#family man through and through

[kendyroy]

I love how we can pretty much call this Logan “Wade’s Logan”

That’s HIS man. No one else’s. That’s his little honey badger. That’s his big boy. That’s his peanut. That’s his Wolverine.

He actually adopted this guy into his family and now he’s gonna be his for the rest of their never-ending lives.

[cronchy-baguette]

they're listening to california girls

[kuroneko1815]

As promised @eloise175

Callisto after his twins are born: I got 2 new babies! 2! See count them…1, 2! Look at how cute they are!

Penelope: Your Majesty, shut up! I’m tired after shoving two humans out of me!

Proceeds to line up the children and count them happily like any dragon does his hoard while Penelope is asleep.

Callisto: 1 little baby (points to Judith), 2 little babies (points to Kaden), 3 little babies (points to Dante), and 4 little babies (points to Eden), and 1 wife! (points to Penelope and holds up five fingers) (Proceeds to giggle happily as he counts them again and again, his dragon side making him very possessive and greedy over his hoard aka his family)

Penelope punches him because she’s trying to sleep.

The Twin Terrors

Two out of my five headcanon calliope kids, along with some of their traits and background! (And some crumbs on the other siblings as well if you squint).

Callisto was ecstatic when he saw that the twins’ hair color was the same as Penelope’s; he insisted that the eye color complimented their pretty hair color.

Just like their mother, the siblings have a love for expensive things, especially rubies and emeralds, (blame their father, Callisto covered them in emerald jewelry since they were literal babies).

Growing up, Dante will start to resemble his father more and more, while Eden will take after Penelope with looks.

The twins wear ‘coordinated’ earrings. Dante’s earring has a star, that he wears on his left ear, while Eden has a moon earring on her right ear.

The gold earrings were actually Callisto’s and Penelope’s, but when the twins were born, the married couple immediately knew the earrings would suit the children better. It was a toss on who’s get the star, and who the moon, but in the end with Judy’s and Kayden’s help, they settled for the current arrangement.

Turns out the choice suits the twins nicely since Dante is more outgoing, therefore ‘as bright as a star,’ while Eden can be more secluded, which alludes to the different phases of the moon.

They also have ‘complementary’ moles of sorts. The position of the moles actually defined by the placement of the earrings, Dante has a mole under his left eye, and Eden has one underneath her right eye.

Dante is the only one out of the two that has always had dimples, however growing up, only the dimple on the left side remained. The dimples come from Callisto and his mother (whom I decided to call Eleanor), whom had dimples on both sides, while Callisto has only one on his left side.

Dante is the oldest of the two, and takes every chance he gets to rub it in Eden’s face, which consequentially gets him whacked on the head.

They show their love by beating each other up, it’s just how they are.

Walking potty mouths. The ‘no cussing rule’ only worked on Judith and the baby of the family, Rigel. Kayden can and will curse, however he chooses not to, he has more ‘fancy ways’ of insulting people, but Dante and Eden are the foul-mouthed duo of the family. Sometimes Callisto’s crude language pales in comparison to the twins’ appalling choice of words. The only time they don’t curse at all is in front of Penelope, mom is a scary being that should not be angered in any way.

Stick together like glue, where one goes, the other follows.

They will get angry if someone assumes they like the same things, aka the dumb stereotypes that always follow twins.

Once at a party hosted by a noble, someone tried to serve a meal that had a big amount of peppers in it to Dante just because Eden likes peppers; Dante ended up grabbing that servant by the collar of his uniform and threatening him, because he has a strong dislike for raw peppers after he got sick as a child after eating some. The only thing that stopped the servant from getting sucked punched was Judith’s interception of the whole thing.

People refer to them as ‘The Terrors’ because personality wise, they’re basically copy and paste of Callisto’s more brutal tendencies. (Reynold was the one that started referring to them as that, however he means it in a playful and teasing manner, he loves the two gremlins to death).

