#fantastic art regardless

[wigglebox]

Merry Christmas 💚💙💫

[prettyboysmlm]

UGH my temps only at 99.6°F

[rivalsforlife]

Ace Attorney Investigations Collection Announced

At the Nintendo Direct today, news I have been tirelessly waiting six years for arrived: The Ace Attorney Investigations games are coming to all modern consoles! This includes Ace Attorney Investigations 2 (now officially known as Ace Attorney Investigations: Prosecutor's Gambit), after THIRTEEN YEARS of being a Japan-exclusive game!

Now everyone gets to experience Debeste Ace Attorney games! ... The Winner Ace Attorney Games!

Key Information

The collection is coming out on September 6, 2024 to the Nintendo Switch, PS4, XBOX One, Windows, and Steam. It will be available in Japanese, English, French, German, Korean, and Traditional and Simplified Chinese, with new voice dubs. Most of the information in this post will be coming from the official website, which you can check out for more details.

The reveal trailer is as follows:

There's lots of information here, so let's break it down:

New Features

Since these were originally Nintendo DS games, there's a massive jump in graphic quality to HD! This includes a new interface for Logic, the court record, and redone full-body sprites. But if you prefer the classic look, the AAI collection will let you swap between the sprite styles:

Similarly to the Great Ace Attorney Chronicles and 456 Collection, the AAI Collection includes story mode, dialogue history, a gallery containing concept and special art, and music including orchestral arrangements of the soundtrack.

You can also change the in-game soundtrack to rearranged tracks! This applies to Confrontation - Allegro, Confrontation - Presto, Objection 2009, and Pursuit - Chase Down The Truth (commonly known as Lying Coldly) with and without the intro.

Pre-Order Bonuses

Much like the AAI tracks, AAI2 arranged tracks can play in game, but these are currently restricted to pre-order bonuses (though this might change in the future). This includes Confrontation - Allegro 2011, Confrontation - Presto 2011, Objection 2011, and the intro and non-intro versions of Pursuit - Uncover The Truth (commonly known as Wanting To Find The Truth).

That's all on the English side, but much like the 456 collection, Japan has a physical collector's edition called the Mitsurugi (Edgeworth) Checkmate Set. This includes an arranged mini-album of songs by other composers, and new album art by Tatsuro Iwamoto.

The new songs include "Objections of Different Eras" (seemingly a remix of Objections 2009 and 2011), "Raven that Pursues The Truth" (remix of Kay's theme), "It's Time for Action!" (remix of Gumshoe's theme), "Howling Echoes" (remix of Lang's theme), and "Unveiling the Truth" (remix of the Pursuit songs).

This collection also includes a diorama set:

The set has two backgrounds (the rooftop of the Grand Tower and Edgeworth's office), and has standees of Edgeworth, Kay, Gumshoe, Franziska, Lang, Gregory, and... Verity and Eustace.

Which is a good segue into:

Localization Differences

Since most AA fans will be familiar with the fantastic AAI2 fan translation, the new names will likely be an adjustment for all of us. Characters in AAI (like Kay and Lang) will not have their names changed, just characters that were previously exclusive to AAI2.

Known name changes include:

Yumihiko Ichiyanagi / Sebastian Debeste -> Eustace Winner

Hakari Mikagami / Justine Courtney -> Verity Gavèlle

Tateyuki Shigaraki / Raymond Shields -> Eddie Fender

We also know that Manosuke Naito / Horace Knightley's new last name is Knight, and Gai Tojiro / Ethan Rooke's last name is Rook, which isn't much of a departure from fan translation names. We also know that Mikiko Hayami / Nicole Swift's new last name is Lloyd. I will provide updates on more names when they become available!

Regardless of your feelings on the new names - it's going to be an adjustment for everyone used to the fan translation that has been around ten years now - let's all keep in mind that despite the new names, the characters behind the names will be the same. And personally, as a massive fan of AAI2, I think the adjustment will be worth it if it means that more people get to experience my favorite ace attorney game for themselves.

With this announcement, all canonical ace attorney games have been ported to modern consoles and given an English translation. As I mentioned at the beginning of the post, this announcement is thirteen years in the making for AAI2! This is an unprecedented time for the popularity and accessibility of Ace Attorney.

(All we need now is the Layton crossover...)

Thank you all for joining me in this excitement and I look forward to collecting and sharing more updates as they arrive!

[poorly-drawn-mdzs]

I haven't read these books at all, but your art is so fun and cute that I like seeing your comics a lot regardless. Fantastic Silly Little Guy energy.

Thank you for enjoying my silly little guys and my comics B*)

[queenofthearchipelago]

Long Rant about the Watcher Thing

The thing about what's happening with Watcher is that I'm a musician. I understand deeply the difficulties that come with an artist making their art and needing money and the relationship with the people that art is for. So I understand that Watcher needs money to pay their employees and maintain their business.

That said, they revealed that they have 25 employees (half of which are nepotism hires and friends from BuzzFeed) and that one episode of Ghost Files costs "hundreds of thousands of dollars." (Ghost Files being their most expensive show by bar, not their average spending habits per Watcher episode)

I understand from a few people I've seen who are in their Patreon that they make at least 100k per month from the patreon. And then there's the money they get from youtube itself from the views. And then there's the money they get from the ads.

Now I understand that Ryan said this decision came down to primarily 2 things: the ad companies were making them feel stifled with what they could do (which they don't explain how), and they want more money to be able to keep up a higher production quality.

I'm going to skip past the thing about the ads. They never specified how the ad companies were making them change their content in a way that made them feel unsatisfied. I can't speak or provide any opinions on why they want so badly to escape needing ad deals.

But I can talk about the higher production quality they speak of and that's specifically because Ryan said that they wanted to pay for a higher production quality FOR US. "For you guys."

We... we didn't ask for higher production. This is NOT a decision they need to make on our account. I understand and respect if they aren't creating on they level they want. But it's odd that they're speaking towards not being able to afford their current spending habits, as if this is something we asked them to do.

I've read a lot of comments about this and I agree with a lot of you that it's odd that this decision to switch to streaming coincides with the return of Worth It, a show that when produced by Steven, seems like it could easily cost just as much as Ghost Files to produce.

