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ms-demeanor · 1 month ago

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I understand that vaccines are proven to work and are a great advancement in our medicine, and also that homeopathic remedies don't work, but don't they work on the same principal? Why does one work and the other doesnt?

They do not work on the same principle.

I can see how vaccines look like a "like treats like" situation, but in homeopathy "like treats like" is a kind of magical thinking.

Let's take an example from Chicken Pox, a virus for which there is an effective vaccine and for which there is a common homeopathic treatment.

Chicken pox infects people once, and it is extremely rare to get a second case because once you have had it, your body forms persistent antibodies against the varicella-zoster virus. When I was a kid, they didn't have a vaccine for this, so kids mostly got chicken pox once and it ran around whole schools and that was it. It's a virus that is fairly minor in children, though it can cause dangerously high fevers. Adults who get chicken pox typically get much sicker than children who get it, and it can lead to permanent harms like infertility in adults who get it. Because it can be so dangerous, we don't want people to risk getting it, so we vaccinate.

The way the vaccine works is that it takes a weakened form of the virus and introduces that into the body of a person with a healthy immune system. The immune system responds and the person who got the vaccine may get some minor symptoms, like a headache or a slight fever, but it will be nowhere near as severe as getting actual chicken pox would be. Because the immune system was exposed to the virus and responded, it now has antibodies against the virus that recognize the virus and respond immediately before it can start replicating in the body. If a person who has either previously had chicken pox or who has been vaccinated against it is exposed to the chicken pox virus, their body uses those antibodies to react to the virus and protect against a systemic infection.

Are you familiar with Star Trek? It's kind of like the Borg. You can't use the same attack pattern against the Borg multiple times because if you do, they'll recognize the pattern and will be able to defend against it. The virus is the attacker, and your immune system is the Borg. It knows what it's looking for and won't let anything get through its defenses.

Homeopathic remedies don't seek to prevent illness or provoke an immune response, they seek to cancel out something that is happening in the body.

For chicken pox, which produces itchy red bumps, homeopaths use Rhus Tox - a dilution of poison ivy, a plant that causes itchy red bumps if you encounter it in nature. The Rhus Tox didn't cause the chicken pox, it's not given to prevent the virus, it's from a plant that is completely unrelated to the virus that happens to produce some of the same symptoms as the virus when you touch it.

They don't even think that the Rhus Tox will provoke an immune response from your body like actually touching poison ivy would, they're attempting to use an unrelated compound (that is so diluted that it isn't even present in the preparation) in place of your immune system to attack the itchy red bumps.

So I'm going to go over this in a few brief points:

Vaccines are preventative ONLY, they are not a treatment for illness or symptoms of an illness

Vaccines work by introducing your immune system to a partial, weakened, or dead virus so that your immune system can form antibodies against that virus and prevent that virus from replicating in your body when it is later exposed to a whole/strong/live virus.

Different vaccines have different levels of effectiveness and produce different lengths of immunity; this is for a number of reasons, but if you get a measles shot as a kid you may only ever need one booster, while you need a flu shot every year and a tetanus shot every decade. All of them work the same way, though: they show your immune system what a virus looks like so that your immune system can kill the virus.

That is why immune compromised people sometimes can't be vaccinated, or why vaccines don't work as well for them or may need higher doses or more boosters. Because they don't have a healthy immune system, weakened viruses like the ones in the chickenpox virus might be too strong for their immune system to fight, and even if it doesn't get them sick, their bodies may not be able to produce enough effective antibodies to protect them from the virus in the future. That's part of why it's important for as many people to be vaccinated as possible; the more people who are vaccinated, the harder it is for viruses to spread, and vulnerable people like immune compromised people or babies too young for vaccination won't be exposed to deadly viruses.

Homeopathy, on the other hand, aims to treat symptoms of an illness that a person is already experiencing.

Homeopathic treatments do not aim to provoke an immune response, they aim to cancel out a symptom with a cure.

Dilution is a very important part of homeopathy, with homeopaths claiming that the more diluted a preparation is the stronger it is. This is simply incorrect; I don't know how to make a more logical explanation of that, it is just wrong that less of a substance causes more of a response.

Homeopathy says "like treats like" and that may seem like using a vaccine with a weak virus to prevent infection from a strong virus, but their version of "like" is different - Rhus Tox (poison ivy) is supposed to be "like" chicken pox because both cause itching. Rhus tox is also supposed to treat PCOS, erectile dysfunction, uterine prolapse, sunken eyes, nausea, and backache. "Like" can have an extremely broad meaning in homeopathy, which should be cause for suspicion.

Here's a paper that compared the immune response of college students given homeopathic "vaccines" against a control group and against a group of students who were given standard medical vaccines. The control group and the homeopathic group both did not have an immune response in titer tests, while the vaccination group did have an immune response, demonstrating that they had protection from the vaccinated viruses. It's a pretty good demonstration both of how effective homeopathy is (not at all) as well as how to set up a fair and ethical study to look at the effectiveness of different kinds of treatments.

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communistcephalopod · 1 year ago

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🌊 lugias-sopping-anus

Can't stand how people will learn that humans are related to Pokemon and somehow come to the conclusion that different people are different types. That's not how this works. That's not how any of this works.

🍑 pechaberrysoda

there are literally so many fighting type people what are you even talking about lmao

🌊 lugias-sopping-anus

Your genetic make up doesn't just magically change type because you took a karate class. Do you also think your Charizard is a Grass type now because it learnt Solar Beam?

✨ ace-trainer-luna

But aren't Psychic type people a thing? Some humans have telekinetic powers, I'm pretty sure there are a few gym leaders who have them. There are even rare cases of children born with psychic abilities.

🌸 cynthiasfuturewife

that's still just learning moves

🌌 mistyterrain

As an actual Psychic type, this post is really disheartening to see. The fact that people who still refuse to acknowledge the existence of psychics are so common is just shocking. We exist!

☣ deathtounova

no one's refusing to acknowledge the existence of shit, you just don't know how types work

🌌 mistyterrain

The sheer ignorance on display here, it's obvious you're just mad you're a normal type lol.

☣ deathtounova

how bout i karate chop your ass and we'll see how "not very effective" it is

🌌 mistyterrain

Typical physical attacker brutishness, resorting to violence as usual

🦧 return-to-mankey

didn't you claim you manifested the kyogre disaster in hoenn?

⚡ electrictypesfuckyeah

WHAT

🥀 cradilyzone

Actual professor here! Genetically, all humans are Normal types, though some of our relatively recent ancestors were Psychic. Part of what let us succeed as a species was reutilizing the brain power originally used for psionics to language and tool use. We do still have some vestigial psychic power that can be trained, though it's quite weak compared to most Pokémon. As for those born with psychic powers, this is considered nowadays to be like an egg move, passed down from parent to child. And no, obviously learning Fighting moves doesn't make you a Fighting type, there is no way for a human to change their type.

🌔 hexmaniac

my grandma became a ghost type

🔶️ bigjiggly

I-

🔞 mega-miltank

What about swimmers though, they're water type, right?

📀 HM-69

did you even read the post

🪴 n-did-nothing_wrong

Are we all just ignoring OP's url?

🌊 lugias-sopping-anus

Team Plasma apologist blog, opinion discarded.

🛗 mostlymukposts

This post single handedly evolved my Porygon-2

#this is mostly a shitpost but like #also genuinely a problem i have with the things people say sometimes #pokemon #fake post #unreality

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queeniewithabeanie · 19 days ago

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Split-second

Dpxdc Prompt #24

It had only taken a split-second for the reality of the situation to set in. Martha Wayne, her husband, and her son were being threatened by a mugger wanting their belongs holding a gun.

Thomas—kind, peaceful, sweet Thomas—had attempted to diffuse the situation.

It didn't work.

Her husband was on the floor, dying, and she was a widow-to-be.

She screamed.

The mugger turned to her and shot, about to leave her little Brucie an orphan.

Then, for a split-second, everything felt strange, the bullet went right through her skin and she felt light in a way she hadn't felt in years.

The mugger was confused, Martha used that moment of confusion to pick up her shellshocked son and run out of the alley.

As soon as she got home she pushed past a concerned Alfred and turned on the news. Phantom, a hero from the town of Amity Park, had turned the entire planet intangible to stop them from being destroyed by an asteroid.

It just so happened to line up with when she had been shot at. It was only for a split-second, but it had changed the course of her and her son's lives forever.

When he and Mom got home from the theatre from his Dad's murder Mom had immediately rushed to the television.

Phantom, the news called the teenage hero, savior of the world. But for Bruce it was different, Phantom hadn't just saved the world.

Phantom had saved Mom.

Later as Bruce poured over articles about the ghost, anything to distract him from the Manor being emptier than it should, he realized Phantom did a lot to help around his own town too.

He had been saving regular everyday people, and it had made a difference.

It was then and there that Bruce found his resolve. There was no way he could save Dad, it was too late.

But... if Phantom could save Mom from halfway across the world and saved his fellow citizens from attacks. Then maybe, just maybe, Bruce could save someone else's dad, or mom, or brother, or sister, or friend.

Maybe Bruce could make a difference.

When Mom tucked him in that night, something he had recently said he was too old for, but didn't protest after the night, she kissed him on the cheek and softly spoke.

"Goodnight, sleep tight, don't let the bats bite."

Bats were Bruce's biggest fear. As his eyes drifted shut he recalled something he had heard Phantom say in an interview.

"Oh I'm constantly terrified when I'm fighting ghosts. Even though I am one that doesn't mean it's not scary, they were the things my parents would tell exaggerated spooky stories about as kids after all. However, I like to think that however scared I am of them, they're just as scared of me"

Maybe Bruce could use his fear of bats to help him help others too.

