#everyone doesn't need some complex backstory

[ofthebrownajah]

Did Sharon just low-key confirm Alviarin

[genericpuff]

This plot point annoyed me so much! I thought she was finally going to open up to Persephone about the reasons why she hated Hades so much, about what he did to her, but no! They just introduced a new yet unnecessary character to the story 🤦🏼‍♀️

What are your thoughts about it?

oh yeah it annoyed the piss out of me too and for one very big reason that is CHRONIC in LO:

It's a solution to a problem Demeter didn't have.

This happens to a lot of characters throughout the comic. They'll have some kind of plot-driven conflict or character-driven flaw, and then it will be solved by something else entirely that had nothing to do with their original problem or doesn't line up with the theme of their storytelling. Minthe had insecurity issues and a toxic relationship with Hades? Just give her a classroom full of children to babysit! Hades had infertility issues? That's fine, Persephone somehow fixes those issues because at the end of the comic they have babies and Hades has his happy ending so it's fine! Hera was in an unhappy relationship with Zeus and had trauma from her past as a victim of Kronos? No problem, just make her an all powerful fertility goddess! Persephone accidentally causes winter which kills possibly thousands of people? Gaia is here to save the day, and also she's the one who makes Persephone return to the Mortal Realm for a couple months with full visitation rights. Apollo is a serial rapist who's attempted murder on several occasions, even against his own father in an attempt to take the throne? Community service, that'll solve it.

Demeter is one of the biggest examples of Rachel's inability of writing an actual cohesive plotline. She writes like the only goal is to come up with new twists to keep people reading each week without ever considering what themes or questions she should be answering throughout. So when she does pose questions, the answers often wind up being severely disconnected because she can't be bothered to actually plan out a plotline with narrative structure, she just needs 'things' to happen. To put it bluntly and simply, she writes like how a 13 year old on Wattpad would write, no actual thinking about the material she's presenting, no consideration for the curtains and what color they are, just "make the things happen so that people will keep reading because that's what writing is!"

Demeter's problem wasn't her failing to understand Persephone. It was people failing to understand her when she had reasonable cause to both be wary of Persephone moving to Olympus as well as Hades and his intentions with her daughter. But because Rachel needs to have the perfect happy ending for her self-insert power fantasy couple, she resorts to gaslighting both Demeter as well as the audience by extension into believing that the solution to Demeter's character arc... is understanding Persephone more.

Like first of all, the moral "people just want to be understood" is way, WAY too "baby's first storyline" at this point in the story especially when we've tried to tackle much bigger topics like sexual assault, and when we know how complex Demeter's backstory is. There's no way she needs to be told by Hebe that people just want to be "understood". She absolutely knows this already, and has been fighting to be understood by her siblings and peers and family for centuries, but of course, everyone sees her as just "the contrarian".

But then the final solution is... the sudden appearance of Demophoon as her long-lost child, and Hades giving her the volcanoes. That's it. She doesn't get to actually become Queen of the Mortal Realm, she never really gets closure over the past 2000 years of abuse from everyone around her, Hades just - like with everyone - buys her affection and she gets a new baby to pour her attention into instead of Persephone and we're all just forced to go along with it for the sake of Rachel's fantasy.

Rachel can't write (￢_￢;)

[whenmemorydies]

See this?

Carmy is about to pull this shit. He is really about to go in and likely blow up one of the only good relationships he has left from The Beef. After yelling at Tina from the pass. After stressing out everyone and their fucking dog cos he thinks this is acceptable behaviour if its all in service of a star?

This part of 3x03 Doors was such a jagged scene for me because of a few things (including what I've said above). What else got me:

Tina is someone Carmy knows, that Carmy loves (go back to their scene in 1x08 Braciole talking about Mikey. Go back to Carmy's soft "hey Tina you go ahead, you take the night off okay? I got you.");

Tina is an older woman of colour who has made the commitment to skill up so that she can work at The Bear after working at The Beef. Carmy has seen the work she has put in but in this moment, he pays none of it any mind. Imagine being T. Imagine how that would feel. Imagine how it would feel knowing all we know after watching Tina's journey in 3x06 Napkins. The thing is, Carmy doesn't need to know all of T's backstory to know his behaviour is unacceptable. The fact that he knows some of it and proceeds to act in this way is just more evidence of his white privilege showing its ass.

Carmy does not have the self reflexivity here to look at his young, white, male self yelling at this older WOC and see how fucked this is: how he's become another white guy in a litany of white men barking at workers of colour, not seeing Tina for the whole human she is but reducing her to a means of production. The racial dynamics on this show are so evident but don't get talked about nearly enough. I know the writers have crafted those dynamics on purpose because as beautiful a character as Carmy is, he's also a product of his environment as a white chef trained in a highly racially segregated field. This has repercussions for his relationships in season 3, particularly with the BIPOC characters in his life. @november-rising speaks about Carmy's behaviour in relation to Black women's experiences of love and professional recognition devastatingly here. Read their post and the reblogs.

While this shit made me so mad this season, it was also in character - as I've said here - for a white guy trained in fine dining to revert to established patterns of behaviour. Though, I'm gonna need the writers of the show to show US that they did this on purpose and have Carmy ATONE for this shit in season 4. Otherwise, what kind of redemption arc will this man have? This shit is hurtful to the BIPOC characters and BIPOC viewers of this show in no small part because white men the world over have a LONG history of using BIPOC people as a means of production and as a means of production alone. If you're unsure about this, please go look up the Transatlantic slave trade. Please go look up the history of colonial indentured labour. Please go look up The British East India Company. Please look up the forced labour regime in the modern prison industrial complex. Please go read a fucking book. And no I'm not saying Carmy is responsible for the slave trade (LMAO please hold fire if this is where your mind is going). I'm saying BIPOC folks carry with us a long ass history, an intergenerational history of this shit. But guess who else does too? White folks. So don't act like they dont.

This shit is also hurtful because we know how respectful Carmy can be. We’ve seen him in seasons 1 & 2. We know he knows what being a practical ally looks like (even if he may not have the language to name what he was doing) when he made sure to bring the staff of The Beef with him to The Bear and invested in them accordingly. We know he loves and respects them, none more so than Sydney. But there were so many times where he did not act like it in season 3. And when folks have got histories - not just personal but cultural too - as long and as loaded as we ALL do, actions account for a lot. What you do is the shorthand for who you are in the world, whether you like it or not.

Ok back to the scene.

Who comes in and simultaneously saves Carmy's ass and ANOTHER of his relationships? Who protects Tina and keeps the kitchen from exploding AGAIN?

Who supervises her sous chef like a fucking pro?

Sydney. Sydney. Sydney.

And who knows that he's in the presence of greatness but doesn't know how to articulate it cos he's not integrated, not by a fucking long shot. Who needs to attend some anti-racism training along with Al-Anon and therapy (so he can get the benefit of understanding his role in this system and get a better understanding of his own mind)?

Yeah you Carmen, you.

Better get on that shit before you lose the woman who is the beat to your whole heart another means of production to a chef who's going to pay her better, give Syd insurance from the jump and total creative control. Just saying.

[echantedtoon]

YANDERE DEMONS AND BRIDES P2

Ok. So part 2 is here. Mostly because Hantengu is actually 7 people packed into one and I'll be needing to tackle them all in their own posts. I'll do a part 3 with the lower moons next

Warnings for yandere-ish (???) themes, kidnapping mentions, possibly death mentioned, mention gore(Hantengu ripping up his body to let the clones out) and threats, Mentions of Urogi accidentally cutting Yn, mentions of a dead animal, Karaku IS his own warning, possibly some innuendos, etc.

I won't really do them separately because I can't really see one developing feelings for a single clone because they'd be inside Hantengu most of the time so the only way you'd develop any relationship with the clones is by hanging about Hantengu the entire time.

Zohakutan will also be included as he is a part of Hantengu but his segment WILL BE PLATONIC!! I DON'T CONDONE ANY OTHER WAY!!

HANTENGU + CLONES:

COMPASSION AND PATIENCE

-If you know him then you know his backstory and victim complex. Unless he's killing someone to eat or carrying out whatever orders Muzan wants him to, he's avoiding people like the plague which still he blames everyone else for. So it's unlikely he'd actually meet you unless Muzan ordered him to eliminate you, he's hungry, you're a slayer, or it's by complete accident. Let's go with the last one for this.

-Like usually he hides away from anything and everything. This time taking shelter in an old abandoned shed during the day. Only it isn't abandoned. It's YOUR house. And it's not unoccupied because you come home later in the day from hours of shopping and visiting friends in the town a few miles away from you. You don't even notice the demon in your home because he's hiding in the darkest corner shaking and watching as you walk about putting away new fabrics and food to be made into lunches and dinners later days.