I understand why it feels like this is all Steven's fault. His vibes in the video today, compared to Ryan and Shane, made it seem like he was the most excited about it. It's Steven that has been highlighted multiple times as the business man, the one who makes the financial decisions. It's Steven's shows on Watcher that get canceled after one or two seasons, meanwhile Ryan and Shane's shows just keep going to 5 seasons and beyond.

Shane even said it explicitly, that there are "shows that didn't do as well on youtube, that might do better on a streaming service."

But most of the fans DO watch Watcher for Ryan and Shane, they always have. Steven's shows don't do as well. When Watcher brings in a new host and makes a new show for them, those shows do even worse.

I know this upsets Ryan, he's been very vocal about wanting Watcher to expand beyond himself and Shane. He wants his company to be successful regardless of whether he's in front of the camera or not.

But I feel like this step is trying to force it. Right now, this is still Ryan and Shane's channel. This is why we're here. The people haven't latched onto Steven as much, and the attempts to bring in new hosts have been unsuccessful.

There are lots of comments floating around about why Watcher didn't do what Rhett and Link did and open up youtube membership. Or why didn't they host more live events. Or why didn't they do more livestreams. These all could have been fantastic ideas that wouldn't betray the fans.

Because I do think they forgot that their fanbase is largely women in their 20s. People are right in bringing up the cost of living crisis, in bringing up how many subscription services we're already subscribed to. And my heart goes out to the international viewers who can't access the website at all in their country and the ones who can't afford it because Watcher forgot to consider the currency difference.

I feel that they have betrayed their fanbase. I remember when Watcher started and Ryan admitted he was scared no one would watch. And then we showed up for them because we loved them and what they did.

But now most of the fans can't or won't follow them where they're going. And I think Ryan might know this too from the way he said If this is goodbye, it's been fun.

I wish they would have tried other things before hard launching a streaming service. I wish they would have had a long game plan to get to the place they wanted to be as a company and as creatives.

I feel betrayed but I also don't want this company going bankrupt. If they go bankrupt, then we truly have lost them forever. I hope they take a look at the overwhelming backlash, at their falling subscriber numbers, and I hope they reconsider doing this.

[fantastic-nonsense]

It's immensely frustrating because the more we see of Absolute Wonder Woman, the less excited I am for it. It's a cool idea in theory (witch warrior raised in Hell becomes Wonder Woman), and the art looks fantastic. I just don't see how this is a story we should be seeing with Diana.

Absolute Superman and Absolute Batman are clearly working in conversation with their characters: Absolute Batman is "what if Bruce's parents were killed but he wasn't rich?" and Absolute Superman is yet another "mythos update for the modern era"+"what if Clark wasn't raised by the Kents?" AU. But unlike Bruce (who can reasonably still be recognizably both Bruce and Batman without his money), Clark (who still has Krypton and the experience of growing up as an alien on Earth regardless of where and who he's raised by), and every other Wonderfam character (where if you take away the Amazons, there's still something to build off of), Diana does not and cannot exist without the Amazons...so taking that away from her just makes this feel like a "Diana-in-name-only" story instead of an interesting exploration of what Diana might be like if she'd been raised differently than she was in canon.

It just seems weird that DC has chosen this particular story for the Absolute Universe's Diana when it seems like a story that would be better for, say, a world without Diana as Wonder Woman at all. After all, Absolute Flash is about a teenage Wally becoming Flash in a world without Barry. Absolute Green Lantern is a first contact story starring Jo Mullein. Why are we not getting that for the Wonderfam if DC is intent on talking about a "last Amazon" Wonder Woman who wasn't raised by them?

Why is Absolute Wonder Woman not a story about a world where the Anti-Monitor or Titans of Myth successfully kidnapped Donna and raised her in Hell for Dark Angel purposes, or a world where Circe and Ares let Lyta's Aunt Hecate raise her, or a world where Cassie didn't discover she was a demigoddess until the Amazons had been wiped out, or a world where Child!Yara survives the destruction of the Amazons by virtue of being raised in Idaho Hell, or even a world where Artemis became Queen of Hell long before Requiem? The premise here just doesn't feel like it suits Diana, even an Elseworlds Diana. Maybe I'll be proven wrong. But I'm getting increasingly skeptical the more information we get about it.

[grimeerie]

If Enigma of Fear comes this month,i am praying for this game to be absolulety marketed fucking EVERYWHERE online,cause not only Ordem is such a amazing project that deserves so much recognition,but being a fully brazilian/latino-made TTRPG,the idea of this series becoming worldwide-known means so much personally as a brazilian artist.

I've mentioned this on a post before,but the experience of growing up as a latine being constantly fed white american-centric pop culture,be it comics,TV series,movies,art in general,to such a extreme point it made me develop such high insecurity in my country's art and culture as a whole,is so deeply harmful that even after leaving that toxic mindset,that insecurity still lingers on.

And it's why Ordem as a project is just so beautiful as an rpg to me,like the campaign main setting? All brazilian cities! The characters? Brazilians from different parts of the country all speaking in the accent and slang of their state or city! The players? Brazilians! The promotional art,the music,the boards,the tokens? ALL BRAZILIAN MADE. Like this project in so unashamedly Brazil and that makes me love every bit of bit.

Even though the gringo side of the Ordem fandom may still be somewhat small,the ammount of love i've seen you all have for this project is so big; all of the fanart,fics,headcanons,every single form of appreciation has just been so good. Know that regardless of what you may think about the quality of your contribution to this fandom know that to me and so many other brazilian,your love for this series means a lot to us. The hype for Enigma of Fear has been wonderful to see,and DESERVED CAUSE THE GOD THE GAME LOOKS FANTASTICAL AND DUMATIVA PUT THEIR WHOLE DUMATUSSY FOR 4 YEARS INTO THAT GAME AND THEY DESERVE THE RESPECT FOR IT-

BUT ALSO i want to shoutout the QSMP fandom as well,cause y'all are insane fr,seeing people love the same CCs i've watched and loved since my childhood,the fandom interacting with us Brazilian ??? Learning about our culture???? LEARNING TO SPEAK PORTUGUESE???

Sorry for the ramble but like- the whole learning portuguese part still makes me so happily feral cause as someone who grew up on Internet fandom spaces,having to learn english on my own to be able to interact with others,especially english being the main language in most internet spaces,THE FACT THE INVERSE IS HAPPENING LIKE WHAT?? Serioulsly,the dedication man! That is awesome!!

