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Let's have a chat about AO3
Hiya friends and loyal followers! My last post about AO3 blew up yesterday so I figured now would be a good time to continue the conversation about AO3.
As I mentioned in my previous post (and probably in multiple other previous posts):
AO3 is NOT a social media site. AO3 is an ARCHIVE.
So let's delve into that a bit more since people don't seem to be getting that. Fanfiction predates the internet, and was transmitted via the internet way before sites like AO3 and FF dot net. Relatively speaking, I am a fanfiction newcomer, as I first started reading fanfiction in ... 2011? or thereabouts. I say this to say that I obviously don't have as personal of a memory of a time before fanfiction archive sites (my bitty fan experiences were on teaspoon and lcfanfic), but I certainly know plenty of people via fandom online that absolutely do.
For the newest children to fanfiction please check out the following pieces of reading to get started on your fandom history education:
“Fanfiction.” Fanlore Wiki. Accessed June 15, 2023. https://fanlore.org/wiki/Fanfiction. Archived [https://archive.is/yJpOq].
“So I’m on AO3 and I See a Lot of People Who Put ‘I Do Not Own [Insert Fandom Here]’ before Their Story.” sonicenvy.tumblr.com, July 2, 2016. https://sonicenvy.tumblr.com/post/146818589611/mikkeneko-thepioden. Archived [https://archive.is/FRNCy]
ofhouseadama, Emily. “A Brief History of Fandom, for Those on Here Who Somehow Think Tumblr Invented Fandom.” sonicenvy.tumblr.com, May 21, 2014. https://sonicenvy.tumblr.com/post/131935827010/ofhouseadama-a-brief-history-of-fandom-for. Archived [http://archive.today/j2Rfq]
mizstorge, fantastic-nonsense, and fanculturesfancreativity. “The Places Fandom Dwells: A Cautionary Tale.” fantastic-nonsense.tumblr.com, June 29, 2017. https://fantastic-nonsense.tumblr.com/post/162395547190/the-places-fandom-dwells-a-cautionary-tale. Archived [https://archive.ph/QK2wI]
As you read through this stuff, three things should become apparent to you:
Fanworks have always existed in tenuous space -- that is, they have always been under threat of removal, or threat of loss, whether this loss was through events like the livejournal strikethrough, the loss of a fandom specific website, destruction of physical copies of the work, or C&D/legal action from original creators of the work.
Fandom has a long and colored history with many of the most defining events of early fandom history being related to threats to the community.
A need was ripe for a place to save and ARCHIVE fanworks and protect them from deletion, legal action, corporate sanitization efforts, site deaths due to the deaths of admins, etc etc.
Out of all of this, comes The Organization For Transformative Works (2007), and their brand new site Archive of Our Own (2008). The stated intention of Archive of Our Own (AO3) (bolding mine):
The Organization for Transformative Works (OTW) is a nonprofit organization, established by fans in 2007, to serve the interests of fans by providing access to and preserving the history of fanworks and fan culture in its myriad forms. We believe that fanworks are transformative and that transformative works are legitimate. We are proactive and innovative in protecting and defending our work from commercial exploitation and legal challenge. We preserve our fannish economy, values, and creative expression by protecting and nurturing our fellow fans, our work, our commentary, our history, and our identity while providing the broadest possible access to fannish activity for all fans. The Archive of Our Own offers a noncommercial and nonprofit central hosting place for fanworks using open-source archiving software.
Source: Works, Organization for Transformative. “Archive of Our Own Beta.” Archive of Our Own. Accessed June 15, 2023. https://archiveofourown.org/about. Archived [http://archive.today/QYtbM]
You may also want to check out the original LiveJournal Brainstorming sessions for AO3 by astolat as archived here [https://web.archive.org/web/20220627134339/https://astolat.livejournal.com/150556.html] if you need further clarity on this point.
Some neat stuff from astolat's original posts that I find are relevant:
making it easy for people to download stories or even the entire archive for offline reading (thus widely preserving the work in case some disaster does take it down)
code-wise able to support a huge archive of possibly millions of stories.
allowing ANYTHING -- het, slash, RPF, chan, kink, highly adult ...
As we can see both from the mission statement of OTW/AO3 and from astolat herself in the brainstorming sessions, AO3 is an ARCHIVE. It is a project that is meant to preserve and provide access to fanworks. Run for fans, by fans and meant to host any and all kind of content with none of the commercialization or censorship that fans found elsewhere. Before AO3 there were certainly numerous, disconnected, fandom specific archives for fanfiction or other fanworks. Many of these old sites have been archived (see we're getting that word again) via the opendoors project. Some, like teaspoon or lcfanfic still exists and are semi-active.
