#even though this promise is the most shonen thing ever
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tokiro07 · 2 months ago
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Ichi the Witch ch.1 thoughts
[Me Man-Witch!!!]
(Contents: character analysis - Ichi, narrative analysis - implications/tone)
Listen. I know I said I wasn't going to do this, but I literally have thought about this chapter every day this week, I've got to say something about it!
This may or may not become a regular thing, though I think I'll be more willing to let a chapter slide now and then than I am with Undead Unluck since I don't want this to detract from my ability to write for UU
I'll probably just do a couple notes rather than deep-dives for this one, but we'll see how it compels me as it goes on
For now, though, I just want to point out a couple of things that stuck out to me
Ichi the Killer Hunter
The idea of "Death for Death," that life should be respected and only taken for the sake of survival (whether that be to gain food or eliminate a threat), is pretty obviously the central tenet of this series, but it's the way Ichi himself treats it that strikes me as interesting
He finds a creature, Uroro, he isn't familiar with and decides he wants to hunt it, but doing so arbitrarily violates his code of ethics. So instead of just going for the kill, he takes the time to set up contingencies for if he ever gets the opportunity and then, immediately upon hearing that men can kill said creature and women can't, decides to goad it into attacking him
Sure, it was already threatening another human, so one could argue that was enough to justify it for him, but even then, it was only once Uroro started actually attacking him that he declared the requirements for Death for Death had been met, and he eagerly retaliated
My point being that Ichi does not come across as a noble hunter with a deep respect for life; he comes off as a serial killer waiting for the opportunity to shout "self-defense!" so no one can question him
And I love that about him
It's like having Dexter Morgan for a shonen battle protagonist; this guy loves killing, but there are rules, and failing to abide by those rules would just make him a monster. Now, it is just chapter one, so there's going to be plenty of opportunity for Ichi's character to expand far beyond that point, but I promise you the line "killing things you don't mean to eat isn't hunting, it's murder" is going to come back in a major way sooner or later, and most likely it's going to be a mirror held up to Ichi's own life
Hidden Depths
Of course, that's just my interpretation based on how he's presented. Overall, this chapter was surprisingly vague, doing very little to establish Ichi outside of his past and basic philosophy and even less to establish anyone else in the world. We don't learn the name of the village girl that said goodbye to Ichi, we only learn the name of the Witch's Association (Mantinel) by reading it in the background, and we only get brief glimpses of three witches with two spells between them
Clearly, we aren't meant to have a complete understanding of this setting yet, nor its characters. We got the barest explanation of how the power system works (though it is certainly an interesting one even with that), and zero clue of what the goal of the story is
Even Uroro, the ostensible King of Magik, a millennia-old rampaging force of nature, is never actually depicted doing anything onscreen. We can assume that what we're told is true and he is that powerful, but in terms of combat ability, he simply tanks damage from Desscaras because she literally is unable to hurt him, and then dies in one hit from Ichi
This begs the question: how strong is Ichi? If Uroro is explicitly weak to men, then Ichi wouldn't need to be particularly strong to take him down. However, if Uroro is simply vulnerable to men, then Ichi's ability to end him so quickly is indicative of skill and strength far beyond what one would acquire just living in the mountains for a few years
Then there's the brief battle with Desscaras, wherein Ichi cracks her barrier; was this because of his own strength, or a strength boost from obtaining Uroro? Either one is perfectly likely, but based on the narration and his ability to beta Uroro at all, the implication seems to be that Ichi's physicality really does make him far more formidable than he would otherwise appear
But again, that could all just be smoke and mirrors to hide that Ichi isn't all that strong, and that he's only noteworthy because he's able to use magic at all. I doubt that's the case, but it's definitely a possibility. I certainly expect something from this introduction to wind up getting turned on its head somewhere down the line, whether it's Uroro or Desscaras not being as strong as they were reported to be, Ichi being abandoned in the first place because he's some kind of monster, or even that the male inability to use magic is an outright lie, I'm confident that something here is meant to be misleading
Tonal Shift
Hell, even the first chapter is pretty misleading in and of itself. The first three-fourths of the chapter range from somber to intense, with a little bit of comedy sprinkled here and there, but the moment that Ichi reveals himself to Uroro, the tone changes pretty much completely to being comedic
Uroro's reactions to Ichi are goofy, Ichi dispatches of him quickly and with a look of pure childlike glee in his eye, and then the ensuing conflict with Desscaras is chock-full of face faults and pratfalls. It's suddenly so lighthearted that it almost feels like a different series, like it wanted you to think it was going to be super serious only to say "psych, we're silly!"
Mind you, I have no problem with that, I'm just saying that there's a good chance it speaks to Nishi's intentions with the story overall and that she's likely willing to pull the rug out from under us at any time
But again, that's just my initial impression. Once we know more about the characters and have the feedback loop and goal of the story established, my viewpoint is sure to change pretty dramatically, even if only in the sense that everything I've said so far is in much clearer focus
Whether Ichi the Witch holds my attention well enough to justify consistent reviews is absolutely up in the air, but it's been a hot minute since I last read a manga whose first chapter grabbed my attention to try in the first place, and that's gotta count for something
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stackslip · 2 years ago
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FMA is the pinnacle of anime for people who dislike Shonen Jump action-adventure house style and don't realize that's a specific (if hyper popular) slice of anime that they can just not watch.
SCREAMS RIGHT, ok yeah sure it's good for a mid 2000s popular shounen battle anime. genuinely believe the og 2003 anime did far more interesting things with its premise even though it eventually collapsed and had its own issues. its ending is atrocious and unsatisfying, bar ed losing his alchemy. its female characters are seen as good bc they can pass the sexy lamp test but not by much. their designs are better than most other shounen at the time but again that's like gushing about mcu's black widow movie being a feminist achievement. people push back on the whole criticism re genocide, saying we missed the point, etc but their arguments are terrible and shallow and are missing the actual criticism, which is that the perpetuators of genocide are given FAR more screentime and sympathy than its actual victims! which is that the military is shown from the start to be evil and yet it ends with fucking mustang becoming the FUHRER. no abolition no it just continues and it's all fine. don't get me started on more i'm always frustrated lmao
anyhow. it's fine to enjoy fma and love it. i wish i didn't have to hear about how it's the greatest anime ever made and it's so much better than all other anime, which as we know are all stale shounen battle anime with sexy girls with no personalities. like there are no other genres or even works that are a bit less popular. but yeah genuinely believe that you can and should expand your horizons and read/watch more and like, find animanga that has actually GOOD and complex female characters beyond "they're badasses". i promise these exist out there, they're really good. i can even rec some if you'd like me to do so!
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animebw · 2 years ago
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I find it hilarious that you dropped Hell’s Paradise literally the episode before it outright addressed (and fixed, imo) the issues you have with it.
Well, I'll let you in on a little secret: it's not just that Hell's Paradise was bugging me in the gender department. It's also that it doesn't really have much to offer beyond that,
See, just because a work has Problematic Elements(tm) isn't really an indication of whether or not I'll stick with it. Fruits Basket is one of my favorite anime of all time, and we all know the kind of shit that show is capable of. What really matters, at the end of the day, is whether or not the anime in question is interesting or meaningful enough in other areas to justify me sticking with it through its ugly patches.
Example: there's another anime airing this season called Heavenly Delusion. It's this post-apocalyptic mystery thing that's like Shinsekai Yori mixed with Promised Neverland, but that doesn't matter. What matters is that there's a reveal early on where it seems like one of the protagonists might be trans, but then it swerves into gross territory instead. Basically, a younger brother had his brain transplanted into the body of his older sister who he had incestuous feelings for, and it's implied at multiple points that he still, well... has those feelings for this body, if you get my drift. It's an incredibly creepy detail, arguably worse than anything in Hell's Paradise, and I don't blame anyone who's too skeeved out by it to bother with the show.
But you know what else Heavenly Delusion has? Stunning animation, a great sense of mystery, some of the most electrifying, cinematic direction I've ever seen in TV anime, great chemistry between its main characters, and a constantly evolving story that activates my brain's theory-crafting centers like few things in recent memory. This show is a goddamn blast on so many levels that I can stomach this one gross element to enjoy all the other incredible things it has to offer. And hey, there's definitely an undercurrent of playing with gendered expectations running throughout its subtext, so this subplot might even end up going somewhere worthwhile when all's said and done. We'll see!
Hell's Paradise, though? I struggle to hold onto a single thought about that show by the time I finish watching an episode. Like, the action is neat, I guess? And the setting's certainly unique. But the characters are mostly flat, the dialogue is pretty trite all around, and despite how strong the action animation is, the overall aesthetic is just kind of ugly and unpleasant to look at. It's overly awash in dull fog and light bloom that desaturates the image to an almost painful degree; it's like trying to watch a show through a thin layer of vaseline smeared on my computer screen. It's clearly trying to do something interesting with its themes of the nature of death and killing, but it's all very Shonen Basic thus far. And with nothing else of interest to hang onto, I'm much less forgiving of, or willing to patiently wait out, its fumbled half-measures at reaching a point of Not Painfully Cringe on the gender front.
TLDR: Glad to head HP is turning around on that front, but the show's just not interesting enough for me to want to return to otherwise.
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sebbyisland · 2 years ago
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mob psycho ep 9 + 10 + 11 live reaction here we go
i'm going to be annoying!!! because i'm excited and this is my treat to myself after a very hellish 3 weeks!!!
i just wanna say i love when the op is like "DISTORTION" and you hear here the guitar distortion aahgfdl;skj
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this part reminds me of when all the dead characters from Gurren Lagann came back to cheer on the protag and the guy in the focus of the frame was the protag's older bro figure. cries. ugh shit like this is why i love Shonen T__T
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ugh i wanna draw this so bad
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OH MY GOD LOOK AT HIM STANDING WITH HIS LIL BOUQUET OHHHH THE BOY THE MOST BOY EVER AHHH
[yes i know what's about to happen im so. I'm so not okay]
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UGH HE'S GROWN SO MUCH. THESE EYES ARE FILLED WITH KINDNESS AND LOVE AND FRIENDSHIP IM GOING TO LOSE MY MIND
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CRYING. SHAKING. THROWING UP. TOSSING MY DEVICE OUT THE WINDOW. AHHSDHGFEHHREJWEWRHIGE: THE SCORE IN THIS SCENE IS SO SOMBER AND TRAGIC LIKE IT RLLY EMPHASIZES THE EMOTION MORE THAN THE ACTION OH MY GOD BECAUSE HE'S SAD!!!! MOB IS IN PAIN TERU IS IN PAINNN OHHHH
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THIS WAS SUCH AN INTERESTING ART DIRECTION LIKE IT'S NOT CONFIRMED BY HEAVILY IMPLIED THAT TERU IS THAT STRAY dask FALLING FROM THE CLOUD OF IMPACT??????????? OH my god.
i really really really REALLY LOVE THE SOUNDTRACK FROM THIS EPISODE I DEF NEED TO FIND IT LATER! It does such a good job taking us through Teru's whole emotional journey ugh
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YOU'RE DOING GREAT BBY IM SO PROUD OF YOU!!!!!!!!
also lol did anyone make "yeet" memes about when Teru got tossed like a ragdoll or are we too cool for yeet memes now
i knew bones would pull through but ahhhhh Mob gradually losing his human form has been really cool to see animated <3
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the animation for this episode is so insane like if gurren lagann actually had a budget. sorry for constantly comparing to gurren lagann but like. pls if you are reading this PLEASE WATCH GURREN LAGANN I PROMISE IF U LIKE MOB PSYCHO 100 OR MY HERO ACADEMIA OR CHAINSAW OR ANY OTHER THING I SCREAM ABOUT ON THIS BLOG. YOU WILL LIKE GURREN LAGANN. anyways.
The performance in ep 10....absolutely stunning from every possible angle...down to everything..this episode..the pacing...the voicE ACTING UGH.....wow... WOW!!! AMAZING!!!! I'm probably really bias because i emotionally love this part in the story but haha yeah....yeahh i love ep 10.
Ritsu once again the only one with brain cells and puts together what's going on SO quick cause even though he doesn't "understand" his brother he knows his brother like no one else. i'm never not emo about Ritsu. i love Ristu and Mob's relationship. ugh ugh ugh
the opening to s3 is so wild i notice something new every time i watch it. love that. reminds me of s1 <3
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OH IM SO GLAD THEY KEPT HIS EXPRESSION FROM THE MANGA HERE
aw i like the detail that Ritsu left his coat for Teru......
lol they censored the fact Kageyama's friend almost got totally stabbed through a vital point by replacing the rod with a flat surface
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i cant fucking DO THIS ANYMORE
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wow i don't even have the energy to liveblog this episode it's so amazing and gorgeous and creative and emotional it's everything everything everything
good night! time to see if i manage to brainstorm a decent fanart idea
also i just want to say i really love reading the animation breakdown analysis over here for each episode, it's been really funny and i highly recommend!
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rainingskyguy · 5 years ago
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Alternate First Meetings, Ukyou & Senku
Disclaimer: I have not yet finished the manga. I do not know who Ukyou actually is lmfao.
I (now) know the promise was made over the phone, but this scene was inspired? and based off? i guess? by @a-stone-world-saga ‘s own scene rewrite that you guys should definitively check out if for some reason (how??) you haven’t yet.
Enjoy?
-o-
"Zero deaths?" Senkuu repeated, something shifting in the lines of his face. Suddenly he was no longer open, nor cordial. Suddenly, Ukyou was staring at a man who had been stewing in anger for three thousand years. "You want to win this war with zero deaths?"
 Ukyou's hand tensed around his bow, unsure of how to react to this abrupt change in attitude. Despite the anger simmering behind ruby-red eyes, Senkuu's heartbeat was eerily calm. "I-I know it might be hard to achieve, but-"
 Senkuu stepped forward, a smile on his face. "When does the tally begin?"
"...Excuse me?"
 "Yeah," Senkuu said. "When do you start counting for this zero death nonsense? After you defected? After you coming here? Or did it start today? Or will it start tomorrow? Come on, tell me, Mr. Hero. When do the deaths start to matter?"
 "I don't... I mean, I know, that there is blood on both-"
 "What do you know about that?" Senkuu said, drawing even closer. Somehow managing to look as exhausted as he was angry. "What do you know about the lives your side has taken? What do you know about the lives, futures that Tsukasa has shattered? What could you know, of how heavy these deaths are?"
Ukyou was the first to look away.
Senkuu exhaled, letting the anger escape like the breath through his lips. "If you're not ready to shoulder the burden of your inaction, the crimes of your past, don't come begging me for empty words."
Ukyou looked down, feeling something knotting in his stomach.
Senkuu sighed.
“I can offer you a place to live.” He began, none of that previous anger in his voice. “I can offer you a job that doesn’t require you to kill anyone. I can promise you we’re going into this war looking for the least amount of casualties. But it is far too late to ask for zero deaths. Far too foolish.”
“Would you really let me stay? Even- even if I didn’t fight?”
“The Kingdom of Science welcomes everyone.” Senku declared, standing proud and tall. But there was no forgiveness in his eyes. “But Ukyou, life is not a fairy tale. What you decide to do or not do, will affect other people. So choose carefully.”
If you choose not to fight, your inaction will kill more people. He didn’t need to say it. Ukyou knew. He knew too well.
The grip he had on his bow was bruising. He gritted his teeth.
He could stay. Despite everything Senkuu would let him stay. Even if Ukyou proved to be as much of a coward as he was an idiot.
“How… how many have you…?”
Senkuu sighed again, even as his heart missed a beat. Fear? Sadness? Worry?
“Directly? A few.” He shrugged airily, carelessly even. But his features were carved in stone. “Indirectly? Well, I was the one to revive Tsukasa and start this mess.”
Ukyou stared at him, wondering if he was hearing correctly. Stupid, really. There’s no way he would have misheard that.
His earlier words come back to mind.
What could you know, of how heavy these deaths are?
He couldn’t help the nervous grin that spread on his lips as he understood.
Senkuu narrowed his eyes at him. “What?”