Literally the karma of shitty people, because despite all of this, the twins only go after the bad and questionable ones.

The two of them aren’t mean, in fact they’re very nice, kind and playful once you get to know them. A good example of the people present on Eden and Dante’s hit list are the ones exactly like Gloria Kellen and her fetch dogs, aka the bullies.

The twins are the equivalent of ‘the hot cheeto girls’ when it comes to defending someone from bullies.

Out of the two, Dante is the more volatile one. He’s the one that picks fights the most out of the five Regulus siblings. The altercations are usually put to rest by Kayden, and when his older brother isn’t there to stop him, Judy will try to placate Dante.

Dante is very irritable when it comes to people he doesn’t like, and won’t hesitate to call someone out on their bs.

He gravitates more towards swordsmanship, and has a collection of all kinds of swords, which are his pride and joy. Some of them he forged himself overtime with the help of his father; you can find any type of sword you can think of in that collection, from normal ones to magical and very powerful ones, to ancient sword relics.

Dante combines magic and swordsmanship, and has this one special attack of ‘flying swords,’ it helps that some of his swords are somewhat sentient thanks to the magic he imbedded into them with Penelope’s help.

Oftentimes he can be found training with Kayden and Callisto, who teaches them everything he knows.

On the other hand, Eden is the more ‘docile’ of the two. People usually would rather deal with Eden than with Dante because they deem her more well-mannered, when in reality they should watch out when it comes to her.

Eden is actually more of a ‘behind the scenes’ kind of girl. Cross her and she’ll dig up any and every information on you in under an hour. Give her 20-40 minutes and she’ll have your entire live’s events at hand.

She’s the blackmail girly, and has her own special ways of making people talk when she needs/wants something, ways that actually don’t include any sort of harm, at least not physical.

Eden is in fact, a telepath, who also makes use of telekinesis. I’m talking about literally eradicating trees and yeeting them at someone if she’s testy enough, all of that without breaking a sweat. She could be sipping tea while controlling random object to do all the work for her.

All of the Regulus kids have an inkling for music, and each has their own designated instrument. Judith plays the piano; Kayden has his cello; for his brash nature, no one would expect Dante of all people to play the violin, but he does, and he’s pretty much a prodigy when it comes to that; Eden has her beloved harp and lyre; Rigel plays the flute, and later on, he also picks up on how to play the guitar.

Speaking of talents and hobbies, Eden can be found very often in the kitchens trying out some of her recipes, the kitchen staff are some of her favorite people.

The Head Chef is always the first who tries her dishes, (yes he’s the test subject), this man has went through food poisoning because of little Eden’s very dubious deserts, yet he’s still the first who offers to try out her weird concoctions. He’s pleased to see her improvement as she grows, the head chef is basically an adoptive uncle at this point.

Judith and Callisto are the ones who get the finished, improved and actually edible result to try out firsthand. They have no idea Eden gave the Head Chef food poisoning a few times, and are giddy with the fact that they are the first to try her dishes, ignorance is bliss after all and Eden couldn’t agree more, she doesn’t have the heart to tell them the truth.

Penelope knows of this and has tried quite a few times to coerce the Head Chef out of his ‘test subject’ occupation, however he insisted on it, and Penelope settled on designating a special doctor for the poor man. However, she does find amusing Callisto’s and Judith’s giddiness whenever they boast about being the first to get to try Eden’s food.

[bruciemilf]

Not enough content about Ra’s trying to steal Bruce’s custody from Alfred.

Thinking about Bruce charging through the league after his semi-kind of- it’s complicated father in law kidnapped his youngest again, “Ra’s, I’ll put you in hell even l if I have to make one myself,—“

Ra’s simply dumps a whole ass 200 piece puzzle on the ground and Bruce’s neurodivergent ass gets to work.

