder than the music as he released his hot seed into you, the warmth leaking out while you remained on top of him.

He shut his eyes tightly and let out a slight hiss, breathing heavily. His body trembled slightly, especially as your walls tightened and you climaxed around his cock.

You collapsed on top of him, breathing heavily, as one of his hands found its way into your hair, playing with it while he remained inside you. “Damn, girl, I love you,” he mumbled.

After smiling and kissing his head, you got off him, his dick no longer inside you. You lay down next to him, and he frowned, prompting you to look at him in confusion. He then spoke, "No, I love you..?”

You chuckled and rolled your eyes before gently kissing his lips and pulling back. "I love you too, and even more," you said as he smiled like a kid in a candy shop and hugged you tightly.

Returning the hug, you closed your eyes and snuggled next to him, both feeling weakened from the intimacy.

"Shall we listen to one more Weekend song before aftercare?" he asked with a small smile. You nodded in agreement, holding onto him as he did the same.

masterlist! guidelines & information! wattpad! socials!

[todd-machine]

Smaller Soul on YouTube put together a very cool video on the impact of RWBY’s score and use of leitmotifs. Worth a watch.

[vivwritesfics]

Soo, I have an idea, bear with me, it‘s pretty specific (and slightly self-indulgent) but I think it could be nice

Basically, reader has been with Lando for a while already. She played piano as a child but for whatever reason stopped but when Charles releases his piano songs it inspires her to get back to it and Charles ends up helping her practise and they become really good friends (but honestly purely platonic, maybe even siblings vibes) over it. Cue a little bit of angst when Lando gets worried about his girl spending so much time with another guy. But ta-dah, happy end, it turns out that Charles helped her write a song for Lando as a birthday or anniversary present

I absolutely understand if you don‘t want to write this, I just had a little daydream about it and thought you‘d be the perfect person to write it!

Lots of love for you and your works <3

I made the reader Jules Bianchi's little sister

F1 Masterlist

Ever since Jules' tragic passing, Charles had felt a certain sense of protectiveness over his little sister. Everybody thought they were going to start dating, that Y/N Bianchi and Charles Leclerc were destined to be together.

Just like her brother, her life was motorsport. She wasn't a driver, that had never been her desire, but she knew everything there was to know about Formula One. She followed Charles around the world like she wanted to with her brother, supporting him like she would have Jules.

She found love at the race track, but not with Charles.

It was 2019, his rookie season when they met. She had been walking through the paddock, making her way to the Ferrari garage, when she bumped into him. In his McLaren shirt and orange hat, nineteen year old Lando Norris was adorable. It took maybe two years before he finally asked her out. They had been happy together ever since.

Something that most people forget when talking about Y/N Bianchi was her love for music. She had been playing since she was a child and it was something she had used to get through her brothers passing.

She could play several different instruments. While Jules was karting, she was practicing violin, piano, and more. But piano was her favourite of them all.

She still practiced regularly, but it was at the back of her mind as life went on.

But then lockdown happened. She and Lando had just started dating, so she was stuck at home in France, left to call him regularly. She called Charles, too, since he was like an older brother to her. As they talked he walked her around his apartment, setting her up against different surfaces as he did something.

"Charles, is that a piano?" She asked as she looked past him.

He took her closer to it, showing her the new piano he had bought over lockdown.

That was what sparked her playing again.

They didn't have much of a chance to practice together after the season started up again. They still showed each other videos they had taken of themselves playing, but they never played together.

Not until just before Lando's 24th birthday.

Actually, it was the summer break, several months before. But she liked being prepared. Lando had been so fucking excited to spend summer break with her, but she had to blow him off, told him to have fun without her.

Instead she was in Monaco with Charles. They were spending a few weeks in his apartment, writing together until they had a song. Charles had booked a studio, where they recorded together.

***

On the day of Lando's birthday he was woken up with a kiss, breakfast, and a good ol' shag.

"I got you something really special this year," she said as she walked in from the bathroom, using a towel to dry her hair. "Do you remember over summer break, when I stayed in Monaco with Charles?"

Lando's expression darkened. "Yeah, I remember," he grumbled. He knew the nature of her relationship with Charles, but he'd also seen what had been said about the two of them.

Sitting beside him, Y/N ran her hands through his hair. "C'mon, Lan, what's up?" She asked, pouting at him.

Lando threw his head back, exposing his throat as he groaned. "I get sent the articles of you and Charles back from before we started dating at least three times a week. And then you spent summer with him in Monaco and-"

Suddenly she put her hand over his mouth, and Lando softly bit her palm. "I was putting together your birthday present in Monaco. That's why I spent the entire summer with him," she said and pulled up her phone.

Lando sat patiently as she pulled out the song she had written for him. He listened to the piano notes she had put together, to the lyrics she had written. It was, to put it simply, beautiful. He could listen to it on repeat for the rest of his life.

"I... holy shit," he said when the song finished. "I fucking love you," He said. "That was incredible."

[bluetimeombre]

Cowboy like me! ▶︎ •၊၊||၊|။||||။‌‌‌‌‌၊|• 0:10

Your band has a new single out and a certain actor stars in the music video. Sparks fly just as high as rumours.

[i get so bored in work so I get so inspired to just write a bunch of thing i wish I was doing instead of sitting around. I’m still thinking of how to end ‘call it what you want to’ but enjoy this for now. In this I’ve used the last dinner party as a reference cause hello?! Obsessed, but ur band is called 15screens- idk I made it up]

▶︎ •၊၊||၊|။||||။‌‌‌‌‌၊|• 0:10

liked by… yourusername, tomblyth, florencepugh & oliviarodrigo

15screens: ‘cowboy like me’ music video out now!!! Staring the cowboy himself Tom Blyth!!

895k likes 501k comments

user: FINALL6!!!!

user: omg it’s gonna be iconic

user: my favourite band and favourite actor?!

user: omg!! Omg!!! Ahhhhh!

user: the drought is over

user: they’re feeding us!!

user: NEW ALBUM WHEN

user: cowboy like me is such an underrated track of yours

user: tom is so hot as a cowboy I actually can’t

user: I can’t tell who I’d rather be in the music video, tomblyth or yourusername

tomblyth: thank you so much for having me! An honour

15screens: come back anytime

user: I’m shipping, I’m shipping

user: did everyone see yourusername and tomblyth in the music video!!!! So hot

user: best girl band in history

liked by… 15screens, tomblyth, emmalouisecorrin, tchalamet & rachelzegler

yourusername: cowboy like me!! Feast your eyes

tagged: tomblyth

982k likes 561k comments

user: feasting my eyes i am

user: miss GURL

user: best music video ever

user: excUSE ME?! The part where your in a field just casually undressing ONTOP of the TOM BLYTH

user: you know what they say, save a horse…

user: nobody has ever looked so good in a cowboy hat 😍😍

user: tom blyth is a lucky man

user: the CHEMISTRY

user: ur so hot together

user: she never misses

user: the last pic

user: hotttt

tomblyth: 🤠

user: tom 😭😭😭

user: all I’m saying is they’d be the hottest couple out there

liked by… yourusername, 15screens, rachelzegler & hunterschafer

tomblyth: cowboy like me music video, out now. What a wonderful experience, thank you so much 15 screens for having me

1m likes 766k comments

user: omg!!