“When I- when Yuzuriha-san told me about you… when she said you were kind I thought… I thought you were an idiot.” Ukyou couldn’t help but chuckle weakly. “I mean, so am I. More so than you. But… But I wasn’t expecting, well, you.”
“…What does that mean?”
Ukyou breathed in, out. Trying to keep his nerves under control. “Okay,” he said, a non-sequitur. “Okay I’ll join you. And- and I will fight, for you. For the Kingdom.”
“Where does this sudden change of heart come from?”
“When I asked you for a zero death war- I mean…” He tugged his hat down on his eyes, shadowing them completely. “In war, not one side ever thinks they’re in the wrong. Of-of course they don’t, otherwise there wouldn’t be… But never, not a single war has the same amount of deaths on either side. Nobody takes on another’s burden. You could have… you could have just blamed it all on Tsukasa and called it a day. But you didn’t.”
Senkuu was silent. Ukyou chanced a look up.
He looked maybe just as angry as before, but suddenly all Ukyou could see was the lines of exhaustion under his eyes, around his mouth.
All he could see was a grieving man.
“I,” he swallowed. Began again. “I hate killing.” He confessed. “And I’m not… I’m not ready to kill again. But… But I think nobody in their sane mind ever is. And- and you’re shouldering all of this on your own, even though nobody expects you to. And I want to help you. Not just because I’m on your side now. But because I feel like that’s the right thing to do.”
He extended his right hand again, half-expecting to be brushed off.
A calloused, scarred hand met his own in a firm shake.
“Welcome on-board then. Saionji Ukyou.” The anger was still there in his eyes. But the grin on his lips was sincere, and Ukyou knew he’d just have to learn to deal with this human dichotomy. “The Kingdom of Science is happy to have you.”
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psychewritesbs · 3 years ago
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Chapter 159: Justice is blind + Foreshadowing from chapter 6 and JJK0?
This chapter we’re introduced to Higuruma, one of the players in the Culling Game with 100 points who Yuji and Megumi will most likely target in an attempt to add new rules to the game. 
As I mentioned before, JJK is the equivalent of Murphy’s Law on steroids and we are guaranteed for Gege to pull the rug from under our feet. For all you know, the odds that Higuruma agrees to help them without a problem are 50/50.
Onto this week’s theories... This is a long one so brace yourself.
Higuruma’s Shikigami is the stuff of nightmares
Higuruma’s Shikigami, if that’s what it is, is loaded with symbolism. Perfect for my Cursed Technique of reading between the lines and over-thinking every single detail.
What I love about Higuruma is that he is a man on a mission--sort of like a Shonen Protagonist. He is single-minded in his pursuit of saving those he sees as victims to the monster that is the Japanese legal court system.
Despite continuing to put himself on the line for the people he is trying to “save,” the oppressive system that they are part of makes it impossible for him to achieve his goals. And yet, he keeps trying to fight the beast that is the legal system even when the odds of him ever winning are .1%.
In the end, it isn’t the legal system itself that breaks him, but rather his own unwavering conviction combined with his frustration and the anger from those he promised a victory he was not able to deliver despite his greatest efforts.
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The only thing granted to all is an unfair reality
Lady Justice has been depicted as blind since the 16th century. Her blindfold is meant to represent her objectivity and impartiality before the law.
But Higuruma knows that a 99.9% conviction rate is anything but objective and impartial. Keeping his “eyes open” is his desire to bring awareness to a system that is broken.
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What I found interesting, however, is that while Higuruma is intent on keeping his eyes open, his Shikigami’s eyes are sewn shut, as though they are being forced shut by thread.
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If there is anyone who is closest to embodying the ideal of blind justice, it is Higuruma.
This makes me wonder how we’re going to see Higuruma’s character evolve, especially as he comes across Yuji and friends.
Higuruma vs. Megumi/Yuji?
Remember I said Higuruma might be willing to help Yuji and Megumi add a rule? I don’t think that’s what’s going to happen, but it is still a possibility. He does seem like a fair (pun intended) person after all.
What’s being set up, I feel like (and I could be wrong), is a showdown between two opposing belief systems: 
Higuruma’s blind trust in serving and facilitating justice vs Megumi’s self-serving justice.
Ironically, they both 
want to save good people, 
neither considers himself to be a hero, and 
their sense of justice is self-serving... they just have different criteria for what that means
Higuruma wants to facilitate justice for people who are innocent but are victims of the Japanese Law system. He’s done the research and he believes these people to be innocent and as having done nothing wrong. 
On the other hand, Megumi wants to facilitate justice for people he cares about no matter how potentially dangerous they are (and this last bit is really important). 
I realized recently that despite Sukuna having killed a lot of people during Shibuya, Megumi has not attempted to kill him since the Cursed Womb Arc. 
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Remember, Megumi has said he’s responsible for those deaths since he was the one who saved Yuji.
In addition, not only does Megumi need Yuji’s strength to save Tsumiki, but I am going to go as far as saying that Megumi cares deeply for Yuji to the point he still doesn’t want him to die even after everything that has happened up to this point.
Which begs the question, how is Higuruma going to react to Yuji’s existence?
This brings me to the possible foreshadowing from all the way back in the Cursed Womb Arc and possibly even JJK0.
Foreshadowing from chapter 6 or Crack Theory?
When I first read the new chapter I was intrigued that one of the characters Higuruma is defending as an attorney has a similar backstory to Tadashi from back in chapter 6.
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Although their face structure looks similar...
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The circumstances are slightly different in that Tadashi’s case involved driving without a license and Higuruma’s client was drunk driving.
But if we’re willing to suspend judgement for a minute, this is important because, if it is, in fact, Tadashi he is referring to here, then this panel just goes to show that Gege foreshadows like a boss. 
And what if that girl who got ran over happens to be Rika from JJK0? 
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There isn’t necessarily concrete evidence that Tadashi is the one who ran Rika over AND I would need to look at the timeline of events more closely, but if it IS the case... talk about butterfly effect in action.
But the foreshadowing doesn’t end there. Someone pointed out that in chapter 143, Megumi tells Yuji they aren’t heroes fighting for justice and that no one can truly ever judge JJS.
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So... no one can judge sorcerers, unless judging is exactly what Higuruma has been doing to rack up points...
The fact that Higuruma has 100 points tells us he’s been on a killing rampage, and from everything we see him go through in the chapter and from that look on his face in the last panel, we should not be surprised that he’s gone off the deep end.
Honestly, characters who loose their shit (hello Feral Megumi) are one of my favorite things about JJK.
I am writing all of this because it goes to show that Gege does not show you anything in his story that doesn’t have meaning in the grander scheme of things. Which leaves room for interpretation about whether Saori and Yuko will have roles moving forward.
Right along these lines, in looking for a specific line from chapter 9, I ran into this little gem:
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Is this foreshadowing about Tsumiki too? 
Maybe, maybe not.
As I said before, half the fun is in going through the journey of JJK unfolding before our very own eyes, while putting the pieces together from all of the breadcrumbs Gege dropped along the way.
But the fun doesn’t end there. I am fascinated at how as a fandom we willingly get traumatized when Gege kills off everybody and their mom that you cared about, while simultaneously loving every single minute of it.
We know it’s coming, and we’re there for it.
That’s Gege’s Cursed Technique for you... he gives you what you didn’t know you wanted.
Gege setting up the stage for madness
All in all, Gege has been painstakingly setting the stage for the madness that is to come during the Culling Game and the hype just keeps on escalating. If the Culling Game arc is anything like Shibuya, we can expect, again, Murphy’s Law in full effect. 
I was chatting with @darthdutton​ about how I started reading the Shibuya Arc only a few months ago and therefore I did not get to experience it as it was unfolding. 
It makes me so happy that I now get to experience the Culling Game as it happens and I am both so distraught and excited for whatever comes our way.
And when I say “whatever comes our way” I mean that I trust Gege to continue to surprise me.
I am here for the hype but I stay for the story
I loved this chapter! 
I thought it was the f*cking bomb.com because you can see Gege starting to tie loose ends from possible foreshadowing he shared at the beginning of the story. 
Plus, we got to see his story-telling skills in action as he creates yet another relatable character.
I truly admire Gege as a writer--the fact that he can come up with a story on a week-to-week basis, execute on it, create very human and relatable characters, set up foreshadowing all the way back at the beginning, and drop breadcrumbs along the way is just mind-blowing to me.
God, I love Jujutsu Kaisen.
Anyways... this was a bit long but I just felt like I had a lot to say about this seemingly insignificant chapter. Hope you enjoyed it, and as always, I am looking forward to hearing your thoughts on it! 
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shroomystar · 2 years ago
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I want to try to get into Fairy Tail, do you know what's the appeal behind the series?
hey!! first off i wanna say i'm glad that my art is making you want to get into fairy tail (i assume?? lol). second of all, fairy tail has a huge place in my heart since it's one of the first animanga i was ever really hugely into, and also the ship that meant the most to me for a long time (gray/erza lol). i got into it when i was a teen, and enjoyed it, but looking back on it, it has a ton of problems (aka sexualization of female characters, and the writing is also just. not good a lot of the time lol).
if you're willing to give it a chance despite that, go for it! what i still love most about the series, and what's the reason i can't really let go of it are the characters, mostly. there's a ton of great and really fun characters, a ton of interesting relationships, and the world is pretty charming, too. i like the magic and the guild worldbuilding -- and though it's pretty cliche for shonen, the connection and the friendship/family feeling those mage guilds have is just pretty nice. again, i was into it when i was a teen, and most of my feelings for it are nostalgia, so i can't promise you'll enjoy it, but those are the things i like most about it <3
also, idk if you're super opposed to that, but i'd recommend the manga over the anime. it's what i was most into -- i watched some of the anime, but not all, and i read all of the manga multiple times. some of the filler episodes in the anime are really weird, boring, and even mischaracterize characters, so it personally used to confuse me as a teen, lol.
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freewilllife · 3 months ago
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Yeah...it's like a typical tradition for shonen series...but in jjk, I do adore the relationship between the main trio. They have helped each other & also called each other out if they happens to make stupid/ wrong decisions. I love the fact that the author didn't put a love triangle thingy between them which I've often seen in other series & personally not a fan of that troupe. Also the tragic trio (Gojo-Geto-shoko), the way they turned out...it was beautiful but heart breaking.
That´s nice......I apprecieate it as well, even though Gojo is Kakashi 2.0...except for his beautiful blue eyes. Everytime I see Gojo...I think...Kakashi, whar are you doing here? He appears much older than the three when he covers his eyes. In the minute he shows his eyes, he appears strikingly young though like he is a student himself.
Yeah. I feel like the author tried to show the mindset of typical Japanese teenagers (I might be wrong tho as my statement sounds like a generalized one) but I have seen such staffs pretty common in Japanese shows, which ofc I don't like at all & such mindset should not be promoted even for a joke imo.
Yup, it does not need to be in the series. It is a waste of space, better add a few really funny scenes.
Again same reason...the characters are a part of an institution (like a school) & typical Japanese high school girl's uniform is mostly skirts so.... Also Maki (after her reborn), Yuki, Shoko...they do have more bold & masculine look (& look cool on that appearance too!)
Yes, I understand this, but the one who decides this is the author/mangaka. Skirts would be in such situations more a hindrance and do not protect the legs of the girls.
The uniforms could be worse like in Sailor Moon for example, since there they are even shorter and protect even less leg.
If it was a situation like in Pokemon, where they just stood around, then it would be at least not important. Ash Ketchum could have worn a skirt while fighting, since Pikachu was the one actually doing the work.
Actually, I do not understand why all characters have no combat outfits...like uniforms with more protection in certain areas...They can be physically attacked after all.
What I really like abt jjk is the author shows everyone's perspective both good sides & bad sides and doesn't undermine one's pov to glorify the other. The MC Yuji was a weak teenager who went though a lot to reach where he's now. His development didn't happen in just 3 days!! Also Gojo has been shown as the mightiest sorcerer of the series, yet he got defeated, not like a certain character we know who can get 1000 arrows but would still be fine. Gojo also had many issues & the author didn't glorify those (I love Gojo sm but I also love that his flaws were addressed in the story!)
Oh, then I can look forward to some interesting stories. Nice!
But is Yuji not the one who was strikingly fast and strong for a normal person? Is there ever a reason given for his unnatural strength? The MC is a really nice person and I like him, even though he might be not my favorite.
I guess that might be because Gojo has not the MC´s halo...if you are not the main character, you can be defeated, though even Yuji was at least defeated once.
Gojo appears to be a little dramatic with his monologues at the beginning but I guess he has his reason.
Jjk ofc is not a perfect show. It has many issues but overall I really enjoy it & looking forward to what kind of ending is waiting for it as the show is ending this year & Ik it won't probably be a happy ending😔 Still I'm trusting Gege on it!!
No, most likely not, but which show is! Though I still have to think about some things while watching...and then I do recognize it every time...unfortunately. Overall, I do hope, that I will really like this show. It sounds and looks promising.
But wow...surprise! I somehow picked another show with a possible bad ending? The ending of demon slayer was a little shocking in how much people died....
Jujutsu Kaisen
The rule in this series appears to be - like in many other shonen - one girl per group. And every really strong person has to be a guy.
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hinatabestie · 3 years ago
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what gets me the most is naruto may huff and puff about it to put up a front but at the end of the day naruto just so obviously loves sasuke as a person. like obviously he's in love with him but those moments in which naruto makes it clear he loves sasuke in a way where all he wants to do is build sasuke up mean so much to me - he wants sasuke to live a long life, wants to help him become strong, wants him to find peace, wants him to find happiness, etc. he just loves this guy you know and in my mind at vote2 when sasuke is still skeptical and naruto goes 'cmon don't you get it by now! 🙄' that's just another way naruto is trying to tell sasuke without telling him that he loves him in that way, in a way that he will never take back, so he obviously cares about what happens to him. and sasuke has that realization and he cries. does this make any sense.
i just love that more than anyone in the series, naruto cares about sasuke in a way that makes his happiness and wellbeing a priority. like absolutely naruto has his stupid crazy moments (i'll break all ur bones if that's what it takes) and his own selfish moments of wanting sasuke back for the sake of just having him back in the village bc naruto likes all his important people close to him but i appreciate that naruto even acknowledges that himself. he's the first person who confesses 'i didn't understand everything about sasuke the way i thought i did and that's why we could never laugh together' or whatever and starts to think about what he can do to be a better friend to him - while everyone else in konoha/team 7 is giving up on him lol. idk correct me if im wrong but i think he's the first person to do that and the only person who's resolve never wavers in that. like at least he tries. and even though the ending sucks and sasuke's 'punishment' was bs and it makes no sense for sasuke to leave bc of his rinnegan or w/e at least we see that last shot of sasuke and naruto at peace and naruto letting sasuke go without kicking up a fuss because he knows now that wherever sasuke goes he will be ok - i.e. all naruto ever wanted for him. he doesn't force him to stay, doesn't forcefully follow him again against his wishes... just lets him do what he has to do. to me that's naruto loving sasuke.
again naruto's not perfect in some of the things he says to sasuke. sasuke offering his death at vote2 as a solution was awful but telling of how he believes he has nothing left now that his fate is in the hands of konoha and retcon had naruto offering a lot of promises to sasuke that ultimately turn out to be empty. eventually you figure out it's not surprising that sasuke's anti-military state/anti-authoritarian rule ideologies were never going to survive in a shonen manga where the protagonist's ultimate dream was to become hokage lol. soon kishi started reworking sasuke's revolution to make him look evil and crazy and the plot suffered huge nosedive after nosedive etc etc
but bad ending aside, it still means a lot to me that canonically shippuden is a story of naruto fighting to keep sasuke alive out of love.
so that's why i still think the way naruto loves sasuke is one of the, if not the, most impactful and selfless forms of love sasuke receives throughout the series. it makes sense that it's naruto too since this is the person who sasuke says himself 'knows his heart'. and if the ending had followed the trajectory of early naruto/early shippuden and championed radical reform over the lie that konoha is infallible then we all know how that would've gone and naruto would've stayed in character in choosing sasuke over everything else bc that's what he's always done anyway and sasuke's own dreams wouldn't have been supressed in favor of naruto's and *makes myself sad* I dont know i just *cries* :(
#*doesnt make sense*#everyone who claims to care about sasuke over the course of the series ultimately just wants something out of him#naruto at first too he wants sasukes acknowledgement#but the second he promises to die with sasuke i think that changes#he's not thinking about what sasuke can give him anymore but what he can give sasuke#and at vote2 sasuke has to TELL naruto like hey didnt u notice. i just acknowledged you.#and narutos like wh????? like he's not even THINKING about that anymore!!!#that's so funny bc that's everything he's ever wanted from sasuke but in the end that doesn't even matter he just wants to save sasuke from#being alone#and prematurely ending his life. a life which naruto considers precious. the life that saved narutos life!#orochimaru wants a vessel/his sharingan. kakashi wants his compliance. sakura wants his romantic love. taka wants his leadership#itachi wanted his endless suffering as a way to transform him into a weapon then said he did it cus he loved him. ok#like whos left.#meanwhile narutos like i love u so much i am willing to give my life for you and die with you bc it means that much to me to finally#understand you even if only in the next life because it is unbearably painful for me to see you alone#??????????????????#if naruto had been written right his love for sasuke wouldve been the revolution period.#if naruto had been allowed to love sasuke the way he wanted to he wouldve confronted konohas corruption so fast...#he wouldve had to to make konoha a place sasuke was comfortable stepping foot in#again after everything#im exhausted now 😭
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jortsaaaaaaart · 3 years ago
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Three Hearts- Tendou x Reader x Ushijima
Soulmate AU- updates will be posted to https://archiveofourown.org/works/32830702/chapters/81464533
You remembered Sendai as being cold, so, so cold. The summers were short but they were also filled with many days spent exploring. You were part of a binational family. Your mother was from the United States, your father from Japan. Most of your early childhood was spent bouncing between the two countries before, finally, it was decided that the schools in Japan were much (much) better. It wasn’t too much of a culture shock. But the freedom Sendai offered was intoxicating. In Japanese culture it was perfectly acceptable to send your child out on errands, or let them visit the local park, on their own.
