#excuse me I'm just rambling

[time-traveling-fetus]

The fact that password managers are a thing is really fucked up tbh. Like, sure, we need a system by which we can verify one's identity so that they may access something specific to themselves. Passwords are amazing for that, but then the internet grew and grew and grew and everyone wanted to set up accounts for literally fucking everything. So now we expect people to not only memorize a collective 100 passwords, but to also make each of those Passwords unique, complex, and hard to guess. That's not viable for a human mind, so people tend to make repetitive, simple, and easy passwords just so they can operate on the internet with any amount of ease. Thus the overusage of passwords defeats the point of passwords in the first place. All the eggs are in a single password basket.

This danger is mitigated by 2FA, typically via one's phone. Essentially it just adds another password and a physical object (your phone) to the mix, like a key secured with a combination lock. It's pretty good, assuming the phone hasn't been hacked and there's no man-in-the-middle attack, in which case you'd be pretty fucked anyway so whatever. 2FA also makes things less convenient, and that inconvenience adds up over time. I imagine that if everybody pushed 2FA onto users then you'd run into a similar problem in resulting from nobody wanting to use it.

There's also biometric data which eliminates the need to remember anything because it uses your body itself to unlock things! Biometric data is great for people who assume they'll never be in a serious accident, won't ever be physically overpowered (cops can legally do this), or like having their body's data leaked like some kind of cyberpunk dystopia. Also anything that uses, say, your face as a password would naturally be using the same exact face to unlock itself as any of your other devices or accounts or whatever. Someone just has to steal your biometric data and all those accounts are cracked at once. So if anyone figures out how to print out a photo of your face and hold it in front of a camera then you're fucked.

Password managers just put all of your 100 passwords behind a single password. I imagine it actually is more secure, despite the fact that you're putting all your eggs into a single basket. The difference is that reusing passwords is banking on none of your 100 websites get hacked and thereby leak that reused password for use anywhere. It's still putting all your eggs into a single basket, but in a more fucked up way in which the basket is made out of a chain or something and its only as strong as the weakest link but also there are thousands of egg thieves all trying to saw through a different part of the chain. This metaphor doesn't help anyone. Of course your password manager could also be hacked, but the hope is that it's more secure than the least secure website you've used (or the most targeted website, because even secure sites can be infiltrated if there's enough people searching for a way in).

Do you understand why i think this is so fucked up? We couldn't think of a good solution to putting our eggs into a basket so we just made the basket stronger, because nobody can carry 100 baskets to carry 100 eggs

[pompompurin1028]

That Dazai and Atsushi vision thing still intrigues me I'm just grrrr (actual rambling in the tags lol)

[solarpunkani]

sometimes spite is a powerful motivator and today its motivating me to crochet

long story short I saw a cool bag on pinterest while I was looking for crochet patterns but there was no fucking pattern but one of my friends found a pattern for a similar but not quite bag so I watched an hour long video, transcribed it into text, and am now gonna make a wholeass backpack just because Sunflower Vibe

Wish me luck I guess

Also this is the bag

[lazylittledragon]

isn't it weird how if you get up at 7 or 8, do your work all day, then have free time and go to bed at 11 that's absolutely fine

but if i said i get up at 10, do fun stuff in the morning then work in the evening and go to bed late, i could be called lazy, nevermind that i'm getting just as much or MORE work done as i would in a traditional work day

[gingermintpepper]

In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.

Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.

Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.

And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.

And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.

All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.

Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.

The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?

The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[ladyinthebluebox]

wE wAnT cOmPaNiOnS tO bE mEaN aGaIn!!!!!!!!!!

my siblings in the maker, you can't handle Taash calling Emmrich a death mage couple times or [checks notes] ...asking Neve about her clothes [?????????????]