Legitimately i don't think there's enough words to describe the appreciation i have for yall,so basically: thank you all,so much,for giving us so much love this past year,and i hope if Ordem does become big enough out there,that more brazilian art to come gains as much love as this one,we are such a diverse country with so much to offer,and im am so glad to be born to such a colorful and crazy country <3

In general i hope this will be an encouragment for all to support non-white american centric art in general,there's so much art from other countries to love and appreciate,that desperately need it.

So basically: Watch Ordem Paranormal,and play Enigma of Fear when it comes out. It's RPG,it's story,characters,worldbuilding are fantastic,its horror,found family,comedy and deliciously SOUL-CRUSHING angst. Trust me,you won't regret it.

É ORDO REALITAS CARALHO!

[emberwhite]

The Boy Who Wanted to Be a Deer is a fantastic and unusual story for all ages about growing up with deep and dark fears. Its art is beautiful, and its message is deep. One day, Tommy asks himself what he wants to be when he grows up. His parents think he should be an accountant. His friends want to be doctors and engineers. Tommy, however, doesn't want to be an accountant, doctor, or engineer. What he truly wants will never be accepted by his family or friends. “An enjoyable book and cautionary tale about pursuing what makes you happy [versus] what is safe” - Anonymous For kids, the message is clear. Don't be afraid to go after what you really want, no matter what. For adults, it's a look into the ways we have been disconnected from what makes us truly happy and all the regrets that come with it. But for everyone regardless of age, it's a confirmation of the idea that it's never too late.

Now on Amazon, or see the whole thing on YouTube for FREE.

(Literally, watching it for free then dropping a simple rating on Amazon is the best way to support the book ^^.)

[windvexer]

the Chicken furthermore tries to convince you to practice sorcery in a fun and fulfilling way

There is a difference between practicing goal-oriented practical sorcery, and placing the entire value of your sorcery on whether or not you achieved the goal. One of these things is soul-crushing.

Practicing sorcery should be it's own reward. The actual steps you are performing should be stuff that you like, or thrills you, or captures your fascination. As an activity, practicing sorcery should be satisfying regardless of whether or not the spellwork manifests properly.

If the sorcery on your plate is not satisfying, compost it and return to the endless buffet and try a different type of sorcery.

If you do not have the things you need, your first step to a spell becomes innovation. What is the purpose of the thing in the spell, and how can it be replaced?

A spell can be cast with a length of string, or a paper and pen. Or with a bit of crayon. Or a dead fly. Or with just you.

Sorcerous knowledge tends to reveal itself when the clutter of correspondences is placed aside, so having few things to practice with is not a curse.

You do not need an interpersonal spiritual friendship with every single spirit you want to work with in magic. YOU DO NOT.

Interpersonal friend relationships with spirits should probably be reserved for very special spirits in your "inner court," the beings with which you choose to share your life and that you honor as teachers and guides.

Many spirits are pleased to assist with magic, but have no interest in getting to know us personally.

Imagine if everyone in your askbox wanted to ask you for help on something you're knowledgeable about, but instead of just asking for help, they first wanted to DM you for a few weeks to make sure you're comfortable with being asked for help, meanwhile on your correspondence chart pinned post it says "I can help with [topic]! Just ask!"

Asking spirits for help in magic is a good, valid way to start building a relationship with them.

Repeatedly calling on the same spirit or type of spirit over and over in spellwork is a fantastic way to deepen your relationship with them.

Working with a spirit in magic does not mean you are obligated to build a shrine to it, venerate it, talk to it outside of spellwork, or any of that.

Practicing sorcery is not the same thing as casting a spell. Practicing sorcery also means practicing the composite skills which come together to make a spell.

A spell is like a completed painting. But to make that painting, the artist needed several skills: the ability to sketch the scene, knowledge of how to apply and work with their paint, color theory, an understanding of how to render landscapes, and so forth. As a sorcerer, your skillset might be imbuing intent, raising energy, centering and grounding, practicing trance, practicing psychism or divination, etc. As you gain familiarity with these things, spells become less like an imposing stranger, and more like someone you're sure you've met before.

Practice can be it's own reward, but discipline is often required for progress.

Raising energy once a day, forever? I think not.

Raising energy once a day for seven days? Or, dedicating to doing it a total of ten times this month? Perhaps so.

An artist may not be in love with every single step of the process, and sometimes a sorcerer may have to get good at a skill that's not their favorite. But if no part of the process sparks joy, then something is wrong.

Sucking at something is the first step to being kind of good at something. Be reasonable with yourself: does the beginner artist doodle a landscape, then look at their work and declare that their art "doesn't work"?

Not every witch is talented at every sort of sorcery. Not creating a potent prosperity spell after five tries doesn't mean you're bad at magic. It might mean that your current understanding of prosperity magic precludes good results, or that you are casting on one very intransigent situation, or that your true talents lie in destruction and chaos instead of peaceful growth.

Set practice goals, give it an honest go, and move on when the time is right: "I am going to practice raising Fire energy and putting it into this stone using the Pore Breathing method. I'm going to do it fifteen times." (3 months later): "That sucked and it never worked, but I did it all fifteen times. Next I'm going to do a grounded roots visualization and use it to channel water energy to cleanse my room." (10 days later): "That was awesome, I want to do it more than 15 times."

Play around and be silly with it. Taking your path seriously is not the same thing as taking your path somberly.

Sports teams practice drills to be ready for game day. Sorcerers are wise to take a page from their book, because when real-life game day arrives, it feels much better to deal with it when you know you've been having pretty good success with channeling water energies, so maybe it's best to do something with that, because you can't move fire for dick.

[entomolog-t]

Random post, but its been on my mind for weeks now. I get lots of asks talking about people being lurkers in the g/t world, or when people finally dive in, lots of us mention just lurking around the community for years. At the end of the day, it's your comfort level, and all the power to you, but let me do my lil car salesman pitch to any lurkers who happen upon this.

The g/t community is small. I see fantastic art on here that will get 200-400 notes, maybe break 1000 if you're lucky. Writing? Typically under 100 notes, with the occasionally popular story getting a little more. On any given one it's usually just a handful of comments, if that. I've seen a lot of amazing creators come and go, just feeling like "What's the point?" Or that they're shouting into a void.