A common thread is that writers and readers weren't just using the archive site to connect. They were doing more connection through other sites like dreamwidth, livejournal, facebook, their emails and later tumblr or twitter. Archive sites were meant as a supplement to other fan spaces like message boards, blogs and journals.
So, dear friends, you might ask, what is an archive?
An archive is a place where documents, artifacts and records are kept and preserved for future reference, use and access. Archives help us maintain a better understanding of the past and protect objects, writings, documents, records and more in longevity. In the context of fanwork archiving, this means preserving fanworks in longevity/perpetuity so that fans can continue to access them for enjoyment and for historical purposes. Archiving fanwork is vital to preserving and, indeed creating fan culture and identity.
To read more about archives in general, check out this article from the American History Museum of the Smithsonian (https://americanhistory.si.edu/archives/about/what-are-archives) or this one from the US National Archives (https://www.archives.gov/about/info/whats-an-archives.html).
So AO3 is an archive. Why does this matter?
Oh, boy, I am about to get LIS nerdy on y'all. At this point in the post we can all agree that AO3 is and always has been an archive (it's in the name...). When we view and understand the site starting from this premise, a lot of, frankly stupid as fuck arguments that people have about AO3 look even dumber. Understanding AO3 primarily as an archive helps us understand:
The tagging system. Given AO3 is an archive, the tags for content on the site function exactly the same as headings in a library archive. They are designed to store information about the fic (that is, they are intended as metadata) which is then used to find the record of the fic in the archive. This is why it is important to tag what is in your fic, and to use tags properly, using the agreed meanings of particular tags.
The kinds of content that are permitted and excluded under TOS IV. The archive permits fanworks, which include: fanfiction, fanart, podfic, and fan videos. The archive thus excludes things that are not fanwork (records with no content (aka "placeholder fics"), posts asking for writing prompts or submissions, posts looking for fic, commerical promotions of ANY kind, original fiction with no relation to fan content, spam etc). Every library and archive has their own collections policies, and AO3 is not an exception. Collections Policies are generally guided by the mission statement(s) of the archiving party/library. As we saw above in both the official about page and the original brainstorming posts from astolat, AO3 is a library for fanworks, meant to preserve fanworks and is in opposition to advertising and commercialization. Therefore, if the thing you want to add to the library of AO3 is not a fanwork or contains commercialization, it does not qualify to be an object of the archive. Re: the "placeholder fic" post that I didn't know was going to blow up so much: imagine you go to the library to get a book and open it to find that it is empty or you get a DVD and play it only to find that it is the movie theater trailer for the movie. Doesn't that make no sense?
Why there is NO censoring of "adult" or other quote on quote "objectionable content". The archive does not chose to preserve works based on subjective quality or "moral purity" type standards. This is true in libraries and museums as well. We keep and save materials that people find objectionable as archiving and librarianship are and have always been diametrically opposed to censorship. As an archive AO3 follows this. Moreover, you can see in astolat's original post "allowing ANYTHING -- het, slash, RPF, chan, kink, highly adult" as a founding idea.
Why there is no advertising, and why this includes you adding your Ko-fi or paypal or whatever the fuck. Outside of the fact that doing this violates TOS and invalidates OTW lawyer arguments for the legal existence of fanworks under US Fair Use, AO3 as an archive is meant to be a keeper of fan records, not a space for promotions. Archives do keep records (and indeed some archives keep records of advertising) but they, themselves are not using their platform to advertise for anything else.
Why there is no "AO3 algorithm". The kinds of algorithmic feed generators that sites like the t*kt*ok or whatever use are antithetical to the mission of archiving stuff and providing access to it. In an archive you search for content based on terms and headings and self-select. I'm not on the t*kt*k or whatever and I actively block and disable all "suggestion" type things so I don't entirely understand what y'all are looking with this.
Ok, that's great, why are you telling us all of this?
There is a concerning trend of newcomers both young and older to fandom and fanfiction that have not taken off the social media brain filter before coming on board. Some excellent tags I've seen on The Post™ that spawned this one include:
#guys quit bringing the worst elements of capitalism to AO3 (via @watchtowersystem)
#algorithms have rotted people's brains i swear (via @pearly--rose)
#omg stop trying to social mediaify ao3 (via @greyduckgreygoose)
There were also some bangers on my reddit post on this topic as well, but the reddit I posted it on is (rightfully) on blackout at the moment.