[nim-lock]

I'm going to lose my mind why don't healthcare places give you heads up on rough costs of things before you get slammed with the bill

So an MRI cost $1636 and I'm responsible for $748, which is a WILD number considering that the eye doctor was like. you may need another one

[crystallizsch]

Trouble? You're only in trouble if you get caught. So don't let me catch you ~

uhhhhh say hi to jamil and yuusha's kid jas(mine) pt 2 (also here and here are like my only two other posts of her)

HFDDF OKAY SO - i actually had these unfinished sketches from months ago of jas as a nrc student and scarabia housewarden

this sneaky little bastard (affectionate) had never left my cranium she was just sitting idly by

im sobbing i hate jas so much (lie i love her)

jamil and yuusha still aren't supposed to have a kid so i just imagine this to be an alternate timeline for them 🤧🤧🤧

soooo info dump time ---

━━━━━━✦ scarabia housewarden nrc jas

jas has a vice-housewarden who is her childhood best friend (figuring out if i want them to be twst rajah or abu)

also thinking about if i want yuusha to be a staff member in nrc with grim or just dead during this time (why? just because)

no further info tbh, scarabia housewarden jas is just vibing

━━━━━━✦ child jas stuffs

i'm SO indecisive about her design as a toddler/preteen lowkey 😭

she was very sweet as a toddler but somewhere along the line she just became more carefree and chaotic

jas is a mama's girl but is more alike with her father than she cares to admit

octavinelle trio and heartslabyul duo + grim are like the honorary uncles (jas's favorites are floyd, ace, and grim bc they sometimes enable her with shenanigans)

even though jas has favorite uncles, najma is the favorite favorite. i imagine she's just the cool aunt

if mama yuu is "shrimpy" then jas is a "tiger prawn" (bc rajah)

jas LOVES doing people's hair including her own; would rather do them by hand rather than by magic

jamil showed jas how to breakdance once and it became ingrained in her personality ever since

(there's probably still more about her that i'm forgetting but this is it for now)

━━━━━━✦ bonus future jamiyuu stuff because i miss them

jamil took yuusha's last name surprise surprise (if they get married)

i imagine after nrc they'd be travelling together actually, not necessarily settling down

(i'm REALLY not 100% on them settling down and having a kid but i still love jas a lot so im so conflicted) (that's why aus exist 😔✨)

(and if hypothetically they do settle down i think yuusha being staff in nrc with grim + maybe jamil who travels for work (or being a house husband??? maybe they alternate roles) can be adorable ideas)

━━━━━━✦ (i also had this thing that i never posted about that one trope of a fankid finding themselves in nrc bc of portal/time/mirror shenanigans)

(jamil found both of them asleep somewhere and refuses to wake them up)

also some bonus tidbits about this scenario with them:

💜: Is she a family member of yours? How'd she get here?

🐍: I have never seen that child in my life before now. And there's no way I could have missed news about a new relative of mine.

💜: You know how ridiculous it sounds if she's related to me. I'm not from here. She even looks more like you!

🐍: Jas has the same color of eyes as you. Didn't you tell me she mistook you for her mother?

💜: ...Yeah, but I don't like what you're implying.

🐍: Well, I'm not exactly happy with this either.

they're just both in denial of the implication of this child existing and neither of them is saying it out loud.

and the angst/wholesomeness(???) of jamil asking jas's full name and hearing that she has her mother's last name instead of his

eventually they grew attached (unfortunately) until somehow they send jas home to her original timeline

and then they finally have a real conversation about what all that was about

anyways thank you for reading if you've made it this far;;; end tweet

[piowasthere]

Ok, since the Astrals have been called or just compared to gods in the recent episodes, that basically officially gives us that the dynamic of Lumini is essentially mortal x god

Or alternatively, hear me out-

Au but Lunar's an angel and Gemini's a deity.

[that-angry-noldo]

... do you ever just. think about fingon, who just crossed the helcaraxe, where he lost his sister-in-law... who just lost his brother... who's filled with rage and anger... demanding to meet maedhros (not even feanor - maedhros) because he wants to look into his eyes, wants to make him feel all the anger and pain and betrayal - only for maglor to look at him wearily, and. in one moment - in one moment it all turns into deep dread because he can't be dead too

[angeart]

hhau rescue rambles - part I

>> hhau masterpost here << [cw besides the usual mess and violence: animal death mention]

It’s been months since the latest hermit got saved, and over a year since Hermitcraft imploded. There’s only two people to go: Scar and Grian. And they can’t seem to locate them at all. But they can’t stop looking. They can’t, they won’t. 