It was on one of these after school excursions that you ran into your future best friend. 
A humid June evening had you trailing along the bank of the local river. Cicadas and the current drowned out almost all other noise. You were debating turning back or taking a wade in the water when you saw a shock of red. There was another kid sitting by the river. One with a pretty vibrant bowl cut. However, when you got closer you realised his hair wasn't the only thing that was red.
"Uh, hey." You murmured, feeling more than a little awkward. "Are you okay?" He almost jumped out of his skin. Wide red eyes snapped towards you before hiding away.
The redhead hastily wiped at his eyes. "Y-Yeah."
"That didn't sound all that convincing." With a sigh you plopped down next to him, watching as he curled in on himself. You'd never been one to mind your own business, not even as a child. Seeing someone crying by themselves was an instant invitation for you to barge in and try to help.
"I'm fine."
"You're crying."
"No I'm not!"
"Hmm. . ." You leaned back, looking over the river. "So what's your name then? If you don't tell me I'll just have to call you cry baby."
“. . . It’s Tendou Satori.” He muttered. Tendou was eyeing you warily, like a stray dog afraid to take a treat from a stranger.
"I'm (L/N) (F/N). If you want me to leave I can, but you just looked so sad sitting here alone." You gave him the warmest smile you could before returning your attention to the water. Satori's red eyes stayed locked on you but he didn't ask you to leave. A few moments passed in silent solidarity before he spoke up.
"I'm usually alone."
"I know how you feel." You sighed.
"You do?"
"Well, yeah. I moved around so much before grade school that I don't know anyone here." You paused. "But, hey, now I know you, right?" Your smile made Tendou forget all about the tears. His cheeks flushed pink under the setting sun.
"Why are you being so nice to me?" Asked Satori, who desperately wanted to believe you were being genuine. But years of abuse had a hold on his heart.
You blinked. "Why wouldn't I be nice?"
". . . 'Cause I. . . Everyone says I'm a-"
"Ah! Look guys, it's the monster!" A group of children walked up behind the two of you. They were pointing at Satori with mocking grins. "You shouldn't get so close to him, he'll gobble you up!"
"Monster?" You glanced over at him but he was purposefully avoiding your eyes. If possible he would've liked to completely melt into the grass. Away from everything and everybody. But you weren't sinking into the ground, you were rising up. The bullies took a step back as you stomped up the embankment. "What gives you the right to call him that, huh?"
"W-What?" The ringleader stammered. "You've seen him, he's a freak! He shouldn't be allowed near us normal huma-"
He fell to the ground, clutching his cheek. Everyone's eyes were wide and glued to you. 
"Y- You just punched me!?"
"And I'll do it again!" You stared down the boy while his friends helped him to his feet. Before you could say anything else, or fight a 1 v 4, someone grabbed your hand. Tendou dragged you away while you stuck your tongue out at the still stunned bullies. 
Neither of you would ever forget that day. It was the start of a lifelong friendship, and eventually, something more.
On your first year of middle school you officially learned what soulmates were. It was assumed most parents would give you the talk before then, but the school board wanted youths to be prepared. 
"They taught us about soulmates today in class." You were both lounging around in his room reading the newest Shonen Jump. You sat next to him on the bed, trying to keep up with his reading speed.
"Yeah?" You hummed.
"When you turn 18 your soulmate's name appears on your wrist. . . But, if you're older than them you have to wait for their birthday so the marks can appear at the same time. . . And then some people don't even get a soulmate." He wasn't paying attention to the manga anymore. His eyes were fixed to the floor while his brain waged war against itself. Tendou had been sure you were his soulmate since that first night. The butterflies in his stomach still hadn't gone away and every time he looked at you he felt like a pile of mush. 
But, still, the 'I think you're my soulmate.' died on his tongue replaced with something much more depreciating. "I'm probably one of those people. Monsters don't get soulmates after all." His grin was shaky at best and you saw right through it.
"Don't call yourself that." You chided. "And of course you have a soulmate, Tori. Someone out there doesn't know how lucky they are. Soulmates with the best volleyball ball player ever. And the greatest friend ever, too." 
You flopped down, holding your wrist in front of you. "I don't know if I'm excited or nervous."
"Well, it's a good thing, isn't it? Having a soulmate? You'll have someone who belongs with you and will love you no matter what." You pouted at him and he smiled, continuing with his speech. "I can't wait till we turn eighteen. And I know you can't wait either. Even if you're being a baby now."
Tendou had your eighteenth birthday planned out for years. Step one, he'd take you to the river where you met. Step two, shower you with presents and affection. And step three, wait for your soulmate's name, his name, to appear. Step four (profit), live happily ever after. However, like many things in life, it didn't go quite as planned.
On March 21st, right after the end of your final year of junior high, your mother died. It wasn't a shock, she had been sick for months, but the pain was still unbearable. Your mother's side of the family wanted to bury her in the family plot. An old tradition from an old, rural, part of America. Your father gladly handed the responsibility off to them. 
Tendou remembered begging his parents to let him see you off at the airport. He remembered how red and puffy your eyes were, the sad smile on your face when you promised him you'd be back soon. 
But you weren't. 
Your father was in no shape to take care of you. Burying himself in his work to try and forget his loss. February came around and you had your 16th birthday in America. The first year of highschool had started without you. Tendou sent you pictures from Shiratorizawa every day, making you promise to try and get back as soon as possible.
Another February came and went. Your father was getting better and you were slowly but surely convincing him Japan was the right place for you to be. Tendou texted you every day, talking to you about his volleyball matches, his friend Ushijima, how much he missed you. 
It was your third year of highschool and finally, finally, you were heading home. You told Tendou the news as soon as you knew. He seemed even more excited than you. You knew why, even if you didn't say it. Tendou had always been the one you thought of when you imagined your soulmate. But. . . There was something else you couldn't quite put your finger on. The whole thing made you nervous, so you kept your feelings to yourself. 
Tendou stayed up all night on your birthday, hoping, praying. His eyes never left his wrist for a second and finally at 2:45 a.m. , something happened. Your name, in your sloppy, too quick, handwriting, appeared. The relief of ten years of wondering washed over him. He laughed, breathless and giddy. He immediately messaged you, sending you a picture of his wrist before a barrage of messages, most of them legible.
A minute passed by, then ten, then twenty. . .
You had to see it too, right? So why hadn't you said anything? You hadn't called, texted, or, hell, even emailed him. Tendou started to feel his heart sink with each passing moment. 
What if you were disappointed?
Tendou's breath caught in his throat and he could feel his face burn. His phone clattered to the ground as he sank down into his bed. He tried to calm himself down, he didn't know what time it was where you were. Maybe you were out celebrating your birthday or sleeping? He just needed to sleep it off and give you time to respond.
Chest tight, Tendou waited. He waited till hours turned to days and suddenly it was March and his heart was broken. He wasn't sure what was going on at this point. You two had almost never gone a day without talking. But you hadn't read any of his texts or snaps. Eventually he stopped messaging you all together.
But he hadn't given up. He knew you were flying back to Japan soon and he was determined to ask you what the hell was going on.
By mid March you had moved back into your old home. Your father had graciously gotten a moving company for you and your meager belongings. Somehow he failed to show up himself though. You didn't blame him though, he was busy and you haven't been the best company recently. Before leaving America your grandma had begun calling you the walking dead. You were barely sleeping, your eyes were puffy with designer bags hanging heavily underneath. She understood why you were feeling so down and she was empathetic, but the rest of your small town wasn't.
You thought about the timing of it all as you began to unpack. The first box, full of books and notes, was barely empty before the doorbell rang.
Tendou was standing on your doorstep. Your soulmate was standing before you, and your first thought was to shrink back and pretend you weren't home.
He rang the bell again. "(Y/N)! I know you're home! I just. . . I just want to talk okay? . . . Please?"
Tendou stepped back as the door swung open. You were holding your wrist close to your chest, looking anywhere but at him. He could see how red your eyes were, though, and thought they matched his completely.
"Why?" He muttered. One pitiful idiot to another. "Was it so fucking awful? Having my name on your wrist?"
"It wasn't. . ." You started. "Tendou, it wasn't just your name." 
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shih-coulda-had-it · 3 years ago
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Headcanon gran was mute in his younger days like the only people who hear him talk was people close to him nana etc. But still a man of few words like hearing him talk was if hell froze over (after nana died he had to start teaching so communication was a must) defiantly know sign language.
I like this headcanon! It fits well with what's been given to us, which is Sorahiko being relatively silent until Nana's dead. Extra notes: From multiple Google searches, JSL is mainly taught to the deaf, and even in the community, there are divisions amongst vocabulary. Japanese Sign Language (JSL) has three forms, and uses fingerspelling and mouthing as supplemental context tools.
This ficlet is in Toshinori's POV because I couldn't quite lock down on when I wanted this version of Nana and Sorahiko to have met.
//
It’s Toshinori’s first time meeting Shimura’s partner, and he is not ready.
He had thought he’d been ready for anything, that first afternoon he chased Seventh Wonder down the path along the canal: a gentle pat on the shoulder before discouragement, derisive laughter, or worse. But against all the odds, Toshinori’s earnest (and frantic) pitch found a willing listener.
Seventh Wonder introduced herself as Shimura Nana three months ago. She advised him on workout routines, and on weekends, she went through grappling maneuvers and recounted stories about life as a pro-hero.
Toshinori hadn’t dared to let himself think Shimura was treating him as anything but a charity case. But last month, Shimura’s stories had acquired a different, almost conspiratorial tone. She also began instilling in Toshinori a rudimentary knowledge of Japanese Sign Language.
(This latter development is blithely reasoned away as dexterity training. As for the former...)
Last Sunday, Shimura revealed herself to be in possession of a transferable stockpile Quirk.
It remains a miracle to Toshinori that Shimura trusts him not only with the knowledge, but also the actual future of holding One for All. Of potentially fulfilling his dreams to lift Japan out of its paranoid, panic-ridden state. Sure, the drawbacks are scary (All for One? Blowing off his limbs?) but Shimura assures him that she has plans.
One of these plans is her partner, Gran Torino.
Toshinori knows practically nothing about the man. Shimura doesn’t gossip, and no matter how Toshinori scoured the Internet, he couldn’t even find a picture. The most he has is what’s on the Nippon Hero Association’s online registry.
Gran Torino. Quirk: Jet. Active for three years as opposed to Seventh Wonder’s nine.
He reflexively slows his pace to the meadow where Shimura trains him, eyes widening at the stranger standing beside Shimura. Tall, imposing, clad in a brown leather jacket and denim jeans and Western cowboy boots. His hair is silver. He is gesturing at Shimura and mouthing in time with his decisive hand movements, but try as Toshinori might, he cannot hear a sound.
Shimura signs back, smoother, until Torino (it’s got to be Gran Torino) disgruntledly brushes his sternum and sets his fists waist-high for a second. A concession. For what problem?
She glances around Torino and spies Toshinori, who is stock-still because he might have been the cause of an argument between Shimura and her partner. She smiles; Torino grimaces with a tight-lipped frown. “Yagi-shonen! Come over here, don’t be shy!”
“Shimura-san,” Toshinori greets, rushing to close the distance. “Sorry if I’m late!”
“Ah, no,” says Shimura. “It’s more like we’re early.”
To Gran Torino, Toshinori executes a quick bow and comes up with his hands fumbling through an introduction. “Good morning,” he says, clumsily spinning and crooking his fingers. He’s learned this. He’s learned this. “My name is Yagi Toshinori. It’s nice to meet you.”
Torino blinks down at him. His expression is unreadable.
Toshinori gulps. “Did I do it wrong…?”
As Shimura hums a noncommittal sound (which is universal for, ‘Well, it could’ve been better,’ which Toshinori is certainly not about to disagree with), Torino critiques Toshinori’s attempt in a single soul-evaporating word.
“Hasty.”
“Sorahiko,” Shimura chides in a fond tone, and she knocks her shoulder into his, friendly and affectionate. Torino exhales through his nose; he shoves back before straightening his spine. The difference between Torino and Toshinori’s height extends.
“Gran Torino,” the man introduces himself in a low, clipped voice. He fingerspells this, and his actual name, until Toshinori crabs onto the impromptu lesson and commits the signs to memory. Once he’s met Torino’s standards, Torino says, “Hn,” before falling silent.
Shimura seamlessly picks up the thread of conversation. “Have you had breakfast yet, Yagi-shonen?”
“Ahahaha,” says Toshinori. “I had a slice of toast?”
“Hm. Well, it’s your lucky day. We haven’t had breakfast yet either! Here, here, take this,” and Shimura hoists a picnic basket into Toshinori’s arms, “and Sorahiko, you’ve got the duffel.”
Unimpressed, Torino signs, “And you?”
“I,” says Shimura, offloading a meter-long duffel bag into his arms and unzipping it briefly, just to pull out a rolled-up blanket, “am picking out a breakfast spot.”
Torino snorts.
The breakfast spot ends up being under a tree; the blanket absorbs the dew leftover on the grass immediately, but Toshinori would be willing to suffer the dampness every day if it meant being gifted a bento for breakfast. The ovular box is filled to the brim. Rice, egg, pickled vegetables, grilled salmon…!
“Shimura-san,” says Toshinori, awed, “did you make all this?”
“Nope! I wasn’t even allowed to touch the pan.” Shimura passes over an additional thermos. Uncapping it allows miso-scented steam to waft away.
“Torino-san, thank you for the meal!”
“Hn,” Torino grunts.
The first few bites are pure, uninterrupted bliss. A good breakfast, however, comes at a price. Toshinori is only halfway through the pickled vegetables when Shimura announces, “Sorahiko is here to help you prep for the entrance exam into U.A., Yagi-shonen.”
“What?”
“They’re increasing the difficulty of the exams,” she informs him. “The physical component in particular.”
“I thought it was just an obstacle course,” says Toshinori, a tad bewildered.
“Ha! That information is outdated by, uh, Sorahiko, when did Recovery Girl complain…”
Torino flashes three fingers, and doesn’t seem to need to add any other signifier, because Shimura gets the answer right on the first try.