user: what’s cookin good looking

user: the crossover we didn’t know we needed

user: he is so hot

user: suddenly I’m into cowboys

user: I’ll ride you like a horse

user: the last picture!! They’re so cute

user: they look so good together

user: I never thought, in this day and age I’d be shipping yourusername and tomblyth

user: so unbelievably hot

user: I need the song injected into my bloodstream

user: gnawing at the iron bars of my enclosure

user: I’m barking rn

user: not to be horny on main but I’m horny

liked by… tomblyth, 15screens, zendaya & Jacobelordi

yourusername: let them eat cake, she said

650k likes 300k comments

user: miss gurl?!????

user: TOM?!

user: I knew it!!

user: it’s been a month and I still haven’t recovered from cowboy like me music video

user: is this their announcement

user: save a horse, ride a cowboy

user: it’s happening!!!

user: I’m dead

user: THATS DEFINITELY TOM HE LIKED

user: confirm it so I can die happy

user: mother is mothering

user: she ate

user: so hot

user: a bisexual dilemma

liked by… 15screens, rachelzegler, joshuandresrivera & yourusername

tomblyth: soft launch?

tagged: yourusername

1.3m likes 889k comments

user: WHAT!

user: I don’t think tom knows what soft launch is

user: this is the hardest of all launches!!!

user: I knew it!!

user: NOOO I WANT TO BE THERE

user: I’m in love

user: parents!

user: she’s so hot

user: they’re gonna rule the world

user: this has cleared my acne and got me good grades

user: YEYYAYAY

user: that should be me! Holding your hand, that should be me making you laugh

user: tom- babe, that’s not what soft launch is

user: I didn’t know I needed this until now

user: and all to think it was because of that music video

liked by… yourusername, tomblyth, zendaya & oliviarodrigo

15screens: ‘The greatest’ out now, featuring blonde tom blyth (because yourusername begged him to go blonde and he’s whipped)

884k likes 651k comments

user: ONG again!

user: another one!

user: 15screens are officialy the biggest fans of tomblyth and yourusername

user: BLONDE IS BACK

user: yourusername Doing gods work

user: he’s so in love with her

user: he’s whipped Omg hahahahha

user: 15 screens is officially gonna be a Fanpage dedicated ti them

user: everyone say thank you yourusername

[kellycataclysm]

How does harvey seduce lyra? What's his favourite way to bang her?

Okay so this was absolutely the most fun to write.

Here’s a little list of all the things he has in his repertoire, other than simply existing, with a few bonus head canons and thoughts thrown in. 

Setting the Scene. Lyra’s Harvey is romantic, polite, gentlemanly. The cliches work. He’d light candles, play soft music, bring her flowers, slow dance, watch the stars with her, open the door for her. Some may see this as old-fashioned, he just sees this as being sweet and attentive to the person he loves the most.

Words - Part One. Flirty banter. They’re smart dorks. The words are part of the attraction. Bonus points if there are bad jokes, puns, nerd chatter. 

Visual stimulus. Harvey will catch her eye with cliches that he knows work for her. The tie loosened, the rolled up shirt sleeves, a little peek of that chest hair, a spark in his eye from behind those glasses, and Lyra is FLUSTERED. Plus, he likes to look smart, even when he’s casual Harvey. So, if they’re out on a date you can be sure he’s looking smart and that moustache will be perfect.

Eye contact. The way he looks at her, like he’s still trying to figure her out but, goodness me, if he wasn’t entirely smitten from the second she walked into the clinic and awkwardly asked him for a neighbourly coffee. Plus, you can be sure he's going to do the finger hook under the chin for this, which leads to...

Physical touch - Part One. Harvey is all about the gentle caresses; he’ll hold her hand intertwining their fingers, touch her waist or the small of her back, brush her hair behind her ear, his fingertip lingering on those star earrings Lyra wears. The man is straight up handsy, especially first thing in the morning when they have just woken up.

Words - Part Two. Harvey has no problem telling Lyra that he loves her and saying things he knows will make her melt. We also know that she loves his voice. Deep, calm, firm but gentle. He’s well-spoken and to be honest, she’d listen to him read the phone book. 

Physical presence. Our man is tall in a way that makes her giggle and twirl her hair and he will use this to his advantage. He is 6'4. She is 5'3.

Slow. Sure, he’s ready to rock and roll with little more than a suggestive look from Lyra, because when he knows that she wants him, that definitely gets him going. However, Harvey loves to take his sweet time, setting the mood, making her feel like she is the only person on the planet for him, completely worshipping her. Then let’s also acknowledge that once he gets started, he is a massive tease. Yes, there are plenty of moments in which my spicy dorks are positively desperate for each other, but he loves to hear her begging for him.

Control. He’s bossy in the bedroom and she gets the full benefit of this. Making her feel good does it for him.

Physical touch - Part Two. Harvey really does have lovely hands and he knows exactly how to use them. You can guarantee she is getting off more than once. Don't look at me. I don't make the rules.

Words - Part Three. He loves to whisper things in her ear. Our girl has a HUGE praise kink and he knows this. He also loves to talk dirty to her. If the man drops an F Bomb in the heat of the moment, she will straight up dissolve. Readers may also have noticed that he only ever calls her Lyra when they are in adult situations. It is like she is in trouble. The best kind of trouble. 

By this point, Lyra is a mess and absolute putty in his hands. He can do absolutely anything he wants to her and whatever he chooses will make her feel incredible.

(Okay, did someone say soft dom Harvey?)

So, his favourite position. Lyra’s Harvey isn’t afraid to be a little adventurous. There was the time with the mirror. The video call when he was away. The time in the woods. The other time she made him watch. The time in front of the fire. The time of Harvey’s birthday in which there were many interesting things explored. Plus, you just know the desk in his office has seen more than just paperwork. He would eat her out for days and is also more than happy to try new positions. However, while he isn’t averse to bending her over the armchair, his favourite are the more intimate positions. The ones where he can hold her close (the man loves to spoon) and where he can look into her eyes and kiss her senseless. So, while he absolutely loves to pin her against a wall or have her on top of him so he can ogle her, his favourite and most frequently used is missionary. He’s in love with her and wants to watch as she falls apart for him, because of him. 

Thank you so much for sending this positively delightful question! It was so fun to answer! <3

[hoardingpuffin]

SkyBound SMP Characters as Fewjar Songs

Because I have an agenda and the agenda is getting more people to listen to Fewjar. The fandom are like 20 people we need more.

Vast - Lateniteaha

God, I still have so many questions

I'd be dead by now

But I wanna find out

What only the dead know

Especially now as Vast is figuring out what the Avicane actually are and is figuring out who to be after learning that information, they simply have Lateniteaha vibes to me.

Rune - Cepheus

How did I end up here, stone bound?

All I feel ist the striking distance to the clouds

My flesh is fettered on the skin of the soil

But even so I almost reach the sparks in the void

There is a theme in Cepheus of desperation and being stuck in a place, which reminds me of Rune, especially considering how he seems to view themselves and considering the crumbs of backstory we've gotten so far.

Sylph - Go For It!

Something we put together

From pieces we found

Of a broken jar spread on the floor

It's not whole again

Can't be filled up to the top

Yet a beauty lies inside the pain

Sylph to me seems like the type of character that looks at like, a broken apart piece of furniture or clothing and goes "I can fix that up" and then with the help of hot glue and sparkly tape and some neon paint they actually do fix it up and yeah, sure, it's not perfect and it's not without scars but it's something new and beautiful and crazy. In the best way. Best type of character in my eyes.