The rescue party is comprised of X (voidwalker), Doc (creeper), Ren (wolf), Impulse (partially demon), Cub (vex), Gem (deer), and Pearl (moth). Thanks to X knowing how to navigate and survive the void, they are able to get a void vessel (a sort of ship) to base in as they go around scanning different worlds and scouring for information. 

Until they come across a world that reads as permadeath, and somewhere in the world files, X flags Grian’s and Scar’s name. Not as players; there’s no list available here. What comes up is the wanted poster. It doesn’t have a date stamp. It could be months old, and they know Scar's track record with dying.

Still, they have to try.

They search for a place that seems to have good resources and Cub, Gem, and Pearl get dropped down. They’re equipped with bracelets that they can activate to send X a signal to teleport them back, and two extra for Grian and Scar, if they do find them, but they have to gather any other kind of equipment, including armour and weapons, on their own.

They quickly realise comms don’t work on this world, and as the player list is also non-existent or corrupted, they are going in blind.

Well… almost.

They use Cub’s vex bond with Scar to pick a direction to head in.

--

Grian and Scar, in the meanwhile, are not having a Good Time. 

Some awful things have happened prior to this, namely the ending of the Summer house arc. To quickly sum it up, Grian and Scar went up north, for as long as they could. Away, away, away from everyone. Until it felt like maybe they’re far away enough, and they tentatively set up a house. Which turned into a nest. Which turned into a semblance of permanence.

A lot of things went on here. Days turned into peaceful weeks and, tentatively, they started thinking that maybe they can start planning some kind of future here. They planted crops. Scar re-learned to glide with his torn wings. Grian unfurled his wings and re-learned the feeling of flying through the sky. And they found a bird friend! (A real, living bird in this world!)

The reality caught up to them eventually. 

Nobody’s really seen Scar or Grian for a while, but the avians in this world have dull wing patters, for survival reasons, and so Grian is really special. And the hunters don’t want to give that up. The reward on the wanted poster gets upped, and now the fever pitch to get this avian rises. The hunters go further. In bigger groups. Greedy and determined.

They find the nest house, empty at the time, and they burn it down. 

Scar and Grian come back to find it in flames, and to find themselves unsafe and hunted once again. All of a sudden, they have nothing again. The fire licks high, turning everything to ash, to a distant cheering and hollering of a party of hunters. There’s no sign of their bird friend.

(Grian finds him later. Dead, with wings cut off. The only creature that resembled him; the bird he befriended, the proof that a winged creature could exist here and survive. Ripped to pieces. Echoing the only fate that is bound to await Grian as well.) (It was a sun conure parrot, bright and beautiful.) 

The hunters are on their tail once they realise that Scar and Grian are here; that it wasn’t just some temporary base that’s now abandoned. With no remorse and still too much cheer, bloodthirsty and unstoppable, they go after them. 

Scar’s blood is absolutely boiling and he expects Grian to ground him. To talk him down. But Grian’s mind buzzes, looking at that bird, and— He’s as down to fight as Scar is. Because anger is easier than grief right now.

He’s so tired of grief. 

So instead, Grian goes angry and feral. (The other option is to fall apart, and he can’t.) 

They tear this particular hunting group apart, and it’s meant to make them feel better, but it doesn’t. It feels like a necessity; like just one more step towards survival. They loot what they can, and they continue moving, realising that stopping anywhere to do more than just survive is a moot point. They’re not going to outrun this. They'll never be allowed to stop. They’ll be hunted forever.

(Grian will be hunted forever—)

The word gets out, and more and more hunters arrive, wanting the trophy of violet wings and the wanted reward for themselves. It’s a sport to them. A way to get rich. Like a gold fever, they continue tracking Grian and Scar, relentlessly hounding them down.

There are times when things go worse in these encounters. Grian gets his wings grabbed and attacked, and it sends him spiraling back to never allowing anyone—including himself—to touch his feathers. (He was doing better and now it’s all gone.)