“Right, right, three days. So three days ago, Recovery Girl called us up to complain about how her colleagues are reacting to the escalating pro-hero turnover rate. Lots of, ‘we need to demonstrate the reality early if we’re going to winnow out the spineless applicants,’ y’know?”
“Oh,” says Toshinori faintly.
“So,” Shimura continues,”you should expect to walk away from the entrance exam with some bruises. Lots of bandages too. Unless!”
“Unless?”
“I’m right, and having the Gran Torino here providing, ah, supplementary combat training will put you ahead of the legacy students!”
“That’s not… illegal?” It’s one thing to mask grappling maneuvers as play-wrestling in an abandoned meadow, and even then, Shimura was quick to tug them both back onto their feet. It’s a whole other thing to train Toshinori, whose records will show him distinctly unconnected, to beat out his peers.
“It’s a little bit illegal,” she confesses. “But so is giving you One for All, and we can’t exactly do anything about that.”
“I don’t have to go through the heroics program,” Toshinori says, even though he really, really wants to. “You could save One for All until I graduate high school, and then I won’t be a minor.”
Shimura smiles at him like a promise. “If I say you’re getting One for All before U.A., then you’re getting this Quirk and getting into your dream school, Yagi-shonen. You will, of course, be earning it. And then everything is unquestionable!”
Gran Torino clears his throat. Shimura looks over, and her brow furrows in concentration. Toshinori catches a few words by lipreading.
“Questionable relationship,” he signs.
“Ah. Yeah, that’s still true. Can I get away with ‘Shimura-sensei’ without a credential?”
“Flimsy.”
Toshinori has a sudden idea. “Ah, Shimura-san… what if I called you Shimura-shishou?” Hm. That sounds wrong. This is the pro-hero who’s practically giving Toshinori a second chance at life; she is deliberately fixing fate, intending to give a Quirkless kid a Quirk of unimaginable potential. Seventh Wonder, Shimura Nana - she deserves the greatest respect. “Oshishou?”
Her eyes widen. So do Gran Torino’s.
“Ah,” says Shimura, stunned.
“The Nippon Hero Association was talking about apprenticeships,” he reminds her.
Torino signs to Shimura, “How old is he?”
“Fourteen.”
“Less than a year to fifteen,” Toshinori adds. He may or may not have looked up apprenticeship laws. So long as the administration doesn’t pry, then he could just be a scrappy student with civilian origins. And then once U.A. would get into the swing of things, Toshinori would be old enough to potentially be apprenticed.
Not that they would ever sign paperwork. Shimura has been adamant about keeping Toshinori safe, and being safe means his civilian life needs to be squeaky-clean.
“I’m definitely not certified to be a master of this profession,” says Shimura. “Are you comfortable with this, Yagi-shonen?”
“Yes,” says Toshinori. He says it firmly, implacably, trying to invoke the same tone that once persuaded Seventh Wonder to stay on the ground and hear out a Quirkless kid’s dream. “Without a doubt, oshishou.”
She huffs and looks down at her half-eaten breakfast; her ears are turning pink. Silently, Torino reaches over and touches her wrist. Toshinori hurriedly returns to his own meal, feeling like he’s intruding on some moment.
And softly:
“Alright, Yagi-shonen. Alright.”
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haleigh-sloth · 3 years ago
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you were talking about something a bit similar yesterday so I'm sorry for being late to the conversation, but I just do not understand people who are fans of the LOV and yet are so vehemently hateful towards Midoriya, and in turn most of the other kids. I understand the criticism that sometimes the kids get things handed to them by the story, but tbh that is just to be expected of the protagonist characters in a shonen manga like this one. even so however, it's not like Midoriya gets off free of everything that he does? his actions and his sacrifices and very actually very rarely ever truly appreciated within the story, just because he is successful in most of his feats doesn't mean that the people around him necessarily Notice (him only getting one internship request after the sports festival despite displaying amazing power and critical thinking skills, the Stain Hosu incident, even in the VERY BEGINNING of the series when he runs forward to save Bakugou he says himself that he was only reprimanded for being so careless in his actions).
I see so many people who are (so ironically) only seeing the story in black and white, when in reality these kids, and Midoriya especially, are being negatively impacted by hero society just as much as the villains are, they're just experiencing it from a different angle. (Which adds a whole other layer to the Midoriya becoming the greatest hero plotline, because the society that he is also fighting against is the one that was shaped that way by his predecessor- albeit unintentionally.) Midoriya is going to be the one to try to save Shigaraki, Midoriya has already become the greatest hero by actively looking past the actions of Shig and the League and wanting to help them.
- I didn't get to finish my thought from the FULL ESSAY I sent earlier (my bad about how long that ended up being lmao) but...yeah I was saying about how Midoriya is already a better hero at 16 than most other pros because he actively wants to help the League. Midoriya is exactly the kind of hero that the villains, and Shigaraki in particular, needs in order to have the happy ending that so many want for him. I agree that the manga has been a bit of a drag-along for the past few...months tbh, and I am absolutely Livid at the way that Bones has structured the story, and it's causing a lot of boredom and Tons of tension with people, but I feel like a lot of villain fans are taking that out on the integrity of the characters themselves, which is causing a lot of the mischaracterizaton of Midoriya in particular. n idk, I just find it sort of ironic, DEFINITELY annoying, and in general just.... :/ yknow. just :/
I think it's completely valid for people to just simply not like certain characters for whatever reason they might have, im not here to police people's opinions, but when people's opinions come at the expense of misunderstanding pretty key elements of the characters / story they're talking about, that's when I have a problem. FINAL MESSAGE I promise lmao sorry again for the 600 page essay
You're good lol. In fact, I've discussed some of this in-depth in private with a tumblr friend. Again, I feel like my DMs are being read 👀 anyway lol
So obviously this is going to be a long ass post so I'll add a cut toward the top. But I wanna start off with: there's a lot to unpack here and I'm going to preface with, I agree with you. But I also have to say that I see both sides, but when it comes to vehemently hating a character and letting that hate for that character lead to bad takes (which I see for Deku and another character that I'll get to under the cut) I feel like the overall point people are trying to make loses its grip because it starts to just turn into bashing, and doesn't actually hold water with what's actually in the story.
"I just do not understand people who are fans of the LOV and yet are so vehemently hateful towards Midoriya, and in turn most of the other kids. I understand the criticism that sometimes the kids get things handed to them by the story, but tbh that is just to be expected of the protagonist characters in a shonen manga like this one."
I'll be honest, I see a lot of people love on the UA kids. Especially ones like Kirishima, Kaminari, Mina, Tsuyu, basically any of the ones with personalities that are beyond "I have to get stronger! I have to catch up with my classmates and live up to everyone's expectations!" Which I personally feel like pretty much all of the UA kids have as personalities, save for the main five, and the few above that I listed. But for the hatred toward Midoriya....oy. Where do I begin.
Well, I actually don't see a lot of Deku hate on my dash. I follow a very small number of blogs, most of which are pretty in line with my POV of the story and therefore, I don't see a lot of bad takes.
A little baby rant inside of this monster post:
Yes, I have come across extremist villain-stan blogs that, while I agree with some of their opinions on the villains, I don't agree with their opinions on the hero characters. I've unfollowed blogs like that, because they started exhausting me and making me upset, tbqh. Like yes, the villains are the best characters in the story. But guess what? They aren't the only ones in the story. We have other characters that are important to the overall themes and messages. I, personally, really like the hero kid:villain set up. Others I've seen want the heroes and villains completely separated in the story and for the villains to save themselves without any help from the heroes?? Makes zero sense because the story is about these becoming true heroes, and in order to do that they need to challenge themselves by saving a villain. So...blogs that were spouting that nonsense, I've unfollowed and stopped engaging with.
But back to Midoriya. Okay, I genuinely, genuinely like Midoriya! I've liked him from the beginning. He's not favorite, he's not even my second favorite. He's in my top 5 though. But the only dislike I personally see toward Midoriya on my blog is for these problematic things that have occurred:
Telling Shouto he thinks he's going to forgive his father because he's kind, making Natsuo feel bad for not forgiving his abusive POS father.
Trying to "reach" Dabi the same way he reached Shouto, only to just cause more harm.
Saying Endeavor is a mentor who made him stronger??? TO Dabi??
Teaming up with the fucking top 3
So....basically...any time Midoriya has been interjected into the Todoroki plot line, he's been less than likable--AFTER what he did for Shouto during the sports festival. That was a positive thing, and it actually kicked off the Todoroki plot line really really well. It got us into Shouto's inner world and started his story off nicely I think.
And you can argue that Midoriya's flaw is being blinded by hero society and seeing the good in everybody, BUT--
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This was LITERALLY THE FIRST INTERACTION between Midoriya and Endeavor. THIS set the tone for the Todoroki plot. So....all that stuff up there that people hate about Midoriya, is definitely valid. I mean...I don't think it's worth hating him for but people can like and dislike who they want. But this just reiterates my belief that so many things in BNHA come to a fucking halt for Endeavor's bitch ass. The main character included.
"it's not like Midoriya gets off free of everything that he does? his actions and his sacrifices and very actually very rarely ever truly appreciated within the story, just because he is successful in most of his feats doesn't mean that the people around him necessarily Notice (him only getting one internship request after the sports festival despite displaying amazing power and critical thinking skills, the Stain Hosu incident, even in the VERY BEGINNING of the series when he runs forward to save Bakugou he says himself that he was only reprimanded for being so careless in his actions)"
So, I don't entirely disagree but I do have to disagree to an extent. Midoriya's consequences have been a topic for a while now and everyone says the same thing. Nothing ever comes back to him, he doesn't ever actually fail at anything. His failures don't actually hold him back or push him to challenge his beliefs. Like...narrative consequences here is what I'm talking about. Midoriya only got one offer after the sports festival, yes that's a consequence of putting your body through ridiculous strain and self-destructing in front of everyone like that. But it ended up working in his favor because he went with Gran Torino who taught him his next big move, full cowling, which I think we can all agree was a major power-up for him. So...it wasn't much of a consequence in the long run. It wasn't a set back. And you're right, he was reprimanded for rushing in to save Bakugo in the beginning, which is coming into play now when we see that it's actually hard for people to step in and save others because everyone is so trained by society to just let heroes handle everything. Even though Bakugo would have died if not for Midoriya. BUT--what happened next? All Might gave him his power. That was a reward by the narrative. Granted that HAD to happen for our story to kick off, but I'm just trying to show how Midoriya doesn't ever actually have any set-backs.
"Midoriya is going to be the one to try to save Shigaraki, Midoriya has already become the greatest hero by actively looking past the actions of Shig and the League and wanting to help them."
"but...yeah I was saying about how Midoriya is already a better hero at 16 than most other pros because he actively wants to help the League. Midoriya is exactly the kind of hero that the villains, and Shigaraki in particular, needs in order to have the happy ending that so many want for him"
Fully agree here. I'll say that recently I've seen a lot of people making posts about how they don't think it'll be Midoriya doing the reaching and saving. How they think it'll be the LOV saving each other without the help of the heroes, how they'll reach each other's hearts?? Which...I don't even know what to say besides ask people who think that what they think the purpose of all these parallels and similarities drawn between him and Shigaraki are for, if not to bring them together in the end (and stay connected too--not just be yeeted from each other's lives), the two brothers who were separated from each other, and a teenage girl who was never accepted by her peers and basically forced to find family in a group of adult men lol. I'm not sure if you were responding to my rant yesterday with this ask lol, but if you are, I mean yeah I'm on board here. Midoriya is supposed to be that "true hero" that breaks through even the toughest, strongest walls, who in HIS case is Shigaraki. But not just him, Shouto, Ochacko, and Bakugo too. There's a kid:villain set up for a reason, so people who don't want that set up are either just....super super one-sided in how they're reading it, or it's just their preference and they're not actually caring about what the story itself is going to do. (Bakugo is kind of a seventh wheel....lol)
Again, I can't say I've seen too much irrational Deku hate on my dash. I avoid stupid shit for the most part. Most of the blogs I follow, while they may not like Midoriya, they still see the redeeming characteristics in him and still make valid takes on the story and take his actual character into account. But I have seen the irrational hate you're talking about, I've just successfully yeeted it from my dash.
Another character, and I know you didn't bring this character up but I feel this issue applies to them as well--is Hawks. Now...I do not like Hawks. I don't hate him, but I seriously just cannot bring myself to like him. I can't tell if it's his fans that have just ruined him for me, or just his overall vibe in the story. I don't even know at this point I've spent so long avoiding getting to know his character. But--I've seen villain-stan blogs hate him so much to a point where they completely forget that he is also a victim of society and has his own issues. And their takes on him come at the expense of....well, a clear understanding of the story. Now right now Hawks is being handled not-so-great, but even before this. Of course nobody has to like him, I mean I just said that I don't, but this irrational hate that comes at the expense of his actual character is annoying to me.
"I think it's completely valid for people to just simply not like certain characters for whatever reason they might have, im not here to police people's opinions, but when people's opinions come at the expense of misunderstanding pretty key elements of the characters / story they're talking about, that's when I have a problem"
Yep yep yep. I agree here too. So in a nutshell, no matter what character it is, if people irrationally hate them to a point where their takes on the story just stop making sense, yes I agree that it starts to wear away at the integrity of the character, and it also annoys me and I end up just unfollowing and I no longer take anything they say seriously. And there are a couple of blogs I follow that really don't like Midoriya at all, but they don't waste their time talking about how much they don't like him. They simply just...don't talk about him. That's what people should do because otherwise it fills EVERYONE'S dash with negativity that we didn't ask for. That's why I'm glad I've stopped getting so many asks about Hawks because I have never really had anything nice to say about him and after so many people sending me stuff asking to talk about him I started to feel like a shitty person for filling peoples' dashes up with that. I mean...I'm seriously mean to Hawks lol. I am. So yeah.
I don't particularly understand the extreme hatred either. I totally get not liking a character but that extreme hatred you're talking about I've made a successful effort to distance myself from. Thankfully.
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cno-inbminor · 4 years ago
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domus (pt. 2)
a/n: i found some motivation to write part 2, so here we are! it’s unedited for now, but i’ll make edits in the morning. you will need to read part 1 for context!
plot: when kuroo tetsuro drops the hard-hitting truth that he’s fallen out of love with you, your first thought is to escape. but you find comfort in the least likely person: akaashi keiji, a boy you had grown up with out of forced family interactions, who always seemed so distant from you. yet you probably knew more about him than anyone else.
characters: fem!reader, ex-bf!kuroo, & family friend!akaashi
wc: ~5.5k, will probably have one more part
genre/warnings: angst with teaspoons of fluff; two mentions of alcohol and sex
pt. 1 | pt. 3
The sliver of sunlight peeking through the blackout curtains gently draws you from your sleep, peeling away the exhaustion that sits atop your eyelids. They creak open as your body shifts and stretches, and you bring a curled hand to rub your eyes awake. You don’t remember the last time you slept so deeply, and part of you wants nothing more than to burrow back into the gray sheets.
Gray sheets?
The world teeters on its axis as you abruptly sit up in an unrecognizable bed – colors dance in splotches across your vision as panic seeps into your lungs – and then you remember last night’s events. That’s right. You’re at Keiji’s nice apartment where he so kindly offered you his bed, taking the couch for himself, and you’re going to be here for the week.
“Jesus Christ,” you mutter to yourself before burying your face into the palms of your hands, trying to calm down. Your phone rests neatly on his nightstand and seems to taunt you as you lift your head back up. You wonder if Tetsuro texted last night, but if you had to be honest with yourself, you genuinely hope he didn’t. He might be anxiously waiting for your promised correspondence, as you imagine him checking his phone with hopeful eyes every time it vibrates in the pocket of his white coat. But you still needed some time and space.
Your body slides off the bed, stretching once you’re on your feet. With phone in hand, you check your emails and notifications while making your way to the window and then pulling back the curtains. Sunlight softly pours in as the rays just begin to peak above the horizon, painting the sky in gradient shades of marigold and fuschia pink. Tokyo seemed to be just as beautiful in the morning as it is at night, only that the pollution and smog in the air was more visible.
