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#fair warning there are a lot of triggers in there so research before you read
novy2sirius · 9 days
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᭓ ྀུ༺ a degree theory by nikola stojanovic
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please read before proceeding
important note: this is not my info. this is all from nikola stojanovic’s theory on degrees in astrology. he has books on it that i think you can find online and download for free
trigger warnings: murder, car crashes, sex, and suicide
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sign degrees
zero degrees: 0°
the same characteristics as the sign it’s already placed in. example - aries venus at 0° is purely an aries venus, obviously aside from the house energy
aries degrees: 1°, 13°, and 25°
beginnings, leadership, taking action, fighting spirit, not giving oneself up to fate, struggle, war, abuse, labor, diligence, etc
taurus degrees: 2°, 14°, and 26°
food, money, stability, earth, luxuries, sound of voice, singing voice, etc
gemini degrees: 3°, 15°, and 27°
communication, self-expression, technology, books, siblings, neighbors, etc
cancer degrees: 4°, 16°, and 28°
home, traditions, nurture, loyalty, faith, mother, the ocean/water, etc
leo degrees: 5°, 17°, and 29°
life, children, attention, fame, creativity, strength, happiness, light, etc
virgo degrees: 6° and 18°
improvement, health, to diminish, routine, animals, acts of service, etc
libra degrees: 7° and 19°
harmony/fairness, charm, beauty, law, music, art, dancing, pleasures, etc
scorpio degrees: 8° and 20°
death, major transformation, wealth, jealousy, sex, secrecy, taxes, etc
sagittarius degrees: 9° and 21°
wisdom, abundance, college, travel, photography, success, beliefs, etc
capricorn degrees: 10° and 22°
hard work, fear, public attention, karma, father, boss, isolation, history, etc
aquarius degrees: 11° and 23°
unexpected experiences, technology, friendships, networking, divorce, etc
pisces degrees: 12° and 24°
spirituality, escapism, dreams, illusion, the sea, mysteries, the hidden, etc
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special degree meanings
supreme power: 2°
this degree is often found in the charts of people with remarkable achievements, who had extreme power, and who were highly respected according to nikola’s research
eroticism/a fun life: 5°
many sex symbols like marilyn monroe have this in their chart. nikola believed this was the best degree in general as well. he thought it indicated lots of fun and pleasure in one’s life
suicide/divorce: 11° and 23°
according to nikola the aquarius degrees (11 and 23) both indicate divorce occurring when placed in prominent positions in the chart. 11 is the only one indicating suicide though
car accidents: 15°
nikola believed that when this degree was connected to 8th house or scorpio placements it could indicate getting into car crashes
pure evil: 18°
nikola believed that this degree indicated a negative destiny for someone. he thought it was the worst degree you could have in your chart, based on his research he thought it was solely about facing hardships and nothing more. he also believed it could indicate being an evil person with no good intentions
to kill or be killed: 22°
just as the title reads, nikola believed this degree indicates being killed or being a killer. another thing he believed it could indicate was abandonment in the area of life it’s placed
clairvoyance: 29°
nikola believed this degree indicates someone that has very good intuition and can make accurate predictions about the outcomes of events
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my opinion on astrology degrees
i personally don’t believe in nikola’s theory 100%, although i do think there’s accuracy to the signs being associated with specific degrees. i have always had stronger belief in my numerstrology degree theory than anything when it comes to this subject though. i definitely do not believe 18° is fully negative like he claims since the universe is yin yang so there’s always both positive and negative ways things can manifest. these are just my thoughts though
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do you believe nikola’s degree theory? comment below!
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the-expired-tofu · 1 year
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The Devil's Trumpets | Pt. 5
|| A 'The Glory' fanfic || MINORS DNI [18+]
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a/n: Hey there, this is my first time writing a fan fiction. I might change a few things in my fictions later on. Also, my English isn't my first language so my writing might lack some fluency. Hope you enjoy :)
trigger warnings: lots of swearing, bullying, murder, gore, depression, abuse, mature content, violence, sexual themes.
pairing: reader x multi
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Moon Dong-Eun
I’ve been a great help to Y/N for quite many days. I finished tutoring Min-hee and helped her get into the Semyeong Elementary School. On the other hand, I helped Y/N move into her new apartment. After finishing helping her settle, I got her the job at the convenience store. The old lady was really nice and that she told us that she was in need of another helper since she couldn’t handle everything all alone. All the supplies for the school and the transportation services were done by me.
After everything was done, I brought Y/N to my apartment. She was caught off-guard due to all the pictures of them attached to the walls in front of her.
“You did quite the research, didn’t you? You weren’t kidding back then when you told me you tracked each and every step they took,” she said as she slowly approached a picture of the group together in their teens. She was reading the sticky notes that I attached on some of the pictures when she saw a polaroid of her when she was young, followed by few other pictures of her from the current time, along with her niece. She also saw a few photos of her families before and after they separated. She stood in front of those and rubbed her finger gently on an image of a girl I believe was her sister.
“You didn’t leave me out as well,” she said as she turned around to meet my eyes. “I have every reason to be mad at you, Dong-eun, but at the same time, I don’t. I can simply report you to the police for stalking me and immediately put an end to your years’ effort, but at the same time, I can’t. I can easily walk out of this place and quit participating in your plan, but I don’t wish to. Because I trust you, Moon Dong-Eun. Not only am I risking my own life, but also Min-hee’s life. Once they find out about her, they will use her against me as my weakness. So make sure you prove me wrong and help us not get caught.”
After hearing those words from her, that’s when I knew I did the right thing involving her in this. She’s aware of the environment she’s getting herself into and knows how to take the necessary precautions, and not just an airhead with the lust for revenge.
“I knew you would feel this way once you notice those pictures. But I couldn’t help it either. When we were in school, you never bought a cell-phone for yourself. So it was quite difficult to track you down.”
“I would rather call it stalking than tracking down, Dong-eun,” she said as she turned away from me to look back at those images. I couldn’t say anything since she made a fair point. But I didn’t have any other choice either.
“I don’t recognize her. Who’s she?” She points out to a picture of Hyeon-nam.
“That’s Kang Hyeon-nam. She works for me as my assistant. She’s the one who helped me land the job as a homeroom teacher. She’s also the one who ‘stalked’ you.”
“Huh, interesting,” she said as she removed her finger from the picture and placed her hands inside her pockets. “I would like to get to know her.”
“You will when the time is right.”
I walk towards the kitchen as she moves from the wall to the window, her eyes never taking it off of those images.
I placed a small security camera at the top shelf in my kitchen, making it unnoticeable, and connected it with my phone. I took out another small box that contained another security camera and handed it to Y/N.
“There’s a possibility of them finding out about our address once they get to know about our plans. So take this, and install this somewhere where nobody will notice it. And don’t be surprised when one of them or all of them enters your house when nobody’s there.”
“Alright,” she takes it from my hand and puts it back into her satchel.
“Come on, let’s go to the roof.”
“The roof?”
“Yeah, I want to show you something.”
“Okay,” she walks past me towards my door. I unlock the door open as she busies herself in putting her shoes back on. As we got outside, I locked it behind me and walked towards the elevator. 
We got inside the elevator and pushed the button to go upwards.
“Did you get the invitation for the Alumni Awards?”
“Sorry, what?”
“The Alumni Awards ceremony at Sung-han High. It’s in a few days.”
“Oh yeah maybe I did. I haven’t checked it yet.”
“Am thinking of going.”
“Wait, they’re going to be there too, wouldn’t they?”
“Yes. You need to come as well.”
“What’s the use? We aren’t even getting any awards?”
“It’s not about awards, Y/N, it’s a game of intimidation.”
She kept staring at me as if I said something illegal that deserves life in prison. We didn’t talk for a while.
The elevator came to an abrupt halt and the doors slowly opened before us. We stepped outside and climbed few more stairs to finally get to the roof.
It was a beautiful evening with the sun just setting, the color of the sky a perfect hue of flame. We came near the edge that overlooked the houses that stretched far beyond our vision. The tall buildings at far distances created just the flawless silhouette I’ve ever witnessed. Everything about Semyeong just felt so beautiful at the moment. I never took some time for myself to appreciate how exquisite this place this. The ordeals I faced here, never actually gave me any time to appreciate anything about my life.
“You see the house there?” I points to the one nearby.
“Yeah, what about it?”
“That’s where Yeon-jin lives.”
The perfect moment she was in immediately faded when she heard her name.
“That’s where she lives?”
“Yes. Ha Ye-sol, Ha Do-yeong, Park Yeon-jin, all under the same roof.”
She looked at me with her bewildered eyes, a face of the scared.
“But-then why did you buy this apartment? Wont they find out easily?”
“Not so easily Y/N, she has no clue whatsoever. She still thinks that she can get away with anything. She never learns.”
She looks back at the house. The lights on the road and inside the house lit up as it got darker. We didn’t talk for a while. The sun had set a while ago. Everything is just happening so fast, it’s making me feel overwhelmed, but I didn’t think of telling that to Y/N, otherwise she would be scared too, almost like how a mother deep down feels scared for their children but acts like there’s nothing wrong, just for them to not get scared.
It’s been my dream, for so many years, to stand here and watch over all of them, behaving as if they did absolutely nothing wrong, as if, they can get away with anything they want. Little do they know, that am right here, right in front of them, to prove them wrong.
“The day I dropped out from Sung-han High, I went to meet them, at the gym.”
She removed her hands from the edge and turned to look at me.
“What?”
“Yes. That day, I felt something new, some kind of new change in myself, something a bit evil.”
“Evil?”
“Yes. Almost like, the end of their reign, but a beginning of my hell.”
“What happened that day?”
“That day, was the only day I entered the gym voluntarily. Nobody forcibly dragged me there, I went in completely on my own. I remember so clearly, as I walked in, Hye-jeong started walking away from me, as if she was scared of me. But I ignored her, and went straight to Yeon-jin, sitting at her usual place. The weirdest part is, we talked about our dreams.”
“Dreams?”
“Yeah, they submitted their “dreams” at Cyworld, and I read all of them, told them about those that day. Yeon-jin dreamt of becoming a wise mother and a wife, Choi Hye-jeong dreamt of becoming a stewardess, Jeon Jae-joon wanted to own the golf course, and Lee Sa-ra dreamt of being an artist. Obviously, they asked me about my dream as well.”
“So what did you say then?”
“Yeon-jin,” I said with a pause. “I told her that she was my dream, and that I really wish to meet her again.”
“So all of our dreams finally came true.”
“Indeed. And I wish to bring them to their knees and show them no mercy.”
She turned around to look at me again, but I didn’t. I haven’t taken my eyes off of that house.
“Does Ha Do-yeong have the slightest idea that he married a monster?”
“He doesn’t, but he will soon. And so will Ha Ye-sol. I wish to isolate her to the point that the people she holds dear, the ones who covered up her crimes, will give up on her. Soon then she will feel like the only human on this planet, she would become completely transparent. All of her crimes and secrets will show up and she will rot in hell. Nobody will ever even think, of helping her. You can never change a monster, Y/N, never.”
She stares at me for a while and then looks away. The air was filled with aroma of the potted plants behind us.
“Do you wanna know what Myeong-oh’s dream was?”
“What?”
“To become rich.”
She began eyeing me from the side when we burst into laughters. When was the last time I laughed like this?
We took a breather to stop ourselves from more laughing. It was quite hilarious how Myeong-oh dreamt of becoming rich yet here he is, working as Jae-joon’s lackey.
“Alright then. I guess I’ll see you on the awards day.”
“Yeah.”
We went back the same way we came to the roof. Climbed down the little flight of stairs and got into an elevator to the ground floor.
I saw her out and got her a cab. As I went up to my apartment, I was thinking of how I could have told her about the meeting I had with Myeong-oh few days ago. I will tell her when the timing is right. I bribed him enough to keep him in suspense—he will also be the one to know who murdered Yoon So-hee, hopefully.
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Pt. 6 will be out soon
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Fandom song animatic tournament: Bracket 2 Side A
If you were gay (If [Blank] was gay) - Avenue Q Musical
"If you were gay That'd be ok I mean cause hey, I'd like you anyway Because you see, If it were me I would feel free to say that I was gay (But I'm not gay)"
My R ([Blank]'s R) - KurageP (Cover by Rachie)
"Just as I was about to take my shoes Off of the rooftop, there I see A girl with braided hair here before me Despite myself, I go and scream 'Hey, don't do it, please!' "
Remember that we're voting on how Iconic they are for ANIMATICS, not for the song itself. In order to make things fair, the tone and mood of the song should not affect how iconic it is (for example, a serious song should not be considered more iconic than a joke song just because it's serious)
Propaganda and animatic links of the songs under the cut:
If you were gay (If [Blank] was gay) - Avenue Q Musical
Propaganda:
used to be a popular animatic song (although not as big as others) still a decent amount of people making semi-recent animatics to this !!!!!
Animatics with the song:
FNAFHS N.Fonnie Animatic
Welcome Home
BNHA
The Owl House Lumity Animatic
Little Witch Academia Diakko Animatic
My R ([Blank]'s R) - KurageP
Propaganda:
I cant explain this one other than i just remember seeing it a whole whole lot
CMONNNNNNN THIS IS THE MOST ICONIC SONG POSSIBLE FOR AN ANIMATIC ITS EVERYWHERE also a banger
my r is such an iconic song for animatics, there are so many different interpretations of the song and it’s so lovely to see all of them in different animatics across different videos not to mention the comment sections usually have like essays of in depth analysis which is so good bro also it’s so catchy my r sweep!!!!!
Animatics with the song:
Mystic Messenger
Heathers
DSMP Tubbo Animatic
OMORI
Karmaland Evil Luzu Animatic
Please be cautious and read the title, description and warning cards on the animatic videos if you decide to watch them. If you've got specific triggers I'd recommend even more caution when watching animatics of fandoms you don't know, since sometimes canon-typical themes don't get warnings.
Please keep in mind that I don't know all the media and fandoms of the animatics provided as examples and I don't have the time (nor the will) to research them all. Don't come into my notes or my ask box complaining about them being included, I will simply block you. If a ship animatic included is about an adult and a minor, do tell me and I'll take it out of the post
ALSO keep in mind that I don't know all the artists submitted; in fact, even if I do know them I do not know absolutely nothing about them as people (I do not have twitter nor tiktok) and I could not POSSIBLY have the time to research ALL of the artists' controversies and what came of them so PLEASE don't flood my inbox with the artists' entire crime list.
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kokocharm · 1 year
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This post is about my OC Montserrat- short, Mont. This post will go over their backstory, the AUs they are prominent in, details, relationships and more. It is recommended you scroll.
INTRODUCTION
Montserrat gets their name from the font Montserrat- it is also the font they speak in. They are transfem, nonbinary and lesbian, and strictly use femme terms and they/them pronouns.
Originally, Mont started as an oc-insert for the Handplates AU created by zarla. I've since heavily deviated from that story, though you will most certainly be able to see the resemblence. Handplates was a huge AU Fixation for me when Fallen Deep first began, so.. sorry, Zarla XD
Mont's first appearance was in a roleplay called Fallen Deep, originally as a side character. They made their debut when the two main characters, Max and Alberto, accidentally entered Gaster's old lab. They were nearly incomprehensible (and I quote, "Hiiiiya! M'names Mont. Who're ya? Aint seen nobod' down in the labs since liiiikee..... real long time ago.") Horrifying, truly. They spoke with a lot of 70s-90s lingo and abbreviated words, as their ability to talk in emoticons and text abbreviations has been a long-running joke through all of their dialogue. This calms down signicantly in later appearances.
While they are usually a silly jokester who will brutally shatter the fourth wall with a crowbar by either looking at the audience or even mentioning the authors by name ("By the way, Denzel, I've killed you two times. You're only here now thanks to Mel.") Mont does have their downward spirals. Their official diagnosis is bipolar disorder, BPD, and- unsurprisingly- C-PTSD. (Disclaimer that I've done a fair amount of research on both of these disorders and I am medically recognized with PTSD.) Both manic and depressive episodes are shown in multiple AUs, often worsened by a trigger.
STORY
As stated before, this all started because I was fixated on Handplates. Since then, much has changed, and I really do suggest you go read Handplates! It's a beautiful story with gorgeous artwork :3 this is not meant to be a copy of that AU (though with the way the fandom is sometimes, I wouldn't be surprised) and I hope these can be read seperately (Read: Fallen Deep)
TRIGGER WARNING: childhood abuse, medical experimentation, dehumanization, suicide
When the monsters were first locked in the underground, the head scientist was devasted. Who wouldn't be? The barrier was in place- there was surely no escape.
W.D Gaster was a genius, though. He is well aware of this fact. He's the head scientist, for crying out loud! This will not phase him. He will find a way out of this cavern no matter what it takes, and that is an oath he took very seriously.
While he couldn't begin his research immediately, Gaster did find some things about the barrier that would stick with monsterkind long after his forgotten demise. The CORE was his brilliant worksmanship, but a mere side project in his long-term goal.
When all monsters were finally settled down and Gaster had a place to do his work, he did. He begun as soon as he could, at least seven years after being locked underground. He discovers the key to what might be monsterkind's freedom; energy unrecognized by the human mage's own magic.
Think about it. The skeleton race had long since died out- it was a miracle Gaster was even here. If there were other skeletons around the globe, then he sure didn't know them. Gaster knew of some place that many didn't: the Void. The Void was hardly even rumored to be a real place, let alone something Gaster could use. But if it freed monsterkind, it freed monsterkind. He'd have to try.
And.. if he failed (which was undocumented, virutally impossible.)... there were always the other scientists.
And with a bit of messing around, maybe an explosion and power outage here and there.. he suddenly now finds himself with three skeletons. Whoopsie dasies, that was not what he had been intending to do. um. shit. He had been trying to harness the Void, not parenthood! Good grief, the universe got that mixed up.
Well, he wasn't too keen on just dropping these three off somewhere in Waterfall and calling it a day. He had to remind himself that in science, especially such as unpredictable as the Void, he should make use of his resources.
Actually.. maybe this was the missing piece. Of course he wouldn't be able to use the Void with a mere object- the Void did not work like that. The Void was a connection. Maybe he just needed to connect it to something else... like a living organism. He'd figure out how to explain THAT one to King Asgore later.
The three skeletons were deemed as 1, 2 and 3 by their creator. 1 was the biggest, uncomfortably resembling Gaster himself. 2 and 3 were, unfortunately, twins, and uncomfortably resembled Gaster's old spouse. Especially the smallest and weakest, number 3. Gaster wasn't even sure whether it'd survive or not for the first week or two as he gave their bodies time to sturdy themselves.
Oh how he wished he had let the third one perish. (From here on out, I will be using their true names. Mont will be referred to as the pronouns they had gone by at the time.)
Gaster never bothered to teach them how to communicate, so fine! What Mont lacked in physicality he made up for in intelligence. He slowly taught himself to read and how to talk, and shared his discoveries with his brothers. Partially, he did it only to piss off Gaster, who he had learned was his least favorite person out of the three people he did know.
Because of this, Gaster separated Mont from his brothers, which.. okay, from a crazy scientist perspective, was completely fair. It was quite unfortunate for Gaster, though, because Mont was hellbent on making his experiments so much harder than they needed to be. He'd constantly enter his office to find the little bastard sitting on his chair, nose-deep in a book about quantum theory or somethong, and when he wasn't harrassing him, he was telling the other creations stuff they really didn't need to know.
While the other two stood out in their own ways, Mont was.. interesting. She was much more intelligent than her brothers, and while her body infuriatingly weak, she did seem to get the hang of her magic much, much quicker than her brothers. She had figured out how to teleport at the ripe age of three (in skeletal years), and while it was one of the most annoying things Gaster had ever had the misfortune of dealing with, it was fascinating. One thing he did also note was that she had figured out how to evade his grasp until blue magic was used- she used her teleporting ability to make up for her physical state. Mont knew that she would never be as strong as her brothers- just being hit in the head with a crowbar could dust her in an instant. If she wanted to survive, magic was going to be her best friend. She used agility to disguise teleportation.
It was unfortunate that what Mont thought was cleverness was going to be her downfall.
Gaster first intended to see whether the Void would latch onto the body or magic. And if this killed her, well.. he always had two other backups.
So to embrace the Void Gaster intended, and embrace the Void Mont did.
By some miracle, Mont survived. But the experience was enough to get them to finally calm down in tormenting Gaster, at least a little bit. He finally seemed to have gained Mont's obedience, and all it took was a bit of agonizing pain and probably a near-death experience.
Since Mont is separated from their brothers, they are never found by the construction crew who entered the lab and discovered two little skeletons. Since Mont was separated from their brothers, they never got to hear about the suicide of the... um. The, er..
...the who? Huh. That was weird. And hey, where did these two skeletons come from? What kind of language are they speaking? It must be from the olden times...
So for years to come, Mont stayed within the lab, now lost to the Void. They explored the lab up and down, memorizing every nook and cranny. They read every book available to them over and over (coming to the terrifying conclusion that their world was nothing but fiction and that as soon as their creator lost interest, they'd disappear, too.) They played every game they knew, and even made new ones to keep themself busy. They searched the lab everywhere for an exit, to find none. And when they got tired of all of that, they read through Gaster's files on them and their brothers.
They did everything they could to try and avoid the inevitable conclusion: they had been left behind.
This is around the time their bipolar really started showing, as their first true depressive episode hit, they detached themself from reality. They stayed in their dingy old room, pleading it not to be true. But Mont was no fool. They knew damn well there was no way out.
And suddenly, there is life.
The creature claims itself to be Montserrat's emotions, though we will call it the Voidserpent. And when your emotions take physical form when you are suicidal... it turns out that your emotions want to KILL you!? Yeah, Mont decided that being sad was overrated. Because now they had to spend their time running from this total lunatic. Yeeeeesh.
In total, Mont spent about twenty (human) years down in that lab, eleven of them consisting of fleeing. You can probably see why they are totally batshit insane now.
Meanwhile, back up in the real world, a 19 year old Voidwolf has just been officially promoted into the team of Royal Scientists. This very small team includes Compass and, her role model, Doctor Alphys.
Cleudo immediately began her own side project, next to assisting Dr. Alphys in whatever she needed assistance with. See, Cleudo was always fascinated with history of all kinds. And when she discovered the lack of history surrounding skeletons, she knew something had to be up. This is how she rediscovered the Void, and it's connection to the CORE. Being a Voldwolf, Cleudo has always had a special connection with the Void. It's no wonder that they're the only one who ever tried to enter the Void safely.
While there, Cleudo discovered a lab. An entire lab, sitting abandoned. When she entered, she was greeted by a skeleton. A tall, strict looking one with holes in his hands. She was even more intruiged, and decided to follow him.
Although, this lasted about five minutes before another tiny skeleton came out of practically nowhere, hitting the taller skeleton in the head with what they claimed to be the greatest weapon of all time: knowledge. Aka, a college-ruled notebook. They explained that the skeleton she had originally met was a, quote unquote, "shapeshifting lunatic who wants me dead because apparently this place thinks it's funny to bring my suicidal ideations to life." They introduce themself as Montserrat, but Mont is fine.
Cleudo has NO fucking idea what Mont is talking about, but she's overjoyed nevertheless. They offer to take Mont back to the surface, and while Mont is skeptical at first, they agree.
Imagine their surprise when they discover that Cleudo was not, in fact, a hallucination.
It took a little while for Mont to adjust to the true world. They had to learn social cues, manners... how to speak English (it's a relief that Cleudo understands WingDings). About everything you'd expect from a socially recluse 21 year old who thinks "ur mom" jokes are the funniest thing mankind has thought of.