Your participation in a community, regardless of if you create or not, brings with it that little boost of appreciation and support. In such a small community, you're able to engage with creators far easier than in larger spaces. I remember just reading and saving pictures to my phone years ago. Just casually enjoying g/t by myself and thinking that was all I wanted. But there's nothing like actively participating- making friends, having people build on your little ideas, and being able to tell creators how much you enjoy their stuff.

We've all been lurkers, but just know that if and when you're ready to interact, people will be happy just to have you here.

[piixelpaint]

HAPPY BIRTHDAY @naffeclipse​!!! Happy Birthday to you, one of our very favourite writers in this wholesome fandom!! ☀️🌙

You have gathered hundreds of people around your exciting stories, making us hold our breath each time we read a new chapter you post. You inspire each of us to create our own stories, drawings, animations, to bring something of our own to this fandom. And you helped us find new mutual friends within it, with whom we may sometimes chat for hours on end. You yourself have become one of said mutual friends and it is always such a pleasure to write to you!

You are simply fantastic and we all sincerely wish you the best Birthday that one could have, knowing that you bring so much joy and inspiration to others!

// All credits and more under the cut! Please, do take a look! :) //

Unfortunately, we could not invite all the people who appreciate your writings to participate in this collaboration, as much as we wanted to. This was our first time organizing something like this, and we needed to limit the number of people. But, Naff, I think you yourself know very well that there are hundreds of people in this fandom who sincerely love you and your work and that this art piece would be much bigger if all of them took part in it :)  And on that note, a huge thank you to everyone who agreed to participate! Regardless of busyness and time zone differences, we all worked together and were able to finish this wonderful art piece!

Full List of Credits: Characters In Deep Dreams Between the Waves Mer-Eclipse - @themeeplord  Fisher Y/N - @pure-plum

Sleuth Jesters & AUs Detective Sun - @zelda7999 Detective Moon - @kibbits  Mafia Boss Eclipse - @miwachan2 Vigilante Y/N - @pure-plum Police Chief Eclipse - @lavenoon  Detective Y/N - @cero-sleep

Cryptid Sightings Cryptid Sun/Moon - @sillysaysnonsense Hunter Y/N - @lavenoon 

Double Toil and Trouble Demon Familiar Sun - @solitary-star Demon Familiar Moon - @chaotikanvas  Witch Y/N - @sanchensky Demon Familiar Eclipse - @clxckwork-sun-n-moon

The Writer Naff - @piixelpaint

Layout @themeeplord, @sanchensky, @piixelpaint & everyone for their great ideas and feedback!

BG & Comp @pure-plum

Organizers @piixelpaint & @sanchensky​

Special Thanks To Plum, who gave me (Piixel) the confidence to start this whole thing after I pitched it to her x)

___ Quick note from Piixel: This was honestly such a fun project to work on and to all my fellow collaborators, I have to give a massive thanks!!✨ You really made this project and this seriously couldn’t have come to fruition without your willingness, patience and seamless cooperation. So from the bottom of my heart, Thank you guys so so much!!

And for you, dearest Naff, I think this really shows how wonderful a community you’ve built around you! Not only with your masterful writing and charming stories, but also by being such a sweet, kind and giving person.

So here’s to you, Naff! Happy Birthday, babe! 🥳🎉❤️❤️❤️

(Closeups below ;)

[elspeth-tirel]

New Phyrexia As A Cult

Content Warnings: Heavy discussion of cults and cult recruitment, mentions of sexual coercion, abuse, gore in images (New Phyrexian art so if you’re good with that should be all clear)

I’ve seen many people talking about New Phyrexia with the release of Phyrexia: All Will Be One and March of the Machine. And I’ve seen people talk about the misconceptions of New Phyrexia, like assuming it’s a hivemind. Which leads me into the key point I wanted to discuss with this. New Phyrexia isn’t a hivemind, but there’s a reason it’s assumed to be one by most casual fans. I believe it’s most accurately conveyed as a cult, and that analysing and interpreting the specific ways it is like one has a lot of merit for how it is viewed. I’m also aware that most of what I’m saying isn’t new. Am I the first person to say New Phyrexia is a cult? No. But most of the time, I’ve seen people simply use it as a pejorative term to add on to the list of problematic buzzwords to attach when criticising New Phyrexia or the Praetors. And regardless of whether I agree with those people, I do feel it warrants much deeper exploration into why New Phyrexia is a cult.

I know this post likely will stir up a lot of people saying some not positive things about me and it but I felt it needed to be said. To those people who have a knee jerk reaction towards this and are going to immediately want to send me something criticising this, I don’t anticipate you’ll read all of this. But at the end of the document I did include a list of questions I anticipate a few readers will ask, and I would simply like to politely ask that you read that segment before sending anything to me or replying to this post.

To start talking about cults and the nature of New Phyrexia as one, it’s first necessary to answer a few important background questions. Many people are going to ask if I have personal experience with a cult. To that, yes I have, I was raised in one from birth until around age 17. I would not like to discuss this further, I am simply including this so people know when I speak here I know what I am talking about. Another important thing is the definition of a cult. What differentiates a cult from any other religion? Many people disagree on the exact definition, and every now and again you’ll get someone claiming that all religions are cults. But simplifying it that much loses track of the real harm cults do to a person. I feel a key aspect for what a cult is is Dr. Steve Hassan’s BITE model. BITE stands for Behaviour control, Information control, Thought control, and Emotion control. The key difference between a religion and a cult is one of control. Cults invade every sense of your being, they seek to make it so you don’t have a life outside the cult and what is necessary to maintain it. This is why it’s so difficult for people to leave them. There’s a sense of fear of the unknown. That if you leave there’ll be nothing out there for you. Who knows, maybe they made you do terrible things you can never undo, how will the people who weren’t there forgive you? You can accept the bad parts, because the good parts are there and there’s this giant fear of what will happen if you face the unknown, if you leave. Which brings me to my first major discussion point: Ixhel.