Taliesin - Yesterday's Eve

But everything is at a turning point

Light is coming in

Raised dust's telling the story

Again, and again, and again

Yesterday's Eve has this theme of passing through, of change and uncertainess that seems to fit with what we've gotten to see of Taliesin so far. We'll see if my opinion changes as we see the flamingo more.

Marcel - Treasure

Pale hands

Nothing to get so serious about but

Let us be honest

In peculiar moments of

Never never letting go the sum of my parts

Over and over again

I will admit that the lyrics of Treasure don't match up with Marcel, at least not 100%, but something in the vibe of the sound and the music video makes me think of him so there.

Armor - Gemini

Exposing scars

What have we done?

Composing lifelines always won

Don't you know where we came from

Where all began?

In all honesty, we literally had one stream with Armor so this is based on vibes and vibes only.

Pietro - Lo

Searching for a deeper sense

In a pile of vowels and consonants

In a pleasant appearance

A Sisyphus- mountain to ascend

Pietro gets one of my favourites and my favourite Fewjar music video! I can't 100% pinpoint why, but something between the sunlight/dawn aesthetic of the video and the almost pleading nature of the chorus make me thing of Pietro and her relationship with his brother.

Virgil - Skeleton

So hold on to me

Although our way won't be

a safe terrain

Oh hollow me

Tell me would you hold on

To a skeleton?

I will be so honest, Skeleton is less Virgil-specific and more it reminds me of both Virgil's relationships with Pietro and Giovanni. The themes of burying yourself in work or a cause even to the extent of ignoring ones own safety that rings through Skeleton - yeah.

Avalon - Chalkbird

Crystal sparrow come with me

Cause I recognized

That you, just like me

Don't belong to this place

Pinning a song for Ava was hard as hell but Chalkbird makes me think of her and Rune and their relationship so tadaaaa.

Gaverin - A Bleakbox of Insights

Irrelevance is my playground

And loneliness is my hometown

Covered in dust lies

A conspiracy

When you listen to Bleakbox at first you might say "That's not at all Gaverin" and to that I say: "I see your point but rewatch the bits where Gaverin talks about their family and read between the lines because that's what I did and that's how I ended up with Bleakbox" /lh

Cosie - We Wonder

We got time

So much time

And we wonder

We wonder, we wonder

If everything's on hold

Why don't we hold each other?

This is mostly based on the vibes Cosie gives off to me? Not 100% sure if the song fits lyric-wise but the vibe itself seems right to me.

Erin - Levitation

I didn't pick Levitation because of the lyrics, but because of the sound of the song itself. To me, Levitation sounds like a mix of lonely, whistful and comforting and those vibes to me seem like they can align with Erin.

Ashril - Despite This

I'll be filling my ears with some fire crackle

So you can't call me

Sky is covered by crowns, your smoke signals

They won't reach me

I cannot be convinced that Ash isn't running from something. Thus, Despite This.

[luvhughes43]

say yes to heaven (track one) | tz11 x reader

cruel world [masterlist]🕊

word count: 2.1k

Rolling Stone

Date: June 28th, 2023

Growing up, Yn Ln always dreamt that she would become a singer. Her inspirations were figures well beyond her years, taking inspiration from the likes of great artists from decades past. Her melancholic style became instantly notable when she first hit the scene a few short weeks ago with her debut single, video games. Of course, none of her earlier works can be found on streaming services anymore, but her style has remained consistent over the years as she now releases her debut album in 2023. 

interviewer: Yn, your album “Cruel World” has become an instant cult classic for music reviewers and fans alike. But what everyone really wants to know is what, and who, inspired you?

Yn laughs lightly, rubbing her palms on her jeans before she starts talking.

Yn Ln: It was [pause].. it was a long process. I was inspired by my real life [another pause] and my friends' lives. A lot of things went into creating the album. I’ve spent years working on it. 

interviewer: Are you aware of the rumours surrounding the album? That every song is about an ex of yours? Trevor I think his name is?

Yn tenses briefly at the mention of her ex and swipes her palms against her jeans once more.  

Yn Ln: Like I said, the album was inspired by things I've gone through. I don’t feel the need to put names to songs.

She laughs lightly trying to ease the tension of the room.

Interviewer: Well, regardless, Cruel World is an amazing album.

Yn smiled politely, taking a sip of her coffee.

when yn hughes first laid her eyes on trevor zegras, she felt a spark. when she went to bed that night she didn’t dream about her favourite characters, or books, she didn’t even create perfect little scenarios. no, she fell asleep to thoughts of her brothers best friend. his soft hair, the way he glided the puck across the ice, his smile and enthusiasm when his team did well… yn hughes was doomed from the start. 

‘cause ive got my mind on you

i’ve got my mind on you

you didn't actually meet trevor face to face till a week after first seeing him. your twin, Jack, had invited him and a few other friends over to the house for the day. you laid in bed, eyes closed listening to all the commotion below before you decided to go downstairs and greet everyone. 

when you finally made your way to the group, you stood awkwardly at the bottom of the stairs. the wood chilly as you watched your brother and his friends play fight. 

“I’m trevor!” one of the boys beamed as he stepped away from the group of rowdy boys. 

you smiled softly in response as trevor ruffled his hair. “i’m yn-”

“jacks twin! right, i've heard so much about you! you know, i always wondered if it was true that twins had like, intuition? Is that a thing?” trevor rambled, his words fast and inquisitive, a habit which presented itself quite frequently. 

you laughed, nodding in the small breaks of trevors words as he kept talking about twins and their behaviours he had apparently heard about. 

when he finally stopped his speech, yn answered his first of many questions. “i mean i dont know about intuition but…” 

“trev!” jack called, “get over here, stop talking to yn!”. he was shaking an xbox controller, gesturing for trevor to come join their group of friends who were lounging on the sofa ready to play. 

“but he always seems to pick up on when i'm having a good time” you smiled cheekily. 

trevors face burned red and he rubbed at his neck absentmindedly as he looked you up and down. you watched his eyes trail, and you had never felt so giddy in all of your life. butterflies fluttered in your stomach until trevor broke away from you. 

“Ill uh- ill.. i’ll see you around,” trevor finished lamely, clearly feeling the same giddiness you felt as he sharply turned away from you and sat next to your brother. you stood in your spot for another second, watching as trevor tried to hide his smile from your brother. 

the house was quiet as you made your way into your kitchen for a glass of water. you had fallen after working on some music and you woke up dazed and a little confused.

you open the fridge, the little light partially illuminating the kitchen. a figure moves out of the darkness causing you to jump and let out a little shriek. 

your breathing speeds up, one of your hand coming to rest over your mouth as trevor steps into the light of the fridge. 

“Its just me!” trevor says, voice hoarse with sleep. he lays a had on your shoulder, watching you with wide eyes as you try to calm yourself down.

“what are you doing here?” you asked breathlessly as your breathing started to slow. “uh your parents let me and a few other guys stay over tonight” trevor explained, hand still resting on your shoulder.

“what? when?” trevors hand falls from your shoulders and moves to brush through his hair. 

“after dinner. you were up in your room playing… the guitar was it? It sounded really nice”

“thanks…” your face heated and you were so glad that you hadn't decided to turn the kitchen light on. 