AUs [story-prominent]
FALLEN DEEP: Mont first appears in Fallen Deep, where their story highly differs from their true story. The main role they play in Fallen Deep is the antagonist. They meet Max and Alberto and are led out of the lab, where they unite with Compass, who has been researching their disappearance. They take a major role in the story when Max and Alberto battle Omega Flowey, hopping AUs and bringing them to an Underswap variant. Once the three head back home, the goal shifts from "escape the Underground" to "find Gaster." Gaster has been hopping AUs, and its the gang's job to stop it. Mont eventually betrays Max and Alberto, revealing that in their travels, they had been taking a bit of each Sans' SOUL to empower themselves to go after Gaster alone. Their fate is ultimately reached when Max stabs them in the back- literally. Instead of death, the SOULs they absorbed are just enough to save them, reforming them on a dark island known as Mont's Island. They spend the rest of their time here to think about their actions.
EVERYTHING STAYS: ES was where they truly shone. Them, along with Zarlidin, were two of the main characters, joining the Star Sanses. Mont had an investigation going on: What happened to the original Star Sanses? Sci and Alter were in charge, claiming to talk to "The Star." In the end, Mont and Zarlidin bust Sci for locking Ink, Dream and Blue in a room for a thousand years. The next major plot points involve The Shadow being uncovered as Fresh, who had been even more of a multiversal mystery, and the defeat of Error404. This is actually the first ever complete RP me and Mel have done.
EVERYTHING LIVES: The detective duo is back, baby. An alternate ES timeline where Error404 wins, completely destroying everything in the multiverse. In one final attempt to save the Underverse, Ink does a True ERASE, setting everything back thousands of years. He and a select group of other Guardians have been sealed away in temples, locked within small stones. Mont and Zarlidin battle their way to free all of the guardians, and try and find out just who did this.
EVERYTHING FALLS: After the events of Everything Stays, everything is peaceful. The kids of the Daycare can finally grow up peacefully... at least, until Mont suddenly disappears, and Zarlidin leaves just days later. Mont is dead, and this AU centers around Alix and the Daycare kids, but they are mentioned multiple times to be haunting Zarlidin (see: WHERE'S YO HEAD AT?)
EVERYTHING LIVES AND STAYS WORLD: FNaF World AU, where all the characters are replaced with people Zarlidin knows. No, I don't know how I got this idea. Mont is so worried for Zarlidin's safety that they do some investigating on Sci's invention to put Blue and Ink to sleep for thousands of years. They do so, claiming that Zarlidin had been killed by the Shadow, and continue to live this lie until they think it's safe. Meanwhile, in Zarlidin's Dreamscape, there are three different Mont's: Guide, Rainbow and Serrat's Revenge. These three replace the characters Fredbear, Chica's Magic Rainbow, and Chipper's Revenge.
DeltaStays: The Deltarune of Everything Stays. We never did get too far with this, but the main gist is that Zarlidin follows Susie and Kris into the Dark World. Mont takes place as Jevil and Spamton, and not much is known about why this is. Maybe they just want to fuck around, or maybe they have deeper intentions. Who knows.
EAST PLAYGROUND (name pending): The most recent AU; an aftermath of Everything Stays, where a group of the Stars get thrown into South Park. Zarlidin, being Voidtouched, is the first to realize that something's off. They don't know how they got there, but they now take the shape of humans, posing as fourth graders. Their mission is to find all of the Stars, and.. try not to get roped into any of the main four's adventures, though that's easier said than done.
UNDERFORT: Woah, a Cookie Run AU. Roquefort has fallen into the Underground, and.. Roguefort is totally being a dick. Snowdin is where they meet Montserrat, who decides to fuck around with them a bit before helping. Unfortunately, a certain destroyer thought one anomaly (Roque) was one too many, and completely wrecks the AU. Mont escapes to the Void with Roquefort, and kind of loses their shit. But they're willing to help Roquefort get home, even if Mont is kind of pissed off at them.
These AUs are all shared with @dinobitez, my partner. But Underfort is done with @phantom-detective :3
RELATIONSHIPS
GASTER - Considering that there's an AU centered around them comitting global genocide on multiple occassions because of this man, I think it's safe to say they despise him with their heart and soul.
PAPYRUS - Mont loves this guy. They are one of his biggest supporters in everything he does. They made spaghetti once and nearly made Papyrus cry because it tasted so bad (Sans thought it was hilarious)
SANS - These two are.. pretty iffy with each other. Sans doesn't like the way Mont acts sometimes, but most of this suspicion comes from the defensiveness he felt back in the lab, always seeing Mont with Gaster.
CLEUDO - Cleudo (at least, in Everything Lives), is Mont's romantic interest. Mont has NO IDEA what a crush is and has confessed to Cleudo about 30 different times. Cleudo chooses to act oblivious until they realize.
ALPHYS - They HATE her. So much.
MAX - Max and Mont were always really close in Fallen Deep, with Mont serving as a big sister role. Mac was crushed during Mont's betrayal, and he was really the only reason Mont didn't continue with their spree when their island came to be. In East Playground, when ES!Mont is present, Max immediately begins to seek them out knowing that they are present. Things.. do not go well.
ZARLIDIN - Mont's best friend!! These two have been through hell for one another. He's very much their favorite person, and have actually harrassed his dad on multiple occassions because of what he did LMAO
CONCLUSION
live laugh montserrat
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(art by @dinobitez)
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bratz-kitten · 3 years
Text
Nikola Stojanovic’s degree theory 
— you can learn more about his theory here and here. he was the maker of this theory, i’m simply passing the knowledge i’ve researched on him in a more simplified way!!! trigger warning for mentions of death and violence for the 11º, the 15º, the 18º and the 22º degrees 
according to nikola’s research, each degree is connected to the sign it rules: 
aries degrees — 1º, 13º, 25º - taking action, fighting spirit, not giving oneself up to fate, struggle, war, can indicate abuse, labor, diligence, leadership, beginnings, etc
taurus degrees — 2º, 14º, 26º - money, food, the earth, stability, luxuries, voice, singing, etc
gemini degrees — 3º, 15º, 27º - communication, gadgets like televisions or phones, self-expression, books, siblings, neighbourhood, etc
cancer degrees — 4º, 16º, 28º - home, nurture, traditions, loyalty, faith, mother, water, etc
leo degrees — 5º, 17º, 29º - attention, life, fame, light, children, creativity, self-expression, monarchs, entertainment, strength, hair, etc
virgo degrees — 6º, 18º - to diminish, to make smaller, improvement, health, work, routine, pets, to be of service, etc
libra degrees — 7º, 19º - fairness, law, business, partnerships, fashion, beauty, charm, luxury items, music, art, etc
scorpio degrees — 8º, 20º - the 8º specifically is connected to death, wealth, to take from others, manifestation, secrets, insurance, sex, jealousy, pregnancy, etc
sagittarius degrees — 9º, 21º - abundance, expansion, wisdom, college, travelling, to explore, etc
capricorn degrees — 10º, 22º - to take control, public attention, coldness, fear, depression, rationality, ambition, father, etc
aquarius degrees — 11º, 23º - divorce, surprises, high places, high tech, new technology, humanitarianism, organizations, friends, networking, etc
pisces degrees — 12º, 24º - sleeping, drugs, alcohol, lethargy, the unconcious + our psyche, emotional dejections, feet, madness, shadows, unclear, endings, etc
0º represents the basic characteristic of the sign - it acts in its purest form. for example, if you have the 0º in aries sun, aries here acts in its most potent, pure way. 
that way, if you, for example, have your ascendant in pisces at the 13º, you’ll express aries characteristics + all that is connected to taking action, to fight. now, knowing this, this theory can manifest itself in different ways. 
i’m going to give an example that he talked about in his website that i found simple to understand yet powerful. when nikola was discussing with another astrologer, he wanted to talk about his degree theory, so he took a look at the birth chart of the wife of the other astrologer, and after a minute of analyzing it, he said as follows: “Your wife called a carpenter to the house and ordered a larger bed to be made. When the carpenter had finished the job, you went to bed and realized that the work was not properly done. One measure was right – the bed was long enough - but the other one wasn't – the bed wasn't wide enough, it was still narrow”. the look the other astrologer gave him told him that his brief analysis was absolutely correct.
his reasoning behind it was that the wife’s 12th house (which rules sleeping, beds, bedrooms) cusp began at the 21º of aries, and the ruler of that house, mars, was at the 6º in virgo. aries simbolizes to create and the 21º, a sagittarius degree, simbolizes to enlarge. so, his wife wanted to create (aries) a larger (sagittarius/jupiter) bed (the 12th house). because mars, the ruler of the 12th house, was placed in virgo (someone who renders services, a worker), she called the carpenter to the house. her mars was, however, in virgo at the 6º which is a virgo degree (virgo simbolizes diminishing, making smaller), which meant the measure of the bed had to be smaller than needed. therefore, the cusp of the 12th house (the bed) at the 21º (sagittarius - larger, longer) signifies that the bed was both long enough (enlarged), and mars in virgo at a virgo degree (6º) meant that it was not wide enough (it was narrow). nikola established connections between degrees, the signs, the planets and the houses where they fell and the aspects that they made in order to make this kind of predictions. 
he also found a few degrees to be connected to significant things. 
THE 2º DEGREE - SUPREME POWER 
nikola, through the research of the birth charts of many people throughout history, observed how those who contained planets, houses and aspects (+lunar nodes, arabic parts, vertex and of course, the four cardinal points: the IC, MC, AC and DC) in the 2º degree were those who made remarkable achievements, who wielded extreme power and were highly respected. he got to this conclusion by analyzing the birth chart of queen victoria - other rulers at the time had more powerful aspects than she did, but allas, they weren’t the ones to almost rule the entire world - it was her, so he began noticing the pattern between power and the 2º. literal jesus himself had his mercury in pisces in the 2º. i myself have four degrees at 2º, so it’s nice to know my dreams of starting a revolution, overthrowing the government and achieving world domination are supported by the astros
THE 5º DEGREE - EROTICISM 
this degree is connected to beauty, desire, sex appeal, receiving sexual attention. many sex icons like marilyn monroe, jean harlow and mata hari had it present in their birth chart. nikola talks about this being the best degree in his eyes. considering that it’s a leo degree, it’s all about living, having fun and enjoying life. 
THE 11º DEGREE - DIVORCE / SUICIDE 
both the 11º and 23º degrees of aquarius indicate divorce, but, according to nikola, the 11º is connected to suicide.
THE 15º DEGREE - CAR ACCIDENTS 
this degree, when connected to scorpio + the 8th house, can indicate car accidents.  
THE 18º DEGREE - PURE EVIL 
simbolizes a bad destiny. to nikola, this is the worst degree you can have. it can indicate rare deseases, tragic accidents. he says there’s no good about this degree but i absolutely disagree. not to be a hopeless optimist or to pretend to possess half the knowledge that he does but i think it’s pretentious to assume that a degree is literally all bad and that there’s nothing we can do about it — that takes away from our free will and our inner strength. Many, many people have this degree present in their charts (i believe nikola had it himself), it’s all about facing hardships but, well, that’s life.
THE 22º DEGREE - TO KILL OR BE KILLED 
nikola has found this degree in the birth charts of murderers + people that were murdered. his significance of “to kill or be killed” is quite literal. now, i want to remind you that this is the worst case scenario and that this degree can manifest itself in many diferent ways - just like the 18º and the 8º. the death can be figurative. for example, donald trump’s chart: he has his sun in 22º, and his mercury in 8º - and I’m afraid he’s quite alive at his old age and kicking it, even if he’s suffered a public destruction. @saintzjenx in her degree theory post talked about how this placement can also indicate abandonment. i agree, i have my sun at 22º in the 10th house (the house of the father) and my father was very emotionally absent + physically as well (his work has him working at other cities during the entire week) 
THE 29º DEGREE - CLAIRVOYANCE/PROGNOSTICISM 
the 29º indicates someone with clairvoyant potential, someone who makes accurate predictions, with great intuition. it’s to note that nikola himself had a 29º in his chart, and that he became known for the predictions he made using the degree theory (for example, he predicted that america would have its first black president ten years before barack obama was elected). but he does like to say that he has absolutely no intuition, though - what prompted him to study the degrees was his virgo rising, acording to him, his need to study and put his brain to work. still, he observed how many clairvoyants had this degree. other astrologers talk about this being a degree that means destruction (and when you analyze trump’s birth chart and how he has his ascendant and his 11th house at the 29º, you can very much argue about the truth behind that theory) but all in all, nikola talks about this degree as benefic. 
in case you’re feeling bad, remember i have the to kill or be killed 22º, plus the 8º of death, plus the 11º of suicide, plus the 23º of divorce, plus two of the 18º of pure evil! let’s suffer together besties. on the upside i have four of the 2º so we riding to eternal glory! 
but now seriously, i know some of this is very hard bc obviously life isn’t all fun and games but. remember that we all have free will, life isn’t determined and having a lot of these in your chart doesn’t mean impending doom!! i have them and i’m very much kicking it and i’m not intending to stop. it’s all about acceptance, learning how to work with even the worst degrees in order to make the best out of them. plus, the degrees can manifest themselves in a lot of different ways and a lot more matters than just them being present - like the signs that they’re in, the aspects with which they make and how harsh they are, the house where they fall etc etc. 
please do take your time to read through his website + to watch the interviews nikola did on youtube!! he was an amazing astrologer whose theory greatly impacted the way astrology is studied today. he’s fun to learn from, too, which is a plus
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baku-bowl · 3 years
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broke 1,000 followers (the fuck? I don't even make content people), so decided to write up a list of some (but not all, I'll make other lists later) of my favorite Bakugou-centric fic recs. my tastes run towards hurt/comfort, as you'll probably figure from the list. if there are some Baku-centric fics that you've enjoyed that aren't on here, please add them - this is definitely not a complete list of the ones I've read and love, but I'm always up for some recs. <3
fair warning, most of these are wips.
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Social Media 101 by WindsChild8178
Part 1: Survival Guide to Fucking Up
[Solely Bakugou’s point of view]
Katsuki Bakugou doesn’t have a gentle bone in his body. He’s aggressive in everything he does and does everything with 100% of his heart in it. After the Sport’s Festival, Katsuki starts to get harassed by strangers for his unheroic demeanor. It starts with letters but it doesn’t end there. The moment Katsuki realizes the harassment has entered dangerous territory and he needs to tell someone, it’s already too late.
Part 2: Post Traumatic Life Disorder
[Point of View opens up to Bakugou, teachers and classmates]
When the Dorms are finally built, everyone is settling in well, but things become tense as people begin to realize something isn’t right with the recently rescued Bakugou.
[Cannon compliant right up to after the License Exam]
hands down my favorite fic in the fandom right now. it’s the one that converted me into a Bakugou lover. if you have any fondness for Bakugou as a character then it’s likely you’ve read this one already, but if not, I can’t recommend it enough. incredibly depressing, but with the hope that comfort is coming soon in the next few chapters.
The Kids Will Be Alright, Eventually by NotWithThatAttitude
Bakugou is spiraling in the aftermath of Kamino and his friends are starting to notice. He's stubborn, aggressively independent, and less than willing to dig into his past, but after a breakdown that ends with a painful secret revealed, he starts to get help.
Whether he likes it or not.
Meanwhile, a new kind of villain threatens an uneasy peace following the loss of Allmight. Whispers build as a new narrative slowly takes shape:
Hero society needs to change.
Feat. Therapy, Dadzawa, best boy Kirishima, dysfunctional families, healing, growing up, and the mortifying ordeal of being known
guys.. the medical accuracy of this fic is just... *chef’s kiss*
I rarely see mental health genuinely handled well in fics, but this one goes above and beyond. kudos to the author for doing such excellent research into psychology, and making the application of it in here not-boring. also, while this one does have abusive!Mitsuki, it’s done in a way that feels realistic, and how I usually will see it occur in real life, rather than just for the hurt/comfort feels.
fair warning, the fic can be incredibly triggering (themes of severe depression, PTSD, panic attacks, rape survival, abuse survival, suicidal ideation/attempted suicide, among other things), so be safe and heed the tw’s if you decide to read. legitimately one of my Top Favorite fics in this fandom.
Lock and Key by autochorystalize
Bakugou made a choked, gravelly noise before croaking out a low, “You can’t be serious.” His fingers ached to blow up everything in the room.
“I’m sorry, young man, but you can’t change reality! This sometimes happens.” Recovery Girl clicked through his file, adding a new symbol in a previously empty slot.
- - -
A pair of eyes discreetly locked on to an explosive blond plowing his way forward, parting people in his path. He recognized the kid, of course. Anyone in the underbelly of society would recognize him, after the publicity of both UA’s Sports Festival and the events leading up to All Might’s fall. The uniform he was wearing cast away any doubts about the young man’s identity.
It was a bit of a surprise that the little firecracker presented as an omega.
- - - - - - - - -
Or: there are certain types of evil that seemed too distant, archaic violations and perversions that would never actually threaten bright-eyed heroes-in-training in the clean, modern world...but sometimes those evils aren't as distant as one might think.
remember when I said that I love a/b/o fics that are full of plot and world-building and gender-induced tension? that’s this one. the OC’s are fabulous and you love to hate ‘em. also, it’s the fic that made me fall head-over-heels for the TodoBaku dynamic, so it’s got a special place in my cold, dead heart. 
be warned, there are rather explicit non-con scenes between an adult (OC) and a minor (Bakugou) in this one, but the author warns for them in advance, and you could likely skip those parts without missing too much if you need to.
Never and Always, Eventually by Wawa_Boonliang
"Katsuki can remember the exact moment that he and Deku…that he and Midoriya Izuku became friends. He can also remember the moment he and Izuku became fierce rivals, a time when they were almost enemies.
However, what he remembers most clearly about their relationship is the moment that they moved passed rivals and became something more close than mere friends. Something more like brotherhood, something forged in fire and secured in the middle of a battlefield or in the midst of natural disaster where the number of the dead was climbing ever higher. And then it was torn from him."
Katsuki is given a second chance. A chance to save everyone. A chance to change everything.
But should he?
y’all. I’m a slutty, slutty whore for time travel fics. a time travel fic with autistic!coded Bakugou? it was love at first read.
Lessons Learned by Sif (Rosae)
Rather than the police station, Katsuki's friends bring him to a hospital after rescuing him from the villains. His wounds were minor, but it didn't make having them treated any less important. As it would so happen, Best Jeanist was also brought to this hospital after the attack.
Sometimes, small choices have a big impact on how a story plays out.
classic Bakugou hurt/comfort. this fic opened me up to the potential that could be a genuinely good Best Jeanist & Katsuki mentor-mentee relationship, and I kind of dig it and search ravenously for it in other fics now. I’m also a huge fan of the behind-the-scences Pro Hero Chat group.
Slope by sunfleurmoon
“I’m not a hero. Or a good person,” Katsuki says, giving Aizawa a pointed look, “So leave me alone. I don’t care about the League or UA, or you—” The two years he’s been away have been fine, more than fine, fucking fantastic actually if you ignore the bi-monthly near-death experiences. He doesn’t need this place. He doesn’t miss this place.
And yet, longing, a childish desire to tear up, or maybe blow something to bits, they all twist in his chest like a band of traitors regardless. “—I just want to go home.”
Or: the one where Katsuki and Izuku fail the first term exam, Aizawa discovers their pasts, and Katsuki is booted from UA. Featuring questionable descriptions of villain organizations, a slightly illegal moving shop, and your favorite emotionally constipated badass in distress with a newly discovered penchant for collecting strays.
paaaaaaiiiiiiiin. the hurt is ALIVE in this one. lots of tortured, angsty exploding child goodness. the OC’s are excellently crafted, and the Bakugou & Eri relationship? beautiful. definitely deserves a read.
Ground Zero by WindsChild8178
In the wake of Kamino, Katsuki is tested more than anyone could imagine. Bound by a villain’s quirk to keep his silence or die, he lives each day knowing it might very well be his last. He continues to work towards becoming a hero, keeping his secret from his classmates and teachers, focusing on making it through each day and trying not to allow the panic or depression to get the best of him. When the villain finally corners him with demands in exchange for his life, there is really only one answer Katsuki Bakugou can give.
honestly don't know which I want updated more - social media 101 or ground zero. this author's fics are amazing, and I really wasn't expecting the twist in this one. can't wait for windschild to come back to this fic some day.
The Defect by LadyGreenFrisbee
"Why do you want to win the Sports Festival so badly?" 
Because I want to see if the defect could usurp the masterpiece.
(In which Endeavor holds a terrible secret and Bakugo has to suffer since childhood for it.)
a great concept, and I adore the shouto and Katsuki sibling interaction here. hoping the author will come back to this one some day.
A Name That You'll Remember by Heronfem
Kirishima Eijirou is a Hero. Bakugou Katsuki... is not. Trapped in his toxic workplace and increasingly desperate to get out, Red Riot's days are only brightened by a new villain known as Caution, who's not exactly villainous and keeps accidentally doing good deeds. But when a real villain appears, a threat from the past that demands that Red Riot make the ultimate sacrifice to keep the public safe, Bakugou is forced into saving the day... and eventually, Red Riot himself.
sob story good guy villains are my weakness, this fic is a gem, and I'd kill for the sequel.
Our Hero by AnonymousTwit
He felt everything jerk to the side and throw his balance off before he saw anything, dust clouding his vision and irritating his lungs as the earth itself opened up to swallow them whole. For a single moment, in a millisecond's time, his wild eyes locked with Raccoon Eyes', hers alight with fear and adrenaline-fueled desperation. Somewhere in the back of his mind, he realized that it was the first time she'd looked at him with something other than long-deserved hatred in days.
And then he was free falling.
Or
After a particularly nasty encounter between childhood friends, the class learns about Bakugou and Midoriya's dark history and practically ostracizes Bakugou while trying to defend Midoriya. An earthquake during an outing has all sides regretting their decisions.
just fucking tear apart my self-sacrificing faves in every way imaginable while their loved ones watch on in terror. 💖🥰💖 this one is heavy on the Bakusquad and Class-1A feels, and VERY heavy on the Mina & Bakugou relationship (platonic).
Running back the tape, watching it replay by Faralyne
For someone ripped from their time, ripped from the few but strong relationships built by time and personal development, by self-reflection and swallowed pride, ripped from the one thing that made him feel worthwhile and needed and put-together, and forced to forge everything over again—Katsuki thinks he is handling it pretty fucking well.
Or
A villain’s quirk sends a 29-year-old Bakugou back in time to his middle school days.
am I a sucker for time travel? yes. am I a sucker for vigilante!bakugou? also yes. am I a sucker for this fic? literally refreshing the page in wait for an update as we speak.
Liability by sandelf
After All-Might dies rescuing Bakugou from the League, Bakugou is determined to prove it wasn't for nothing.
But the world is against him, his grief is overwhelming, and his stability is splitting at the edges.
very self-indulgent bakugou angst. tw for harassment, severe depression, and suicidality.
Special Mentions:
How To Win The Sport Festival: A Step By Step Guide by mhwright
Short re-imagining of the Sports Festival Arc if Shinso had planned a little better and worked a little harder to win the Sports Festival and if the match-ups had been slightly different. Self-indulgent fic of watching him succeed.
this is completely Shinsou-centric, not Bakugou-centric, but I love and adore it and am dying for a sequel. Shinsou is Best Boy here and you'll be rooting for him the whole time.
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marvelmusing · 3 years
Text
HYDRA Hunter
Helmut Zemo x Reader
Part 1
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You worked at SHIELD for your entire life, inspired by the likes of Peggy Carter and Captain America, wanting to do the right thing and protect people.
You worked hard, rising up through the ranks. Becoming a Colonel. Spending your time ensuring that you could help people.
Then SHIELD falls, along with HYDRA. And you find out that the organisation you’ve dedicated your life work to was not what you thought it was.
You spend the years after the fall of SHIELD finding old HYDRA bases and employees and ensuring they’re brought to justice.
This has caused you to bump into the Avengers quite often. Steve Rogers often asks for your help with intel.
You earn the quite the reputation as you track down a large number of old HYDRA operatives.
You’re soon known as the HYDRA Hunter. A name you aren’t too happy with but it seems to have stuck with you.