-You accidentally bump into your kitchen cabinet knocking a pot off making a loud noise that startled the demon into shrieking and scrambling across the room startling you into shrieking, dropping objects, and whirling around wide eyed. You both freeze. He's mumbling and shaking like a cat dipped in cold water under your kitchen table and you're staring at what looks like an old man. You both just freeze staring at one another.

-Eventually you slowly relax seeing it was just an old man but you were still highly cautious. It was too dark for you to tell he was a demon in the limited lantern light and the fact most of him was hidden under the table. After a moment you speak to him in a gentle voice asking him if he's alright and when he answers you in sobs and shakes, you couldn't help but feel so bad for him. You took care of your grandparents until they passed away so seeing this assumed poor old man has you feeling so sorry.

-So you offer him something he's never had before. You smile so beautifully at him and tell him it's not his fault for being scared. You ask if he has any nearby family and as he answers no, you tell him he can stay the night in the guest room and you'd figure out what to do in the morning. You try to coax him out by offering him some food to which he reluctantly agrees. Being so used to helping the elderly thanks to the care you gave your grandparents, you easily held him pulling him slowly to his shaking feet and slowly walk him towards the guest room taking your arm in his. Hantengu is stunned, shocked, twisted-......And in his twisted mind it's already concluded one terrible fate for you.

-Hantengu is not one shy to marriage. As a human he's had many relationships and families even if they never ended well. He doesn't remember a lot about them. He has a faint knowledge of having previous wives but he doesn't remember any of them. But that doesn't stop him from thinking that you would be the perfect wife. Compared to other demons Hantengu is the most delusional and the fastest to turn yandere FAST.

-You are surprised when you wake up the next day and find the old man gone no where to be found in your home or the town and no one has seen any old man walking around by themselves when you ask around. Strange. You spend all day looking for him out of worry but give up when you could find him no where in the town, your home, or the nearby forest. You return home before it gets too dark and are surprised to find all of the raw meat you bought the day before completely gone. You only find one half pork chop left with what looks like a wolf's sharp teeth had taken a big bite outta it.

-It weirds you out. On top of the sudden disappearance it sends a bad feeling through you. However you chalk up the old man to a wild dream and the missing meat as a wild animal because honestly you did leave the front door open when you rushed out to search for him. There's no other evidence of him being there so you soon put it out of your mind.

-A few days later you truly realize the horror of your choices as your front door opens wide one night and lit by the bright fireplace is a horrifyingly terrible creature. Shaking with tears running down his face. You're too stunned, to scared, to petrified to speak as he just crawls towards you and tell you in a sobbing but affectionate voice that your husband was home.

-In Hantengu's mind you both are together with you being the perfect caring wife when in reality you're too scared and confused to correct him (for now). He will bombard you with needy whines and sobs expecting you to comfort him with whatever it is he's terrified about. Awkwardly and fearfully you do buying your time until you can figure out what to do about this demon sitting down at the dinner table shaking and expecting dinner (which is usually just raw steaks and such for him) to be served by his pretty wife.

"It's N-Not my fault! You know that d-don't you?"

The rest of these guys all share a similar sentiment to Hantengu however they do have their own opinions on the subject.

URAMI:

-(Bare with me. It was the only gif of Urami I could find.) Actually is the clone you see the very least. In the year and a half of you nicely pretending to go along with Hantengu's 'wife' delusion before Tanjiro frees you unknowingly, you only ever encounter Urami twice.

-The first time you meet him is the same day you're bombarded by all of the clones. They were all itching to come out to meet their new 'wife'. As they're all extensions of Hantengu they all share the same delusions. So you shrieked as Hantengu ripped himself up forming two younger men before they ripped up each other turning into FOUR young men along with one giant version of Hantengu holding his now tiny form in the palm of his hands. You shriek out before fainting. Thankfully Aizetsu caught your limp form.

-Urami is the clone of Resentment, he embodies the resentment of all of Hantengu's past wives not being as good as you. Threatens you not to hurt his 'innocent self's' heart or else he'd make you resent it! You faint again from the intensity of that meeting causing the others to panic and Sekido smack him over the head with his staff.

-The second time you meet him is two months before Hantengu's death and your freedom being restored. He startled you just walking into your home right behind the other clones. He was so tall he had to duck just to get in through the door. Turns out a semi strong demon had challenged him to a blood battle for Upper Moon Four causing five of his six clone forms to appear. He ignores Sekido's arguing with him as he just places one giant hand on your head patting it like a dog as you stared frozen up at him.

"We go through a lot of trouble for you. Don't make me resent you for that."

SEKIDO:

-If you thought Karaku and Urogi's antics or Hantengu's clinginess gave you headaches, then let me introduce you to Mr. Hothead.

-Sekido represents all of the things he's angry about in a relationship. 'His wife not being compassionate enough' or how their wives usually 'blamed them when they were nothing but innocent.'

-Despite this you'd much rather spend time with him than most of the other clones outside Aizetsu. He actually yells and pushes the others off of you angry he isn't getting a turn to just hold their wife. Does it give you headaches? Yes. Does it terrify you? Definitely. Would you rather silently let Sekido hold you and listen to all of his complaints than listen to Karaku make another innuendo or have Hantengu get your dress wet again as he clung onto you? ABSOLUTELY! At least Sekido doesn't smother you as much as the others.

-However he's ALWAYS nitpicking on the things he hates you do that make him annoyed or angry. Have a vase he doesn't like? Complain! You don't have enough raw meat ready for your 'husband's' dinner? Complain! Karaku and Urogi hold you too long? COMPLAIN! He never threatens you unlike Urami, after all he hates to think about you being upset with him. But sometimes he gets so angry with the others it starts a fight and parts of your home is damaged.

"Can't you just appreciate what I'm trying to do for you!?"

KARAKU:

-(For this instance of Karaku I'm keeping him strictly the clone of Relaxation because everything I write is sfw) Karaku is one of the main three you see most often. Mostly you only see Hantengu however since Sekido and Karaku are the first two clones that appear they're the main two clones you see.

-Karaku is giddy and like Hantengu is overbearingly clingy. He's always slinging an arm around you or taunting Sekido into blowing up again much to his and Urogi's amusement. He's the main culprit of why you have so many headaches because despite his relaxed personality he's...TOO laid back around you.

-You'll find him splayed across YOUR bed napping and if you ask him to move he only laughs with a relaxed smile and offers that you can join him. More than once this has lead you to end up sleeping on the floor because the other clones and Hantengu are taking the guest bed.

-He has ZERO filter let's just say. He's too relaxed and ok with many innuendos and jokes about your figure or at your expense making you shutter and start to prefer Sekido and Aizetsu's presence over his. It always rules the anger clone into a fight and makes Urogi laugh much to your dismay and horror.

-He's upset and confused by why you always avoid him leading him to want more physical contact much to your uncomfort. An arm around your shoulders or waist, patting your head, sudden hugs- He's hurt when you always scramble away to duck behind the nearest clone that isn't him or Urogi. He's very dense even if Sekido bluntly tells him you don't like that.

-One got smacked by a frying pan while you were doing dishes and he kissed your cheek suddenly. Urogi still makes fun of him for it.

"You need to relax and quite being so uptight all the time, Baby.~"

UROGI:

-Out of all seven of them Urogi is the one who makes all of them keep an eye on him including Karaku who's usually relaxed. The thing is Urogi gets bored easily unlike Karaku who's relaxed 24/7 and doesn't need to be entertained. However because he's constantly doing antics or things that make him happy and he's overjoyed to finally be getting a wife...The others keep an eye on him like a pack of watchdogs.

-More than once you've gotten scratched by his talons. Not on purpose but sometimes he's so excited about you he ends up scratching you with his talons causing Sekido to rage and beat him to a cooked chicken casserole as Karaku and Aizetsu bandage your teary eyed self.

-His birb instincts take over a lot of the time he's out. One time you shrieked and ended up crying when he brought you a bunny he hunted out of instinct. He was confused and heartbroken when you didn't like it but didn't do it again after another round of Sekido yelling at him and seeing how unhappy it made you.

-Other bird husbandry includes him doing those weird birb mating dances much to Karaku's laughter and your confusion. He also builds a nest high in a tree. More than once you get carried up there shrieking and end up clinging to the tree out of fear of falling as the four argue. Karaku once tried blowing you down with his fan only to get smacked over the head Sekido. Aizetsu had to be the one to climb up and coax you into hanging onto him as he climbed down.

-This happens a few more times before you're ultimately freed of them but it doesn't happen too often anymore after the first time because the others keep a firm eye on Urogi while he's out.

-Joins Karaku in his antics of being clingy just to annoy Sekido. He finds it funny and gets a kick out of riling him up. However it saddens him when that only pushes you further away from both of them.