I think the sociamediafying of fanfiction that a lot of these people are bringing has a few major negatives:
social mediafied fandom views fanwork soley as consumable content, creating more passive, entitled participants in fandom. For fanwork=content social media brain folks, the fact that fanwork is meant to be an active and engaging thing is lost. Fanwork is a gift from one fan to other fans, it is a point for discussion, a result of people's passion and creativity. It is transformative, out of the box and part of building a niche community. When you start to see it as "content" like a random object on a feed you stop valuing it, analyzing it, and interacting with it in the same way, and are more likely to passively consume what you see as content. Social media has made "content" out of everything, and everything becomes something to scroll past in a few seconds, always looking for more stuff, the newest stuff, etc etc. It's obviously very tied to the experience of social media being used to sell you shit, but that's another conversation I think.
fanwork=content social media brain also allows some of these people to post incredibly demanding comments for "more content" on fancreators works or makes them think it's ok (and indeed creates the same result as what the writer is creating) to feed someone's incomplete fic into an ai to get a "completion".
fanwork=content social media brain also means that when these folks start creating content they feel entitled to views, hits, kudos, etc etc, and feel like it is ok to do things that they see as "gaming" the system to get their fics to be at the top of the pack. They begin to care too much about posting to get their "content" the most views because that's how things work on social media.
fanwork=content social media brain also makes some of these people think that "fic" that is "written" by an ai is acceptable fanwork, because they do not view fanwork as artwork/writing with merit, as much as an entertainment property to be consumed. How the meat gets made becomes irrelevant, because the end result is the only thing that is important.
social mediafying of fandom is something that has helped a lot of advertising and commercialization sneak its way into our spaces, which actively hurts our chances of building good communities.
social mediafying of fandom turns fanwork creation and fandom into popularity contests, which is bad for all fan spaces. The point is that we're being weird together. I've seen new, young authors post on reddit about how they feel so bad about their fic because it doesn't have 1000s of hits or because they feel incapable of writing things (even things they might want to explore) because "no one will read it, and it will not become popular". This makes me very sad.
social mediafying of fanwork also turns right around into .... wait ... you guessed it .... censorship! people are now practising self-censorship that is utterly unnecessary and completely sad to me because they are afraid of getting deleted from anywhere for "objectionable content". This carries over into new users on AO3 doing things like using leet speech for curse words, sexual content and more in the TAGS or the body of their AO3 fics. Stop Don't. You can say fuck, dead, kill, murder, cunt, cock, and whatever the fucking hell you want on AO3. That was the whole goddamn point.
These people are trying to bring fanwork=content social media brain to places like AO3. I'm not entirely sure why.
tldr; AO3 isn't a social media site for talking with your following or posting about ideas that you've had. It isn't a popularity contest. It isn't a place where there will be no inappropriate content. It isn't a place for advertising or commerical promotion. It is an ARCHIVE OF FANWORKS meant to be "allowing ANYTHING -- het, slash, RPF, chan, kink, highly adult."
Anyone of you fans older, wiser, more well versed in fan history, and more articulate than me, please feel free to add to this. Ditto on any of you other funky LIS friends out here on tumblr dot hell.
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Terminology Thursday: Age Statement
You may have seen fans in zines, mailing lists, communities, or archives affirming that they are over a certain age (usually 18). These are known as age statements — this week’s Terminology Thursday feature!
Age statements have a long history in fandom. Zine publishers, community moderators, and archives often require age statements to keep underage viewers from accessing adult content. In other cases, moderators have taken the approach of warning for adult content, with an implicit assumption that participants are of age until proven otherwise.
Learn more about the history of age restrictions on Fanlore!
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We value every contribution to our shared fandom history. If you’re new to editing Fanlore or wikis in general, visit our New Visitor Portal to get started or ask us questions here!
#fanlore#terminology thursday#age statement#age restriction#fan history#fandom terminology#fandom glossary#graphic by chimaera
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Found this during a file cleanup, an old Trek fanzine, probably bought at a convention, back in the day.
Dated November 1978, over a year away from the release of TMP. Price, a whopping $2.50
Table of contents, and an ad for a fan mail order place in TX. Honestly, there were corporate annual reports that were thicker.
A article about the Klingon Romulan Alliance, in the format of the Franz Joseph Technical Manual
Followed by Ranger Force, the equivalent of the Frontier Cavalry, meant to deal with local crisises.
Fan art abounds
More articles, including the early prehistory of the Federation, and the psychology of Mr Spock's popularity.
And still more fan art
The ad at the back of the zine. In 1978, the VCR was just starting to be adopted by consumers, and videotape rentals stores were just starting up.