“what were you working on anyway?” trevor changed the subject as he opened the fridge and pulled out a jug of milk.

your nose crinkled as he grabbed his discarded cup and poured himself a glass. “oh you know,” you shrugged your shoulders. you didn’t know why you did it but you never wanted to talk about your music. with all your brother's talents and successes, you felt that you choosing music was an embarrassment to your family even though you knew at heart that it wasn’t true. 

trevor must have picked up on your hesitancy so he shrugged, bringing his glass of milk to his lips as he took another swig. 

“milk?” you questioned, and trevor held the glass out for you to take.

“want some?” he asked, tilting the glass towards you.

“definitely not”

“it makes your bones strong and stuff, you should try it” 

“Trevor i've drank milk before,” you say sarcastically.  

“well yeah but like, you know what i mean” 

you rolled your eyes playfully, “okay fine give me the glass,” you reached your hand out and trevor passed his cup to you. you peered into the cup.

“its just milk it's not gonna hurt you” trevor laughed as he leaned back against the kitchen counter. 

you tentatively took a sip and when you finished you passed the glass back to trevor. 

“how was it?” “gross”

“yeah okay,” trevor rolled his eyes, leaning his head back as he finished the rest of the glass. 

you reached past trevors shoulder, grabbing a glass to fill with water. 

“well, im going to go to bed,” trevor nods to you as he sets his now empty glass in the sink. 

“goodnight,” you respond as you fill your glass.

“yah night,” trevor walks out of the kitchen and you watch him leave.

what the hell was that? you whisper to yourself, downing the rest of your water before heading to bed yourself. 

the next few weeks followed similarly. you and trevor would have these weird random moments, and you would both awkwardly smile at each other and move on with your days. that was until the boys decided to have a bonfire now that your parents were out of town to celebrate the start of the summer. 

you felt the warm heat of the fire on your legs as you sat near the pit with your friend. you watched absentmindedly as trevor talked to his friends before you felt the weight of your friend's hand on your shoulder. 

“you know yn, if you want him that badly then…” you whipped your head around at your friends words.

“what?” your eyes were wide in shock. you hadn’t told anybody about your growing feelings for trevor. 

“I’m just saying you’re not being really secretive…”

“he's my brother's best friend” you shrugged, your eyes drifting from your friend and back to the boy in question. He was nursing a beer he had somehow managed to sneak past his own parents.

“okay… what does that have to do with anything? hes hot” your friend shrugs. 

“hes also jacks teammate it just, it wouldn't work out the way i’d want it to” you expressed your reasons on why you couldn't date trevor and it sounded more ridiculous each time. you knew you wanted to be with him, and honestly, jack wasn't what you were worried about. you were more worried of the possible rejection. sure you and trevor had spent time together and talked. but majority of that time was when the two of you were alone. what if trevor doesn't want anything more than the private meetups? 

“how do you want it to work out?”

you fiddled with your hands, ignoring your friends question.

“he clearly likes you though, if that's what you're worried about” you hummed in response, lazily turning your head to look at trevor again. He smiled at you when he caught you looking. you didn't have the energy to look away. you knew then that you'd rather be rejected then not with him at all. 

let the fear you have fall way

i’ve got my eye on you

i’ve got my eye on you

say yes to heaven

say yes to me

“trev!” you hear jack call from across the fire pit, “can you go get us more marshmallows?” the boy easily agrees as he stands up from his lawn chair and begins to make his way inside. 

“Yn im thirsty!” your friend quickly says, pushing you up and off your seat. “can you get me a root beer?” she pleads, causing your brothers and his friends to shift their attention to the two of you. you quickly catch on to what she's doing, and you nod with enthusiasm. 

“does anyone else want something?” you ask the group as you slowly back away. Jack asks for water, and you nod before following Trevor into your house. 

the house was silent as the two of you worked your way around the kitchen. just as trevor was about to make his way back outside again, you stopped him. your hand tugged on his wrist and he was turning back to face you.

“trevor,” you breathed out, a little shocked at your sudden courage.

“yn,” he whispered back. you could hear the faint sound of the fire crackling and everyone's laughter out in the backyard.

it felt magnetic, the pull that brought your lips up to meet his. the kiss was soft and innocent. something that could easily be explained away as a spur of the moment thing. you refused to let it.

“yn,” trevor whispered again, this time painfully.

“trevor,” you were hopeful. 

he kissed you again, one of his hands coming down to settle on your waist as your arm wrapped itself around his neck. 

when you both pulled apart, trevor rested his forehead against yours, his breath slowing down as you both relaxed. 

“we cant do this,” trevor said almost regretfully as his head turned at the sound of your brothers loud voice teasing cole. 

“we can do whatever we want” you replied, ignoring all the background noise.

“jacks your twin. he's my teammate. my best friend. i can't just-”

“say yes to me” you blurted and your face heated up instantly. 

“It's not that easy-”

“yes it is. trevor just say yes to me and we can figure out what to do with jack later,” 

trevor seemed unsure of what to say for the first time. 

“What's taking you so long! damn!” jacks voice pops the bubble you and trevor had built not even a minute earlier. 

“sorry i couldn't find the marshmallows,” trevor mumbles, stepping away from you and towards your brother. 

“why didn’t you help hin y/n? don't be rude” your brothers voice seemed to pierce the quiet of the kitchen.

“he didn’t want me to help,” you replied quietly, reaching behind you for the water bottle jack had asked for earlier. 

“well that was stupid. she literally lives here z she knows where everything is,” jack responded cluelessly.

“Yeah, right, my bad” trevor nodded along with his words as he watched jack reach into a corner cabinet to retrieve a bag of marshmallows. 

I’ll put my red dress on, get it on

and if you fight, i’ll fight

it doesn’t matter, now its all gone

i got my mind on you

ynhughes

liked by jackhughes, trevorzegras, yourbff, and others

ynhughes ❤️

view all comments

yourbff hottest bff ever🤤

ynhughes love u

jackhughes “❤️”

ynhughes if u dont leave me alone…

[insta dms]

trevorzegras: I’m sorry about that night

trevorzegras: I just don't want jack mad at me yk? I do really like you and I shouldn't have just left things like that

ynhughes: what are you trying to say?

trevorzegras: That i'm saying yes to you

trevorzegras: and that i’m sorry

present day

ynhughes

liked by lhughes_06, colecaufield, yourbff, and others

ynhughes say yes to heaven, mv out now❤️ i love u all so much

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yourbff im crying real tears i love you so so much

ynhughes i love u more forever

fan01 just listened to say yes to heaven for the first time and it's soo beautiful

fan02 love you so much yn

liked by ynhughes

lhughes_06 very cool

[i-cant-sing]

hey i wanted to asks if you could do more of F1 race team owner Hawks please

Sparing some thoughts for Yandere F1 Dads Hawks and Dabi:

Keigo has his own race team, his company makes cars for these races, and Dabi, his husband races for him. Keigo spends a lot of time in his home office late at night, designing new cars that are faster and better equipped for Dabi. Dabi would join him in his office after putting you to sleep, helping Keigo out or just keeping him company sometimes, a cup of coffee for tye blonde and scotch for him. Their conversations often revolved around you, cars and dirty jokes, obviously.

Keigo wearing his designer 3 piece suits and forcing you into wearing team colours/Dabi's merchandise when he takes you to races to support Dabi. You're not super fond of tye tracks, but if it's any consolation, Dabj and Keigo make sure you have those big noise cancelling headphones on (the one they give babies). The only downside is that they still force you to wear the team costume and big headphones even when you're older.