For the unaware, Ixhel is the protagonist of the Phyrexia: All Will Be One side story A Hollow Body, by Aysha U. Farah. It’s a fantastic read, I would highly recommend anyone who finds this essay at all interesting read it. For a brief summary, Ixhel was created by Atraxa- who was herself formerly a Mirrordin angel before every Praetor save Urabrask compleated her- to be used as a soldier/assassin. She feels devoted to Atraxa, but tries to suppress her other feelings- the feeling of love, of want of affection and approval. Throughout the story, she faces challenges to this suppression: a phyrexian named Belaxis who aids her in her mission, the Thane of Contracts himself, Geth, who challenges her on her devotion even as she kills him, and Atraxa herself in the end. She successfully completes her mission to slay Geth, but his words bother her. About her being a faceless drone, replaceable. So she takes Belaxis and Geth, and uses the Dominus of the Dross Pits to combine them into one being, now named Vishgraz. 

Atraxa is furious at the idea of their creation. But it’s not necessarily their creation itself that she really has an issue with. It’s that the creation was made without being ordered to. Vishgraz represents a threat to her not in their existence but in showing that Ixhel took an action other than what was ordered, even if she did it in hopes of imitating her superior in the cult. Because if she can take one action away from orders, she can take more. And that is a threat to her loyalty, which must be punished to ensure she stays in line, to ensure she stays another faceless drone. And Ixhel does take another action aside from orders, an even more direct disobedience: she spares Vishgraz’s life when ordered to kill them. 

Ixhel represents someone born into a cult. She only ever did what was ordered, because it was all she knew. But cults are not a natural state of mind, they’re a method of control that can be broken free from. And this shows with Ixhel. She obeyed mindlessly, until she was given another option, an idea of what could help her, what could make her fix those feelings she had been taught to ignore and repress. This is a common experience, it’s certainly one I went through. It’s not the only experience with cults though. Because another thing to mention is recruitment, and Phyrexia: All Will Be One provides a great example of this too.

Another aspect of the storyline for this set was the idea of compleated planeswalkers. This is a new thing for Magic, with the idea introduced in Kamigawa: Neon Dynasty, with Tamiyo. However this was most fully analysed during Phyrexia: All Will Be One’s main story, by Seanan McGuire (who also did a fantastic job with that story, I would highly recommend that one as well). But something I recently came to the realisation of, that I have not seen discussed, is the common factor between every single compleated planeswalker: they’re all the exact types of people who are most vulnerable to recruitment by cults.

If you’re reading this and thinking “most vulnerable” I want you to keep in mind I mean exactly that. Anyone is vulnerable to recruitment by a cult, especially if you think you’re too smart to be recruited. And that’s where our first victim I’ll discuss comes in, Jace Beleren. Jace is a man who prides himself on his intelligence, on his skill with his mind. But in the story, he falls prey to New Phyrexia because he underestimates them, and overestimates his own skills. The love of his life, Vraska, has clearly fallen to compleation. But he thinks he can be smarter; he can use his illusion and mind magic to give her one last day, one last day together with him, where they can pretend like she hasn’t been infected. And that is what makes him be taken in by the cult.

Jace fell for it because he wanted to be clever and thought he was too smart, but also out of love and devotion to someone else who fell. I believe even if he knew what would happen he would do it again out of devotion. And who knows, the story so far seems to imply he had a plan, that he knew what he was doing. Maybe I’ll be proven wrong and he’ll turn out on top of this situation. But even so, he still lost to New Phyrexia due to this.

Next off is Vraska, another key type to fall for cults. Vraska throughout her entire life has been abused by society, a victim of racism and police brutality. All of those are horrific acts done against her. And cults reach out to those people, they tell them they have the answer, that if they simply follow them they will find the ability to help other downtrodden like themselves, or find a sense of community with others who will not judge them, so long as they follow the rules. Lukka is also very similar to this, but slightly different. Lukka is an outcast, rejected by his entire society, like a very extreme example of ostracisation and bullying. Humans are naturally social creatures, and this can easily be turned against us with a want for acceptance leading us to take abuse we should not tolerate. New Phyrexia also promises him strength, the strength with which he can avoid being hurt again, which he can use to carve a new place in this world and hurt everyone who hurt him, but much much worse. 

Nahiri also falls under a similar umbrella with Lukka, but slightly less self motivated. Nahiri has a burning desire for revenge, for power against the figure in her life who let her down, Sorin Markov. But also, she believes in her heart of hearts that she is a protector, that everything she’s doing is to protect her homeland and her people, the Kor. And what leads her to being compleated is this sense of protection. She sacrifices her own health and her chance at a cure because she wants to ensure the success of the mission of stopping New Phyrexia. And her self sacrifice to do this may have helped the mission succeed, but it doomed her to fall.

Nissa is very similar to her here actually, as she also fell due to helping someone. She trusted Lukka, and tried to help him to the end, and this led her right into New Phyrexia’s trap. Others who fell this way too include Ajani and Tamiyo. They all trusted someone or sought to protect someone, and that trust was used against them. This shows the type of people who fall for cults because they are selfless. Those who fall because they don’t see a value in their own worth as an individual, but do see it as a collective. This is one of the major flaws of white mana: it’s bad at putting yourself first. It’s so easy to simply fall in line with a cult when you’re used to falling in line and obeying to help the greater good, because with the right words it’s easy to convince anyone that anything is the greater good. It feels safe to take some sacrifice, because after all, we’re taught to admire martyrs. We’re taught to emulate, and share. And those are good instincts don’t get me wrong, one of the most beautiful things about humanity is our capacity for love for our fellow man, the ability for strangers to care for strangers so readily just because they need help. But cults take advantage of that, and New Phyrexia is no different. 