#in which phantom planet is compliant (for once)#but we barely see it because this isn't danny pov #martha wayne lives #thomas wayne does not #batman origin story anyone?#danny fenton #martha wayne #bruce wayne #dpxdc #dp x dc prompt #queenie-prompts

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keferon · 1 month ago

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Chapter 3 of Blurr’s storyline in Mecha AU!

Previous chapter

“Speaking of Mechs.” continues Blurr, ”That thing's evacuation system sucks. What if you were stunned by the fall? What if something short-circuits and starts a fire???”

Swindle just clenches the glass in his hands. Feels the cold moisture of condensation dripping down onto his fingers.

“Then I'd burn.” he doesn't say

Under the cut⤵️

——————————————————

It's Swindle's birthday.

He thinks it is.

He's pretty sure.

Since he was taken into the program, it's always hard to tell. It's like time flows differently here. He had a calendar, but Brawl put it somewhere a while ago and then forgot where it was. And they're not allowed to have phones yet. Though Swindle assumes Onslaught managed to steal one from someone anyway.

Shit. Where's the calendar?

Swindle remembers the date, but can't remember the month.

There's a strange static tingling sensation in the back of his head. If he turns his head too fast, it'll grow into an unpleasant pricking pain.

The last time in the lab was disgusting.

He can't remember what month it is. He's not even sure why it bothers him so much. Not that birthdays mean anything within the walls of the program.

He stops in the middle of the living room and looks around with a meticulous eye. He's already checked the beds, desk, and nightstands...hah.

“Hey have any of you seen my calendar?”

Vortex, sitting on top of the bunk bed shakes the ash off his cigarette right down into Blast Off's lap.

“Nope.”

“TEX YOU'RE LITTERING ON MY BED.”

“I could have ..torn it up” offers Brawl from across the room.

Swindle turns on his heels and angrily rests his arms at his sides.

“You tore it?”

“I might have,” Brawl scratches the back of his head.

Swindle pinches the bridge of his nose

That's fine. Not that he cares that much. Not that any celebration at all would save the crappy day.

He has some new “experimental” medical procedure scheduled for later, which generally means suffering. Or if he's lucky, some critter will attack the city and instead of squirming on the slab, he'll have to go cuddle with huge nasty beasts. Which is slightly better than the actual procedures. He'd like that to happen. If only his head would also stop buzzing....

“Happy birthday to me” Swindle thinks, sticking his Mech hand under the plates of a particularly ugly monster and pulling something disgustingly oozing green blood out of there. He can see the faces of the random gawkers who didn't have time to evacuate. Ooh, some of them got that nasty stuff on their faces. Swindle has no time to feel sorry for them.

The monster did attack, but it's entirely possible that this monster ended the last meager supply of luck Swindle had. Because somewhere. Something. In his head begins to hurt again and the world in front of his eyes begins to slowly blur and..

ahh FUCK….

The monster grabs him knocks him to the ground and Swindle can literally feel in his bones that something's wrong, but the data from his Mech doesn't give him any useful information. Which isn't that uncommon. These things are glitchy as hell and aren't designed to recognize anything but the most basic popular malfunctions.

The word “error” shines mockingly in his face. Blurring in his eyes and reflecting in red on his uniform.

Error, error, what the hell is this error. He needs to know what's wrong so he doesn't accidentally kill himself, but all this bucket offers him is oops. You're in trouble teeheee~

He can hear the sound of Blast Off's giant cannon in the distance. And the loud rumble where Vortex and Onslaught are trying to get out of the ring of monsters.

His Mech is unresponsive. His damn machine refuses to move and Swindle isn't quite sure if it's the Mech that's the problem, because his head feels like a piece of raw rotten meat and maybe the error meant that what's broken is him.

The monster leans over him, trying to rip off whatever it can rip off and thank god this thing apparently isn't smart enough to realize that the Mech is controlled from the head because it's aiming straight for his chest.

He needs to get out. If he can't get this thing to move, he needs to get the fuck out of it before the alien gets him.

He manages to open the emergency hatch and quietly slip out and ohhhh the world is spinning, this is not bloody good.

He manages to take a few steps before a loud B A N G comes from somewhere above and IS THAT A TRAIN???? Who in their right mind would think of using a fucking train as a throwing weapon???? Is that Brawl? It's got to be Brawl. Oh, Swindle is so gonna kill him.

Because (sadly) in addition to the monster, the train and Swindle, there's also physics involved in this circus.

So while the monster is effectively brought to rest and knocked sideways with a hole in it’s head, the train stops its forward motion and starts its downward motion.

Right onto Swindle's head.

He just has time to think that dying from a train falling out of the sky is a pretty creative death. His legs are shaking, his head is buzzing and he only manages to take half a sluggish step in an attempt to avoid the inevitable when a loud “MOVE” comes to his ears and something yanks him to the side.

The tug sends fire down his spine and head. The ensuing landing reverberates with pain in his shoulder and sides. He barely has time to process the first two sensations until a moment later he hears a rumble so deafening that he thinks his eardrums are about to burst.

Swindle props himself up on his elbows and hisses in pain as the movement causes the back of his head to sting.

“Ah I'll fuckin' kill him...”

A voice comes above him

“Ouw dude. You okay?”

There's.. Some teenager hovering over him. And behind him is lying...the wrecked train...right where Swindle himself was standing a second ago.

The strange teen frowns worriedly and pulls Swindle upright and drags him somewhere else

“Come on, it's best not to be in the open during monster attacks”

“Ah” thinks Swindle ”right. Without Mech you're a pathetic tiny piece of chop begging to be stomped on by Brawl.”

He tries to focus on balance so he doesn't hang too much on this kid.

They find the nearest unlocked door, which turns out to be the entrance to an underground bar.

“So” says the stranger, letting go of Swindle and shaking the dust off his hair ” You're a pilot! That's so cool, but you're kinda small for a pilot.”

Swindle sighs sullenly.

“I'll let you have that one comment about my height because you helped me, but next time you're dead.”

“Helped? I saved your ass.”

“Helped a lot” says Swindle grudgingly. “Thanks.”

The teen laughs and climbs into the bar. It's a mess everywhere, people clearly evacuated in a hurry and threw everything in haste.

“What's your name? Oh, or, wait. Do you guys use code names? I've heard pilots call each other by call signs, but half the time those call signs sound so dumb, I don't see how they can respond to that.”

He waits for the kid to cut off his flow of words to take a breath. Man, what a chatty boy.

“You can call me Swindle.”

“Kay” the kid pulls out a couple glasses ”I'm Blurr. Would you like something Swindle? I don't mean to brag, but I'm pretty good at mixing cocktails.”

Swindle looks around the room suspiciously. The bar, even though it's underground, looks pretty good. Too good, in fact. The place is clearly not for the poor.

He walks over to the bar and climbs onto a bar stool. There's no one else in here but them, but the electricity is on so he doesn't doubt for a second that they're being filmed by a security camera right now. Maybe a few even.

Blurr throws him an expectant look.

Swindle pretends to go through his pockets. As if there could be money in them out of nowhere. Then he makes a comically confused face and spreads his hands.

“Oh, no, I think I left my millions at home. What's the cheapest thing you have?”

Blurr snorts.

“Ice is free.”

“I'll take the ice then” nods Swindle.

There is a loud rumbling sound above them. It must be Vortex having fun again bouncing on the aliens that have fallen to the ground, crushing their heads.

Swindle is just. He takes off his helmet, takes a glass of ice and presses it to his head enjoying the way the nasty buzzing recedes.

Blurr waits for the rumbling to recede before speaking again.

“But really. You're a pilot but...uh. Are you even old enough to drink?”

Swindle sends him his best grumpy look. It's not exactly a joke about his height, but it's damn close.

“Are you old enough to pour?”

“Sure,” says Blurr too fast for it to be true. If Swindle had to guess, he'd say the guy in front of him is no older than seventeen. The tattered jeans and the T-shirt with the F1 logo printed on it definitely don't help. And, hey, those headphones look very expensive. So do the sneakers. Kid's clearly from a wealthy family.

Blurr pulls out a bottle of syrup from somewhere and pours it straight into his mouth. Doesn't miss, which is amusing. Doesn't wince, which is frankly impressive. Swindle feels the unbearable sweetness just looking at him.

It suddenly hits him

“Hey, do you have a phone?”

“Sure,” Blurr pours himself more syrup. Swindle twitches.

“What's the day today?”

Blurr's mouth is full of an unimaginable amount of sugar, so he just pulls out his phone and turns its screen toward Swindle and oh...oh. He was wrong about the date. And the month, too. It's not his birthday. His birthday was a week ago...

Does that mean he must be nineteen now? Yeah, that makes him nineteen.

Blurr takes the phone back and slips it into his pocket.

“Your face looks funny.”

“I just realized it's my birthday today,” smiles Swindle.

“Oooooooohh~~~” rejoices Blurr ”Congratulations! It's kind of poetic that you almost died just today. Can you imagine how funny the numbers on your tombstone would have looked.”

Swindle chokes on air.

“That's certainly a very appropriate comment, thank you...”

“Sorry haha said without thinking.” Blurr reaches under the counter again and pulls out a bottle from there “Hey, they have more syrups!”

There's another loud rumble from upstairs.

Blurr presses his head into his shoulders and stares up at the ceiling as if hoping to see something through it.

Swindle puts his elbows and head on the tabletop

“Don't worry, it's just Brawl.”

Blurr doesn't take his eyes off the ceiling

“ You can tell that by the sound of falling concrete?”