It wouldn't be until the early 1980's when videos would become affordable enough for mass home purchases (coincidentally, one of the first films available for home sale was Wrath of Khan at an affordable $19.99)
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[ Cold rain, squelching in heavy drops on the rusted roof, flowed in small streams between the rotting walls, impregnating mosses and mold, finally broke on the floor in a ringing trill, falling rhythmically from the ceiling. The humid room was filled with small clouds of smoke coming from a squelching bonfire, flattened dancing with the wind.. ]
[ He timidly treated the sweaty wounds, generously pouring the last bottle of alcohol on his lap... ]
- I'll hang everyone, every fucking one!
- Necessarily..
#aesthetic#one piece#eustasscaptainkid#eustass kid#eustass captain kidd#eustass captain kid#eustass kidd#kidd#one piece eustass#one piece eustass kidd#one piece eustass kid#op eustass kid#op eustass kidd#killer#one piece killer#op killer#eustass kidd x killer#eustass kid x killer#kidd pirates#headcanons#text post#fan history#one piece aesthetic#one piece headcanons
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Coming on January 1, 2023...
This Week In Fandom History, a new fandom-centric podcast that tells you... what happened this week in fandom history!
Co-hosted by V @aimmyarrowshigh (I Met You On LJ) and Emily @idontgettechnology (I Ship It) and edited by Laz @lazaefair, This Week In Fandom History celebrates fandom culture's highest highs and weirdest lows.
With which short-lived vampire cop drama was the very first X-Files fic crossed over? Who is Tara Gilesbie? How recently did the Starsky & Hutch Lending Library rent out its last zine? What were Strikethrough, Racefail, LGBTFansDeserveBetter, and Conchobar, anyway?
V and Emily trade off some deep-internet research each week to learn and laugh (and sometimes rage) their way through the annals (heh) of fandom history. Come join us!
Follow at @thisweekinfandomhistory on Tumblr for updates as we get closer to the show's release, and on January 1st you can join us on your favorite podcatcher!
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Do you like Star Trek?
Do you like Science Fiction?
Do you like fannish culture and history?
Do you like learning about history in unique ways?
Now is a GREAT time to come check out Galactic Journey. This Thursday, April 6th 2023, is the start of reruns of the entire second season of Star Trek The Original Series.
Watch the episodes as they would have been seen in 1968, complete with advertisements, no cuts, and unedited effects! The episodes air twice over Discord, to cover different timezones. Each week before the episode you can also hear readings from fanzines and articles that would have just come out.
There's dedicated zones to discuss the episodes from the perspective of '68, as if we are all gathered for a watch party or calling in over the home phone as we see the characters face new and exciting dangers with impressive special effects!
It should be noted that while people get into the world of reenactment and exploring history, it is still a space for everyone who wants to participate in good faith. Bigotry is not tolerated. Every era has had people who made space to respect and care about each other, and that's the energy we try to foster among ourselves.
You can read reviews of all the previous episodes over at Galactic Journey, along with reviews of other SF&F media. Find out what was going on in the world 55 years ago with articles, a radio station, and a weekly news video.
This fall season 3 will air, so now is the perfect time to catch up!
Discord link:
#star trek#science fiction#star trek tos#star trek the original series#galactic journey#1968#fan culture#fan history#fanzine#portal 55#scifi#sci-fi#the original series#history#historical reenactment
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THE CRISIS: US HISTORY
The Empowered Creation Event, also known as the Crisis, was an event that occurred in early 2018. Humans across the world suddenly found themselves with superpowers. This led to a global rebellion against traditional governments, using the newfound powers as a way to counter militaries and police forces.
The Estimated Territories of Each American Territory during the Crisis.This graphic is a rough estimation.
To date, only the United States, Canada, Mexico, Cuba, Ethiopia, Germany, China, and Australia are in control of their original territories. Saudi Arabia, and Scandinavia dissolved entirely, being replaced by either a new government or warmongering states. Russia controls a fraction of it’s land, with the remainder being controlled by a Siberian warlord.
In the United States, an estimated 15% of the population are Empowered, though only 10% are registered in the Empowered Personnel System . This number was decided among think tanks, accounting for similar population densities in other countries. Of that amount, about 2% were responsible for the warlord states, operating as leadership or militia forces.
The rapid formation of the Parahuman Soldiers, founded by Artur Stonewall in New York, gave the United States the manpower it needed to retake its former territory by the beginning of the next year.
Territories
-United States
The United States government, caught off guard by the Crisis, was able to maintain control of all territory from Maryland up to Maine. Within two months of the Warlord period, the US Army began testing the Parahuman Soldiers, using government aligned Empowered (Via military, police force, or general patriotism) as a counter force to the Warlords.