This is also touched on in the story Cinders, by Cassandra Khaw. This story is unique because it showcases an aspect of New Phyrexia we haven’t touched on here, the Quiet Furnace. While most aspects of New Phyrexia are definitely considered bad, the Quiet Furnace is the one I’ve seen the most arguments for about it being ethical and good. And while it has the most potential for good with this freedom, it also shows more of how cults prey on the most vulnerable. In the story, a Mirran woman, Reyana, is tempted towards compleation by Slobad. Reyana lost everything. She’s fighting a war she never asked to fight, constantly on the run, constantly in fear for her life. And they show her her mother. At peace with the cult, happy, caring. A lot of people join cults simply to follow loved ones. And this is the exact way Reyana joined. A key thing to showcase that this was not genuine freedom, that despite this promise of peace this was a corruption of herself, is the consequences after. Does Slobad and his group allow the Mirrans to freely mingle with the compleat, to simply talk among them knowing they chose differently? No. While he claims this is a free choice, he also artificially holds back interaction between the cultists and their Mirran family, all interaction unless it is for the purpose of recruitment. This shows the real reason for all of this. It’s a show, a show that things can be good, a promise that life will be better if you join and obey, because those you care about made that choice too. If they really believed in this freedom of choice, the Quiet Furnace would not shun contact with Mirrans, simply tolerating their presence without compleating them, it would embrace contact with them, embrace the diversity of perspective those who did not choose the same as the compleat bring to the table. There are good people among the phyrexians, people who believe what they are doing is right and towards peace, towards helping everyone come to a common understanding. Most criticisms of New Phyrexia I’ve seen make the mistake of calling them all monsters, not thinking for a moment that they aren’t monsters, but people, people who made a bad choice for good reasons. But those people don’t realise that they themselves are a victim, a lure in a trap to make others take a choice they never would’ve made otherwise, with the threat of losing contact with their loved ones if they don’t make that leap.

Another point to consider is what cults offer you, and what New Phyrexia offers you. People join cults because they promise something they lack. Most often that is a sense of community, of welcoming, of becoming, and of love. The price to pay is simply your individuality. When you think about New Phyrexia, that fits perfectly in theme. The oil takes away your worries, it makes you unconcerned with what troubled you prior to your compleation. It doesn’t feel like something wrong, something infecting you, it feels like…. completion. Like something you’ve always been missing has been found. And that’s alluring. That’s genuinely a tempting proposition. Think to yourself, what price would you be willing to pay to not have to think for yourself anymore, to be able to feel safe and just live day to day. That’s the promise of cults. And that’s the promise of New Phyrexia. But it’s not a healthy promise. Following charismatic leaders blindly simply leads to suffering, whether it’s for you or those outside the cult, or others inside of it. This is even shown in the text, in the story for March of the Machine by K. Arsenault Rivera. 

When Elspeth faces off against Elesh Norn, she has been changed. She gave up her life in a moment of turmoil, sacrificed her being to save the multiverse. And she was ascended because of it, having her sense of self altered and her physical form transmuted, when her only choice otherwise was death. Sound familiar? So when Elspeth threatens Norn's rule of power, what does Norn promise her? Friends among the phyrexians, lovers among them. She points out their similarities, how Elspeth is transformed as well, simply in a way deemed prettier by society, how her form is irrevocably altered, how she has a creed she is following just as much as Norn. And Elspeth does think of this offer, she does look around and think of how happy everyone looks, how content they seem to be to be cogs in a great machine forged with glorious purpose. But Elesh Norn doesn’t even think to talk about the consent of those people in the cult for whether they’d even want to be Elspeth’s friend or lover. Many cult members do end up coerced into relationships they do not want, and this is a showing that Norn is no different from any base cult leader. She knows that people deserve freedom of choice, and freedom of thought. The moment Elspeth realises Norn is wrong, the moment she realises she is nothing like Norn, despite the similarities between her religion and Norn’s cult, is seeing how Norn treats Jin-Gitaxias. Jin raises a simple objection, a logical one, that Norn is spending time discussing and talking while their soldiers, their people, are dying. And Norn tells him to be silent. Chief among all things, cults silence dissent against the leader. One could say that’s the cardinal sin in a cult. And that is what makes Elspeth realise she could never be like Norn. And hopefully, eventually, it is what will help Elspeth keep in touch with her humanity after her transformation. Because no matter what, the key lesson is, even the strongest of us is still vulnerable to temptation, to the urge to lose ourselves in obedience of another. And it's more important now than ever to remember to fight that urge.

Anticipated Questions (FAQ I Suppose But Ahead Of Time)

But I don’t see New Phyrexia this way, I think it’s (Insert X Narrative): That’s your view. You’re entirely entitled to it. This wouldn’t be very much of a good essay talking about cults and the importance of the freedom of choice if I insisted everyone else follow my point of view and agree entirely with everything I’ve said.

Are you saying I’m wrong for liking New Phyrexia?: Not at all. Again with the point before, this is my interpretation I am posting for literary merit in hopes it may interest others and perhaps aid their understanding of New Phyrexia. There’s absolutely nothing wrong with liking villains. It’s simply an understanding I came to through a lot of thinking about New Phyrexia I felt others may enjoy. The last thing I want is to start some sort of flame war over this. In fact if you use this essay to start such a flame war and try and make others conform to your beliefs, you have missed the point entirely.

Tell me about your personal experience with cults: Respectfully no. I will talk about that to people I am comfortable talking about it with. People who friend me on Discord may ask me, I may answer but I will not mind them asking. Otherwise I prefer not to share.

If you don’t want people to change their views, why did you post this essay?: I was thinking about my personal experience with cults and I thought others may want to see them and it may interest others, and it helped me type out my own personal feelings.

Isn’t it meritorious to discuss how New Phyrexia also has Christofascist elements with the Machine Orthodoxy and the specifics of the religion and how Norn demands they conquer?: For this specific essay, I actually believe no. A key thing a lot of people don’t think about is not all cults are the same belief systems. They don’t all approach with end of the world rhetoric, or some crazy theory, or hatred of others. Sometimes they’re a group preaching love and acceptance and tolerance, and claiming that you will feel much better with the cult. Sometimes they’re groups trying to take in the underserved of society and use their righteous indignation to serve their own ends. It doesn’t matter that New Phyrexia is Christofascist for why it is a cult, for all we care it could be about refusing violence entirely and spreading tolerance and goodwill to non phyrexians and preaching for coexistence. The key common factor is a manipulation of the members and control of their lives.

Despite all this I’m going to send you an ask or DM saying you’re horrible for this post in some moralistic way: Ok.

[tellnotalespod]

List: Queer creatives to spend your money on instead half-arsed pride merch from Target 🏳️‍🌈🏳️‍⚧️

We're all aware by now that when you buy pride merch from one of Those Companies, your money is just going to a CEO who half-heartedly told someone to slap a rainbow on it and call it a day. So why not use that money to support an actual queer person who’s working hard to make art?