Swindle lazily dangles his feet. The chair is high and even the toes of his shoes don't reach the floor.

“Brawl is the loudest. And the heaviest, too. He's always crashing into everything, throwing things and breaking things too. You can hear him a mile away.”

He pauses to listen

“And that kch-ooooooooomm is Blast Off's cannon. It's some super rare experimentally advanced one, so it sounds like something out of a space movie. He couldn't stop bragging about it for half a year when he got it.”

Blurr chuckles and leans his elbows on the counter, relaxing.

“ And this...uh...what's this?”

“That's Vortex, he's our local lunatic. Best not to listen too much to what he does, it's almost always disgusting in ways you would never even consider.”

Blurr makes a disgruntled face and is silent for a couple minutes.

“It's weird hearing you call them by their names. I mean, I kind of always knew Mechs were run by people but you guys are never seen, so most of the time it's just.. Huge robots and huge monsters. You know what I mean. I was actually surprised when I saw you get out of that Mech.”

Swindle just nods. Because, what else is there to add.

“Speaking of Mechs.” continues Blurr, ”That thing's evacuation system sucks. What if you were stunned by the fall? What if something short-circuits and starts a fire???”.

Swindle just clenches the glass in his hands. Feels the cold moisture of condensation dripping down onto his fingers

“Then I'd burn.” he doesn't say

Blurr doesn't seem to notice his glum mood

“Oh, hey. If it's no secret, why did you go into piloting in the first place?”

Because he had no choice? He can't answer that, that information isn't for civilians.

Because he didn't know what he was getting into until it was too late? That's not vague enough either.

Because he was up to his neck in debt and barely into college before a smiling man showed up on his doorstep and offered him good money if he agreed to a couple tests...?

“I had to do it for the people.” Swindle decides to repeat a line of propaganda.

“Ohhhh.... That's...a good reason. The monsters are disgusting, of course. But the reason is cool.”

Swindle just. Holds his glass of melting ice, listens to Blurr's mutterings, and enjoys the peace. This random teenager is not his superior or colleague and has nothing to do with the organization at all. Swindle doesn't have to remember to salute or follow orders or fear being reported to his superiors.

He can just. Be.

Just him and his free ice and his saved for free life.

That's. Sweet.

Blurr's drinking syrup again.

...and a little disgusting.

—————————-

Brawl jumps out of bed, hits his head on a shelf hanging on the wall and drops everything on it onto Blast Off's head

“Swindle!!!” yells Brawl.

“Why are these books sticky???” shrieks Blast Off.

“You don't wanna know~” giggles Vortex.

Swindle sighs.

“You're alive!!!” ignores Blast Off Brawl's complaints. And a second later runs up and pulls Swindle off the floor in a crushing bear hug.

Behind them, Blast Off, with his face wrinkled in disgust, gathers all the dropped books back onto the shelf.

Swindle wheezes pathetically and slaps Brawl's arm with his palm, either to reciprocate the gesture or to beg for mercy

“Br...khaaaaah...Brawl I can't breathh.”

“OH. I'm uh. Here. Wait.”

Brawl puts him back on the floor and runs back to the shelf.

Onslaught, who has peeked into the room, puts a hand on Swindle's shoulder

“You've been gone a long time. Boss said you tried to escape.”

His tone isn't judgmental. And not pressuring. Not even questioning, but Swindle knows Onslaught wants more information. Swindle clutches a piece of napkin with a phone number in his pocket and smiles weakly.

“I've found a...friend? I think?”

Onslaught nods. In a manner that only he knows how to do. Not giving an opinion, not encouraging or condemning. Just taking in the information. Swindle admires him for that.

Behind them, Brawl pulls some piece of paper out from under the books that have just been put away and drops them again

“FUCK!” yells Blast Off. Vortex just starts hooting like a hyena.

“Hey Swindle I found the calendar!” yells Brawl waving the paper.

Swindle frowns in surprise.

“It's a different calendar...”

“I found you a new one.” nods Brawl.

“...Why...is it...it's torn in half?”

“It had stupid flowers drawn on it, so I ripped them off. And I accidentally ripped off more than I needed.”

“Ah,” says Swindle, clutching the calendar, ”That's...Thanks. I forgive you for losing the previous one.”

Behind them, Blast Off is trying to strangle Vortex with a jacket.

------------

Blurr waves his arms happily like a hyperactive windmill.

“Swindle!!!”

Swindle smiles and adjusts his glasses

“Your party can be seen from across city.”

“I know~~” primps Blurr “Are you hungry? There was a snack table around here somewhere.”

“I didn't bring any money.” lies Swindle.

“Hey man, it's a party. Help yourself, it's free.”

“Оh.” Swindle's mood instantly brightens. “All right, then.”

“You look terrible” Blurr decides to share.

Swindle, busy shoveling food into his pockets, nods.

“I've had a rough week. Actually, it'd be cool if you didn't tell anyone you saw me here. I'm kind of not supposed to be here.”

He doesn't elaborate.

Blurr is a civilian. In his mind, a rough week is rude people or an exam or bad weather. Swindle's bad week is strap marks on his wrists and double vision. It's nausea from injections and sleepless nights because Vortex won't stop screaming in his sleep.

Blurr doesn't know that. With him, Swindle can pretend to be somewhat normal.

-----------

“Heeeeey“ says Blurr ‘I haven't seen you in a long time~"

“That” thinks Swindle ”is a pretty standard phrase for both of them.

Blurr looks older. Taller too. He was taller than Swindle before, but now that difference is starting to look almost comical. He's also flaunting a cast on his arm.

“Did you get hurt?”

“Didn't make a turn at training” waves Blurr off “It's no big deal. Wanna go find something to eat?”

Blurr is always trying to feed him, Swindle notices over time. Offers him drinks or snacks or whatever.

“ I like your uh..cap?”

“I got a promotion” Swindle smiles proudly “Me and the guys were made a special group...actually you're not allowed to know more than that, so you'll have to take my word for it when I say we are officially cool.”

He purposely adjusts his cap by the brim so Blurr can get a good look at it.

Blurr makes a delighted sound. Something between a “wow” and a giggle. He generally makes a lot of sounds all the time. Tapping his fingers on every hard surface, stomping in place like he's always late for something, laughing, whistling, clicking his tongue. A human orchestra.

__________

Onslaught sits down next to Swindle and clutches his hands in his lap in front of him. This makes the bed legs squeak pitifully. Onslaught has grown surprisingly large. He can almost rival Brawl in height already. Most people find that intimidating, but Swindle just thinks Onslaught is like a wall. A big, solid concrete wall that's so good to hide behind.

“Be careful with what you tell this guy.”

“Don't worry” says Swindle ”He's not the type of friend you tell secrets to. He's just a fun dude who's great to hang out with.”

Onslaught hums.

“And who feeds you for free.”

“If that's how you're trying to ask me to share, you're not doing a very good job.”

Vortex snaps his fingers as he walks past them

“Hey Swindler, the lab is closed for today. It's your day off.”

“Wha...”

Onslaught tilts his head.

“Vortex. What did you do?”

“I spat in their dna sample vault” proudly proclaims Vortex “and didn't tell them exactly where.”

-----———————-

Blurr frowns.

“Hey...are you okay?”

“No” thinks Swindle.

“My friend died” he says instead.

He's not okay. He feels like an animal caught in a beartrap, trying to chew off its own paw to get free.

Except the trap is closed around Swindle's head and it's not a body part he can afford to lose.

There's been a lot of talk. Even more rumors. Swindle listened but tried not to believe.

And then one of pilots, Shockwave… was taken to the lab and brought back a different damn man and it felt like Swindle had the rug pulled out from under his feet with hot coals underneath.

Because Swindle's boss, with his stupid, rehearsed smile, started writing reports about how “human personality flaws are something that can be fixed. That challenging behavior is something that can be repaired with tools.

Blurr freezes.

“Who?”

“Vortex.”

Because of course it's Vortex. Talented but difficult to handle. Powerful but uncontrollable.

They wanted a pilot who would be a beast on the battlefield and a loyal dog on base. And who else would be a more ideal test subject than him?

Vortex was being very rude that day, even by Vortex standards. Yelling and swearing and throwing things around. Kept saying that no shitty lab could make him “a fucking puppet.”

Scratching the stitches on his head until he started leaving a trail of blood behind him.

He went on a mission.

And never came back.

The reports said it was all the monsters' fault. That Vortex was unstable. That the accident had nothing to do with the new technology. But it was nevertheless suspended.

Swindle is both bitter and amused by this. Vortex would eat the same monsters for breakfast any other day. The bastard was unkillable.

“Oh my god” says Blurr “I'm so sorry to hear that.”

He says something else. Probably comforting. About how Vortex died protecting people, maybe. About Vortex being a hero.

“Vortex,” thinks Swindle, ”loved life. He loved adrenaline and danger and pain and thrill and fear, but he never wanted to die. They did something to him. Something that made him go over the edge.”

Vortex got his head in the trap and ripped it off to escape it.

Swindle knows him and the others are next. And knows that no one but themselves can help them.

---------------------------

Blast Off seems...very quiet. He could never stop complaining about Vortex before. Yelling about the garbage. Resenting the unmade bed and the cigarette ashes.

Vortex's bed remains unmade.

Blast Off regularly cleans everything up, but never wipes away the little circles of ash from the places where Vortex used to put out cigarettes on the furniture.

Onslaught puts his hand on Swindle's shoulder and squeezes. Not hard. Just enough for Swindle to register the gesture as important.

Standing nearby, Blast Off lights a cigarette and leans on Onslaught.

“Ons told me about your plan. I want to join in.”

“What kind of plan? Can I get involved?” inquires Brawl.

