#fashion plates

[alexandriaellisart]

blue butterflies 🦋

[rancidmice]

sangfielle art time yayyyyy

i was dying to do fashion plate recreations with the girlz but i had to finish my secret sample first. so yay here we are 🥰 also i’ve decided that sangfielle is in its 1870’s fashion era because first bustle period is my fave

[designedandplated]

Woman's Evening Gown, October 1797.

[heaveninawildflower]

Costume plates from 1832-1836.

Hand coloured engraving on paper.

Photos by Birmingham Museums Trust, licensed under CC0.

[thewaytheywore]

[archivedotorgfan]

various fashion plates by willem g. krieghoff ranging 1875-1885.

[isabelle-primrose]

La Mode Illustrée, Journal de la Famille, 1882

[vintagefashionplates]

[empirearchives]

Fashion prints from Journal des Dames et des Modes

1808-1814, Napoleonic era

CMU

[inthemoodformoodboards]

[disappointed-time-traveller]

Extremely similar fashion plates from 1861 and 1862

I just wanted to share easily the coolest two fashion plates in my collection. They’re both part of the small collection that I inherited from my grandmother and I have no idea where they came from, other than that like most of the fashion history recourses I got from her they’re probably from when she studied sewing in the 1960s.

They’re two fashion plates with descriptions from one November 1861 and the other from April 1862, from the Englishwoman’s domestic magazine.

The first thing about them is that they are incredibly similar looking, similar clothing, similar colours, the same amount of figures including a child. It was probably a deliberate choice to have two very similar plates to better showcase the similarities and differences between the two years and spring and autumn fashion.

The other cool thing is that they are both mounted on paperboard and have descriptions of each one mounted on the back seemingly clipped from the original magazines (though the could be the place my grandmother got it from). I’ve transcribed the descriptions under the cut.

November 1861

DESCRIPTION OF THE COLOURED PLATE.

1st figure on the left side: The bonnet is composed of white satin, trimmed with black velvet and black and white blonde, and a bunch of flowers on each side. The mantle, which is made in a shawl shape, is composed of velvet, and trimmed with black guipure. The top of the mantle is finished off by a guipure pelerine, which is fastened behind and on the shoulders on by a handsome gimp rosettes with tassels. The large sleeve which comes to a point at the bottom, is pleated at the top of the arm under the gimp rosette and tassel. The dress consists of one of the fashionable broché silks.

2nd figure: The turned up hat is ornamented with a kind of fur trimming and long drooping feather. The paletôt fits tightly to the figure, and may be made of velvet or a thick cloth. It is trimmed with fur, and is made open in the front with revers, the sleeves being large and also trimmed with fur. Two little pockets ornament the front of the paletôt, which are also finished off by a band of fur. There are three fancy gimp buttons on each side of the body, and the waist behind is also ornamented in the same manner with two gimp buttons. The dress may be made in silk or poplin. Little girls dress: The little Tudor hat is trimmed with blue velvet and a blue feather tipped with white. The pardessus is made to fit the figure; it is trimmed with fur, and is made with a fur pelerine or cape. The dress, which is striped, is bound at the bottom with a piece of black velvet.

3rd figure: The bonnet is composed of velvet, and ornamented with a bunch of flowers on the top, feathers on either side. The cloak is made of a shoulder piece, into which the fullness is pleated; the sleeves are large, and the garment is trimmed with fur, whilst the pelerine is composed of this material. This cloak may also be made in velvet, and trimmed with chinchilla, or corded silk, trimmed with velvet, and with velvet pelerine. These cloaks are usually made so that they may be worn with or without the fur cape, according to the weather; and in this style are excessively convenient for the changeable English climate.

4th figure: The velvet bonnet is ornamented with bands of satin cut on the cross-way, and roses and lace. The long jacket is made tightly fitting to the figure, in thick corded silk and is trimmed with gimp. The back of the skirt is cut to form three large pleats behind, each of which is ornamented with handsome gimp rosette and tassels. Bright blue poplin dress, made with quite a plain skirt.