The digital clock hanging on Keiji’s bedroom wall indicates it’s barely past 7AM – in the past, Keiji could be a bit of a late riser on the weekends. Judging by the silence on the other side of the door, you figure he’s still asleep. If you are lucky and quiet enough, you could whip up some breakfast as a thanks for last night. In fact, you decided you’d do your best to make most of the meals. Surely Keiji wouldn’t mind a week without having to worry about meal prepping.
The bedroom door silently opens as you gently pad to the restroom – you freshen up a bit and swig around some mouth wash, staring into the mirror. Given Keiji’s comfortable state of dressing down last night, you figured it was fine to change into a large t-shirt and gym shorts for now. If he ever looks uncomfortable by your attire, then you could easily change into something else that’s a little more formal. Once you’re ready, you take a deep breath, slightly psyching yourself up for the possibility that Keiji is awake and kicking.
As you approach the living room, catching sight of your host’s sleeping complexion facing you, your heart skips a beat. One thing that you are unprepared for is just how beautiful Keiji is. It would be silly to deny this fact – you didn’t have to be in love with the man to say so. In addition to that mysterious aura he carried around, the ethereal and angelic beauty that Keiji possessed only enticed his admirers further. A smile cracks on your face as you muse the idea that it should be a crime for someone to look so delicately celestial, especially in sleep.
Keiji lies on his back with one arm bent over his head, the other atop his stomach. It seems that his blanket slipped to the ground at some point, and you could see a faint layer of goosebumps dancing across his skin. Slowly, you pick it up and gather the gray cotton blend into your arms, laying one end of it on his feet and moving up to cover the rest of his body. You leave the excess scrunched up right under his chin, taking a closer look at his face.
Keiji’s skin is smooth and dewy, eyelashes dark against his cheekbones. They flutter in dreams as his lips are slightly parted with even, soft breaths leaving them. You feel some concern when you spot the dark eye circles, hoping that he wasn’t overworking himself too much. But being an editor at a major shonen manga company must have its long list of demands, and Keiji was never short of doing his best.
Suddenly, he shifts and seems to burrow himself in the comfort of his blanket, effectively ripping you from the trance that you were in. You quickly tip toe away towards the kitchen, doing your best to stop your heart from beating so hard that you could feel it pulse in your ears. Your purse sits open on the counter and you pull your earbuds from it, slipping them in and connecting it to your phone. Putting on a soft indie playlist, you begin to become familiar with Keiji’s kitchen.
Much to your amusement, the placement of his pots, pans, cooking equipment, and more, resemble that of how things were arranged in his parents’ house. This makes your task much easier, and you grin to yourself even more when you open his refrigerator. Just like back then, the milk and cream are on the top shelf, egg carton in the middle pressed against the left wall, vegetables stored in the drawers, sauce jars on the door side, leftovers just beneath the eggs, and fruits by the eggs. It seems that some old habits really do die hard.
With the smile still lingering on your face, you begin cooking.
-
Keiji’s heart might just beat out of his chest any second now, and he thinks it’s a miracle that you didn’t realize he’s been awake all this time.
He first woke when he heard the water running from the sink in the bathroom, wincing slightly at the slight ache in his back. Keiji wasn’t lying when he said the couch was truly comfortable, but his mattress had undoubtedly spoiled him. It also would have been a bonus to wake up next to someone for once, but that was a thought he quickly squashed. Just as he was about to reach down for his blanket, the bathroom doorknob turned and he panicked. Keiji was quick to assume his previous sleeping position and shut his eyes, breathing as evenly as possible. He’s not quite sure why he’s feigning sleep, but part of him didn’t want you to feel bad for waking him up. It wasn’t terribly late in the morning yet, and he was usually still asleep at this time. Knowing you, you would feel awful and probably spend the rest of the week trying to make up for it, or worse, leave to spend the nights at a cheap hotel. He refuses to let such a thing happen under his watch, not if he could help it.
So caught up in his thoughts, he commends himself for not flinching when the blanket begins to cover his legs, and quite nearly bursts at your gentle movements and the way you tuck the edge under his chin. He remembers doing the same thing to you last night and wills away the blood from flooding his face at the memory of kissing you on the cheek. How could he be so reckless?
Unable to keep his position, he moves just slightly, and based on the tiny, distant creaks of his floorboards, you’ve probably walked away. As his ears catch the opening of cupboards and the fridge, only then does he dare to peek his eyes open again. He wonders what you’re thinking about with the small grin on your face, if it has anything do with the fact that you’re cooking for someone or whatever you might be listening to. Keiji’s gaze softens, watching you bob and sway to the music in your ears, remembering the times he drove the both of you home from university. Even though you could easily commute, Keiji’s mother demanded that he use his car and offer you a ride home for the holidays, and he’d give you full control of the music playing. You’d always try to play something he was okay with, bless your soul, and sometimes he would even sing along. He pretended to ignore your incredulous side glances when you realized he was singing as well, and would always look out his window to hide the smile that matched yours.
While he’s been in the city his whole life, living alone really does hit sometimes. It’s one thing to have his parents visit from time to time, but coming back to an empty and dark apartment can really take its toll. Perhaps that’s why he feels so fond right now, observing the way you move around his kitchen with so much familiarity. Adorned in your casual clothes, Keiji realizes that this is what it’d look like if you actually lived with him – except he’d probably still be asleep in his own mattress, a little nonplussed at waking up to an empty bed with the sheets fighting to retain some of your body heat. And he would get up and watch from the doorframe as you whipped something up for the both of you, perhaps walking towards you to wrap his arms around your waist from behind and—
No, you were still Kuroo’s.
And that fact hurt him more than he ever expected.
-
You let out a shrill yelp and nearly drop the silicone spatula when you turn away from the stove, only to spot Keiji resting his elbows on the countertop and placing his chin on top of folded hands. An amused smirk crosses his face as you rip your earbuds out and fling them over one shoulder, one hand reaching over to your heart. “Fucking hell, Keiji,” you pant. “Warn a girl, will you?”
“I didn’t want to disturb you,” he reasons, moving to grab a couple of plates from the drying rack by the sink and handing them to you. “Here.”
You thank him and bring them by the stove, lifting the frying pan to distribute the scrambled eggs. They’re just how he likes them, he notices, and also doesn’t fail to spot that his portion is larger than yours. As you begin to spread butter on a couple of pieces of toast, Keiji sees the that his coffee brewer is still open, believing that you haven’t caught the chance to start it. He makes sure there’s enough water and grounds for two cups, starting the machine and grabbing two mugs from the cupboard. One of them was brought from his parents’ home, and had been the mug you frequently used whenever you were there. Keiji knew you were a creature of habit, and once that porcelain had been lent to you at the age of thirteen, you would forever be its second owner. Why he brought it when he moved in was a bit of a mystery, yet deep down inside, he knew exactly why.
It was the same reason why he would buy that specific bottle of dessert wine, why he kept tabs on the ramen shop you liked, why he kept some of your song recommendations saved on his Spotify account, why your Instagram and Snapchat stories were always one of the first few to view on his respective home pages. But he’d keep that reason to himself for now.
“A splash of cream and a small teaspoon of sugar?” Keiji calls out curiously, silently praying that he remembers your coffee preferences correctly. He’s rewarded with the beam on your face as you nod, watching you bring the toast to the plates as he stirs your coffee. You spot the unaltered coffee and take it in your hands.
“Two splashes of cream and half a small spoonful of sugar?” You ask and Keiji nods. Inside, you pump your fist in delight. Keiji brings the two cups to the dining table while you bring the food and utensils – he could get used to this, really. The two of you say your thanks and dig in. When Keiji takes a sip of his coffee, he has to hide the upturned corners of his lips behind his cup because it’s exactly how he likes it, exactly how it tastes like every other morning he drinks coffee. And it baffles him to no end.
Unbeknownst to him, you feel the same way, eyes almost widening in surprise when you taste your own. Another detail that Keiji seemed to keep over the years was being added to this list you didn’t realize you would ever make, but you weren’t complaining. After all, he did assure you last night that you two were friends. It wasn’t all in your head and the time spent together hadn’t been for naught.
“Do you have any plans while you’re here?” He inquires behind a bite of toast.
“Not really,” you reply quietly, chopsticks now picking at the scrambled eggs. “The most I thought was to visit some museums that I missed going to, check out some of the food stalls maybe. I didn’t really think things through.”
“That’s okay,” Keiji comforts. “If you’d like, I can work from home for a few days and we can go do something. I don’t want to leave you all alone here for the whole day.”
“You don’t need to!” You wave your hands frantically, feeling like the worst imposer now. Not only have you showed up at his apartment unexpectedly and staying for the time being, he was offering to work from home to spend time with you?
“I haven’t used any of my vacation days this year anyways. I have a good reason now, and they don’t mind when I work from home either. I don’t ask very often, but I still get work done so it doesn’t bother them.”
“Are you sure that’s okay? Really, I can go find another place to stay and—”
“No.” Keiji’s tone is firm and final, leaving any words of protest to die on the tip of your tongue. “Seriously, it’s okay,” he reassures you softly. “Plus, I have a few ideas in mind.”
“I’ll cook most of the meals then,” you attempt to compromise. “It’s the least I can do.”
“Only because you won’t stop asking until I say yes,” he jokes with a twinkle in his eyes. “I’ll split the cost of the groceries.”
“Then I’ll just send the money right back to you.”
“Remember when you tried to give me gas money for driving us from and to uni for the holidays?”
“You always refused it,” you smile fondly at the memory. “Eventually I just started slipping it into the middle console when you weren’t paying attention.”
“That would explain the stray bills and coins in there,” he mutters. “My mother would throw a fit if she knew you gave me gas money.”
“Which is exactly why I told you not to tell her.”
“Should I tell her now then?”
“And have her call me up to scold me for doing so? Please, you’d be in just as much trouble for taking it.”
“To be fair, I wasn’t aware of the last few times, so I’d be safe.”
“…you’re ridiculous.”
“Oh?” Keiji chuckles, arching an eyebrow playfully as he takes another sip of his coffee.
“Shut up,” you grumble over a mouthful of eggs.
“So,” he leans back in his chair. “How do you feel about going to Osaka on Monday?”
-
While Keiji had a mental list of things that have cheered you up over the years, he figured you needed to see some friends from home. And to him, there was no better reminder of that than seeing Bokuto in the flesh.
Koutaro was aware of the friendship between the two of you and had always been kind to you, engaging in light conversation whenever you visited the volleyball courts to drop something off for Keiji. Kuroo had taken notice of you then as well, but nothing came of it until uni. Koutaro was also privy to some of Keiji’s affection, knowing how much the latter had kept an eye out on you during their last year of high school. So when he got a call and a short explanation of what happened, he was more than happy to hear that the two of you would be visiting.
You and Keiji hop on one of the earliest bullet trains to Osaka, where the grey-haired friend would meet you two at the station. Not long after the train gradually lurches forward, traveling at almost inhuman speeds, the food cart starts to roll down the aisle. You let Keiji take the window seat for this portion of the ride, quickly paying for two flavored onigiris before he can protest. After thanking the kind worker, you place his preferred filling in his lap, watching in delight as he thanks you and unwraps the item with care. Two and a half hours later, you find yourself wrapped up in Koutaro’s strong arms, struggling to catch your breath as he nearly squeezes the life out of you.
Much of the morning until lunch is spent observing their practice – you feel like you’re back in high school again with Koutaro’s excitement practically radiating off of him and into the stands. Keiji’s just glad that your mind is focused on something else, recalling the pensive yet troubled look on your face during most of the train ride as you stared down at your phone. Koutaro has kept his mouth shut for now, but Keiji could tell that he was dying to ask you some questions. After all, both of them had been good friends with Testuro, and there was no doubt that the former Fukurodani ace still kept in touch with him from time to time.
After being introduced to the team, shaking hands with the other players and bowing politely at a reasonable distance away specifically for Kiyoomi, you and Keiji leave with a wave, promising to join them for dinner. Koutaro had given you a list of possible places to sightsee, as well as a few recommendations for lunch near the gym. Eventually, you two settle on a nearby curry restaurant, and needless to say, your waiter had to witness some bickering over who would pay the check.
“Please help me out with this,” you pleaded, pulling a pout with the unsuspecting waiter who certainly feels like he’s caught in a lover’s quarrel now. “He paid for our train tickets, it’s only right that I pay for the meal.”
“Erm—”
“She’s been cooking all of the meals for the last few days, as well as for the food on the train, so I should be the one to pay.”
“You’re letting me stay at your apartment, of course I’m going to help cook, and I like cooking!”
“But still—”
In Keiji’s moment of argument, you snatch the ticket and slam it into the waiter’s hand with your credit card. “Take it. Take it and run.”
“(Y/n)—”
“I’m just going to listen to the lady this time, I’ll be right back,” the waiter says nervously before scurrying off, and you shoot Keiji a victorious look. He only shakes his head in response, but more amused than anything at your antics.
“You can’t win all the time,” he warns.
“I will most certainly try.”
-
Keiji certainly does try and wins when it comes to dinner, Koutaro watching with a grin on his face as you protest and whine when their waitress walks away with Keiji’s card in hand. Next to him, Atsumu murmurs, “Are they dating?”
“Nah, she’s dating another guy.”
“So what’s happenin’ here? Why’s she stayin’ with him again?”
“We don’t know the details – sounds like there was a falling out with her boyfriend and she showed up in Tokyo, called Akaashi unexpectedly. They’re old family friends, grew up living down the street from each other.”
“Sounds complicated.”
“Who knows?” Koutaro shrugs, denying the itch to text Testuro this second and ask for answers. You seem happier, however, genuinely listening to Shoyo’s animated storytelling of when he first practiced with the Fukurodani duo. Keiji chimes in from time to time, but otherwise staying silent and basking in the nostalgia. The team members sitting across from you find it difficult to not notice how often Keiji steals glances at you, who is none the wiser. There are a few times when Shoyo mentions a name you don’t quite remember, turning towards Keiji for answers. You don’t even have to say anything – one pair of furrowed eyebrows and he knows exactly what you’re asking about. Koutaro gathers that perhaps the last few days spent together have caused you two to fall in sync.
He wonders what Testuro would think about that.
-
“Come visit anytime you’re nearby!” Koutaro offers you with another tight squeeze, later releasing you to pull in Keiji for a more manly hug. The two of them knock fists together before Keiji guides you through the station with a hand on the small of your back, giving one last wave to the ace of the Black Jackals.
“Thank you for bringing me here,” you tell him once you’re seated in the train. Keiji has the window seat again. “It was nice seeing Bokuto-san again.”
“I’m glad this could cheer you up a bit, really.”
“It helped me a lot, more than you know.”
“That’s good to know.”
This time, you buy a couple of juice boxes from the cart and hand one over to Keiji, who gives you a teasing admonishing look. A glint in his eyes says that he’ll pay you back for this some day when you least expect it, and you won’t be able to do anything about it. As you quietly suck on the straw, you loosen the seatbelt around your waist and turn your whole body to face him, all while searching for the right words.
Keiji waits patiently, mirroring your movements to face most of his body towards you, only half his back resting on the back of his seat.
“Testuro told me he doesn’t love me anymore,” you quietly confess, peeking a look at your companion’s face to gauge his reaction. Keiji remains stoic, but you find it in yourself to continue.
“He sat me down after dinner about a week and a half ago, told me he couldn’t keep it in anymore. At first, he said a bunch of things about how I didn’t deserve to be strung along or left doubting myself – that it was all him and had nothing to do with me. And then he said he wasn’t in love with me anymore, but that I was still a really important person to him.”
Deep breaths.
“I didn’t know what to do, you know?” You ramble, meeting his gaze with wide, tired, frantic eyes. “What do you even do in that situation? And how am I not supposed to feel like it has something to do with me – like, am, am I not pretty enough now? Was the sex not good anymore? Did—did I change into someone that he couldn’t love? I just, I just couldn’t help but think it’s all my fault, that perhaps I changed into someone he couldn’t see the future with anymore. In some unknown time span, I went from being his everything to just…nothing.”