The races are usually held in Monaco, the Richie rich city where there's casinos clubs everywhere. And youd think that your rich dads would leave you at the hotel and go to these casinos to have some fun. But no, since you're too young to go to these places(you're not, they just don't want you to suddenly become a gambling addict or meet the disgusting pervs that these places are full of), so they do more family appropriate activities with you. Like cycling dates, which would've been alright if it they weren't famous, so now everybody on streets is staring at you and taking pictures of you losing your breath and turning red and sweaty because you have low stamina, unlike your dads who are fit sportsman.

Dabi trusts reader 100%. He knows hes raised a good, honest, sweet kid- no, he raised an angel. It's just... everyone else that he distrusts. That's why he spends a lot of time in the garage building trackers that he can have Keigo sew in your clothes, bags, shoes. Keigo isn't completely on board with "tracking" your every move, but then Dabi always paints such a picture about what could possibly happen if someone gets their dirty paws on you and you're never seen again, leaving your dads wondering what kind of hell you're in. So, now Keigo is sewing in the trackers and hiring disguised bodyguards to keep an eye on you during school and whenever you're out in general.

Keigo cooking in the kitchen while Dabi helps you with your homework, having endless patience as he explains the same thing over and over again with the softest voice ever. Of course, Keigo brings in healthy snacks for you two, watching his two favourite people just... being themselves.

While Dabi helps with the academic side of your development, Keigo likes to spark your interests with different hobbies. He plays the piano, so he'll teach you how to play one, or at the very least, an instrument of your choice. And when music class is over, he'll have you help him with cooking, usually baking because you like licking the frosting off the spatula (just like Dabi). Keigo also encourages you to draw futuristic type of cars, and the blonde takes it as a challenge to make all your designs, however unfeasible they may seem, become real.

Thats not to say that Dabi doesn't do fun activities with you. He'll have you join him in the garage and teach you a lot of stuff as he works on his cars and engines- he'll make sure you know how to change your oil and tyres so that you don't need someones measly son (aka Bakugou) to change them for you and then hold it over your head. Dabi would definitely over for you to learn how to drive from him, but until you're old enough, playing car simulation video games with him will do.

When you first started dating Katsuki, whenever you would leave home, Dabi would have serious anger issues that he would take out on his cars as he destroys them with a metal bat or a wrench. But you'd never know that he's angry, because by the time you come home, Dabi is cool and nonchalant.

Keigo, while he pretend he's not bothered by you dating, doesn't cope so well either. He may have a happy, calm exterior, but when he goes to work, he fires like quarter of the company. He takes out his anger on other people, so that when he returns home, he can sigh and pretend he's much better at coping this news than Dabi.

[sparks-polls]

Tumblr's Favourite Sparks Music Video - Round 2

La Dolce Vita vs Dick Around vs Edith Piaf (Said It Better Than Me)

When I'm With You vs I Predict vs No. 1 Song In Heaven [Plagiarism Version]

Now That I Own The BBC vs So Important vs The Girl Is Crying In Her Latte

Johnny Delusional vs Beat The Clock vs The Rhythm Thief

Lawnmower vs The Existential Threat vs Music That You Can Dance To

Funny Face vs Occupation vs When Do I Get To Sing "My Way"

Escalator vs Tips For Teens vs My Baby's Taking Me Home

With All My Might vs The Calm Before The Storm vs (When I Kiss You) I Hear Charlie Parker Playing

Best 2 out of 3 will continue to round 3. Vote Sparks!*

* Pink shoes optional

[seaofreverie]

Sparkstember Day 1: Halfnelson

This album is SO GREAT!! On my first listen I was immediately very impressed by it and I really love how it has this very particular early 70s rock sound that I'm a big fan of, while still being distinctly Sparks and its own special thing, at a time when Sparks was just starting to become its thing - the heart of it all was there from the very start! While it's not my top #1 favourite Sparks album or even one of my top 5 favourites (which is a nebulous category anyway that's likely to change and shift with time of course, and not even something I pay THAT much attention to) it's definitely still UP THERE and a very special album in my heart that I revisit quite often. Especially when I need something to simply relax but also appreciate some of that early Sparks' experimental and... almost whimsical? sound.

This album also reminds me of winter, a very snowy one at that, and that's in big part because of when I started listening to it for sure, but some of that vibe is already there in the music anyway if you ask me. Walking around a Christmas market in the city and hearing random tunes from this album playing in my head all the while, that's one great memory I have from last year. If I were to give this album some sort of visual representation it would definitely involve a lot of browns and other earthy tones - it would be very dark and mysterious without being scary or truly unnerving necessarily - think something like the Edith Piaf (Said It Better Than Me) music video, but less colorful and involving more wooden materials (yes, this is VERY specific and also definitely an image that's supported by that wintery association, as well as the imagery that my brain came up with for Simple Ballet, but more about that below...).

Favourite songs (and other highlights):

Wonder Girl

Roger

High C

Fletcher Honorama (the entire atmosphere this song has is incomparable with anything else)

Simple Ballet (this one was a later favourite but the IMAGERY and atmopshere here is, once again, very special, I actually developed an entire music video idea in my head for it at this point, even if it feels very vague)

Saccharine and the War (probably my favourite on the album)

No More Mr. Nice Guys (THAT guitar solo!! a real mind-blower on my first listen too)

[pineapplefulfillseveryneed]

✨ Music That You Can Dance To at The Bridgewater Hall, Manchester (May 27, 2023) ✨

[mainepdf]

my full review of ttpd (a month late, shhh)

tw opinions. if you like a song that i don't or vice versa or you don't agree with a comment i made, good for you! get it off your chest, get it off my desk!

fortnight

One of Taylor’s weaker openers, it’s a nice song, not much going on though

the production is boppy, not much going on once again

Interesting how Taylor sees her muse as living a good life without her and a nice domestic scene with his wife watering flowers but for her, her husband is cheating on her, implying she thinks she will never be happy, maybe because of how this relationship went or her general perception of relationships and her experiences with them. That is my interpretation of the song.

The outro with post and taylor's harmonies SLAPS

Like I said, this song feels a bit lacking of substance both thematically and technically, it doesn't do it for me, i don't hate listening to it, i just don't love it.

i think it might be a song that grows on me over time but it won't ever be a fave for me.

i also think in light of the music video, it's lost some of its spark for me, as that music video made no sense to me. i don't think it deserved to be a single.

the tortured poets department

“You left your typerwriter at my apartment, straight from the tortured poets department” implying that this thing of which she is now part had been introduced to her by the muse

The muse has probably compared them to poets like Dylan Thomas and Patti Smith and probably romanticised their relationship into the work of a tortured poet, but that’s not real life.

Taylor brings back to reality that now because of his self sabotage that brought both of them down in this relationship, he has lost the one who will decode him, hold him, know him

the above are just little analyses i like making as i listen to the song, they have nothing to do about whether i like the song or not, it's just me trying to make sense of it. you'll see that a lot.

i do not like the charlie puth line. at all. why is it there?

also don't like the tattooed golden retriever line, the image of a tattooed golden retriever is terrifying.

i was so off-guard about the namedropping in this song, sorry i had no idea who dylan thomas or patti smith were.

this song is trying too hard to be poetic, i think (which one could argue is the whole point of this song), but it doesn't stand out much to me. the themes are interesting though.

this is a pretty weak title track, personally. i feel like it doesn't encapsulate the essence of the album (which i am confused about tbh, ttpd has a lot of aesthetics going on for itself). it has nothing on little fearless and evermore.

my boy only breaks his favourite toys

so we all thought this song would be pretty petty, but i honestly don't think it is extremely so. there's a sort of pity for the muse, that the breaking of his 'favourite toys' is a form of self sabotage and that they could've had it all.

i love how it starts so defeated, "oh here we go again", which i think is in reference to the muse's self sabotage ruining her life

it also feels a bit reflective and nostalgic of the fact that it wasn't all bad, which i quite liked. i liked the contrast of feelings.