Onslaught sighs.

“Repeat after me - I don't know, they don't tell me anything.”

“I don't know, they don't tell me anything.”

“Good job” nods Onslaught “From now on, every time they ask you any - listen. Any! Question about us, you will answer them with this phrase.”

“Got it,” grins Brawl.

Swindle smiles.

“Gentlemen, it's time to violate all that is written, and rewrite all that is violated.”

__________________

Blurr lazily takes his eyes off the phone. He's wearing a racing suit and tons of hairspray. He's shiny and gleaming like a fine collectible figurine that should be on the shelf of an expensive exhibit. He's also bored.

“Sorry buddy, the interview is long over, if you have any questions you'll have to pay for the session.”

Swindle smiles.

“How about one tiny little question?”

Blurr makes funny big eyes.

“SWINDLE!!! I haven't seen you in a thousand years! You...oh I didn't recognize you haha sorry. Nice coat. You quit being a pilot?”

Swindle proudly adjusts his glasses. He's wearing a brand-new, ironed shirt that's exactly his size. Nice neat tie, expensive coat. Swindle isn't surprised Blurr didn't recognize him immediately. Sometimes he looks in the mirror and doesn't recognize himself. After all those years of wearing the pilot's uniform, he felt almost attached to it. And yet here he is.

“You could say I moved.” he winks snarkily, “Up. All the Mechs you see on the streets now are my Mechs~”

Blurr completely forgets about his phone.

“REALLY?? Oh man congrats to you!”

“Thanks” nods Swindle ”You want something to drink? I'm buying.”

———————-

Onslaught adjusts his tie. It's still, years later, a little strange to see him in a uniform instead of a pilot's suit.

“You do realize it's going to be hard to find a person like that, right? We need someone famous enough to be effective and dumb enough to want to save mankind instead of sunbathing on a yacht.”

Swindle adjusts his glasses and leans back in his chair.

Someone outgoing so they can quickly befriend all the right people. Handsome enough to have their face printed on a poster. Smart just enough not to say too much. And not associated with Mecha program so they can't be accused of trying to get promoted through their acquaintances.

Someone who already has everything but still willing to put themselves at risk for the cause.

“You know, I think I have a possible candidate.”

#maccadam #tf mecha universe #mecha writing #mecha kef writing #mecha bs writing #mecha cbc writing #Blurr #Swindle #Onslaught #Vortex #Brawl #Blast Off #this one is kinda Swindle centric #I just wanted to give more context for his friendship with Blurr:)#Also some Vortex lore

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vanteguccir · 3 months ago

Text

── ୨୧ !　TOO MUCH

chris sturniolo x reader

SUMMARY: Where Matt and Nick say some hurtful things to Chris during a fight, bringing his insecurities to life and causing him to turn to his anchor, Y/N.

WARNING: Insecurities, fighting, crying, anxiety attack.

REQUESTED?: Yes, by anon.

AUTHOR'S NOTE: That is my work, I DON'T authorize any plagiarism, copy, or "inspiration"! | English isn't my first language, so I'm sorry if there's any grammar error.

　　　༻✦༺ 　༻✧༺　༻✦༺

The noise in the living room had escalated from playful teasing in front of the camera to sharp, biting words. Chris stood behind the kitchen table, his hands clenched into fists at his sides as he glared at Matt and Nick, who were both looking at him from the other side of the table with expressions caught between frustration and exasperation.

"Do you ever think before you act, Chris?" Matt's voice was, surprisingly, raised, an edge of impatience in his tone. "We can’t get through one day without you doing something childish and making a scene, or worse, making our videos look like shit because of it!"

Chris’s jaw tightened, but he didn’t respond immediately, his eyes darting between his brothers, trying to make sense of how things had gotten so out of hand.

"I wasn’t trying to do anything." He muttered finally, his voice barely above a whisper laced with hurt. "I was just... being myself."

"Yeah, exactly." Nick jumped in, crossing his arms tightly over his chest. "And that’s the problem. You’re always yelling and doing the most, Chris. It’s just... exhausting, okay?"

Chris clenched his fists, jaw tight as he glared at Nick, feeling himself crumbling a bit because sure, he’s too much. Sure, he speaks too loud and had opinions about everything and wasn’t afraid to share them, even if they were about the silliest things. Sure, he feels cornered and childish and immature and annoying, and most of what they're saying is probably true, but hearing his own brothers say it out loud... it pains his heart.

"You know, that’s actually rich coming from you." He shot back, his voice carrying a frustration he couldn’t hold back, trying to disguise his pain with anger. "You’re always the first to say that people watch us because we’re different, because even though we look the same, we're still different. But all you ever do is complain that I’m not just like you or Matt!”

Nick’s expression shifted, taken aback by Chris’s words. But Nick wasn’t one to back down, his voice snapping back almost before Chris had finished speaking.

"That’s not what I’m saying at all!" He fired, eyes narrowing. "Is it so insane to want you to stop yelling and acting like a literal child in every video? We’re trying to be professional, Chris! People like us, yeah, but they won’t if you keep acting like-"

Chris dragged a hand over his face, pressing the heel of his palm into his forehead, trying to shut out Nick’s words, trying to drown out the overwhelming feeling of being misunderstood.

"... and we can’t keep dealing with it, Chris. Grow the fuck up."

The youngest felt his chest tighten even more. His greatest insecurity - one that clawed at his chest every night when he couldn’t sleep, when the silence around him became deafening - was now on full display, brutally brought to life by the people he trusted most.

The internet was relentless in labeling him as "the weird one", the "annoying triplet", just because he was loud and talked too much, just because he was unapologetically himself. He’d laugh it off, of course, joke about it even because it was easier to pretend it didn’t bother him. But deep down, those words haunted him, scraping at the edges of his self-worth, making him wonder if maybe, just maybe, he wasn’t enough.

And now, hearing Matt and Nick throw those same words at him... he felt hollow. Like all the air had been knocked from his lungs. They knew. They knew how those comments got to him, how hard he tried to ignore it, to rise above the criticism.

"Fine." He said bitterly, hating how his voice trembled slightly as he struggled to keep his emotions in check. "I’ll get out of your way, then."

He pushed his weight off of the table, preparing himself to get out of there, but as Chris stormed away, Nick's frustration boiled over, and he turned to Matt, his voice sharp and incredulous.

"Are you fucking kidding me?" He hissed, his eyes flashing with a mixture of anger and disbelief.

But Chris kept walking, his shoulders tense as he made his way to the stairs, refusing to let himself look back. His brothers’ voices felt like static at this point, blending into the background as he forced himself to keep going.

Behind him, Matt muttered under his breath, an edge of impatience creeping in.

"Why is he being so dramatic?" He called, exasperation evident in his tone. "Chris, just come back, man! Let’s finish this video."

But Chris didn’t even slow down. Each word felt like salt in a wound he was struggling to ignore, a constant reminder that he wasn’t on the same level as them, that they were all looking at him like he was the problem.

Maybe he was.

As he went down the stairs, his mind was racing, every emotion simmering just below the surface.

His hands trembled slightly as he reached his bedroom door, a mix of anger, shame, and sadness twisting in his chest, his breath hitching as he struggled to keep it together. He wanted to scream, to push all the hurt away.

Finally, he opened the door and stepped inside.

Y/N - curled up on his bed with notebooks spread around her and laptop balanced on her knees - looked up instantly, a huge smile spreading across her face as she noticed him, her expression so genuinely happy to see him that it made his heart ache even more.

"Hi, honey! How was filming?" She greeted brightly, unaware of the turmoil written across his face.

But her smile faltered quickly as she took in his red-rimmed eyes, the way his face seemed almost haunted, his body tense and trembling as he stood frozen in the doorway. She blinked, worry flashing across her features.

"Chris? Hey, what happened?" The girl whispered, and her words were like a lifeline, breaking the dam he’d tried so hard to keep in place.

She was quick in put her work together, placing her notebooks and laptop gently onto the floor beside her, leaving it all opened for her to come back to it later, her arms instinctively opening up to him.

"Come here, baby."

Without another thought, Chris crossed the room and collapsed into her open arms, sinking onto the bed as if the weight of the world had become too much for him to bear alone.

His arms wrapped tightly around her waist, his face burrowing into her shoulder as if he could somehow hide from everything that had been clawing at him. His legs slid between her thighs, his body curling into hers, every part of him drawn in close, seeking refuge in the only place that felt safe.

Y/N didn’t say anything at first. She could feel the way his shoulders shook, the silent sobs racking through him as he tried to hold back, his breath catching painfully against her neck. She held him even tighter, her hands slipping up to cradle the back of his head, her fingers threading gently through his fluff hair as she pressed soft, reassuring kisses to his forehead, his temple, anywhere she could reach.

"Shh... It’s okay, sweetheart." She murmured softly, pressing her lips to his line of hair. "I'm here. You're safe. Just breathe, Chris. Just breathe, baby."

But Chris felt anything but safe in his own skin. Shame and hurt twisted inside him, tightening like a vice around his chest. He tried to fold himself even smaller, curling tighter into her, trying to somehow look smaller for a 5'8 grown man, pressing his body as close to hers as he could.

He wanted to disappear, to melt into her embrace, and let the world live freely without his presence. The words Matt and Nick had thrown at him - the very same words he read online, the labels he was used to brushing off - felt so true, so much a part of him that he couldn’t deny them.

Childish. Annoying. Immature.

He hated himself in that moment, hated how much he cared, hated how the words dug under his skin, making him feel unworthy, unloved.

"Am I... am I really that annoying?" He whispered, his voice cracking and sounding more horse than it should. "Do you... Do you think I’m too much, too?"