“You’re not ‘nothing’”, Keiji interjects. His eyes are hardened and dark again, much like when he asked you if Testuro had cheated on you the first night you arrived. You crack your best smile of gratitude, feeling the tears beginning to form.
“Perhaps you’re right – but you know what’s the worst part though? I shouldn’t even be mad at him,” you chuckle bitterly. “Immediately after that was dumped on me, he told me he would try to love me again, that he’d do his best because that’s how much I still mattered to him. I just needed to give him time, but I can’t do that.”
“Why not?”
“It’s wrong to force him. Whatever his reasons may be, I don’t want to force him to feel something for me again just for my happiness. Even then, I wouldn’t be 100% happy either, always worried that maybe he’d be faking his love for me, wondering when he’s gonna snap and call it all off. I might as well let him go now and revamp on my own, you know?”
Keiji keeps to himself and you can tell he’s trying to process your words. You didn’t mean to spill everything out on a bullet train of all places, but it just seemed like the right time after everything he’s done for you these last few days. Seeing Bokuto was another breath of fresh air that you didn’t realize you needed, and you would have to be completely oblivious to your environment to not notice the many questioning glances the ace had sent you throughout the day.
“I think you’re right in wanting to let him go – he shouldn’t feel like he has to try because of some obligation due to the bond you two have,” Keiji says carefully. “I’m sorry it happened though.”
“It’s nothing you could control, silly,” you let out a watery laugh, wiping tears away with the sleeve of your jacket. Keiji fishes out his handkerchief, gently swiping beneath your eyes. You can do nothing but sit there and wait for him to finish, feeling the care in each stroke against your skin. Never in a million years would you have predicted the two of you would be in this position, and part of it leaves you lightheaded. When he’s done, you open your eyes to meet his, though they flicker down to the silk cloth in his hands. That design…
“Is that the handkerchief I bought you as a souvenir from Kyoto?” You blurt out. Keiji looks at down at his hand and nearly curses at himself. For the first time in your life, you see him look somewhat sheepish and at loss for words.
“It came in handy,” he says fondly. “It’s really good quality, and I figured I’d keep it with me just in case. Thank you for this, again.”
“Well, you bought me that keychain from your senior class trip – it only seemed right that I give something in return.”
Keiji lets out a small, teasing scoff, deciding to remain silent for the time-being. It’s after a couple of minutes does he choose to speak up.
“You’re justified in how you felt, (y/n). I don’t know what it’s like to be in that situation, but I can only imagine how heartbroken you must have been. You’ve always given 120% to the important people in your life – I’ve seen it. So if you wanted to run away for a little bit for some space and time to think, that’s completely understandable. You’re allowed to be angry and bitter, but there is one thing I’d rather you not feel.”
“What would that be?” You ask, genuinely curious.
Keiji leans the side of his head against the headrest, staring at you with a gentile fondness that you also hadn’t seen directed towards you before. “I don’t want you feeling insecure about yourself. You’re a wonderful person, (y/n), and just because Kuroo-san doesn’t love you anymore, it doesn’t mean you’ve become any less than that. He just might’ve not been the right person. I can guarantee there’s at least one person out there who will love you until the day you die.”
“You can’t guarantee that.”
“I most definitely can,” Keiji challenges firmly, leaving very little room for argument.
“For a man who hasn’t dated, you’re definitely a bit of a hopeless romantic,” you laugh, ignoring Keiji’s eyeroll.
Honestly, you wouldn’t have it any other way.
-
You doze off in the Uber back to his apartment building, and even when he gently shakes you, you’re still incredibly groggy. Keiji has to practically catch you when you lose your footing, apologies spilling in slurred words from your lips. At this rate, one of you is going to get hurt on the way to his unit, and he’d rather have it not be you. Luckily, he’s not carrying much and makes the executive decision to crouch in front of you.
“Keiji…?” You murmur, trying to put together the pieces in your exhausted brain.
He holds his arms out behind him. “Come on, I’ll give you a piggyback ride to the unit.”
“But…”
“The sooner you get on, the sooner we can get home and sleep.”
With no energy left in you to deny him, you climb onto his back as carefully as you can, wrapping your limbs around his neck and waist as his arms latch around the backs of your knees. Keiji hoists you up, shifting your body slightly to center your weight, and begins the trek. He nods at the security guards before angling his head to face yours. You’ve pretty much passed out again, but he needs you to do three more things.
“Can you punch in the passcode for me?” He tells you the numbers slowly, making sure you’re inputting them correctly. Keiji asks a similar question when they get into the elevator, and one last task when they reach his door.
“You did such a good job,” he praises you, the warmth in his tone washing over you like freshly dried sheets. Keiji sits on the edge of his bed and lets you fall back into his comforter, laughing to himself when you curl up on your side without a care left in the world.
“Hey,” he calls for you attention and holds onto your hands before pulling you up. Your hair is mussed and he attempts to fix it while coaxing you to properly get ready for bed. “You’re gonna need to take off your jacket before you go to bed – I don’t mind if you sleep here in your jeans, but it won’t be comfortable if you keep your jacket on.”
You grumble something unintelligible but start removing your arms from the sleeves. Keiji nearly coos, folding your jacket over the seat in front of his desk before returning to you. Somehow, you’re still sitting upright, and he kneels in front of you so he can maintain eye contact to keep you awake. “You’re doing great. Now do you want to brush your teeth?”
At first you shake your head, but then pause, and nod instead. “Okay, stay awake for me, all right? I’ll be right back.”
True to his word, Keiji comes back promptly with your toothbrush already damp and holding a dollop of toothpaste, placing it correctly in your hand. You have enough muscle memory left to aim for your mouth, languidly stroking the bristles against your teeth. Keiji joins in, accompanying you until you’re ready to spit out the toothpaste. He lets you lean into him as he half-carries you into the bathroom, holding your hair back as you rinse your mouth and wash away any excess toothpaste. You sit on the toilet lid still half-asleep as you wait for him, somewhat expecting him to help you back into bed at this point.
“Good job, now you can go to sleep,” Keiji murmurs, once again supporting your weight on the journey back to his room. He first flips the comforter and sheets away so they can cover you once you’re in bed, again tucking you in properly. “Goodnight,” he whispers before moving to grab a change of clothes, but a pull on his sleeve stops him. He turns back to look at you, noticing how much you’re struggling to stay awake.
Your arms pull out from underneath the covers and shakily reach for his face. Completely unsure of what to do, Keiji stays still and waits with bated breath. Your fingers grasp the arms of his glasses, sliding them off the bridge of his nose and folding them at the hinges. They gently place it by your phone on his nightstand, a smile creeping onto your face as you snuggle back into the sheets. “You can’t sleep with your glasses on, silly,” you slur.
That’s the last thing you say before you’re out like a light.
Keiji doesn’t know how long he stands there, trying to make sense of everything that just happened. All he knows is that the moonlight spilling from his window makes you seem surreal. He wonders if you’re truly, actually here in his bed, and just did something as trivial as taking off his glasses for him. But that gesture alone sends his heart into overdrive, remembering the care you put in to make sure you wouldn’t accidentally break them with your sleep-addled clumsiness.
He ponders on it for the next few minutes until he’s once again laid down on the futon, throw blanket strewn across his body, and eager to follow you into the dreamworld.  
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dokifluffs · 4 years ago
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Best Friends | Hinata, Tendo, Bokuto + Akaashi
Pairings (not really couples tho): Hinata X Reader (gender neutral), Tendo X Reader (gender neutral), and Bokuto + Akaashi X Reader (gender neutral)
Genre: best friends!! 
Author’s Note: literally not even a request but all inspired by an anonnie who said “just a thought, Hinata does this thing where he befriend quiet people and makes them talk about him. That's just how interesting he is,” so whoever you are, wherever you are anonnie, thanks 😌
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Hinata: 
Being best friends with this ball of sunshine meant endless possibilities
There was never a bland day whenever it was spent with him
If you were also interested in volleyball, he would love you til the end of time. The two of you and Kageyama were a mini trio but also duos with mixed combos of you and hinata, hinata and kageyama, and kageyama and you
Tsukishima and a few others on the team couldn’t understand how you were able to stay with them for so long
You were the brains of the three of you, which amazed everyone further of how you weren’t losing your brain cells by breathing the same air/ standing by them for so long
But the antics never stopped
Hinata’s eyes were always sparkling and his mind was so open to everything
You go to taste more life and experience so many more things with Hinata’s encouragement, keeping his promise to stay by your side through it all
You went to all the games you could and cheered him on, being a beacon of recharge and happiness when things seemed the most bleak in life or during a game
One of his favorite things to go with you were go on late night meat bun runs, especially on chilly winter evenings with the sky clear, a cool breeze that nipped at your skin
Eating the hot buns went perfectly after practices
Speaking of after practices and also life outside of school, his sister loved you
She looked up to you like an older sibling and whenever you came over to his house to help him study or just hang out, she was glued to your hip which was fine to both of you
Conversations could last for hours between the two of you but he also understood the times where you just needed the world to close for a bit or if you needed a break- he would always be there for you when you were finished
Yachi and you were also super close, bonding over tutoring hinata and kageyama so they could actually be able to play in games and go to training camps and etc.
He introduced you to so many new people from all over, especially Nekoma
Kenma and You bonded really quick as well over the topic of Hinata and from there, interests and hobbies outside of volleyball and such became topics of conversation
Throughout high school til he left for South America, the two of you spent every summer together for great periods of time, it was really common for his and your family to think you two were a couple but really you two were just super close friends like siblings
Seeing him on a bigger stage, you two were still close even though you two didn’t see each other everyday but there was mutual effort being put in when it came to hanging out
You were one of his many number one supporters from practically the beginning and he was so grateful to have you in his life
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Tendo: aka best boi 
You two were like partners in crime and people saw the two of you and ushijima like a trio with iconic duo mixes
At first, he held back just a bit on his sarcasm but as the two of you got closer, you two were crackheads
He loved your sense of humor and how it felt so natural for him when the two of you talked about anything- whether it be a heart to heart or a joke, anything. He felt so secure compared to his childhood
He loved how easy it was to talk to you
Meeting him around the end of middle school and the two of you going into high school together was like floating on a cloud for him
He was really able to open up and you were able to help him embrace who he was. He was no longer a monster people feared as a person, only in game as a block monster
You were one of the loudest cheerer’s for him in the crowd, always able to find you somewhere in the front row and throwing a peace sign to you with a bright smile, feeling ecstatic
Back toward the beginning, before high school, the two of you prepped for the entrance exam for Shiratorizawa at each other’s houses pretty regularly and it paid off, both doing equally well and being accepted
Lunches together were basically a must, joined in with Ushijima and sometimes other members of the team and other friends
Got somewhat distracted whenever you showed up to practices but it also gave him a little boost to show you what he could do
He was a strong player on the team and you knew it. His entire persona changed once he was on the court and seeing the opponents being blocked by Satori was like a stroke to your pride knowing that he was your best friend and he just shut the other team out
This mans a weeb too. In college, where you two also went together, alongside Ushijima, you two would frequent the bookstore pretty often, buying some mangas, getting chocolate ice cream afterward
It was like an unspoken tradition that you two go at least once a month. Though, sometimes he would go a bit more since he shared his shonen jumps with Ushi, lending it to him
Movie nights were also a thing whenever the two (three if Ushi didn’t have practice or anything too) during the weekends, but they weren’t pretty common
Horror movies didn’t feel like horror movies with the commentary Satori made as well as your add-ons that made the horror-thrillers into comedies
Although he seems like someone who teases and makes jokes often, he had one of the biggest hearts
He was always one of the first shoulders you cried on, always there and listening to you intently or just being by your side
His teases and jokes with you were always said with a light heart, meant to get just a bit under your skin
But if things ever got too far, he apologized and made sure you were okay or whoever he teased
You were one of the greatest people in his life and he didn’t want to lose you
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Bokuto + Akaashi: 
Any combination of the three of you was a literal, living example of buy one get two free asjkhasdj
If Bokuto was somewhere, everyone could expect to find you and Akaashi somewhere close, If Akaashi was somewhere, bokuto and you trailed behind not to far off but he kept a close eye on you, and finally if you were somewhere, Bokuto was sure to follow with Akaashi following him
It surprised people more if one was somewhere and the other two weren’t
Since Akaashi was officially the calm, cool, collected brain of the three of you and Bokuto was the wild and crazy one with a very peculiar way of thinking and acting, you were like a perfect mix of them
To Akaashi, you were sometimes a second child like Bokuto but you were just as intellectual as he was, sometimes even more
Basically, you acted and sometimes did things like Bokuto but you had the mentality of Akaashi that was also mixed with Bokuto
You met Akaashi in your class and not too far along the way, Bokuto appeared the the three of you clicked
You were pretty impressed when you learned they were on the Fukurodani VBC together
Your praises for Bokuto and your presence during games were a blessing, especially when you saw first-hand Bokuto’s emo modes
It didn’t take you long to pick up the 37 different weaknesses after you asked Akaashi what happened during one of the sets of the recent game
You became one of the managers alongside Yukie and Kaori, quickly befriending them and it was so ideal since if no one could bring Bokuto out of his mode during the game, you were last one that could
During summers, going to the festivals and street markets were a must
Akaashi had to refrain the two of you from blowing all your money playing the vendors’ games but there was no stopping the three of you when it came to buying onigiris
Especially what was known as the golden onigiris that were only sold for a couple days while the festival was up and they are only here for a year round
As a thank you to Akaashi, you and bokuto got together to make special onigiris and going grocery shopping with bokuto, you understood what Akaashi went through
You all spent holidays together like Christmas and special events like birthdays, exchanging gifts, going out to eat, and etc.
But the three of you were all best friends, protagonists of the world and there wasn’t any force that could change that. No matter the distance, the time in between, you were all protagonists
Bonus: Akaashi once walked in on you, Bokuto, and Kuroo having a competition with who could fit the most grapes into their mouth and he didn’t even react. he just sighed asdlkajsd 
~~~~~ Thanks for reading! Masterlist for more! Please do not repost anywhere else!
Tags (let me know if you wanna be tagged for all my haikyuu posts): @yams046  @mazey-chan  @sunboikyo00  @kara-grayson04​  @fortheloveofbakugo​ @tsumtsumsemi​ @osamuonigiri @sam-ate-giorno​​​ @1-800-wholesome​ @realityisoftendisapointing@plantisnotplant @k-eijiakaashi​ @pink-panda-pancakes​ @differentballooncollection
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animebw · 4 years ago
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The Promised Neverland Season 2
Greetings, all! I’m The Anime Binge-Watcher, a blog dedicated to me binge-watching anime in episodic chunks and analyzing it in long-form text posts for your enjoyment! Today, I'm returning to a show I tackled some time ago now that its second season has finished airing: The Promised Neverland!
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If you’re interested in my full thoughts on the first season, you can read my analysis here. But here’s the short version; The Promised Neverland was one hell of a good time that kept surprising me in good ways. It’s rare you get an anime that’s genuinely scary, let alone a good horror shonen, but TPN makes it look easy. And the hints of the world that lay beyond the Grace Field house- coupled with commentary on the cyclical nature of oppression- only made me more excited to see what came next. True, it wasn’t perfect; some of the strategy was a little too convenient, having the characters scheme aloud make for some really awkward dialogue, and there was that whole thing about Sister Krone being... kind of a really offensive racial stereotype? Yeah, that was a mistake. On the bright side, though, Mother Isabella is one of the most compelling villains I’ve seen in a long time, and the final episode alone was good enough to make me appreciate the whole thing that much more. I give the first season 7.5/10, a very promising start to a story that promised to only soar higher and higher from here.
At least, that was the plan.