I've collected a(n incomplete) list of queer creatives who would benefit from your support this Pride Month - this is fairly limited in scope, as it only includes creators who responded to my call for links (or whose links were sent by friends & fans). It is also, for that reason, fairly audio-drama-heavy, but not exclusively so! It includes sections for crowdfunds, online stores, ttrpgs, and ko-fis and patreons for creators of a variety of different art forms.

The list is long, but worth a look through. Have a browse, see if anything appeals, and if you'd like to add any links, please do! Share the list around, shout out your friends and peers, boost your favourite artist, and vitally, self-promo is strongly encouraged!

Crowdfund campaigns:

Starting off strong with Forged Bonds @forgedbondspod — A queer, myth-bending audio drama retelling of Aphrodite and Hephaestus's love story.

This one takes pride of place as the inspiration for this post. Pine is working SO hard to make sure their cast gets paid regardless of crowdfunding outcomes, even if that means paying out-of-pocket. Help them avoid having to do that by supporting a truly kind and wonderful creator. (Crowdfund ends in a little over two weeks!)

We've also got a tight time-sensitive crowdfund for Waiting For October @monkeymanproductions — an upcoming queer supernatural audio drama series from the creators of Moonbase Theta, Out.

At the time of posting, they only have 13 hours left on their crowdfund, but they're 93% there! Help them cross the threshold and tell what I'm sure will be another gorgeous and wild story.

And for the horror lovers, a new crowdfund from The Morbid Forest — a deep dive into all things grusesome!

They are hoping to fund their fifth season, and it's looking to be their biggest yet. A lot of what they're asking for will be used to pay guest authors they're bringing in for the new season, allowing platforms for up-and-coming writers. Help them make this a reality!

All three of these creators also have Patreons you can subscribe to instead of (or in addition to!) their crowdfund: Pine Tree Pods, Monkeyman Productions, Morbid Forest

Buy yourself a little treat:

Saph the Something creates ethically handmade clothes made with vintage materials by a non-binary queer individual, with an emphasis on non-default clothes for non-default people.

You can find Saph's physical goods on xaer ko-fi (including a GORGEOUS loose-knit subtle trans flag tee)! Or support xem on Patreon for early access to content, behind-the-scenes updates, and more

For prints and pins of some truly stunning art, visit Survival of the Artist's ko-fi!

If you love gorgeous, unsettling underwater horror, you're going to absolutely love these prints

Eeler's Choice @eelerschoice is offering their season 1 soundtrack on Bandcamp!

Eeler’s Choice is a maritime horror fantasy podcast that serves as a reminder that the ocean never gives back what it takes unchanged. The music is GORGEOUS and if you love sea shanties, folk music, and eerie ambient instrumentals, you'll love this album.

They also have merch on sale, the logo sweatshirt is one of the best things I own

Pyon is an afro-latino freelance artist, writer, designer, and indie game developer

He is currently working on a visual novel magical girl project, @magicalwarriordiamondheart and you can buy prints, plushies, apparrel, charms and more from their store (or support him on Ko-fi!)

Xan Larson is an Illustrator, Comic Artist and Content Creator with a specialty and marked enthusiasm for mythological creatures of all kinds and all cultures.

She offers a huge range of treats on her website, including art prints (& original paintings), resin art, and books

Dylan Birtolo is a writer, a gamer, and a professional sword-swinger

Dylan has a huge number of books on offer, primarily fantasy, including anthologies, novellas, and novels.

TTRPGs galore:

(these also fall under the little treat category, but there were so many that I felt they needed their own section)

Sunken Rust are a game company run by married couple Dave Eisinger and Jazz Eisinger, and they offer a range of absolutely delightful TTRPGs, ranging from a wholesome GBBO-inspired micro RPG, to a solo journaling game about exploring an abandoned mansion.

Tea Witch Games is run by Anna Landin, a queer Swedish illustrator, comic artist and game designer. She offers games that run the gamut from sweet and cozy to weird, sad and spooky.

K. Petker offers games from wonderfully unique perspecitves including heroines of the princess council, children facing the apocalypse, and cats protecting their humans from the supernatural.

Christine Prevas is a writer, designer, PhD student & erstwhile librarian offering TTRPGs that range from two-player steamy horror to theatrical tragedy, and more.

Unseeliejess is a game designer and social worker, and my personal favourites from her offerings include Oops! All Draculas! and multiple sapphic-focused TTRPGs

Thoughty is run by Beau Jágr Sheldon, including innovative TTRPGs in a range of formats, as well as some games that break away from the table entirely.

Riverhouse Games includes a ton of fun concepts, including a micro-game about cleaning your kitchen and a game about telling your hot gay (dragon) boyfriend you love him. They also offer a guide to writing your own RPG!

E. Chris Garrison is the proprietor of Chris's Compendium of Free RPGs, one of the oldest game repositories on the web. They are also the designer of Saving People / Hunting Things, a TTRPG inspired by monster-of-the-week style television shows such as Buffy the Vampire Slayer, Angel, and Supernatural. They also have a ton of fantasy, supernatural, and sci-fi books on offer

Handsofblue offers a campy horror game about awful people and a serial killer, and a solo knitting game

Drazillion is an award-winning narrative designer, writer, and artist, offering a huge portfolio of games with a strong focus on queer narratives and themes. You can also support her on Patreon

Patreons & Ko-Fis:

Finally we have some ways to directly support the creators you love or their ongoing projects!

Soul Operator @souloperatorpod is a multi-genre fiction podcast, created to highlight solo ttrpgs.

If you haven't listened yet, you absolutely should - this show will rip out your heart and you'll be grateful for it. Support them for behind-the-scenes content, exclusive short stories, and more

Divine Rodentia Studios @divinerodentiastudios is releasing a new fiction anthology audio drama, Sixth Door to the Left

This is some truly intriguing and wonderful storytelling, and you can support them through the development of their upcoming project, The Loser's Game.

YamiKakyuu @yamikakyuu is a writer, photographer, amateur digital artist, and horror podcast enthusiast.

Supporting them will help an up-and-coming voice actor invest in decent equipment (a huge barrier to so many incredibly talented VAs breaking into the industry!)

Daisy McNamara is an *incredibly prolific* podcaster, the co-creator of Eeler's Choice and Waterlogged, and has contributed his talents to so many more

Daisy has made such a huge contribution to the audio drama world, so if you've listened to any podcasts to speak of, you've probably enjoyed some of her work. Your support can help him make ends meet and continue creating!