One day Steve asks you to help him and Sam with their search for Steve’s friend, Bucky Barnes. The former Winter Soldier. You agree to help them.
Although, now that you’re occupied by your search for Bucky you don’t notice there’s another person hunting HYDRA’s people.
You don’t notice when Vasily Karpov, the Winter Soldier’s handler, is found dead.
You don’t notice that a certain red notebook has been stolen.
Then Vienna happens.
And the entire world has joined in with your search for Bucky Barnes.
And that grainy photograph is plastered across every newspaper, news show, social media site. It’s everywhere.
You can’t it out of your head. That the ghost of HYDRA could be so obviously spotted like that.
So you go back to your research. Noting down as many HYDRA names as you can find. Then you spot one. Vasily Karpov. And his obituary.
You read the police report. That he was hung by his ankles over his sink and drowned.
Someone else was after the Winter Soldier.
Your discovery is too late though. Steve, Sam, and Bucky are missing by the time you’re in Berlin.
Then Tony sends you some files. The reported death of the UN psychologist sent to assess Bucky. And the identity of the man who impersonated him. The man who found the Winter Soldier.
Baron Colonel Helmut Zemo.
If you weren’t so frustrated that you missed this you would have been impressed with his work.
In the aftermath of the Avengers splitting up you’re busy trying to stay under the government’s radar.
Then Thanos happens, and you’re dusted away. Only to return five years later.
After the final battle you stay in touch with Sam and Bucky, you’d helped Sam out during the years he was on the run.
So when he gives you a call after Bucky’s arrest you offer to help with the Flag Smashers.
Then Bucky suggests visiting Zemo.
“He knows all of HYDRA’s secrets.” Bucky reasons. Sam immediately gestures to you. You nod, agreeing with him.
“I’m literally right here, Buck.” He sighs.
“Do you have any idea where the serum’s coming from?” He’s got you there.
“Not entirely. After a couple of days of digging I might find something?”
The three of you exchange looks. You don’t have a couple of days to spare for a maybe.
“Okay. Let’s go see Zemo.” Sam says.
Then you’re in a maximum security prison in Berlin. Bucky went in to see Zemo alone, which puts you on edge.
You know the trigger words don’t work anymore. You’re not afraid of the Winter Soldier. You’re afraid that Zemo will manipulate Bucky into doing something he doesn’t want to do.
Bucky seems fine when he returns. You and Sam follow him as he leads you to a large warehouse.
“Where are we, man?” Sam asks. Bucky doesn’t answer, instead walking you through a ‘hypothetical’ jailbreak scenario.
You’re beginning to doubt how hypothetical this situation is.
Then Zemo steps into the room.
“What did you do?” Sam stares at Bucky. Though it’s pretty obvious what Bucky’s done.
“We need him Sam.” Bucky reasons.
“You’re going back to prison!” Sam demands, pointing at Zemo.
“If I may?” Zemo begins.
“NO!” Sam and Bucky yell at him. You hear Zemo mumble an apology as Sam turns to you,
“[Y/N]?” He prompts, hoping you’ll back him up. You sigh a little, considering your options,
“HYDRA was never able to successfully recreate the super soldier serum, excluding Bucky. That’s why they had to steal Howard Stark’s test serum for the Winter Soldier program. Whatever lead he has, it’s better than anything I’ve got.” Sam sighs,
“You don’t make a move, without our permission.” He warns Zemo. Zemo nods,
“Fair.” He then turns his attention to you, “I don’t believe we’ve been introduced.” Zemo’s eyes are fixed on yours as he inclines his head.
“[Y/N] [Y/L/N]. You must be Baron Zemo.”
“Baron?” You hear Sam question from behind you. You keep your eyes on Zemo.
“Or do you prefer Colonel? Some people value their military achievements over inherited titles.” You’re letting know you’ve done your research.
“Just Zemo will suffice.” You nod. Sam turns to him,
“Alright Zemo, where do we start?” Zemo heads to one side of the room, turning on the power. The lights flicker on, revealing a large collection of cars. “So our first move is grand theft auto?” Sam jokes.
“These are mine. Collected by family over the generations.” He opens the trunk of one of the cars. You glance inside, noticing the array of weaponry stored. “I spent years hunting people HYDRA recruited to recreate the serum, because once it’s out there,” he bends to reach inside another car. “Someone can create an army of people, like the Avengers.” He gives Sam a pointed look. “I ended the Winter Soldier program once before. I have no intention to leave my work unfinished.” Sam turns to you,
“So you two haven’t met?” You look away from him. Even after all these years, you’re still a little unsettled by how good Zemo was. That you never saw him coming. Zemo frowns,
“Should I know you?” You shake your head,
“Sam’s joking.” You dismiss.
“Sounds like he was doing your job for you.” Sam adds. You sigh before explaining to Zemo.
“I’ve been tracking down HYDRA personnel for the last few years. So Sam’s surprised we’ve never crossed paths.” Zemo nods, considering your explanation.
“Are you surprised?” You tilt your head at him. “That we never crossed paths?” Yes, absolutely. It still annoys you to this day. You shrug casually,
“The world’s a big place. It’s not too surprising.” Zemo looks at you, not buying how casual you are. He thankfully changes the subject,
“To do this, we’ll have to scale a ladder of low lives.”
“Well join the party, we’ve already started.” Sam tells him. Zemo heads off, his stride determined, as he calls back to the three of you,
“First stop is a woman named Selby. Mid-level fence, I still have a line on. From there we climb.” The three of you follow Zemo as he heads towards the exit.
He asks for a moment to change his clothes. Bucky paces outside the bathroom as Zemo changes.
When he emerges he’s dressed in a turtleneck, with dress trousers and shoes. He pulls a long coat with a fur collar onto his shoulders. You notice he’s also fresh faced, he must have shaved.
There’s a small walk to a local airfield where a large jet is waiting.
“So all this time you’ve been rich?” Sam gestures to the jet.
“Like [Y/N] said, I’m a Baron, Sam. My family was royalty before your friends destroyed my country.” You wince at the thought of Sokovia. What happened there is one of your biggest regrets.
There’s an old man stood at the stairs into the jet. Zemo greets him in Sokovian, kissing each of his cheeks affectionately. He welcomes the three of you and you reply with a polite,
“Thank you, sir,” in Sokovian. Zemo glances at you for a moment, no doubt surprised that you speak Sokovian.
The four of you get comfortable on the plane. You’re sat opposite Zemo, with Bucky next to you.
The atmosphere is rather tense, particularly after Zemo stole Bucky’s notebook, causing Bucky to threaten Zemo.
Then Zemo tells you where you’re going.
Madripoor. That’s just great.
As the plane gets close to Madripoor, Zemo suggests that the three of you should change your clothes. He explains each of your roles. You roll your eyes when he tells you that you’d be playing the part of his lover.
You head to the room at the back of the plane with you bag in hand. The outfit Zemo’s bough you is lying on the bed.
You close the door and get changed into your tact gear. People in Madripoor know you, they know there’s no change of you dating a Baron. You push open the door as you finish getting changed. You’re busy securing your weapons when you hear Zemo approach,
“Is my selection not to your liking?” he asks. You look up at him. He doesn’t seem mad that you’re refusing his gift, just curious.
You glance down at the outfit. No doubt it was expensive, and it’s very tasteful.
“No offence intended, Baron. But if we’re going to Madripoor I’m going as myself, not as your arm candy.”
“You couldn’t be both?” He asks. You stop and look back up at him, he returns your gaze, his thoughts a mystery to you. Then Sam interrupts,
“Damn, you think you’ve over done that a little?” He asks you, gesturing to the array of knives along your belt, and the holsters across your thighs and calves. You laugh a little,
“Walking into Madripoor unarmed is pretty unconventional. You three will stick out without any noticeable weapons.”
“You’re forgetting, we have one of HYDRA’s most notable weapons.” Zemo nods his head towards the other end of the plane. No doubt referring to Bucky. You’re quick to press a knife to his throat,
“Refer to him as a weapon again, Baron, and I will ensure you regret allowing me on your plane.” You trail the knife along his jawline, watching it trace against his skin. “Understood?” His gaze doesn’t stray from your face, but he swallows hard and provides a minute nod.
“Of course, Colonel.” You tilt your head aside. He knows more than he lets on. You pull away from him, feeling suddenly aware of how close the two of you are.
Bucky leans his head though the doorway,
“We’re landing.”
A/N: This is a lot longer than I thought it was going to be so there’s going to be a few more parts to this.
If you’d like to be tagged for this series just let me know!!
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just-the-hiddles · 3 years
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Hot Take: You Deserve Better
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Okay, y’all strap in, because Mama Hiddles has awoken and I am coming in this week with some sass and snark.  I might lose followers. Don’t fucking care. Here we go. 
THE FANDOM NEEDS TO STOP “REWARDING” BAD THINGS. 
We need to stop liking, reblogging, and otherwise endorsing bad writing, bad behaviors, bad things.  Period.  There is A LOT of amazing writing out there. Fantastic writers, gorgeous smut, heartbreaking angst and warm fuzzy fluff.  So why WHY would you read poorly written fic?  And to be fair, poorly written may be subjective.  But with the bounty of fic out there, why continue to support the less than par stuff?
In addition, why support blogs that only support negativity in the fandom, blogs who are unable to take criticism, blogs that help spread hate, fear, and divisiveness? Don’t read fics of writers who can’t be bothered to write warnings or summaries.   Don’t reblog people who double down when confronted with something other than glowing acceptance and love.  Don’t support trolls, etc.  Call them out.  Demand better from creators.  And that includes me.  
And before you say it, I 100% support the “don’t like it, don’t read it” mindset.  I am NOT talking about those who write topics that while I may personally not care for but otherwise act like a responsible fic writer.  Which means they tag their works, they include clear warnings, the block minors from explicit works, they tag their works.  I am speaking about those who believe the rules don’t apply to them. Those who shame and shout down and block anyone who might have a different point of view or anyone who might give any advice.  
What we should do is support each other.  Those who take the time to do research to make sure their fics are coherent, well written and entertaining.  Those who create moodboards and playlists to enhance the experience.  Those who create backstories you never hear about.  The ones going out on a limb to point out “dangerous” practices.  To protect themselves and others against potential triggers.  The ones who fight against trolls and haters day in and day out. There are so many good and amazing people out there.  Support them.  
And leave the bad apples to rot.  
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wnnbdarklord · 3 years
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EDIT: so I started writing this like a week ago, but honestly the finale killed any desire in me to interact with this show in a fannish way. So have these half assed notes. I think it's obvious where I lost steam. These ideas are free for use for anyone who wants them in fic, have at you. As it is, I don't think I'll interact with this show as a fan any further than this.
How I would write a Loki show in bullet points (and a mishmash of short scenes and dialogue, let's be honest) for my sanity!
Presuming some disney exec came down from on high and forced the inclusion of EG!Loki and the TVA (because otherwise it'd be IW!Loki that survived and it'd be all about him finding his best life away from Earth, Asgard, Thor and the whole Thanos/EG situation. Or if I only had to include the TVA, it'd be IW!Loki dealing with the TVA, not EG!Loki):
Fair warning: this will likely be a mess since I'm not entirely motivated to not have it be so. 
[cut for length]
Ep1:
- Loki escapes to Nidavelir and uses the tools there to get rid of the chains and muzzle. A CONTROLLED use of the Tesseract, thankyouverymuch
- the TVA comes for him and Loki is wary and on the alert, exhausted from the whole Avengers thing so he immediately makes a clone to interact with the TVA and observes from afar
- the TVA fall for it when they try to bitchslap him like in the show, but immediately regroup when it goes through the illusion and start a search pattern. Their tech can scan for his temporal aura and they close in on Loki quickly (show the TVA as at least somewhat competent or they're shit antagonists for Loki)
- Loki, who still has hold of the Tesseract, portals out of there
- what follows is a quick chase scene across multiple planets and realms, but the TVA are always on his heels. The longest time they take to find him is during an ongoing apocalypse on a random planet that's enough for Loki to get a quick breather. but you know, disaster's on the horizon, so he has to leave eventually. but this is the first clue both we as an audience and Loki get about potential hiding places.
- when an exhausted Loki finally turns to fight, he manages to take several minutemen out  (justifying B-15's hate on for him) before one of them gets in a lucky shot and freezes him
- "Who are you people?" [short flash of Loki's eyes flashing green and the entire scene getting a strange cast, floating energy swirling around everything. It's beautiful, but the TVA people's energy is out of sync, out of touch and strangely jagged compared to their surroundings]
- they slap the collar on him and march him into the TVA
- Loki immediately tries to pull the same illusion trick but it doesn't work cause no magic in the TVA (maybe some visual indication of what he's trying to do, but it doesn't go past his skin. You know, like Sylvie managed in ep 3 -.-)
- he doesn't wildly panic, but we see his breathing speed up and he immediately looks at his left hand and relaxes when he sees it isn't turning blue. 
- okay so the TVA have caught him, he's on their shit list, no magic, exhausted, no idea what's going on, who these people are or how powerful they are - he chooses to play nice for now and bide his time
- the whole intake process is spent in quiet observation mode, only speaking when spoken to
- discomfort at being out of his clothes, but maybe only a wry joke about them wanting to strip him naked (making him a participant in all the thirst jokes)
- he doesn't ask if a lot of people don't know they're robots like a child wanting validation and he's not visibly afraid. Instead, we see him look at his hand again and try for wry humor when asking. But he steps into the device without much hesitation. It's death vs certainty and we already know he's chosen death once before.
- the propaganda cartoon is much shorter and plays in the background so we can see Loki's incredulous eyebrow raise at it. the ticket thing gets an eyeroll, but ready compliance since it's not worth it to argue
- when he sees the other guy get "pruned", he immediately reaches for the ticket to reassure himself it's there, but doesn't wave it around triumphantly, just sighs in relief
- trial can stay mostly unchanged, just no stupid magic attempt in the middle
"It's not your story, Mr. Laufeyson, it never was" (AND THIS SHALL BE PROVEN FALSE, you know, unlike in the show where it turned out to be their fucking mission statement) also, Loki gives her murder eyes for calling him that
- in fact, instead of trying magic, Loki holds up the controller he stole from  B-15 as she was escorting him to the trial and waves as he disappears through a door backwards
After that scene is the church scene with bodies, establishing Mobius as a hunter of dangerous variants. Someone is killing TVA officers
Mobius gets called back as in canon, but arrives too late to stop our Loki from leaving
Sidenote: Loki still has the tesseract since it was in his pocket dimension during the fight the TVA nabbed him in
Ep 2:
- it's now a few days/weeks later. Loki is back in his own clothes, a simpler outfit not geared for war. He's in the biggest library in the universe, the depository of almost all knowledge, looking for information about the TVA. there is Nothing, suspiciously so
- once again, the TVA shows up and he has to run yet again. maybe he kills this team too, to buy himself more time. he steals a melt stick and more time pads and reset charges
- he needs more information and the only place he'll get it is at the TVA it seems, so he shapeshifts into his female form, dressed as one of the many paperpushers at the TVA and we see her being relieved that the spelled clothing is holding once she passes through the time door
(another aside, but ideally the female form is more like Eva Green or Katie McGrath. AND NOT BLONDE)
- acting like she belongs, Loki effortlessly manages to snoop around the TVA for a few hours
- there's only one close call with C-20, but Loki manages to deflect suspicion by parroting the motto at her, which Loki reads from a nearby propaganda poster (cause Loki is good at lying, manipulation and flying by the seat of their pants)
- eventually, she ends up at the archive area and begins researching. We see that Loki is competent at this and is quick to pick up the filing system. the variant number from the papers she signed the episode before becomes relevant to finding the appropriate files
- before she can dig too deep into her own life story as laid out by these people, just as she finds the Ragnarok Report, Mobius finds her (maybe there was a silent alarm triggered by unauthorized access or something. Slightly more competent TVA)
- there is a scene where Mobius and Loki play a game of chicken and manipulation, wordplay and lying until it becomes clear Mobius knows who Loki is (actually establishing some camaraderie)
- Loki gets a little hoisted by their own petard since they're enjoying the banter so much, the backup Mobius called for catches them a little off guard, collared again
- since info gathering is still the name of the game, Loki doesn't try to get away just yet
(during this entire scene, Mobius is the same offhandedly condescending prick he is in canon, but it's very obviously framed that way)
(also featuring confirmation of the genderfluidity thing because fuck you disney)
M: "Nice disguise. Really had me fooled for a second there."
L: "It's hardly a disguise. I am always myself."
[Loki shifts back to male, though the clothes remain the same (shifting =/= magic)]
M: "Yeah, well, next time you want to go undercover at the TVA, maybe don't choose a face we already have from several other of your variants."
[Loki twitches a little, since that wasn't a form he openly wore a lot (even when he wanted to) cause Asgard is a dick about shifting genders] 
L: "And how does that work exactly?"
M: "Got your entire life on file, buddy. But you know, sometimes Asgard isn't a complete stick in the mud the day you gather enough courage to show up to dinner in a dress. We usually have to prune those timelines quickly."
[Loki's grin is more like a snarl, frozen on his face, since he picks up the implications loud and clear (the implication being that him being too happy is not allowed in the Sacred Timeline)]
M: [picks up the files Loki was looking at] "Come on, I've got something to show you."
-cue time theater scene
-that little scene of looking out at the TVA does not feature Loki being impressed or awed at the TVA's tech. It features him being scared/uneasy because the TVA is completely dead to his senses. Loki's eyes do the same flash as before, but everything is completely dull, no energy anywhere. He can barely see some swirls on his own arms]
-Loki asks why this charade, Mobius tells him the TVA is willing to come to an agreement with Loki for his help
"You're not the only one running around messing up the Sacred Timeline. Come on, job interview time."
(it's really really not)
- Mobius tries the same schtick as before, but it's both less and more effective. Less cause Loki has had a bit more time to collect himself since the invasion, more cause he's more aware of the TVA's power and has been chased by them for a while now
- we see Loki being affected by the Frigga thing BUT he also picks up how edited the reel is
- still, he lets Mobius do the "only thing you're good for" bit until we see him look up with murder in his eyes, even through the tears
- "I am going to burn this place to the ground and I am going to start with you. That is my bargain."
"Yeah, cause your "bargains" [Mobius full on air quotes here] work out so well for you," he says, offering Loki a hand up
-cue alarm and Mobius rushing out
-Loki grabs the files Mobius left behind, and also the tape in the hologram projector and escapes
- no infinity stones scene, cause Loki still has the Tesseract and doesn't go to look for more
- cut to the TVA running around in a panic, multiple branches forming on the displays. It's the same bombing plot as in the show, but now serving as a distraction for Loki to get away
- when they figure this out, Ravonna: "You should have just pruned him when you found him. There's a reason we don't reset Loki variants. Our luck always runs out eventually with them. Fix this, Mobius. Or you'll have to answer to the TimeKeepers."
- back to Loki, he steps out into chaos as something explodes behind him. He's in another apocalypse. During his running from the TVA, he noticed it takes them longer to find him whenever there's a lot of chaos around him, death and destruction. He finds a still intact building, seems high tech. Everyone else has already evacuated
- he takes the Tesseract out and blue and green energy surges around him and engulfs the building. It's suddenly quiet and we see outside the windows are pitch black 
- Loki quickly looks away
"Finally, some peace and quiet."
He slumps down to the floor, files scattered around him, tesseract nearby and curls up, dejected and exhausted 
Side note: Loki doesn't need to worry about recharging tempads since he has the tesseract, which was established in Avengers as able to provide infinite energy
Ep 3:
- he finds out about the variants in this episode, maybe goes looking for other variants before the TVA finds them
-how Loki finds out the TVA are all variants: he'd knocked out B-15 for a bit to interrogate her
-they're found by another team of minutemen, led by B-16, who is wearing B-15's face. Several of the other minutemen we've seen Loki kill in earlier episodes as well. They attack *both* of them cause they assume B-15 is compromised. Loki and B-15 work together and kill the whole lot, staring at each other incredulously
"You're Variants! You're all Variants!"
[B-15 collapses to her knees in shock] 
End episode
EDIT: My basic idea for episodes 4 & 5 were Loki and B-15 working together and travelling through various timelines trying to get to the TimeKeepers, but realizing something was wrong the further they went. Time begins breaking down, paradoxes are all over the place and the TVA keeps pruning some specific place so much that sometimes two teams are on top of each other. Stuff like that. 
I also had a few scenes where Loki meets other variants (that aren't him), but who actually like and even love him. Men, women, variations thereupon, and one or two who would mistake Loki for their Loki. So we get bi confirmation without actually including romance in the show itself, because 6 episodes isn't enough to develop that along with everything else that's going on.
Vaguely outlined here: 
My "how to include the bi thing without the main story being a romance and also indicating that Loki is able to be liked and loved by people who aren't just variants of himself, please and thank you":
(note to self, rewrite this so it makes sense lol EDIT: lol, don't feel like it so this is all you get, folks!) 
a variant significant other, male: kisses Loki
Loki: You are clearly my type, but I'm sorry. I'm not him.
[heartbroken expression on the variant]
from another timeline Loki visits:
woman holding a sword to his head after looking at him suspiciously: Change back!
Loki: Into who?!
woman: Her!
[Loki shapeshifts into his female self]
woman lets go of the sword
"You escaped! When Odin took you away, I thought he would kill you. Why did you never come back to me, my love?"
EDIT: My "twist" ending was that the Time Keepers were dead, not that they never existed. Some sort of mcguffin exists to just break the whole TVA and free the timelines. Idk, maybe the TVA was just a test to see if it'd work, but the system just kept perpetuating itself after the power hungry losers kept it going beyond the bounds of the experiment. Either way: 
villain plot twist: the time keepers are long dead. the TVA is a terrible system that perpetuated itself on its own, only a few judges were aware that the timekeepers had ever died. The entire System Has To Go (lol like disney would ever go there)
The system is literally Killing the Universe, since the universe's natural state of being is a multiverse. But the system don't care, system don't give a shit. System only exists to perpetuate itself, system's survival is the most important, catastrophic universal failure need not apply
(this is way too on the nose for disney, but since this rewrite's motto is Fuck Disney, it shall stay)
EDIT: this was how I imagined the climax of the series.
Mobius or Ravonna (i never decided): "All the chaos, all the possibilities? How can you stand the uncertainty? How can you believe the world will be any better than it is now?"
Loki: "Because it has to be!" [smashy smashy TVA]
series ends with the timeline breaking free
we see various scenes of the variants in their former lives, happy
and AU scenes of the previous movies:
Loki gets pulled up on the bridge
Loki accepts Thor's offer during the Avengers
Loki gets up on Svartalfheim, bleeding heavily, but doesn't go to Asgard but to Thor
Loki tricks Thanos during IW
Loki as an Avenger
Loki as a kid
Loki as a girl
Loki on jotunheim, fully jotun
Loki on Asgard, jotun
faster and faster, all sorts of different AU scenes until the screen goes dark and we see our Loki, smirking
"But...well, those are stories for another time."
and he steps back into the shadows.
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astaroth1357 · 4 years
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Long Distance Longing with the Brothers
Want a little angst and sweetness? I love how this turned out and I think it’s a new favorite for me. I honestly should wait to post it... But I have no patience, I love it too much. Weirdly enough, thank Taylor Swift’s new album for giving me this idea. Go figure. 🤷‍♀️
Warnings: Angst, implied starvation
Intro:
The brothers knew it was going to happen eventually. The year can't last forever, and at some point they were going to have to say goodbye to their human for the break… But that didn't make the situation any easier. Nobody likes being so far from the one they love. It was only a matter of time before our boys are reaching a breaking point...
Lucifer
Lucifer has never really had a reason to not to work before… Like, yeah there are those days where things get stressful and he takes a step back, but actually taking an extended period of time to just... not work? A "vacation" if you will? He’s never had the desire. What would he even do with himself?