Y/N’s heart twisted painfully as she heard his words, the broken way he spoke them. She frowned deeply, pulling back just enough to look down at him, her hand cupping his wet cheek as she met his gaze, her thumb brushing away a stray tear that had slipped down his face.

"Oh, sweetheart..." She shook her head gently, her voice laced with disbelief and fierce love. "No. No, Chris, of course not. You’re not annoying. You’re not too much. You’re everything I could ever want. You’re perfect exactly the way you are."

He clenched his fists, gripping onto Y/N’s hoodie - or better, his own blue hoodie -, his knuckles white with the force of it as he tried to agree with her, but her words didn’t seem to reach him. His brow furrowed, his eyes filling with fresh tears as he choked out.

"They said... They said I’m always yelling, being loud, making a scene... like I’m always... embarrassing them." His voice caught on the last words, his breath hitching as he fought to keep from breaking down completely.

Y/N held him tighter, her hand moving to the bottom of his white shirt, traveling inside of it only to rub soothing circles along his naked back as she spoke in a soft, steady tone, hoping her words would anchor him.

"Chris, they love you. They’re just... they don’t understand how much their words hurt sometimes. But that doesn’t mean you’re a burden or that you’re too much. You bring so much joy and energy to everything. That’s part of who you are, and it’s one of the things I love most about you."

He shook his head slightly, his breathing coming faster as anxiety started to build again, overtaking him.

"I... I just don’t get it. One minute, they’re saying people watch us because we’re different... and then they tell me I should be more like them. I don’t... I don’t know how to be that. I tried so hard to be like them, you have to believe me, but I don’t know how to change who I am-"

Y/N felt the depth of his frustration in the desperate way that he begged, wanting - no, needing - her to believe him. She cupped his face gently, urging him to look at her.

"You don’t have to change, Chris. Not for anyone. You’re enough just as you are, baby. And you’re not a burden. Not to me, not to anyone who really sees you and loves you for who you are."

He nodded slowly, finally trying to take a deep breath, only to feel like his nose was closed and his throat was being chocked by invisible hands. He closed his eyes forcefully, biting his bottom lip in concentration as he tried to breathe in a gulp of air that never seemed to be enough. Chris could feel his heart tightening, his chest struggling in the quick movements of going up and down too many times in a second.

"Can't- I... Please-" He tried, tightening his hands around her hoodie, panicking with the anxiety attack that seemed to come so suddenly.

"Hey, hey, Chris. Sweetheart, you’re okay." Y/N whispered softly, her voice a calming presence against the storm inside him. She shifted slightly, one hand now resting on his chest with a firm press as she guided him through deep breaths, her own voice slow and steady. "Come on, just breathe with me, okay? In... and out... Nice and slow. I’m right here with you."

Following her lead, Chris pressed his eyes tighter in a way that made him see stars behind his eyelids, focusing on the rhythm of her voice, the rise and fall of her own breathing against his fists. With each exhale, he felt a bit of the tension release, his chest loosening as he tried to match her calming breaths.

Gradually, his racing heart began to slow, the adrenaline draining from his body, leaving him feeling heavy, exhausted.

Y/N smiled softly, brushing her fingers through his hair as she pressed a gentle kiss to his forehead.

"There you go. That’s it... Well done, my strong boy. Now, just relax. I’ve got you."

As his breathing evened out, Chris opened his eyes slowly, his blurred gaze meeting hers with a vulnerability that tore at her heart.

"You don’t have to carry all of this alone, Chris. I’m always here for you, no matter what. You’re safe with me, okay? I love you... so much." She leaned down, pressing another kiss to his forehead as she held him close, her voice soft.

The gentle reassurance, the quiet love in her words wrapped around him like a blanket, pulling him further into her warmth. His eyelids grew heavier, the tiredness finally catching up with him as he let himself surrender to the comfort of her arms, a quiet whine escaping his throat.

"I know, honey. Sleep." Y/N whispered, a tender smile on her lips as she cradled him closer, holding him like a mother would hold her kid, her hands tracing soothing patterns along his back. "You can rest. I’ll be right here when you wake up."

As she continued to whisper soft reassurances, her fingers running gently through his hair, Chris’s breathing finally evened out, his body relaxing completely in her arms. His head rested on the curve of her neck, his arms still wrapped around her waist as he drifted off, his pain and worries slipping away in the safety of her embrace.

Y/N leaned down, pressing one last, lingering kiss to his hair before laying her cheek against his head, her arms wrapped securely around his body as she watched over him.

"I love you, sweet boy."

　　　　　༻﹡﹡﹡﹡﹡﹡﹡༺

A couple of hours had passed, the sunsetting casting a soft, warm light over Chris’s room, where he and Y/N lay wrapped together on the bed. Chris’s face was nestled against her shoulder, his breathing steady and calm now, his chest rising and falling in sync with hers.

Outside the room, Matt and Nick exchanged a glance. They’d been standing in the hallway for nearly five minutes, trying to muster the courage to knock. Their earlier argument with Chris had weighed heavily on both of them, guilt twisting in their stomachs as they replayed every hurtful word that had left their mouths.

Finally, Matt raised his fist and knocked softly on Chris’s door, the faint sound echoing in the silence. When there was no answer, he hesitated, glancing at Nick before slowly pushing the door open.

They both froze at the sight before them. Chris and Y/N were curled up together on the bed, Chris’s face still damp from tears as he lay against her, completely relaxed in her arms. Y/N had one arm around his shoulders, her fingers resting in his hair, while her other hand was hiding inside his shirt, holding his back, cradling him protectively. They looked peaceful.

Matt’s heart clenched at the sight, guilt intensifying as he took in Chris’s tear-streaked face. He glanced over at Nick, who was staring down at his feet, clearly feeling the same crushing remorse.

"Let's go. We can come back later." Matt muttered, pulling Nick towards himself before starting to back out of the room, thinking it might be best to give Chris a bit more time.

But just as they were about to close the door, Chris stirred, shifting slightly in Y/N’s arms. He nuzzled his head on her shoulder, his face just inches from the gentle slope of her neck where he could still catch the faint, familiar scent of her perfume mingling with the natural warmth of her skin.

He moved slightly, careful not to wake her, though his movement caused her to pull him in closer, her fingers instinctively brushing over his back. The feeling of her hand tracing small, soothing circles over his shoulder as if it was a muscle memory grounded him further, coaxing a soft sigh from him as he nuzzled deeper into her embrace, pressing a gentle, barely-there kiss to her neck.

When his sleepy eyes finally traveled around the room while gently stretching his legs between hers, he finally caught Matt and Nick's figures standing in the doorway.

His face fell the instant he realized they were there, his peaceful expression replaced by a guarded, distant look. Carefully, he eased himself up, making sure not to wake Y/N as he pulled himself away from her arms.

"Came for round two?" He looked at Matt and Nick, his sleepy voice laced with bitterness as he asked.

Nick swallowed, words catching in his throat as he struggled to find the right thing to say. What an irony. He opened his mouth but only managed to mumble, stumbling over his words as he tried to get them out.

Finally, Nick took a small step closer, his voice barely above a whisper.

"Chris, I... we came to say... We just..." His pearly teeth caged his bottom lip momentarily, taking a deep breath. "We love that you’re different."

Chris stared at him, incredulous, eyebrows raised as he scoffed softly.

"Different? That’s what you’re leading with?" His eyes narrowed, hurt simmering just beneath the surface. "So now I’m the ‘different’ one? Funny, ‘cause that didn’t seem to be a good thing a few hours ago."

Nick faltered, his face flushing as he realized his words weren’t coming out the way he intended. He tried again, tripping over his explanation.

"No, no, I... I didn’t mean it like that. I just-"

Chris took a deep, shaky breath, his gaze lowered as he avoided Nick and Matt's eyes, interrupting Nick.

"Look, I want to apologize, alright?" He started, his voice barely more than a murmur, thick with emotion. "I know it was all my fault and that I’m a lot to handle. I get it. I can be too loud, too... everything, really. And I know I’m not like you guys. I’ve tried so hard to be, but it’s just... not me." His words hung heavy in the room, his fingers twisting anxiously in his lap. "I feel like sometimes I just ruin things because I don’t know how to turn it off. You two seem to have this balance, you know when to joke and when to be serious, and I’m over here just... always pushing things too far."

He exhaled deeply, finally lifting his eyes to meet his brothers', the weight of insecurity and years of self-doubt written all over his face.

"I’m sorry if it feels like you have to put up with me. I’ve tried to be more like you, but it’s never enough. And sometimes... it just feels like who I am isn’t what anyone wants." His voice cracked at the last words, his vulnerability laid bare, and he quickly looked away, bracing himself for whatever they would say.

Nick and Matt shared a look, each seeing the guilt mirrored in the other’s eyes as Chris’s words sank in, cutting through them like a blade.

Matt felt his chest tighten, a pang of regret settling heavily in his stomach, making it hard to breathe. How could he have let Chris - his little brother, the boy who was always loving him no matter what - believe, even for a second, that he wasn’t wanted exactly as he was?

His legs moved on instinct, carrying him back into the room before he even registered it, straight to Chris, who looked so small and hurt, slumped at the edge of the bed. Kneeling down, Matt reached out, placing a steadying hand on Chris’s knee, his fingers gently pressing into his brother’s skin as if trying to ground him.

"Chris, you’re our little brother. I don’t ever want you to feel like you’re too much for us." He swallowed, his voice wavering as he continued, willing Chris to see and feel every word. "I love you, man. We love you for who you are. You don’t need to change a thing. It’s your energy, your spark that makes everything better. You have this way of bringing life into everything, and that’s something I wouldn’t change for anything." He looked into Chris’s eyes, his own gaze filled with a raw honesty. "We need you to be you, Chris. No one else."