April 1862

DESCRIPTION OF THE COLOURED PLATE

1st figure on the left: The bonnet is made with drawn front violet silk, and the soft crown of embroidered white tulle. The curtain is of violet sills, edged with a puffing of tulle; the strings are of broad white ribbon, and the bandeau consists of one large rose, ornamented on each side with bunches of wheatears. The pardessus is made of unlined corded silk, with a deep cape , and is trimmed with narrow Maltese lace and two two rows of narrow black velvet. The garment is cut in slightly to the figure behind, but is straight in front. The sleeves are of deep bell shape, trimmed round the bottom with a pleating of silk. The dress is violet silk, brocaded with black, the colour of the dress exactly matching that of the bonnet.

2nd figure:

The bonnet is of white crêpe, ornamented quite at the top with a large bunch of white ostrich feathers, and the Bandeau Impératrice is composed of one rose with leaves on each side. This mantle, which is quite circular, is made of plain glacé silk, trimmed with a broad gimp, whilst the neck is ornamented with a row of gimp, finished off with a tassel fringe. The dress is of drab silk, made with one flounce at the bottom, headed by two bands of silk of the same colour.

3rd figure: -Summer Costume.- This elegant costume, which is a charming toilet for a picnic, is composed of white muslin. The dress is made with a series of narrow flounces, all edged with narrow green ribbon. The burnous, also of white muslin, is trimmed with green silk ruching, and three handsome green tassels. The hat is composed of green silk, trimmed with a full plume of white feathers. This costume may be made more useful and durable by substituting white barège for the muslin, but in all cases (to look nicely) the cloak should be composed of the same material as the dress. White grenadine or lama might be used with advantage in this toilet, and the colour of the trimmings and hat might be altered to pink or light blue, suiting the colour to the complexion of the wearer.

4th figure: -seaside costume- The Leghorn hat is bound on the upper part of the brim with black velvet, and is trimmed with a white ostrich feather. The dress and jacket illustrated in this figure are both made of the same material, either nankeen, buff piqué, or Victoria cord, the latter material being rather thinner than pique. The coat is ornamented with a braiding design in black, the pocket, revers, and cuffs being trimmed to correspond. A costume of white piqué, braided in balance, would be equally stylish.

5th figure: -little girls costume- The straw hat is bound with violet velvet, and is trimmed with two white feathers, one lying on each side of the hat. The cloak is composed of silk, and is made with three single pleats behind, attached to a neck-piece, the front being perfectly plain. No trimming whatever is required for this stylish little garment with the exception of two rows of piping round the neck-piece. Black silk is, of course, the most appropriate material for a child's mantle; our illustration is coloured violet, to add to the effect of the picture, which would have been somewhat sombre were all the figures shown with black mantles.

Full-sized paper patterns, cut out in tissue paper, tacked together and trimmed, of all the mantles illustrated in this plate, may be had of Madame Adolphe Goubaud, 248, Strand, London, W.C., at the following prices:.

[alexandriaellisart]

purls

[clove-pinks]

Looks of 1833

Hunting dress and black frock coat, day dress with brown frock coat, and evening dress with dressing gown.

[designedandplated]

Women's Colourful and Black Gowns, November 1868.

[fashion-from-the-past]

1889

[badassindistress]

The old lady's craft room ecosystem has landed me a treasure!

A book from the 1980s with prints of 1912-1925 fashion plates from the Gazette du Bon Ton! Here are some of my favourites:

They're really fun, illustrations by the likes of George Barbier and Georges Lepape for couture houses like Worth and Lanvin.

They range from dramatic fashion illustration:

To suggested situations where to wear the outfit:

To full story concepts:

(I think the Salomé one is my favourite)

There's more! Much more silly ones I'll post later.

(link here when I do)