-The Neo Confederacy (Colloquially the Mississippi Khans)
The first “Warlord” group to rebel, prompted by a Black senator being killed in an Empowered attack. Following this, multiple other politicians were attacked and executed by a radical group, who then took control. Their territory covered North Carolina, South Carolina, Georgia, Florida, Alabama, Mississippi and Tennessee.
-New Vegas
Mob bosses within the Western hemisphere quickly took control, utilizing Empowered force and gambling debts to create a fighting force. The area was lauded as a safe haven for Empowered, who were welcomed indiscriminately provided they provided their services. Territory included Colorado, New Mexico, Wyoming, and Montana, and everything West of those states.
-Farmer’s Alliance (Colloquially Oz)
Due to the already sparse population density, the number of known Empowered in the region was low. Following the Crisis, many Empowered fled to The Midwest Alliance was created by a union of Unempowered farmers and hunters, citing claims against both New Vegas and the United States government. The territory included Dakota (Formerly North Dakota and South Dakota), Nebraska, Oklahoma, Kansas, Louisiana, Arkansas, Missouri, Iowa, and Minnesota.
-The Northern Group (Colloquially, the Windies)
Local gangs were joined into one army, under the command of Antony “Windy” Lawrence. Though his power is unknown, it is believed that he had some form of mind control power. The gangs spread out, becoming the local police force in the area. Unempowered were forbidden from leaving their cities, and made to work manual labor. The territory included Wisconsin, Illinois, Indiana, Ohio, Virginia, and West Virginia.
-Republic of Texas
Immediately following the creation of the Midwest Alliance, the Republic of Texas claimed independence from the United States.This new nation was the last one to be reclaimed; following the fall of the Northern Group, Texas made an alliance with Mexico, becoming a vassal of the nation in exchange for protection and resources.
-Lost Territories
Due to their distance away from the Continental United States, Alaska and Hawaii were taken by foreign nations. Alaska was taken by Siberia (Formerly Russia), Hawaii by China. Their distance, along with continued unrest within the continental states, has made recapture a low priority. Representatives of the government claim plans for recapture, but have noted worries of war with neighboring countries.
Timeline
January 1, 2018-People across the globe begin developing powers. These powers vary in strength, range, and effects. Government and Media Organizations label those people as “Empowered”.
January 15, 2018- The CDC and WHO label the sudden appearance of powers as a possible pandemic. Citizens are urged to isolate themselves from people who display powers, leading to a wave of unemployment of Empowered people due to the lack of a protective class status.
January 22, 2018-Prompted by a sudden spike of crime, the US Congress passes the Limitation of Powers Act, which makes the unauthorized usage of powers a felony. Additionally, this act creates the Empowered Personnel System, a list that all Empowered are legally required to register to on the first sign of superpowers.
February 7, 2018- The President of Russia is assassinated by an Empowered. That same day, an empowered man in Tupelo, MS, inspired by this event, attacks and kills a local State Senator.
February 12, 2018- A registered hate group, known as the Mississippi Khans, take over the Mississippi State Capitol, claiming secession from the United States. Armed service members are called back to the United States. On arrival, many eventually defect or go missing.
February 13, 2018-Riots begin within the Southern United States. The National Guard is deployed to Atlanta, Birmingham, and Tupelo, but are routed by Empowered Militia operating under the Mississippi Khans. Their leader, Jeffery Palmer, officially claims Mississippi, Alabama, and Georgia as territory of the Neo Confederacy. Politicians and unempowered citizens flee the region.
February 22, 2018-In an unseen assault, multiple members of the United States Armed Forces defect, attempting to take control of the available weapons and vehicles. The attack fails, and the remaining members of the coup flee throughout the country. Many leave for the Neo Confederacy.
March 15, 2018- A coalition of gangs working under Antony Lawrence launches a sudden invasion based out of Chicago, Illinois. Damage done by the Assault of the Mississippi Khans prevents the National Guard from properly mobilizing. The coalition, under the name of the Northern Group, launched a sudden invasion of neighboring states.
April 8, 2018-The Northern Group officially stops their invasion after taking Virginia. In response, important members of the federal government flee to New York, establishing it as an emergency Capitol. Martial Law is declared within the remaining territories under US control. Congress labels all of the rebelling territories as enemy nations, and declares war. That same day, Command Sergeant Major Artur Stonewall receives the green light to begin a program for training Empowered humans.
April 9, 2018- The United States Congress unanimously votes to give President Maxwell Harrington emergency powers to deal with the situation, dubbed by historians as the Crisis. He declares martial law across all US territories along with dubbing any defectors as enemy territories. The Armed Forces are restructured into the United States First National Guard.