"Don't be such a a killjoy. You're acting just like Sekido."

AIZETSU:

-The clone who you mostly trust. Aizetsu is an interesting case. He's still as delusional as the others but he's not oblivious to the fact despite your remaining kindness (outta fear) your 'relationship' is making you unhappy, stressed, and possibly depressed. He knows the signs being the clone of sorrow. Does he do anything about this? No. He's still delusional as said and believes that you're the one for them and somehow he can make this work. He just needs to be patient. As I said, they're all delusional.

-He becomes the go to clone you prefer to interact with. While he does nothing to stop the 'relationship', he doesn't cause you headaches or nitpicks like Sekido, he's not as prone to sudden antics or make innuendo jokes like Karaku and Urogi, he certainly does threaten you like the two times you see Urami, and while a bit clingy he is WAY less than Hantengu. If anything most your bonding time is him just silently listening to you vent. If the others weren't included or he wasn't a demon you might've actually dated him.

-He's the go to clone whenever you're crying, need space, or if the others can't console you. If you're trying to escape the others and Sekido isn't near, he's the first one you hide behind. He knows it's sad behavior but he can't help but feel proud you trust him so much out of everyone, and how sad his brother's behavior makes him.

-The downsides though is that in a similar way to how Sekido complains about anything you do that annoys him, he tells you that anything you do that that he finds annoying makes him sad. Give Sekido more attention? You're making him sad. Talking about how you like your favorite dress? You're making him sad. Want to do anything that doesn't involve Aizetsu? YOU'RE MAKING HIM SAD! You start to also get tired of that part of him quickly.

"You're making me sad acting out like this."

ZOHAKUTAN:

-Like Urami you only ever meet Zohakutan twice in the year and a half you and Hantengu are 'married'. The first time you ever see him is also the first ever time you meet all the clones. After two hours of being petrified and having Karaku and Urogi fond over you, Aizetsu silently watching outside of introducing himself and saying their behavior is making him sad, Sekido complaining at them, Urami subtly threatening you, and Hantengu hiding/being clingy you think it can't get much more worse or terrifying. You are dead wrong.

-After subconsciously listening to the other six talk to you for a few hours, Zohakutan wants to meet the new wife too. So Sekido under his constant nudging, absorbs three of the others making you faint again. When you wake up later, the four young men are gone and Urami also disappeared. All that's left if Hantengu's tiny form shivering in the corner and a young boy that's old enough to be your younger brother is staring down at you. Scowling. "It's about time. I hate being kept waiting!"

-You quickly learns that this is just another clone. He's just as delusional too. No!! I'm not shipping him but his delusions make him see you the same as Hantengu. Weak, innocent, something that needs to be protected at all costs. So while he's not a romantic yandere he is a platonic yandere who deems you are not to be harmed under any costs.

-He absolutely HATES Hantengu's past wives, and sees you as the innocent angel Hantengu deludes himself into seeing you as. They share the same main brain so this thought process extends to Zohakutan too.

-You only see him briefly both times, around ten to fifteen minutes for each encounter before he goes back to being dormant in Hantengu. The first time was to just introduce himself to you. The second was right before their mission. He wanted to assure you that because of him all those demon slayers who dare hurt innocent people like you 'and Hantengu' would be dead. This only makes you more scared of him however. Thankfully that was the last time you saw Zohakutan or any of them for that matter.

"I hate those who prey upon the truly weak ones such as you. All evil scum shall perish."

[killerkatsmeow]

Headcanon: Bruce adopting a civilian teenage girl.

I always thought she’d have ties to Bruce one way or another - either through her single-parent household (her mom works for him) or she has an internship at Wayne Enterprises. In the case of an internship, she’s eager to work and learn but still manages to keep things young and fun. 

Loves Alfred because wow, its her first time meeting a Brit and what kind of name is Pennyworth? I personally feel like she'd be closest to Alfred, she's most comfortable with him. Say she gets arrested/stuck at GCPD...she is NOT calling Bruce for help. She's calling Alfred and begging him to come get her and to not tell Bruce. She wakes up early to help Alfred in the kitchen, she's following him around and pestering him with questions. As an inside joke, she's bringing him a penny and some other thoughtful gift for his birthday. Because...Pennyworth.

Oh, she REFUSES to go to Gotham Academy, she is a P.S. 181 girl through and through. Why would she choose to be around those stuffy, asshole, rich kids anyway? She has all she needs at her public school: all of her friends are there, she's Cheer/Dance Capitan, she receives every party invite known to man...what could Gotham Academy possibly give her besides a complex and a reason to see a psychotherapist? Yeah, no fucking thanks. No fucking way.

The Wayne Manor... She remembers the drive up there and how she was...floored by how nice and vintage and regal and almost scary the place looked. So expensive, how could anyone feel like it was home. She's greeted outside by Bruce and Damian - Bruce wears a smile, Damian is indifferent. She is lost for words pretty often - the tall ceilings, the intimidating portraits...it's all so fancy and a far cry from the 2 bedroom apartment she shared with her mother.

Dinner that night was grand and boasted many guests - family and close friends, Bruce said. She meets Dick, he's charming, polite, and sinewy. Everyone is Gotham knows him, his tragic backstory. Then there's Barbara: she's kind, seems smart but maybe it's the glasses, and uses elbow crutches. Then there's Duke - he seems nervous but is happy to make her acquaintance. Tim has dark under eye circle, yawns a bit, but introduces himself and listens to her patiently. There's another girl who is the most excited at the table to meet her - her name is Stephanie. She smiles, shakes her hand at the speed of a humming bird, and asks a million questions. She only stops when Cass places a hand on her shoulder, she doesn't speak much (a fact Damian explains beforehand) but shakes her hand no less.

It's not until the following week that she meets Jason. She's lounging by the pool, magazine in hand as music plays from her bluetooth speaker when she sees him. He's flanked by the boys as they walk towards the basketball court, their competitive chatter fills the air. He's big - muscular and the tallest of the bunch. He spares a glance over his shoulder and she feels like her heart just stopped. He's beautiful. His eyes are narrowed and kinda intimidating, a shiny blue-green color. He doesn't look back again as they head to the court but just the one glance was enough for her.

Her friends at school know about Jason, they wanna see him for themselves. She begs and begs Bruce to allow her to have a sleepover with her 2 closest friends and after some convincing, he agrees. The girls spend most of the night swimming, baking cookies once Alfred retires from the kitchen, singing karaoke in her generously sized room. The highlight of the night comes when Jason come riding in on his motorcycle - they watch from the window as he dismounts. Strong hands pull his helmet off his head, broad sexy shoulder flex as he stows it away. The girls giggle and coo, mouths drop as they watch the big man walk towards the door. They're safe looking at him from this window they think, flirty compliments can't reach his ears from where they stood but suddenly he looks up, making full eye contact with her again. The girls drop down out of sight, gasping and giggling because of course, they'd get caught ogling.

The girls make comments about her having a "rich dad" when she comes to school with nicer shoes, an expensive backpack, etc. She hates it. "Bruce is not my father." She'll roll her eyes. Her friends ask if he'll adopt her, a topic she'd rather not broach. "No way, how can I marry Jason if we're related?" It's a joke she only...somewhat means and it makes her friends laugh and it practically erases the idea of her getting adopted from the conversation.

She has no clue about the Batfam - the whole vigilante thing. She's clueless but it's hard to believe. She makes these comments that has the fam clenching their holes in shock/fear/anticipation. "It's not like Batman's gonna save me" when she gets herself into a jam or is in need of intervention with schoolwork she cares none for. "Aww, you two are like Batman and Robin." Mockingly when the boys team up for a lame ass burn or zinger against her. "Red Hood is hotter than Nightwing." Overheard as she walks around the house, gabbing to her friends. There's been some close calls like her walking past the secret entrance to the cave right when Bruce, Damian, or Alfred step in or out of it. She doesn't understand the silence her jokes are met with sometimes but she just assumes money makes you a bit boring and stuffy. Just look at Damian.

She loves to read and she spends hours in the library though if Damian is in there, she avoids the place. One day, she has a coffee in hand and she's excited to sit on the plush chaise by the ladder and read that first edition Virginia Woolf she found. She opens the French doors, her feet moving forward before she stops in her tracks. There's Damian, legs crossed with a book splayed in his lap. She sighs, groaning inwardly because Virginia will have to wait. She turns to leave when Damian calls out to her. "You don't have to go." His voice still sounds so condescending but his face, when she turns to see him, his face holds none of that. He seems nice and honest. "You're not the most...welcoming presence in the house." She says, not moving from her spot. Damian sighs, closing his book and rising from his seat on a the davenport. "I know. But..." He doesn't finish the sentence, only waves around the library before walking past her. That was the start of a fairly interesting friendship for the two of them.