Well, for the first time in literal God knows how many centuries, he had an answer for that question. He was going to be with MC.
And that's exactly what he told Diavolo when he finally accepted that missing the MC was negatively affecting his work. 
He wanted a… "vacation."
Diavolo had never once thought Lucifer would ever ask, and to be fair the man never thought he would either, but he's more than happy to give his friend a few days off to visit his dear human.
Whatever brief hit that his pride took by having to admit that he needed a break was more than made up for by finally seeing the MC again. He knew he missed them, painfully aware of that fact, but just the sight of them waiting to meet him outside the portal was enough to nearly take his breath away…
His first vacation was sure to be paradise. 
Mammon 
Oh, the distance was killing this poor boy. Any day where he can’t have the MC on his arm feels worse than when he's on a losing streak…
Speaking of a losing streak, he's been stuck in one for a whole month without his beloved partner in crime with him. Did he lose his lucky charm or was he just too down in the dumps to gamble well? Anyone's guess.
Well he got fucking sick of it. He wanted to see the MC, ASAP. But how would he get to the human world…?
It takes a week but he gets an idea. It took another for it to actually trigger.
Like clockwork one of the witches he's regularly in debt to, one that just happens to be a bad gambler herself, summoned him out to give her a little extra luck. Usually, he'd just kick whatever slot machine she’s parked herself at and be done with it but this time he's got to ask… How long does that summon spell last, eh?
He made a new sort of bargain. She gets to take Goldie out for a spin if she gave him some time in exchange… 24 hours to be exact.
He didn't waste a second after striking the deal because he had a lot of flying to do.
The MC probably didn't expect to hear frantic knocking on their door at the break of dawn, nor to find a beat tired and disheveled Mammon leaning outside it….
But he embraced them for all it's worth anyway. If it meant feeling them in his arms again, he'd trade away the whole world if he had to...
Leviathan 
He… didn’t do so well with the distance. Like at all. He'd mope around the house, constantly bemoaning how unfair things were. Not even his favorite games can give him any joy because those were the games he used to play with MC…
Sneaking in the occasional video call was pretty much the only thing that could make him smile anymore. Just seeing their face felt like getting a cold drink in the middle of a scorching desert… But he wanted more.
Thankfully, the MC themselves gave him a really, really good idea…
For two weeks straight, Levi seemed to get out of whatever funk he was in to help out around the House… Like, really help out. Suck-up levels of help out. It creeped everybody out...
After a time he finally approached Lucifer and made a simple request. There was an anime convention going on in the human world soon and he'd like to attend…
The ulterior motive for this little visit is practically written on the wall, but he'd been acting so damn unnerving for the past two weeks Lucifer just gave him permission to make him stop.
When the MC agreed to meet him on the opening day, they said they'd be dressed up as someone he'd recognize. Frankly, he was expecting Henry or maybe Ruri-chan but he was completely floored to see them waiting for him dressed in a familiar black hoodie with coral-like horns on their head and a carefully crafted serpent's tail behind them.
To this day he still can't decide what made him happier: seeing the love of his life so adoringly dressed as him or finally feeling their body collide with his after they came running to each other outside the convention hall...
In the end it probably doesn't matter because for that whole day alone, he finally felt like he had everything he could of ever wanted right there with him.
Satan 
Satan's not one for idle moping so when he felt that yearning in his chest finally hit a tipping point, he didn't whine. He didn't complain. He got up and did something about it.
Teleportation magic is tricky to master and dangerous to perform even with sufficient skill. One wrong move and you could end up smearing yourself across three different continents…
But like that would stop him.
He pulled out every book he could find on the subject, researched for days, then practiced for weeks. First on books and apples, then on some of Lucifer’s belongings.
He had to keep making new excuses to throw Lucifer off the scent (especially after he started sending some of his shirts away to different parts of the house) but after some time, it finally paid off.
Satan was probably the last person the MC would have expected to see show up in their room randomly one night, sitting casually by a lamp and reading a book like he didn't just master time and space just to come say hi.
But who was going to be all that picky when they could finally shower their nerdy cat-lover in all the love and kisses they've both been missing for months now?
Asmodeus 
If you took Asmo at his word, then the sheer depths of longing and despair he was experiencing while the MC was away could far outweigh that of anyone else to ever have existed in the history of all time.
He was the Avatar of Lust, desire was in his nature. Couple that with a burning need to have his lover as close to him as he possibly could and it was safe to say he was losing his mind!
This might have been the reason Solomon finally gave in after his 16th-ish time trying to beg the sorcerer to help him. He really was quite pitiful in this state...
When Solomon told Asmo that he could smuggle him out of the teleportation gate between the Devildom and human world ONLY if he could magically disguised his appearance, he was kind of expecting Asmo to refuse. This was Asmo he was talking about. He honestly thought that he'd rather die than deprive the world of his beauty so selfishly…
The world is full of surprises, ain't it?
No matter where they were, no matter what they were doing, the MC was suddenly mowed over by a "stranger" running at them at top speed like an Olympic sprinter. It’d probably have been pretty scary before Solomon lifted the enchantment shortly after to reveal their demon’s gorgeously familiar face.
Solomon wasn't going to let him stay too long, lest he incur the wrath of Lucifer, but Asmo couldn't care less. Be it a thousand hours or a few short seconds, he could always find a way to make his time with the MC last a lifetime...
Beelzebub
Fun fact, Hell freezes over a little every time Beel says "I'm not hungry…" No. Seriously. A freezing wind blasts across the entire Devildom like the realm itself gets a sudden chill...
So imagine the levels of panic that went through pretty much everyone there when his appetite started to fail him.
It's not like the poor baby could help it, food just tasted so much better when the MC was there that eating without them was like trying to digest actual disappointment… He got tired of trying after a while.
A few days of this behavior were worrying, but when he started to get a little thinner the family went into an uproar, starting with Belphie but soon spreading to the rest of the House as well.
Lucifer's soft spot for the twins may have influenced his decision. I mean, it was awfully generous of him to get Diavolo to approve of an fully sanctioned, planned meeting between Beel and the MC. He probably wouldn’t have offered that to anyone else...
Not that Beel cared about all that background favoritism anyway. Hell, on the day that he was finally allowed to see them, he couldn't be bothered by anything other than holding the MC close and hoping they'd never let him go again.
His appetite did return to him eventually, of course, but as long as he had his human with him even the cheapest street taco tasted like a fine five star-meal.
Belphegor 
Frankly, Belphegor was sick and tired of missing people.
Ever since the Celestial War he missed Lilith. When he was stuck in the attic, he missed Beel. And now that the MC was away he was supposed to just sit patiently and miss them too? No way. Not happening. Something about that had to change.
It wasn’t the first time he'd gone to Lucifer in an angry huff, but admittedly he had more ammo than usual...
There was a… discussion between the two. It went on for a couple hours… There may have been some words to the effect of, "Don't you think you owe me?" exchanged… 
Honestly, it was kind of amazing Belphie didn't end up in another attic "timeout" by the end of it. But he got what he wanted, so what's to complain about?
With a little persuasion on his part, Lucifer managed to get Diavolo to approve of a weekly visit for the two, SO LONG as Belphie stayed on his best behavior in the human world.
There wasn’t really much worry about him acting up, though, since he'd have his nap buddy back. It would be pretty hard to be a threat to humanity when he was too busy staying snuggled up to his favorite person until well past noon...
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Analysis of the “Fundy’s Mind” Stream: A Showcase of Repressed Memories and Repressed Insecurities
i. INTRODUCTION
Hi! This is going to be… something. Funny how I focus on this rather than my research homework, but I have a MASSIVE Fundy brain rot right now and I’d love to share my thoughts on Fundy’s newest stream. Fair warning, I am not the Messiah, so don’t take everything as fact. I’m open to constructive and objective discussions in replies or in DM’s, so feel free to hmu!
All of this is /dsmp and /rp by the way!
Heavy trigger warnings for derealization, parental neglect, neglect in general, self-deprecation, self-neglect, low self-esteem, death, manipulation, abandonment, loneliness, trust issues, torture mention, blood mention, and broken friendships.
Word Count: Approximately 10k.
ii. PRE-LIVESTREAM ASPECTS
Before we begin deep diving into the mind of Fundy, I do want to emphasize two major themes of this stream: 1.) Fundy’s insecurities, especially when it comes to abandonment and trust, and 2.) Fundy’s future predicting abilities. A ton (but not all) of statements uttered by the books and Fundy himself tend to have double meanings that apply to both of these themes. 
We can further discuss the future predicting powers later, but to give a little background on Fundy’s insecurities: Fundy is notorious for heavily depending his self-worth on the recognition other people give him. Despite his immaturity, a lot of Fundy’s character is rooted in being heavily underestimated. This could be observed during the Pet Wars when his safety was constantly being threatened by Sapnap, inevitably making him lose a duel against him. Another way we can see this is through Wilbur’s early treatment of Fundy where he constantly infantilized him because Wilbur believed Fundy was a child incapable of being independent. This caused Fundy to appeal a lot to any type of compliment from any person- it began with Quackity ensuring him that he will gift him a lot of cookies if he votes SWAG2020, then to Schlatt complimenting him to the point that Fundy almost gave up on spying and siding with Pogtopia, then to the Butcher Army where he unhesitantly followed Tubbo and Quackity’s lead no matter how many times they made fun of him. While he revels in any type of recognition given, oftentimes, those who seem to care for Fundy tend to leave after he grows attached to them; first with Wilbur, then Niki, then Schlatt, then Eret and Phil, then Tubbo, Ranboo, and Quackity. In the Dream SMP, Fundy is very lonely and has dealt with abandonment issues left and right, but typically, he never does anything with his loneliness, as the last time he lashed out against someone who left him, nothing positive really came out of it (this is when he got mad at Ghostbur). 
(Everything else is under the cut! I worked so hard on this, so please read it if you can, it’d mean a lot!)
So, with all that laid out, I want you to keep this all in mind as it is important for understanding why Fundy feels the way he does in the stream.
Now, let’s begin the analysis. First off, I believe it is important to denote the title and the tags of the stream. The stream is titled “Fundy’s Mind”, so we have to denote that this isn’t merely a dream sequence- the stream is meant to explore the complexity of Fundy’s mind. This includes his thoughts, insecurities, repressed memories, and so on and so forth. Additionally, the stream is tagged “Permadeath”, something different from what Fundy typically tags his streams. There is no clear explanation as to what this could mean, but the possibilities are:
It is hinting that the death system in the Dream SMP could be rigged, and someone is messing with the semantics of death and how it works.
It is hinting that someone will face a permanent death, and most fingers are pointed at Fundy as this is his stream. If not a permanent death, he might at least lose one of his canon lives which was hinted later on in the stream (will discuss later).
It is hinting that he was killed by the end of the dream. Not really a solid theory as we don’t actually know the repercussions of killing someone who is actively dreaming, but it is a possibility.
iii. PROLOGUE
A thing to question at the beginning of the stream is if the entire introduction was part of the dream or not. Seeing how Fundy has the same inventory from this to the next scene, it is plausible, but I don’t think it provides anything if it were a dream. 
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Anyway, other things to denote are Fundy’s hotbar! First noticeable thing would be the 38 baked potatoes. The website angelnumber.org explains that 38 means:
“The combination of these two numbers makes the number 38 a number which signifies joy and optimism, courage, finding creative ways to materialize abundance, reality, etc.
The essence of the number 38 in numerology are different kind of relationships, such as romantic ones, business partnerships, teamwork, cooperation, diplomacy, etc.
Number 38 people have a talent for dealing with people in a caring and creative way. They are born team-workers. They need interaction with other people to fully enjoy their lives. They are usually optimistic and have a gift of inspiring others to action.”
So far, the number 38 is viewed to be positive. It signifies financial success and cooperativeness, which is interesting if Fundy’s future arc potentially ties to working with Quackity. To further add onto symbolisms regarding success, dreamastromeanings.com says the following:
“If you dreamed of baking or roasting potatoes, that dream is a good sign. It usually indicates your finances increasing over time.
Possibly you have made some investments and now you are beginning to reap the fruits of your efforts and risky activities.”
or,
“If you dreamed of holding a potato in your hand, that dream is a bit of a warning. You might soon receive some lucrative opportunity, possibly work related.
It is advisable to think fast and accept it because you might not get a second chance.
It could also indicate that you are a bit lazy when it comes to taking chances and missing opportunities because of that.”
Both explanations refer to business opportunities and possible investments. If we combine both the explanation for the number 38 and carrying potatoes, we can assume that Fundy will be receiving a business opportunity that would be too good to miss. These explanations also imply that nothing too negative would occur, but instead, Fundy can achieve success through this business opportunity. The only arcs in the Dream SMP which I think could provide a business opportunity would either be 1.) a new warden at the prison, 2.) new member at Snowchester (low odds), but the most likely occurrence would be 3.) Quackity offers him a position at Las Nevadas. With the Quackity smiley face at the end of Fundy’s stream, we can safely believe that the job opportunity at Las Nevadas would be the most likely occurrence.
Another explanation for this is that because the 38 potatoes were brought from the seemingly real world, it could possibly pertain to something that had already happened in the past. This could possibly allude to L’Manberg, especially when the explanations behind 38 potatoes are presented to be more positive, something the current Las Nevadas arc isn’t.
Second thing to notice about the hotbar: Fundy is currently at level 5, with his EXP bar 1/18 filled. To reach level 5, one has to gain 55 EXP, and to reach level 6, one would need to gain an extra 17 EXP. If the bar is merely 1/18 filled, 1/18 of 17 would be 0.94, which when rounded off, is 1. Add 1 to the extra 55, and we would approximately get 56 EXP. The website angelnumber.org says the following:
“The number 56 symbolizes teamwork, coexistence, family, relationships, adventure and expression of freedom.
Number 56 people have diverse interests, some of which they have an in-depth knowledge of and some just general understanding.
They try different approaches in relationships, trying to keep them alive. If everything they’ve tried fails, they simply walk to another relationship.”
This could mean a lot of things. The second sentence could imply that Fundy doesn’t fully comprehend the complexity of his mind. Some parts, he may understand, some, he does not at all. This could imply that there are also more secrets hiding in his mind that we couldn’t get to see. The third sentence is more interesting as Fundy’s entire character arc involves him and his broken relationships with other people. It’s a quite accurate description of Fundy, describing how he desperately tries anything to make a relationship work, and if it fails, he could easily befriend other people even if there is a possibility that that relationship would fail like the previous. 
If we ignore the number of EXP, we can merely focus on the number 5, which means the following:
“When angels are sending you number 5, they want to encourage you to have hope and to be ready to accept all the changes that are coming. Also, if number 5 has appeared just at the moment when you have been thinking about something important in your life, this number could be the answer or the solution for your problems. You should pay attention to number 5 and think of its secret meanings.
If number 5 keeps appearing by your side, it means that changes are already happening in your life. If they have not happened yet, don’t worry. They are on the way and you will feel them in the next couple of days or weeks.”
This can be connected to both the EXP number and the stream as a whole as Fundy begins to accept the gravity of his abandonment issues instead of suppressing his negative feelings towards it. Throughout the stream, Fundy is shown rejecting the idea that he is being neglected by others, but by the second half of the stream, he rejects it less and less. This could be the change the explanation is referring to as Fundy realizing his negative feelings towards his abandonment issues are valid and he needs to take them more seriously rather than brushing them aside. 
With number symbolisms finally aside, we can begin analyzing the actual sequences! Fundy is seen to be approaching his “Not A Secret” Base with a sigh, asking chat if they can go to sleep so that he can go to sleep too. Fundy immediately doubts the possibility of the others in the server following through his request until Ranboo responds with a simple “okay” while Niki responds with “yiss, am asleep”. Fundy quickly flashes the members list on the screen, showing us that only Niki and Ranboo are online on the server before he showcases his new bed, claiming that he likes it.
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Two interesting notes about this: 1.) he decides to sleep, which is odd enough in the Dream SMP, and 2.) him having three new beds despite only using one of them. For the first point, I’d like to refer you to what Fundy said at around 26:08:
“I just gotta sleep and then, it’s gonna disappear! And then everyone is gonna appear out of a bush and they’re gonna be ‘Surprise!’, and I’m gonna be like, ‘You guys…! You’re always pranking me, you’ve always been there for me. Every single time… except sometimes… when I needed you the most.’ I just go to bed, I just go to bed, and none of this ever happened.”
While I understand that he is referring to the dream, I also believe that this statement would be one of those types I mentioned earlier that may have a double meaning. While “I just go to bed,” could refer to him wanting to sleep and wake up from this horrific dream, it could also refer to how he easily shuts down to his abandonment issues and goes to bed instead of handling it head first. Knowing this, him going to bed in the first scene could imply that he is in this type of  abandonment predicament, especially when we connect it to the second point. The color orange is meant to represent joy and warmth, and even without the symbolism, we all know orange is Fundy’s favorite color. He sees these three beds and says that he likes them, but I can’t help but feel like the other two beds are meant for two other people. I don’t think Niki and Ranboo being the only other two people on the server is coincidental; they have to relate to the two extra beds in some way.
Niki and Ranboo are two prime examples of close friends Fundy had before breaking off after a misunderstanding. Niki fought with Fundy after he had to burn the flag she made in order to gain Schlatt’s trust, while Fundy fought with Ranboo after Doomsday when they had conflicting beliefs about neutrality and sides. After both incidents, Fundy never really made his way to apologize, but Fundy has awkwardly met up with these two after a certain point. With Niki, he was forced to team with her at the beginning of the November 16th War, joking around with her and Eret, while for Ranboo, Fundy had to talk to him and Philza when they were joking around in the SMP. The meet ups definitely relieved some tension, but it never fully resolved the conflict Fundy had with both characters, so there was never a chance for him to rekindle the close bonds he had with both Ranboo and Niki in the past.
Fundy going to his favorite beds with two extra spots next to him could represent how he does cherish the friendships he shared with Niki and Ranboo, but never has the guts to actually bring back things the way that they were before. So, instead, Fundy sleeps, not wanting to think about them any further.
iv. FIRST DAY
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When he wakes, Fundy checks his inventory before exiting his base, saying “Uhm, I don’t actually-” until he cuts himself off once he spots the desert. I don’t actually know what Fundy was supposed to say here, but because he checked his inventory beforehand, I believe he was trying to say “I don’t actually know where my things are,” but I could be wrong. To be fair, this isn’t too important, so we don’t have to focus on that. What we can focus on is the misplaced desert that was obviously not there before Fundy slept. We can easily infer what deserts could symbolize in dreams, especially when it comes to loneliness and the feeling of being deserted, but for better insight, consider what dreamstop.com claims about deserts:
“A dream of a desert is about something that is devoid of any feelings or care for you. It is all about them and nothing about you. Does someone show you a lack of respect? Is there someone or something in your life you dislike and adds no meaning to your life? Do you feel invisible? That no-one cares about you? Deserts represent an empty, barren place you may be trying to fill.
Desert dreams may appear when a relationship or friendship breaks down, or when you feel totally alone. You may have moved recently and have not yet made friends. You may feel homesick for all you left behind.
Being lost in a desert refers to your feelings that a situation is hopeless. You may have a problem you feel no-one cares about, even though you tried to reach out. You may feel there was no support and are feeling hurt and alone.”
You don’t need much analyzing to connect these meanings to what Fundy is experiencing. The setting of a “desert” merely pads the idea of Fundy being incredibly lonely to the point of him believing that he has nothing left to lose. Back in Doomsday, he was an optimistic nihilist, claiming that he doesn’t care much about what occurs from this point onwards as long as he can have a little bit of fun. On the stream where he created the Cube, he claimed that most people hated him anyway, so the least he could do was to make himself so hateable so other people could unite together in their hatred of Fundy even if it meant Fundy would have no companions left. Let it be known: Fundy is incredibly, incredibly lonely, and he is miserable in his loneliness, especially when his self-worth depends on how much people recognize him.
Another thing this desert could be eluding to would be Las Nevadas as it is set in the desert. I do think the desert’s main purpose is to showcase Fundy’s loneliness, but the connection to Las Nevadas is plausible.
Additionally, the dark skies Fundy sees doesn’t really need much of an explanation either. I couldn’t find a website exactly defining what it means to find a dark sky, but most of them speak of it as a negative thing, often symbolizing something terrible to come. I don’t think I need to explain that part, so we’re moving on.
Fundy is, understandably, very confused about this entire predicament. He quickly moves around his base to figure out what is going on, even messaging in chat to see if anyone would respond. Climbing up the ladders, he stands atop his base, spotting the silhouette of the Camarvan from afar. He continues to be confused, claiming he has no idea why he’s here in the first place. He claims he is “freaking out”, continuing to ask questions about where he is, and why the sky turns dark. He denotes that he isn’t at least completely alone as bunnies swarm around the desert. He begins to follow this sandstone path, every few blocks or so passing a fence with a torch stood atop it.
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Here, we can infer that Fundy seems to have never seen this place before, or has no recollection of it entirely. Fundy doesn’t seem to be immensely freaked out just yet, especially since he hasn’t asked any questions about how no one is there, mostly focusing on his location and asking what the place is about.
Fundy then asks why the van is here, then zooms in on the nametags he sees at the back of the van. It is notable that something nametagged “Fundy” is shorter than another thing that is nametagged “WilburSoot”. Fundy tries to reach out for them but is unable to enter the van.
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We can easily infer that this scene was meant to represent Fundy’s childhood in L’Manberg when he was being taken care of by Wilbur. Despite the lack of silhouettes, we can easily determine that Fundy is young in this scene because of how his nametag is in a much lower position next to Wilbur's, implying that whoever owns that nametag is much shorter. We can denote that by the beginning of the L’Manbergian Revolutionary War, Fundy was, in fact, a child. 
Another question some of you might ask: why is the Camarvan here in the first place? While I believe it could be representative of the part of Fundy’s mind that tackles past memories, I do think it also serves another purpose which I will explain later.
Moving on to the next scenes, Fundy continues following the sandstone path while typing in chat, asking if anyone was actually there. He gets confused by the path for a moment, wanting to go to the ominous building, before realizing that the path does connect to the building, it just swerves a little to the left.
It is notable that when Fundy cried out for help, he doesn’t call for a name in specific-  he calls out for ANYONE. The fact that he is calling out for “anyone” could denote that he doesn’t have any close friends or family members he would want to specifically call out for. 
Continuing on, Fundy follows the path to the building, still very immensely confused about where he is. Opening the door, he sees that the inside descends into an underground room with its flooring made out of chiseled quartz blocks. Fundy gets scared at first, immediately closing the door, looking back in, and going back out once more.
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Fundy denotes that there is absolutely nothing out here as he walks around the building. He then gains the courage to descend the staircase, wondering what it is, and at the bottom, there are a lot of misplaced sandstone blocks with small lights illuminating at certain corners. The path leads to the left, showing 10 pieces of red carpet on the floor, and 8 pieces of yellow carpet on the table. He approaches the wooden table before looking to his right, spotting a skull on the floor next to a piece of redstone, which I believe is meant to resemble blood.
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I don’t think we really need to research a skull to check what it might represent, but my theory so far as to what the skulls mean in each building would be that it’s meant to represent Fundy losing a canon life. I don’t know if this was intentional, but the corner room where the skull is somewhat reminds me of the Final Control Room with the redstone in the middle representing the button. That is, after all, where Fundy lost his first canon life. 
One of the theories I subscribe to is that the skulls in these buildings are meant to foreshadow Fundy’s death before he ever reaches it. Earlier in the day, we saw Fundy pass by the Camarvan with a younger Fundy which could possibly imply that they haven’t gotten to Eret’s betrayal yet, but the skull creeping up at the corner could represent that it is, in fact, coming. How this ties in to the entire future predicting thing, I will explain later, but for now, keep an eye out on the skulls.