They internalise many horrible thoughts, during their run. It’s been a year-worth of culmination of awful events, a year worth of pain and fear and loss. 

For Scar, as a vex, he’s been expected to be a monster from the start. And all he wanted here was some peace. To be with Grian. He wasn’t allowed it, but now he finally got a glimpse at it—at what could’ve been; at who he wanted to be from the beginning (who he’s always been)—and it’s violently taken from him. So yeah, fuck it. If they want a monster, he’ll be a monster. 

(This leads him to thinking that he shouldn’t be trusted with soft things anymore, Grian’s feathers included, especially as Grian gets ground-bound again and starts pulling his wings tightly against his back and flinching at the mere implication of touch.) (It hurts to witness, after what Scar’s seen: Grian, freely gliding through the sky, violet feathers catching sunlight.) (He was allowed to preen them, tentatively, slowly, gradually, a couple of times.) (Not anymore. Not anymore.)

 Grian keeps thinking about the bird, and how they’re the same. He’s seen the brutal display, the way the wings were taken. He can’t quite stop thinking about it. 

But it’s more than that. He’s also thinking about [redacted]. About anything winged being doomed. About what happened with the vexes. It all spins and spins and spins until he can’t see himself as anything but harbinger of death.

The hunters wouldn’t care to go this far for one vex. They only go because of his goddamn feathers.

Naturally, this topples into him thinking that Scar will be safer and better off without him. They’ve been running on sleepless nights and exhaustion, trying to get away to no avail. They’re tired, and things are looking dire, and— Grian wants it to stop. He needs Scar to be taken out of this equation, separated from this fate. He needs him to be safe. (He can’t bring death to Scar.)

Grian can lead the hunters the other way. They only really care about him. ([redacted] already proved that point, after all.) 

So one night, Grian sneaks away.

He presses a soft kiss to Scar before he goes. (It’s a farewell kiss.) Scar is asleep, only kind of waking up to it—just that groggy, sleepy “mm?” Grian kisses his forehead again, oh so gently, and murmurs the quietest “Love you. Stay safe for me.” To Scar, it just feels like a dream, and he dozes off again, none the wiser.

The next morning, Scar wakes up to Grian gone.

For a while, he doesn’t even remember that hazy interaction from the night, but then he does remember, all of a sudden. An absolute vertigo slams into him, panic flooding his veins as he stares down the empty, quiet forest.

And this is when the Hermit Rescue Party finds him.

They only find Scar.

They only find Scar, and they instantly try to take him off world.

-- part II here

[primus-why]

I Feel TFOne Could've Handled This Better...

Hot take but I feel like folks have been really generous with the take that OP was unable to find ~the perfect words~ in the heat of the moment (and thus should be given some grace) when he told D to stand down and "not be like Sentinel"... namely cuz I don't feel that the narrative supports this?

Like-- after all is said and done, OP doesn't reflect on that part of their split. He doesn't have a moment where he seeks validation or voices his regrets over the choice of his words, it's actually cut-and-dry. The narrative (as it stands) supports that OP saw D-16 acting up, so he called him out and stood on business, down to the last scenes where he's basically like "yeah it's a shame but y'all knew I had to do it to 'em."

It didn't have to be much! I'm not saying to absolve Megs, just show OP looking at things from a different perspective/contemplating a bit on that tough choice and the morality of the moment. Some examples of what I wish we had:

B-127 straight up blurting the obvious by later chatting with Orion like, "Wait so you told your best friend that he was acting just as bad as the guy who enslaved us for our entire lives and was torturing him like an hour ago? Oof. Seems kinda harsh." Then have some of OP's regret show on his face.

OP asking Elita-1 after Megs is banished if he did the right thing. Have Elita back his choice up, saying, "You should have seen what he did after you were... gone. It was terrifying. I know it was tough, but you made the right call." OP is grateful for the support, but a conflicted look still flashes across his face before he steels himself to look out towards the horizon... and the future.