See, I’ve been paying attention to the chatter surrounding this season. Not enough to spoil anything specific, but enough to get the general vibe. And it’s a pretty open secret now that this season is- to put it lightly- a gigantic flaming garbage heap. It rushes through the entire rest of the manga at such blistering speed that any semblance of logic or emotional clarity is thrown right out the window, skipping right over some of the most beloved arcs and ruining basically everything that made people like TPN in the first place. Nobody knows why they went this route, and nobody’s happy about it. It may well be the most infamous anime-original ending of all time, more universally reviled than Blue Exorcist, FMA 03, Akame ga Kill, Soul Eater (which I still say has a good ending, fuck you fight me), and even Tokyo Ghoul. Hell, it’s probably the first anime I’ve ever seen trending on Twitter for pissing people off so much. It is impressive how united the anime community is in despising this season. You need to work to suck as hard as TPN Season 2 apparently sucks.
That. Having. Been. Said. I’m still going to watch this season, and I’m still going to judge it fairly. I’m not much of a manga reader, One Piece and yuri manga aside, and there’s basically zero chance I’d pick up the TPN manga anywhere in the immediate future, so I might as well see the story to its end this way. It might be awful, but at least it will be some kind of closure. Besides, not having read the manga should make me uniquely qualified to judge this season. I don’t know all the stuff they skipped and changed, so I can judge it as its own thing. Plenty of manga fans have surely already broken down all the ways it betrays the manga; I can analyze it solely as a continuation of TPN’s first season, with no expectations from the manga. And that should be, if not a good experience, at least an informative one. Putting adaptation aside, how does TPN Season 2 hold up as a show in its own right? Does it work at all as an anime-original follow-up to the first season, or is it really just garbage all the way down? Either way, it should be interesting to find out.
With that said, don’t spoil me on anything! I prefer watching anime as blind as possible, and I’m sure I’ll find my answers soon enough. Expect my first update later today, and thank you for joining me on this new adventure!
Schedule: I watch two shows concurrently, one long-running, one shorter, alternating each day. Currently, my long-running show is Pokemon Johto. Feel free to visit my home page and explore my extensive backlog of previous binge-watches, a list of shows I’ll be watching in the future, a link to my Discord where you can hang out with me and fellow anime fans to chat about the shows I’m watching, and much more!
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itsclydebitches · 3 years ago
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YYH Recaps: Episode 4 “Requirements for Lovers”
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Hello, everyone! It's been quite a while, huh? Ah, the endless cycle of wanting to write and yet, astoundingly, not writing. I know it well.
Good ol' writer's block has skedaddled for a time though, so let's make good use of that and dive into Episode Four: "Requirements for Lovers." 
Ohhh, YYH getting spicy with its titles 😏
Actually wait, I shouldn't be making dumb jokes just yet. First I want to acknowledge a slight change to future recaps: YYH, RWBY, and anything else I might try my hand at. Namely, a lack of pictures moving forward. A few weeks ago — months? I honestly can't keep track — tumblr implemented a new limitation where no post can have more than ten images in it. It's a move that, while I'm sure has its justifications, makes sharing analyses of visually-based media all the more difficult. I'll be doing my best moving forward to describe scenes as needed, as well as combining connected images together to stretch out my limit, but I'm not going to pretend that it'll be the same as getting the visual play-by-play we’re used to. 
Tumblr certainly is a website, huh?  
Anyway, we open on Yusuke once again lamenting the difficulty of hatching a spirit beast that doesn't immediately devour him from the head down. On the one hand this is an admittedly easy way to reset the story over the course of this arc — the storytelling equivalent of waking your character up each morning — yet I cannot deny that if I were undergoing a resurrection test, it would consume my every thought too. Can't really blame Yusuke for endlessly bringing the conflict up when the conflict is this deadly.
Well, deadly for a ghost, anyway.
Specifically, he's worried about how embarrassing it would be to get eaten by something that came out of an egg this tiny. I'm torn between reminding a fictional character that things grow — a pissed off chicken could kick my ass and it started out in an egg too — and just shaking my head over the absurdity of worrying about embarrassment when, you know, you would cease to exist. It's not even a matter of, "What if I die and then I'm embarrassed about it in the afterlife :( " Yusuke is already IN the afterlife. He's got nowhere to go but oblivion!
Luckily, Botan takes a more practical approach to these worries, pointing out that he'll be just fine provided he does some good deeds. Yusuke starts a rant about how do-gooders are only ever out for themselves.
Yusuke, you dumb-dumb, you're a do-gooder now. What was all that help for Kuwabara, hmm? As said, these early episodes exist in a semi-reset loop, where Yusuke needs to stew in his main character flaws for a while before any real growth starts to stick. Those flaws being, primarily, "I'm a pessimist" and "also I hate myself."
Case in point, Botan accuses him of always seeing the glass as half empty. Which, while true enough (outside of his confidence in fighting, anyway), by now we've got a pretty good sense of where Yusuke developed this attitude. He affirms this by talking about how Koenma's got him by the balls, "just another idiot abusing his power!" With an alcoholic mother and those teachers from last episode, it's no wonder Yusuke thinks this way. Mr. Takenaka's interest and Keiko's care aren't enough to combat the rest of Yusuke's experience, not when Takenaka is an outlier and Keiko is Yusuke's peer. Her desire to keep him on the right track reads only as an inevitability at best (the downside of having a perfect childhood friend), or a legitimate annoyance at worst. Or, as we'll continue to see in this episode, a way for them to flirt.
Is it any wonder Yusuke would sneer at Koenma's offer then, expecting the worst? The fact that Yusuke is still undergoing the challenge at all, no matter what he says, speaks volumes to me.
However, Botan is less than comfortable with his criticisms. She panics a bit at Yusuke insulting the (junior) ruler of the underworld so blithely. That, and the fact that he's carelessly tossing his egg around.
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(Yes we’re using precious picture space for memes are you SURPRISED?) 
Anyway, Botan isn't just concerned for the sake of concern. She cautions Yusuke against speaking too freely because there may be investigators checking in on his progress. No sooner does he ask what those investigators look like than one appears.
Thunder! Lighting! An energy so intense that Yusuke is briefly blinded! It is, as he says, quite the entrance. What kind of being could possibly be at the heart of such an astounding show?
Why, this teeny-tiny cutie, of course.
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Remember, few appearances in YYH coincide with the character's true self. Would you ever assume this is the all-powerful investigator who holds Yusuke's future in her hands? Of course not. That's the point.
The investigator introduces herself as Sayaka and immediately demonstrates that she has no more patience for Yusuke's attitude than Botan does. "These damn kids," he mutters and my brain briefly blue screens because Yusuke. You're fourteen.
Plus, Sayaka and Botan clearly have some sort of eternal youth situation going on, so there's that too.
Sayaka is, in a word, fantastic. She pulls no punches with Yusuke, teleporting away from him with what can only be described as a shit-eating smile, all while refusing to tell him what exactly she's investigating. “I’m sorry, but that’s a secret!” However, Keiko is clearly at the forefront of her interest. She refers to her as Yusuke's "girlfriend."
Botan is more than happy to point Keiko out — because of course they're still following her around! — and pulls a Et tu, Brute? on Yususke, leading Sayaka right to her. Like most of the Underworld, Sayaka is rather shocked that the pretty, popular, scholarly girl is supposedly into the delinquent. It's the power of childhood friendship, you fools! Specifically, Sayaka references the "positive markings" that Keiko has accumulated, but the audience already knows by now that such markings are suspect at best. Yusuke himself is proof of that. So if his terrible marks don't preclude him from being a young kid's savior, should we really view Keiko's as proof of superiority?
I mean, Keiko is fantastic, but that's not really the point here.
Starting her own investigation into Yusuke's life, Sayaka begins with one hell of a bombshell: "There's no point in doing [the resurrection] if the people closest to you don't care." WOW. Not only is that a harsh assessment, it's one I don't think I can personally get behind. The offer to restore Yusuke to life is built on the acknowledgment that their system is flawed (even if there's no work to change or dismantle that system): they thought he was worthless, his sacrificial death seems to have proven them wrong, and now they want further evidence, in the form of this trial, that Yusuke is a good person at heart. The whole point of this challenge is to give him a second chance, with testimonies like Mr. Takenaka's emphasizing that Yusuke has always been capable of more, so long as he applies himself. This, as we'll see throughout the series, applies to relationships too. The Yusuke with one friend he play-fights with, a distant mother, and a school worth of kids who are terrified of his very name is not the future Yusuke they expect him to become, so... why base his resurrection on what he's already (not) accomplished? Granted, the show is very unclear about what, if anything, Sayaka will do if she decides that Yusuke doesn't have a life worth going back to (even if I have my own theory discussed at the end), but the fact that this is suddenly a factor at all seems grossly unfair, not entirely unlike Kuwabara's rigged promise. We as the audience know that people love Yusuke. Yusuke himself is beginning to acknowledge that. But if this fourteen year old delinquent truly had no one that wanted him back from the dead... isn't that all the more reason to allow a resurrection and give him the chance to build a life where he would be missed? 
This stupid shonen got me thinking too much istg. 
Yusuke, ever the self-deprecating pessimist, bypasses all of the above thoughts and jumps straight to, "It's clear if [Keiko] had any sense she'd want me gone." I'd find that attitude incredibly sad if I wasn't distracted by how cute Botan and Sayaka are, sitting on the oar together. The spirit girls who fly together, thrive together! 
Botan starts teasing Yusuke about having a crush, which just feeds his temper and Sayaka's confusion. Deciding that she needs to gather more info, they follow along for an average day of school because these earlier episodes are, apparently, ghost-stalk Keiko hours. 
We see her reading aloud in class from Heart of Darkness (not the easiest book for some middle schoolers), scoring a point during volleyball practice, refusing to let one girl cheat off her homework, but happily helping another who runs up with a question. So she's pretty, athletic, and academically successful, the trifecta for any good love interest. Sayaka is impressed not just with her "nearly perfect" scores, but also the maturity that Keiko demonstrates, such as maintaining her morals about cheating while remaining compassionate. 
Actually, I really love the contrast this provides for us, the viewer. Meaning, Keiko is shown to be at her least mature when in Yusuke's presence. Not that her responses aren't justified, but watching her dramatically snatch gum from his mouth, slap him across the face, or pull crazed expressions as she yells at him is a far cry from this calm, poised, soft-spoken Keiko. It's a way to visually show us that she's comfortable in his presence, despite the suspect humor attached. Not that the Keiko we see at school is faking or anything — she is legitimately that kind and articulate — but we see that being with Yusuke allows her to relax in a way she doesn't with others. School!Keiko is, as Sayaka says, pretty much perfect, 24/7. Yusuke's Keiko is a little rougher around the edges, in a way that implies a multifaceted personality shining through. 
However, the only conclusion our trio draws is that, given Keiko's accomplishments, any attraction must be one-sided.
Poor Yusuke lol. 
In a plot move that is so ridiculously contrived, just as Yusuke is grappling with the accusation that Keiko couldn't possibly like him back, a "handsome boy" arrives to ask Keiko out. He says that he couldn't bear it when she stopped reading Heart of Darkness because he's fallen in love with her voice. "Will you be my girlfriend?" 
Please excuse me while I lose my shit over how ridiculous this is. I legitimately straight up cackled when I watched this scene. 
Luckily for Mr. Absurd, Keiko takes him seriously — and lets him down easy. She says she can't be his girlfriend and when he presses the "Why?", asking if she already likes someone else, Keiko confirms that she does. This is done through a shot of her feet. Not a POV shot given the angle, but close enough that it feels like we're stepping into Keiko's shoes (haha), shyly staring down at the floor in embarrassment and regret. 
Rejection complete? The guy screams. 
I mean he screams. 
I mean this nobody we're never gonna see again unhinges his jaw and lets out an unholy shriek the likes of which makes me shriek in utter GLEE. 
It's insane. It's wonderful. I'm going to use one of my coveted image spots to show you his face: 
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Look at that and tell me this show isn't amazing. 
Okay, I'm focusing again. As Keiko runs off Botan and Sayaka start dragging Yusuke, teasing him about how Keiko chose him over that "charming handsome boy." 
...Please scroll up and look at that image again. I find YYH's definition of "charming" and "handsome" to be hilariously wrong. 
Yusuke, as per usual, throws himself into damage control, claiming that Keiko didn't say who she liked, so really it could be anyone. They're not buying it. “'I like Keiko' is written all over your face!” Botan crows. Meanwhile, Sayaka is scribbling in her little investigator's journal that feelings on both side are severely misunderstood. "Suggest serious counseling." 
Fantastic idea, Sayaka. I'd personally suggest counseling for the whole dying/best friend getting resurrected thing... but relationship woes work too! 
We cut to later when school is out and Keiko has gone over to Yusuke's. To say that Atsuko has done a poor job of keeping the house clean lately would be a serious understatement. 
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Keiko points out the old food and broken glass specifically, cluing us in that this isn't just a messy environment, but a dangerous one as well. This is proven when she accidentally knocks a stack of books over and a used bowl falls onto Yusuke's face. What's interesting is that Keiko says that things are "back to normal" now, though I'm not sure if that's in reference to the state of the house, or just the note Atsuko left behind, asking Keiko to take care of Yusuke while she's out. I'm inclined towards thinking it's just the note, partly because of Keiko's shock when she first arrives, because the house wasn't shown to be in this state prior to Yusuke's death (first image above), and because the note is accompanied by a great voiceover that makes Atsuko sound quite sloshed when she left. That's what's normal, the drinking and carefree attitude, not the state of her home. If we buy that reading, it allows for another fantastic look into Atsuko's mental state. If she's already an alcoholic, the trauma of her son's death and the following revelation that he's coming back might make her struggle in other ways. Like finding cleaning to be an impossible task. 
She's depressed. It doesn't excuse the state she's left Yusuke in and, as previously acknowledged, YYH is definitely not a show interested in this nuance, but I still find it fun to take what little we've gotten and run with it. 
However, Keiko is firmly on team "WTF Atsuko." She hurries to make sure Yusuke wasn't hurt by the falling bowl, bemoans him being "covered in garbage," and says that leaving him in this state should be considered a felony. Knowing it's far beyond her power to fix Atsuko's failings, Keiko swears to come here after school every day until Yusuke regains his body. It's as she's cleaning him of the dust that's gathered that Keiko becomes entranced with Yusuke’s features. Particularly his lips. The soft lighting returns, their theme song swells, and Keiko gets thiiiis close to kissing Yusuke for the first time. 
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Which is a little weird, right? I mean, we know why Yusuke is freaking out. Beyond the embarrassment of a middle schooler receiving his first kiss while two ghost girls eagerly watch on, he's made a hobby of denouncing his interest in Keiko to anyone who will listen. But for the average viewer — for Keiko herself — don't we care the he's, you know, dead? Or if not technically dead, very unconscious? Don't get me wrong, I fully understand the appeal of this situation in a generalized, cultural sense (with the side disclaimer that I'm reading a Japanese product through an American lens). Sleeping Beauty exists for a reason and there's definitely an element of that here: a gender-reversed setup where Keiko’s kills may break the "curse" of Yusuke's untimely death. Even his in-between state of being mirrors the "death like sleep" of the fairy tale. But when you strip away those Disney-esque thoughts, we're left with a girl about to kiss an unresponsive body, not as a common gesture of care (the parent who kisses their child while they sleep), but as a first time, romantic milestone. 
It's a little weird lol. 
But embrace the romance! As well as its inevitable interruption. Just as Keiko is about to land a peck, the neighborhood watch committee announces a heat and fire warning, startling Keiko out of her thoughts about Yusuke's "beautiful face." (There's another gender reversal for ya.) She gasps at her almost-action, conveniently remembers that her mom wanted her to do some shopping, and hightails it out of there before embarrassment can really kill them both. 
So she runs off for food... in a sweater? The outfit is cute and all, but I wonder what the animators were thinking, putting Keiko in a puffy pullover during an episode all about a heat wave. 
It's about at this point that the plot goes from cute romance to absolutely buck wild. The fires the neighborhood watch committee mentioned are not, in fact, due to the overwhelming heat, but an arsonist that's going around tossing molotov cocktails through open windows. Why is he doing such a thing? I don't know. Arsonists be doing arson, I guess. The important bit is that Yusuke's place is his next target, considering that Atsuko forgot to lock the windows when she went out. Within seconds all that garbage is set ablaze, quite obviously putting Yusuke's resurrection chances at an all time low. 