Terrified of the skull, Fundy opens the chest and hesitantly picks up the book and quill inside of it. He opens it and is introduced to another Fundy writing to himself. Other Fundy claims that they’re not exactly the same person, but this Fundy is a part of the real Fundy. Other Fundy claims that Fundy cannot trust this place as it is not real, then begins saying that Fundy himself is not real repeatedly. Fundy’s heart rate suddenly increases when he sees the words “wake up” appear slowly in the book, and after page 34 is shown, Fundy wakes up to a new day in the dream world. 
First thing to denote is that the book has 87 pages, and 87, according to affinitynumerology.com means as follows:
“The numerology number 87 is a number of family, organization, and prosperity.
It's also a number of harmony and idealism, the ideal generally related to a harmonious and prosperous family relationship.
87 has parental instincts. It assumes responsibility for the welfare of others it considers to be family.”
The explanation implies that Fundy longs for family and cares deeply for those who he considers as his family. As much as he hated Wilbur after he died, Fundy still continuously expressed how much he needed Wilbur to be there. He is absolutely attached to anyone who poses as a possible family member, especially to those who he views as parents or guardians. Even outside of Wilbur, he is still practically attached to Phil, even if Phil refuses to consider Fundy as family. Fundy also got immensely angered by Eret when she didn’t show up to sign his adoption papers. I’d even say his attachment to family would even reach people like Sally and Schlatt. Fundy has a tendency of casually talking about Sally, and whenever a character talks about eating salmon, Fundy becomes deeply offended. For Schlatt, Fundy kept Schlatt’s netherite sword after he died, considering it to be an “heirloom”, something that only gets passed down onto different generations of the same family. Fundy is incredibly attached to the sword, and whenever he loses it, he’s absolutely desperate to get it back. As much as Fundy gets abandoned, he still deeply appreciates a lot of his family.
87 is also very reminiscent of one of the books in the Inbetween. A lot of the phrasing in the books are actually quite similar to the Inbetween, but we aren’t sure if Fundy and the Inbetween are directly affecting each other or if these places merely work in similar ways. The main similarity between Fundy and the Inbetween is that it involves something related to time travelling, so the similarities could be pointing towards that rather than imply that Fundy is directly affecting the Inbetween all together.
Secondly, the book stops at Page 34. The website angelnumbers.org express the following:
"Most likely you are leaving your projects unfinished because of fear for their destiny after you finish them.
Will they be rejected or accepted by others?
Because you would rather not find out that and possibly have your ego hurt, you consciously or subconsciously sabotage your work and leave things unfinished.
When this number starts appearing in your life frequently, it is a reminder to acknowledge you have a problem and start dealing with it.”
This is very reminiscent of the paragraph I made earlier discussing Fundy’s relationship with Ranboo and Niki- and this could honestly apply to any other relationships Fundy has as well. Besides Fundy’s relationships, this explanation could apply to Fundy’s hesitance of finding out the truth of his mind. Earlier on in the streams, Fundy is immensely confused about the dream, not wanting to discover its truths at all. This eventually changes on the third day, but we’ll discuss that in a bit.
Another thing I’d like to discuss would be the identity of the book authors and why they wrote the books the way they did. I’ll explain about this more in-depth later, but I do believe that another Fundy is, indeed, writing these books. As this was set in Fundy’s mind, it’s quite impossible for anyone who isn’t Fundy to be meddling with the books. What we can denote, though, is the reason as to why these books were created in the first place. The book itself seems to be harmless at first, quite inviting towards Fundy in the first few pages, but once it had to introduce what this world is, it seemed to hesitate. There were a couple of disjointed pages, as well as blank pages, before it began claiming the world wasn’t real, and that Fundy wasn’t real. It turned a complete 180, which seemed to be very odd to me. In past events of the Dream SMP, derealizing statements like this tend to be tricks of the mind, but these statements seem to be intentionally put there by those who wrote the book, especially since later on, we see another book completely give up on saying these triggering statements, saying that “It’s not going to work.” (32:05). 
What this implies is that whoever placed these statements are attempting to scare Fundy in some way, possibly heightening his insecurities and terror so that he can be truly terrified of the place. The constant statements of “you are not real” may not only refer to the Other Fundy trying to make Fundy spiral downwards in derealization, but it might actually represent how neglected Fundy feels to the point of feeling invisible, to the point of feeling that he “isn’t real”. But why is this Other Fundy trying to scare Fundy, and who, specifically, is the person behind the writings, you might ask? This question will be answered later on when we go more in-depth with the other books, as the bigger picture is very much needed instead of explaining it all by the first book.
v. SECOND DAY
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Fundy wakes up in his base once more, evidently confused. We don’t really know why he wakes up in his base, and why the world changes every time he wakes up, but let’s just say this is all part of his dream to make sense out of it. This time, he sounds more broken, and definitely more unhinged. He calls out for any other member in the chat, telling them that whatever they’re doing is not funny. This is the first we see of Fundy believing that the others may actually just have been pulling a prank on him. He opens his chests frantically before venturing outside once more. He claims that he doesn’t believe the book, saying that this dream sequence feels pretty real to him. 
This time, Fundy puts a bigger emphasis on asking why he is alone, and why nobody seems to be here with him. Fundy seems to be more shaken up by the idea that he’s alone over the idea that he does not know anything about where he is at all. He approaches the van, and when he zooms in, he sees that Wilbur’s nametag disappeared. 
Transcript of this following scene:
“I knew you were there. No, no, no, no, no, no, no, no, no, no- you can’t fool me! No, I knew you were there Wil. You were there, right there! Where did you go? Are you being- he’s being funny. This is funny! This is great. Aw, this is amazing- it’s just a prank! It’s April Fools soon- that’s why! Oh, I’m just being pranked… right?”
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Now, this was… sad. This is one of the other statements that could have a double meaning. Fundy insisting that Wilbur is supposed to be there could not only be him comparing this day to the previous, but it could also imply his true feelings towards Wilbur, especially since he’s disappeared for a good portion of Fundy’s life. Fundy believes Wilbur is supposed to be there for him, but the reality is that he wasn’t. Instead of facing reality, Fundy concludes that all of this was a harmless joke instead of believing that Wilbur might have possibly left him.
Fundy attempts to enter the van once more, but his attempt doesn’t work. He then follows the path on the side directing to the ominous building only for him to realize that it has gotten closer.
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The building getting closer to the main base actually has a lot of symbolism behind it. The building itself stores a lot of secrets, especially when it comes to the truths about this world and the different insecurities Fundy has repressed. Those writing the books have laid out all these secrets in every single book found in this building. The fact that it’s underground is meant to represent that these secrets are meant to be hidden in the depths of Fundy’s mind, but the fact that the building is getting closer to the main base makes it feel like 1.) the stored secrets about this world that Fundy may have forgotten about might finally seep into his consciousness, making him aware of them next time he wakes up, and 2.) the insecurities Fundy repressed deep down are seeping out more and more as it reaches the main core. Once it’s there, Fundy won’t be able to reject the truth about his abandonment issues any longer.
Fundy nears the building, still quite nervous. He opens the door, and the layout of the inside seems to be slightly similar to the previous day, but there are small details here and there that are different. Instead of 10 red carpets, there are 6, and instead of 8 yellow carpets, there are 6. Additionally, the skull seems to be closer, this time directly next to the table.
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While the carpets were quite subtle, I do think it symbolizes a certain decrease of something. Red symbolizes the color for passion and love, while yellow is meant to represent happiness and positivity. Earlier, we saw that Wilbur disappeared from the Carmarvan, so the decrease of rugs for each color could represent Fundy’s love and happiness decreasing.
For the skull itself, I don’t know if I’m right, but this is what I infer from it: On the first day, we saw that Wilbur was still standing next to Fundy in the Camarvan as the first skull underground was still very far away. On the second day, when Wilbur was gone, the skull got closer, standing next to the table instead of it being far away. I theorize that if the skull is closer, then a canon death has already occurred in the time period the day wants to present. The first day presents a time where Wilbur was still taking care of Fundy, so Eret’s betrayal may not have happened yet, hence why the skull merely stayed hidden at the corner. On the second day, Wilbur has actively left Fundy, similar to the period after L’Manberg’s independence when Fundy had to partake in the Pet Wars alone. During that era, the betrayal has already happened, which is why I believe the skull is much closer this time. 
Continuing on, Fundy opens the book and begins reading. From this point onwards, I do want to go more in depth with each of the books, so I’ll put transcripts here and there with my thoughts added onto it after each transcript.
“Hi me!
Welcome back!
Yeahh, second time here? or third?
not entirely sure”
So, this is confirmation that this might not be the first time Fundy’s having dreams like this. A good question to ask is if the book was written a long time ago and has presented itself the same way it does right now, or if this book was written recently. I don’t think the stream gave a definitive answer, but it is something to keep in mind.
“Listen to me Fundy
and you should trust me because,
well you know why
There are two things you can do right now
Walk back to your base, jump in bed, fall asleep, and you will wake up as if nothing ever happened
Or you can keep reading…
And I will tell you what I know”
The book pauses for a bit then continues saying “You are not real” ten times, “You dont want to know the truth” fifteen times, and spams “WAKE UP” until the 38th page, a number we analyzed earlier because of the 38 baked potatoes. 
For the book itself, whoever is writing the book seems to be a bit hesitant when writing. It doesn’t seem to want to explain what this place truly is to Fundy, and as much as it clarifies that they are, indeed, Fundy, they never expound on how they were able to write these books and why Fundy should trust him. Other Fundy saying “you should trust me because, well you know why” is actually quite ominous, and I can only think of two reasons as to why they would say it: 1.) Other Fundy is implying that Fundy can trust him because he is, in fact, the same person, or 2.) Other Fundy is hinting that Fundy trusts too easily as seen with the people Fundy trusted in the real world.
Additionally, the Other Fundy seems to emphasize on the fact that they WANT Fundy to go to sleep and wake up in the overworld. They phrase it so that sleeping once more is the more logical option, while they basically scare Fundy with the other option, evident by his quickened heartbeat. The Other Fundy seems to know about the intricacies of this dream and its world, but seems to be very hesitant to tell Fundy about it. The continuous threats imply that the Other Fundy doesn’t want Fundy to know the truth at all.
Basically, this Other Fundy knows something, something our Fundy doesn’t know about, and wants to emphasize that it is something horrific. He will do whatever he can do so that he can stop Fundy from knowing the truth, even if it means he has to scare Fundy.
Additionally, to me, it feels like “WAKE UP” could possibly have two meanings. If the underground structure is meant to represent things that Fundy constantly represses to the back of his mind, not only would the secrets of his dream reside there, but his own repressed insecurities may reside there as well. The way Fundy treats the truth about his dreams is actually quite similar with the way he treats his insecurities- he tends to reject its existence and pretend that everything is normal. This dream isn’t just a dream, it’s an exploration of Fundy’s mind, and telling Fundy to “WAKE UP” doesn’t just refer to not knowing the truths about the dream, but it could also refer to Fundy not knowing the truths about his own insecurities hidden deep in the depths of his mind. 
vi. THIRD DAY
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Fundy wakes up, breathing heavily. He paces around his room before opening the door frantically, seeing that he is still stuck in a desert. He begins to laugh, repetitively telling himself that all of this is a “joke”. He continues questioning why he’s still in this dream, and when he opens the door, he sees the ominous structure observably closer to the base. He claims that he’s actually stressing out, and Fundy goes on a tangent about this dream and reveals a bit about his insecurities:
“They’re toying with me, they’re toying with me. They’re actually- everyone is toying with me- they are ALWAYS TOYING WITH ME. Everyone is! I’m always being played with. Why? Why always me- no! Why does it always have to be me? Every single time. I don’t wanna- (sigh). I don’t wanna keep dealing with this- I just wanna- no- do I just… Do I just… Do I just go up here and listen to- wai- okay. The book said I have two options: I can wait here until it’s night time. Wait until the sun sets and I can go to sleep, and when I go to sleep and wake up, none of this is real. None of this is gonna- it’s gonna disappear. None of this is real, none of this is real, none… It’s not real, it’s not real, I am currently not real, this is no- how is this possible? How is this- wha- how did- how… None of this is real. I am not real. All I have to do is wait for midnight and just sleep, and all of this would end, right? All I have to do is… wait until night time and then… it’s all gonna be over, it’s all gonna be done. 
I just gotta sleep, and then, it’s gonna disappear. And then everyone is gonna appear out of a bush and they’re gonna be ‘Surprise!’ and I’m gonna be like, ‘You guys! You’re always pranking me… you’ve always been there for me (sniffs). Every single time… except sometimes… when I needed you the most. I just go to bed… I just go to bed, and then I wake up, and none of this ever happened. And we’re gonna go back to my old life where I have fun and join parties and join groups and only see them disappear in front of my eyes as I start to get attached to them. Y-yeah, that’s- that’s- that’s the choice I’m making. Go back to that... (sigh). Just… or you know…”
LOTS to unpack here, and I’ll go one by one explaining certain aspects of this because it’s not just something that showcases Fundy’s insecurities.
Firstly, interesting how Fundy believed that the book was toying with him like how a lot of other people do. That’s what makes him afraid of the book- the feeling of being pushed around. The book is actively trying to use Fundy’s insecurities against him in order to make him more and more afraid of the truth. This is interesting because Fundy is known to be ignorant towards his actual issues (just look at his monologue), but the Other Fundy seems to be acutely aware of them. I will explain why he is aware of them later on.
Secondly, this is the most observable point, Fundy seems to be aware that he is quite frankly, alone, but tends to ignore it. He copes with his abandonment issues by treating his abandonment like a joke. He believes that every single person who’s left him did it as a prank. Even if he laughs at this idea, he is also evidently hurt by it. It hits even harder when you realize that Fundy is quite the dependent character, often sucking up to any person who gives him recognition. If Fundy depends on others to dictate his self-worth, how do you think he thinks of himself right now when he literally has nobody?
Putting emphasis on Fundy’s loneliness is going to be interesting because I do think some characters in future arcs are going to exploit that. If Quackity is going to use and manipulate Fundy the same way Sam does, then there would be no doubt that he will use Fundy’s loneliness against him. Even if it’s not Quackity who approaches Fundy first- even Bad, Sam, Dream, anyone, really, could use Fundy’s loneliness against him, which will make for an interesting plot point.
Lastly, not a lot of people spotted this, but this monologue also gives us insight as to why Fundy continued looking for the truth about his dreams instead of staying in his base and waiting for night. When talking about what to look forward to once he wakes up, he talks about how much “fun” he is going to have. Slowly, you see his denial start to dwindle as he finally admits that people leave him just as he gets attached to them. As much as Fundy wanted to wake up from this horrific dream, he realizes that, once he wakes up, he has nothing to look forward to either. That’s why he hesitates when he says “Yeah, that’s the choice I’m making,” because he realizes waking up isn’t as ideal as it seems. This is why Fundy immediately goes outside afterwards with no hesitation- Fundy has nothing left to lose, hence why he chooses to venture forth. Fundy is driven to do things because he feels like his life is purposeless anyway.
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Fundy then begins to head outside quietly, zooming into the ominous building while walking right towards it. He then detours for a moment, walking towards the right of the building, and approaches a giant crater filled with obsidian and blackstone.
The explosion could symbolize two things:
Any of the L’Manberg explosions. With the obsidian and blackstone combination, my guess is that this is either the first Doomsday event (L’Manbergian War of Independence) because of L’Manberg’s walls, or the November 16th War because of Schlatt’s Podium. Why the big amount of blackstone and obsidian? Well, I’m not so sure when it comes to L’Manberg as its walls didn’t have obsidian, but for the November 16th war, I do think that the abundance of blackstone and obsidian is meant to represent how Fundy is reducing the November 16th war to Schlatt’s Podium. This can be alarming as he was the one who made Schlatt’s Podium, so reducing the war to that one building might symbolize that he blames himself for the war.
Another theory, which is the theory I subscribe to more, is that this is actually depicting an event in the future that we haven’t seen yet. Namely, the prison. If you zoom in on the explosion, the block pattern is quite reminiscent of the block pattern present in the prison.
While I’ll mostly discuss Fundy’s future predicting powers later, I do think that there’s a possibility that Fundy saw a vision of the future, unlike the past two days where he saw visions of the past. The prison might possibly be nuked in the future.
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Fundy then proceeds to walk back towards the building, repetitively saying “no”. He claims he needs to find out, sounding more determined than before. For this, even if the explosion could represent many things, I do think Fundy is generally reminded of the explosions he had to witness throughout the history of the Dream SMP. Perhaps he believes that finding out the truth could prevent more explosions from occurring, perhaps he figured out that this was the prison and he needed to know why it exploded, perhaps him walking away from something that’s reminiscent of real life represents his choice of wanting to learn more about his dreams rather than sticking to anything similar to real life. 
Moving on, Fundy enters the building, saying he wants to know what’s going on. The underground room seems to have changed a bit, as the chiseled quartz floors changed into quartz bricks. The place also seems to be littered with end stone blocks and bricks. The place is much darker as well, and the carpets on the floor and table seem to be gone entirely. Two skulls can be observed near the table.
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My brain actually can’t reason as to why the end blocks were there, or why the quartz blocks changed. My guess is that the end stones will eventually connect to a future plot point relating to the End, but again, I’m not sure. The carpets being gone could represent that the love and happiness (red and yellow) that Fundy had disappeared completely. The dishevelled state of the room could represent that the secrets being held inside this underground room are finally breaking free as its confines tear down more and more. 
Now the skulls- if we go by the theory I presented earlier, then the skulls are meant to represent canon deaths. If the skull was tucked into the corner, then that means death is to come, but if it’s near the table, then I believe the canon death already occurred. If two skulls are next to the table, then it could imply that whatever time period the day is set in should be around the time Fundy loses a second canon death, which hasn’t occurred yet. Again, this is all speculation, so I might be overthinking, but if the explosion is meant to represent the prison getting nuked, then there’s a possibility Fundy would lose a canon life before the prison gets destroyed.
Now, onto the juicy bit: the book. The book reads as follows:
“Hi. again.
...Why are we so persistent
...Why are we so stubborn
...You have been here before, but you keep coming back
...Why?
WHY???
You dont want to know the truth
It will hurt you
I dont want to be hurt again
YOU dont want to be hurt again
I KNOW WHAT YOU WANT
PLEASE JUST LEAVE
GO TO BED
FALL ASLEEP
ENJOY YOUR LIFE
ENJOY THE FUN THINGS
THE TRUTH ISNT WHAT YOU WANT
PLEASE
STOP THIS
STOP!!!”
The book tries scaring Fundy by spamming “WAKE UP” across multiple pages.
“It’s not going to work, huh..
Listen to me Fundy…
Your mind is not safe…
You are not imagining this…
This place might not be real…
But he is.
Spare yourself.
I need you to listen carefully.
Do not join him.
Whatever he asks of you.
Do NOT join him.
his plans aren’t as nice as they sound.
his intentions aren’t what you think they are.
he will use you
he will destroy you
everything you ever loved
everyone you ever cared about
do not join him.”
Before I explain this book, I think it’s best to also note down what was said in the next book as well so I can better explain what’s going on.
“note to self
hello
I just wrote this book to remember who I am
To remember what is happening
All the books I just found are indeed written by me
Listen to yourself
You suffer from a very odd illness
You suffer from a form of insomnia, within your own dreams.
Now the effects of this aren’t really known, and even I don’t fully know what is going on.
but let me tell you
somehow, this world, these actions and events, are linked to reality.
things that happen in these so-called “dreams”, tend to leak into the real world
they will actually happen.
you might wonder how exactly this is a bad thing.
the ability to predict certain events from happening, sounds pretty cool.”
Fundy then stops reading the book, seemingly overwhelmed by the influx of information. Analysis time, boys, time to unpack what this all means.
Firstly, I believe that this dream has happened before. Multiple times, actually. If certain “events” in the dream are meant to predict the future, then the moments involving the Camarvan on the first two days could imply that Fundy has seen this place before during the L’Manberg era where he could’ve predicted Eret’s betrayal and the loss of his father. If we think about it, the books could honestly be given to Fundy at any time period and it would work. Look at the entire section of the book describing someone who Fundy can’t trust- this “him” person could honestly be… anyone who abandoned Fundy? If the book hints at someone who might possibly hurt and use Fundy, then Eret, Wilbur, Schlatt, and Dream could also be considered. These people were nice to Fundy at first before betraying him one way or another. There is a possibility that this dream has warned Fundy about these people in the past, only for Fundy to forget about the dream. What about this time though, who is this “him” that’s going to betray Fundy during this time period? Well, the easy answer would be Quackity, but Bad could be a possibility as well. With the hint towards Quackity at the end, I do believe that Quackity would be the main suspect, but it’s also good to keep an open mind as we don’t know much of who Fundy’s involved with in Season 3.
Now, why would Fundy be able to forget about the dreams, though? I do think that whoever is responsible for writing the books are doing their best to prevent Fundy from uncovering the truth. Who do I think are the book authors? Well, I don’t think they were lying when they said that they were Fundy. I believe that, just like the Dream voice in Ranboo’s head, the Fundy that writes books would be some sort of conscience or subconscious in Fundy’s mind. This part of the mind holds certain memories repressed by Fundy, as well as some of the insecurities he chooses to ignore. They are aware of all of Fundy’s past visits of this dream, and they know the dangers of it, which is why they want Fundy to not uncover the truth. 
The signed book claims that whatever Fundy sees in the dream will seep out into reality. Knowing this, I believe Fundy’s subconscious is trying to prevent Fundy from seeking out the truth to prevent these future visions from happening in real life; this especially applies to events that involve Fundy possibly being hurt. There is a possibility that this Fundy has seen past Fundy’s discover events like the Camarvan and the loss of Wilbur occur in dreams way past before it occurred in real life, so they feel afraid that our Fundy would uncover more and more truths that would become reality. While we don’t know if Other Fundy’s beliefs on future predicting is true, this gives us a better understanding of why they want Fundy to go to bed and wake up. (Additionally, the Other Fundy has placed emphasis on saying that the truth may hurt Fundy, so there is a possibility that these future events might involve something that heightens Fundy’s insecurities more. That’s why this Fundy seems to be so aware of Fundy’s insecurities- they have witnessed Fundy’s insecurities being used against him in certain visions.)
For the memory thing, so far, I believe a part of Fundy’s mind is actively suppressing all the memories Fundy has of his dreams. Fundy already represses a lot of his insecurities, so using Fundy’s insecurities against him might actually enable them to keep Fundy’s memories about the dream locked in the corners of his mind. The place where the book is kept in is underground, after all, but we do have to keep in mind that the building is getting closer and closer to Fundy’s main base. This could symbolize that Fundy will remember his dreams more once he wakes up.
So basically, so far, Fundy has dreamt this dream multiple times in the past, and during each dream, he witnesses an event in the future that could possibly happen in real life. Fundy’s subconscious, or possibly past versions of Fundy, are trying to warn future Fundy’s to not uncover too many truths about the dream as they believe this could possibly manifest terrible events to happen in real life. To get Fundy to go back to bed, they try scaring Fundy, using his insecurities against him, only this time, Fundy is a bit more disobedient because, again, he feels like he has nothing left to lose. 
Another theory I have which I’m not 100% sure about is that this Other Fundy, as much as it has good intentions, may have committed a mistake when they tried to get Fundy to bed by using his insecurities. If anything in the dream may happen in real life, them heightening Fundy’s insecurities might pass over to the real world as well. While scaring Fundy could prevent him from uncovering the truth, it might’ve also been a double-edged sword as Fundy is more aware of his insecurities more than ever.
Continuing on, Fundy decided to leave the building, seeing that it’s night time. He sounds relieved knowing that he can sleep and that he can wake up from this dream. He celebrates for a moment, throwing the book away, but then he hesitates, saying he wants to know the truth. He picks the book up again but doesn’t read it immediately, claiming that he could just sleep instead of knowing the truth.