She takes the time to learn some ASL because she's under the impression that Cass is deaf or mute. She engages with Cass as much as she can, showing off the new words and phrases she's learned. She gets to be fairly good at it that she even considers taking the interpreter certification exam. So, you can imagine her surprise when, while on a hike, Cass responds to her signing with a full-fledged sentence. Then another one. And another one. Surprise isn't the word, neither is shock. But once she settles into the truth, the two break out into a fit of laughter.

Sneaking out of Wayne Manor is a bitch but she loves to do it! Sometimes she's grounded - the why is ever-changing - and sometimes, she knows Bruce and Alfred would hate her late night partying. She's opening her window and shimmying down a trellis as her friends wait outside of the manor gate off to the side and just out of sight. She hates hopping the gate, her hands are too precious for the scraping so for a few days she's been pushing a ladder closer and closer to the sweet spot of the gate. Sometimes she comes back to Bruce outside the front door in a robe with knitted brows and a set jaw, other times it's a silent treatment a t breakfast. She feels guilty sometimes, but mostly only when's he's caught. She wonders how they know, tells her friends there has to be a security camera. If only she knew.

[3hks]

Choosing the Main Character

When building or choosing a protagonist, there are things that you NEED to take into consideration if you don't exactly have an idea of who should be the head of the story or if there's just too many good characters to choose from!

THE CAST

I'll get something out of the way, really quick. In my opinion, the cast and environment your characters are around should influence your choice more than the plot will. The plot is normally made in SHAPE of your protagonist. The goal of your character should be the leading arc of your story.

If you could substitute ANY character you wish to take the role of the protagonist into the plot with ZERO changes to the character and plot, then your storyline may just be too generic or simple. And in that case, pretty much any characters will do.

COMPLEX V.S CLASSIC (Skippable)

When I'm talking about a simple main character, I mean that they follow a more standard trope.

They usually have qualities such as goodness, ambition, and are special (powerful, unique, etc). They're often fighting for change and have a potent, normally sad, backstory.

But don't get the wrong idea, there is absolutely nothing wrong with this type of character--I just want to make it clear that they tend to have more standard traits of a protagonist and are used frequently, which is why I'll classify them as "classic."

So with that being said, I consider a complex character to be one with separate attributes that are scarcer.

You know those fun and/or interesting side characters that literally everyone loves? I consider them to be more complex because they have a more original character fueled by an interesting past and personality, which the audience loves. They are amusing to bring to life; however, they are also more difficult to write when they're the main character because of their intricacy.

So when is it appropriate to use a "classic" main character and when is it appropriate to use a "complex" one?

WHEN TO USE WHAT?

Based on my observations, a less populated or simple cast usually has a more complex main character. On the flip side, a more populated or complex cast will tend to have a more classic main character.

My reasoning for this is because the writers want to balance their characters out. If your story has too many intricate characters, it can be too much for your readers to fully grasp and understand them all. Different and unique characters are amazing, don't get me wrong, but it requires a lot more time and effort to form a bunch of complex characters in the same story.

However, there are certain characters that should be naturally detailed. Most often, these are:

The protagonist (Even if they're leaning more towards a "classic" side, as the main character, they should be pretty intricate.)

Love Interest

Best Friend/Rival (Whoever is closest to the protagonist, really.)

Antagonist

Besides these four, if you see that your other side characters are also incredibly complex, it may be smart to choose a protagonist that is simpler.

ROOM FOR DEVELOPMENT

The thing is, even if most of your characters don't go through a lot of character development, (which makes some sense because it's hard to make everyone grow) your main character NEEDS it.

If they're too close to perfect or you can't find something about them that they can change or learn from, there's hardly going to be any development for your lead, which is something to avoid.

So basically, what I mean is that your favorite character with your favorite attributes may not always fit the protagonist category if you're reluctant to change them.

However, that doesn't mean that they can't be a solid side character!

WHAT TO LOOK FOR

Oftentimes, there are certain things that a protagonist specifically has in which some other characters may not have. With that being said, if you can say yes to these questions about your character, then they'll be a great fit!

Do they have a specific view of the world?

Do they have a specific goal in mind?

Is there a solid reason for the goal?

Do they have some sort of backstory that builds onto their persona?

Will they undergo any sort of change or lesson?

And yes! Because the protagonist and antagonist are usually foils of each other, these questions very well work for the other side too!

CONCLUSION

Alright! So my biggest take on this is that when given a more complex or populated cast, a standard protagonist will usually fit better. And on the other hand, a simpler or sparser cast will call for a more complex protagonist!

Happy writing~

3hks :)

[bairdthereader]

Charlie Spring, An Appreciation: Part 2, Friendship

Charlie is often described as nerdy, shy, and awkward, the dork who is lucky enough to catch the eye of the popular boy. But that characterization does Charlie a huge disservice; it overlooks the richness of his personal life and the complexity of his inner landscape.

It also ignores the fact that he has cultivated a solid and loving friend group that he cares for in so many ways, whose devotion he earns through his own dedication and fierce loyalty. He is by no means alone or isolated when he meets Nick, he is not "desperate" in the way some people (and the horrible Ben) characterize him.

Charlie's relationship with Tao is a longstanding one, but not without its challenges. Tao isn't the easiest person to be friends with, but Charlie sees through Tao's prickly defensiveness to appreciate and love the part of Tao that feels so intensely, the part that is vulnerable and lost. And he fights for that friendship again and again.

The most beautiful example of this is on the Pont de l'Archevêché when Tao confesses that he accidentally outed Charlie the year before. This could easily and justifiably end even a strong friendship. But you can see the moment that Charlie decides his relationship with Tao is more important, that it is worth all of the pain that accidental outing caused him. He forgives instantly and completely, with no lingering resentment at all. And if that wasn't heroic enough, he follows up with the most thorough reassurance speech ever given, tailored specifically to eradicate all of Tao's most deeply held insecurities. Charlie's empathy is astounding.

Elle explains to Darcy that Charlie was her friend first, followed by Tao, which tells us that Charlie's care for her began a long time ago, and that it's lasted through all the challenges she's faced during her transition. I wish there were more moments on screen where Elle and Charlie have one-on-one conversations; there are shockingly few. But the way they speak about each other when the other isn't there is just as revealing. Elle clearly loves and understands Charlie in a unique way, and she does all she can to smooth the ragged edges between him and Tao, and lovingly supports his relationship with Nick. She does this because Charlie does the same for her, and because she knows his friendship is deep and abiding and unconditional.

Though less outwardly demonstrative than his friendships with the others, Charlie is no less caring and protective of Isaac, the friend who, I think, is the mostly gently supportive of Charlie as he navigates the early stages of his relationship with Nick. Charlie is open with Isaac when he asks for advice, but doesn't pry into why Isaac is asking a question that's so out of character; he knows Isaac processes most things internally before speaking them aloud. At prom, Charlie reminds Isaac--in a moment where he clearly feels isolated and singled out--that he is important, both to Charlie personally and to their group as a whole. A quiet person like Isaac could easily end up on the fringes of a friend group, but Charlie pulls him back in.

Charlie is also more caring with Tori than I think he's given credit for (especially at this point in the timeline and without some of the supporting backstory from the later comics and other books). Even with the limited interactions we see on screen, he's always trying to include her, trying to make sure she's not alone, while still giving her the space she feels she needs. Their bond is deep and protective, and it goes both ways. Charlie may be the younger of the two, but he's taking care of her, in his own way, as much as she is of him.

Again, I could go on and on:

This idea that Charlie is the quiet, awkward wallflower just doesn't hold up when it's so clear that he's the lynchpin of his friend group. Charlie's endless capacity for loyalty, forgiveness, empathy, and inclusion make him a champion in the lives of everyone he loves.

[writingquestionsanswered]

Anonymous asked: Sorry if this is a stupid question, but is it okay if I just say fuck it and write something "poorly written" on purpose?

[Ask edited for length]

I'm going to try to tackle this question in parts, because it's actually a quite good question with a complex answer. So, bear with me...

The answer to "is it okay to write something 'poorly written' depends on two things: the chosen definition of "poorly written" and your intentions with the work.

Defining "Poorly Written" - What does and doesn't qualify as "poorly written" is largely subjective, meaning that it's different for everyone and every situation. There are certainly things that fall into a more objective category... like, if your work is riddled with typos and bad grammar, that will be broadly seen as "bad writing." But, just because a few people say something on the internet doesn't make it broadly true. When you see advice on the internet like "if your character holds important information back from the reader until the end, that's bad writing," don't just assume that's true. Dig into it. Research it. Verify it on multiple reliable sources. If you can find that same advice coming from multiple reliable sources (see below) it's probably broadly true and something you should strongly consider if you want your work to be broadly successful. You can break a "rule" here and there, but be mindful about it.