"Wake up, stupid!" he shouts at his unconscious body. Mood, Yusuke. That's me every morning. 
So this is a full scale emergency now and everyone is scrambling trying to think of something to do. Yusuke comes up with the idea to possess himself like he did Kuwabara — nice attempt at a loophole there — but since it would technically count as his resurrection, no dice. Botan decides to go get Kuwabara himself, even though he's too far away to do anything. It's still worth a shot. Sayaka, meanwhile, watches all this unfold with a somewhat clinical detachment. She's not quite indifferent and she's definitely not cruel... she’s just not as emotionally invested in this as the other two. Which not only re-emphasizes her purpose here, as an observer judging Yusuke, but also highlights the bond Botan is forming with him. As mentioned before in regards to her hanging out with Yusuke rather than ferrying souls, Botan is well past someone assisting Yusuke simply because it's a part of her job. He's her friend. 
We get some shots of the growing fire which includes a hazy texture to the animation I quite like and then we cut to Keiko several blocks away, shopping bag in hand. Word of the new fire spreads, with one bystander mentioning that it's the twelfth today. 
"This is eerie.” 
“Yeah, I can’t help feeling we’re under attack.”
That's because you are! Someone stop that man! 
Sadly, I don't think the arsonist is mentioned again, let alone captured. We'll just have to relegate that to my incredibly niche fic wishlist. 
Keiko also overhears that the latest fire is on fourth avenue, which of course is where Yusuke lives. Recognizing that he might be in trouble, she takes off at a run. 
Meanwhile, Botan finds Kuwabara practicing his kicks against a Yusuke dummy. Amazing resemblance, right? 
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Watching for the purpose of recapping, I'm picking up on a lot of details in the animation I quite enjoy. I don't think anyone would claim that YYH, at this point in time, has the most impressive or flashy animation (the fight scenes later are another matter entirely), but there's a clear love for the product that shines through. The scared expression on Kuwabara's dummy. His unexpectedly dainty kick, complete with pointed toes. Botan's more translucent coloring to emphasize her supernatural status compared to Kuwabara. There are a lot of nice touches despite the overall simplicity. 
Plus, you can't forget the lovely irony of Kuwabara fighting a defenseless "Yusuke" while the real guy actually lies defenseless amidst a fire. We already know that despite his tough talk, Kuwabara would be horrified to learn that his friend rival had died (again) in such a manner. 
Capitalizing on that transparency, Botan runs a hand through Kuwabara's back to catch his attention. He gets his "tickle feeling" and instinctively looks around towards Yusuke's house, seeing the smoke. "Something tells me I should go that way." Gotta love a guy who drops everything to chase a vague, supernaturally induced hunch. 
As Kuwabara leaves we cut back to Keiko arriving at the house, staring in horror at the blaze. We get an audio flashback to her talk with Yusuke where she promised to take care of his body until he got back. So she tries to run in, only for a couple of the onlookers to snag her, quite correctly keeping her from undergoing a suicide mission. We learn later that Keiko absolutely would have died without Yusuke's sacrifice, so her "You cowards!" is born more of emotion than justified accusations. It's not cowardly to look at the raging inferno in a small apartment and realize that recklessly running in will only result in two dead teens, not one. 
I mean, the flames are already right there, licking the door. Even if Keiko somehow managed to avoid burns, the smoke alone would do her in. Still, Keiko tries to mitigate the damage by dumping a bucket of water over her head. As a kid I remember thinking this was the smartest thing ever. Utterly inspired. Keep that in the back of your mind, kid Clyde, for future reference. As an adult... I have no idea whether this would actually help or not lol. Any firefighters doubling as YYH fans? 
Recklessness and iffy precautions aside, I can't express how much I appreciate the story giving Keiko things to do. Yusuke recognizes that she's the only one with the maturity and open-mindedness to believe in his resurrection. She's the one picking up Atsuko's slack regarding his day-to-day needs. She never hesitates for a moment, heroically throwing herself into this blaze for Yusuke's benefit. Yeah, a lot of that still falls into the emotional/domestic sphere — what we expect of the love interest in a 90s anime — but too often action stories don't have a clue what to do with their non-action characters, not even when it comes to just supporting the fighters. They're simply... there. Keiko, however, isn't window dressing. Whether it's helping Botan survive an upcoming, supernatural plague, or cheering the team on at the Dark Tournament, Keiko is an important part of the story, despite lacking the fighting prowess of the rest of the cast. 
Just as important, this episode establishes a core equality between her and Yusuke. We just watched Keiko reject a (presumably) accomplished guy for him, telling the audience that these surface differences — academics, power levels, popularity, looks — don't matter to them. Yusuke is not Keiko's lesser just because he doesn't have the same scores in Sayaka's book and Keiko won't become Yusuke's lesser just because she doesn't have spiritual power like he does. The only important thing here is that they love each other and they're both willing to sacrifice everything for the other. In the span of about ten minutes, Keiko nearly gives up her life for Yusuke and, in turn, Yusuke gives up his resurrection for her. The level of care they show towards one another is balanced, despite those differences. 
They’re a good ship, y'all. Even if this recapping's got me noticing Yusuke/Kuwabara potential lol. 
To get back to the plot, a drenched Keiko charges into the fire, yelling Yusuke's name for the drama of it because we all know he can't respond. Despite the audience (hopefully) recognizing Keiko and Yusuke's equality, that memo hasn't reached Yusuke yet. "You're a lot more important to this world than I am!" he yells, hammering home that despite everything — knowing he instinctively saved a child, watching his loved ones grieve for him, helping Kuwabara just because he can — Yusuke still, deep down, believes that he doesn't deserve to come back; that he doesn't measure up to those around him. The self-sacrificial nature this insecurity produces shocks Sayaka. She points out that if Keiko doesn't save his body, he's not coming back. "What's the point of being alive if Keiko has to get killed for it?" 
Keiko means more to Yusuke than the rest of his living existence. Jot that down in your notebook, Sayaka! 
Kuwabara arrives and runs into one of his friends who informs him that Keiko just went inside. “Yusuke’s girl? The one we saved from those thugs?”
BOY does that tell us a lot about their rivalry! I mean yeah, we've already established several times over that Kuwabara — just like Yusuke himself — is not the cruel street thug he'd like to present himself as. If these characters actually wanted to hurt each other outside of a martial arts challenge, don't you think Kuwabara would capitalize on the "Yusuke's girl" bit? Everyone seems to know that they have feelings for each other, but Kuwabara never once wields that as ammunition against Yusuke. There are no taunts about him not being good enough. Or rather, I should clarify there are no serious taunts — Kuwabara is well known for his teasing. There's also no attempt to steal Keiko out from under him, the common treatment of the love interest as a "prize" that many stories fall into. Indeed, later this episode YYH will deconstruct this a bit. Yusuke sees Kuwabara grab Keiko's hand and yells that he better not be getting "fresh" with her. But it's purely Yusuke's worries shining through. The audience gets a crystal clear picture of the situation and knows, categorically, that Kuwabara has only the most innocent of intentions in holding Keiko's hand. 
(Well, running from the police isn't innocent, but...) 
I keep getting sidetracked. Plot! Keiko makes it to Yusuke's room and finds that he is already on fire. She then proceeds to try and put it out by patting it with her hands. I take back what I said about Keiko's smarts in this scene. Now we know where that supposed recklessness comes from though. Apparently they're both immune to fire! Nothing to worry about here, folks. 
JK she's actually in danger, despite the animation choices. By this point everyone, including Keiko, realizes that there's no way out: the fire has blocked the door. Sayaka then reveals that there is one way to save her. If Yusuke throws his egg into the fire, the energy of the spirit beast will release and guide her to safety. The catch? Hatch the egg early and it won't complete its intended function of guiding him back to his body. This beast is gonna guide one person and that is it. 
Cue Yusuke's near immediate decision to sacrifice his life for Keiko's. Granted, it's not precisely one life for another. Yusuke's resurrection was always contingent upon the beast not devouring him whole — something Koenma claims would have happened at the end of the episode — meaning that it's not technically a fair trade. Yusuke might have sacrificed Keiko's life for his own... only to fail to get that life back anyway. (There's a tragedy for ya.) To say nothing of how Yusuke is currently dead and has been for at least a couple of days, whereas Keiko very much is not. There's some sort of philosophical discussion there about potential being pit against current reality. 
BUT that's not the point! The emotional point is that he sacrificed his life for hers — the potential of his resurrection, the potential of that life he might have led — all technicalities aside. And I, for one, think that's very neat of him. 
A blue light shines as the egg's energy is released, providing a lovely contrast to the fire surrounding them. A path forms to the door and Keiko, recognizing Yusuke's presence, follows it. "We'll make it, Yusuke," Keiko says, which is one hell of a sucker-punch now that we know she's just carrying a corpse. Unbeknownst to Keiko, Yusuke is very much not making it. That's the only reason why she is. 
Kuwabara appears to help them the rest of the way which is also a pretty awesome thing considering that, from everyone else's perspective, the fire is still raging and blocking the door. Despite his spiritual awareness, Kuwabara gives no indication that he noticed this strange light, or Yusuke's hand in the rescue. Which basically means he lunged into a bunch of deadly fire for Keiko and doesn't question how in the world he isn't burned. 
Keiko's hands are fine, Kuwabara's whole body is fine... fire immunity must run in the friend group! 
Yusuke has another rare moment of vulnerability — "They're both okay" — and I cackle happily at the "both" because see. You love Kuwabara too, Yusuke! All this bluster about hating him and finding him annoying. The second he rushed into that fire you were crawling up the walls. 
Except then that happiness gives way to something that sounds a little more shocked. Devastated. "Well, I sure am... relieved..." Kudos to Cook's voice acting. You can hear the exact moment Yusuke realizes what he's done. Not that he regrets it, but the consequences are finally sinking in. He's relieved that they're safe, yes, but now he's never going to be able to rejoin them. 
As Yusuke has an(other) existential crisis, Kuwabara peels back the blanket Keiko had wrapped Yusuke in, revealing his face. “What are you doing with Yusuke’s body?! Are you some type of sick grave robber?” he shouts. God I love when a story actually keeps track of who knows what. Kuwabara, for all his recent involvement in the plot, doesn't actually know what's going on. From his perspective Yusuke died, he made a scene at the wake, he saved "his girl" from a bunch of thugs, lost a huge chunk of time only to wake up with her randomly hugging him (then slapping him), participated in a bet with his awful teacher and had a couple weird, Yusuke related dreams while studying, and has felt the presence of ghosts perhaps a little more frequently than usual. Now he's trying to help save Keiko from a fire only for her to reveal she risked her own life for Yusuke's body. Of course he's freaking out! What's she doing with that? 
What's utterly fantastic though is that Kuwabara takes all of five seconds to process this and then enters immediate Ride or Die mode for Keiko. She's been hoarding Yusuke's body for undetermined reasons? Well, who is he to judge? The important thing here is that people are arrested for keeping bodies, so they've gotta skedaddle before the firefighters show up. 
Hence, hand-holding and avoiding arrest. 
As Yusuke starts threatening Kuwabara not to get "fresh" with her, Botan sadly reminds him that he no longer has a say in who Keiko does or does not fall in love with. The switch in tone is jarring. Whereas before Botan would have teased him mercilessly for the crush, now she knows that nothing can come of that — and it would be cruel not to remind Yusuke of that too. 
"Oh no. I didn't think..." Yusuke whispers, further establishing that he knew the risks of using his egg, but hadn't allowed them to sink in yet. Now they have. 
He gives a fake little laugh with, "Just when it was getting good" and I cry at the development in the span of just four episodes. Despite what I said at the beginning about the show resetting each week, there has been a lot of change thus far. Yusuke wants to live now! He wants to be there for Keiko! He looks down on his tiny family and screams at the unfairness of it all! They're talking about how they can't wait for him to come back and now that's never gonna happen!!
It hurts, friends. It hurts a whole lot. 
During this conversation between Keiko, Atsuko, and Kuwabara, we see that a couple of hours have passed (it's nighttime now, the fire is out) and Atsuko is apologizing for putting them all in danger like that. And by that I mean yes, she does technically apologize with an "I'm sorry" and everything, but it's also a one sentence apology pit against... well, near death for the three people standing (and sitting) before her. Atsuko seems just as concerned by Keiko losing her hair as she does Keiko nearly burning to death and she kneels by Yusuke's wheelchair, baby-talking to him about how he forgives her, right? I love Atsuko, she's great, but objectively speaking she is not a good mother. Not right now, anyway. 
Oh yeah, and just to reiterate that: Keiko's hands are fine after patting down Yusuke's on-fire body, but her hair, which I'm pretty sure never catches, has to be cut short. Ah, anime logic. Funny thing is, YYH isn't the only story to take the love interest and give her a cool, short cut thanks to a traumatic event. Anyone read Ranma 1/2? 
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During this conversation we also learn that, sometime between the fire and now, Keiko filled Kuwabara in on everything that's happening with Yusuke. Makes sense. He kneels beside the wheelchair, joining the others in telling Yusuke that they'll wait patiently for his return. Yusuke, above them, continues yelling about how they're waiting on a dead man. 
“It can’t be helped. He made this decision on his own." 
Except it can, in fact, be helped!
Just as all hope is truly lost, Koenma appears and announces that Yusuke will be returned to life. Why? Because sacrificing his egg for Keiko is a better indicator of his worth than the egg itself could have been. Despite feeding on his negative outlook and heading towards biting Yusuke's head off — something the animation backs up by showing us teeth during the fire
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— Yusuke's act demonstrates a tendency towards being a "decent human being" that is "so rare." Wow. That's depressing. Still, yay that Yusuke has those qualities! And this, to my mind, helps explain Sayaka's presence. Koenma recognized that judging Yusuke couldn't be left to the egg alone and indeed, Sayaka took note of his worth before he ever threw the egg into the fire. First it was questioning why someone as amazing as Keiko would go for him, then it was solidified through the shock of Yusuke announcing that coming back to life was meaningless if she wasn't in it. Even if Keiko had somehow, miraculously escaped the fire before Yusuke's sacrifice, I bet Sayaka's report would have tipped him in resurrection's favor anyway. 
Everyone is, of course, overjoyed and my heart swells at the intense gratitude Yusuke displays. My favorite part though is when Koenma cryptically says that “Your added experience with death could make you very useful" (a nod towards future events that goes right over Yusuke's head) and his response to this is a yelled, "YOU THINK I'M USEFUL?" This poor kid. The God of everything ever is chucking out revelations left and right, about resurrections and spirit beasts, but the only thing that really penetrates is the realization that someone thinks he's useful. Talk about relatable. 
You know, I've been thinking about why this moment works so well. I mean, there are a lot of other stories where undermining the consequences our hero faces — either with humor, or by erasing them completely — can feel like the audience was cheated. I think YYH dodged that with a couple of crucial factors. First, Yusuke's consequence isn't something new that he's now avoided, it's just a permanent extension of something he was already dealing with. We did get to watch him inhabit the space between life and death, grappling with whether he'd ever be able to return. The story didn't deny us that growth, it just confirmed something we all instinctively knew: this tale won't end here with Yusuke permanently going to some afterlife. Second, the Deus ex Machina fix doesn't happen too soon. Yeah, it's only a couple of minutes in a single episode, but we (and Yusuke) still get to sit with that outcome for a while, soaking it in before its removal. Finally, there's no doubt that Yusuke earned this reprieve. Koenma's timing might be sudden and (if you're not genre savvy) unexpected, but looking back at the series as a whole thus far, we're able to agree absolutely that Yusuke deserves this. Far from feeling like we were cheated, this solution invites just as much celebration as we're seeing on screen, for the simple reason that we can buy into Koenma's reasoning. We know now that Yusuke is a good person. We saw him selflessly sacrifice his future for Keiko. We agree that he deserves a second chance. 
Thus, the episode ends with Yusuke flying up to fill the screen in his joy, a far better, final shot than Harry Potter and The Prison of Azkaban managed 😰
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And that's it for Episode 4, folks! See you later for Episode 5 💕
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