[nellasbookplanet]

The tragic idea that the Betrayers loved their siblings so much that it ended up being what drove them apart. They didn't want to settle for anything that could hurt their family, and mortals were doing so, either directly (a mortal usurping one of them) or indirectly (emotionally hurting them during the Schism by just. dying so much). To the Betrayers, it wasn't worth it. They wanted their beloved family to leave and go somewhere that wouldn’t hurt them.

To them, it's the primes who are the betrayers. The primes were motivated by more than just love for their immediate family - they loved their creation, too, and more than that, felt a responsibility for it. They would rather fight their own siblings than leave it.

We saw all the gods love and protect each other during the opening of Downfall. The Betrayers were not uniquely evil from the start. They wanted to save themselves and their family from hardship and suffering, even if it meant leaving their creation, their game, and in response their siblings locked them away. Not only do they not love mortals, they view mortals as this corruptive force that somehow turned their family against them. Do they think that, if they succeed in exterminating them, the Primes will be freed from their influence? Maybe - perhaps some of them are waiting to forgive and embrace their siblings, but far from all, I suspect. Asmodeus certainly expressed during Calamity that he didn’t so much want to be reunited with his siblings as he wanted to punish them. He was betrayed by the ones he loved most for the sake of a game! Maybe togetherness and forgiveness was once an obtainable goal, but not anymore. Even if the Betrayers succeeded in ending Exandria, the Primes would never forgive them, and they would never forgive the primes. Their family can never be whole again because of, as they see it, the toxic influence of mortals. So they hate mortals for this influence, but more than that, they hate their siblings for being so weak as to fall for it.

[shima-draws]

I'm rewatching GF since the whole world seems to be into it right now (thank you Alex and the Book of Bill) and AGHHH I FORGOR about the body swap episode when the twins find the secret room and Stan picks up Ford's glasses and later we see him sitting on the couch looking at them wistfully...

Shut up shut UP that's NOT okay

[crumb-crumblet-s-crumbington]

his daughter is not a weapon!

[egophiliac]

I have never been more concerned for a JP update from your art than I am seeing a Cheka knowing the context of Leona’s dream.

My bois ok right?????? My sweet nephews ok right??????

well

uhhhh

I'm sure the real one is fine :)

[clockwork-carstairs]

When you’re in an emotionally tortured competition but your opponent is Julian Blackthorn

[catmask]

my sister texted me smthing going on at home thats making me sad but im trying not to think about it and stay whimsical. its fursona friday..... its fursona feidayyyy...

[welcometogrouchland]

Disgustingly messy and crusty sketch dump but I couldn't get my own terrible theory out of my head and ended up making a bunch of sketches about it. Also at the end a bonus dickbats and Damian doodle bc I was reading an issue of their Batman and Robin run (IDs in Alt)

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[homo-house]

personally I think this segment is a prelude of the entire book and it hurts a lot more upon reread

[starry-bi-sky]

Clone^2 - Separation Strikes

"Why do I have to go?" Damian asks, surly and accent-thick, it sounds more like a demand and a whine at the same time. Sitting on the kitchen table with his arms crossed, in a green t-shirt that Danny bought him at a whim when he was at a thrift shop, and black shorts, he's never looked more like a kid. There's a little backpack leaning against the table leg, Damian begrudgingly picked it out when they went shopping.

His English has grown in leaps and bounds since Danny found him -- er, or more accurately; since Damian was spat out in front of him. -- and very little did they have to use the translator on Danny's phone these days.

Which meant one thing: Damian can start attending school comfortably now. And 'go' was the Amity Smiles Child Care Center. Danny and Jazz went as kids until they were twelve, and Mom and Dad actually managed to convince the center director to let Damian enroll for the summer.

And it was summer; Damian starts today.

"Because," Danny says, trying and failing to hide the smile pulling on his face, his heart warm and soft, and also laughing at Damian's expense; "being cooped up in the house all day isn't good for you, and you're starting school in the Fall. And, in Jazz's words: you need to have interactions with other kids your age for the benefit of your social development. And besides, it's only for the morning."