Some of my favorite reliable sources for writing advice: K.M. Weiland/Helping Writers Become Authors, Joanna Penn/The Creative Penn, Writers Helping Writers/Angela Ackerman/Becca Puglisi, Jane Friedman, Advanced Fiction Writing, Chuck Wendig/Terribleminds, Kristen Kieffer/Well-Storied, Mignon Fogarty/Grammar Girl, Nathan Bransford, Abbie Emmons/Make Your Story Matter, Bethany Atazadeh, Brittany Wang

Your Intentions with the work: obviously, if you're writing for yourself or a small group of friends, just for fun and entertainment, do what you want. If you're writing with the intention of publishing and you want your work to do well, you do need to mostly stick to the "rules" that are known to work on broad levels.

The reason you see advice like, "all dialogue should serve a purpose," is because it's understood that broadly-speaking, most readers don't enjoy dialogue that is obviously fluff and serves no purpose, for the same reason that your eyes glaze over when you're in a group of friends and someone starts telling a long and irrelevant story about some minor inconvenience they had the other day. People don't like their time being wasted, and if you force your reader to read two pages of your characters having a completely irrelevant conversation about fashion, you're going to lose the reader's interest.

I see a lot of advice like, "If your characters know important information that they don't tell the audience until the end, that's bad writing..."

Part of the problem with advice that you see from random people on the internet is that, quite often, they see a bit of broad and reliable advice, but when they repeat it, they strip it of a lot of the additional information that makes it true. This bit of "advice" is a great example of that, because there's a lot of detail missing. For example, having a character withhold information from the reader is fine to a degree (this is called an unreliable narrator), but there needs to be some indication early on that the reader isn't getting the whole story. There need to be other clues the reader can pick up on throughout the story that makes them question whether or not they're getting the whole truth from the reader. Otherwise it comes off like the writer dropped it into the story at the very end for convenience or drama's sake.

Others I've seen are "If your character has a backstory that's not 100% relevent to the plot, you need to cut it"

Stories can be plot-driven (more about the plot than the characters), character-driven (more about the characters than the plot), or a combination of both (where both have equal importance.)

If you're writing a story that is partially or fully character-driven, who your character is--and how they got to be that person--is one of the most important aspects of the story. Not only because it helps the reader understand why your character is where they are when the story starts and why things need to change, but it helps explain why they make the decisions they make, who and what's important to them, why it's important for them to reach their goal, and gives us a starting point for how they're going to change throughout the story. It's their backstory that is going to build all of that up for the reader.

Backstory explains your character's important life experiences up to the start of the story. So, there is no point in going into detail about the two years your character lived on a beach in New Zealand if that experience didn't play a role in who they are at the start of the story. It just becomes useless information that serves no purpose and clutters up the story for the reader.

Or "Here's why this trope is boring and overdone and why you should remove it"

Advice about tropes and cliches are often opinion-based, because for every person who says "love triangles are dumb and here's why you shouldn't do them" you'll find people who say "I only read books featuring love triangles."

The key thing to remember with tropes is that when you read they're tired and overdone (which makes them cliches), it's fine to use them, just find a way to put a new spin on them. Find out how the trope is typically used and do something different.

And now I just feel awful. I feel like the entire premise of my story is just complete trash and I need to scrap it and start over. I feel like I need to remove everything that I actually want in a story so that it's "correct".

You definitely don't need to do that. Again, take random internet advice with a grain of salt. If it's something you're really concerned about, try to verify it on multiple reliable sites. If you can't, you're probably fine. If you can, those sites will probably also offer alternatives or ways you can fix the problem.

I'm self publishing, does it actually matter?

YES. FULL STOP.

If you are planning to self-publish but are not going to take the time to make sure you're putting the best book out there you can, you are only hurting legitimate self-published authors who do put in the effort to make sure they're putting out their best work.

Having said that...

Will people really read my story and go, "Oh dear, these characters didn't just pop into existence as soon as the plot started! They actually existed and did things before the story takes place!?

No, probably not, but that's because this is a really dramatic interpretation of the advice that backstory should be relevant.

Again, the reader doesn't give two shits that your character spent a year backpacking through the Alps unless that experience played a role in who they are when the story begins. If they had good or bad experiences during that trip, learned things, met people who matter later, etc., then that becomes plot relevant. But, if you can remove this bit of backstory from the story completely and it has no impact on who the character is or the reader's understanding of the character, then it doesn't belong there. Period. Again, the reader doesn't want to have their time wasted, so they don't want to read story after story of your character's time in the Alps if it doesn't matter.

Or "Look, and now they're having a silly conversation and talking to each to her about things unrelated to the plot! And that guy has a pet cat that's never used for anything! This is awful, poorly written trash!"

Again, this is an overly dramatic interpretation of the very solid advice that dialogue needs to matter.

That doesn't mean that every single word uttered needs to be blatantly plot-relevant, but truly, broadly-speaking, readers don't want to read an eight-paragraph argument about which pizza place has better pizza in your character's town unless this argument is in some way relevant to the story. You may be an exception to that rule... you may love to read stories that meander and have a lot of fluffy dialogue and pointless scenes, but you're in the minority, and in that case, you might be better off posting your work to someplace like your blog or Wattpad where you can use tags to find the small segment of other readers who like to read original fiction fluff.

But... the bottom line is that I don't think your story is in as bad of shape (broadly-speaking) as you think it is. Writing advice can feel very, very personal, especially when we see it from randos in internet threads who can't tell the difference between fact and opinion. So, don't take it to heart. Do some research on reliable sites, and if you can't find a bit of advice mentioned, it's probably nothing to worry about. If it is mentioned, they're probably going to tell you how to fix it without scrapping everything you've already written.

Truly, no worries! ♥

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[markantonys]

AITA for joining a "cult" that thinks my sister and mom are Darkfriends?

First, some backstory. I (30m) have always been an outsider in my family. It wasn't anything to do with my parents - dad (dead) always spent all his time with me instead of my younger siblings, and (step)mom (43f) always gave me extra attention compared to her bio kids because she didn't want me to feel neglected - or with my brother (21m), who's always looked up to me. It was all because of my sister (19f). She's hated and bullied me ever since she was a toddler, and I have no idea why. I guess maybe she doesn't think I'm her real brother, or blames me for telling on her whenever she did irresponsible things like climb trees and talk to strangers. All I've ever done is try to keep her safe, but she's never appreciated it.

Anyway, there's this organization (my sister claims it's a cult, though I don't think that's fair) that's dedicated to serving the Light. My mom always hated them and kept them banned from our country because she thinks they have an agenda against women who can channel, and she's one herself, as is my sister. I used to believe her, but after reading one book written by the organization's founder, I realized that my mom has a totally biased view of them and they're actually doing really important work founded on admirable principles. So when my sister went missing at the hands of women who can channel, I decided I'd had enough of those women lying to everyone all the time and I joined this organization.

I did have my view of them shaken when I found out my mom had been kidnapped, abused, and murdered by one of their leaders (turns out she's actually still alive though, don't worry about that), but I challenged that leader to an honorable duel and killed him to avenge my mom, and my friends and I rooted out a handful of other corrupt members of the organization, so now with that small minority gone, the rest of us can continue doing the Light's work and spreading awareness of the evils of the One Power.

To be clear, I OBVIOUSLY don't think my sister and mom are Darkfriends; it's only everyone else who uses the One Power who is. I've explained this to my sister multiple times but it only makes her angrier instead of grateful that I'm making an exception for her and choosing to believe the best of her. It feels like I can never do anything right in her eyes, but maybe I've somehow got the wrong understanding of the situation. So, AITA?

******

u/dainbornhald: NTA. Your sister's problem isn't actually that you joined this organization (which totally does sound 100% Light-serving). She doesn't think you're her real brother and is just looking for any excuse to continue the bullying, manipulation, and gaslighting she's been using on you since she was a toddler. [+5k votes] u/childbyar: Came here to say this. Sister sounds like a textbook abuser, and, honestly, almost definitely a Darkfriend. I'd go no contact with her, OP, and maybe get a restraining order if you have to - she's obviously unhinged. [+1.2k votes]

u/amyrlinseat: You joined a cult that thinks your sister is a Darkfriend based on an innate characteristic about her that she didn't choose and can't change (unlike you, who DID choose to join this cult), and you're whining that she's mad at you for it??? YTA [-749 votes]

u/luckyfox: YTA for the cult thing, but this whole family's got serious mommy AND daddy issues (take it from an expert). Sister resents you for getting all your parents' attention growing up, and you have a victim complex about being a stepchild/half-brother. I can only wonder what might be going on with the middle brother who wasn't mentioned much here. You guys need to go to therapy. [+2 votes] u/galaddamodred [OP]: My brother always seemed very well-adjusted, but a few hours after I made this post he actually died going on a suicide charge in battle because he thought he was unimportant enough to risk and no one would care much if he died in the attempt. Which sucks because now the only sibling I've got left is my sister who hates me. [+273 votes] u/luckyfox: oh my god [+312 votes]

[miraculouslbcnreactions]

I think it’s absurd that Thomas says “Adrien is a Ken, deal with it,” while also having the actual character feeling like garbage for being treated like a prop and *actively says* that he wants to be treated as important instead of replaceable, and gets angry about all the people pushing him off to the sidelines. If Adrien was the one deciding to have that role, like Ken in that one episode you mentioned in your previous post, then great! But, wait… no, that would actually be giving Adrien agency over his life 🙄 Because Thomas and the other writers seem determined to have choices made for him by other characters (which is not what Ken is). They set up a character whose life is strictly controlled, and wants independence and to be seen as trustworthy and competent- therefore setting up a potential character arc- only to double down on something eerily similar to the very thing he was fighting against (I.e. being relegated to following orders without question and having to accept not being privy to important info from people close to him).