And finally (because I fave a few pals who'd kill me dead if I didn't do a bit of self-promo), I'm Leanne Egan, the creator of Tell No Tales, an audio drama about ghosts and the people who refuse to hunt them. While there is currently no way to support the show financially, my debut novel, Lover Birds, releases soon!

As a bonus, if you're in the UK, you can pre-order it from a North-West-based queer indie bookshop too!

[historical-kitten]

Ancient Roman Politicians on a Modern Date

Gaius Julius Caesar: He invites you to a dinner party at his house and is a fairly witty and engaging host, but all of his stories seem to be about himself. However, friends assure you he's "every woman's man and every man's woman," so stick around for the nightcap he offers you if that makes you curious.

Marcus Licinius Crassus: For a man who is absolutely the wealthiest you've ever met, it seems a little convenient that he 'forgot his wallet' on your date to that expensive gastropub, so you couldn't go halfsies and had to pay for both your meals. The gold flake dessert shines bright, but you sort of wish he'd choke on it.

Gnaeus Pompeius Maximus: It's kind of weird how he takes you around to show you his art collection since it mainly consists of statues of himself, but hey, at least he's interested in art? He also tells a lot of stories about himself. However, he has a reputation for being a devoted husband and he's in between spouses, so if you're ready for that, give him a chance.

Gaius Julius Caesar Octavianus aka Augustus: He literally wrote out a plan for your entire date, how it would go, and what he would say to the most commonly asked smalltalk questions. Do not deviate from his script. He takes you somewhere like a museum or a fancy restaurant where they barely feed you, but although he is polished, his romantic delivery seems a little flat until you run into his best friend Agrippa... They are just besties, right?

Marcus Antonius aka Mark Antony: Ok, there are a couple ways this could go. He is either an absolutely fantastic date who takes you to see a hilarious play and finishes off with a fun night on the town, or he takes you to a bar in a seedy part of town where you dance and drink and party all night. Either way he gives you nice gifts and is charming and funny. On a later date he may take you on the most expensive, romantic, fancy date ever. Most likely a good time date, just don't expect things to get serious unless you're the Queen of Egypt.

Marcus Aemilius Lepidus: He never showed up for your date. Completely ghosted you. You track down his coworkers Mark Antony and Octavian and they say they have no idea where he is either. Weird.

Marcus Agrippa: He takes you on a tour of the city, pointing out all the architecture and finishes this off with dinner. He seems nice, intelligent, and is very attentive to your needs. So why isn't he off the market yet? His attachment to his slightly creepy best friend and roommate Octavian, maybe? They were roommates.

Sextus Pompeius Magnus Pius: A much better date than his father, he takes you to his private boat and gives you a seaside tour. He valiantly fights off pirates during your date, but did you catch one of them winking at him? Regardless, it's an unforgettable adventure.

Who would you rather date? And again, I'm sorry, Lepidus.

As always, thanks to @just-late-roman-republic-things for inspiring these posts.

[potato-lord-but-not]

Hello there! First off, lovely blog and lovely art! I got into Malevolent recently because of you! It's fantastic! I know you're not the judge and jury on this, and I'm sure this as a larger issue has been addressed before, so you're free to dismiss this question. I'd like to cosplay Arthur (I've never cosplayed before), but wouldn't have a John, and I'm concerned playing a blind character (even with a demonic entity acting as a guide) wouldn't be in good faith as a seeing person. Of course, it's only dress up and all, but I'd hate to make a faux pas like that and wind up hurting someone. I guess it'd just be wearing a bloody 1930s costume? Maybe Kayne would be better? Just curious on your thoughts, or if you know someone who has an understanding of if/how to go about this with tact. Alright, off to continue listening! Have a wonderful day, and thank you again for your time.

definitely not the person to ask as I am neither blind nor a cosplayer- what do the people think?

sorry if I’m not using correct terms my brain is refusing to function lmao

[weirdmarioenemies]

Name: The Flying Rooster

Debut: The Legend of Zelda: Link's Awakening

Well, what cock-a-doodle-DO you Magnetic Know? This post has literally nothing to do with Magnetic Joe. I'm done with that bit now. I hope you liked it.

This is The Flying Rooster! Chickens are rather prominent as a funny thing in the Zelda series and I am glad about that. I know they are called Cuccos here but look. Look at me. Look at them. They are chickens. This one is even called a rooster! The wiki even considers his species to be "rooster". It's chaos out there in the Chicken Nicknaming Fandom! I'm going to keep calling them chickens and if you have a problem with it well then you can kill me!

The Flying Rooster is not like most of the chickens. Do you know why?

He's dead.

Yeah, he died before the events of the game. Sorry. But he was so beloved! His old hometown has a grave for him! Everyone loved this rooster. He may be gone, but never forgotten, and that's okay. That's good!

But I never got to meet him! I want to meet the Flying Rooster. Me! Is that so selfish? To defy the nature of death itself in order to meet a funny chicken? No, it's fine. This is a video games! He's pixels! And if you learn the right song from a frog, and play it next to his bones...

The Flying Rooster is back in business, baby! This would be a fantastic fowl regardless of backstory, but he is almost infinitely enhanced by the fact that he is UNDEAD. A zombie. A product of necromancy. An inhuman THING that should not be alive. But here he is! And he's just a funny chicken again :] no doubt saying bukbukbuk. buKAW! He doesn't care about brains, he would much rather snack upon some grains!

If you can guess what The Flying Rooster does in-game, you get a prize. The prize is a high five! You can give it to yourself by clapping your hands. You can give yourself a high five- or is it two high fives?- anytime you want with this strategy! Well, The Flying Rooster lets whoever holds him fly briefly. A real chicken cannot do that! They can fly, though, contrary to popular belief! Don't underestimate them!

The Flying Rooster is only necessary to get one important item, and it is really so wonderful that they made the process so special like this. I think that's what games should be all about. After he helps you get that thing, he goes off on his own. How would an esteemed undead rooster choose to spend its retirement? The same way any of us hope we can spend ours, of course!

He goes to live with a Luigi! Wowie zowie!

This is The Flying Rooster's official art from the original game. Hee hee