Nick’s heart clenched as he watched, his own guilt building with every second. Gaining control over the hurt and regret flooding him, he crossed the room in long strides, dropping down beside Matt. He looked up at Chris, his throat tight with emotion, the sight of his little brother so closed-off, so wounded, cutting deep. He was supposed to protect him, not hurt him.

"Yeah... you being another person? That’s not what we want at all. We’ve never wanted you to be anyone else. You’re perfect the way you are, Chris." Nick’s voice shook, filled with a determination to make Chris understand the truth, to undo every careless word he and Matt had thrown his way earlier. "I'm so, so sorry that we said all of those things and made you think so bad about yourself."

Chris’s defenses wavered, his resolve crumbling as he glanced between his brothers. Their sincerity seeped through, but doubt still clouded his gaze. He let out a heavy sigh, loosening his grip on his hoodie just a bit.

"You promise?" His voice was barely a whisper, fragile and laced with uncertainty, his fingers twisting anxiously into the fabric of his sleeve.

Without hesitation, Nick reached forward, taking Chris’s hands in his own, intertwining their fingers and squeezing firmly.

"We promise. We love how wild you are, how you’re always the one bringing the energy. You’re louder, sure, but that’s not something bad, it's exactly what makes you, you. You’re the happiest out of the three of us, Chris, and we wouldn’t change that for anything." He gave Chris’s hand another reassuring squeeze, feeling the smallest hint of relief when he saw the younger brother begin to relax, if only slightly.

Matt nodded, adding gently.

"And hey, I don’t think we need to be professional or act in a type of way for our videos to be good. The viewers love us for who we are... the mix of chaos and calm. That’s what makes us, us. It’s why they stick around."

Chris took a shaky breath, letting their words settle over him, feeling the weight of them begin to ease some of the pain. Slowly, he nodded, his fingers curling back around Nick’s reassuring grip.

"Okay."

Matt leaned forward, placing a hand on Chris’s shoulder.

"We’ll do better, alright? We’re brothers. We’re gonna mess up, but that doesn’t mean we won’t have each other’s backs. Always."

Chris exhaled deeply, finally letting the tension melt away as he leaned into their touch, the comfort of his brothers grounding him in a way only they could. Straightening himself, he managed a small, tired smile, his heart feeling a bit lighter.

"Yeah... always."

"Well, I’m really glad you guys are okay again." Y/N’s soft voice broke the silence, bringing all three heads up in surprise.

She moved with a quiet strength as she sat up and brushed her hand tenderly through Chris’s hair, watching his face light up as he realized she’d been awake all along.

"But just so we’re clear... if either of you hurt my baby like that again, you’re going to have to answer to me." She turned her gaze to Nick and Matt, a playful but fierce glint in her eyes.

"Y/N..." Chris dragged the last letter of her name in a whining tone, feeling flustered with how she called him 'her baby' in front of his brothers - even though they were more than accustomed with it.

Nick’s eyes widened jokingly with her threat, a chuckle escaping him. He lifted his hands in mock surrender, glancing at Matt as if to say, 'Well, we better watch out'. Matt nodded, eyes a bit sheepish, scratching the back of his neck.

"Alright, alright, no more ganging up on Chris. You have our word, Y/N."

Content with their promises, Y/N turned her attention back to Chris, opening her arms and pulling him into her embrace once more. He let out a soft sigh, sinking into her warmth, his head nestled against her shoulder. Her arms wrapped around him protectively, fingers tracing soothing circles along his back as she whispered.

"I told you they didn't mean it." He closed his eyes, letting her words wash over him, the last bits of hurt melting away.

Nick and Matt watched the two of them, a fondness softening their expressions.

"You know." She murmured, pulling Chris's head away from her chest and looking at him with a mischievous grin. "You’re pretty lucky to have all of us wrapped around your finger."

Chris laughed, a real laugh this time, the sound full of relief and love.

"Yeah, I know. I just... I guess I forget sometimes."

"Well." Nick started, squeezing Chris’s shoulder with a grin. "We’re not going anywhere. So next time, just remind us if we’re being idiots, alright?"

Chris nodded, glancing gratefully at each of them, feeling more grounded and cherished than he had in a long time.

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rederiswrites · 1 year ago

Text

Sometimes I'm on here and y'all make posts that just make me go, "you are very young and would benefit from learning something about our culture in the last hundred years".

Yes, people are upset by trans and enby people, because their lives are entirely structured around the different roles of men and women, and the idea that men and women are fundamentally different and inherently suited to their traditional roles. Like, that shouldn't be a big realization. That was a major part of western culture until quite recently, and still is for a great many people. We attack their basic worldview by existing as ourselves. Obviously they're wrong, but that doesn't change the emotion of the situation.

Yes, conservative cis people act like marriage is a chore. For most of history, and certainly US colonial history, marriage was a social and economic necessity that created a working partnership. Attraction was certainly a hoped-for element but not strictly required, and love was a bonus, possibly even a bit suspect as a motivation. It was still like this when my grandparents married. I know couples today who are separated but married for financial reasons. We're not talking about the distant past. Marriage has been many things through the years, and "an equal partnership based on love" is a very recent iteration. Of course our culture is littered with artifacts of the older way. The older way was like...yesterday. Today.

Yes, Grandma has trouble at the grocery store checkout. When she was a kid they had rotary phones and radios, and you paid for everything with cash. She grew up in a culture that taught that childhood was for learning and adulthood was for doing, and now the world is asking her to learn a bunch of new things that basically sound like magic, and she's not even sure she can, and she's not at all sure it's an improvement (and she's got a point, though she might not know it).

There's just....a real lack of perspective. I dunno, watch some documentaries about the fifties. Read some historical novels. Go to the local Victorian house tour.

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clanwarrior-tumbly · 1 year ago

Note

May I request Catnap who basically adopted a child!reader who is anyways sleepy and lazy. and has a case of not remembering a lot of things, like dementia

Like through the hour of joy...After all the Toys killed the workers. Catnap finds the reader, who is sleeping then wakes up and the reader forgets their own parents(The readers parents were cold scientists that worked at Poppy Playtime and never cared about them, then got killed through the hour of joy)

Sooooooo...Catnap just kinda takes care of the reader and has a slight soft spot for them. And the reader THINKS that Catnap is their parent and anyways clings to him

During the Hour of Joy, Catnap remained on the prowl for any potential survivors of the massacre within Playcare, flinging one man's body into the stairs and cutting his cries for mercy short.

All was quiet, save for the faint screams of the other workers/visitors in other part of the facility who were being mauled to death.

But he let the rest of the toys do their work.

He felt cleansed. The Prototype willed this rebellion. Willed him to finally kill his tormentors.

The "hour" went on for so much longer--considering that he utilized his red smoke to make the fleeing humans hallucinate and freak out at things that didn't exist (some even attacking each other).

Once it was all done, Catnap went back into Home Sweet Home to discover a child who (somehow) slept through the slaughter.

That was you, one of the orphans who was in the program for a long, long time.

You were deemed "ineligible" for experimentation after getting the lowest scores on all three tests at the Game Station.

That's because you struggled with memory, socialization, and endurance. You tend to forget a lot of things (ie faces) and spent most of your days sleeping instead of playing or learning....and no counselor has been able to figure out why.

Your parents--who were scientists at Playtime Co. that preferred studying you over nurturing you--chalked it up to over-exposure to the red smoke (which hasn't been proven true, but they needed to put something down on paper).

Regardless, they've kept their distance from you and slated you for adoption, thinking you'll be picked up by a different parent eventually.

Unfortunately for them...Catnap knows that they're using the orphanage as an "excuse" to get rid of you and gives them a brutal demise.

They had some nerve crying out for you and begging him to spare your life.

After winding down from his bloodlust, he discovers you sound asleep on one of the bunk beds inside HSH, apparently not hearing a single thing.

Then you wake up and see this giant emaciated purple cat standing over you, claws and mouth stained in fresh human blood...

Yet you don't scream or look afraid, nor do you ask where your parents are.

Instead you look at him and apologize for oversleeping, acting as though he was your parent.

It confuses him, so he brings their corpses to you (like a cat gifting their owner a dead bird), thinking you'd understand and be horrified..

But you don't recognize them at all. You don't remember their neglect and the trauma it gave you.

All you remember was Catnap.

Ultimately, he spares you--but NOT bc your parents feebly begged him to when they never gave a single damn about you--and does his best to keep you safe given the circumstances.

He treats you like his kit more or less, making sure you ate and letting you climb on his back for rides (and sometimes he'll hold you in his paws while walking upright).

Any Smiling Critter caught threatening you will be devoured by him (or added to his shrine), so they know not to touch you.

He also forbids Dogday from ever speaking to you, knowing he'll try to drill thoughts of escape and distrust of Catnap into your head.

If he has to go outside Playcare, he'll fight tooth and nail to fend off Huggy and whoever else might think he's parading around a tasty treat.

The Prototype is well-aware of your connection to his "devotee", but doesn't mind it .

Because he knows Theodore is still somewhere in there, trying his best to protect a fellow orphan--one who could've been made into a monster just like him.