Not to mention how they did actually set up an equal partnership idea simply because the ladybug and black cat are *yin and yang.* That’s not the dynamic of Barbie and Ken, what even Thomas.

(Before we begin, this is the 4-minute long Barbie episode in question and this is the post that spawned this ask in case anyone wants full context)

It's super weird. The reason Ken being Barbie's boyfriend and nothing else works is because Ken is ultimately just a random nice guy who is dating Barbie. He doesn't have any complex drama going on in his life so his background role doesn't come across like he's being treated poorly in most Barbie media (though there are some movies I have beefs with. Looking at you Fashion Fairytale. WTF kind of lesson was that?)

It also helps that Barbie media is all short form content. A one-off movie or stuff like the Life in the Dream House shorts. Media where there's simply not time for the side characters to get much development. Sometimes there's not even time for Barbie to get much development! That makes it a terrible comparison for a show like Miraculous whose current run time is over forty hours! (5 seasons of 26, 20-minute episodes is over 8 hours a season.)

If they wanted Adrien to be a Ken, then they needed to write him as a Ken: a nice guy without a whole lot going on in his life. Instead they gave Adrien the sort of complex backstory and narrative role that naturally makes everyone expect him to be a deuteragonist or even a co-protagonist! It's a fascinatingly bad writing choice.

[snobgoblin]

erm ok some Danny backstory/personality traits drop

ok so before the plague, how he ended up Julian's apprentice is actually a funny story. so, you know how I said Danny's father is a mail carrier? he has a deal with Julian where, if he delivers Julian's letters to Nevivon, Julian, in turn, will take on his son as an apprentice. so that's how that ended up happening

also he's kind of got this complex when it comes to his brother. everyone just seems to like him better. this is why he ends up relating to Nadia when she's talking about her sisters. he's a magician like his aunt, so it's kind of what's expected of him. he's jealous of Titus. because, with him being a soldier, everyone's just so happy to see him back in one piece. he wants that, he wants to see the world, he wants people to care about him like that, he wants to be somebody's first choice or just, MATTER in some way

in general he kind of needs a lot of validation, which is a reason he clicks with Portia so much? and he has a huge fear of rejection which is why Asra gave him the lodestone. also back to the traveling thing, he's never got to leave Vesuvia but he would very much like to. he just feels obligated to run the magic shop. he *really* wants to go with Asra on his trips but it doesn't end up happening. but luckily for him most of the endings involve traveling so he won't be unfulfilled for long

he's got that curiosity to him. that's what makes him such a good investigator. it's what drew him to the medical field. and he's hard working and needs to prove himself all the time, that's why he wanted to find a cure to the plague so badly. partly for the recognition yeah but just for the thrill of doing it, too. he likes a challenge. when he throws himself into a task he finds it really hard to quit

also he's got some insecure attachment issues I won't get into too much but this does make him extremely obsessive in a relationship

[sapphoshands]

I’d be curious about your Agatha thoughts (gives you a corn chip) because I too have feelingsTM about the “discourse” but I just wanted to say thanks for being a fun person to follow who has also been consumed by AAA brainrot but in a FUN way…like can we just enjoy fun things? Oy.

ONE CORN CHIP, you have poked the bear successfully (and thank you for saying nice things; i am glad my breakdown is enjoyable all around hahaha)

okay a couple people have actually poked me about this soooo. snark activated. rant unlocked. disclaimer, i have mostly been avoiding the tags so i'm sure this has been litigated elsewhere, but a few things annoying ME:

people saying the show last night is the wrong kind of queer. because. look. we are all just queer, okay. the show is queer. the show is SO MANY kinds of queer!

also did we accidentally erase the first five episodes because i don't know what show you [generic you] were watching but there has been intense lesbian activity on my screen since 'agnes' first sat down on her couch.

i also will be v sad if agatha and rio don't get at least one smooch, but we have three eps left? a third of the show? so i'm not exactly throwing a fit yet!

even if they don't smooch, their relationship has been such a joy to watch on screen and is so intense and involved and complex and fully-realised. like, we might not get a kiss, because i sure don't think we're heading for a happy ending, but... it's not like a kiss is what legitimises the whole thing, you know? IT'S THERE.

agreed that it's unfortunate we had a short ep last week and a long one this week, but i don't understand people who are saying we were short-changed last week specifically in agatha's trial. because. it is agatha's show. this whoooole thing. it is about agatha. all of it. all along. and it's not like a) she doesn't get the spotlight in everyone else's trial, or b) we didn't get enough character development for many many fanfics.

plus we got a long ep this week specifically so we could get more agnes and more agatha. i'm surprised they got away with putting so much agnes in the ep but oh my god i loved every second of it. kathryn hahn the manspreader dykespreader that you are.

fan hat off, notes hat on, i don't know what i would've cut out of the billy section. maybe a couple minutes of hospital time? couple minutes of bohner? not a lot of fat there! lots of stuff that's almost certainly going to have meaning to agatha's story!

some people will say cut the boring boyfriend but look. look. i am genuinely emotional about the interrelational queerness in this show now. i think this is a spectacular example of how stories that are overdone in pop culture generally can get a whole new life and vibe when they are seen through a diverse lens. this commentary on witchiness, queerness, otherness, coven as found family... it's saying some things, and it's not beating us over the head with them. we needed the queer billy backstory to make those work. plus, we're unlocking all new agatha feelings through billy and so the show has to give us some billy so we know why agatha has those feelings!

maybe i sound like too much of an apologist, and let's be real, i'm certainly not going to be rewatching the first two-thirds of that ep anywhere near as much as the entire rest of the season (so far). i'm not telling anyone they had to love it. i will also say, i've seen some reviewers talking about how this was the best ep so far and i REALLY side-eye that (and now i trust them much less). but i enjoyed the ep, way, way more than i expected. i almost kind of give a shit about billy now, and i absolutely give a shit about agatha's feelings about billy.

that said, it's not an attack to not have rio in the ep (when jac schaeffer has literally said they were rationing her). and neither rio nor billy are the most important parts of agatha's story. but they're both building towards it, in my opinion. we haven't lost anything by getting a little billy; we've immensely deepened the world of the show and agatha's character.

so there is one corn chip worth of thoughts! and now, back to writing fic.

[epickiya722]

Can I ask your opinion on answer from this :

https://www.tumblr.com/gojuo/742796780522061824/is-satosugu-a-queerbaiting-ship?source=share?

Yes, you can!

The only thing I agree with the post is that SatoSugu isn't queerbaiting. Other than that, I don't particularly agree with anything else at all.

SatoSugu would have been queerbaiting if the ship had been promised to be canon and used as a marketing tool. Gege, from my knowledge, never said anything about making them an actual couple by the end of the series. At most, Gege wrote characters that do have this relationship that can be interpreted as romantic if one chooses. They do have a lot of romantic undertones, but it's more so for telling a story than just "I need readers".

And saying the fandom is queerbaiting using SatoSugu is... odd.

The fandom can't make the marketing decisions of what happens with JJK. Now, a person can lie and say "oh, SatoSugu kissed in episode whatever", but that doesn't mean they're queerbaiting. They're just lying.

Now, yes, we indeed have a lot of merchandise with Satoru and Suguru, but we gotta take in consideration as to what season we just finished.

The Hidden Inventory Arc which centers around the two and the Shibuya Incident Arc which most of what happened was because of those two. (Satoru getting locked up because he saw Suguru's face, MY GUY WAS TRICKED!!)

And it's not like we don't get merchandise of other characters.

Honestly, the answer of that ask just sounds mean-spirited. "(Majority) stsg shippers are just annoying as fuck because they genuinely believe their ship is canon, try to force their headcanons and misinterpretations of the material down everyone's throats, and send death threats to anyone who dares to ship Gojo with literally anyone else."

