#famous drive

[aakritirwt]

Exploring Luxury and Party Bus Services to the Hamptons

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[fiendishartist2]

i know youre in there

[beaulesbian]

more one piece (mostly zolu) + text posts [2/?]

[bisexualsfromouterspace]

So, who are we making jealous? Everyone, Nicole. Everyone.

DRIVE ME CRAZY (1999) dir. John Schultz

[boaduvet]

Wags but we also drive 💍🏎️ pt. 14/?

[fieriframes]

[The famous Rothko Burger.]

[mongeese]

Let's make one thing clear and that is that Kipperlilly Copperkettle would be a horrible teenager in every universe, but in her specific setting she was right. The universe does revolve around the Bad Kids, bc they are literally the protagonists. And she correctly identified a way to become important in that universe -- by becoming a villain. But Brennan did that totally by accident and therefore there's no engagement with that concept whatsoever

[thedawningofthehour]

Here, i just want to share this scripts from those episodes WE'RE robbed.

Like, shut up Draxum, who are You to Say what a witch can ride.

I love the subtle hilarity of Donnie giving Leo a driving test. Which has absolutely no point to it, but Donnie agreed to do it and actually seems to be taking it seriously. (this entire premise seems to hearken back to Leo driving the Shellraiser in 2012 because "he's the only one who can be trusted not to run into things for fun," when Rise Leo is the exact person who would do that)

And it totally tracks that Leo's an inexplicably a great parallel parker. Though I do object because Leo is obviously gay, and it's a well-known fact that gays cannot drive.

This is also a good example of the writers subtly informing the audience of the passage of time. Donnie and Leo were canonically fourteen at the beginning of Rise, and by explicitly stating Leo is old enough for a license it tells the audience that Leo and Donnie turned sixteen off-screen.

Which is kind of bullshit from Mikey's perspective. Donnie built the tank pretty early on in the show, when he was likely still fourteen, Raph was fifteen at the start of the show, and they're both seen operating the tank right away. Mikey's literally older than Donnie was when he started driving. I get why he's mad!

[widowshill]

— But it's almost midnight. — Oh, that's the point! At the stroke of twelve, he turns into Dracula. C'mon, Vicki – he won't bite.

pose ref.

[aakritirwt]

Premium Transportation Options: JFK to Hamptons Car Service and Hamptons Car Service

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[leopardom]

[samstatsupremacy]

you didn't hear it from me, but jacob anderson created a new spotify playlist titled EUROPE and has been adding songs to it for the last month 👀

we already know that he uses music to get into Louis' mindset in his trailer during filming (he shared the LDPDL playlist a while back with this explanation) so one can only assume that things are brewing...

[queencaramilflinda]

Listen I understand why some people disagree bc I love them as characters but personally I don’t particularly want another full season with the Bad Kids. I will watch it if they do one, but I feel like not only have the characters reached the natural conclusions of their arcs, the Intrepid Heroes have all grown so much as players from when Fantasy High came out like 5 years ago that I think it would feel a bit disingenuous. Like Ally had never played D&D before Fantasy High, and Kristen was played accordingly. Ally even said in Starstruck “no more bumbling Kristen shit”

All that being said I wouldn’t mind a short season (up to 10 eps) for junior/senior year or for the IH to do live shows of the characters. I would love a cross over season between Fantasy High and the Seven or even PirOL, I think that could be fun.

[cheese1616]

”i’m not gonna say it’s raining but there’s water falling out of the sky” -will buxton

[celebratingwomen]

Kate Walsh for Ocean Drive magazine, 2005

[daisyndahlia]

In the first place, Lockwood is right when he says of the bone glass, ‘It’s not a mirror. It’s a window’ (WS 314). Whereas a mirror implies narcissism, windows suggest engagement with the world outside the self, and it is this openness to new experiences and new relationships which saves Lockwood’s little band from death or disaster. George sees Flo for the first time through a window (WS 315), and it is she who proves to be what his heart desires, not what he can (or in fact can’t) see in the bone glass.

Detecting the Dead in Burial Plots in British Detective Fiction by Lisa Hopkins (2021)