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Fundy seems to revel in the idea of waking up for a bit until he mentions how much of a “blast” he can have with everyone once he wakes up. After mentioning this, he immediately picks up the book with no hesitation. This is the second time Fundy is shown to be motivated in finding the truth about his dreams because of him realizing how unfun the real world is. Again, Fundy is seen to be motivated by the fact that he has nothing left to lose, and as much as he is scared of this dream, he seems to prefer finding this world’s truth over going back into the real world where he’s practically alone.
Moving on, the book continues:
“however…
while this might be the case of dreams…
this is also the case for nightmares…
this is your last warning Fundy
please… for the both of us…
just wake up”
This part of the book simply affirms all I’ve theorized about earlier. The Other Fundy hints that some events that Fundy might witness in his dream would be detrimental to Fundy, which is why he doesn’t want Fundy to continue exploring. He knows that Fundy will possibly manifest an event that will ruin him in real life, so he wants Fundy to sleep instead of accidentally manifesting his demise.
vii. FOURTH DAY
Fundy then wakes up once more, complaining that this dream never ends. He goes outside, seeing a black, hooded figure slowly turn around and chase him. With a quickened heartbeat, he runs up his stairs to sleep in a black bed placed on the roof. Fundy screams as we see the hooded figure approach, and the screen fades to black. A white smiley face reminiscent of the one on Quackity’s skin appears on the screen as casino slots sound effects play in the background.
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Now, what do I make of this? Well, firstly, we gotta point out that his bed at the end looked EERILY similar to a gravestone. A lot of websites claim that sleeping in a gravestone or seeing a gravestone could indicate change, especially when it comes to overcoming one’s sadness or problems. In a literal sense, we can think of it as something foreshadowing a future canon death, especially if we think that the person chasing Fundy is the grim reaper.
Speaking of that person, I do have a couple of explanations as to who this person is:
The person is death themselves, the grim reaper. This is the common conclusion everyone believes in, especially when we consider this “him” person possibly hurting Fundy, and that second skull in the underground room. Quackity is the main culprit for now, especially with that smiley face in the end, but there could be other possibilities! Like, what if someone takes Fundy’s canon life before he joins Quackity, which is why the smiley face only popped up after Fundy’s dream death? Mayhaps someone affiliated with Quackity might be doing the dirty work for him, so Bad, Sam, Dream, and anyone, really, could be responsible for Fundy’s future canon death. Moreover, the fact that this death occurs affirms the beliefs of the Other Fundy. The Other Fundy merely wants Fundy to be safe from possibly manifesting his demise in real life, but Fundy’s curiosity got the best of him, and in the next sequence, he was killed, proving that the Other Fundy was right in saying that Fundy should’ve just slept.
A theory I made up which I’m not 100% sure of is that this figure is actually Fundy’s subconscious trying to get him to sleep. When Fundy was being chased, we heard a quickened heartbeat, and where was the only other time we heard that? When Fundy was reading the “WAKE UP” and “you’re not real” messages from those books. We can view this as the Other Fundy’s attempt in trying to get Fundy to actually sleep by using another scare tactic against Fundy. And well… it did work! Because Fundy was afraid of this figure, Fundy went to sleep. There is also a possibility that this occurrence is what makes Fundy forget about the dream because his subconscious got a hold of Fundy and forcibly made him forget, but I’m not 100% sure about that one yet.
Lastly, the face! That should already allude to Fundy possibly joining Quackity’s lore, and with the “38 potatoes” symbolizing business opportunities, I expect Fundy to be joining Las Nevadas as a possible employee. Quackity does, in fact, prey on people who are insecure, and can easily get them to do whatever he wants because of his words. If he can get Sam to give him the tools needed to torture Dream, Quackity might exploit Fundy’s loneliness into making him do whatever Quackity wants from him. 
Another face that this could possibly connect to is the face in the Egg lair! While I’m leaning more towards Quackity because of the casino sounds, I do wanna say that the Egg and the Eggpire could possibly be connected as well, especially when the Egg could provide Fundy anything he wants. Just like how Quackity could prey on Fundy’s insecurities, the Egg preys on those who feel like they’re missing something, so as much as Fundy could be manipulated by Quackity, he could also be manipulated by the Egg. Additionally, business opportunities could apply to the Eggpire as well as they’ve contacted Purpled in the past to assassinate Puffy, so who’s to say they won’t try adding Fundy to the Eggpire?
TLDR; This entire stream showcased both Fundy’s insecurities and Fundy’s future predicting powers and how this “Other Fundy”, aka his subconscious, wants him to repress them because they believe that if Fundy uncovers the secrets of his dream more, then Fundy would accidentally manifest his demise in real life. Additionally, Fundy is very lonely, making him vulnerable of being used in the future because he is desperate to get any type of recognition from anybody. In summary, be afraid of Fundy’s future lore streams, be very afraid.
viii. ADDITIONAL NOTES
Even when I finish this, there’s a lot of questions to ask about this stream that I want you to keep in mind:
How many times has Fundy encountered this before?
How does Fundy forget all the information he got from the dreams?
How does Fundy write to himself?
Why is there so many details connected to Karl, and what does it have to do with time travelling?
Why does Fundy return to his bed every time his heartbeat quickens when reading a book?
Was the first scene part of the dream or not?
Could the underground room’s structure actually mean something?
And there’s probably more, but just saying, keep an open mind about this entire stream because there’s definitely a lot more to uncover.
I want to reiterate: I am not the Messiah, so don’t take my word as the truth and the absolute truth. I’d love to hear your thoughts about Fundy’s stream as a lot of it could be up for speculation! The entire thing is filled to the brim with symbolisms, so there could be a lot of interpretations to consider. If you enjoyed this, feel free to like and retweet because I worked my ASS off with this one. 
Special thanks to the following:
Fundy and any of the Dream SMP members because that stream was INCREDIBLE. Go give them your love and support.
kingjem for always being there whenever I want to discuss any ideas I have about the Dream SMP. One of the smartest bitches I know, go follow them.
To all my betas who reviewed this document since I have a TON of grammar mistakes (thanks English): prismartist, bootsforthebootsgod, Finni_june (twt), ender-hyperfocuses-on-things, and Dngertosociety2 (twt)
And to all of you who like this post and would share it to other people! All support is appreciated. :D
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staticscreenwriting · 3 years
Text
LOVE LIKE THE MOVIES // BUCKY BARNES // 7
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SEVEN - SERENDIPITY
Trigger warning: Alcohol, food
Masterlist
Summary: This is a story of boy meets girl. The boy, Bucky Barnes, finds himself thrown into a world that seems so different from everything he’s ever known. The girl, (Y/N) knows entirely too much about rom-coms and is quite particular about the way she eats her popcorn. Bucky meets (Y/N) a few months after returning to NYC. He knows almost immediately that becoming her friend is inevitable. This is a story of boy meets girl. This is a story about love. (Bucky Barnes x female!Reader // a few spoilers for TFATWS)
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“Okay, that’s ridiculous!” Bucky mumbles around a spoonful of fruit loops.
“What is?”
“This,” he responds and points his now empty spoon accusingly at John Cusack. “This whole fate thing. The book, sure, might happen. But the dollar bill? Never!”
(Y/N) puts her empty bowl on the couch table, turning her body towards Bucky and sitting in a criss-cross style. “You telling me you don’t believe in fate and soulmates and that some people are destined to be together.”
“No,” Bucky retorts in a tone that implies it was a silly question to even ask him. “I am 106 years old. If those things were true you'd think I would've found my destined partner by now."
"Maybe you have" (Y/N) shrugs. "Maybe it's Leah. Have you called her anyway?"
Bucky looks down sheepishly into the colorful milk swirling through his bowl. "No."
“ What? Why not? “
“Because it hasn’t — oh I don't know. It just hasn’t felt right.”
He’d been debating on giving her a call many times, never actually going through with it. At first, it was for a fear of failure, rejection. Now though, Leah doesn’t cross his mind as much as before. His thoughts, he noticed recently, are occupied by another person. And it wouldn't be fair to Leah or himself to try and build something on shaky ground at best.
“ Dude, I’m educating you on romance and you are too afraid to call this girl? “
“ Educating me? You are forcing me to watch rom coms. “
“ Forcing you? “ (Y/N) gasps and dramatically slaps her hand to her chest right above where her heart is. “ Are you saying you’re not having fun? “
There’s a smirk on her face, tiny and barely there but he notices it anyway. He’s started noticing the small things. Like how her nose scrunches up when she smiles and how she twiddles with her fingers when she’s nervous.
“ If I didn’t have fun I wouldn’t be here. “ Bucky replies and bumps his leg against her knee. Truth be told, he’d be here anyway. Even if she’d make him watch the most boring movie in the entire world he’d stay right there with her. Sometimes the world doesn't seem so rough and ruthless when she’s there beside him. Sometimes he feels like he could genuinely be happy.
“ Good, “ (Y/N) responds and places a quick kiss on his cheek that very nearly gives him a heart attack. Soft touches are something she grants him every so often and while he is getting used to it, it’s still foreign. It’s something he enjoys quite a lot though.
“Anyway, soulmates finding their way back to each other despite all odds is such a rom-com stable. Like the kiss in the rain or the airport chase or the top-of-the-stairs-moment.”
“ The what ? “
(Y/N) scoffs at him as if she’s never been asked a more ridiculous question in her life.
“ The moment when the girl gets a makeover or she dresses up in some ballgown and her love interest waits at the bottom of the stairs for her and when he sees her he’s so enamored and enchanted by her and ideally there’s some cheesy 90s love song playing in the background. And she meets him at the bottom, walking in slow motion obviously, and they don’t kiss or anything but the looks they share are enough to let the audience know what they feel for one another.”
Her words are heavy with passion and longing and magic and for a second Bucky wishes, he could be the one to give her that moment.
“ But okay, grumpy. You go on not believing in soulmates. I’ll change your mind one day, trust me.”
He doesn’t doubt it for a second.
They sink back into their blissful calm as John Cusak and Kate Beckinsale reconnect on the ice rink in front of Rockefeller Center as an ocean of Christmas lights twinkles in the background.
“ I’ve never been ice skating there. Been living here for so many years now and that’s still something I’ve never done. “ (Y/N) pipes up, a longing swinging alone with her words. “ Have you? “
“ Mmmh. Used to take a lot of girls on dates there. “
“ Oh sorry, I forgot you were a big charmer back in the day. “
“ Saw the first-ever Christmas tree getting set up in 1933. '' he continues to say. Sometimes talking about the past makes him sad. It’s a time he will never be able to go back to. A man he will never be again.
But sometimes, like today, he’s able to recall little snippets of memories and remember how he felt in that exact moment. And those are worth all the pain that thinking about the future might bring.
“ That — is weird flex but actually really cool. “
Bucky doesn’t think of himself as cool. He’s a grumpy 106-year-old who is completely disillusioned with the world around him. If (Y/N) thinks so though, he’s not gonna try to change her mind.
She snuggles back into him, body leaning against the smooth vibranium arm. A part of him he never felt really belonged to himself. Something he had been given to kill, to defend, to fight. If something so dangerous can be a place of comfort to her, Maybe, he thinks, it’s not so bad after all. Maybe sometimes you just have to let go of the part and change your perspective of things.
For a while, they get lost in the movie, in the fictional love of two strangers. He remembers the romance novels his mothers used to read. The way she would get lost in them. Maybe to escape her own life for just a second and follow along with the stories and the people that seemed so much grander than her own existence as a housewife stuck in a life that seems too small to contain her in all her wonderful glory. His mother, Bucky always knew even at a young age, deserved more than she had been given. She was smart and funny and she loved her kids as much as a heart could love another. But her days were dull and her marriage was one of convenience more than anything. She had ideas, beautiful stories swirled around her head, and she’d tell them to him and his sister before she’d tuck them into bed. And yet that is where they stayed, in her mind and in her children's memories. She was never resentful though. She took things as they came and she made them beautiful.
He wonders sometimes, what would’ve come from her ideas if she had been given the chance to tell them to a bigger audience. She could’ve put those rom-coms to shame.
A knock on the front door startles (Y/N), making her get up from the couch and follow LAdy towards the entrance. There’s a definite lack of warmth where she used to be and Bucky feels himself missing her already.
“ It’s probably Robin, she left her favorite jacket here the other — mom? “
The air fills with a chaotic mix of several voices one speaking over the other while the charm on Lady’s collar underlines it all with a jingling sound like that of a small bell.
Before he can even think about how to react, (Y/N) steps back into the living room followed by two more people. A woman who looks like an older version of her and a man. They seem lost in conversation still, talking about their travel to NYC and the fact that the man, who Bucky assumes is (Y/N)’s father, refused to ask for directions.
That’s until their eyes fall on Bucky. The woman regards him with a gentle smile on her face, polite and warm as mothers usually are. The man though. There’s something in his eyes, in his demeanor, that changed once he set sight on Bucky and it doesn’t feel good. Bucky knows what it’s like to be recognized. People see him and then they see all the bodies left in his wake, all the blood on his hands, all the pain and the suffering and the —
“ Sergeant Barnes. “
They used to call him that in Wakanda, as a sign of respect, he believes. To make him realize that they do not see him as the thread he used to be but the man he once was. Other than that it’s been a long time since people referred to him as Sergeant Barnes. It’s a title he takes pride in, something he worked hard for. It also belongs to a man he isn’t anymore. Bucky isn’t sure he still earns it. Still owns it.
“ Uh — hello. “
“Dad, “ (Y/N) says and pushes past her parents to stand next to Bucky. Her hand rests on his arm as a sign of comfort and reassurance. He appreciates it very much. “ Mom. This is Bucky. “
“ I can’t believe it. “ her father exclaims, still not taking his eyes off of Bucky.
“ Dad. “
“ I can not believe it. I can’t believe you! “
There it is. Although Bucky has always been very aware that he wasn’t nearly worth (Y/N)’s time, having it thrown in his face hurts more than he likes to admit.
“ Dad … “
“ You know James Barnes, and you tell me nothing about it? (Y/N) I’ve — I’ve spent so much time researching this man revising all the information people before me have gathered and making sure his legacy and his place in Steve Rogers' life get acknowledged and now I’d have the chance to ask him personally and you — you keep it a secret from me? “
Wait … what ?
“ Bucky, “ (Y/N) says and looks up at him with her gorgeous eyes that never seem to fail at calming him down. “These are my parents and as you can tell, my dad’s a big fan of yours. “
The next few minutes are a chaos of handshakes and nice-to-meet-yous and hugs. Her mother hugs Bucky real tightly, the way mothers do when they know someone needs a hug. And she doesn’t flinch when she feels the metal arm. She just hugs him a little tighter.
“ Why are you guys here? “ (Y/N) asks as her father throws an arm around her shoulder
“ Well, you asked us to look after Lady while you’re gone. “ her mother replies as if it’s the obvious answer.
“ Yeah, but we don’t leave until Friday afternoon. It’s Thursday. “
“ That is truuuue. But dad and I thought we’d surprise you and take you out for a nice dinner since we won’t be spending Christmas together, we thought we could at least try to make up for it. “
(Y/N) shakes her head at her mother’s words. “ I told you guys, it’s not a big deal. You go enjoy your cruise. “
“ And we will but you’re our girl and we want to take you out for dinner. Give your old parents that much, will you” her father jokes and ruffles her hair as if she was just a little girl and maybe she is in that moment, wrapped in his arms.
“ I uh — Bucky and I had plans. “
“ What plans? “ her mother asks, eyebrows raised.
“ Watching movies. “
“ Oh, those aren’t plans. Go get dressed! “
“ And James will obviously come with us, “ her dad adds “ I am not done asking him questions. “
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It’s not December yet but the restaurant is already decked out in Christmas lights and tastefully placed sparkly ornaments. The soft lull of Christmas carols being played on a piano flows through the room and Bucky is thankful to discover that while so much has changed, many of those songs have stayed the same. Maybe things aren’t all different right now. Maybe the fundamental things have stayed the same. Like the feeling of being with your family sitting by the tree, singing songs that have been passed down from your parents to you.
(Y/N) sits next to him, lips painted the exact same shade of red as her slouchy knit sweater. She looks so cozy and comfortable and soft and if he’s being really honest with himself, all he wants to do is hold her tight and get lost in her warmth. But this is good, as good as it can ever get, really. Sitting next to her, across from her parents who have been nothing but kind to him. They’re eating good food, drinking delicious drinks and her parents are sharing funny and slightly embarrassing stories about (Y/N). This is the first time he’s meeting anyone’s parents as the man he is now. And even back in the 40s things weren’t this calm and easy. If you went to meet a woman’s parents you better came prepared. This feels nice. Like he gets to be part of a family for just a teeny tiny moment.
“ So, how long have you guys been together? “ her mother asks around a fork of tiramisu. While Bucky only looks at her with wide eyes, (Y/N) almost chokes on her wine.
“ Mom, we’re — not. We’re friends. “
“ Oh,” her mother replies, looking unconvinced as her eyes move back and forth between (Y/N) and Bucky “ I guess I must’ve read that wrong. Shame, you would make adorable babies. “
“ Mom!”
Bucky’s sure his cheeks are the same color as her sweater and her lips and her fingernails. A beautiful bright red. Like a Santa’s hat.
“ I know, babe. You’re an independent woman who makes her own decisions and if you decide not to have babies that’s alright with us. As long as you are happy, so are we. Lady makes for a wonderful substitute grandchild. Just sayin’ if you were to have babies with Bucky they would turn out really cute. “
“ Okay, how about we stop talking about my imaginary potential future children, huh? You go tell me more about work, dad. How about that? “
As her dad starts talking about some history classes he teaches and the students, Bucky notices the change in (Y/N)’s demeanor. Her laid-back ease is gone. She keeps fidgeting with her hair and the rings on her hand. Without really thinking about it, like his body is working on autopilot, Bucky reaches out and grabs her hand under the table. It’s still weird, touching soft skin with his metal hand without the intention of inflicting pain. It’s nice though. It’s wonderful.
She doesn’t let go for a long time.
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Restrooms in restaurants are places where time is slightly altered. You’re sheltered from the noises of the main room but they’re still faintly audible through the door. The clinking of glasses and cutlery, the laughter, and the voices as they flow together like waves in an ocean.
It feels like you get a break from the real world for just a moment. To catch yourself. To take a breath. To look at yourself in the mirror and decide your next steps as the music sounds from the overhead speakers in a duller version as if someone wrapped the lyrics in thick cotton padding.
(Y/N) washes her hands while looking at her reflection. Today’s a good day. It’s not going the way she has expected it but it’s a good day nonetheless. Bucky and her parents get along like a house on fire. It’s a nice feeling but it also makes her so acutely aware of all the what-ifs floating around her head and her heart. Would it feel like this if she and Bucky were more than friends? Would it feel this — right?
Before her mind can come up with an answer to her own question, the door to the restrooms swings open letting in a sliver of the noise outside. Her mother steps in and looks at her with that signature mom smile. Like she knows you better than you know yourself. And maybe that isn’t entirely wrong.
“ Your dad and I are going to take a cab to the hotel. We’ll come over to yours tomorrow before you leave. Is that okay? Bucky said he’d walk you home.”
Of course, he’d say that. He’s a gentleman. He’s Bucky.
“ Sure that’s fine. I’m glad you guys came a day early. I missed you. “
“ We missed you too, baby,” she responds and pulls (Y/N) into a hug.
“ Now tell me something,” she says and takes (Y/N)’s face in between her hands. “ You and Bucky. There’s something there. “
(Y/N) shakes free from her mother's touch and faces the mirror, leaning both hands against the marble sink. “ Mom, can you leave it. “
“ I see the way you guys look at each other. I — you haven’t been this happy in so long. He makes you happy. “
As she lifts her head and looks into her own eyes in the mirror, (Y/N) feels a flood of emotions wash over her. Emotions she’s tried so hard to suppress and others she wasn’t even aware were there in the first place. And it’s all comes crashing down pulling her under and spitting her back out.
“ So what if he makes me happy. We’re not gonna happen. I can not lose a friend and he can’t either. It would kill us both. “
“ Oh honey, “ she goes to pull (Y/N) into another hug but she just shakes her head in response.
“ No. No, mom. It’s okay. I’m okay with it being the way it is. “
“ Are you sure? “
Is she? (Y/N) looks back at herself. You think you know yourself and what you want and how you feel and then someone asks you, truthfully asks you if you’re sure. And you can only stare and wonder. Well, are you?
And sometimes it’s way easier to lie, to both the other person and yourself, than to really face your fears and your feelings and everything you do or don’t understand about yourself.
“ Yeah. I am sure. “
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It’s true. New York City never seems to fully go to sleep. There’s always a light on somewhere, guiding you through the dark, guiding you home.
It doesn’t fully go to sleep but it slows down. The air gets heavier, the noise gets quieter.
(Y/N) and Bucky slowly make their way through the familiar streets of their neighborhood as the city lights and the stars fight over who gets to shine more brightly upon them.
It’s a chilly evening, winter is truly just around the corner, and the air feels pregnant with the promise of snow and yet (Y/N) feels a warmth course through her that is unlike any other. A warmth that can only be brought on by being with your loved ones.
“ It’s a lovely night,” she says as her heels create a clip-clap sound against the pavement.
Bucky has his hands stuffed deep into the pockets of his jacket and his ever-present scowl decorates his face and yet, even Bucky can’t deny that it is a lovely night. One with so much potential. For — for lovers.
“ It really is.”
“ If life was a movie, “ (Y/N) says “ this would be when we realized that we're in love"
Bucky only raises his eyebrow at her, pushing her to elaborate. And maybe it’s a bit selfish. Maybe he just wants to hear her entertain the thought of them two as something more for just a little bit longer. Even if it’s just pretend.
“ We’d get a montage of some quirky dates that we didn’t realize were dates. Then the camera would pan down on us tonight, walking underneath the stars, the city lights glowing around us. There’d be some piano music in the background to set the mood. We’d have a deep talk about our fears or messed up childhoods or the meaning of life. And then you’d make me laugh and I’d accidentally hold your hand. You’d drop me off at my door, think about kissing my lips but then end up kissing my forehead. Once you leave I’d lean against my door, sink down to my floor, and grin like a fool because that’s the moment I realize I am in love with you and the audience would sigh in relief because they knew all along. “
“ That sounds nice,” Bucky replies, eyes staring into the distance as he tries to picture it all, safe it as a mental snapshot to go back to in quiet moments.
“ Yeah, well what a shame life is not a movie and we’re not in love. What a waste of a lovely night. “
“ Guess it’s perfect for a couple, huh? “ Bucky has to agree with her.
“ Mmmh. Or at least someone not in heels, “ (Y/N) jokes looking down at her shoes.
“ You want me to find a couple? Gift our night to them ? “ Bucky asks as they continue their journey down the Brooklyn streets.
“ Absolutely not, sir! “ (Y/N) responds and links her arm with his as she pulls him along. “ I like our night. I want to keep it for ourselves. “
And so they continue their walk home. Words that want to be said, that need to be said, hang heavy in the air, and yet they both decide to stay quiet and just enjoy the silence and comfort of their lovely little night.
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The door feels like mocking her as it comes into view, cutting their moment short, putting an end to this blissful night.
She doesn’t want it to end. Doesn’t want to go inside and quite literally close the door to all the possibilities this night seems to hold out to her. If she was just brave enough to reach out and grab them.
(Y/N) unlock the door and turns back around to face Bucky. Something seems to hang in the air right between them and that feeling only gets stronger as their eyes lock. For a moment all there is, is silence and an abundance of unspoken words. And a fear that comes with speaking them. Of messing something up. Of being vulnerable.
Bucky smiles at her then. She loves his smile. It’s so rare but it’s so beautiful to look at. It gives you the feeling of having done something right.
“ Thanks for today, “ he says as if there’s anything to thank her for.