As done every other shipper, let's not kid ourselves now.

For anyone who seen my BNHA posts about ships, you know that I believe any shipper is capable of doing this. Now I don't doubt that a SatoSugu could do this. But there have been other shippers who have attacked SatoSugu shippers for the same reasons.

Hell, I just had someone try to make my NobaMaki and ShokoHime post about YutaMaki and I didn't mention his ass in that post. Like, damn, let the girls have the spotlight. Yuta ain't all that for you to throw him onto every single thing where he's not mentioned. (I like Yuta, folks, calm down.)

Also, I don't see a problem with a SatoSugu shippers believing their ship is canon. If they want to, let them. If you don't like it, skip along.

Another thing they said is how just because Gege doesn't do fanservice of his female characters doesn't mean he's above being misogynistic.

Okay, we got to stop throwing that word around.

I don't know how Gege personally and I won't say Gege (okay, has Gege actually confirmed their gender?) can't be misogynistic.

But using the writing material as an example is just kinda getting played out.

(I also dislike the JJK - Naruto comparison in general, it's gotten to the point that's a pet peeve of mine.)

The thing with the female characters here is that they feel like characters, not added accessories. Hell, some of the male characters actually feel more like an accessory to the story than some of the female ones.

Gege isn't afraid to write a complex character like Mei Mei. Nobara isn't written to be some generic love interest and chase some guy. Instead, she got her own morals, goals and even a whole backstory that we did get some insight on before Shibuya. We haven't see Nobara in a while, but remember what happened to her? Yeah, we probably won't see her for a while.

Hell, we haven't seen or heard anything about TODO AOI since Shibuya, but Nobara has been shown to be thought about by Yuji and Megumi.

Maki is more developed than Toge, a male character we haven't seen since when.

Uro was only in a few chapters but she was more entertaining during her fight against Ryu and Yuta than Ryu was. And she didn't die!

You know sometimes a fandom will say a creator is misogynistic for killing off a female character as if it's illegal for her to die because SHE IS STILL PART OF THE CAST and as if more male characters haven't been killed. And died in lame ways. And some of those male characters, again, didn't get the development female characters did.

No two female characters feel the same, that's just me.

The OP talked about how Shoko and how Gege should have developed her more. "Had he given Shoko the same care and love he's given to the boys, we wouldn't be having this conversation right now. Because that would mean that the fujos would have to engage with her character and her dynamic with other characters in a meaningful way."

Shoko isn't like Suguru and Satoru though. Out if the three, she was the most "stable".

Also, the reason we didn't get a lot of her during that arc is because she was often isolated because of her technique. Shoko herself is a victim due to how things are ran. She was isolated from her friends very often and later years, we see she has eyebags. She barely is getting sleep.

And the thing is... Gege does acknowledge her relationship with the SatoSugu even later in the manga.

She herself comments that when Suguru left, Satoru wasn't alone. She was there.

Of course, Suguru and Satoru were closer. They had to spend a lot of time together. When they started to drift, that's when things definitely went downhill.

I have seen many SatoSugu shippers actually acknowledge Shoko's existence more than anyone else (besides actual Shoko fans). And they often include her being close to SatoSugu and even include her romantically with the two. (Here for it.) She'll sometimes be the one to give advice, expected, but sometimes in fics and whatnot she is written as a person than just a tool to push SatoSugu together. I have seen people draw fanart of her being involved with the situation with the Hasaba Twins.

I have yet to see a SatoSugu shipper actually hate her and deny her existence.

I'll tell you a person I often do see get ignored when it comes to SatoSugu. And that's Yaga. A male character. It's not all the time he gets ignored by the fandom, but he's more ignored than Shoko, I'll tell you that.

This is gonna sound mean, probably, but I don't think that question should be asked about anything pertaining to SatoSugu given the post is tagged "anti". Interesting as it is to see someone else's POV who doesn't ship SatoSugu, I just... eh...

[blasphemecel]

ngl still being a kaiser fan after 261 is lame

Omg this ask got me so tight when I got to it I had to hop on mylaptop to type my essay

Ok this is a little Personal and some of yall aren gonna fuck with me after this but it's ok . Kaiser is a character I identify with because he's a good portrayal of someone with NPD so WE WILL GET INTO IT!

So like that being said. What do you mean 'Still liking Kaiser after the leaks is lame' like genuinely what do you mean. I just woke up but are you guys like SURPRISED by this. I liked him when he was introduced and this is what he was acting like. There have been A HUNDRED more chapters of him acting the same way past introduction. And now he's still acting like it. I understand if you just hate him right off the bat that makes sense but this doesn't really. Even if you're one of those people who just liked him for the backstory reveal because you have a I Can Treat You Better hero complex re:abuse victims that behavior WAS shown EVEN IN 260. "I hit the ball but it doesn't hit back" - the author has a very specific way of writing and this was VERY much intentional

Also like I understand there might be an initial shock when reading such words. Like it's Unpleasant it's Ugly. But also it boils down to a State of mind which personally I've observed as common among victims of severe trauma. "These people are born 'humans'. Different from me, they were born 'wanted humans'." = I hate people who weren't hurt the same way I was because I am jealous and bitter, I'm so jealous and bitter it feels good to me to make others feel like shit. And I'm not trying to get on some Hurt People Hurt People bullshit because that shit is annoying and apologia but what I'm trying to say is that sometimes Trauma makes you unpleasant and ugly and erratic and I appreciate that Kaneshiro actually wrote it out. Also like that feeling by itself isn't inherently evil. I think it's a very natural response! In this case Kaiser goes too far not by experiencing this emotion but by acting on it.

So now with THAT out of the way too, I think we need to sit down and think more into the Ness situation. So first he says, "I can't accept kindness because all I know is malice. If anything I think malice makes life easier." Then he goes to say he is specifically looking for someone to make a "dog to his malice" and reads a psychology book to achieve that. Like first of all I'm sorry but that is so comically evil it's hilarious to me. He read a textbook to be a more efficient male manipulator. But anyway the way I understand that isn't a deep underlying evil within him but a need for control. I think he believes everyone will hurt and disorient him unless he feels like he's Controlling them. From an abusive household the only relationship dynamic he knows is person of authority - inferior party. His only friend is Ness and the only person he feels safe around being Ness is because of he tells himself Ness is his "dog" and therefore won't ever raise a hand to him. And that's because he thinks anyone who isn't his dog/under his control will do exactly that.

And so... If we go from there, from the parallel we understand Kaiser didn't see his meeting with Ness the same way Ness sees it. However, that doesn't mean Kaiser's view is the objective truth. I think they're both UNRELIABLE and EMOTIONALLY UNSTABLE. So what that means is that Ness sees his time together with Kaiser through a more glorified lens, while Kaiser denies himself thinking of Ness as a companion because that puts him in a vulnerable spot, so to maintain his feeling of being in control he exerts distance and tells himself Heh we aren't actually friends because he doesn't even know that one time I giggled at him in the showers I was actually just manipulating him all along because I am sooo evil and untouchable 😏. Like do we actually take this perception at face value here because to me it just seems like a Scared and Cowardly person trying to act out his idea of a strong person because the ONLY other time he's been in any meaningful proximity to someone he got beat up and degraded.

With that I also think Kaiser is very much narcissist posturing. He'slying to himself to make himself seem invulnerable and self-aggrandizing himself through his malice (I think pretending we are 100% evil and irredeemable makes a lot of us feel safe because it seems inhuman and people are easily hurt so you don't Ever want to be a multidimensional person with layered personality traits). Because like if you think about it without the emotional reaction of "I hope Ness kills you you stupid whore" that we all have... He actually isn't doing anything that big. Like in his head he's like Heh I'm soooo Patrick Bateman I have all the control 😏 but all he did was like find a guy to play football with.

Like he's trying to say to himself that he's all that. Sure he does insult Ness and that's not good! But he didn't pull off some Complicated deeply horrific scheme. I do not believe Kaiser has an objective view of himself. It really takes away the power from all of that when you realize what he's doing is just Very Pathetic and Paranoid and Intimacy Averse. "I can't have normal friends let me get this guy in on my master servant roleplay and I'll act like he's not enjoying it too because it'll make me feel more powerful" Men will do anything but go to counseling

Addendum: This is also not Kaiser. Now I don't know what kind of person Kaiser is but considering I read it as him suffering from NPD/a disordered personality that means he doesn't have a "real" identity most of the time, this is a shell we're seeing. He just has a mask maybe there's something underneath maybe there isn't and he's empty inside, but the point is he is the kind of character who has a specific way they want to portray themselves and will lie to both themselves and the audience to achieve it. Yes I believe that includes the I'm a male manipulator evilest person alive 😏 shtick too (I think the actual truth is probably somewhere in the middle of his and Ness's view. Most likely they're both incorrect).

