#exhibit A

[moodyvoid]

I headcanon that Dabi has ADHD ✨

[livelovecaliforniadreams]

[titfairy]

[thehorrormoviechick]

My Top 10 Found Footage Horror Movies

[katnissdoesnotfollowback]

Do you think everlark have sex on Katniss’ period?

If Katniss is one of those people who is "do NOT touch me or I will commit murder" people on her period then absolutely not. I do think that when she's still fairly young, her dislike of human blood prevents her from even thinking about this. But I also think that's something she might eventually be able to deal with in terms of menstrual blood. So. If she's one of those people who has a random horny phase in the middle of it, whether that horny phase happens regularly or just every so often... then absolutely. They try it at least once.

[jameslongforjimshortforgabriel]

im watching iwtv in spanish for the first time. you know how the apartment in dubai makes some weird noise bc of its height and they call it 'the groan'? yah that's called "the moan" in the spanish version

[televised-eyes]

my scorpio red flag? nothing feeds me like “jealous crowley/oblivious aziraphale” & vice versa bc delicious

[mikereads]

“Cell mate was a Vulcan”- Kirk

[asymmetricalaromatic]

Dungeon Meshi Screencap Thread (potential pfps?)

[fashionbooksmilano]

Exhibit A Guy Bourdin

Samuel Bourdin- Fernando Delgado

Foreword by Luc Sante, Essay by Michel Guerrrin

Bulfinch,/Little Brown Publ., Boston NY London 2001, 208 pages, 38x29cm, 81 four col. & 19 duotone phot., ISBN 0-812-266 9 X

euro 150,00

email if you want to buy booksinprogressmilano@yahoo.it

Guy Bourdin's surreal and erotic imagery filled pages of international magazines throughout the 1970s. Within the medium of fashion photography, he gave shape to a dark and intriguing vision that exerted lasting influence on the international style scene and altered the contemporary aesthetic. Bourdin rarely allowed his work to appear outside the pages of the magazines, and there has never been a book published devoted to his remarkable legacy. He remained an enigma, shunning publicity and becoming reclusive. After his death the French government seized all his work for non-payment of taxes and it was thought a book would be impossible. However, published under the guidance of Bourdin's son, Samuel Bourdin (who put his affairs in order and enabled publication) and creative director Fernando Delgado, Exhibit A presents for the first time a comprehensive look at the range and depth of Bourdin's photographic work, from the mid-1950s until his death in 1991. The images herein represent the highlights of his career - including his work for Vogue Paris and his revolutionary advertising campaign for Charles Jourdan shoes. Bourdin is featured and canonized in every history of commercial photography for a style described by one historian as the 'look of an era, glamorous, hard-edged with implied narratives and strong, erotic undercurrents'. Vogue became a playground for him, the magazine's double-page spread allowing him to indulge his fantasies. He constructed narratives and small scenarios; inventive, shocking and erotic they only served to nurture his own macabre and dangerous persona. A biographical essay by Michel Guerrin, photography critic for Le Monde, will provide a long-overdue look at Bourdin's career. Writer Luc Sante (author of American Photography 1890-1965 and New York Noir) contributes a foreword. Exhibit A: Guy Bourdin is a landmark volume; these compelling images are as provocative today as they were over two decades ago, and they have left an indisputable mark upon contemporary photography and the visual arts.

19/10/24

[thechills]

"Angel, just tell me. Why do you hate me?"

Exhibit A (Dom Rotheroe, 2007)

[staghunters]

when it's that time of the month, and you're all the way up in goddamn canada UGH

[raapija]

[theblvckvenus]

“Something is making the dads do it.” (longlegs, 2024)

a trope we see more and more in horror movies is the killing of a family being motivated by some unseen force. the horror itself is not the murders but the supernatural force that’s driving them to be committed. in fact the only movie I’ve seen recently where the horror is the father himself is exhibit a. with indubitable stats about male violence and familicide regularly in the public eye it’s interesting that we use new tropes to reconcile this. as a society we have always used horror/gothic/fiction to grapple with the monsters we can’t understand … rather than admitting that the monsters may simply be within ourselves.

[nothing0fnothing]

Maybe if you parents hit you harder you wouldn't have become a ableist

*Your parents **an ableist

Maybe if your parents hugged you more you wouldn't have succumbed to the brain rot.

Say it again and turn anons off. I'm sure the cluster B community would like to thank you in person for this excellent defense of their disorder.