April 15, 2018- Mafia bosses who fled to Las Vegas, Nevada, initiate a hostile takeover of the city. Utilizing their manpower, connections, and powers, New Vegas is established, claiming dominion of a large portion of the Western United States. A broadcast is sent out to the rest of the nation, offering shelter for all Empowered in exchange for their labor.
May 3, 2018- Stonewall begins training the first class of Empowered soldiers, later dubbed Parahumans, in the Empowered Training Facility in Trenton, New Jersey. The Prepared Parahuman Program utilized an Empowered person’s instinctual ability to use their powers to provide an accelerated training. Leader Lawrence calls for a fortification of the Northern Border.
May 5, 2018-Due to a lack of effective oversight in the area, the National Guard successfully secures Virginia and West Virginia from the Northern Group. The first recorded assassination attempt on President Harrington’s life was thwarted by an unknown empowered. From then, an estimated two assassins each have allegedly been caught, tried, and executed by the CIA each month.
June 3, 2018- The first graduates of the Prepared Parahumans Program are deployed to Warden, Virginia in an attempt to rout an invading Neo Confederate platoon. The battle goes in favor of the Parahumans, who manage to force the platoon out of the Virginia border. The invading force, which was composed of the Neo-Confederacy’s strongest parahumans, retreated to Tallahassee due to their massive casualties and a misfire of a teleport ability.
July 4, 2018- The second class of Parahumans are sent to New Vegas, using the territory’s Empowered friendly policy to infiltrate the enemy. At the same time, a demonstration in Atlanta led to a large fire that decimated a majority of the Neo Confederacy’s supply of rations.
July 25, 2018- Major leaders of New Vegas are assassinated during a strategy meeting. The offending parahumans are apprehended, and held hostage. The second in commands immediately declare an invasion of the Farmers’ Alliance, citing a food crisis as the motive.
August 1, 2018-Citizens of the Neo Confederacy, both Empowered and Unempowered, riot following a revelation that the Khans were hoarding food and medicine. Many of the rebelling faction’s officers, including the President, Secretary, and Head Judge, are decapitated in a public execution.
August 15, 2018-The New Vegas Militia successfully capture a major farm in the territory of the Farmers’ Alliance. Despite a lack of an official surrender, the group claims control of the territory.
August 16, 2018- Neo-Confederate Vice President Humphrey Hitchcock surrenders at the border of Virginia. He provides key information about the Neo-Confederacy’s military in exchange for immunity. His safehouse in Maine is later destroyed in a claimed freak Empowered accident.
September 22, 2018-A group of unempowered within Chicago successfully manage to capture the main headquarters of the Northern Group, where leader Antony Lawrence is captured and executed. Using weapons found in the headquarters, the group manages to force a retreat of many Empowered soldiers of the faction, who flees to the Neo Confederacy and New Vegas. The First National Guard successfully annexes the territory, where a new base of operations and Parahuman training facility is established in Lexington, Kentucky.
October 30, 2018-A team of 50 parahuman soldiers Invade Tennessee from Lexington. With a strategy of killing every citizen, the state is captured by the team in two days.
January 2, 2019- The first recorded Empowered with Nation Level powers, Coraline Daniels, uses her power FIREBALL on the still independent Texas.75% of the population, including about 10 miles of neighboring Mexico, are completely destroyed. New Vegas and the remnants of the Farmers’ Alliance officially surrender later that day.
The Second Reconstruction
Following the surrender of New Vegas, the National Guard was deployed to every major city center in the country. All active Parahumans were called back to New York for additional training. In April of 2019, all remaining police forces, along with the Prepared Parahumans Program, were merged into the National Guard.
Due to outstanding service, Director Stonewall created the Warden Elite Team, consisting of high performing Parahumans within New York and Washington DC. These teams were designed to be extremely competitive, with the worst performing member demoted to Parahuman at the beginning of each month. Additionally, the Sovereign Guardians were also created, composed of ten Parahumans with nation level powers.
President Harrington, during his 2019 State of the Union speech, requested for his emergency powers granted to him by Congress to be kept, citing foreign enemies and possible sedition from disgruntled politicians. That week, a majority vote by Congress approved his request for another year. Since then, Congress has approved the retaining of President Harrington’s emergency every year since, along with a suspension of presidential elections and term limits.
The establishment of the Seer Department, spearheaded by the Original Seer, created a system of surveillance throughout the United States. Utilizing Empowered with temporal and spatial observation powers, the Prepared Parahuman Program created buildings known as Superhuman Oversight Bureaus in major city centers, as both a way to keep an eye on criminals, and serve as bases for Parahumans and Wardens
Within the first few months of 2020, President Harrington created new classifications, vigilantes and villains. Vigilantes, by definition, were known as Empowered who attempted to take the law into their own hands. Vigilantes apprehended by the police or Parahumans, were sentenced to life imprisonment without a trial. Villains, by definition, were regular criminals who used their powers to commit crimes that were not classified as vigilantism.