“ For what? “
“ Letting me be a part of your family. Thought maybe you didn’t want your parents to know about me. Thanks for — not being ashamed of me or anything. “
“ Oh Bucky, “ she says and grabs his hand, “ You are my friend and I love you. I’d never be ashamed of you. If anything I’m a little embarrassed by the way my dad kept pestering you with questions. Uh — why are you looking at me like that. “
“ You love me? “ his voice comes out but a mere whisper and his eyes are wide in shock.
“ Yes. You’re my friend, I love you. Bucky when — when was the last time someone told you they love you? “ (Y/N) asks as her hand softly strokes the side of his face.
“ 1942 “
“ Well, guess I’ll have to keep reminding you then, make up for lost time. I love you, Bucky Barnes. “
She can’t even blink before she’s wrapped up in his arms. Despite what one would think, Bucky is always warm. Even the vibranium arm. Everything radiates warmth and comfort. She could stay here forever.
Slowly he pulls away, looks deep into her eyes, lowers his head, and places his lips against her forehead. “ I love you too. “
He smiles at her once more then leaves. And while she won't admit it to anyone, ever, (Y/N) goes inside, leans against her door, sinks to the floor, and doesn't even try to suppress the foolish smile spreading on her lips.
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Robin’s laughter fills the halls of the beautiful Inn where just tomorrow she’ll say I do.
“ This was your doing! You scheming little shit.” (Y/N) grumbles from the corner of her mouth as she slides up to Robin.
“ It wasn’t, “ the red-haired girl laughs “ but I wish it was. It’s hilarious.“
Redstone Lodge is a beautiful Inn located in upstate New York. It looks out onto a lake and is surrounded by lots and lots of Christmas trees all year round. It’s made of bricks and big wooden panels. Very rustic and yet cozy and elegant. In the yard, there’s a huge tent with a wooden floor and a see-through roof. That’s where the reception will be held tomorrow.
Redstone Lodge has 35 rooms all of which have been distributed to the various guests. They’re beautiful rooms with nice decor and comfortable beds. Well — a bed. One. Singular.
“ This is like some fanfiction trope, Robin. There is only one bed? “
“ Look," Robin says and pulls (Y/N) closer “ if you want to switch, find someone to switch with. I’m sure someone is willing to. But I’m just saying that if you two are friends, shouldn’t you be able to sleep in a bed together and not make it weird? “
She has a point and she knows it and she also knows that (Y/N) knows it.
Huffing a breath of annoyance (Y/N) grumbles an “okay fine” before letting Robin be taken hostage by yet another overly excited aunt and returns to Bucky’s side as he stands on the front steps looking out into the vast area. It really is a beautiful place to get married.
“ Hey so uh — bad news is that this is the only room they have so we’ll have to share a bed. Good news is they got some movies to take up to the room and I found some really dope rom-coms. “
“It's okay, don't worry. I promise I won't hog the blanket,” Bucky says and nods his head into the direction of the lake “ wanna take a walk? “
“ Sure. Yeah, why not. “
In all honesty (Y/N) isn’t the biggest fan of walking around the woods with no particular destination in mind and yet she can’t help but feel a sense of happiness fill her as she links her arm with Bucky’s once again.
She realized a while ago that she tends to gravitate towards his left side. It isn’t a conscious decision but maybe it’s a good one nonetheless.
Maybe it’ll show him that every part of him is worth loving, even the ones he doesn’t love himself.
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“ When was the last time you did something crazy? “
He doesn’t like the way those words sound tumbling from her lips. He does, however, like very much how her eyes sparkle in the light of the setting sun. Their walk had turned into a bit of a hike and by the time they’ve finally made it back to the lake, the sun is about to set. Everyone seems to have retreated back into the lodge, maybe to sit by the big cozy fireplace or up to their room with their several beds. More than one. plural.
Bucky doesn’t want to let go of their time together though. Not yet. Just a little bit longer. And if that means agreeing to one of her weird ideas, so be it.
"Uh well, I fought aliens a few months ago."
"Huh … well see that's not an answer I was prepared for I mean more like, when did you last do something stupid but fun?"
“Like dancing in the middle of a street or having a cake fight in a parking lot?”
“Yeah …. like that.”
She looks at him again with that mischief and that softness. Like a mix of all things that make you feel alive shine back at him from her eyes.
“Wanna go swimming?” (Y/N) asks and smirks at him.
“Now? It’s freezing.”
“ I know,” she replies and shrugs her shoulders “ and I know it’s silly and dumb and we’ll probably get sick but I kinda wanna do it anyway. Wait … can you get sick?”
“Huh?”
“Because of the serum.”
“You know, they didn’t exactly give me a manual when they injected it so — guess we’ll have to find out.”
“So you’re in?”
Bucky only nods his head in agreement. She doesn’t need to know that he’d agree to anything she suggests. Any little thing.
The woods around them are dark and thick and where they probably should be scary they are comforting now. They’re a shelter from the eyes of onlookers. A safe roof and walls to keep their little bubble safe and hold their moment tight and safe.
“Holy shit, it’s freezing!” (Y/N) hisses through clenched teeth as the water reaches up to her shoulders, the straps of her yellow bra the only colors shining through the dark night.
Don’t think about it. He has to tell himself. Don’t think about the fact that she’s only in her underwear. Don’t think about her soft skin and her smile and what her body feels like against yours. Don’t!
He doesn’t have to scold himself for too long before a cold splash of water hits him right in the face.
“Oh, you made a mistake” Bucky calls out to a laughing (Y/N) who tries her best to tread water and get as far away from him as possible but fails to do so, being wrapped up in his arms only seconds later.
For the next few minutes, they splash around like children at the neighborhood pool.
The cold of the night and the lake rattle their bones but neither of them seems to care as a familiar warmth wraps itself around their hearts.
It’s really fascinating how the little moments can become so meaningful. How one person can mean so much so quickly. How drastically your life can change just because of one single person and their kindness and their love.
“Oh-oh!” (Y/N) exclaims excitedly and lays little enthusiastic slaps on Bucky’s shoulder “let’s do the dirty dancing lift. You can lift me, right?”
“I have a vibranium arm…”
“Right. Yeah. Right.”
Bucky places his hands on her waist and pulls her a little closer, trying to ignore the incessant thumping of his heart that feels like it wants to break out of his chest. “Okay on 3.”
“One”
Her eyes look deep into his as if trying to search for something in them. Secrets. Hidden feelings. The truth.
“Two”
And when she smiles, almost shy, it seems for a second that she’s found whatever she’s been looking for. He hopes she likes the secret she uncovers. He hopes it doesn’t scare her off from loving him.
“Three”
In a swift motion, he lifts her up above his head, holding her strong and steady as drops of water, cold as ice, rain down on him while (Y/N) laughs and stretches out her arms.
“We did it! I’m flying, Jack!”
“What?”
“Nevermind.” She retorts and lets out another laugh. Yeah, maybe he’s freezing his ass off but to hear her laugh like that, makes it all worth it.
He doesn’t let her fall over like they do in the movie, instead, he grips her waist tighter, slowly and gently lowers her back into the water. And when she’s back right in front of him, chest against his, he should be letting go of her, but he doesn’t.
While his head keeps screaming at him to just let go, his heart tells him otherwise, makes him stay right there.
(Y/N)’s arms move across his chest and gently wrap themselves around his neck before her fingers start to delicately play with his hair.
He wonders if any person has ever felt the way he does in that moment. He wonders if maybe a poet or a writer or a musician has and if maybe they wrote a poem or a book or a song about it. Maybe that would help him understand. Maybe he could read it or listen to it and keep this moment captured in that piece of art forever. Because he fears that no memory can ever do justice to the way he feels when she moves closer.
When her hand cups his face when her nose nuzzles against his so gently as if she’s afraid he’ll pull away any second.
It’s just them and their wildly beating hearts and the woods providing them shelter and the water setting the scene and the stars shining down upon them.
It’s just them — until it isn’t.
“(Y/N), Bucky? You guys out there?” Robin's voice calls out into the night as her silhouette appears against the light coming from the porch of the Inn.
“Yes, it’s us. We’ll be right in.” (Y/N) calls back, having moved away slightly. The spell is broken and Bucky lifts his hand off of her, immediately missing the contact.
“It’s freezing, we should probably go inside.” She says and grants him a smile, though it doesn’t entirely reach her eyes and he can faintly see her shivering.
“Yeah let’s go. Get you warmed up.”
They don’t talk about their moment as they head inside and get swallowed by the group of people all hyped up with excitement for the coming day.
Bucky is sure though that as long as there are stars in the sky, he will not forget this moment however fleeting and insignificant it might seem.
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TAGLIST FORM (fill this out to be added)
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fandomblr · 4 years
Text
Let’s talk about racism in Tolkien’s Legendarium
Trigger warnings: racism, (obviously) anti-blackness, possible anti-black caricatures, racism towards Asian people.
I feel like something that I don’t see addressed in the Tolkien fandom are instances of racism in his work. Now, Tolkien himself was allegedly pretty anti-racist during both war and peacetime, BUT ultimately he was still a British white man that lived in the 1920’s and his writing does show some (although very possibly unintended) racism towards Black and brown people. Note that I am a pale Latino and thus I cannot speak for BIPOC, however, I will be using my readings from HoME (The Lays of Beleriand and The Shaping of Middle-Earth) to show very valid instances of where Tolkien’s racism has been argued for, and I’ll link some research about these criticisms. I strongly encourage BIPOC to add on or correct me on this post, since I do have have a lot of white privilege from being light-skinned.
The first instance of racism in Tolkien legendarium are the race of orcs. And before I go any further, let me show a passage from the Lay of Leithian (taken from The Lays of Beleriand) in which Beren, Finrod and his men are disguising themselves as orcs in order to pass through Angband:
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“They smeared their hands and faces fair with pigment black,” which shows us first of all that the color of the orcs skin is ultimately dark/black, at least of the orcs here in Angband during the first age. This also implies Blackface being done by Beren, Finrod and his men here, and while it was used as a survival tactic to pass through Angband without being killed/enthralled/tortured, it’s still pretty darn racist. Black people have also spoken about how orcs have been written (intentionally or unintentionally, we probably will never know) as anti-black caricatures, and this is one article discussing this by a Black person that I found eye-opening.
Another instance of the orcs being racist caricatures is in that in a private letter Tolkien describes them as “squat, broad, flat-nosed, sallow-skinned, with wide mouths and slant eyes: in fact degraded and repulsive versions of the (to Europeans) least lovely Mongol-types." Obviously, this is clearly racism towards Asian people, and journalists have even written about how orcs look like the worst depictions of the Japanese drawn by American and British illustrators during WW2. The same article above also speaks about the Haradrim and Easterlings in the LOTR movies clearly having inspiration from Eastern and non-Western cultures.
Next, another probably more well-known racist issue in The Silmarillion fandom is Maeglin, (Meglin here in HoME’s The Shaping of Middle Earth) who is described as ‘swart,’ aka meaning dark-skinned, and so was his father, Eöl:
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Obviously this is racist because Maeglin is CLEARLY a villain of color in this scenario, (he is the cause of the fall of Gondolin plus he basically tries to rape his cousin Idril and kill her child) in a world where other “good” characters are either described as white or whose race is simply not stated. If there were more EXPLICITLY elves of color in the Silm this wouldn’t be as much of a problem, but Maeglin here is one of the few elves (besides his father, who was clearly also a villain) whose skin color we know about, and what color is that? Swart, aka brown. What’s even worse is the fact that Eöl pretty much coerced Aredhel (who we can assume to be white since she’s known as the “White lady of the Noldor” and her skin was described as pale) into marrying him and having his child, which just perpetuates the racist stereotype of men of color being dangerous to white women. Tolkien, sweetie, this definitely reeks of racism.
Next are the men of the East of Beleriand, of who we get a pretty clear description of in The Annals of Beleriand from HoME The Shaping of Middle-Earth:
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Here these men aredescribed as having lots of body and facial hair (which is a trait that can be seen in people of color) and their skins are “sallow or dark.” This is probably the least incriminating piece of evidence on this post because as you can tell, not all the men of the East were evil. Bor and his sons specifically were not, and they were loyal to the Sons of Fëanor. However, Ulfang (Ulfand in HoME) betrays the Fëanorians and ultimately is responsible for the tragedy of the Nirnaeth. And even worse, Bor and his sons are even slain by him (although Ulfang did pay his treachery with his life) here in this version. And as a whole, the Easterlings are described as more being on Morgoth’s side than on the elves, and like I said earlier, they draw a lot of non-western inspiration that can identify them as people of color, especially from the cinematic trilogy. Although these men are ultimately supposed to earn redemption during the Dagor Dagorath (aka the end of time when Melkor comes back from the void and the last battle is fought) this doesn’t erase the fact that Tolkien chose to villanize an entire group of Eastern people who we can assume to be people of color. The fact that they are called men from the ‘East’ while Aman/Valinor/the Gray Havens are considered the ‘West’ just shows you how eurocentric Tolkien’s works are by themselves, but that’s another topic for a different post. At the end of the day, lots (if not most of) these men were men of color that were portrayed as treacherous, unfaithful and even “accursed” in the case of Uldor, Ulfang’s son. All traits which demonize people of color in Tolkien’s legendarium.
Now here is the question that’s worth all three silmarils: was Tolkien aware of his racism as he should have been as an allegedly “anti-racist” that was born in South Africa? I’m afraid I don’t know the answer to that, and as a person with white privilege I don’t think I’d be qualified to answer this question regardless. This is why again, I’m encouraging BIPOC Tolkien fans to come forward (as long as they want to and are comfortable of course, since this is a triggering topic) and share their criticisms on Tolkien and how he portrays race in his legendarium, add on to what I found and correct me if they think I added something wrong. The thing is, even if Tolkien was intentionally racist, the man died in 1973, and sadly Christopher passed away last January. So it’s up to us as the Tolkien fandom to not only recognize but also address and challenge these racist concepts in his work, and make sure we are creating an environment that’s safe for fans of color and marginalized ethnic groups like myself. One of the things I love about our fandom is the diversity in fanart, since I’ve seen lots of elves drawn as POC and I really want to keep seeing this, but we also have to take into consideration how racism plays into LOTR and all of Tolkien’s works so we can be mindful consumers of it.
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hotchley · 3 years
Text
balls fair in love and war
So... this is the fic inspired by the AU in this post. Umm... it's a shambles, I low-key hate parts of it, the ending is rushed, but we're going with it before my laptop dies </3
Ignore any and all medical inaccuracies. I did a bit of research, but a lot of it confused me, so... this is not an accurate representation of a concussion. Like seriously. Also ignore any ethical issues, they're just... it's fine. As usual no proofreading. Umm.... don't ask where Rossi is. I don't know.
Taglist (I guess? I don't actually have one, it's just for this lol): @eldrai @willlemonheadsupremacy @shmaptainhotchnersmain @sarcvstiel @unionjackpillow @katytheinspiredworkaholic (you said you would read it so... is that okay?)
A very big and grateful thank you to @aaron-hotchner187 for giving me a title!! And to everyone else that gave suggestions, you are also much loved <3
Also, the way Hotch acts as a teacher is inspired by the way I think @ellyhotchner will be when they become a teacher <3 and everyone go and tell @whump-town thank you because she: told me about penlights, gave me the easy tiger line and is just overall a good person.
Trigger Warnings: concussions, fear of brain hemorrhages, hospitals, self-blame
read on ao3!
Like most things that went wrong in Aaron Hotchner’s life, his current predicament could be blamed on Emily Prentiss. He would not hear otherwise. And he didn’t think he should be forced to hear otherwise, given he was the one sitting on a hospital bed in a thin gown that did nothing to keep him warm, whilst she got to sit outside with a cup of coffee.
She had, admittedly, looked absolutely horrified when the accident occured, and had spent the whole journey to the hospital apologising again and again. He’s pretty sure she offered up her first-born child to him at some point as a form of penance. As well as her apartment. And he definitely remembers hearing something about grading his papers for him.
So whilst he may not want to be anywhere near her offspring- especially if they’re like her- and whilst he may definitely not want her apartment- he doesn’t care what she says, it is haunted- he will be taking her up on that last offer. Did he feel suitably appeased by her squirming the whole time, and by the fact that she was the one that had to explain to the principal why there were two classes screaming, crying and a teacher on the floor?
Yes, but there was no harm in milking it.
If he’s being completely honest, he felt like he was taking advantage of a hospital bed. He was sure he was fine. Yes, it hurts to move his head and he feels dizzy, and he probably has all the symptoms of a minor concussion, but he just really doesn’t want to be in the hospital.
Besides, he needs to make sure the kids aren't traumatised. It can’t have been easy for them, watching him just fall to the ground and hit his head hard enough for there to be blood. Emily could be traumatised, he didn’t care. But their students? Absolutely not.
He sighs. He wants to hand in his resignation now. Going back is going to be so embarrassing.
“I don’t think you understand. He is my best friend, and if he doesn’t get this blanket, he will- Spencer, what will he do if he doesn’t get this blanket?” A voice says from outside.
Aaron closes his eyes. He wants the ground to swallow him up. Forget returning to school, the next few minutes of his life are going to be even more embarrassing than the time Emily tricked him into being part of the Christmas pantomime. Haley hadn’t been offended, thank goodness, but still. It took him three months to be able to meet her eyes.
“He’ll- he’ll- I can’t even say it, it’s just so upsetting,” Spencer lies.
“Ma’am, sir, if you would let me speak for two seconds. Miss Prentiss said that some of her colleagues would be coming with Mr Hotchner’s things. All I am asking for is proof of identity,” the floor receptionist says.
The apologies immediately start to pour from the mouth of Penelope Garcia, whilst Spencer Reid just takes out both their driver's licences. The receptionist clearly approves, because before Aaron knows what’s happening, he’s being embraced by someone who smells like roses, and his favourite blanket is being draped over him.
“Oh my goodness, you don’t know how grateful I am that you’re alive,” Penelope says.
Aaron gives her a slight smile. Penelope is one of his favourite people, despite all their differences. And he likes to think he’s one of her favourites. He wouldn’t be thinking wrong.
“Penelope, I’m fine. Seriously. This is just a precaution. I promise it isn’t that bad,” he says, even though the light is starting to hurt his eyes.
“Isn’t that bad? I saw you and Emily taking your classes outside, which was weird to begin with because you both have classes that don’t require being outside, what were you doing? And then, I’m watching because the class can be trusted to sketch without my guidance and I’m curious. But then I turn my back for three seconds to help someone, and everyone is screaming, and you’re on the floor, and there’s blood everywhere and- it was scary!” she says.
“I’m so sorry,” Aaron says, for lack of anything else to say.
“I don’t want you to be sorry! I want you to stop getting hurt!” Penelope exclaims, whacking him in the shoulder.
“I don’t want you to be sorry either. It was hilarious to watch, my students were in hysterics,” Spencer adds. Penelope glares.
Aaron isn’t surprised. Him and Spencer get on- they even have shared interests- but they also have some of the same classes. And as a result of the different subjects and ways they teach, it seems to them that it is impossible for their students to like them both.
“So, not that I don’t appreciate it, but why are you here?” He asks.
Spencer and Penelope glance at each other, and Hotch feels like he’s dealing with two students that have tried to set up two of his friends.
“Garcia. Reid,” he says. In the same tone he uses when dealing with two students that have tried to set up two of his friends.
“We thought that if we came, JJ wouldn’t, but uhh-” Spencer starts.
JJ bursts into the room before he can finish. “”Hotch! What happened? I mean, I’ve heard what happened because Strauss came and told me the basics, but still. Why were the two of you in the playground? Are you okay? Let me see that bump on your head. I also brought your lunch in case you were peckish.”
“Well basically-”
“Why does Emily look like she’s about to start crying?” Haley asks, entering.
Everyone but JJ turns and stares at her with a slight look of horror. Aaron slides down the bed slightly, hoping the blanket can cover the furious blush that he just knows stains his cheeks. Him and Haley went on a date once, after he asked her in a moment of impulsivity. It was the worst thing he’d ever done, for both of them.
“Oh come on guys, we’re professionals. JJ asked me to come because apparently, Aaron listens to me? I said he’s just too afraid of me to disobey. Which, I meant as a joke, but you do know that I don’t hate you right? Sure, the date was a disaster, but you do know we can still be friends?”
“I thought you didn’t want anything to do with me,” he confesses.
“That’s why I brought her with me. To prove you wrong,” JJ says. “But yes, why is Emily so upset?”
“Because I almost killed my best friend and traumatised our students and I’ve ruined his life and our careers and he can get me fired and press charges, but all I wanted to do was make him laugh, and this is the first place where I’ve felt appreciated, and I’m going to lose it all,” Emily sobs from outside.
“Can you bring her in?” He asks Penelope.
She obliges, and Hotch pats the area next to him. Emily sits beside him, wiping her eyes on the corner of the extra blanket they brought.
“You didn’t almost kill me, it’s a mild concussion at most. Our students have seen worse, and they will be fine. My life is not ruined because you will be doing my grading. I’m not going to get you fired or press charges, and you’re not about to lose any of this. Okay?”
“You always know what to say,” she says.
He ruffles her hair.
“Love you. Platonically,” he tells her.
She gives him a bright smile, and he can feel himself smiling back, less embarrassed about everything.
And then she starts laughing hysterically, and deliberately shoves him, causing him to almost fall out of the bed, only stopped by Haley and Dave each grabbing one of his arms and pushing him back up. Of course, Emily just looks at him like she hasn’t done anything wrong.
“I cannot believe you fell for that. As if I would ever be that upset. Honestly. Haley, maybe I should replace you as drama teacher!”
Haley raises an eyebrow. “Ah yes, because the last time you got others involved in theatre, it ended so well.”
Emily has nothing to say.
Aaron does. He turns and swears in French.
“Naughty boy. Don’t let anyone else hear you. Especially not my class, I told them what that meant after you said it when I stole your stapler and then told you I’d given it to Miss Brooks.”
He pales.
“Speaking of your classes, how did this happen?” Haley asks, clearly sensing the need for a change in topic.
Emily looks at Aaron.
“It was your fault!” he says.
“Well it was your idea!” she counters.
He sighs. “So what happened was…”
Hotch and Emily’s classrooms are next to each other. To Hotch, this is both a blessing and a curse. It means he could keep an eye on her. It also means he had to keep an eye on her. See, Emily isn't irresponsible, and she would never actually endanger her students, but sometimes, she leans towards danger.
How, when she teaches modern languages, is beyond Hotch, but regardless. Strauss had actually hired Emily, not just for her abilities, but because she believed someone needed to keep an eye on Hotch. How the times have changed.
Hotch is on break duty, and he can't see anyone from his class. Which is weird. He tries to keep their lives as stress-free as possible, and he was always willing to help anyone that needs it, but certain assessments could not be avoided. But still, he expects to see at least one of them outside, if only to get a few minutes of fresh air.
Emily smiles at him sympathetically before she walks into her classroom. It is like someone had thrown a bucket of cold water over him. Sympathy from Emily isn't comforting. Not when it was aimed at him. If anything, it just makes him more scared. The last time she had looked at him like that, he had explained how his date with Haley had gone from one disaster to another.
And then she laughed.
So he pushes the door open, stepping back in case something fell on him. It wouldn't have been the first time. But nothing does. So he steps into his classroom, expecting to see his eleventh grade literature class doing something suspicious.
They aren't, and suddenly he understands exactly why Emily had looked at him like that.
Because his class has never looked so upset or defeated. And his heart breaks for all of them. It has been a while since he was fifteen, but he wouldn't ever forget the feeling of helplessness that seemed to define his existence. Nor would he forget how everything felt like too much and not enough.
"What happened?" He asks them gently.
Violet, a quiet girl that always tells him what Miss Prentiss had said about him, burst into tears. One of her friends patted her back, but it's clear they didn't quite know what they were doing. Neither does Hotch, but goddammit, these are his kids. Nobody is going to hurt them.
"Hey, it's okay. Do you want to go somewhere else?" He asks her.