"once i fix me, he's gonna miss me" is a devastating line btw

so is "he saw forever so he smashed it up"

song is a bop, i like the lyricism, overall i enjoy this song :)

down bad

i enjoy the cunty synth here ahaha. for all the jokes the fandom makes about jack fucking around with the synth while taylor sings the most soulcrushing lyrics, it is so real especially for this song.

taylor has never sounded so good while swearing. "fuck it if i can't have us" is such an earworm.

i feel like this is the most petty song in the album, mainly because of the "teenage petulance" in the lyrics

the callback to new romantics in the bridge is so insane, i noticed it immediately.

the production is so mystical and giving space alien vibes, i enjoy it.

so long, london

the intro is giving big ben bells and/or wedding bells

the fast beat vs the slow melodies is such an interesting juxtaposition (to my lit teacher, i hope i used this word right XD). i think it really highlights the conflicting feelings this song explores ("i'm just mad as hell 'cause i loved this place") and also how taylor isn't able to keep up with how quickly the relationship is dying (the production) and she's still sifting through her feelings to find acceptance (the melody)

"how much sad did you think i had" something something "how long can we be a sad song" something something "don't want no other shade of blue but you"

the bridge is just the most devastating strike to my heart

"you sacrificed us to the gods of your bluest days" is one of my favourite lyrics on this album

track 5 is track 5ing

this song is a masterpiece, i genuinely love it so much

but daddy i love him

get this song out of my face, i hate it so much. blocked on spotify.

why did taylor have to waste good lyricism and production on such an awful premise and "fuck you" to her fans dishing valid criticism of her association with matty?

the baby line is hilarious though, because i did indeed fall for it the first time

like you can talk about taylor's agency all you want but everyone knows what the implications of this song are and i feel hurt and offended that this is the attitude both taylor and some swifties are taking.

"the most judgemental creeps" um, is this fucking play about us?

fresh out the slammer

her voice sounds beautiful in this

love the country twang in the production

it's giving getaway car thematically

i think it's interesting to see this song so soon after so long, london, where she says she was "going down with [the ship]" but she was literally dreaming about running into the arms of another man and was "[doing her] time". like ok girl!

vibey song but not for me. i don't have much to say on this.

florida!!!

IMMEDIATE FAVE, i had claimed this since day 1 and i was so right

cunty production, i can tell florence had a lot of influence. no more synths! bring out the drums!

at first, i had no idea what was happening in this song, but when taylor talked about it being about reinventing yourself, it made a lot more sense to me and i love that interpretation, it rings so true.

can i be honest and say that i thought it said "arms" not "home", like that doesn't even make sense 😭

florence's verse fucking slays, my only gripe is that her voice in the verse is kinda quiet compared to the instrumental. could've used some better mixing here.

"me and my ghosts had a hell of a time" is a banger of a line

the bridge is immaculate, has been in my head since i first listened to it.

this song is amazing, there is nothing like it, pure perfection. top song on the album.

guilty as sin?

obsessed with the beat

hedge maze = labyrinth = the mind, idk i just loved that connection

we have reached the ovulation song lmao

did you know it took me so long to realise the chorus was talking about masturbation? like i knew the song was horny, but i didn't realise it was THAT horny.

i think i called this a mature, sadder false god in my notes. that uncertain, sensual, desiring tone is probably what motivated that connection in my head.

WHAT IF HE'S WRITTEN MINE ON MY UPPER THIGH ONLY IN MY MIIIIIND

the bridge is so beautiful, i am a sucker for religious imagery.

overall i'm obsessed, beat good, lyricism good, i love it

who's afraid of little old me?

now i know this is the fan favourite, and i understand why. it gives an eery, angry vibe, and i also enjoy it. to some extent.

namely, the part i enjoy most is the circus imagery, i liked how she leaned into the circus animal metaphor to depict her struggles in fame and her relationships. it's like a badly behaved circus animal about to be put down absolutely losing it and raging about its plight, which i enjoy as a means of storytelling and expressing emotion. i also enjoy it as a callback to mirrorball and what happens when the mirrorball finally has had enough of shattering in a million pieces and performing for a largely uncaring crowd.

... which is why i don't like the asylum lyric. to me, it doesn't add in anything significant thematically when the rest of the song hardly has similar strains of discussion. not to mention the ableist overtones and trivialisation of the asylum experience but i just don't like this lyric. it weakens the premise of the song.

the production is also off in some places, it feels muted and underwhelming compared to the premise of the song.

it's an okay song, i 100% like the acoustic demo better that she came out with recently. some changes in production and the omission of that asylum lyric would put it higher up for me.

i can fix him (no really i can)

good thing this song is short because she couldn't fix him at all and i don't like this song.

"the jokes that he told across the bar were revolting and far too loud" euphemism for bigoted, taylor?

production is boring, the melody is also pretty boring. the lyrics are good, but not enough to save the song, in my humble opinion (it is after all my review here)

"good boy, that's right" taylor GET UP

the 'woah maybe i can't' is funny though, i'll give her that

loml

slayed, devoured, left no crumbs, left me emotionally devastated

the lyricism is absolutely beautiful, the sadness is tangible

the first time i listened to this, i was on the train, and i was so emotional, it was the perfect music to stare out the window to.

the impressionist painting line is also absolutely brilliant, took me out when i heard it. one of the best lyrics on the album.

the bridge and outro are the reasons i need therapy, destroyed me

loss of my life theorists won but at what cost.

i think some of taylor's simplest songs melodically have some of the most beautiful prose and emotional connection, i think she needs to tap into that more.

10/10 no notes.

i can do it with a broken heart

extreme whiplash hearing this after loml. similar whiplash to what taylor felt, i think, going on tour after such a heartbreak

someone pointed out that the almost metronomic beat and the faint counting in the background is like what taylor hears in her in-ear monitor on tour and i think that's really cool.

obsessed with this song so much

it has been stuck in my head since i first heard it

i never expected this to be the cuntiest song on the album but i am not disappointed at all.

"i cry a lot but i am so productive" is so mecore if i was actually productive

the ad libs at the end are also perfect

is it just me or can i hear crowd noises in the background?? am i imagining this??

i'm afraid the fandom is gravely misunderstanding this song. some are saying that taylor hates us because we were "shouting 'more!' " when she was feeling like this. some are saying that she doesn't resent us at all and that this song absolves us completely. those are both two extremes and my interpretation lies somewhere in the middle. this is not a callout to fans but also some factions of the fandom were (or are) being assholes demanding reputation tv and double albums all the time. acknowledge the nuance.

10/10 obsessed, fave song after florida!!!

the smallest man who ever lived

this song is good.

bridge of all time, indeed, she went OFF

the verses feel a bit meh to me but i love the chorus.