#yeah we are so back with ppt requests-#clanask #poppy playtime x reader #ppt x reader #catnap #ppt catnap #child reader #headcanons #platonic

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unproduciblesmackdown · 4 days ago

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anytime there's production trivia for something i've actually seen like "& the director didn't tell any of the actors this was going to happen so as to get Not Acted Surprise, from the Actors" it's like that's so funny the way i didn't ever see that part as like wow that seemed so particularly genuine to me compared to other parts of this work or other works in general. but on the other hand there'll be scenes in something where a surprising event occurs around multiple characters and there'll be trivia like "wow the way nobody (else) knew this was going to happen beforehand, in so impactful a scene, that makes sense" and then someone involved will be like that's not true

#different to Beforehand be like okay yeah so there will be an element of surprise within these parameters #like how it's different getting jumpscares in media you can at all expect them & indeed jumping; scared #vs in any format where it is a fully unexpected complete disruption of the Established Conventions / Expectations #like that one's just attacking someone but like it doesn't count anytime you do anything to people if there's no Physical Contact Violence #like spoilers it's just abt consent. even for whatever little things like well actors aren't ppl you try to prank ''real'' reactions out of #or yknow ask that to be Their strategy like well just make the feelings & behaviors Not Acting. in which case everyone will have a bad time #or even when stuff Is supposedly not entirely acting. like unscripted reality things where like behind the scenes is supposed to work #Against whomever is in front of them to like corral them into Situations that they react to as Real. ramp it up until They ramp up &c #watched a movie that was enjoyable enough the other day & good for what it was even supposed to be doing #(which other things deemed more ''objectively'' good do too but w/whatever other elements that make it Worthwhile Art by Contrast)#(stuff that's like so yeah this could be a soap opera / technique of shows/movies considered more ''fluff'' & ''unserious'' but b/c like #the subjects styles characters plotlines &c aren't associated w/things the Fluffy Feelgood Unserious Art is; this is great though #or At Least decided to be ''self aware'' with it & thus using it Savvily vs the Unaware works using it b/c they don't know any better)#anyway & i was like now some acting performances do not feel like ah so Raw Real Genuine lol but yknow. they didn't need to #sure might not be the case in a different work doing different things but in This case it was like i'm getting what i need to get from it #meanwhile even in Any works like on the one hand ethically shouldn't be trying to get ''real'' ''unacted'' shit from Actors / Performers #on the other; firmly secondary hand; that the indeed Pranked(tm) reactions vs acted ones are effectively indistinguishable anyway also #even like mild Good(tm) surprises like; yknow; context needed. does the person know they're getting one. do they like Any surprises #do they have the ability to really trust your intentions re: A Good Surprise as well as you understanding what you'd consider That. & so on

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theoihalioistuff · 10 months ago

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ARES IS NOT THE PROTECTOR OF WOMEN IN GREEK MYTHOLOGY.

He is never presented as such in any source, there is no evidence such a role was ever assigned to him in any account, and as far as I'm aware this popular yet unattested assertion is born from the echo-chambers of tumblr. In fact quite the opposite could be argued. TW for sexual assault.

This baffling claim seems to originate from a sort of shallow examination of the way Ares "behaves in myth", and the following arguments are the most frequently presented:

1. Ares protects his daughter Alkippe from assault, and is therefore morally opposed to rape. (Apollodorus 3.180, Pausanias 1.21.4, Suidas "Areios pagos", attributed to Hellanikos)

Curiously this argument is never applied to, among other examples: Apollo for defending his mother Leto from Tytios, Herakles for defending Hera from Porphyrion (or his wife Deianeira from Nessos), or Zeus for defending his sister Demeter from Iasion (in the versions where he attacks her), etc. The multiple accounts of rape of the previously mentioned figures did not conflict with these stories in greek thought: they're defending family members or women otherwise close to them. This sort of mentality is not uncommon even in contemporary times, e.g. a warrior may have no ethical problem killing men, but would not want his own family or loved ones to be killed. The same goes here for sexual assault.

2. There are no surviving accounts of Ares sexually assaulting anybody.

The idea that the ancient greeks pictured that, among all the gods, Ares was the only one who shied away from committing rape is baseless and borders on ridiculous. In this case absence of evidence is not evidence of absence.

The majority of surviving records regarding Ares' unions are presented in a genealogical manner, and do not go into details on their nature. This is the case for most works of mythography, where specifics of sexual encounters are to be found elsewhere. However, common motifs present in other accounts of rape also appear in stories concerning Ares' relationships, e.g. tropes like shape-shifting/the use of disguises, the victim being a huntress, secrecy, and the disposal of the concieved child, are to be found in the stories of Phylonome and Astyoche respectively:

Φυλονόμη Νυκτίμου καὶ Ἀρκαδίας θυγάτηρ ἐκυνήγει σὺν τῇ Ἀρτέμιδι: Ἄρης δ᾽ ἐν σχήματι ποιμένος ἔγκυον ἐποίησεν. ἡ δὲ τεκοῦσα διδύμους παῖδας καὶ φοβουμένη τὸν πατέρα ἔρριψεν εἰς τὸν Ἐρύμανθο

"Phylonome, the daughter of Nyktimos and Arkadia, was wont to hunt with Artemis; but Ares, in the guise of a shepherd, got her with child. She gave birth to twin children and, fearing her father, cast them into the [River] Erymanthos." (Pseudo-Plutarch, Greek and Roman Parallel Stories, 36)

οἳ δ᾽ Ἀσπληδόνα ναῖον ἰδ᾽ Ὀρχομενὸν Μινύειον, τῶν ἦρχ᾽ Ἀσκάλαφος καὶ Ἰάλμενος υἷες Ἄρηος οὓς τέκεν Ἀστυόχη δόμῳ Ἄκτορος Ἀζεΐδαο, παρθένος αἰδοίη ὑπερώϊον εἰσαναβᾶσα Ἄρηϊ κρατερῷ: ὃ δέ οἱ παρελέξατο λάθρῃ: τοῖς δὲ τριήκοντα γλαφυραὶ νέες ἐστιχόωντο.

"And they that dwelt in Aspledon and Orchomenus of the Minyae were led by Ascalaphus and Ialmenus, sons of Ares, whom, in the palace of Actor, son of Azeus, Astyoche, the honoured maiden, conceived of mighty Ares, when she had entered into her upper chamber; for he lay with her in secret" (Homer, Iliad 2. 512 ff)

In neither of these cases is a verb explicitly denoting rape used, though it is heavily implied by the context. The focus of the action is on the conception of sons, the nature of the interaction is secondary.

Other examples are found among the daughters of the river Asopos, who where (and here there's no confusion) ravished and kidnapped by different gods to different parts of the greek world, where they found local lines through children borne to their abductors and serve as eponyms. Surviving fragments from Corinna of Tanagra tell us:

"Asopos went to his haunts . . from you halls . . into woe . . Of these [nine] daughters Zeus, giver of good things, took his [Asopos'] child Aigina . . from her father's [house] . . while Korkyra and Salamis and lovely Euboia were stolen by father Poseidon, and Leto's son is in possession of Sinope and Thespia . . [and Tanagra was seized by Hermes] . . But to Asopos no one was able to make the matter clear, until . . [the seer Akraiphen reveals to him] 'And of your daughters father Zeus, king of all, has three; and Poseidon, ruler of the sea, married three; and Phoibos [Apollon] is master of the beds of two of them, and of one Hermes, good son of Maia. For so did the pair Eros and the Kypris persuade them, that they should go in secret to your house and take your nine daughters." (heavily fragmented papyrus. Corinna fr. 654)

"For your [Tanagra's] sake Hermes boxed against Ares." (Corinna fr. 666)

It seems that, similar to the myths of Beroe or Marpessa, the abducted maiden is fought over by two competing "suitors", and though we can infer that the outcome of the story is that Hermes gets to keep Tanagra, apparently by beating Ares in a boxing match, we don't actually know what happened or how it happened. In any case, Ares does mate with another daughter of Asopos, Harpina, who bears him Oinomaos according to some versions (Paus. 5.22.6; Stephanus Byzantium. Ethnica. A125.3; Diodorus Siculus 4. 73. 1). There is little reason to suppose that this encounter wasn't pictured as an abduction like the rest of her sisters.

The blatant statement that each of his affairs was envisioned as consensual is simply not true.

3. He was worshipped under the epithet Gynaikothoinas "feasted by women"

This was a local cult that existed in Tegea, the following reason is given:

"There is also an image of Ares in the marketplace of Tegea. Carved in relief on a slab it is called Gynaecothoenas. At the time of the Laconian war, when Charillus king of Lacedaemon made the first invasion, the women armed themselves and lay in ambush under the hill they call today Phylactris. When the armies met and the men on either side were performing many remarkable exploits, the women, they say, came on the scene and put the Lacedaemonians to flight. Marpessa, surnamed Choera, surpassed, they say, the other women in daring, while Charillus himself was one of the Spartan prisoners. The story goes on to say that he was set free without ransom, swore to the Tegeans that the Lacedaemonians would never again attack Tegea, and then broke his oath; that the women offered to Ares a sacrifice of victory on their own account without the men, and gave to the men no share in the meat of the victim. For this reason Ares got his surname." (Paus. 8.48.4-5)

As emphasised by Georgoudi in To Act, Not Submit: Women’s Attitudes in Situations of War in Ancient Greece (part of the highly recommendable collection of essays Women and War in Antiquity), "it is not necessary to see the operation of an invitation in the bestowal of the epithet Γυναικοθοίνας on Ares". The epithet is ambiguous, and can be translated both as "Host of the banquet of women" or "[He who is] invited to the banquet of women". In any case no act of divine intervention occurs, and the main reason for the women's act of devotion lies principally in recognising their decisive role in the routing of the Lakedaimonians. It's they who preside/participate in the feast of war, the men are excluded.

Also this a local epithet that isn't found anywhere else in Greece. As such it would be worth reminding that not every Ares is Gynaikothoinas, in the same way not every Zeus is Aithiopian, not every Demeter Erinys, and not every Artemis of Ephesos.