Damian's nose scrunches up, and his eyes roll so violently that for a moment, Danny thinks about joking that he'll get his eyes stuck like that. He holds his tongue; his little brother already looks like he's five seconds away from committing an act of violence.

"I don't need social interaction." Damian sneers, his cheek in his hand; a neverend pool of pride. "I am--"

"The Blood of the Demon Heir, better than everyone else." Danny cuts off, waving his hand in dismissive circles, his voice mockingly deep. Damian's brown skin darkens in embarrassment, and he scowls at Danny. "I know, bud. But Jazz is right, -- don't tell her I said that, -- you should be around kids your age."

Especially when he starts First Grade in the Fall. Honestly -- Danny was a little nervous to send him to the center. Damian's long since cut the habit of trying to kill or otherwise maim people, his palms ache-burn with gentle reminder, but his tongue was as sharp and as cutting as his sword. He still struggles with trying to quell it when he's upset. Vicious child-weapon that he once was, and will never be again.

Danny knows that it comes from a place of fear and defense, that Damian lashes out because that's what he's been taught. That at the end of the day, he doesn't really mean what he says, and he's learning to express himself better. But the other kids don't know that, and kids can be unforgiving and cruel.

Danny just...

His slow beating heart sighs, melancholy settles behind his lungs.

He doesn't want Damian to be outcasted. He doesn't want him to be alone.

Not like he was.

Damian sneers again, but says nothing, his shoulders crawling up to hide his ears like a turtle receding into his shell. Danny watches him silently, leaning against the kitchen counter with his own arms crossed. The clock hanging on the wall ticks in their ears -- it's almost time to go.

He watches Damian, careful, and so he sees it when his little brother's stone-shell pride and petulance shudders, and cracks. The darkened furrow of Damian's brows weakens, and for a moment, slants back.

Ah, Danny thinks, his own shoulders slumping. Epiphany washes over him, and his sad-heart soothes in warm understanding. So that's what it is.

His head tilts, and his hair spills over his shoulders, messy and fluffy, tickling his neck. Some of his bangs fall into his face. "Hal 'ant easabiatan ya habibi?" He asks, voice low and soft. Just as Damian's English has improved, so has Danny's Arabic. He still stumbles over himself some days, and Damian says his accent is trash, but they can have whole conversations now in Damian's mothertongue.

(Danny was incredibly proud of himself for it.)

Damian's face darkens, his blush spreading across the rest of his face, and he ducks his head down. Grown-out curls, black-brown and springy, falls over his eyes. "La!" He yells, loud and indignant, and not at all convincingly. "La 'asheur bialtawaturi!"

He was nervous. Danny can see it now, in the hunch of his shoulders and the tightness of his face, and faintly, he can feel it too. In the ecto-rich air of the Fentonworks House, it thrums, barely-there, like a hummingbird behind his lungs.

Danny can't stop the little, fond smile that forces itself across his lips and upticks the corner of his mouth. "It's okay to be nervous, little brother." He says, he sounds like Jazz when he says that. He doesn't think she'll mind him borrowing the nickname.

He pushes himself off the counter, and Damian refuses to look at him, hiding behind his hair and in his shoulders. It takes three long strides for him to reach the table, and Danny turns, plants his hands on the ledge, and hoists himself up. Right next to Damian.

Damian leans into him easily when Danny's arm wraps around his shoulders and tucks him close to his heart. He can feel his ear against his ribs. Danny hunches over him, resting his chin on Damian's head. "It's so okay to be nervous, actually. I was nervous, Jazz was nervous." He tells him, scratching the blunt edge of his nails across his scalp. "Everyone gets nervous."

"'Ana last aljumiea." Damian mumbles, as small and feeble as he was the night on the OPS Center balcony, realizing that his mom and the League weren't coming for him. Realizing that he was replaceable.

Danny's half-working heart squeezes; in grief, in rage, and his faucet eyes sting. He breathes in carefully, and presses his nose into Damian's hair in a loving faux-kiss. "You're right, you're not everyone." He says, steady and strong, because if he's not a pillar for his family, who else is he?