Complaints and Criticisms
One of the key issues during the Crisis was the role of the Empowered Personnel System established by the Limitation of Powers Act. While the system aimed to regulate and monitor Empowered individuals for security purposes, it also led to discrimination and stigmatization against those who were Empowered. Many Empowered individuals were given a status below that of a protective class, leading to widespread unemployment and isolation.
The use of Parahuman Soldiers, trained Empowered individuals working for the government, was also a topic of contention. The establishment of the Prepared Parahumans Program provided additional manpower for the government in their fight against the Warlord factions. However, the program also raised concerns about the line between using superpowers for national defense and exploitation of Empowered individuals.
The handling of the Neo Confederacy, a Warlord faction that claimed secession from the United States and controlled multiple Southern states, was also heavily criticized. The National Guard's inability to properly mobilize against the group allowed them to capture key states such as Georgia, Mississippi, and Alabama. In addition, the group's founders were allegedly associated with a hate group, and reports of food and medicine hoarding further made them unpopular among their own citizens.
The creation of the Vigilante and Villain classes are attributed to the rise of violent crimes. Experts claimed that while the change did help to hasten the justice process, innocent people had been imprisoned and killed unfairly, leading to those caught taking more radical actions against the government. This issue also went along with the creation of the Seers, where the lack of supposed privacy had a direct correlation with crime.
#discord rp#superhero#superhero rp#roleplay#oc#rp#anime#clown oc#original art#alula#heroes#villains and heroes#villains#Anthesis#lore#history#fan history#headcanons#canons#oc lore#heroes Anthesis lore
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PL Fan History from the abyssal depths of the internet
I must preface all of this by saying: this is not my website, and I made nothing here! But I'm sharing it because for one thing, I'm a little shocked this geocities page is still kicking around all the way in the year of our lord 2023. And for another, it means I can tease the creator years later and she cannot do a blessed thing about it, hehe.
If you ever wanted to see the sort of early internet nonsense that transpired in the PL fandom over 20 years ago, well here it is. Honestly, most of it wouldn't be too out-of-place now. A lot of write-ups about 100% fake movies from somebody's imagination, crude photoshops, and equally crude jokes that went over my head as a young teen (I remember thinking some of these pics were an absolute SCANDAL but the truth is, I was simply raised in a repressive household, go figure). I'll let you decide if it's funny or not.
My favorite was the "Horses and Women" poster seen above, but I also must protest: I'm extremely disappointed that the creator felt the need to photoshop his head onto another body. For shame, Nancy! You know perfectly well that Peter was a veritable werewolf when it came to chest hair. This ersatz body is out of proportion and not NEARLY fuzzy enough. I'm afraid I must condemn the creator to the Pit of Shame for misrepresenting our beautiful hairy boy in this fashion.
...ok not really, I guess I can let it slide. Uh, here's some others I found amusing.
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I figured it was past time to own a Star Trek zine!
@duxduxdux I ordered this zine primarily because of your comics, so thanks!
While I was expecting more comics, it was quite fun. And I pre-ordered it months ago, so it was also a bit of a nice surprise. Well done all.
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Hey, does anyone know if there’s a way to check the updates someone has made to a story on ff.net? I know you can see when it was first published and when it was last updated, but I’m curious about the updates in-between. There’s a fic from the old days that isn’t done yet and I’d love to see the update history.
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I just learned this fact and I can't help but share it with you!!!
In 13th-century European castles, separate fortresses were rarely built. Instead, one of the towers was significantly larger than the others and served as sleeping quarters for the lord or the king and his family.
Medieval life was full of changes and conflicts. Periods of peace were often interrupted by wars and sieges. To protect the ruler and his family, spiral staircases were built in the towers, winding clockwise. This design made it harder for attackers, as defenders could strike while using the wall as a shield, whereas attackers, especially right-handed ones, faced difficulties.
Additionally, the steps were uneven in height and length, making it easier for defenders, familiar with the layout, to move quickly. Attackers, in heavy armor and unfamiliar with the stairs, risked losing balance. This design significantly complicated sieges, particularly when climbing upward, giving defenders an advantage.
Thus, clockwise spiral staircases were not only convenient but also a crucial part of defensive strategy.
#fan fact#history facts#history#castle#medieval history#Historical Castles#architecture history#thinking aloud#text post
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Please, please, please reblog for sample size. Make this a very popular poll on this site.