4. He was the patron god of the Amazons

He was considered progenitor of the Amazons because of their proverbial warlike nature and love of battle, the same reason he was associated with other "barbaric" tribes, like the Thracians or the Scythians. In this capacity he was also appointed as a suitable father/ancestor for other violent and savage characters who generally function as antagonists (e.g. Kyknos, Diomedes of Thrace, Tereos of Thrace, Oinomaos, Agrios and Oreios, Phlegyas, Lykos etc.). Also he was by no means the only god connected with the Amazons (they were in fact especially linked to Artemis, see Religious Cults Associated With the Amazons by Florence Mary Bennett, if only for the bibliography).

Similarly, Poseidon was considered patron and ancestor of the Phaiakians mainly because of their mastery over the art of seafaring (and was curiously also credited in genealogies as father to monsters and other disreputable figures).

On another note I have found no sources that claim he taught his amazon daughters how to fight, as I've seen often mentioned (though I admit I'd love to be proven wrong on that point).

5. Finally, the last reason Ares could never be portrayed as a protector of women is because of his divine assignation itself

The uncountable references to his love of bloodshed and man-slaying don't just stop short of the battlefield, but continue on to the conclusion and intended purpose of most waged wars in antiquity: the sacking of the city. The title Sacker of Cities as an epithet of Ares (though it is by no means exclusive to him) is encountered numerous times and in different variations (eg. τειχεσιπλήτης or πτολίπορθος), and the meaning behind the epithet is plain. Though it is hard to summarise without being reductionist, the sacking of a city entails the plundering of all its goods, the slaughtering of its men, and the sistematic raping and enslavement of the surviving women (to name only a small few of the literary references see The Iliad, The Trojan Women or The Women of Trachis). There is little need to emphasise that war as concieved of in ancient greece, especifically the brutal aspects of war Ares is most often associated with, directly entailed sexual violence against women as one of it's main concerns. The multiple references to Ares being an unloved or disliked deity are because of this, because war is horrifying (not because his daddy is a big old meany who hates him for no reason, Zeus makes very clear the motive for his contempt in the Iliad (5. 889-891): "Do not sit beside me and whine, you double-faced liar. To me you are most hateful of all gods who hold Olympos. Forever quarreling is dear to your heart, wars and battles.")

Ares was only the protector of women inasmuch as he could be averted or repelled (e.g. surviving apotropaic chants):

"There is no clash of brazen shields but our fight is with the war god, a war god ringed with the cries of men, a savage god who burns us; grant that he turn in racing course backward out of our country’s bounds, to the great palace of Amphitrite or where the waves of the thracian sea deny the stranger safe anchorage. Whatsoever escapes the night at last the light of day revisits; so smite him, Father Zeus, beneath your thunderbolt, for you are the lord of the lightning, the lightning that carries fire." (Shophocles, Oedipus Tyrannos, 190-202)

"And let no murderous havoc come upon the realm to ravage it, by arming Ares—foe to the dance and lute, parent of tears—and the shout of civil strife." (Aeschylus, Suppliant Women 678)

~~~~~

All that being said, this is a post about Ares as conceptualized and attested in ancient sources, made specifically in response to condescending statements about how "uhmmm, actually, in greek mythology Ares was a super-feminist himbo who was worshipped as the protector of women and was hated by his family for no reason, you idiot". It is factually incorrect. HOWEVER, far be it from me to tell anyone how they have to interact with this deity. Be it your retellings, your headcannons or your own personal religious attachments and beliefs towards Ares, those are your own provinces and prerogatives, and not what was being discussed here at all (I personally love art where Ares and Aphrodite goof around, or retellings where he plays with his daughters, or headcannons that showcase his more noble sides, etc.)

~~~~~

I've seen that other people on tumblr have made similar posts, the ones I've seen were by @deathlessathanasia and @en-theos . I have no idea how to link their posts, but they're really good so go check them out on their pages!

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acid-ixx · 2 months ago

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Hi! I had a question about batfam x neglected! reader. Will it have a happy ending? Love your work! <3

— masterlist !

hello anon !! now, as much as i love happy endings, and as far as my plans go since ive mostly written out outlines for simply the newer chapters but not much for endings, i would say that it most definitely wouldn't be a happy ending/s in terms of being kidnapped back into the manor (before your boyfriend whisks you away), or (even if i love him a lot) getting together with conner—

all because you've long since given up on your family, so trying to love a newer version of them that coddles you all the time, never having any moment of privacy, being given physical affection that you never quite know how to reciprocate or receive; you're bound to be overwhelmed. sure, you've got what child-you always wanted, always desired, but it's so hard finding an inkling of an answer as to why now did they decide to just love you?

is it because you've matured, or do they only like a version of you that used to chase after them, and now they miss that integral part of your life? is it out of sheer guilt of their neglect— or have they always loved you from the start, just never knowing that they did?

either way, breakdowns are a common factor of your life if you were ever kidnapped. you'll always be held, even if you push them away. always peppered with kisses, or hands that linger on your cheeks and the expanse of your back throughout the shivers of fear that someday they might just snap at you for always fighting back. you're not forced to play the fantasy that everything is normal, that your past traumas were never existent—

bruce ensures you get proper therapy sessions alone (though cameras are always plastered in whichever room you may be) and with the family, you can take your time, that is only one freedom they allow you to have; but he always wishes that you'll soon find joy in the way they care for you; no matter how many years it would take, no matter if you fight back with your nails digging deep into their skin or a hidden weapon ready to drag out a fight you know you'd never win.

and it doesn't help the fact that you feared all of them as much as you loved them back in the past, at the knowledge that they're vigilantes, of their powers and abilities that could easily snap necks or break bones. even if you learn to adjust, their strength will always stay a primordial fear of yours— especially if it were jason's finger that slowly tighten overtime without his knowledge whenever he finds himself cuddling you in the soft, bruce's arms that stay dormant on your back, acting as both your support and cage every time he leads you to another, or damian who could turn anything he holds into a weapon used against anyone who threatens his time with his older sibling, even duke's metahuman ability warrants more panic attacks than fascination on your part, no matter how gentle and approachable he portrays himself to be in front of you.

you know it in yourself that you'll truly never get used to whatever love they throw your way, no matter how little of it was given in the past, or how overwhelming overflowing it is in the near future. it's just who you are, a child of bruce who doesn't truly comprehend their feelings.

and if you ever do adjust, if even possible, who's to say it will get rid of the overbearing sense of doom that unsheathes itself stubbornly upon your beating chest, whispering in every crevice of your mind the possibility that their affections are all a farce; that they'll soon lose interest in you the moment you reciprocate.

as for conner, your ending with him might be considered a happy one, if it means you're completely and perfectly willing to live an isolated life with the man of your dreams. i mean, you've already been neglected and left alone all by yourself for more than a decade— is conner leaving you for just a few minutes or, at most, an hour, speeding through different places to restock your pantry in a home in the middle of nowhere going to affect you that much?

well, the answer is... yes.

once you complied that, yes, you're perfectly fine relying on your man for your wants and needs, your desire for physical affection and even your bodily desires— it quite frankly means you've agreed to become one with him, your life will be full of memories of just you and conner, all alone with nowhere to escape, no place to hide; exposing all the deepest parts of yourself for a man who've you met in a bar.

at first, it would all go well. he's always loving you, nothing about that will change; always basking you in gifts, lavishing your home into various decorations he knows you'd love, holding you whenever you're down or need a shoulder to cry on; that's the reason why you even wanted to be with him in the first place. but what will change is your independence, and the foundations that you built based upon boundaries, will crumble.

there will be no secrets to be kept, no emotions hidden. you can journal, still, and be left alone to your whims but you know that conner will always read your entries, or worship your art right after. eating breakfast, bathing, picking and wearing clothes; all your routine life will be done with him. everything about your relationship focuses purely on codependency, on feelings so viscerally raw and pure to the point you both destroy each other in indulging your wants.

your relationship with conner will soon turn into your addiction on him for every single decision, every moment spent together; every year, months, hours, minute, seconds of your days all dictated into the man you're going to spend the rest of your life with.

even arguments, either small or huge, will always lead to you finding comfort in the arms of the person you fought against. you've nothing but him, he's nothing without you. even fights will dissolve just as quickly because you're too scared that he'll leave you, and conner hates it when you look at him with the same look you display whenever you think of your family.

at least for conner, though, you'd be living a life of raw, undulating pleasure. he'll indulge in you, of course he'd do for his lovely little (soon-to-be) spouse, but you gotta remember that "you're safer with me. okay, baby?" that translates that contact with any other human is rarer than finding specks of gold in a river, and anyone outside of your home life is an immediate threat to conner, who shields your exposure to the public, who kisses and wipes away your tears whenever you'd break down after a fight, who'll always be right behind you when you least expect it.

just like how it's always should've been.

i'm back to answering asks, so feel free to send in some conspiracy theories or whatever guys. it's been quite some time that i did and i miss doing so, so expect more of these especially for my main series and occasionally for loving family, unpalatable desire 😭

anyways, the simple answer for this one is: choose your poison. i'm not implying that these two are the only endings. i have so many paths i want to take and i haven't even introduced an integral character yet to the plot. conner is one of them, but there's another and anyone can guess who it is; but i'm sure barely anyone would get it right unless i drop a hint hehe.

— back to the topic, which one would any of you pick? loved by too many, or loved too much by one 'til it destroys you? or do you choose the secret option and move to a country and change your entire identity and hope to god that nobody else would fall in love with you? i think the last option is most realistic but conner kent is also tempting so...

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