Have OP walk past other mechs/former miners who didn't go with the High Guard saying stuff like, "Wish I could've given Sentinel a piece of my mind!" "Yeah, but I'm glad he's gone for good." "Ugh I miss everything." "Oh, it was crazy! Megatron picked him up and then he rrrrriiipped-- oops, hey there, Mr. Optimus... Prime... sir?" And have OP wave hello, looking a bit sick when they leave.

Post-credits scene with Starscream going on and on, asking Megs when they'll be back to teach the upstart Prime a lesson. Megs grabs his face to shut him up. "Patience, Starscream. The Prime thinks I'm no better than Sentinel... but I'll show him. He wants Iacon? He can have it. In the meantime we'll take the rest of the planet! Then I'll come back, crush Prime under my heel, and we'll take Iacon too. Sentinel's reign will barely be a footnote, because I'm about to become Optimus Prime's worst nightmare." The vocal performance would really need to sell this-- like picture Megs saying something like that from a place of anger and hurt, not so much a place of genuine evil or malice.

Basically instead of Orion's assertion being backed up as black and white/good vs bad, I wish we had some different opinions/reactions from the characters sprinkled in there. Like you can't tell me out of allllll the miners who weren't strong enough/willing to go with the High Guard and ended up sticking around that NONE of them were like "eyyo honestly?? Kiiiiinda glad Sentinel is dead. Wish I could have helped, tbh." like come onnnnn...

And you can't even argue that he's not an active threat-- I don't think everyone would see things that way! It's not just about the threat he physically has, but the threat he represents and is very likely to act upon if given the opportunity! He has a proven track record of not only being sneaky and conniving, but also capable of dealing some serious damage/killing people bigger and stronger than him, plus he has the backing of the Quints. All he'd need to do is wriggle his way out of jail and run off to his sponsors, then he'd probably be back to hurt more people! (If the Quints didn't just kill him out of incompetence lmao). There's a lot of "ifs" here, but I think it's a valid argument that not everyone would agree on what is the right or wrong way to handle Sentinel once he was down long enough to, like, do something about him.

I feel the situation needed a bit of nuance. In some way I wish they had kicked the can and had D and Orion bicker while Sentinel escaped, then have D get frustrated enough by the loss of Sentinel to point fingers (and his fusion canon) at Orion, who then falls and becomes OP. (Megs could still show some of thar emotion/remorse right after he does it too.) Not only would this open the door for a sequel, but tbh the Quint might have just killed Sentinel anyways and sought to deal with the miners uprising themselves lol. (Maybe that could have been an after credits scenes too instead of the B-127 bit??)

Would love to see a moment in a sequel where they have a calmer moment after arguing for a bit. Have OP mention how Megs was out of line, that it hurt and even scared him to see him act that way, and Megs can quietly point out "you said I was as bad as Sentinel... is that really how you see me? After everything we went through?"

Then OP can fumble the bag again lmao like "D, I... I'm sorry, that didn't come out right... but you still took things way too far..."

"Why am I not surprised-- your opinion is what matters the most! Maybe that's why you became a Prime, since you're so good at acting like the world revolves around you--!"

*gets interrupted by someone else before another yelling match ensues*

[reverse-pines-twins]

"Ok, it was a pain to get it- but here you go Belle"

Stab hands her over the amulet Stanford had taken

@reverse-falls-stan

*She's sulking in the corner until he says that. Mason's off on stage, playing to the crowd and causing at least five separate fangirls in the crowd to swoon. Even backstage, the sounds of cheering as he draws a heart in the air are clearly audible. Mabel seems bitter and angry about being grounded still. The instant she hears Stan's voice, she perks up, stands, and rounds on her heel to face him.*

Oh- hello Great Uncle Stan! I can't believe you're here! And with my amulet, too! I really can't thank you enough, Great Uncle Stan. You're so generous and wonderful and lots of other things!

*She goes to grab the amulet.*

[lazylittledragon]

right now i'm very torn between "taking critique is important as an artist and it's not an attack on me personally" and "people commenting about my same face syndrome under my posts upsets me an unreasonable amount and i wish they would stop doing it"

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.