He can feel Damian's eyes flick up to him, and Danny smiles into his black-brown curls. Tilts his head to squish his cheek against him instead, hand dropping to thumb below Damian's lashes. "You're Damian Fenton," Because the adoption went through a few weeks ago, and he's still riding that high, "You're my baby brother. O' Artist Extraordinaire, Kickass with a Sword, Vegetarian and Wonderful Co-Ghost Hunter."

Damian tries to stifle a smile, and fails. Score! Triumph gathers in Danny's gut, his smile grows wider. He squeezes Damian tight, and only releases him so he can look him in the eyes. "And if anyone gives you a hard time at school, and I mean anyone--"

Danny has bad memories of the teachers looking the other way when the other kids were bullying him, all because he was a Fenton.

And Danny, bleeding heart, bleeding hands, loves his family more than he will ever love himself, will never let Damian experience the same injustice. Not if he can help it.

His eyes narrow, and the buzzy-film of ectoplasm covers his eyes, making them glow, "--You tell me. And as your awesome great big brother-and-technically-dad-but-only-biologically, I will handle it."

Damian, wonderfully made, full of light, his little brother Damian, giggles weakly at him. A sound that's worth it's weight in gold. The scary eyes dissipate, and Danny matches the sound with a cock-eyed, impish grin, dragging Damian into a soul-crushing, too-tight hug. The kind that only annoying older brothers can give. "Got it?"

That gets a proper, if short, laugh out of Damian. He wriggles in Danny's arms, trying to break free. But Danny does calisthenics, his arms are as big as Damian's head, so it doesn't work. "Understood, now, daeni 'adhhab ya 'akhi!"

Danny laughs, loud and bright, and loosens his hold just a smidge, only so he can adjust his grip and hop off the table with Damian still in arm.

"Never!" He crows, hoisting Damian slightly. One eye flick at the clock, and in one quick move, he secures Damian under one arm like a football, and hooks his foot under the strap of his backpack. Kicking it up, he tosses it into the air and catches it with his free hand, and slings it over his shoulder. "Now, to the car, my boy! Before we're late and Mom and Dad get charged."

Damian groans, childish and dramatic and long, but his face is all squished up with a wide grin and glee. Danny can taste his joy beneath his tongue.

"And, if my little pep talk didn't encourage you," He says, reaching the door to the garage, flipping Damian up onto his hip instead. "If you have a good day today, I'll make you bal mithai when you get back."

Like all kids at the promise of sweets, Damian's eyes widen and glitter. Danny loves seeing Damian be a kid, it's his favorite thing in the world. "I will!"

[littlefankingdom]

Justice League meets the Batfam, but they already knew about them because of Batman ranting about his kids.

In the comics, Batman has implemented that Nightwing should be in charge of the Justice League if something happened to him BEFORE he had adopted Dick (so, when his only legal son was Jason). When Dick is called to help, he learns that people think he's Batman's son because of how Batman speaks about him, and how he is proud of nothing in his life but the man Nightwing has become.

So, let's imagine the batfam thinking they are so secretive and mysterious, and "B, it's time for you to trust your friends and colleagues more", and going to the JL to officially present the Batfam, only for them to cut them and be "You're Batman's kids, everyone knows that. He doesn't shut up about you."

Bruce doesn’t realize he does it, btw. He didn’t clearly stated that they are his kids, that he is their dad, he just starts to talk about them and how proud he is, and how competent they are, and how much he cares about them, when the discussion seems appropriate to do so. But for the rest of the JL, Batman talks about three things: the mission, his kids, and his interests if you are close and it's useful rn (him starting to rant about dinosaurs to Hal when they face dinosaurs is cute). They probably tell new recruits "Batman may seem scary, but he is really just a protective dad. Soon enough, you will hear about his kids".

[gunstellations]

a little family