Notice how Barou and Rin overcame things? That is because they have a real ego. Kaiser doesn't have a "real ego"/sense of self right now, all he has is his selfish act. I believe that is intentional because I think the Blue Lock mangaka shows a good grasp and understanding of psychology. The development is pointing towards him actually getting one during this match we'll see. Hey he might even change and grow as a person if that happens but I wouldn't get too overly optimistic!

Also we need to understand that we only see these people playing football we don't know what the fuck he's like outside of that. I currently don't have any reason to believe he's anything beyond rude and insufferable when like talking to people who aren't his football rivals and in Blue Lock on principle I believe everyone is at least 30% a better more bearable person off the field.

And to finish off my demented rant some of yall are fucking HYPOCRITICAL. So when Isagi takes joy in ruining people's dreams it's fine but when Kaiser does it he needs to kill himself? Let's be very serious.

TL;DR Kaiser's behavior makes total sense, his 261 characterization falls in line with everything we've seen of him before so there's no need for shock, and he looked good being dysfunctional and messed up too

[ravel-puzzlewell]

Hi! Do you mind elaborating on what you meant by "tiefling politics" on that wotr vs bg3 post? Just curious, ignore if you want

its about the fact that bg3 has a lot of tiefling characters, somehow more than wotr, and huge theme of like hells and connections to demons\devils and somehow manages to say absolutely nothing interesting about it.

in wotr we have examination of tieflings fitting into human society, ostracization and (literal) demonization of them, where even if some of them would want to help in war against hell, they are scared (frex, group of tieflings thieves you save which you can ask to help u and they are like are u kidding me, crusaders will torch us). woljif in particular is a deconstruction of selfish chaotic neutral tielfling rogue archetype, his story both exploring how both he was pushed into being a criminal bc he had no other options, but also interplay with how he then himself tends to dismiss his own agency in being able to decide for himself and choose better, forever excusing himself with "well this is a crappy hand dealt to me", his survivalist attitude of everyone for themselves vs desire for community, how when given a smidge of stability and access to decision making in council, he tries to awkwardly, but eagerly advocate for societal improvement for all tieflings, and this is one of his most sincere moments - and gets laughed at immediately, etc etc. and speaking of community, v interesting intersection between "good" and "bad" marginalized groups of mongrels vs tieflings, with Lann being self-righteous about both his moral superiority and how mongrels "have it worse", while ignoring that mongrels - and he himself specifically - are mistreated literally bc they are mistaken for tieflings.

btw if anyone wants me to talk more about mongrels vs tieflings thing, hit me up, i think there was a interesting stuff, even if not properly dramatized

meanwhile in bg3 being tiefling largely means nothing? like the refugees would sometimes like drop a line out loud about how tieflings should stick together bc humans won't help them, but like that's it. the refugees could literally be humans running from war or blue cat ppl from avatar running from capitalism and nothing in the plot or characters would need to be changed. tieflings is just cosmetics for them, like idk its cool to have colorful NPCs with fire eyes and sexy horns. And even companions wise, you know I love Karlach and tried to romance her, but being tiefling is just looks for her, its not meaningful. It doesn't matter for her backstory, she could have been a strong human from poor background who was sold out to idk, underdark. like it sucked bc she was forced to do violence and everyne was an asshole and she couldn't see sun, but otherwise it being Blood War specifically doesn't come into play. and like. Blood War has famously huge effects on ppl with hell heritage! I'm not saying she should have been Valen Shadowbreath with entire plotline about struggling with blood war calling, but like. idk, something?

my point is that tieflings and hell has a lot of lore and like, FLAVOUR in this setting, which were not explored at all. these are just ppl with horns and generic Bad Place.

and then like. devil essentialism. bg3 has central motive of how evil races are not ontologically evil, but like, devils are. sdfghjk. apparentely mind flayers can fight actual mind control if they are V Special, but all devils/demons are evil with no exceptions. karlach was in hell for 10 years and never met a single sympathetic devil. the closest one he had mocks IS Evil when we meet her in game. and I actually liked Raphael (transition could've saved her), but there is nothing particularily interesting about him, he's also straighforwardly evil. this severely limits how interesting interactions with hell are. in wotr there is a wide range from reformed succubus to most evil sadists, with every shade in between, which allows for complex stories, like that that fucked up love between that betrayer dwarf and demoness who seduced him. she's legit evil, but she also has actual twisted affection for him, and he knows she uses him, but he was pushed too far by humans and chooses her anyway. this background story is honestly has more depth than wyll's and mizora relationship, where shes just evil and he's straighforwardly martyr. when mizora offered to have fun wink wink, i immediately knew she's gonna Evil It. and she did. and she didn't even get anything out of it! it was just staining your soul to be evil:3 like ok, but boring tbh.

and like yeah war with hell is central plot of wotr, obviously it has a lot more to say and explore about it, but like. bg3 didn't HAVE to have to include so many tieflings and have us follow their stories through all acts. it didn't have to include hell in "no race essentialism" game if it didn't want to talk about it. it chose to, and when game has big chuncks of content about smth connected by a theme, i expect it to say smth about it? anything interesting? eh.

btw, this is not to say i think wotr's writing is perfect, far from it, i can talk for ages of my problems with that game's writing, but this initial phrase was from shitposts specifically comparng things in wotr to bg3, so

[punsbulletsandpointythings]

So I've been watching My Hero Academia and like

GOD ALL THE TODOROKI FAMILY BAGGAGE HURTS SO GOOD.

Like damn. What a complicated situation. I love that all the kids are handling things differently. I've already figured out the (obvious) Touya twist and BOY do I hope we get a reverse Darth Vader moment with that.

But also like. Fuck Endeavor with a rusty spork. He's a terrible terrible person. But gosh what a good character. That contrast between being a Great Hero and a Terrible, Abusive Father is a deeply compelling story, is definitely a part of how the show interrogates the idea of heros and the complexities around a society and culture of heros and villains.

We already see that complexity with All Might, and how by becoming a Symbol of Peace he's made it so he can't do anything but destroy his own body and still try to put on the smiling face for the public, and when he forcibly can't do that that anymore, for a few moments, the public turns on him, until he shows he's /still/given all of himself for the "Greater Good". Which is heartbreaking, and fascinating, I hope between him and Deku we get to examine that dynamic a bit more.

But that's like.....the needs of an individual being put aside for the expectations of society and how by being There for Everyone All The Time, All Might unintentionally became part of a system that can't really survive without him, so he can never leave, until he's forced to, and the plot becomes how society deals with that sudden lose of security.

With Endeavor, it's like. How do you come to terms with the duality of this person. He's saved so many lives, and in doing so, in his status rising because of his heroics, he turns around and commits atrocities. But it's not so much society forcing him into a corner like I think All Might is. Yeah societal expectations of heros probably played some part, but I think the larger part is the narrative pointing out how Endeavor's own drive, while I think coming from an initially good place, is corrupted by his own way of viewing the world.

We know he cares for people, he clearly can manage that on wider, impersonal scale. But he can't, or doesn't, apply that to his own family, because his own drive and desire to Be Better Than All Might outweighs everything else when he's not out in hero mode, thus: a Good Hero and at the same time, an Abusive Asshole Father.

And I like that, at least so far, the characters and the narrative won't let him forget that! Even as he tries to "fix things", I like how, as far as his family is concerned, he can't! He can try, but Natsuo and Shota, and even Fuyami, have no reason to trust him, and even less to forgive him, and I like that they say that! Like, good! I'm glad he's trying to be better, but fuck him!

AND I like that we see Shota seeing that juxtaposition of Good Hero v Terrible Father. I love that scene where he straight up says, "Don't pretend to be a good parent in front of my friends. I'm here for Endeavor, not Enji ((that's his name right?)) Todoroki, and I'm only here because it will benefit me and my training."

I don't entirely know where I'm going with this but it's all just! Such a good story! And there are so many other bits I could ramble on about (Fucking!!!! Bakugo???? Listen, as someone who was bullied for uhhhhh most of my pre-uni school life, if this were real I'd have OPINION. But it's NOT it's FICTION and GOD Bakugo and Izuku and their fucked up co-dependant situationship delights me, what delicious storytelling!!!) but I'm currently watching the Todoroki Backstories episodes of season 5 and ANNOYED (Read: delighted, again this narrative is WORKING SO WELL) that I'm so invested in Endeavor and his painfully slow realization of just how badly he fucked up!

Anyway, I'm gonna need so Todoroki Family Time Travel Fix-It aus please, because I want Rei and All Her Children to not get Backstory Trauma, so if anyone has recs (or like. MHA recs in general) HMU!