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#I can't plan what I draw it just comes out#teh heh#twisted wonderland#twst#Floyd Leech#disney twst#twst fanart#mozus trein#my art#sketch#YES I WROTE POTIONS INSTEAD OF HISTORY#😭😭#fan art#art
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I did not know that. So I'm sharing this because more people should know it.
purge of 2002? of 2012? what ARE those?
Oh, how quickly the past is forgotten.
They are part of the reason A03 is a thing now. Not the whole reason, but part of it.
The Great Purges of 2002 and 2012 are when ff.net got a wild hair up their ass about THINK OF THE CHILDREN and nuked any fic posted on there that was explicit. Thousands upon thousands of nc-17 smutfics were lost.
It’s what led to the creation of alternate hosting sites for smutty fic…AdultFanfiction was the one I went to…but thousands of fics would never be recovered.
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Chappell Roan at the VMAs was everything. People keep confusing her outfit with Joan of Arc but she was actually Julie D’aubigny, which is so much more impactful. Let me explain.
In simple terms she was very good at fencing and she even did opera singing. But what really connects her to what Chappell did is her love story. Julie was a queer woman, she often dressed in men’s clothing but did not attempt to come off as a man.
At some point she had a relationship with a woman, yes a romantic one. Unfortunately, but not surprisingly, the girl was shipped off to a convent to prevent the two from being in contact. And to frame it simply Julie followed after her, snuck in pretending to be apart of the whole thing, created this whole elaborate plan to sneak her lover out which included getting a dead nuns body and placing it in the girls bed followed by burning the building down, therefore faking the girls death.
They ran away together. But, a couple months later the girl went back to her family. Julie’s plan was found out and she was charged as a man on a variety of crimes, she was sentenced to death by burning.
Now let’s put this all together.
1. Chappell was consistently using swords
2. In the performance she looked back and shot a flaming arrow at a building burning it down which goes back to the burning of the convent.
3. The song performed was Good Luck, Babe! And Julie’s lover going back to her family is so Good Luck, Babe! coded. Like literally ur lover followed you to a conversion thing, setting up this whole thing so that you can run away together and love freely and then you go back home to ur family and she dies at the stake. Although not surprising for the time period it’s still so crazy and soooo poetic.
4. Julie d'Aubigny has this whole tragic queer story and Chappells music centers around that sort of thing, and what’s more impactful than a literal gay performer dressing as a gay performer who was killed for being gay?
Do you guys see what I mean??? So, while I love the edits I’m seeing please keep in mind that it is not Joan of Arc. In fact, I think it’s super important that this is corrected considering how real and tragic Julie’s story was.
#chappell roan#chappell roan vmas#mtv vmas#vmas#vmas 2024#julie#julie d'aubigny#good luck babe!#history#joan of arc#music#gay history#gay#lesbian#chappell roan fans#chappell roan edit#real history#edits#saphic#saphic history
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it's incredible that tumblr fandom went from DESPERATELY trying to see ANY sort of queer love in the shows we liked, to having shows—high budget, well-made, interesting, mainstream shows staring known actors—that are ABOUT queer love. explicitly, without argument. and just ten years later.
i saw (and reblogged) a post about how GO, ofmd, and wwdits are the new superwholock and i havent stopped thinking about it. cuz i was there, i was in the trenches back in the day. i was there when the writers and actors made fun of us for seeing on screen chemistry and perfect stories to set up romances. they all humored us then shat on us and saw us as a joke. a bunch of weirdo faggy teens that don't think two men can just be friends.
and now look at us. we're seeing the on screen chemistry and it's REAL. it's ON PURPOSE. these ARE romantic stories about queer people. we're not projecting or have wishful thinking... it's TRUE!! it was written and directed and edited and acted that way in earnest. i will take NO SHIT regarding these shows and people's love for them.
and do you know WHY these shows are being made now? these well thought out, feels-real, non-pandering queer stories? it's BECAUSE OF WHAT WE DID ten+ years ago. a lot of queer media never got the green light to be made because execs don't think there's enough of an audience. that more people will dislike the gays than like them. and we've shown them that that's unequivocally untrue. the outcry we had for all those years, the reviews we left, the statements we made, the backlash, it gave show runners ammunition to say "hey. people will watch this. they will like it. let us make it."
#good omens#what we do in the shadows#our flag means death#ofmd#wwdits#fandom history#mine#superwholock#no hate to that person cuz idk how they really feel like are they a fan or not idk#but i KNOW there are people who are like ugh cringe#i will NOT BE HAVING IT#f slur#forgot this lol no ones said anything but#popular
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