"you didn't measure up in any measure of a man" HAHA TAYLOR IT TOOK ME A SECOND TO GET THE DOUBLE ENTENDRE

this song is indeed petty, but it also feels defeated to me? like taylor just sounds tired of it all and quite hurt, that's what i got from it.

i also love the performance of this song on the eras tour. she is marching with an army and they keep taking hits throughout the song, until she eventually falls at the end. something something "the great war" something something "fighting with only your army, frontlines, don't you ignore me", etc.

the alchemy

i feel a little let down by this song? because from the name, i assumed this song would be using the concept of alchemy being a medieval science of turning things into gold or finding a universal cure as a metaphor for a broken/dying relationship.

also i don't understand how this is meant to be a love song, sounds really sad to me? like almost defeatist in terms of how the relationship.

why am i being bombarded by football metaphors?

i mean, it sort of plays on the idea of alchemy being a sort of magical transformation, but to me, it just feels like a synonym for chemistry.

" 'cause the sign on your heart says it's still reserved for me" is a cute lyric though.

it's quite formulaic as a song and there's not much going on for me. anyway.

clara bow

i really enjoy the concept of this song being the torch of fame being passed onto different women, from clara bow to stevie nicks to taylor swift to whoever's next.

once again, it's quite simple melodically, but this is where she shines! the typewriter while she was writing this must have been on fire!!

i also love how it plays on the concept of being put onto a pedestal as a famous woman and how you're only appealing until people decide you're not

"it's hell on earth to be heavenly" is such a perfect lyric.

the namedrop of herself GAGGED me on first listen, i was amazed.

it's a perfect closer to the first half, putting everything into the perspective of her fame and passing the torch onto something else because society has decided out with old, in with the new.

the black dog

the thing about the location settings makes me so ill, he didn't even think to turn it off for her. they probably shared locations to make sure they could check up on each other, and it was still on. it is such a tiny thing but so devastating.

the buildup on "old habits die screaming" ohhhhh this is amazing

the best laid plans... hoax...

"i still miss the smoke" people are making parallels to daylight but my first thought was lavender haze, like missing the lavender haze, you know?

the priest lyric is so devastating if you think about the fact that taylor thought she'd be meeting a priest about this relationship for a different, happier reason...

obsessed with this song, it's so beautiful.

the quietness of the verses and the loudness of the chorus, i am genuinely entranced, it is cinema.

imgonnagetyouback

do not ask me to compare this song with olivia rodrigo's "get him back", they're both on different levels thematically and tonally even though they use the same double entendre.

what narcotics did she put in this bridge XD

so boppy, and sensual, i adore it

i remember going on a long search for the literary device that is present in "i hear the whispers in your eyes", decided it was antithesis with the help of my followers. not at all relevant, but wanted to add it.

the albatross

i can make a lot of parallels to peace with this song.

it's so eery and mythical, i love it, treats taylor like a fable, an urban legend.

aaron dessner is a fucking legend, i am loving the production on the anthology

my folkmore girlie self is loving the anthology for real

i love the bait and switch to "fake news", exposing these rumours for simply that, and saying that she's not the dangerous one, the "jackals rais[ing] their hackles" are.

i am always a sucker for when taylor changes from third person to first person narration, it's so important to me. bait-and-switch, you are everything to me.

10/10 no notes.

chloe or sam or sophia or marcus

heartbreakingly beautiful. just a general melancholy around the breaking down of a relationship and is so so perfect.

the hologram lyric is not about cheating at all. the relationship is long gone, this is taylor envisioning her muse in a new relationship but she isn't there, hence the hologram. i've seen some people say it was about cheating, that interpretation doesn't make sense to me.

"you turned me into an idea of sorts" -> "the idea you had of me, who was she?"

random thought, but the lyricism on the anthology is so much better and natural as compared to the first half. i enjoy the bops on the first half but it also suffers from trying too much to be poetic (i think i said this about the title track especially). there are so many overloaded lyrical runs and random references that leave me confused and overwhelmed. the anthology however feels so much more quintessentially taylor.

don't have much to say on the song itself, i quite like it.

how did it end?

the intro literally makes me ascend!!

i really love how this song investigates and criticises the inherent curiosity people have around big news like a breakup, constantly probing for details.

once again, the simpler songs contain the best lyricism and melodies!!

this song both explains and expresses confusion about the end of the relationship, so i love the paradoxical nature of that.

"we learn the right steps to different dances" is such a devastating line and i think sums up the end of many relationships so succinctly.

the second chorus is giving right where you left me: "did you ever hear about the girl who got frozen?" etc.

THE BRIDGE, TAYLOR HOW DO YOU DO IT

the d-y-i-n-g part is just so devastating. taylor uses the themes of death and haunting so well on this album.

i know i've said this like 10 times, but this is just so so beautiful.

so high school

the guitar in the background is giving hits different, it hits different when it's you!!

despite the happy tone and lyrics, i do feel the sad, anxious undertone, the key example being the marry, kiss, or kill me part (the echoed "kill me", "it's just a game but really")

the aristotle and grand theft auto line has been used countlessly to shit on taylor's songwriting, and personally, i don't like this line. just doesn't hit right for me. however, i think it's unfair to pick cringe lyrics and ignore all the beautiful, meaningful ones to shit on taylor.

i do love the imagery with high school games like truth or dare and spin the bottle, really cements the "so high school" of it all.

this song is okay to me, it feels too american for me to enjoy it more lmao.

i hate it here

i love the poet and finance guy line at the beginning, it expresses a sort of desperation to get to know this person, to uncover their insecurities, deepest secrets, and love them anyway. it may also be introspective of taylor herself, idk.

calling comfort a construct is so quietly sad. convincing yourself since you've never had it, it can't be real because it's better than being cursed or doomed to never have it (see the prophecy)

this song is so escapist, but also so cynical about the escapism, it clearly isn't a preferred option, like it's not just escaping into childhood and nostalgia for the sake of it, it's because the real world fucking sucks.

the chorus slays, and is quite relatable.

the use of the word "precocious" is so interesting to me. she used it also in "but daddy i love him" if i remember correctly. like she resonates a lot with the feeling of being stunted in childhood or having seemed to never grow up -> "i have this thing where i get older but just never wiser" -> "i never grew up, it's getting so old" -> "i hit my peak at seven", idk i find it an interesting recurring theme in taylor's discography.

the 1830s line, and just that entire first half of the verse. i know why it's there, i know what it's doing, i know it's not meant to be taken seriously. still i don't like it. it also feels weird that she is calling out racism as a staple of the 1830s or whatever when she has shown us she is perfectly fine with dating a racist. you can say i'm being overdramatic. you can say i don't get it. idc. i try to ignore this part because this is a very good song and i love its themes and production.

"nostalgia is a mind's trick" i really love this because the entire song is so nostalgic for childhood and escapism but then she's like "actually nostalgia sucks" or it's not what it seems. no, the past would not have been better.

production feels like seven. themes quite different however (thematically, it would be robin, i think.)

the bridge combats the cynicism of the second verse which is so interesting to me. i love how opposing views on nostalgia and escapism are presented, the nuance is there.

the bridge is so mecore, i feel it in my bones.

thanK you aIMee

i really enjoy the small town as a microcosm for the giant music industry and reducing kim to a bully in this analogy.

this song is so cathartic for me, i really enjoy it in the lens of a friendship breakup.

she's so funny in this song "and so i changed your name and any real defining clues" while clearly spelling out her name in the song title.

the bridge fucking slays, likely thing for taylor to do.

it's such a breath of fresh air to have such a cathartic moment in an album that's largely dealing with huge emotions in huge ways, it's so interesting here as an addition to the anthology.

i look in people's windows

it's such a beautiful song and it's criminal how short it is

her voice sounds heavenly, i love how breathy it is.

it's giving "the outside" which is why i love it so much, i think

i think this not only works as a song grieving the end of a relationship but expressing the feeling of being left out in a current one; i definitely relate to it in that sense.