She shakes her head. "I just- I want all of this to be over, but then I don't because it means going to college and leaving here and having to grow up, but I just- I have no fucking idea what I'm doing and it's all too much."
He winces at the use of swear words, because he is still a teacher, but that also means he feels a sense of pride that she's able to voice what it is. Because now, he may not be able to fix the situation, but he can help.
"I know. That's okay. That's normal. And you'll work it out. You know, I almost became a lawyer."
She looks up, her eyes red, but starting to sparkle again. "A lawyer."
"Yep, I almost also applied to the FBI Academy. It was actually Miss Prentiss that talked me out of that one. Well, it wasn't really talking but the true story is a little too… inappropriate for school."
"I can't imagine you doing either of those. You'd get bored as a lawyer, and you would never smile as an FBI agent," Clarissa says.
Hotch blinks.
She shrugs like it's the most obvious thing in the world. And then she offers him a piece of candyfloss, which he rejects.
He checks his lesson plan. And then his planner. And then the calendar he keeps on his table. Emily always makes fun of him for being so organised, but Spencer admires it, and that makes him feel cool, so he focuses on that instead.
"I have a compromise. We don't need to do a lesson today, we have more than enough time to cover everything because we're already ahead. I let you do whatever you want for the remainder of the lesson- whether that's colouring or crying or dancing. But you have to do it outside. I didn't see any of you at break."
"Really?" Violet asks.
He nods. "Of course."
Everyone cheers, and grabs their bags, clearly ready to not use their brains for a bit. Aaron gives them the most warm smile he can manage, but he can't help the small surge of guilt that accompanies his lack of realisation.
As his class exits, happily chattering away to each other, Emily pokes her head out the door.
"Mr Hotch, what are you doing, and can I join?"
Immediately, all eyes are on him.
"Please?" Violet asks.
Clarissa pulls out the puppy eyes.
Thomas falls to his knees.
"Oh my god, yes fine, okay, just- everyone be quiet before Strauss finds out and shouts at me," he says.
Emily runs back inside, and soon, they're all just milling about and having fun on the playground. It's nice, both for the students, and the teachers, to have a bit of a break from the world, and to spend a few moments away from it all. Some of them are running around, playing a game of tag, some of them are simply sitting around, and a few are colouring.
"Do you still like playing catch?" Emily asks him.
"What?"
"Catch. Remember, you used to play it with Sean all the time when we were in college."
"I mean yeah, I would probably get involved, but I'm not quite sure-"
"Think fast!" She shouts, and she lobs a netball at him.
The last thing he thinks, moments before his head meets the ground with a large amount of force- enough for there to be a small amount of blood- is: how is it always her? Every single time he gets into a situation, it's her that causes it. That has to be statistically impossible. Maybe he should ask Spencer…
"So yeah! And now I'm here!" He shoves Emily, who has the audacity to look offended.
Penelope kisses his forehead. Haley laughs a little, but Reid just blinks like he can't quite believe how stupid his co-workers are.
"Well. From what I've heard, it was a pretty good shot," JJ comments.
Haley turns to her. "From everything we've just been told, that's what you choose to pick out?"
"I'm a gym teacher, can you really blame me?"
Emily mutters something.
"You were what?" Garcia asks.
"I was aiming for his leg," she repeats.
"Emily. I know you teach languages, not biology, but look at me. Head," Hotch says, pointing at the bump he's not going to cover up, "Leg." He points at his ankle.
"It's always lovely when people know their anatomy. Saves me a lot of time," a new voice says.
Hotch turns in the direction of it, ready to make a snarky comment, but whatever words he had thought of die on his lips as he suddenly feels like he's been transported into a medical drama full of unrealistically attractive protagonists.
Because the doctor who has just walked in is the most handsome man he has ever seen. His smile is easy and genuine, and his eyes seem to twinkle with mischief. And his arms, oh god his arms seem like the safest place to exist. Aaron can't help but wonder what it would be like to have those arms wrapped around him-
His cheeks warm. No.
"Hi, I'm Dr Morgan. But you can all call me Derek. I'm here for Aaron Hotchner. Who I am going to assume, is you," he says, looking straight at Hotch.
"I- yes. How did you know?"
Dr Morgan- Derek- somehow smiles even more. "Well, even though there are far too many people in here- did all of you somehow miss the two people at one time sign- you are the only one in a hospital bed wearing a hospital gown, so. I'm no profiler, but it was pretty easy."
If it's even possible, his cheeks flush more. But one word sticks out to him. "Wait, profiler?"
"You got me. Crime procedurals are my guilty pleasure. I always said that if I joined the FBI, I would become a profiler. Obviously, I went down a very different route."
"Obviously. Wait, too many people? Oh god, I'm so, so sorry, if you need them to leave, they can. In fact, I also feel a lot better, so if you would like me to also go, I really, it's no trouble."
Because he is an idiot- there really is no other justification for this- he tries to stand up. And he does. He also gets a few steps in before the world starts spinning and he almost loses his balance. Derek somehow moves fast enough to guide him back to the bed. Aaron tries and fails to ignore how warm he is.
"Thanks," he whispers, slightly breathless. And not just from almost hurting himself again.
"It's not a problem Aaron. Both things. Your friends can stay, we're just doing some simple checks," Derek says.
"Oh everyone calls him Hotch," Penelope says.
"Aaron is fine. Really." Because he likes Derek calling him Aaron. He wants Derek to call him Aaron.
And then he meets Emily's eyes and he realises his mistake. There's a common denominator that exists with everyone that he tells to call him Aaron, and he knows that she knows what it is. He's fucked.
"Okay then. Well, can you explain to me what happened?"
Aaron is mesmerised by Derek's eyes. So mesmerised that he forgets to answer. "Sorry, what?"
There's a flash of concern, replaced by a smile. "Can you tell me how you ended up here?"
"Oh yes. So, I'm a teacher- so is everyone here. And I- I was outside, with my- my students when Emily- that one there- she, look, it's a really mild concussion, can I just be discharged? I'm sure my students are very, uhh, very scared," he stutters. Why can he never function when he likes someone? It's mortifying.
"I'm sure it is, but you can't blame me for doing my job. I'm going to take your heart rate now, okay? The stethoscope will be cold, but it'll warm up eventually," Derek says.
Aaron nods, and barely flinches when it touches him. If anything, he's more concerned by how close Derek seems to be. Not in a malicious way, but he's always had this deeply irrational fear that if someone got too close to him, they'd be able to read his thoughts. Which would mean Derek can hear both the fact that he has a crush and that he has this fear.
Derek pulls away, and Aaron exhales.
"Your heart rate is unusually fast. Normally that wouldn't be too concerning, because we expect that when patients seem anxious, but you've seemed pretty calm, up till this moment," Derek says, noting how Aaron tenses.
"Is he going to be okay?" Penelope asks.
Derek turns to her. "Of course he is. He's in good hands."
Aaron needs to get his mind out the gutter before his cheeks explode. Or before Emily opens her mouth.
"Aaron, I know you think the concussion is mild, but this is still a requirement. I'm going to turn on this penlight, and I'm going to ask you to follow it with your eyes okay? Follow the light," Derek explains.
He nods, and Derek turns the penlight on. Aaron flinches at the brightness of it, then tenses in slight fear that his lovely doctor is going to be annoyed at him or call him difficult, or sigh and say he needs to stop acting like a child. It wouldn't be the first time,
But Derek doesn't do any of those things. He does something very different.
He places his hand on Aaron's thigh. "Easy tiger. I won't hurt you," he says.
Aaron melts. His eyes drop down to where Derek's hand is warming his skin. He thinks Derek says his name, but he's too busy having a crush to hear him. And then suddenly, his thigh is cold, but Derek is touching his shoulder and he should be shying away from the light being shone in his eyes. But he isn't because he's too busy looking at Derek and his beautiful eyes to even pay attention.
Rather late, he remembers that there is a reason for Derek to be looking at him the way he is, and he tries to follow the light. But the headache he's had since he came around is only getting worse, and the light isn't helping.
Derek isn't smiling anymore.
"Aaron. Be very honest with me. You've displayed difficulty with coordination, memory and speech. If I asked you whether or not you felt sick or nauseous, what would your answer be?"
Normally, he would just under exaggerate, but Derek seems to genuinely care. So he chooses to be honest.
"Yes?"
Derek's eyes widen. "Aaron, I don't want to alarm you, but I like to keep my patients informed. You're going to have a CT scan done immediately, and there's a chance you may be rushed into emergency surgery."
Everyone, including Emily, starts to panic, but Derek leaves the room to grab a nurse to help, and to tell someone else to make sure there's a clear room. Aaron isn't completely sure what's happening, but his head is killing him, so he lays down again. It only helps a small amount.
For Aaron, the CT scan isn't too bad. If he knew the reason it was being done, and that it wasn't a routine procedure, he would probably have spent the whole time panicking. But he doesn't, and so he sits there- well lies there- with a slight smile on his face. The migraine he's had has been getting worse, so keeping his eyes closed for such an extended period of time is actually quite enjoyable.
It is far less enjoyable for everyone that is upstairs, waiting to find out whether or not their friend has a brain hemorrhage. That's what Derek told them after Aaron was carted away, still seeming very out of it. They needed to test him for a brain bleed. And if he had one, then it would just be a case of waiting to see whether they could treat him. And even if they could treat him, it wasn't guaranteed that he would get back to normal.
Emily, in spite of all of her teasing comments, isn't coping. Because it's still early, the floor is relatively quiet, and Derek is technically on his lunch break, so he's sitting with them in an attempt to provide them with some sort of comfort. He's not sure where this emotional attachment to these random people has come from, but it's formed itself and now he's determined to provide some comfort.
"I really was aiming for his leg," Emily whispers.
"Hmm?" Derek asks, not quite following.
"When I threw the ball, I really was aiming for his leg. He had lost consciousness by this point, but I started crying when he hit the ground. He forgave me. He told me he loved me, platonically that is, and I laughed at him. He's going to die, and he isn't going to know how much he meant to me."
"He's not going to die. He may not even have a brain bleed. But if he does, we're going to save him, and you're going to be able to spend the rest of your life telling him how much he means to you. I promise," Derek says.
Even though there are tears in her eyes, Emily turns to him and smiles. "You're a good man, Dr Morgan."
"That's all I've ever wanted, Miss Prentiss. So thank you. It means a lot to me." And it does. He replays the moment as he goes over to Spencer and Penelope, who he feels a strange sense of protection over. Like he needs to protect them from everything, which is weird, because once Aaron is discharged, he'll probably never see them again.
That shouldn't make him sad, but it does.
"Mr Hotchner's CT scan came back normal. There's no sign of a brain bleed," the nurse tells them, what feels like a lifetime later.
There's a collective sigh of relief, and when he's wheeled back in, looking tired but alive, Emily throws her arms around her best friend, who lets out a soft sound of surprise. Like he's not quite used to the fact that people love him. Derek smiles. His patient will be in good hands when he gets discharged.
"Wait, so what caused all of those problems?" Spencer asks.
The nurse shrugs. "It's probably as simple as: his concussion was more severe than we initially thought, but not as bad as we feared."
"Oh."
"And on that note, Aaron, we're keeping you overnight for observation. It's just to be safe. We can't be too careful. You gave everyone a very big scare when you got sent out," Derek says.
Aaron cannot, and will not, confess. Does he feel guilty? Yes. But he can live with the guilt. He cannot live with the all-encompassing shame that will come with explaining that actually, the reason he was stuttering and failing the penlight test was because of a silly little crush.
"Okay," he says, determined to be as compliant as possible.
"One- and only one- of you is welcome to stay with him, if you'd like," Derek adds.
Haley's eyes light up. "I'll do it! Jessica can bring me my things, and maybe you'll be able to look at me after we've spent another night together. Only this time, nobody's getting pneumonia. I hope so, at least. You're not cold are you?"
Aaron shakes his head. "But you really don't need to stay. I'll be fine on my own. Seriously."
"I know, but I want to. Believe it or not, I do actually enjoy your company."
He smiles.
"We should all be getting a move on. Jason and Erin will want updates, and I have lots of marking," JJ says. She kisses Hotch on the forehead before walking to the door, smiling at Derek for looking after her friend so well.
Spencer waves from where he's standing and Penelope showers him with affection. Emily is the only one that seems hesitant to leave.
"Can I stay till visiting hours end?" She asks.
"Do you feel like you can keep up with these two lovely ladies Aaron?" Derek asks.
Aaron has never enjoyed the sound of his name as much as he does when it comes from the doctor. "I- sure," he stutters, and he just knows his cheeks are a stupid colour. Emily frowns, as though she finds something suspicious.
Derek smiles. "Good man. I'll be back in a few hours to run the same tests as before. For now, take it easy."
Derek doesn't come back a few hours later, because he has other patients. It's a different doctor, and Aaron is both relieved and disappointed. Because on the one hand, he's not going to create another medical crisis, on the other, he wants to see Derek again.
Maybe he can get Emily to knock him out again…
"Your heart rate seems completely normal. And you followed the penlight exceptionally well, so I believe we have nothing to fear. Of course, you'll stay overnight, and we'll run these tests once more before you're discharged tomorrow, but I think we're out of the woods now," they say.
Emily gasps, and Aaron knows he's screwed. Luckily, both the doctor and Haley seem to not have heard, and she leaves with the doctor, so Aaron doesn't have to know right at that moment whether his suspicions are correct.
"Night Hotchner," Haley says a few minutes later.
Hotch is already asleep.
The entire team comes and collects him from the hospital.
Aaron is just grateful they're sending him home with a pack of all the things he now needs to do, because he spent the whole lecture admiring how handsome Derek looks with sun shining down on him that he didn't take any of it in. It's also Derek's signature on the discharge papers. He's reminded of high school, when he and his friends would make fake marriage certificates. Not that he's going to do that.
"Bye Aaron. I don't want to see you here any time soon, okay?" Derek teases.
"I won't make any promises," he replies, just relieved he does it without stuttering or blushing.
Derek smiles, and the twinkle in his eyes seems even more mischievous. "Miss Prentiss," he says, spotting Emily.
"Dr Morgan," she responds. She's smirking.
When Aaron asks her what was going on, she doesn't answer. Haley says it's probably linked to the emotions of the previous day, and she's usually good at reading these situations, so he doesn't push any further. Besides, he's too busy catching up with the meetings he missed, and the antics of his students, because a lot happened in the three days he was off, to give it much thought.
Two weeks pass, and the incident is almost completely forgotten.
But then he walks back into his classroom, having just finished a meeting, and he finds flowers on his desk. Tulips. His favourite. He immediately pulls the note out, and when he opens it, he almost wonders if he's concussed it.
Because he knows that signature. He's been staring at it for fourteen days. It's Derek's.
"Surprise. Aaron," a voice says for the doorway.
"How- what- I- what?"
Derek Morgan, still in scrubs and a white coat, smiles at him. "Want to pick a question I can actually answer?"
"How did you- what are you doing here? And why?"
"Well, you should thank Emily. After the other doctor took your heart rate, she came and told me her suspicion. Apparently, you always say you're Hotch. Even the students call you Mr Hotch. Which is strange, because I call you Aaron. And, you shouldn't have done the penlight flawlessly if you had a more severe concussion. So she thinks you have a crush. I didn't want to be unethical, so those flowers can simply mean: I hope you're coping. If you don't have a crush that is."
"What if I do?" Aaron asks, surprised at his own boldness.
"Then I would ask if I could kiss you before I take you out to dinner," Derek says, not missing a beat.
"And if I said yes?"
Derek takes three long strides, and he kisses Aaron like it's something he was made to do. Aaron melts against him, trying to memorise him as quickly as he can, before he realises he has all the time in the world to do that. Because Derek is going to take him out to dinner. Derek, who brought him flowers.
"That was- wow. Wait. You have a crush on me too!" Aaron exclaims with a grin.
"Of course I do," Derek says.
That stuns Aaron back into silence. "Wow," he whispers to himself.
Derek hugs him, and being in his arms is everything- no more- than Aaron imagined it to be. "I'm glad you're okay," he says.
"I'm glad you don't hate me," Aaron says, because he really doesn't know what else to say.
Derek laughs, and Aaron can't wait to find all the ways he can make that happen.
"We should say thank you to Emily at some point. If she didn't know you as well as she does, she wouldn't have realised you had a crush. And if she wasn't so terrifying when she wants something good for her friends, I wouldn't have sent the flowers."
"Can we say thank you later? I want to stay like this for a few moments," Aaron whispers, snuggling closer to his new boyfriend.
"Of course we can," Derek says, kissing his forehead.
When they eventually make it to Derek's car- Aaron can come back tomorrow and get his, it'll be fine, Aaron realises he has one more thing to say.
"Derek?"
"Yes, sweetness?"
Well. That makes him feel things he won't confess too, because he needs something to make him seem the slightest bit cool.
"I'm really sorry I made you think I had a brain hemorrhage."
Derek's laughter is so real that Aaron can't help but join in, and they end up not starting the car for five minutes because it would be irresponsible to drive in that state. And it's only when they're pulling out that they both realise something: Derek gets to see Aaron's family again, and Emily didn't need to hit him in the head again for him to get to see Derek again.
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sleepy-shutin · 2 years
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I'm someone who suspects that I may have DID or OSDD, and I want some scientifically based tools that could help me identify if that's the case (or if it's another dissociative disorder, psychosis, etc).
I also want to know if there's some sort of objective way to "measure" whether or not my trauma was severe and long-lasting enough to cause DID or OSDD (taking into account that I may or may not remember all of my traumatic experiences).
You don't have to respond, I know it's a lot to compile that kind of list.
I came here because you seem like a reliable source. I want to do my own research/look into scientific research, but honestly that kind of academic language can be really inaccessible at times. Sorry if this was the wrong place to ask
honestly, there's not really a whole, comprehensive list i or anyone else on the internet could give you. the best you can do is research. read into DID, personal experiences with it, how it works, how parts may influence each other, how switching and fronting and passive influence can feel, how DID compares to other, seemingly similar disorders, like DP/DR or BPD.
research is going to be your best bet there. there's no list.
"I also want to know if there's some sort of objective way to "measure" whether or not my trauma was severe and long-lasting enough to cause DID or OSDD (taking into account that I may or may not remember all of my traumatic experiences)."
there's not really a way to objectively measure if your trauma was "severe enough" to cause DID. the requirements to form DID aren't "you must have this much trauma", but rather having repetitive, long-term childhood traumas coupled with a disorganized attachment/unstable support system, before/around the age of 9.
it's also important to remember that trauma is less of an event itself and more a reaction to an event. having a good support system lessens the chances of someone getting PTSD after experiencing a trauma, but not having one increases these chances because lacking a reliable support system after trauma can make the events and what happens after them more traumatic and difficult to deal with, which correlates with the idea that trauma is a reaction.
so yes, people with DID often experience severe trauma, because they are/were lacking a support system to deal with incredibly stressful events.
there's also the fact that you can have childhood trauma and not DID still. not every case of child abuse, even with a disorganized attachment, leads to DID. sometimes it just leads to CPTSD, or it leads to CPTSD and NPD or BPD or ASPD, etc.
and honestly, the best information on DID is found in books and papers written by reputable dissociative specialists. the medical language can be hard to parse, but not every book or paper has that kind of language. books like "understanding and treating dissociative identity disorder: a relational approach" actually doesn't have a lot of incredibly confusing medical language. "got parts?" is a self-help book for DID that also does not have this. "separating fact from fiction: an empirical examination of 6 myths about dissociative identity disorder" and "dissociative identity disorder: an empirical overview" are both two papers that are also not heavy on the confusing clinical and scientific language. "the phenomenology and treatment of extremely complex MPD" is also a relatively easy read.
and by "easy read" i mean that all of these are pretty easy to comprehend, not that they aren't triggering, because they can easily be very triggering, so fair warning.
a great way to get started on research is reading at a book or an academic paper on DID, and then going to the sources at the end and searching those up and reading those as well.
one thing that helps me read academic language that might be confusing is taking notes on it. taking notes to see if i'm understanding it properly, googling words and phrases i may not understand, and reading passages multiple times to make sure i'm comprehending them properly. it can make reading a single paper a lot longer than it normally would be, but that's how i make this sort of thing accessible to myself.
hope this helps somewhat.
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waitingonavision · 2 years
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Could you answer 3 and 17 for Pancita? :) Thanks!
From the Fanfic Ask Meme - Feel free to drop me some numbers! Both “Pancita” and “Nothing, & Everything” are fair game.
Oooh, the hard-hitting question 😏 I'm going to answer in reverse order because 3 comes with a bit of a content warning for mentions of malnutrition, EDs, and ED recovery.
17. Did anything surprise you during the writing?
Because "Pancita" was originally meant to be a drabble, I hadn't planned on having Pepa in the story at all. Now she's got the first line of dialogue!
Once I knew that the fic was going/had to be longer than a drabble, I also knew that I couldn't not include her - the Madrigal triplets are a unit! And the biggest surprise (treat, really) was getting to write some Julieta and Pepa bonding.
It's a lot easier to imagine each of their dynamics with Bruno, but the dynamic between Julieta and Pepa feels less defined, or maybe just more open-ended? I love the scenes in the movie where the sisters are together, and I loved exploring their interactions for "Pancita." My favorite part to write was the one where Julieta invites Pepa in for a hug - and the surrounding dialogue.
3. What part was most difficult?
It was always going to be Julieta who sees the “fruits” of her/the family’s labor to get Bruno healthy. (I mean, I did also put her right in the thick of things by making her the Encanto’s mal/nutrition specialist...) And it was crucial that she and Bruno share an emotional, heartfelt moment. I wanted the last third of the fic to feel like this big sigh of relief, both for Julieta and those reading the story. And in order to help bring that all home, I had to create the “lead-up” and figure out how... angsty I wanted things to get in the beginning-middle sections. I don’t know how well I “succeeded” in building things up, but @sionnaach‘s and @glitternightingale‘s comments on AO3 helped give me an idea (thank you!). But it was tough, and part of the reason it was tough, in a not-overwhelming way, was the research process and personal side of things.
...because I probably put a little more of myself in the fic that I expected to.
I have experience with a years-long ED, as well as a relatively more recent recovery. So, there are aspects of my own recovery process and learning that came in handy for the fic, or allowed certain things to come a little more intuitively: for example, how a person gains weight after a long period of starvation; the role of belly fat in recovery; and why I pushed the time jump from a year to roughly 16 months. Also: Every body is different, but people recovering from EDs do report gaining a disproportionate amount of belly fat initially, a “pregnant-looking gut,” after which it redistributes, e.g., around the rest of the body, according to a person’s own “set-point.” (ED sufferers and folks in recovery were on my mind throughout the writing.)
All this relates to something I really wrestled with for a while. Should the belly that Julieta notices toward the end of the fic be more of an early-recovery-process accumulation of belly fat (which Julieta would probably be able to identify anyway)? Or should I choose to “bypass” that in favor of later-recovery, “post-redistributed” pudginess, which would indicate Bruno’s being closer to his healthy “set point” (plus even more so because it’s pudginess he’s never had before)? The latter felt better aligned with the idea of a “big sigh of relief” - I liked being able to place Bruno in a much stabler place in recovery, and explore his character arc (there is one in the fic!). ...I justified this further using the fact that the early, “pregnant belly” in recovery thing is individual.
And then of course I had to do additional research because Bruno’s situation feels different in some ways, going down a few very sobering, and fortunately not triggering, rabbit holes. This is primarily where the vegetable broth and various liquids/juices came from - for the electrolytes, hydration, micronutrients, etc - and the tamales and arroz con pollo for the sake of mentioning protein sources and things other than arepas. (I’m sure these remedies can all be helpful in ED recovery too (I probably should have followed them 😬); it’s just that I didn’t use ED-specific search terms when figuring out which foods to mention.)
I say these things were the most challenging, but they were also personally rewarding, and even healing, especially as someone who’s a bit closer to Bruno’s age than not and is still making full peace with their ever-changing body.
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