"does it feel alright not to know me?" is so so heartwrenching, i cannot do this

the prophecy

i am a sucker for mythology references so i'm already drawn in with the title.

once again, the song itself sounds so beautiful.

"i got cursed like eve got bitten" except she didn't get bitten?? the curse came after she ate the forbidden fruit?? i'm a bit confused here

WAIT NVM IT'S THE FACT THAT SHE DIDN'T GET BITTEN THAT'S THE WHOLE POINT OF THE SIMILE, HEAR ME OUT

saying something so factually incorrect and comparing it to her own experience implies that the latter is ALSO incorrect. she didn't "get cursed", she cursed herself!! which also defies the notion of "the prophecy", ohhhhhh i find this so interesting.

i think the notion of "a greater woman" or "a lesser woman" speaks to the expectations placed around women in relationships, they mustn't appear too desperate for love because that's undesirable but if they are nonchalant, they are also undesirable, it is worth exploring in terms of this song.

this song is so so sad and sadly so so relatable, i definitely find some comfort and resonance in this and it makes me really sad :(

i love the references to mythology and folklore made here, "the pricked hand" very obviously referencing sleeping beauty.

i always love it when taylor repeats the first verse at the end of a song, i think it speaks to the cyclical, circular nature of this specific feeling, that no matter how much she begs and pleads, "the prophecy" will never change.

cassandra

another mythology reference!!!

this being after "the prophecy" is so so deliberate, godssss

the piano is giving "mad woman", which i think is so fitting

"so they killed cassandra first 'cause she feared the worst" that's not actually why cassandra was killed in mythology but go off queen

"they say what doesn't kill you makes you aware" is an unreal run

that being said, i love it when taylor takes common sayings and aphorisms and gives them a twist. she does it a lot in this album, one of my favourite examples being "old habits die screaming" as a twist on "old habits die hard"

"blood's thick but nothin' like a payroll" i am hooked completely oml

10/10 no notes

peter

more folklore references, let's go!!!!

this song is so hauntingly beautiful, the lyricism is so poetic and flows perfectly, genuinely this is what i love about taylor

as a folklore girlie, i am WINNING with the anthology

i can't get over the "jet stream" line here vs "jet stream" in "call it what you want" 🫠

once again, a bridge that fucking slays, how does she keep doing it

it's so interesting how taylor grapples with the concept of childhood and precociousness in this album with so many mentions and callbacks to childhood and feeling stunted as a child and now, it really is an ode to "you're stuck at the age you became famous" (which is sad in many aspects but also problematic in others)

the chorus is also just so perfect, everything about this song is perfect.

the bolter

obsessed does not even cover it

what a banger start to a song

the chorus reminds me a lot of "illicit affairs", i think, interesting connections can be made there

"as she was leaving, it felt like breathing" as in a sigh of relief that it's over, but also she does it so often it is quite literally as quotidian and simple as "breathing"

i love taylor's tendencies to make songs in the third person narrative voice, i think her best storytelling comes out like this.

"there's escape in escaping"- i think this is sort of a commentary on how the identity of "the bolter" is like a coping/defense mechanism to ensure that she doesn't get hurt in a relationship, in that there is an escape from her insecurities, her worries, and the eminent pain she will face in the relationship by quite literally escaping.

but there's also often the bait and switch ("then it was bought by me", "i'm the albatross, i swept in at the rescue") but i find it so interesting that this song does not do that, if only i can make a meaningful analysis there, but my running theory is that she deliberately chooses to distance herself from the identity of "the bolter", bc while she does dote on this character and is rather affectionate in how she tells the story, she doesn't feel like attaching herself to it, in that maybe it's an identity she no longer wants to hold or that, like she frequently says, she doesn't believe these songs or stories are about her anymore and that they take on new meaning..

anyway i am loving this song, 10/10

robin

WHY IS NO ONE TALKING ABOUT THIS SONG, IT'S SO BEAUTIFUL

it's so sweet how she is consoling the child, ensuring them that they should enjoy this time they have now, and that they will be kept safe from their future.

but it's so sad in that regard, like, "we don't wanna hurt you so we're not telling you how this will pan out to protect your childhood innocence".

this once again cements my preoccupation with taylor's discussions around childhood and youth, she mentions frequently how that was taken away from her too soon and how she has felt "precocious" because of it. it's so important to understand and this song should NOT be overlooked.

i really like it.

the manuscript

this song is so heartbreaking, i want to punch the wall

i never thought about the fact how doing the atw short film would have rekindled these old memories and feelings, and this song is surely a direct result of that. not surprising, in hindsight, but it still compelled me when i first heard it.

once again, youth being taken too soon!! precociousness!!

someone needs to take the word "precocious" away from me

"but the story isn't mine anymore" HHHHHHHHH THIS IS THE WHOLE POINT

very nice song, beautiful closer to the anthology and the entire album as a whole, "these stories used to be about me but now they're about you".

overall thoughts

i hate to say it, but i think this album is in a desperate need of editing; there's so much going on, most of which is compelling and worth exploring, but everything is disjunct with each other and i know this work is meant to feel messy, don't start with me there, but it shouldn't be messy to the point where it's confusing and overwhelming. there are so many concepts and metaphors that are so intriguing and clearly important in taylor's music but the final products of those become half-baked in mediocre production or mixing. this album feels rushed and is soaked with questionable decisions. for example, i think "i can do it with a broken heart" should have been a single and title track because i think it's such a central part of her experiences recently and clearly something permeating the rest of this collection, and how she learns to move on and cope in light of heartbreak. there are several moments where the lyricism of the album feels overwhelming and overcompensating, as in trying too hard to contain meaning. the best lyrical moments on this album are seamless and subtle, and very prosodic as well. taylor tried to deviate from that formula quite a bit and it didn't always work out for the best in this album. she is not as adept at throwing in conversational lyrics as her peers, her strength is in prose and storytelling. the production is also getting a bit old, it's very sonically cohesive, almost to the point of it being boring, and i think taylor needs to get a bit more experimental sonically, and also ensure that the melody and production work together in more different ways, and that maybe the melody is not relying on the production but vice versa. the album is certainly not all lows, but the lows are particularly lower than in other instances of her discography.

that being said, the highs on this album are absolutely breathtaking. the majority of the anthology and quite a few songs on this album captured me instantly. this album is quite mellow, and could have benefitted from another bop or two, but the ones we received were astounding!! this album also had some really strong lyricism, especially in the anthology, and it was so intriguing seeing the many metaphors and situations she used to express her feelings. her storytelling in particular really shone in this album in songs like "the albatross", "the bolter", "clara bow", "cassandra", "the manuscript" among others. i love the themes and ideas that taylor explored in this album, and overall the premises really compelled me.

in terms of rankings, i've separated the two halves. the first half (ttpd) is second-last and the second half (the anthology) is 8th out of 12 (not 11 because ttpd is split in two).

if you've read this far, congratulations, have a treat of your choice. please be mindful and respect my opinion, thanks!